#buy a clue and get off the stage

[trexalicious]

It's like the USO Tour alllll over again...🤣

[nickssidewitch]

✨❤️ How the Sturniolo Triplets Flirt With a Crush 😻✨ (a Tarot Reading)

Chris 🧡

Very invested, will make sure to keep up with his crush almost every single day 😭

But he also overthinks A LOT during this stage, so he’ll ease back if he thinks he’s doing too much.

He’ll post little things on his socials so the person he’s flirting with can see them. It’ll be little subliminal messages and things of that nature.

But he’ll also overthink that as well, and will probably even make little clarifications to try not to make it seem like it’s directed at someone (even though it most definitely was).

My Gosh, this man worries so much when he flirts because he hopes the girl can pick up on it and if he’s not being super cringy or he’s not making her turned off.

If he can see that the girl is enjoying his flirting, he won’t worry as much, but she has to be super direct about it, otherwise he will literally die of overthinking 😭😭

He flirts the most via social media posts, but he also texts and does FaceTime calls a lot with the person he’s into. He’ll wanna text/call them late at night just so they can both catch up on each other’s days and just vent.

He will literally stay up for hours, laying on his stomach, feet dangling in the air like a giddy schoolgirl, staring down at his phone just to see if his girl will ever call him or text him. I’m exaggerating… but also I’m not.

He’s a great listener, so he doesn’t mind a rant or a trauma dump or two 😭

He will buy his girl things that remind him of her. Little trinkets like charms and stuffed animals. He’ll buy clothes and jewelry if he sees something he knows the girl will like.

He will pay for everything.

He definitely puts on a certain voice that he doesn’t even realize. (I can hear it in my head and it’s sexy as fuck. A bit raspy and low, a bit of a whisper). He even has a look on his face and will stare at you with that look 😭 He has no clue he does it though.

Lots of music. Lotsss.

If he feels that the flirting is not working though, he will be devastated.

Nick 💜

He actually prefers being flirted with. He likes being the center of someone’s affection. *debby ryan meme*

He will do obvious things to flirt with someone. And if the guy don’t pick up on it, that’s on him ✌🏾

He’s a gift giver and acts of service kind of guy when flirting. If the man doesn’t appreciate what he’s doing by actually acknowledging it, then he’ll be devastated and won’t give you the time of day anymore.

I think he knows what he wants, who he wants, when he wants it, and sometimes why. 😭

That can be a bit intimidating for some guys because they have this expectation of him being someone who will change themselves just to get their attention. But in reality, Nick is very confident in who he is and would never change himself for a man’s attention (unless it’s literally just him working out or drinking more water, etc.)

He’s asking his brothers about what guys do in certain situations (because usually it’s a bi or more masc guy he’s into). He’ll literally go to Chris or Matt with his phone, show a text and be like “oh my gosh what does this mean??”

He’ll definitely be touchy-feely with you, and that’s a big deal because he hates touching people and people touching him. So if he’s got his arm around you, then you’re the one for him!

Matt 💙

Super invested like his brothers.

People keep saying he’ll be dry which is very untrue. That man will always find a way to keep the person he’s flirting with entertained.

He wants them to laugh and actually find him funny, otherwise it won’t work and he knows it.

Humor is a way for him to figure out whether you’re actually listening to him and understand him and the way he thinks. So if you can’t pick up on his humor or don’t laugh at certain jokes he makes, you’re out.

He likes flowers and chocolates, but doesn’t mind jewelry and expensive things to bring his girl as well. And if she’s like “Oh, Matt, you shouldn’t have”, he’ll be like “Um, yes, I definitely should have, and I did!”

He’ll send risky texts or say risky things just to see the girl’s reaction to them. Nothing too crazy or frisky. Just something that can spark a reaction that can be a telltale sign of whether she’s into it or not.

These are the basics of it! Lmk if you guys liked this post!! 🥰

[writers-potion]

Different Genres, Different Fight Scenes.

Romance

No real gore; write entertaining fight scenes with an illusion of reality

Avoid excessive arobatics or feats of unbelievable strength. Stay realistic - describe the weather, how the ground feels.

Add a layer of erotic tension.

Use injuries as opportunities to test the hero and heroine's relationship, for displaying touching and tender care.

Fight scenes in romance tend to be short (<700w)

Where there are several fight scenes: (1) he comes to her rescue - (2) she comes to his rescue (3) together they fight in the final showdown.

Fantasy

Fantasy fight scenes will primarily be enertaining, but have considerable grit.

Since readers needs to retain their suspense of disbelief in dragons, fairies, unicorns, etc. it helps to keep fights realistic.

Heroes will be skilled in using the weapon of their choice, and he climax of the fight will be prolonged, detailed and technically precise.

Science Fiction

Invent a special weapon for your book. To make it plausible, take a real-life weapon and extrapolate.

To make it interesting, the weapon will have a critical flaw or have consequences to the user which will make the plot more interesting.

Thriller

Fight scene in thrillera are very gritty, with real violence and gore. There will be several injuries and death.

However, the hero will also show off his skill in prolonged fight scenes, making it entertaining.

The suspense section is typically long

The hero will often have advanced level fighting skills.

Horror

As long as the blood is plot relevant, readers will want to see gore and grit.

The suspense and aftermath sections will be long, with unexpected twists that gets the hero behind his back.

Cozy Mystery

Cozy mystery won't have too much fighting involved, but if it does it will be be short.

Focus on how the hero struggles towards the next clue as a result of the fight rather than on the fight itself.

Historical

Fight in historical novels can be anything between entertaining and gritty.

Consider the periodic background, tech level, and relative wealth of your fighters before you give them weapons and armour.

In period where life expectancy was shorter and violence was more commonplace, your heros will be less bothered about seeing death, gory gutting, or having children in battle. Less qualms about killing.

In most periods and societies women didn't fight, and you must come up with a plausible backstory for her.

Literary

Either the fight takes place off stage or it is shown in all its realistic brutality.

Literary fight scenes are gritty and short.

You will choose to focus on the aftermath - play up the tragic, sinful, meaninglessness, etc. of violence for the reader and how it affects your hero's psyche.

Young Adult

YA fight scenes are entertaining, but it can escalate to be very scary.

he plot often revolves around he protagnoist performing implausible feats of fighting, often with exceptional martial arts skills.

Choose whatever martial arts teenagers find "cool" and build up your knowledge about it.

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

[tohisprettyc00l]

Hi!

May I please request all the characters reacting to y/n's self-harm scars?

If your not comfortable with that it's cool.

Thank you either way ❤️

!!Major tw for self-harm!! If you aren't comfortable with that please skip. Also, I'm sorry if I depict anything wrong. And I'm going to exclude Gus and Collecter since it feels weird to do this with the kids.

Amity: Once she saw your scars it didn't occur to her the source of said scars. In fact, she thinks someone else did it and was pissed the fuck off. "Who hurt you." was all she could muster. Once you told her the truth her whole demeanor shifts. She goes from wanting to stab someone to looking like she was going to cry. She wraps you in abomination goop as a makeshift blanket. She was not willing to leave your side for any reason.

Luz: She's basically crying at the scars regardless of who did it. She just hates seeing hurt okay? :( But when she learns you did it she freezes. She doesn't believe it in the slightest. Starts talking about how much she loves you. Granted she's saying 100 words per second so you can only hear bits and pieces of what she's saying. But she gets her point across. That point is: I love you so much and I'm sorry you had to go through that.

Willow: She doesn't mention them once she first sees them. It's none of her business, they all look pretty healed so why push? But a few days later when you guys are just normally talking she casually brings it up. You don't know how to respond. After a few moments, you tell her the truth. And you can see it on her face, the way it hits her like a sack of bricks. The fact that she didn't ask adds to the guilt. But this isn't a moment to focus on herself. She hugs you. The next day she takes you on a really nice date.

Hunter: Once he notices he does (correctly) assume the reason. But he doesn't want to believe himself. It is pretty understandable why you would want your s/o self-harming. But he knows that if he's right but doesn't talk to you he'll regret it forever. So, despite his nervousness, he asks you. He says multiple times that it's "probably not why." His heart sinks when you confirm his fears. You're immediately wrapped in a hug. He keeps talking about how sorry he is that he didn't help, as well as how much he loves you. And he means every word of it.

Vee: She does not dance around the question. Once she sees the scars she just straight up asked, "Why are there scars all over your arms?" So that was very jarring. Once you end up telling her she just stood there. Before wrapping her tail and arms around you. You felt extra secure. She is going to let you know how much you mean to her.

Raine: They know what your scars are from the moment they see them. They don't point the scars out so that you don't get uncomfortable. They do however become way nicer (if that's even possible.) Every chance they get they'll complement you. It's a very obvious but welcomed change.

Eda: Well shit. She's not even going to ask she knows what the scars are from and she's pissed. Not at you, at herself for not noticing. She hugs you and starts apologizing without an explanation. Once she does explain she makes very clear that she's not mad at you and will help you stop.

Emira: Since she's the oldest of the Blight twins I feel like she had a lot of the pressure to be the perfect child before Amity. (Edric was just kinda ignored.) But she didn't have much of a support system so she did have thoughts she never went through with them. But Titan does it break her heart to see you going through that? Her approach was way more gentle than anyone. She staged a mini-therapy for you.

Edric: On the other hand he's pretty clueless. When you tell him he is very sad. He doesn't know what to do but he starts buying you a bunch of things. He wants you to know how valuable you are.

Lilith: She has no clue how to react. She doesn't even know what you did but her blood feels like ice with how many scars you have. She asks what happened and who hurt you. She starts tearing up when you reveal the truth. She ends up cuddling with you and tries to make you feel as secure as possible.

[axelsagewrites]

HotD Modern Boyfriend Headcannons

Includes: Aemond, Aegon, Jace, and Lucerys

Word count: 794

Masterlist Here

Aemond

Aemond is defiantly very shy in the initial stages but not so much a blushing mess than an overly stoic character who’s afraid to get hurt

He’s really bad at saying how he feels but he expresses it in different ways

He’ll pick you up your favourite candy when your sad

Or buy a book that reminds him of you

He also always wants to solve your problems

So, if you’re ill he’s already ubered your favourite food to your house

And is also already in his car to hand deliver your favourite snacks

He was reserved about PDA to begin with

He didn’t want you to think he was being possessive or anything

But now he refuses to not be holding your hand in public

Also, he isn’t possessive

But he defiantly has a jealous streak

He isn’t afraid to glare at someone who hugs you for a little too long

Or will drop into the conversation by wrapping his arm tightly around your waist

Aegon

Aegon is the type of guy where neither one of you really know if you’re dating

Till one day he just randomly kisses you goodbye without thinking

Then suddenly boom dating

He’d definitely be all touchy feely about things

He likes to hold your hand, twirl you around, show you off

He wouldn’t get jealous often and instead take a secret pride in knowing he has you and they don’t

But he can get insecure at times and will need to be the little spoon

He loves being the little spoon

He just loves to be held

He also will name drop you into every conversation and deliberately check the time to see his lock screen of you

He is also your biggest hype man and loves to take photos of you

Like you’ll go on a date, and he’ll have done a full photo shoot of you the whole time

Even when he has no clue what you’re talking about he just loves to listen to your voice

Defiantly wants to call every night to say goodnight or even fall asleep on face time

Jace

Jace is a romantic through and through

He’ll set up weekly movie nights whether at home or out with all the snacks and its always a rom com

The type of boyfriend to always be cold cause he’s gave you his jacket

He would give you his shoes and walk back bare foot if your feet hurt

He’d also set you up your own drawer, if not multiple, for when you come over filled with snacks

Jace would love to have sleep overs filled with sheet masks and cuddles

He is very affectionate even around his family his arms always over your shoulder

He’d defiantly treat you like a passenger princess and drive you everywhere

However, despite his wholesome side this man gets jealous easily

Defiantly the type to pout when you leave but ends up feeling guilty cause he doesn’t want to hurt you

Much prefers a casual night in with you than anything else

Especially if it’s a family night where you dominate him in monopoly and hang out with Luke

He’s had your kids’ names picked out since your second date

And don’t ask to look at his Pinterest cause that’s where your weddings already planned

Luke

He is so the type to have a crush on his best friend and be terrified to ask you out

However, once you start dating and he’s more comfortable the ‘bullying’ aka flirting starts

If he’s taller than you, or able to get on a chair, he would hold your stuff out your reach

He would also make you play the Xbox with him just so he could win

However, he’d also end up feeling bad and then play the sims with you instead

He’d defiantly get a Minecraft realm for you to share so he can go out mining and you can just build pretty houses

Luke is also so chuffed when he sees you in one of his hoodies

Like it’s the cutest thing he’s ever seen so he buys more so you can steal them

He’d probably be shyer with PDA but in privacy he’d curl up in your arms

Loves to go on dates to the bowling alley or laser tag but especially the arcade

He will spend 20 minutes trying to win you a teddy

Speaking of he defiantly considers your stuffed animals that he buys you your children

His friends always tease him for being a simp and he pretends to be annoyed but secretly loves it

His camera roll is filled with horrible pictures of you that he refuses to delete cause ‘you look cute babe. Like a gremlin,’

Taglist: @clairacassidy @valeskafics @starkleila

[cochineal-leviat]

Sweet Dreams, Stardust

Okay, so I have a lot of feelings about In Stars and Time. But let me say first, wow, this game irreversibly changed my brain network. For anyone who is considering buying this game, please do. I don't think I've had a story touch my heart and mind like this for a long time. And that goes without mentioning the stunning visuals and entertaining battle system. (Be careful, though, because this game handles heavy topics regarding mental health)

If you're still hung up on buying it but are curious, there is a free demo on Steam if you like to try.

Thank you, @insertdisc5, for this gem of a game. I will be turning it around in my head like a microwaveable gourmet meal for months to come.

Technically the illustration has no spoilers (unless you count Siffrin having a good nap as a spoiler). But I will be going into heavy spoiler territory under the keep reading since I need to get my thoughts on this game off my chest.

And a monochrome version because you know me, I can't help myself. Even in black and white art pieces, I will put in some colour.

And a very tiny Loop

Initially, I was going to do a piece with a theatre stage and the cast (Siffrin, Mirabelle, Isabeau, Odile, Bonnie and the head house maiden) taking a bow and finally leaving the spectacle to a life not controlled by a script and Wish Craft. But it was more fitting to put my feelings into creating a peaceful scene. Like, oof, I needed this very badly. I used sepia to make the painting warmer and added some more details like headcanons. The stars/colours might be remnants of Siffrin's transformation. Or maybe they were always there, but he never paid attention to it. Who knows.

I'm going to keep this brief. Otherwise, this post will take way too long.

I adore Siff's character. It's perfect for a game and narrative such as this. I saw a post not long ago on Tumblr going into depth about how their role as the rogue and not the hero works so well, so I won't linger on it for long. But how they would rather listen and fade into the background perfectly aligns with the player's experience of being the silent observer. (And the nodding off that changes into zoning out. It took me way too long to realise that small but essential narrative change) Oh, and the portrait change! It flew over my head until I was staring at the game menu. I was so confident Siffrin had a mischievous grin and not a frown. I always feel slightly surprised when the party asks for Siff's opinion or mentions that they have been too quiet. I felt Siffrin's excitement like my own when he got excited at finding clues to end the nightmare they were in. So I knew it would end up falling on their face because they were too excited. I just had this bad gut feeling the whole time during Act 4.

And oh boy, speaking off acts. I thought it would have been the standard 3. Boy, I was wrong. Whenever I felt I was nearing the end, I was thrown back at the start with more mysteries than answers. It made exploring the game intriguing since there is almost no information about it online (at the time of writing this post). There is the Discord, but I didn't know about it until I finished it.

This game has a lot of secrets, and I had a lot of fun uncovering them. The looping mechanic works so well in discovering little details and further leads. (even though my stubborn arse kept trying to do everything in the least amount of loops as possible. I thought the ending would be different if I exceeded a 100. My final number is 59. I am still not sure if I should be mad about it not being a rounded number like 60 or that I went over the 50 threshold)

However, it is a good thing that only some mysteries were solved. Like, what's up with colours in this world? Everyone sees in black and white, and the idea of shades and colours is only spoken of in scientific studies. They do exist and are not a part of the disaster that happened to Siffrin and their land. But there is definitely something mysterious about it. I adore how the dialogue reflects this, as the characters do not speak of shades or colours. Isabeau expresses surprise to see a streak of red colouring the sky in Act 6. It makes you think about how colour is perceived and how you describe it. (The lore inside this game is immaculate. I eat this shit up)

We never find out the name of the country north of Vanguard or what it was like. We can only infer that the beaches had black sand, with shells that shine like stars, high-reaching mountains, forests and plains. Which is vague and yet intriguing enough to make you wonder. It connected me to Siff and King because I also wanted to know. I was desperate to know. I needed to know. But in the end, we never will know because that is not the story's point. Siffrin even says in the game, that King should let go because he is hurting everyone and everything, including himself, in his desperation to preserve Vanguard. This is all the more ironic when Siff accidentally does the same with his family and the loops. I might gush more about what the country might be like and their technology in another post. This game makes me want to theorise. This is the first time I've wanted to write and post theories. ISAT fucked me up good.

Which, by the way, was genius. Siffrin and King are mirrors of each other. Siff does not have King's disastrous ambition, but their love/obsession will be the downfall of both of them. They have more than being each other's countrymen in common, and I imagine Siff despises that.

I love the fact King's question to Siffrin before the showdown was/could never be answered. Usually, in a game such as this, you must figure out how to solve everything, especially for the big bad. But that was never the goal. King is a delusional monster who will not stop before achieving his dream. He will raze everything to the ground and hurt many people because he must succeed. It is what he desires. Nay, the universe wills it. What a witless excuse that can easily be made into someone's truth. Especially to somebody who is driven mad with grief.

How King's character's done is so excellent. Because, at first, I wasn't scared of him at all. He was just the big bad, and I felt nothing much but the glory of victory when Siffrin outsmarted him by looping and making sure Mirabelle learned the shield spell that would protect the party from freezing in time. But each time you fight him, you get more frustrated until Siff figures that talking to him might be fruitful. It does, but unfortunately, you and Siffrin leave yourself emotionally and mentally vulnerable. King stops being a one-dimensional villain and changes into an actual person. Someone you can sympathise with and possibly mend peace with without fighting. You and Siffrin opened his heart for a kindred spirit and got hurt.

King stopped being a monster and became human. And while monsters are wretched, humans have intent behind their cruelty. I felt so betrayed, so angry, but most of all - terrified. I felt it when Siffrin spiralled when fighting King again after their actions caused such a catastrophic turn of events for Bonnie. Every time after that, the fight with King felt tense and nerve-wracking in a dreadful way. Because even victory could not soothe the dread I felt. (The track 'It's finally over" will forever haunt me. I already feel anxious whenever it cycles to that when I listen to the playlist)

He was not, however, the final villain, even though everything that happened was King's fault. You were always your greatest enemy (or Siffrin in this case, since you are supposed to be Siffrin). I never could have guessed that the whole reason why Siffrin could not escape the loops was because Siff accidentally wished to never let go of their friends. This reminds me of Modaka Magica, where (spoilers for the OG anime) Homura goes back in time so much that the universe ties itself around Modoka, making her a waiting egg whose wish and magic will be massive when she becomes a magical girl. The one thing Homura was trying to prevent.

(Siffrin and Homura are identical in that sense. Shy characters who are loyal to a fault but are rendered into something cold, bitter and cutting by their traumatic experiences. Only Siff has people who care about them and would do anything to save him, too, whereas Homura never lets go, making the world a worse place to live in. Yes, I did go into doomed Yuri. That anime lived in my mind rent-free in my mind for years)

The Head House-maiden not being the villain was also a great touch. I am used to the apparent antagonist turning out not to be the big bad and the trusted, friendly character ending up being the evil one. Twist villains no longer work when everyone expects them to be villains.

That was my biggest theory as I played. The second biggest being that Loop is someone who enjoys Siffrin's suffering. I am so glad that was also not the case. They are apathetic but not cruel. Never intentionally, anyway. They were like the player, urging Siffrin to go deeper into the mystery to solve it. Ultimately, I chose and made cold and cruel decisions simply because I wanted to see what would happen. So yeah, I warmed up to this cosmic star thing as the game went on and even started trusting them. Act 5 really is a punch in the gut. I am so sorry, Loop. Thank you for coming through in the end.

Oh man, this is so long, and I haven't even gone into the main cast. I will leave that for another post. They are such great characters, as are the people of Dormant and the House. (Don't think I don't see the wordplay in this game. Very clever)

Going into this game completely blind was the best experience I could have had. I felt anxious, happy and scared so severely that my neurons were rearranged. I don't know if there are more endings (aside from the obvious action of attacking Odile in the True(?) ending of the game), but I am taking a break from it to make art and write for this game before I dive back into despair-o-land.

Anywho, thank you for coming this far and reading my ramblings. Have a fantastic day or evening further! o(*'▽`*)ブ

[ohdorothea]

more info on the tournament here <3

lyrics under the cut!

So Long, London lyrics

So long, London (So long, London)

So long, London (So long, London)

So long, London (So long, London)

I saw in my mind fairy lights through the mist

I kept calm and carried the weight of the rift

Pulled him in tighter each time he was drifting away

My spine split from carrying us up the hill

Wet through my clothes, weary bones caught the chill

I stopped trying to make him laugh, stopped trying to drill the safe

Thinking how much sad did you think I had

Did you think I had in me?

Oh, the tragedy

So long, London

You'll find someone

I didn't opt in to be your odd man out

I founded the club she's heard great things about

I left all I knew, you left me at the house by the Heath

I stopped CPR, after all, it's no use

The spirit was gone, we would never come to

And I'm pissed off you let me give you all that youth for free

For so long, London

Stitches undone

Two graves, one gun

I'll find someone

And you say I abandoned the ship

But I was going down with it

My white-knuckle dying grip

Holding tight to your quiet resentment

And my friends said it isn't right to be scared

Every day of a love affair

Every breath feels like rarest air

When you're not sure if he wants to be there

So how much sad did you think I had

Did you think I had in me?

How much tragedy?

Just how low did you think I'd go

Before I'd self-implode?

Before I'd have to go be free?

You swore that you loved me, but where were the clues?

I died on the altar waiting for the proof

You sacrificed us to the gods of your bluest days

And I'm just getting color back into my face

I'm just mad as hell 'cause I loved this place

For so long, London (So long, London)

Had a good run (Had a good run)

A moment of warm sun (Moment of warm sun)

But I'm not the one (I'm not the one)

So long, London (So long, London)

Stitches undone (Stitches undone)

Two graves, one gun (Two graves, one gun)

You'll find someone (You'll find)

The Smallest Man Who Ever Lived lyrics

Was any of it true?

Gazing at me starry-eyed

In your Jehovah's Witness suit

Who the fuck was that guy?

You tried to buy some pills

From a friend of friends of mine

They just ghosted you

Now you know what it feels like

And I don't even want you back, I just want to know

If rusting my sparkling summer was the goal

And I don't miss what we had, but could someone give

A message to the smallest man who ever lived?

You hung me on your wall

Stabbed me with your push pins

In public, showed me off

Then sank in stoned oblivion

'Cause once your queen had come

You'd treat her like an also-ran

You didn't measure up

In any measure of a man

And I don't even want you back, I just want to know

If rusting my sparkling summer was the goal

And I don't miss what we had, but could someone give

A message to the smallest man who ever lived?

Were you sent by someone

Who wanted me dead?

Did you sleep with a gun underneath our bed?

Were you writing a book?

Were you a sleeper cell spy?

In fifty years will all this be declassified?

And you'll confess why you did it

And I'll say, "Good riddance"

'Cause it wasn't sexy once it wasn't forbidden

I would've died for your sins

Instead I just died inside

And you deserve prison, but you won't get time

You'll slide into inboxes and slip through the bars

You crashed my party and your rental car

You said normal girls were "boring"

But you were gone by the morning

You kicked out the stage lights, but you're still performing

And in plain sight you hid

But you are what you did

And I'll forget you, but I'll never forgive

The smallest man who ever lived

[kaeyas-beloved]

Character: Childe

— he’s hopelessly in love with you <333

CWs: spoilers for Childe’s real name, gn!reader (no pronouns mentioned), not proofread!

a/n: snatching this format that I’ve seen around Tumblr because I like it and it fits here. Will I use it again? Not a clue!

hopelessly in love ajax who introduces you to his family relatively quickly and with little to no hesitation. childe feels with his whole being, love is no exception. so, when he can see a future with you, no matter what form that future may take, you meeting his family is the first step forward.

hopelessly in love ajax who’s all talk unless you make the first move. he can kiss you over and over and over again, teasing you along the way, but the moment you pull him forward and plant your lips on his face before he can is the same moment it’s all over for him.

hopelessly in love ajax who buys you gifts often but they all have sentimental value to them. he’ll but you flowers, handing them to you with the confession that he bought them because his love for you was too much to keep in his heart and no amount of words would describe what he was feeling. childe would also purchase your preferred jewelry - watch, ring, necklace, earrings, a bracelet, whatever you liked, as long as you promised to wear it whenever you went out. “so you’ll always have me with you!”

hopelessly in love ajax who refuses to let go of you once he has you in his arms. he acts like he might perish if he loses the warmth and love you radiate in your embrace! it’s not that he hasn’t received a hug in years, he gets plenty when he visits home, but there’s just something different in your hugs and cuddles that regular holds don’t have. a certain feeling they lack.

hopelessly in love ajax who grabs your wrist if you’re ever helping him take off his scarf or fatui mask, allowing his cheek to rest in your palm. you’ll find he nuzzles into it much like a cat would, but unlike a cat looking for warmth or to scratch an itch, ajax does it because your touch is one of the few things that soothes him after a long day, his mind instantly at ease.

hopelessly in love ajax who tries to impress you in any way he can. it starts simple enough, trying to flash his strength on the battle field and such, but the more he falls for you the more creative he gets. balancing a spoon on his nose, his (slowly improving) chopstick skills, leaping over decent sized creeks, anything to rouse some kind of pleasant response from you.

hopelessly in love ajax who flips between drowning you in whatever fancy dates his money can buy and the more simple, quieter date ideas. it’s never bad to change things up, he reasons, childe’s favourite being to take you out on walks through the nation’s scenery. whether it’s the snow dipped forests in snezhnaya, the golden mountains of liyue or even the green fields of mondstadt, as long as ajax is around, he’ll make sure you enjoy your time with him. (he certainly will be, because when dates like this happen is when he truly gets to connect with you!)

hopelessly in love ajax who’ll sometimes just stare at you. could be while you’re cuddling or sat at the table for a meal, his pretty blue eyes are on you, taking in all that you are. he’ll think how gorgeous you look, how luck he is someone like you loves someone like him, the darker sides of him and all. he thinks about how it’s now his mission to spoil and love you for the rest of his life, because anything less is a crime punishable by life behind bars.

Tag list: @spoopy-fish-writes // @that-enby-alien // @xenuuu // @mariposa666haruka // @quackquackmfs // @saishin-michiyoshi // @ajaxstar // @genshin-impact-writings // @ventisweetheart // @lordbugs // @lemontum // @akiria12167 // @ari-the-wr1ter // @dontmindmebeing // @xiaos-wife // @irethepotato // @milkwithspiceyicecubes // @stygianoir // @stage-lucida

. . .

Wanna be tagged in future works? Consider filling out this form! And if you want to be removed just DM or send an ask into my inbox!

[morganski-19]

So I've been going back to this post I made, where I talked about what I think Eddie's arc is going to be this season while looking at the classic three-act structure that is popular in most media.

Which I will put here again, but this time, with what I think has happened already, and what still needs to happen

The red marks things that have already happened, while the blue marks what is yet to come.

The inciting incident happened in episode 4, during the conversation with Weston's dad. Eddie talks about the situation with someone else, and after seeing how resigned and closed off Chris was back in episode 1, this is a good continuation for the set up.

Then, the conversation with Father Brian in episode 6 starts plot point one. This allows Eddie, and the audience, to recognize that he is not allowing himself to try and reconnect with Chris because he does not feel like he deserves forgiveness. This completes the setup stage, as it completes telling the audience of Eddie's inner turmoil, while also establishing the outward conflict between Eddie and Chris.

The rising action then starts, I would say, in that same episode as well, where Eddie reintegrates joy back into his life. This would spark him to try and reconnect with Chris more, now that he is more open to accepting forgiveness, and may even start to forgive himself.

And then it carries through to the midpoint, which is the midseason finale. There is still the outward conflict that was established in episode 1, Chris being kinda closed off, but more importantly, Eddie being kept out of Chris' life. This makes Eddie to want to make a change in order to keep himself in the loop, which is the decision to move to Texas.

Of course, this is not going to happen long term. Personally, I hope they don't go as far as Eddie actually buying a place and selling his house because that would not only cause a lot of problems with the storyline but also with the production as they would need to build new sets and stuff. There is also the problem with Gavin's filming schedule, so I can see them keeping the face-timing aspect for a while longer. So, I can see him almost getting a house, but then something happens to stop it.

But anyway, that ends the red circles and starts my speculation on what will happen with the blue circles. I am going to be focusing just on Eddie and Chris' relationship, and then go into what would happen if they explore Eddie's sexuality this season.

I think that whatever the decision is with Eddie's move to Texas will be plot point 2. Whether that is buying a house, or realizing he can't move, it is not the actual climax.

The pre-climax would be the build to the climax, and would include Eddie trying to reintegrate himself back into Chris' life.

The actual climax would be getting Chris home. Placement-wise, I can see this happening somewhere in the last 4-5 episodes, since there is the whole moving plot, as well as the plots of all the other characters. Personally, I hope the climax includes a confrontation between Eddie and his parents, but knowing this show and the incessant need to have unearned redemptions, I wouldn't be surprised if that didn't happen.

So, plot point two wraps up the house storyline, and the climax wraps up the Chris in Texas storyline, which leaves us with the resolution.

The resolution would be both Eddie and Chris getting back to where they used to be. Eddie opening up and sharing his side that he never got to share, and Chris expelling his anger in a much better route than moving in with his grandparents. I can also see therapy as an option, as Eddie has always been more open to therapy when it comes to Chris. Do I think he himself will be in therapy, no, but I can see that being a route for Chris.

That is what I think will happen with the Eddie and Chris situation, and this is what I think will happen if they explore Eddie's sexuality.

Exploring Eddie's sexuality is something I personally want to happen, and from the clues they've given throughout the season, is a storyline that I think is going to happen. Whether that be in this season, or the next, who's to say really.

But, after the scene with Weston's dad that was heavily alluding to Eddie's own relationship with his father, to his conversation with Father Brian and the first time he's ever said he's straight, the signs are there that they might change something. Especially the latter point, straight people don't have to come out. It's only stated when it is going to be explored, just look at how much Buck said he was an ally while actively on a date with a man.

So, how do I think they could play this out.

From what I've seen from interviews (i haven't read them all fully myself, these are just certain clips I've seen taken out of them) the end of either episode 9 or 10 will leave the character's lives changed. And, I think, in episode 11, Buck's abandonment issues are coming to a head, which is played heavily with the Eddie Texas plot.

So, somewhere in that span, something is happening to change Eddie's life. Whether that is connected to the rest of the team, or solely from his own storyline, we don't know.

Assuming it's from his own storyline, it would be not necessarily a feelings realization, but an inclination toward something different. Maybe something happens and Eddie is assumed gay, and that sparks something. Maybe something happens to Buck and that sparks something. I'm not sure. But, I do think something will cause a spark that leaves Eddie to have to figure out something about himself.

Which I think will play into plot point 2, and either moving away from LA or deciding to stay.

Then, if the climax includes a confrontation with his parents, his coming out can be a part of that. Or, it can be a part of opening up with Chris. Again, I'm not sure.

It could also be part of the resolution, as now that the outward conflict is dealt with, it leaves only Eddie's inner conflict.

Overall, there are a few ways I can see this going, but all of them include the rest of the season. I don't think there is going to be a specific Buddie feelings realization until the latter half of 8b, as it would set up a good storyline to tide audiences over another break. And given how they've ended seasons with certain couples either getting together, realizing their feelings, or having a brand new storyline introduced, I could see that as a large possibility.

I have more thoughts about what I think is going to happen in 8b, but this is really what I think will happen between Eddie and Chris, and what I hope will happen with Eddie's sexuality arc.

[discotitsposts]

born to die

reader is secretly best friends with a famous singer

bau x reader

set in season 7 so 2012

“Have you guys heard about that new singer, Lana Del Rey?” JJ asked the team while waiting for the brief of the new case on the jet. Hotch and Rossi had taken up conversation in the corner leaving the younger team members some quality time. Derek shakes his head. You smile to yourself. Lana was actually a stage name and her real name was Elizabeth and she had been one of your best friends ever since you had met her in the seventh grade during an incident in Lake Placid.

The team didn’t know that though. It wasn’t that you didn’t want to tell them. It’s just that the topic had never come up before so you didn’t reveal it. You were very mysterious to them. Honestly you were just private.

Emily smiles, “Yes!! Her album is called ‘Born To Die’ it’s so good!”

Morgan tells you that he’s going to listen to it. He puts his headphones on and closes his eyes. He starts singing ‘Summertime Sadness’ out loud. Spencer looks around confused. Not being kept up on pop culture he had no clue who she was. You explain to him Lana’s vibe is very vintage and her voice is beautiful, which is why people love her. You, having heard her early music when she first started, are very excited about her newfound popularity.

“I heard she’s playing a show in New York soon, wanna go?” JJ asks Emily when the jet lands

“I’d love to!! Who else wants to go?” Emily looks around at everyone. Morgan raises his hand and says, “I’m in!”

They look at you and Spencer.

“How about you guys?” JJ asks with a big grin. Spencer stammers trying to think of an excuse when you say, “I can get the tickets for us. I have an in at the arena.” They nod excitedly. Spencer, being quite fond of you, nods.

“I’ll go. It might be fun.” He smiles at you. Hotch and Rossi were listening in and tell you they would like to join. You smile at them and shoot off a text to your so called contact at the arena. The performer herself.

You smile and put your phone down.

After the case, you’re all back on the jet.

“Hey you got a ticket for Penelope right, I called her and she said she would die to go.” Morgan asks you.

“Of course! Couldn’t leave her out.” You didn’t tell them you didn’t need to buy tickets.

When you get back to the BAU Penelope runs in.

“We’re actually going!! I’m so excited!! What should I wear!” She asks you.

“Whatever’s comfortable!” You respond while folding your sweater up and putting it in your bag.

“Hey do you know what section we’ll be in?” Emily asks looking up from her phone.

“Right up front.”

Everyone’s jaws drop. “You got us all front rows?” JJ asks. You nod.

Day of the show

You and the girls had gotten ready together in your hotel room. Rossi had ordered a limousine for everyone.

“Where are the tickets?” JJ asks when you get to the ticket station and the man holds his hand out to check for your tickets.

“Oh we don’t need tickets.” You laugh and look for a security guard. You motion everyone to follow you. They look at each other in confusion but follow you. You tell Ed the security guard your name and he tells you all to follow him. He brings you to a backstage room.

“Are we MEETING HER?” Penelope, JJ, Morgan, and Emily jump around screaming.

Lana walks in and everyone damn near passes out. She looks absolutely beautiful. She’s wearing a white dress with her hair big and heavy makeup. She spots you and grins.

“Hi! I’m so glad to see you!” She runs to you and gives you a big hug.

“I’m so proud of you! Look where you’re performing! How do you feel?” You ask.

“I know it’s so crazy. I’m feeling a huge adrenaline rush,” She smiles fiddling with her hands. “Maybe some nerves too.”

“Well you’re going to do amazing. Just think of it as the bar you used to play at and I’m gonna be right there cheering you on!” The whole team is watching you interact with her in such awe.

“Alright, I’m going on soon. Ed, can you take them to their row? Have fun everyone!” She squeezes your hands and waves at everyone as she walks to the door. She blows you a kiss and you blow one back and shake your hips. A secret handshake you guys made up.

Emily smacks your arm gently. “Why didn’t you tell us you’re friends with a singer who’s been all over the radio lately?”

“You didn’t ask me.” Their faces drop. They hadn’t asked you much of anything when you’d first joined. Everyone was nice they just hadn’t spoken to you about your personal life much. Therefore you hadn’t told them anything.

“Know anyone else famous?” JJ asks jokingly as if you might secretly be friends with a whole bunch of A-list celebrities.

“Ever hear of Taylor Swift?” She was also a good friend of yours. You show everyone a picture you had taken with a Tay a few weeks ago when you had gone to dinner with her. JJ almost faints.

The show was a blast and you all had fun. She played everything from Born To Die and her latest release, Paradise. You had even noticed Spencer seemed to like the song, Diet Mountain Dew. He had been tapping his fingers rhythmically to the beat. Lizzy had pointed at you and smiled and waved to you all during the show. Her voice live is so beautiful. After, you had all hung out with Lana and went to dinner with her and everyone was spilling with questions for her. You were laughing for hours with everyone.

“I heard Britney Spears is playing at a stadium nearby tomorrow.” Penelope winds some more spaghetti on her fork with Rossi giving her a disapproving look at the improper way she wound her pasta.

“Oh yeah. For ‘Femme Fatale’ she invited me to that. I might go. Who wants to join?” You speak as if you’re just asking them if they want to get coffee. Leaving everyone wondering how the hell you know all these people.

Needless to say, after that everyone asked you a lot more about yourself.

[greenesmyfavcolor]

a couple of little shop questions for ya

1. favourite song from the soundtrack? you don’t have to pick just one.

2. director’s cut (everyone dies) or theatrical cut (audrey ii is defeated)? why?

3. which actor do you think portrays seymour the best? i’d ask about audrey as well but your username kinda clues me in there.

1. Yeah I can’t pick one 😂 It’s such an impossible question to answer cause you honestly could say any one of them and it would be more than valid.

I have solidified my top three though. In no particular order, Suddenly Seymour for its sincerity, Somewhere That’s Green for how beautifully tragic, as well as how almost comical it can be at times, and Mean Green Mother From Outer Space for just how dang catchy, fun, and climatic it is.

2. Same with this, I like both lol. I’ve always said that my head prefers the director’s cut while my heart prefers the theatrical cut.

I’d say the directors cut is technically better (or at the very least the stage ending since there are some slight differences) due to tying all its themes about greed and capitalism together. I know it’s got some pacing issues but I chalk it up to it basically being a glorified workprint that was definitely intended to be shorten and condensed eventually before being cut entirely. What I don’t like in this ending is how helpless Seymour is during the fight against Audrey II and how he just lets himself get eaten. I love the stage’s ending and how Seymour sacrifices himself, essentially making up for his actions and taking responsibility, even it was all for naught. I can excuse it in the theatrical cut since Audrey’s still alive so there would be no reason to sacrifice himself if he’s trying to live for her. But it takes away from completing Seymour’s arc, leaving you to be like “that’s it?” when he gets eaten. And then there’s the whole thing if movie Seymour even deserved his ending since his actions come across as less intentional compare to the stage version but that’s a topic for another day. Other than that tho, I really do love the director’s cut for giving us the cool rampage scene and of course keeping Somewhere That’s Green Reprise and Don’t Feed The Plants.

At the same time, I can’t help but love the theatrical cut for giving Seymour and especially Audrey the ending they deserve. Yeah, it’s cheesy and kinda throws away all the themes the movie had been building up to that point but I can’t help but get choked up every time I see Seymour and Audrey finally reunite and run off together into their new home. It also gives us unlimited potential for fanfiction so that’s a plus lol.

3. Really basic answer but Rick Moranis. When you think about it, he kinda set the stage for how most future Seymours would play him. Compared to the prior Seymours, he’s a lot more wimpy and puppy dog like. A lot of it does have to do with the changes to the movie script such as Seymour not deciding to purposefully do nothing when Orin’s dying or tricking Mushnik to get inside the plant. But no matter what his actions are (even if he’s chopping up a body) he always comes across as really likable and earnest which is important since it’s crucial to see how someone like Audrey, who values those traits in a relationship, could fall in love with him.

He’s also just really funny. His facial expressions whenever he’s nervous or just overall being a complete goof crack me up every time.

These are some of my favorites 😂

And he of course has incredible chemistry with Ellen Greene. Honestly if it wasn’t for him, I wouldn’t buy into Audrey and Seymour’s relationship as much as I do now. It’s easy to overstep a line into where their relationship could come across as insincere or even creepy if Seymour is not done right (like a typical trademark “nice guy”) but he absolutely sells me on that he truly loves Audrey for who she is and that she loves him back because of it.

And yeah, Ellen Greene’s Audrey is my favorite. No one else even comes close in my eyes ❤️

Thanks so much for the ask!

[mulders-too-large-shirt]

s3 episode 17 thoughts

this episode took a few days to work... and it built up the suspense! i tried to watch it on thursday- i was ready for my scullynmulder time- but it wouldn't play. and then i finally had time to try again yesterday, and it STILL wouldn't work.

(i had to go on reddit and learned that i needed to change a single number in a random string of code, because apparently a new firefox update just killed any ability to use hulu? the hoops i jump through for these two...)

but, i really enjoyed this episode! it had cute lil moments and then also some soul-crushing angst, which is the way i like it. so allow me to begin, and all of my note taking shall begin below!

YAYYYYY it’s scullynmulder time… my heart is so happy

so we open in a grocery store in virginia. it’s a nice looking grocery store. would browse there.

a guy is buying like a billion cans of stuff that has a muscle on it. and then a magazine with the freaky worm baby from s2 on it! haha a nice callback! again. shoutout to the props team <3

but then, the scene of tranquil grocery shopping was interrupted, as the guy with all the cans grabs the jacket of the guy in front of him- and it turns out the whole thing was a sting operation!!! guy who wanted his cans is referred to as “pusher”. the FBI has a TON of guys dealing with him. 5 cars full. wow! he must be very scary.

he’s in the back of the last car. and going on about this officer’s uniform color. 

he keeps saying cerulean over and over until somehow the guy driving the car stops seeing the big tractor trailer coming his way. and so when he drives straight ahead, he is immediately hit!!! is this some sort of hypnosis?

the intro was different again!! who do they think they are fooling by changing this?? not me!

mulder's office time. side note: it really is THEIR office as a collective. because we never see her at her desk. but anyway.

the police car’s driver died after hitting the tractor trailer that was magically invisible to him, but not before he unlocked the prisoner, pusher. pusher had confessed to contracted killings over two years that had been staged to look not like murders, if you catch my drift.

why would this otherwise great agent unlock this prisoner and also drive straight into a tractor trailer? a great question! one we can hopefully answer.

pusher had kept mumbling about cerulean until the driver ran into a truck for a business called cerulean. then he had written a clue at the scene of the crime! it says “nin or” which mulder flips backwards to read… ronin. ronin! i know that word!

mulder points out that this means a samurai without a master (nerd), and that this is the name of a… self defense magazine? so off to go read some magazines!

a young woman who we later learned is named holly brings them a big stack of the aforementioned magazines- maybe she's an archivist! maybe that should be my job!

she has a giant bruise on her face from getting mugged. mulder asks if they got whoever did this to her, and she says “do they ever? ….no offense” awww, holly, you're gonna make him sad. but seriously, poor girl, that is awful :(

she heads out, and scully is like, how did pusher do all of these killings? mulder says that he was probably utilizing the power of suggestion 

so they find an advertisement for someone “who solves problems” in all of the ronin magazines since 1994- which was when the murders started! a clue! with a phone number to go with it!

and in the ad were the letters OSU, which they thought meant ohio state but no! it’s a japanese word that means “to push”! gasp! it's definitely their guy!

(there was very conveniently a japanese to english dictionary on the shelf of the room where they were reading the magazines. i guess it's important to keep your language learning tools around in the FBI, but it was funny because all the other books looked like boring legal stuff)

they call the number, and it goes to a phone in virginia. mulder is in a car nearby and scully is there too, but she is sleeping. ON HIS SHOULDER!!!!

he lightly taps her face to wake her up and says “i think you drooled on me” and she quickly apologizes... NOOO DON’T BE MEAN TO HER!!! SHE’S SLEEPY 😭😭😭 awwwwww oh my HEART <3

(i need to scream real quick, because that was so precious. AHHHHHHHHHhhhhhHHHH)

((nah i'm never gonna move on from this actually. never never. the way he tapped her face.......... how she seemed so embarrassed.... the intimacy of falling asleep on someone's shoulder, how long he must have sat there trying not to make any sudden movements while still keeping his attention on the case........... i need to collect myself))

but then the phone rings back!!! they sprint sprint sprint and they pick it up… to someone asking if they are just going to sit there all night!!!! the pusher!!!

oh he’s creepy… he comments on how mulder “and his pretty partner seem awfully close”. now, is he invested in whatever the hell it is they have going on like i am (which is valid), or is he just a creep (less valid)? 

pusher seems to be a freak at least in some regards, saying that "they have to follow his breadcrumbs", and that the next one is right in front of mulder, who he keeps calling “g man”. he also says to let his fingers do the walking, which makes slim to no sense to me. 

but they figure that it means to call the last number on the pay phone, and it reaches a golf course! they hold the phone up so they both can hear the message and it’s so CUTE AWWW

mulder calls her “g-woman” as they leave <- STOP I’M GONNA SCREAM!!!

off to the golf course. where pusher is golfing with a very beat up face from the accident. he spots snipers hiding in the grass, mumbles that it is “about time”, and tries to get out. 

they have him cornered!!! but when he tells the dude with the gun on him to relax, he really does. and when pusher tells him to show him his face, he does. he knows the guy by name?!?

pusher tells this collins fellow to pour a ton of gasoline, which he does while crying. collins screams at the agents to stop him as he flicks on a lighter, but scully is fast and grabs a fire extinguisher, and mulder uses his jacket to induce a sort of stop drop and roll maneuver. huh, they really do work so well together!

a car horn is blaring, so mulder goes to see what is going on and it’s… a dude with his head on the horn. he says “bet you five bucks i get off”… it’s pusher! he was mumbling as if he was remotely controlling the dude who lit the flame... okay, weird.

mulder at da court. he is fidgeting as they question him about this pusher fellow and his 14 murders. mulder explains that he thinks pusher can talk his way into his victims hurting themselves, which is by far not the most outlandish thing we’ve heard on this television program, but the people in the court act like this is akin to spotting a unicorn, and scoff at mulder for proposing such a bizarre idea.

(usually i agree that mulder's ideas are bizarre, but this one seems entirely possible to me, with or without mind control. people can be talked into doing all sorts of things. mulder i am on your side and would not laugh at you like these fakes)

AND pusher had called and confessed to 14 murders, but his defense tries to write it off as a drunk prank call. while this is the most absurd thing we (both the viewer and the characters in court) have ever heard, and surely no one would ever believe it, pusher uses his mind power skills to get into the judge’s brain and make him be declared innocent.

pusher walks up to mulder and says he owes him five dollars. this dude majorly sucks.

cutscene to mulder practicing his aim. it’s pretty good!! he must be really unsettled by this whole situation to work on his marksmanship.

scully comes in (with the ear protection things on so mulder's firing doesn't blast her ears <3 queen of precautions) with more information on this pusher fellow. mulder starts reciting all the things he can guess about the pusher’s life, from his college to his military service to which branch and i'm thinking man, did he study up on this? is he that unsettled by this case? but ohhh yeah, mulder does profiling, seemingly very successfully.

but he didn’t know that the pusher applied to the FBI!!! and had flopped at the psych evaluation, where he had been ego-centric and lied and claimed to be trained by ninjas. mulder seems to think this could be true, but i don’t know if he knows the ninja lore and that they were not as historically common as media would make you think 💔

luckily, scully doesn't break this terrible news to him. man, this reminds me i need to get a good translation of the kojiki and the nihon shoki

(at this point i did a bit of a wikipedia rabbit hole into japanese medieval literature before remembering the plot at hand. focus!)

mulder says that they should have had enough evidence to at least get him in custody, and that the pusher “put the whammy” on the judge. to which scully deadpans “please explain to me the scientific nature of the whammy” <- HDHEJSNWJSKDMND i love her sooooo terribly. 

mulder is still thinking this guy was a ninja, but scully points out that if he could control people’s minds, why wouldn’t he be an FBI agent like he wanted? a very good point! well, maybe it’s a new skill, mulder posits.

he seems very frustrated that scully isn’t buying his mind control theory, but she makes it very clear she believes he is guilty of murder!!! they just need to figure out what went down. queen of communicating her logic. she won’t communicate her feelings though, but that's okay we can work on that in the future.

pusher at da FBI. writes himself a note that says “pass” and sticks it in his lapel, goes in and asks for computer records. the guard immediately gives it to him. and he waltzes in! 

no!! the poor girl with the bruised face from before, holly!!! he starts talking to her, and she gives him the keyboard to her super secret FBI computer. he asks for printouts and says he wants to hurt whoever did that to her face. hmm. well, maybe a little revenge on her behalf wouldn’t hurt...

but skinner is here! he heard an unfamiliar voice and walks in, asking if he can help this strange fellow. skinner realizes that he is up to no good, and grabs him, but the pusher convinces holly that skinner is the guy who mugged her!!! so she busts out her mace the minute that skinner manages to call for security and starts KICKING HIM??

things escalated very quickly there.

holly is in his office, apologizing profusely to skinner and whole bunch of other people for kicking the hell out of his face. scully is there too. okayyyyy, she’s moving up in the world, helping out when skinner gets attacked!!!! she is very calm about the whole thing though, which makes her a great choice, so she deserves it.

holly says that it was like the pusher was in her head, and she was watching herself do the things she did. creepy...

she’s crying, and skinner doesn’t honestly seem too mad about the whole thing. i would be very mad if one of my employees let a random guy have access to secret files and then pepper sprayed and kicked me, but clearly he understands something was afoot.

OH! scully agrees that it is the pusher’s persuasive powers that made holly attack him, even if she can’t explain why it is he can do that! wow! the evidence is undeniable, even if it is inexplicable!

the pusher left with mulder’s file… so now he knows where he lives. so they should have a sleepover at her place!!! and watch movies!!! <3 before they catch him ofc, because now that he was trespassing, they have him on hook for a crime

(sadly, i must report that no sleepover took place. but it would be nice to imagine that it did)

they go to the pusher's apartment to try and find him, and scully announces before she turns the lights on. okayyyy! giving everyone a warning.

something about her with a trench coat and a gun in investigation mode makes my stomach do flips. we don't have to unpack that right now. i just was very aware that it happened.

he left a movie on the tv, that scully immediately identified as svengali. hold on let me google something. okay, that is a book/movie about guy that uses mind control. fitting. a clue, perhaps…

and is she watching horror films on the regular to be able to identify the film after seeing like three frames….? love that for her <3

(wait, she did say before that the exorcist was one of her favorite movies! so this further proves that she is going to be seated for a spooky film <3)

mulder opens his fridge to find a million and a half of those protein cans from before. you think those are giving him psychic powers? hmm…

oh!!! scully found something in his cabinet: epilepsy medication!!! a clue, perhaps? i’m just gonna keep saying that about anything they find. so that means they know more about him, and that he will need medication, which could be a way to try and find him, because he’ll need to get more at some point probably… AND HE STARTED TAKING THE PILLS AT THE SAME TIME THE MURDERS STARTED!

mulder asks what can cause epilepsy late in life. her answers: head injury, neurological disease, a tumor…

mulder perks up because he thinks a tumor might give you psychic powers. which would be a bright side to an otherwise very dismal situation, i’m sure. 

she says that if he had a brain tumor, he would not be well enough to do all of these shenanigans- a very valid point. mulder responds with: maybe he isn’t well at all!! he was too tired to escape at the driving range, after all, and he had confessed to murders he had gotten away with… maybe he wants to go out in a blaze of glory!

huh. bold theory.

phone rings as this theory is proposed. and the pusher is in fact on the phone. he asks for mulder and scully, who are sitting next to each other on a bed with their heads close, listening in. it’s endearing. 

anyway, the pusher is going on and on with the dude on the phone named frank, saying he looks super unhealthy, and i get that they are trying to trace the call, but they also should know by now to not listen to a damn thing he says because of the mind control. but again, he could be offering a clue, so someone has to listen. agh! such a conundrum.

mulder says to hang up the phone, right as the pusher talks frank into having some sort of medical condition where his blood thickens (gag. gag gag gag bleurghhhh). mulder and scully are trying to get him to hang up the phone but he won’t, he keeps listening so they can get a trace on the call!! and then frank is dead.

scully’s trying to save his life, but mulder picks up the phone. the pusher says that he wants a real adversary, and he’s read up on mulder, who he deems worthy. okay just ignore scully at your own peril i guess...

scully realizes she can’t save frank :( and mulder is mad because he killed this dude for nothing!! but he says no no, all these people die by themselves. 

they trace him to near a hospital, where he must be getting regular treatment for his condition. they find his car outside. and he’s scheduled for an MRI.

mulder says he should go in by himself, so that no one else gets hurt. a bold choice...

he gets all suited up with a camera and some fancy equipment to go in, then he gives scully his gun, so he won’t shoot anyone even if the pusher uses his mind games on him. and then they hold hands for a second. and look into each other’s eyes. and i will sob like a baby. 

mulder is going into the hospital. scully is watching all of this from his fancy camera. the og live stream. 

we hear two shots fired; the pusher made the guard shoot the technician and then himself. scully sees the monitor and asks mulder to get closer. and he does indeed have a tumor…. and is dying, so he has nothing to lose. which makes him even scarier!

scully is begging him to get out of there. but he turns and scully sees from the camera the pusher holding him at gun point!!! she yells “god!” and then runs into action. oh you know it’s serious when the catholic is yelling the name of the lord as an exclamation….

scully putting on a bullet proof vest to go in there and save him😳oh wow… i am learning so much about myself

she goes in, tells the SWAT team to wait for a signal. everything is very very very tense as she makes her way into the hospital. so slowly. she finally comes to the right door, and pushes it open.

mulder is seated with the pusher in the room of a patient, while the two stare at each other. they’re both very sweaty, and pusher has a gun in his hand. the pusher is going on about martial arts and a fight to the death and stuff. he gives mulder the gun and says to pull the trigger, one pull with a one in six chance to kill him.

scully is suspicious because they are, again, in a hospital, which has pure oxygen, and who knows what could happen if he pulls the trigger? but despite her very logical warning, he does pull the trigger, right away, and nothing happens. 

but the pusher talks mulder into putting the gun against his own head. she is begging him not to do it, to listen to her, to get out of there together, and everything will be okay.

and despite scully’s best efforts, he DOES pull the trigger. no bullet this time, but she is FREAKING OUT that he did that. she yells, and that yell will probably haunt me forever, how furious and terrified she sounded to watch him do such a horrific thing.

and then he turns the gun on HER, she’s crying, telling him to fight this. terrified she's about to die at his hands.

(oh my gosh, i really hope he’s faking the mind control working on him, so he can turn the gun on the pusher at the last minute)

the pusher mentions that SHE SHOT HIM, he read it in his files, “PAYBACK TIME, SHOOT THE LITTLE SPY” <- OMFG???? this escalated SOSOSOSOSO fast????

he tells scully to RUN while he still has the gun pointed at her, but then once she gets out and pulls the fire alarm, mulder shoots him!!!!! he keeps clicking the gun over and over at him despite it being empty. and he looks so tired, handing the gun over to scully, holding his head in his hands. 

man, he must have been horrified, to have someone in his mind, making him try to hurt himself and hurt scully, watching her scream at him after he put the gun to his head and pulled the trigger, watching her cry as the gun was pointed at her, fighting for access to his own mind... and after he had left his gun with her, just to make sure he wouldn't hurt anyone, he found himself in this situation...... how he kept firing even after the single bullet had been shot, just to ensure that no one else would be hurt..... woah. there is a lot to unpack here about the lack of agency and losing loved ones and mulder's deepest fears.... i will be gnawing on this in my head for a while...

so, the pusher is on a ventilation system, and mulder is watching. scully enters and says he will never regain consciousness. apparently, he had been refusing treatment, refused to have the tumor removed even though it was possible. mulder says that it’s like she had proposed, he was a little man, and this finally made him feel big.

they linger long enough for me to wonder if they’re actually going to kiss, right in front of this comatose murderer, but she does something just as intimate: grabs his hand and says to not let this dude take up another minute of their time. we end with mulder taking one last look and leaving the room.

oh, this episode was GOOD. REALLY GOOD. the suspense was killer, the mind games were trippy, and these two. these two.

scully falling asleep on his shoulder? the fluff of an indulgent fanfic writer. but it REALLY HAPPENED. them holding their heads close multiple times to listen to the phone... the hand grab at the end. listening and trusting each other's wild theories.

this episode showed how well they work as a team, and it made me so happy. it felt in very sharp contrast to a few episodes before where they were not working together at all. and i get that was cosmic opposite day, but still, this episode and their dynamic felt so right.

and then at the end, the level of angst was unexpected. and honestly, they go through a LOT on this show, but scully seeing him held at gunpoint and then watching him pull the trigger on his own head made me lose my MIND. how she begged him to stop, pleaded and yelled, how she cried as he pointed the gun on her, him using every ounce of energy he had to try and resist mind control to keep her safe. and the minute she is away, he unloads the gun into the pusher, again and again and again despite knowing it was empty, just to be sure no other bullets could hurt anyone else. how exhausted he was when he sat down at the end, his head in his hands; how he watched him in his comatose state until scully told him they should leave.

(insert prolonged muffled screaming as a way to comprehend the feelings i am experiencing)

and a massive shoutout to skinner for showing up for 5 minutes, realizing there was a problem, addressing the problem, and not being too mad when the girl in the computer department beat his ass because he was sympathetic to her mind control quandary. really a solid fellow. skinner, you and i have had our disagreements in the past, but i have come to see you as a friend. now, do i trust him fully? no. but can he come to a birthday party? yeah <3

wow. just wow. a really great episode. definitely making it onto the best episodes list! i'm trying to make a mental list of all the ones that stick out as the most enjoyable, especially the ones that are single episodes rather than the larger two or three part ones, and this is a contender surely.

"please explain to me the scientific nature of the whammy"... how could you not love her?

[crimsondestroyer]

Ryu Number: The M.C. from The Under Presents

Alright. I've done a few Ryu numbers in the past, but none as elaborate as this one, so for once, I figured I'd make my own post explaining the... elaborate, to say the least, path I took to get here. Several dead ends and a couple weeks of research later, here we are.

So. To those of you who don't know anything about the Under, hi. I'm crimsonDestroyer. One of my many hobbies is playing VR games, and one such game is The Under Presents, by Tender Claws, a game I play somewhat often and speedrun periodically. A while back, I wondered in passing if I could figure out a way to connect any of the Under's characters to Ryu, like, say, The M.C. This seemed like a simple question at the time, but, well, let's see.

To start off with, there's a fairly simple Limited route. One aspect of The Under Presents in the past was its live actors, in-game characters played by real people who would interact with mute player characters in the game's multiplayer areas. Unfortunately, the actor run has since ended, and though there's been brief returns of actors here and there, it seems to be mostly over. However, one such actor-played character was a skeleton going by the name of Amelia. As Amelia's lore would later highlight, she is, in fact, the one and only Amelia Earhart, prior to her death and entrance into the Under. There are many hints around the game's world that Amelia Earhart was in the Under in the past, but she herself is nowhere to be found - except for this live actor. Given this was, by its nature, a time-limited occurrence, this would give the M.C. a nice, clean Limited Ryu Number of 3.

However, Limited Ryu Numbers are lame. Can we do better?

One of the many locations you can visit in the Under is the Crob Pit. There, by solving a puzzle with some fellow players, you can summon a massive crab monster who will eat you, sending you to the Den, inside him. There, you can find an assortment of crab bones and other gruesome things, in addition to one peculiar fixture.

This is the only intact human skeleton in the entire game, within the stomach of an enormous crab. Now, given the fact that Amelia Earhart is mentioned excessively by props around the setting of the game, with items such as her plane and a banner for a show featuring her scattered all over the place, her physical absence within the Under is quite suspicious. Additionally, the actor-played character was created after the game released, and it's implied that the actor characters have some degree of the supernatural to them, meaning the existence of the actor in no way means that the character's physical body cannot remain elsewhere in the Under. Given the popular theory that Amelia Earhart's body was never found in real life because it was eaten by coconut crabs, this seems... intentional. If you consider this to be Amelia Earhart's body, the M.C. has a Ryu number of 3.

However, given the complete lack of any verbal confirmation or hints to this skeleton's identity, and this being solely based on context clues, I'm not confident calling it for certain, so let's keep digging.

One feature of the Under is the scripted stage shows, which play on loop on the main stage in the game's theater area. One such show features a man by the name of Sal Sisyphus. Sal's act consists of him rolling a boulder up a hill while giving a motivational speech that inevitably descends into nonsense after he slips and drops the boulder back down. That sounds quite a bit like traditional Sisyphus - endless torture, endless repetition, endless suffering, pushing a rock up and down a hill forever. Plus, as far as I can tell, the mythological Sisyphus has no second name given, so who's to say Sal isn't his first name? If you buy into that, the M.C. also has a Ryu number of 3.

But this one DEFINITELY felt pretty sketchy to me, so I went back to the drawing board once more.

Finding a way out of Tender Claws is... hard. See, Tender Claws has made three big commercially-released VR titles: The Under Presents, Virtual Virtual Reality, and Virtual Virtual Reality 2, all of which can be linked without much issue. A sentient skeleton named Tina works in both a stage act in the Under, and her namesake bar, Tinas', in VVR2's setting, Scottsdale. And, as a sequel, VVR2 features numerous returning characters from the original VVR. All you need is to find one character, just one, across those three games, and you have an out. There HAS to be something.

It was at this point that a friend mentioned that Elon Musk is in Virtual Virtual Reality 2, and I had to do a double-take.

Meet Elon. He's a talking onion. More accurately, he's an AI upload of a human consciousness who takes the form of a talking onion in the digital world. Between his name, his personality, his mannerisms, the fact that he was the second human to ever upload himself (after an extremely important character from the first game), and the fact that VVR2's virtual worlds are referred to as "metaverses", the implication as to who he is seems to be pretty obvious. I didn't know he existed, because I never finished VVR2 due to some technical issues. Regardless, here he is!

With a proper pop-culture figure in our hands, we can finally find our way out of Tender Claws. Elon Musk is still a relatively modern person, so there aren't many games with him in them yet, but with some clever googling and the help of TV Tropes, I tracked down an obscure little game called Good Pizza, Great Pizza, released for mobile and later ported to PC and Switch. In this game, you make pizza for an assortment of customers, real and fictional, which just so happens to include one Mr. Musk. From there, it was just a matter of tracing the rest of the way to Ryu from one of the other noteworthy characters who appear in the game. There was a tempting Dracula connection, but unfortunately, he's exclusive to a time-limited Halloween event. How ironic, that the first and last dead ends would both be time-limited characters. In any case, Albert Einstein will do the job of giving us our final two jumps nicely, passing through Mario's Time Machine, and finally bringing us home.

The M.C. has a Ryu number of 3/5, and a Limited Ryu Number of 3.

[eijiroukiriot]

Maya did you hear? That last fanart you reblogged makes references to some panels of the chapter 431 of mha. Apparently bkg and kiri are still good friends in the future, seeing him having shotgun and eating in bkg's car?(He is so pretty too <3 my baby's face card and big lashes never declained hell yeah) they are besties :') knew they were hanging out and doing their thing "behind cameras" im so happy for that that's all i wanted at this point.

Gonna miss the kids man mid ass shounen manga but the characters are so dear to me still, hope things are going good for you take care.

HELLO!!! i'm back from months of silence on this blog!!! thank you for the message, i hope you're doing well! i live in shock and awe that krbk's deep, inexplicable friendship was confirmed all the way up to the end of the end!!

i somehow managed to delete twitter JUST before leaks hit but was still using other social media for another day or so, which is how i reblogged that art not knowing it was based in canon at all!! i even remember thinking "aw i'm happy pa/unchsalazar comes back to krbk every now and again". back in august i was underwhelmed w how cramped the original/"true" ending was, so i was really enthusiastic abt an epilogue that could give the characters (especially izuku) a little more time to speak. however in noooooooo way did i expect any sort of krbk interactions, let aloooone to the extent that we got!!

my own personal krbk anniversary (january 15th!!) came around this year for the 7th time - i have always been mega mega deep into krbk but this chapter really threw me for a loop. hopefully this stays in my krbk tumblr containment chamber but i think realistically this is the most krbk ending we could've gotten so in my heart i kind of see them as supported by canon. and if that sounds far fetched then let's get into the question of what is krbk anyways? an anime ship? a "bond between equals"? a strong friendship between two boys that, no matter how far their stories converge, always gets circled back to? i think honestly the gray area of them having a really admirable friendship that also makes you think "if they're just friends then what the fuck is going on" has always been part of why i like them so much and what is more "what the fuck is going on" than bakugou using the kanji from kirishima's hero name in his own hero title, despite all language norms and for no feasible reason. their weird friendship grew up with them. i love them.

i agree that lol i am going to miss the distinct lovable flavor of mid that bnha provided - that really hit me in the chapter where deku finds uraraka on the cliff and calls her his hero, then the entire class finds and joins them. it's equally odd and pleasant imo that bnha has been winding down as i've been preparing to leave japan. i feel really lucky to have been here for most of the wind down and to have gotten to buy its very last chapter in jump and visited a lot of the victory-lap events - on that note here's a picture of when i got to take krbk to the tokyo tower collab:

(the tokyo tower collab is the source of this character art and alongside lots of merch and collab drinks the main event was a "mystery game" where you solve a packed of puzzles using clues on the character standees scattered around the tower. i found it totally delightful and also really challenging at times - i partnered up with another foreigner girl and we muscled through the final stage together and still needed the help of a verrrry kind staff woman to complete it)

...and i'm going to try to make it to as many events as i can before my time is through!! next weekend i'm attending my first doujinshi market!! and a lot of krbk artists i've known for a long time are gonna be there!! in that same weekend i also want to check off the tokyo skytree collab. it's funny because i was never interested at all in going to tokyo tower or skytree but then randomly because of bnha i'll be knocking them both out in the span of 2 months. lol. i'm also really excited to go to the final art exhibition and will report back on if bakugou "gets too shy to talk about kirishima" in the audio narration this time around

that ended up mostly being about me and my life but seriously thank you for the message!! i hope you're doing so well!! i really love this revived era of krbk the epilogue has thrown us into and i wish a very prosperous february of krbk to all of y'all with all the art and fics people have so lovingly been posting. as of this afternoon i'm done with my grad school apps so now i can tackle the wips i've had sitting in my drive since this summer!! and hopefully be back to talk to y'all soon!!! if anyone is still reading i'd love to know what you've been up to and what krbks thoughts have been on your mind. and other than that i really do hope you have a nice day!

[nahisummerhold]

City of Dusk, Part 5

Part 1 Part 2 Part 3 Part 4

It had been a hel of a night and Nahi was tired, but also keyed up for her next performances, the weekend was here and that meant she could break out some more of her sultry tunes. Management said they tried to encourage an atmosphere of seduction in the club on the weekends, she was also told that there would be more employees in attendance, a not so subtle hint that they had people willing to pay for company attending the club over the next couple days. 

Mr. Presence had asked her to stay the day with him then he called in a professional masseuse to come to his estate, and help Nahi release the tension she always felt anymore with the duality of her life. The relaxation continued while she was wrapped into his robe and guided to an arbor-covered patio where they sat around, ate tiny bites of food and had tea while they talked about everything either one could think of until she had to go get ready. He said he could order some dresses to be delivered for her but she just laughed and told him she had plenty at home, not that she was opposed to him buying her things, but she had a plan for the night. Their parting took a little longer than she had planned, but the shower together certainly saved her sometime, or so she justified. 

Dressing with care for her show and the changed atmosphere of the club for the night, she put on a cream spaghetti strap dress that extended in a column to mid-calf. It would have been considered conservative if it wasn’t for the fact that it had a fringe with beads over the whole thing. She added copper sandals with a small ankle strap, applied a little more makeup than the night before, copper eyeshadow with glitter  along her brows that she brought down to dust along her cheekbones and an almost nude lip that was glossed enough to reflect the stage lights. She ruffled her hair, the only styling was to run her fingers through it, a light spray to hold the volume in place and she was ready for the night

When she got to her dressing room a fourth and fifth box had been added to the stack, with the night before she hadn’t been exactly focused on the boxes when he was there with her. She was fairly sure they were from Mr. P, but she couldn’t be sure, so far he had not shown her that he had an affinity to magic beyond what every Shal’dorei had. His arcane markings were lovely, they were simple, but masculine, wearing them like another man might use tattoos to show off his physique. There had been more than a little time spent tracing them with her fingers the night before.

Poking gently at the two new boxes, one fizzled and cracked, a spark shocking her fingers, and the other just sat there, almost mocking at her inability to open it. Spending more time than she should on their puzzle, looking from all directions, looking to see if there was some marker to them, some clue that would flip a latch or just open them, only to find no way into the magical containers. Throwing in the towel, quite literally as she tossed the towel she was using to protect her fingers down next to the boxes she frowned at them, “If you do not reveal what is inside I am going to just leave you here for when the normal singer returns, or maybe that is it, you are meant for her and she will be able to open you?” They did not answer her, so she left them behind and made her way to the stage.

Starting her first set with a few slightly upbeat songs, not the type that would get people up to dance, but a good beat that would encourage hips to sway as her own did on the stage. Then she settled into more silky versions of love songs, extolling every virtue of the emotion and evoking smiles as well as a little more body contact in her audience. With the end of that set she made her way to the bar, a new bartender was on duty and he lifted his chin to acknowledge her, “Hot water, lemon and honey right? A note was left.”

“That and a glass of room temperature water as well please,”she knew with the massage that day she would need to drink more water. 

Nahi wanted to ask if any messages had been left for her, but she also didn’t want to be disappointed if he didn’t reach out, maybe he would just be satisfied with their one night together and move on, like she normally did, but she hoped he wouldn’t. She hadn’t been so attracted to a man since the Illidari the night the keep fell, and she was glad for it, if there were a number of people that made her feel this way then it might be hard to just leave after they shared some time together. 

Sitting on a stool Nahi got her drinks and began to sip at the hot water before swapping to the glass, drinking about half of it in one drink, she looked out over the club with a small smile. He wasn’t here but she saw that most of the people in attendance had a partner, clearly the place was well known for its weekend expectations. Meeting the eye of a stunning tall Shal’dorei woman, she walked over and they began to talk, it was a delight, the woman complimented her with a sincerity that made Nahi almost blush. With her break almost done the woman gave Nahi a card and said if she ever wanted company for the night it could be arranged, with a laugh she took the card and carried it to the stage with her. 

Most of the night was the same, a choice selection of music, breaks as they should be, but still purple eyes scanned the crowd, looking for him. It was almost closing before she noticed that he was in a booth in the back of the club, the woman that had tried to charm Nahi sitting next to him, whispering in his ear, intense eyes were focused on the stage, he spoke to the beauty but without ever looking at her and it made Nahi flood with desire. With a smile and a wink to him, she nodded to the piano player and began a song that was written by her mother, one of her rare tunes that was not operatic, but showed excellent control of every note. Closing her eyes she began to sing and it was like the world around her just closed off.

“Somewhere there's music How faint the tune Somewhere there's heaven How high the moon

There is no moon above When love is far away too Until it comes true That you love me as I love you

Somewhere there's music How near, how far Somewhere there's a dreamland It's where you are

The darkest night would shine If you would come to me soon Until you will, how still my heart How high the moon

Somewhere there's music How faint the tune Somewhere there's a dreamland How high the moon The darkest night would shine If you would come to me soon Until you will, how still my heart How high the moon

That was her last song for the night and in an almost unheard of romantic moment for her, Nahi blew a small kiss out over the crowd to him, there were enough people in the room that none would recognize it was targeted except for the intended. Straightening the stage and when she walked to the side of the stage he was there and extended a hand to help her down the stairs. “I booked us a table nearby for a late dinner, unless you had other plans?” He smirked then kissed the inside of her wrist, a moment between them that was becoming an endearment to her. 

Smiling up at him, a hint of challenge in her violet eyes, “Why, how presumptuous of you. What if I really do have other plans?”

He grinned and leaned in whispering in her ear, “Then I would take you to your dressing room and make you forget anything but your need for me.”

A shiver ran down her spine and she chuckled, “Oh so sure of yourself.”

“I am,” he said and leaned back, dropping her hand and walking with her to the bar where her warm drink waited. “Did you pack an overnight bag?” 

She laughed, a warm, free sound that was rarer than the sexy chuckles that usually held her amusement. “No, I didn’t, you didn’t say anything about tonight when I left.”

His light eyes looked over her body slowly, “With how you left, I shouldn’t have had to.” That alleviated the sour taste of the possibility of just a one night stand with this man, something she was rather pleased about. 

“Well, I managed last night, I am sure I will tonight,” picking up the mug, she took a long drink. Her voice was becoming a little rougher, hardly noticeable but she could feel it.

“You need to pack one tomorrow,” he stated, a low command in his tone.

Nahi tipped her head and looked up at him, her glitter catching the light from the stage, a small galaxy upon that side of her face. “I don’t work the day after that,” she said.

“I know…”

( How High The Moon, performed by Dianne Reeves)

[universe-friday]

EXCERPT #19:

Hello. I hope somebody is listening.

[…]

Old sport! Ah! I have such a story to tell you!

You must remember that Thalia is a DJ, right? Which is so cool! …Even if I don’t often visit clubs personally.

Well, we were hanging out again recently and she tells me she managed to book a gig as a supporting act!

I was so, so excited. I told her I was going to buy flowers, toss them on the stage as she gives her final bow, cheer the loudest, and be the biggest supporter in that crowd.

But when she told me when it was…Oh, old sport, I felt so bad when I had to tell her I was busy.

I apologised over and over. I reassured her over and over, that I will still be that biggest supporter… I’ll just have to give her the flowers after the show…

Being Thalia, she laughs and tells me not to stress so hard. Which, as she should know by now, is something I have no idea how to do.

I told her she was right. Because there would always be a next show, and maybe someday, even her headliner. It was only until I said that when she told me off…

[…]

When the day of the show came, I made sure to wish Thalia the best of luck when I could, before I set off on my own plans that day… To a concert!

This band that I have been obsessed with from day one, the first ever time they played at this carnival. Since that day, they have grown to be so much popular, so, of course, it gets harder day by day to talk to them.

Let me tell you, old sport, I would just talk their ears off… about how much their music has inspired me, how much it just lifts me up every time I listen to it. Never mind whenever the opportunity to hear them live strikes, I swear, I could ascend to heaven every time.

I’m lucky to get a good spot in the crowd, second or third row, though I remember when it used to be so easy to get barrier… I start to wonder if they ever remembered my face.

The lines dimmed and everyone starts screaming. It’s funny, old sport, how people scream at any small movements at concerts, knowing full well the main act doesn’t come on for another hour.

I’ve always enjoyed the openers for this band, as they choose artists they really enjoy personally, and they have an undoubtedly good taste in music.

Which is why I shouldn’t have been surprised when I saw a very familiar pink head of hair enter the stage…

I scream Thalia’s name in amongst the varied cheers from the crowd, and she looks up right at me. Her face reads of total confusion, as well as mine, yet we were equally as overjoyed as one another.

[…]

After Thalia’s set, I get a message from her. A rare occasion, as we both agree against trusting these forms of communication, since the City monitors it 24/7.

She tells me to meet her at the bar. Despite my good space in the crowd, I decided to head back to talk to her. Really, old sport, I wanted to tell her how good her set was. She really knew how to hype up a crowd.

Instead of talking, however, Thalia nods her head towards a door. Before I get to say anything, she’s already walked through.

As we walk down this hallway, I am asking Thalia so many questions.

‘How did you do this?’ and, ‘You know this is my favourite band, right?’ and, ‘How!?’

Yet, Thalia just stayed silent. The whole time we’re walking, I’m asking and asking, and only do I stop in my tracks when we make our way to the door at the end of the hallway.

The door lies halfway open, and within seconds, I saw them all.

The band I have adored for years, all sitting right in front of me. Even the drummer, my favourite in the group, was laying on the couch with his boyfriend; who himself is an infamous professional rugby player.

Thalia introduces me, but I have no clue what to say. I had so many questions, so many thoughts. Yet, all of them at once leave my head in that very moment.

As I muster up the courage, I eventually got to talk to them. Questions came back to me, and these were truly lovely people; who did recognise me!

I thanked Thalia for hours and hours after the gig. And yes, she did get her flowers.

[…]

If only I could find the right people to meet you again, February. I’d queue for hours to see you again. Wait at the stage door even just to see you in passing, to get a glimpse of you again…

Yet, I also have so many questions for you too, February. But when will we ever have the time to talk? I’m running out of time, even now…

♪ There’s nothing left for us anymore Why aren’t you listening? Why aren’t you listening to me? There’s nothing left. ♪

NOTE: as inspired by the week #4 prompts of february friday events as organised by @februaryfridayevents! this week's themes were minor characters / rarepairs / crossovers! so i decided to feature a certain band in this excerpt.... wonder who...!

thank you for joining and supporting the blog throughout the february friday festivities! and thank you to @februaryfridayevents for hosting! as always, i will be back again next week <3