#but while most of these are probably debatable and subjective

[dyaz-stories]

Yuta, Gojo, Geto, and does the end justify the means?

[spoilers up until JJK 269]

I've seen a post floating around about what the point of Yuta overtaking Gojo's body was, and since I haven't seen many people interpret it the way I have, I wanted to take a minute to talk about it.

First of all, I do think Gege had several reasons to do it, one of them being to give the answer to the "are you Gojo Satoru because you're the strongest or are you the strongest because you're Gojo Satoru". However, while many people tend to center that idea, it's only one aspect of it for me.

I'm also of the mind that part of it was telling the fans that nah, he really really wasn't coming back (don't necessarily assign malice to it, but yeah I think it was part of the point). That being said, there is an argument to be made that it was foreshadowed in chapter 90 by Kenjaku, so I don't think that was solely the point and Gege might have had this planned for a lot longer.

However, for me, it's not so much about the battle or about the plot, but rather about the themes it sets in place for the story, and these themes have been present for a while in Jujutsu Kaisen.

At the heart of it is, essentially, "does the end justify the means?"

That's a big theme in the manga as a whole, I'd argue. It's at the heart of the Geto thing ("does saving the lives of sorcerers justify killing every single non-sorcerer") in particular. It's behind most of the higher-ups' actions, though their 'ends' don't appear to be altruistic. It's also a question Gojo usually refuses to answer, or tentatively says "no" to — in refusing to kill Yuuji, Yuta, in protecting Hakari, and probably plenty of people before them. He does end up playing in that game, though, when he kills the higher-ups — deciding that the end might justify the means, a gamble he hadn't always thought worth taking until then. [This is my read on Gojo, but it's open to interpretation]

(I can't be brief to save my life so I'm putting the rest of this Very Long Post under the cut)

We see this not so much with the fight, but mostly in the conversations we see Yuta having in chapter 261, before taking Gojo's body. That's the whole point of the debate they're all having. Yuta is arguing that you have to do whatever to win against Sukuna,

while others, Kusakabe and Maki in particular, have their reservations. [Which is interesting considering Kusakabe does think that killing Yuuji to kill Sukuna was warranted, shows that values are complicated things]

Yuta's whole speech is about, really, the fact that you have to do whatever you can do, no matter what that is, to win. No matter whether or not you destroy yourself as a person, no matter how heinous it is, if it gets a win, it needs to be done.

There's something a little self-sacrificial, self-martyrdom, lowkey suicidal about it too imo but that's besides the point (not necessarily a criticism of Yuta btw, think it makes him more interesting and gives him a lot of depth).

Anyway, back to the point: Yuta is emphatically saying, yes, the end justifies the means. That was also what the fandom was saying when the chapter was coming out, actually. I saw a lot of the argument that it was 'not realistic' for them not to do that, and that 'this was a war and yes, it's horrible, but war is horrible', etc, etc.

Now at that point, I was seething in my small corner of the Internet because from the moment that conversation was had, I needed Yuta to lose, because I fucking hated the message it would give if he won. This is, admittedly, a deeply subjective thing — it's a personal and political opinion, and everyone's going to have their own, but as far as I'm concerned, it would have been awful. At that point I was still really worried that the story was going to go full grimdark and I would have hated it if the last message we got was that renouncing all your values is justified in war if it gets you a win.

Anyway, we all know this by now, but that's not what happened.

Geto, who ended up renouncing even his own values by attacking sorcerers in the name of building his perfect world, loses to the love that Yuta has for Maki and Rika in particular, two non-sorcerers.

And Sukuna loses, not to a Kamo, a Zen'in or a Gojo, not even to the descendant of the big three vengeful spirits, all of whom have sacrificed so much of their values to get to the level of power they have, but to a no-name kid who doesn't even have a cursed technique armed with the power of love and friendship. (Not mocking this btw, thrilled about it) Just as importantly, Yuuji has done the very opposite of abandoning his values: he's fought to keep them until the very end. Even at the very end, he offers Sukuna a hand, because his main value is not to kill people, unless absolutely necessary.

Meanwhile, Yuta going into Gojo's body gets him nothing. He's committed the abominable, and it's not a decisive move against Sukuna. He's gone against some very general human values — anyone can see why what he's done is fucked up (and I can't pinpoint it precisely but I'd argue that there's a parallel between that and him cursing Rika) — and it gets him nothing. Even if it had gotten him somewhere, there was another way. A way that didn't involve that.

So that, to me, is the point of Yuta taking over Gojo's body: no, you can't just do anything to win a battle, and yes, you can refuse to do certain sacrifices and succeed. Don't abandon the things you hold dear. You can lose, but you can also still prevail, Jujutsu Kaisen says in the end.

Now for the more critical part of this broadcast, while I do think this aspect is why Gege chose to have that happen, I 100% find that chapter 269 and the complete lack of consequences the action ends up carrying really really cheapens it. Everyone was up in arms about it at first, and then Yuta comes back and we act like nothing's happened? I mean it's a theme of the chapter for sure, acting like nothing's happened that is, but it still sucks.

I think that's partly why Maki is mad at Yuta in chapter 269, considering she was the one who was most strongly against the idea, but it's not brought up explicitly. It's completely incomprehensible to me that Gege thought the chapter would be better used talking about how they could have acted differently and that whole New Shadow Style school thing than dealing with the consequences of the characters' actions that he'd prepared earlier, but whatever.

So in the end, while it was an interesting point to bring to the story, it was not used to its full potential. In a story that's all about breaking cycles, it's a shame that there wasn't more light shed on how people kept repeating the same mistake.

[coldgoldlazarus]

Pride: Rundas, Raven Beak

Envy: Gandrayda, Mother Brain

Gluttony: Dark Samus, Ridley

Lust: Gorea, SA-X

Greed: Emperor Ing, Biologic Space Labs

Wrath: Ghor, Kraid, Sylux(?)

Sloth: Queen Metroid, Other M Adam

[drdemonprince]

If you’ve never been all that disobedient before, you can and should start really, really small. For example, you can wear the slightly revealing or gloriously trashy-looking garment that makes your mom roll her eyes and sigh despondently every time she sees you put it on. You will feel judged and disapproved of when you put it on, but that is fine. Your goal is to sit with the uncomfortable feelings and continue with your desired behavior anyway.  Saunter down the steps in that highlighter-yellow Garfield crop top with your chest hair flowing over the neckline, and harness as much courage as you can muster. It’s okay if you feel like a beacon of sin. Just keep it moving. Your emotions are not the target here. Your behavior is. You can feel however you are feeling in the moment so long as you keep acting like you’re free.  Do you have a favorite TV show that a partner or roommate vocally hates? Try watching that show around them without apologizing or defensively joining them in mocking the program. At first, you probably won’t be able to enjoy the show while in their presence. You’ll feel self-conscious about everything they find annoying or cringe-inducing about the show, and so focused on their reactions that you can’t relax. That’s okay. Allow those feelings of embarrassment and guilt to exist and pass through you without giving up. In time, you will be able to ignore these reactions more, and enjoy the activity.  You want to see the needle of discomfort moving down just a little, like Link’s body temperature meter in Tears of the Kingdom when he puts on a breathable outfit in a hot climate. You’re not gonna go from roiling hot to frosty cold in an instant. But after a certain point, you won’t be actively in pain anymore. Things are just gonna slowly suck less, bit by bit, until they are finally okay. That’s true of most major life adjustments, I find.  Probably the best way to develop self-advocacy skills while growing in your distress tolerance is simply by telling other people no. Do this without explanation or hedging. Nitpicky aunt wants to hear all about your dating life? “No, I don’t want to talk about that.” Unreliable ex-friend wants you to do them the tiny favor of moving their entire home gymnasium into a new third story walk-up? “No, I’m not available.” Manipulative shift supervisor wants to cajole you into sticking around for another three hours to close? “No.”  As many advice columnists smarter than me have already intoned, “no” is a complete sentence. “No” requires no explanation. “No” is not subject to debate. “No” can be repeated over and over like a broken record if a disrespectful person acts like they can’t hear it. And you can walk away at any time to make your “no” physical and impossible to argue with, when someone has proven they don’t respect your boundaries. 

you can read or listen to the full piece for free here

[dcxdpdabbles]

For Danny, gravity is a suggestion, but when he's human he prefers to feel ground under his feet while he's thinking. This leads to him often not realising he's started walking on the wall or ceiling when he's lost in thought or otherwise distracted.

Tim's definitely normal human friend Danny, pacing on the ceiling during his third visit at Wayne manor: [ranting about something, probably defending his love of weird flavour combo milkshakes]

The Batfam, silently debating how they're gonna break it to Danny that he's a meta: ........

Tim's eyes follow Danny as he starts pacing around the table, his homework abandoned on the table. His voice is becoming sharper, and his words are strung together more as he continues. He noticed that he became less aware of his surroundings when his friend started going on his rants.

Watching Danny's body language become slightly less human was fascinating. It started with his eyes—if Danny felt angry, they would glow green. Tim always knew when to cut back on his teasing whenever he saw the flash of green, no matter how brief the green was.

When Danny rants about something that upsets or makes him sad, his voice gains a particular echo. It is almost as if he is slowly walking into a cave.

There were times when Danny got excited or happy; his hair would start to puff up slightly. This reminded Tim of when he would rub a balloon on his hair to study the positive and negative charges.

Danny's hair didn't flout straight up, but it was electric enough to be noticeable if you paid enough attention.

It was as if his emotions affected his physical form like a mood ring. Tim could always tell what Danny felt by watching for the little effects.

All these little things were easy to hide. Most people noticed less than Tim did, but there was one little quirk Danny did that was rather hard to miss.

"What if we talked about the effect of well-lit street lights on crime rates?" Danny asked, striding up to a wall and casually pacing on it. He continued to think out loud, with his eyes closed, as he made loops on the ceiling. Tim needed to pay more attention to the subject of their presentation, but he was somewhat distracted by how Danny's hair and shirt defied gravity.

They stayed perfectly in place as if his friend were still on the ground and not upside down. Tim wondered if his powers were less flying and more gravity-shifting.

It would also explain his lower degree of super strength if he could manipulate gravity. (Tim didn't care what Danny claimed in gym class. No regular human could lift two punching bags like nothing, especially for something as casual as cleaning up)

Or maybe he was able to move in a fifth direction. From his perspective, while Tim was stuck in 3D, Danny could move in the fourth and walk on the ground. It would explain why he didn't notice he had stepped on the walls or ceiling. To Danny, he never left the floor.

"No, that wouldn't work," Danny mutters, making loops around the chandelier. "What if we...but then that would mean...."

Tim couldn't make out most of his words, but that was fine. Danny also tended to mutter under his breath when he was deep in thought.

He cranks his neck back, eyes tracing the way Danny seemed to strut around as if he was out for a walk on a nice sunny day in the park. Carefully, making sure Danny was too distracted by his thoughts, Tim aimed his camera phone at him.

He takes a few photos and then opens the family group chat.

Tim: I need advice on gently telling a friend something that may change our friendship. I've tried to say it to him before but he doesn't seem to get it.

Jason: buy him some flowers and write him a poem. He'll love it.

Steph: That's terrible advice, Jay. No one does that anymore

Jason: No one has class anymore, you mean. Besides, boys deserve to be romanced, too.

Dick: Just tell him how you feel, Tim! Be direct and make sure you use the words "I like you romanticly." Sometimes people don't understand you're asking them out.

Damian: Do not bother me with your failed courtships.

Duke: Maybe don't go as far as Jay said, but Dick's right. You have to say, "Go on a date with me" or something.

Steph: Try the bend and snap! It's Elle Woods-approved!

Tim: No, that's not what this is about. I need help telling Danny he might be a metahuman with Superman-level Power.

There is a long pause before his phone vibrates again.

Damian: I beg your finest pardon?

Bruce is typing.....

Tim: He's friendly! He just has yet to notice that what he does isn't regular.

Jason: Wait, isn't Danny that kid we saw you at the ice ring with? The one that snuck up on Cass by accident?

Tim: Yes

Multiple people are typing.....

Tim briefly glances up to see what Danny is up to, and he is surprised that Frost has started developing in his footsteps. That's certainly new. He attached the photos to the chat, sending them off as Danny slowly floated back down.

He watches as his friend flips horizontally in mid-air so that he's standing upright when he lands. His hair is starting to puff up again, so he is not surprised when Danny's eyes snap open with a gleeful glint in them.

"I figured it out, Tim!"

"That's great," Tim tells him with a smile as Danny eagerly returns to his seat. He is babbling about the solution to their government class and how he knows he can get their proposed bill passed with the correct narrative.

Tim watches frost develop around his pencil and chair. Fascinating. Does that mean excitement? He almost forgets about the family group chat while attempting to figure out what emotion Danny is experiencing to connect to frost that he missed a few messages.

Bruce: Tim, where are you?

Bruce: he made Cass jump because she didn't hear or see him coming. That's worrisome.

Bruce: He could be dangerous

Bruce: Where are you

Bruce: Tim, answer me

Bruce: Timothy Jackson Drake, answer the phone right now

Dick: Oooooohhhh middle name

Damian: They are in the left-wing dining room, Father. I already have a visual on them.

Damian sent a photo of two teenage boys sitting at a table, bending over to look at a book together. Papers and pencils are scattered around the stranger while Tim's trusted laptop is in front of his part.

Bruce: Good. Keep them in sight at all times and report any suspicious behavior.

Damian: Naturally.

Steph: No DNA test is needed

Duke: Literally.

Cass: I am confused. I thought we all knew Tim's boyfriend was not human?

Jason: We did not, in fact, know that Cass.

Cass: It is obvious by the way he moves that Danny is not a meta-human. He is close to one, but he moves like a different being. He reminds me of Captain Marvel.

Multiple people are typing......

[hazard-symbols-that-fuck-hard]

Okay time for the PBS Kids essay

Read it under the cut!

:readmore:

In 1968, before there was PBS Kids proper, there was Mr. Roger’s Neighborhood. While it came several decades before the children’s block, it laid the foundation for the themes and values present in every facet of the network’s history.

Mr. Roger famously hated children’s programming at the time. To him, it all was droll and useless. But he didn’t dissuade the medium entirely— he saw potential. Potential that led to a few smaller television jobs, and eventually the creation of Mr. Roger’s neighborhood.

Rogers didn’t invent educational TV for children, but he did perfect it. He poured real heart and soul into probably the most sincere, heartfelt program in history.

Honestly, he could have his own essay. The more things you learn about the real man of Mr. Rogers, the more you’ll like him.

Anyway, the biggest thing that makes PBS different is the fact that it earns money through grants, fundraisers, and private donors— not through sponsorships and merchandise sales. This way, PBS Kids can push programming that it feels is important, rather than programming that merely sells well.

This also means PBS is less afraid of pushing social boundaries. Money doesn’t go away when their shows become subjects of debate— and Mr. Rogers took full advantage of this.

For context, this was 1969. The Jim Crow era had just barely, barely ended. Pool segregation was still very much legal.

Mr. Rogers sharing a pool and a towel with the Black Mr. Clemmons was a pretty big deal at the time— especially on a show made for children.

Rogers was far from the untouchable sacred cow of today. When he was alive, he had a large number of detractors. Let’s just say that scene didn’t fly nicely by everyone.

Just one year after the debut of Mr. Roger’s came Sesame Street.

While Mr. Roger’s was made for all children, Sesame Street had the explicit goal of supplementing the education of underserved communities— especially inner-city Black (and later Latino) children.

While it was made to be accessible to children of all races and income levels, they definitely went the extra mile to make it something special for inner-city Black and Brown kids. (Why do you think it it’s “Sesame Street” and not “Sesame Cul-de-Sac”?)

At the time, a wholesome, sweet show set in a brownstone street was practically unheard of.

Jon Stone, the casting director, deliberately sought to make the cast as rich with color as he possibly could, bringing on a huge amount of Black talent such as Loretta Long, Matt Robinson, and Kevin Clash, as well as featuring Black celebrities as guest stars. Later, the show would expand its horizons, bringing on actors from Latino, Asian, Native American, and many more backgrounds.

White actors were and still are a minority on show.

In addition to letters and numbers, the purpose of Sesame Street is clear: make kids of color know that they’re smart, beautiful, and loved.

It doesn’t get more explicit than this.

I want to point out this comment because it’s funny

You’re telling me this bitch isn’t Hispanic???

Anyway, these two were followed up by Reading Rainbow in 1983. And guess what?

That’s right. Non-white focus.

These three shows, (along with other, lesser-known programs like Lamb-Chops Play Along, Newton’s Apple, and Shining Times Station (who featured Ringo Starr himself?? seriously how did that happen and why does no one talk about it) and some other nostalgic favorites like Bill Nye the Science guy, The Magic Schoolbus, Arthur, and Thomas the Tank Engine) aired on the new PTV block, which evolved into PBS Kids in 1999, bringing along Between the Lions, Dragon Tales, and many more.

Arthur is another stand-out that I’d like to talk about— it doesn’t have the same racial focus of Sesame Street, but it does focus on different income levels. The characters have various housing situations, from apartments to mansions to no home at all.

It also takes cues from Sesame Street and Mr. Roger’s in regards to talking about tough topics, though as Arthur has a slightly older target audience, it discusses things through stories rather than talking directly to the audience.

Cancer, religion, workplace discrimination, along with current (at the time) events such as 9/11 and Hurricane Katrina are all discussed on the show.

Another big focus on Arthur is disability. For once, they don’t stick a character in a wheelchair and then pretend he’s not in a wheelchair. A striking number of major characters either develop or get diagnosed with physical disabilities and/or neurodivergences, such as asthma, severe food allergies, and dyslexia, and they deal with them in very realistic ways.

A handful of minor characters have more obvious disabilities, and THANK GOD they go beyond the trite messaging of “disabled people can do everything abled people can do! everyone clap now!”

One episode in particular has the awesome message of “holy shit stop trying to help me all the time— it’s patronizing as fuck. I can get around just fine without you stepping on eggshells and trying to be the hero all the fucking time”

There are sooo many other shows I could talk about, but I can’t write about them all. I’m definitely gonna point out some more standout ones, though.

Sagwa, the Chinese Siamese Cat

Created by Chinese-American woman Amy Tang

Dragonfly TV

Features a multitude of female and non-white scientists to foster an interest in science with kids in those groups

Maya & Miguel

One of the network’s first Hispanic-led shows

SciGirls

I shouldn’t have to explain what the goal of this one was.

Molly of Denali

When was the last time you saw a show that treated Native Americans as people? Much less a children’s show? 90% of the cast is Athabascan, and the show revolves around Athabascan culture, not shying away from topics like boarding schools and modern-day racism. Most of the writers are also Athabascan, and the show even has an official Gwich’in dub!

It’s this commitment to real, authentic social justice that makes PBS Kids so much different from its competitors. Could you imagine the Paw Patrol dog looking at the camera and earnestly discussing what happened to George Floyd? I don’t think so— but Arthur talked specifically about it, Sesame Street did an hour long special about race in general, and the network itself made a 30 minute special.

Disney Jr. could never. (Other than trying to teach colorblindness, of course.)

I’m gonna have to cut this into two parts, since I just hit the image limit

[the-winter-spider]

What I Have | B. Barnes

Word Count: 2.5k

Warning: Probably the fluffiest piece ive written lol

A/N: I was listening to What I Have by Kelsea Ballerini and well here we are lol

—-

The year was 2024, over one hundred years since you were born—105, to be exact. Your life hadn’t turned out at all like you had dreamed or hoped it would.

You were supposed to marry the boy next door once the war was done. You’d picked out your wedding dress while window shopping with your best friend, even before he proposed. You made a scrapbook, meticulously curating hairstyles and makeup looks, debating over the choices as if they were the most pressing decisions in the world.

You sketched out your dream house, selecting the colors, the flowers for the front garden, and the vegetables you would surely grow in the back. You even chose the font for your new last name on the mailbox.

You had each of your children’s names picked out—three, to be exact. Two boys and one girl, you had hoped. Everything was a dream, but it seemed so close, so possible, as if it should have been a reality. You should be dead by now, having lived a full life, with your children who should have been walking the earth with their children, your grandchildren.

But everything went wrong. Literally, everything possible went wrong.

Bucky fell off a train and died. He actually fell off a train, and they declared him dead. In reality, he had lost his arm, survived the fall because Hydra had already experimented on him. They brainwashed him, like something out of a twisted fairy tale, turning him into a deadly assassin. Your beautiful, blue-eyed Bucky, your sweet Bucky, became a killer. A Bucky you would never see again, because even though he was still here, and you were so thankful for that, he would never be your Bucky again.

And then there was Steve. Of course, Steve found him, because of course! And let’s not forget that your best friend, Steve, who was once smaller than you, was injected with a serum that not only tripled his size but turned him into a superhero because, yes, apparently those needed to exist. Of course, he went off to war, driven by a need for revenge for his best friend, your fiancé Bucky. And of course, he had to be noble, going down for the cause, leading everyone to believe he was dead. But of course, he wasn’t. They found him, frozen but alive, because he was Captain America, and that’s just what happens.

And then there was you, consumed by grief, first losing the love of your life and then your best friend. You begged, on your knees, begged Howard Stark to use you as his test subject for cryogenic testing. You couldn’t bear to be here without your boys. He hesitated because he loved Steve, and he knew Steve wouldn’t want this for you. But when you threatened that if he didn’t, you would take your own life, he relented. So, of course, it worked because it was Howard, and he was a Stark. But decades passed, and the year he was supposed to wake you up, The Winter Soldier murdered him. So, as usual, you stayed frozen, but alive, until Howard’s son, Tony, found you in his father’s hidden lab.

You woke up to a world that was not your own, a century too late for the life you were supposed to live. The world had moved on, but you hadn’t. Your friends were legends now, mythologized beyond recognition. And you, well, you were the ghost of what could have been.

The years that followed were a blur of new faces, new battles, and new griefs. You tried to adapt, to find a place in this future that had no room for you. But every corner of this brave new world reminded you of the past, of the life that slipped through your fingers.

And then one day, while sifting through old boxes in Tony’s lab, you found something. It was an old, faded book, as soon as you saw the brown cover you heart dropped you knew what it was, it waa your scrapbook. The cover had an old faded photo of you, Bucky, and Steve, taken on a sunny day before the world went mad. You barely recognized the girl in the photo, with her bright smile and unbroken heart. But there she was, a relic of a time that now felt like a dream.

You realised then that maybe you didn’t belong in this world. Maybe you never did. But as long as you were here, you could try—try to make sense of the pieces left behind, to find some small measure of peace in the chaos.

And that’s exactly what you did. Even though you didn’t have the life you had once dreamed of, you still had them. And in what world does all that trauma happen, and you still end up alive with your boys?

You picked up the dusty book, holding it close to your heart, as you navigated through the compound, following the sound of laughter coming from the living room. You paused just outside the doorway, soaking in the warmth of his laugh—a sound you feared you might never hear again after Bucky began recovering from his trauma. But here it was, filling the room, and even though it wasn’t the same Bucky you knew decades ago, his laugh was unchanged, and it made your heart swell.

Rounding the corner, you saw Steve clutching his chest in joy, playfully shoving Sam, who was grinning widely.

Bucky’s eyes immediately found yours; he could always find you in any room. “Hi, doll,” he said, getting up to kiss your cheek and taking your hand to lead you to the couch.

“Hi, Buck. Hi, Stevie, Sammy,” you greeted them, settling in beside Bucky.

Sam rolled his eyes at the nickname. “You’re lucky I like you.”

Bucky glanced down at the book in your arms. “What’s that?”

Steve’s smile faded into something more serious as he noticed the book, instantly recognizing it. “Is that what I think it is?”

You nodded, feeling tears well up in your eyes. “Stark… he kept it. I haven’t opened it yet. I thought… I thought we could do it together.”

“What is it?” Sam asked, his curiosity piqued.

“It’s my life,” you began, your voice trembling slightly. “There are a few pages of what I thought it would turn out to be… but after everything happened…” You paused, taking a steadying breath. The memories of losing Bucky and Steve were still fresh, no matter how much time had passed. “I never planned or dreamed of anything else. It just felt silly without you boys. So, I just filled it with photographs.”

“Photographs of who?” Sam asked, leaning forward.

“Everyone,” you replied softly, glancing between Bucky and Steve. “Peggy and Mrs. Rogers,” you said, meeting Steve’s gaze. You saw the emotion in his eyes at the mention of his mother. “Becca and Winnie, Mr. Barnes,” you continued, feeling Bucky tense slightly at the mention of his mother and sister, their faces now distant memories. “I even have Howard and the Commandos.” You smiled a little. “But mostly, it’s us—all of us.”

Bucky reached out, gently taking the book from your hands. His fingers brushed the worn cover, the room fell silent as the weight of the past settled around you all.

“Let’s open it together,” Steve suggested, his voice thick with emotion. He moved closer, his presence a steady anchor as you all gathered around the book. Sam stayed distant, letting the three of you have your moment but still staying there.

Bucky opened the cover, and the first page revealed a photograph of you, Bucky, and Steve, taken in a simpler time. The three of you looked so young, so hopeful. You felt Bucky’s hand tighten around yours as he stared at the image, memories rushing back. It was a photo from your 16th birthday, the day he had gifted you the book.

“I gave this to you,” Bucky said quietly, the realization settling over him.

You nodded. “For my birthday. You wrote…” You trailed off, pointing to the top left corner of the front of the book.

He read the words aloud, his voice filled with emotion. “Happy 16th birthday to my best girl. I hope you fill these pages with your hopes and dreams. I can only hope that somewhere in amongst them, I’ll be a part of it. With all the love, Bucky.”

Sam smiled, leaning back in his seat. “Who knew you were such a romantic, Buck?”

You watched as Bucky’s cheeks flushed a light shade of red at the comment, and you gave his knee a gentle squeeze, feeling the warmth of the old affection between you.

“For y/n, he was crazy,” Steve chimed in, grinning. “You should have seen him—head over heels is an understatement. Try obses—”

Before Steve could finish, Bucky reached behind you and gave him a playful shove. “Can it, Rogers,” he muttered, trying to hide his embarrassment.

Steve just laughed, catching himself before he toppled over. “You know it’s true.”

You chuckled, resting your head against Bucky’s shoulder. “I wouldn’t have had it any other way.”

Bucky’s hand found yours again, his thumb tracing circles on your skin. “Neither would I.”

As you all shared a quiet moment, the weight of the years seemed to lift, replaced by the warmth of old memories and the comfort of the present. Bucky turned the page, revealing more photographs—snapshots of moments that had once seemed so ordinary but now felt like treasures.

The pages turned slowly, revealing a life that could have been—a wedding dress sketched out, a house with a picket fence, names of children that never came to be. And then, the photographs—snapshots of moments frozen in time. Peggy’s bright smile, Mrs. Rogers’ kind eyes, the mischievous grins of Becca and Winnie, Howard’s confident stance, the Commandos’ camaraderie. But the most frequent faces were your own, Bucky’s, and Steve’s, from a time when the world was both simpler and infinitely more complex.

Each image told a story. There was one of you and Steve dancing at a neighbourhood block party, both of you laughing so hard you could barely stand. Another showed Bucky in his military uniform, giving you a wink as he prepared to head off to basic training. Then there were pictures of Steve and Bucky goofing around, each trying to outdo the other in some silly stunt, and you caught in the middle, rolling your eyes but smiling all the same.

There were pictures of Bucky and you around the campfire on the night before everything changed—before he fell off the train. Bucky paused on that photo, his eyes lingering on it. “That was the night before…” he said softly.

You nodded, squeezing his hand, understanding the weight of those words.

“Night before what?” Sam asked, his voice gentle.

“Before I fell,” Bucky replied, those three words carrying a lifetime of pain and loss. The room grew still, the significance of that moment hanging heavy in the air. Sam didn’t say anything more, sensing the depth of emotion in Bucky’s words.

Bucky’s gaze remained fixed on the photo, his voice quiet as he continued. “It was the last time I felt so much joy… I feel it now, but it was different then.”

Steve nodded in agreement, his expression solemn. “I get it, Buck.”

“Me too,” you added, your voice trembling slightly. “I keep thinking about what was supposed to be, what should have been.” You paused, wiping a tear from your eye. “I don’t understand why it all happened the way it did—why I didn’t get the life I thought I was going to.”

“Sweetheart,” Bucky whispered, his hand gently reaching out to wipe away your tears, his touch as tender as it had always been.

The room fell into a reverent silence, each of you lost in your own thoughts, the weight of your shared history settling over you like a heavy blanket. Finally, Sam spoke, his voice soft and full of understanding. “You’ve lived a hell of a life.”

You nodded, taking a deep breath as you wiped away a stray tear. “It wasn’t what I planned,” you admitted, your voice thick with emotion. “But I wouldn’t trade it. Not if it meant losing this—losing you… both of you.”

Bucky’s hand tightened around yours, his thumb brushing over your knuckles. “We didn’t get the life we dreamed of, but we got each other. And that’s enough.”

Steve leaned back, his eyes bright with unshed tears. “We’ve been through so much, but we’re still here. Together.”

Sam smiled, the warmth in his expression offering a quiet reassurance. “That’s what matters in the end. Not what you lost, but what you’ve kept.”

“Till the end of the line,” Steve spoke, the words heavy with emotion and depth.

“Till the end of the line,” Bucky echoed, pulling you closer to his side.

You glanced around the room at the faces of the people who had become your family—the ones who had stood by you through the darkest of times.

As the pages of the scrapbook turned, the photographs shifted from black-and-white to colour, reflecting the passage of time. The images grew fewer as the years became harder, but each one was more precious because of it.

Finally, you reached the last page, where an empty space awaited a new photograph. You looked up at Bucky and Steve, both of them gazing at the book with a mix of nostalgia and gratitude.

“You should take a new photo,” Sam suggested, his voice soft but certain. “One to mark this moment.”

Bucky nodded, his eyes meeting yours with a warmth that melted away the years. “Yeah, we should.”

Steve grinned. “I’ll get the camera.”

As Steve stood to retrieve a camera, you leaned into Bucky, feeling the steady beat of his heart beneath your hand. This was the life you had, and it was more than enough. The empty space in the book was no longer a reminder of what was lost, but a promise of what was yet to come—a new chapter, filled with love, laughter, and the people who mattered most.

Sam took the camera from Steve, ready to take the picture. But just as he was about to snap the shot, you paused. “Wait!”

“What? You don’t have food in your teeth, but your hair…” Sam teased with a smirk.

“Well, I was going to say I want you in the picture too, but…” You trailed off

“No, no! I’m sorry, you’re beautiful… perfect—”

“Sam, watch it, that’s my girl,” Bucky warned, a protective edge to his voice.

Sam rolled his eyes, chuckling. “The whole world knows that, Buck.” He placed the camera on the tripod and took a seat beside Steve. “You sure you want me in this?”

“Of course, Sammy! You’re one of us now,” you insisted, smiling warmly at him.

Sam’s expression softened, and he nodded, touched by your words. As the camera clicked, capturing the four of you together, you knew that this was the memory that would fill that final page—the proof that even after everything, you still had your boys, old and new, and they still had you.

The book might never hold the life you once dreamed of, but it would hold the life you had lived—the one you had fought for, the one you had loved.

And that was more than enough.

[shitapril]

very often see posts about how the one direction fans grew up to be formula one fans, and the more I think of it, the more it makes sense. putting aside the fact that almost all my f1 friends were 1d fans (were ? are lol), it makes sense that a fandom who's fuel was hyperfixating on boys living out their dreams shifted from one form of it to another.

tha being said, it got me thinking - how do the girlies translate to f1 ? and by girlies i mean what your kpop fan would call a "bias". for example, if i was a niall girl - who's my favourite now ?

so here's a silly little non-sensical analysis and comparison that should not be taken seriously at all :

firstly, the zayn malik girlies are definitely lewis hamilton girlies. both zayn and lewis come from humble backgrounds, were subject to vile, inhumane racial discrimination and hate - all while being arguably the most talented in their respective fields (I mean, you've heard zayn's high note in you & I, and seen lewis' 7 world championships). they're hardworking, pet-loving, very fashionable men who stay out of unnecessary spotlight for the most part, and step out once in a while to remind the world they're drop-dead gorgeous. the zayn girls are safe with lewis.

next comes liam payne - and here on you'll have to hear me out with my comparison of every racer and bandmate. liam and george russell are both aggressively british, unapologetically goofy and true to themselves (and i'm talking about liam in 1d not the one on logan paul's podcast). they're both very talented, highly regarded in their boss' eyes (toto wolff and simon cowell - this post is going to be interesting wow) and still somehow not an immediate fan favourite. this comparison also goes wonderfully well with the whole ziam and britcedes parallels.

thirdly, louis tomlinson. easy peasy. max verstappen. both incredibly blunt, dry humour, pr nightmares, do not give two single hecks. people either love them, or hate them - no in between. both incredibly talented individuals (louis wrote majority of 1d's discography, max has 3 world championships under his belt) and yet are discredited ("louis is only famous cuz of his bandmates and the band itself" and "max just had a good car"). the zayn and louis fued also parallels abu dhabi 2021 quite well aye ? (i'm going insane)

harry styles, no debate. charles leclerc - regarded as the pretty boys (the prettiest, their fans would insist i'm sure) and the most popular, the well-liked. both extremely talented without a doubt, but a little bit overrated, and victimised to glorify and support fan narratives. i know i sound like a hater - forgive me, not my intention. i like them both as individuals - their fans on the other hand (and no, not all, i know) are so blind-sided, so insane and cause so much unpleasantness on the internet. almost ironic, how the most amicable ones have the least liked fans lol. that aside though, if you were a harry girl, chances are you went from one fan-favourite to the other. i also just realised - this supports the larry and lestappen narratives - am i genuinely, honestly onto something here ? (i absolutely am not)

lastly, niall horan. now this one i'm sure will divide you all, but here you go anyway. lando norris. both babied immensely by their fans and bandmates/teammates alike - churchboy persona. the moment they shed the insecurity, suddenly bam everyone hates them (niall's mofo t-shirts, lando's frat boy tendencies, and saying things that the internet will not find funny), promising at a young age, yet somehow grew up to be called overrated. their fans are stubbornly loyal to them, defending them through all their rights, and wrongs. it makes sense to me. one smiley boy to another.

this probably makes no sense - but feel free to add your own comparisons, theories, and notes ! there's 5 of them and 20 on the grid, obviosuly disparity for me to go on and on and on about (for example, I see a little zayn girls to carlos girls pipeline, louis to fernando - oldest boy syndrome and all that) so let me know ! let's yap :)

[becausegoodheroesdeservekidneys]

Hello I am going on a holiday to Eryri next month & I like to read up about an area before going there... do u have any reading or documentary or podcast recs? I'm particularly interested in the ecology & minority language activism & like. Peoples history & rural lives! I know this is stuff u know about in Wales but idk if north Wales is ur region! Míle buiochas ón Eireann!

Fáilte go dtí an Bhreatain Bheag! Or croeso i Gymru. Exciting! Keep an eye on the notes for others chiming in with good recs for documentaries and the like, I'm going to just give a super quick guide

Okay, pronunciation guide for place names and that is here in written form and here in video form. I cannot recommend strongly enough that you try to use the Welsh place names rather than the English translations. Duolingo is flawed but serviceable if you want to hear and learn some basic phrases. If you can at least throw out a 'bore da' to people you pass/shopkeepers, you'll be very well liked. You don't need to be fluent by any means, but Making An Effort is seen as, like, the nicest and politest and most wonderful thing in Wales, and particularly in regions like Eryri.

Because! It's one of the biggest remaining Welsh language strongholds. If you look at language maps over time in Wales, a pattern emerges:

And the current (2021) figures show this:

And you are going to this bit:

So you're heading into the Welshest bit in all of Wales! And the bit with the strongest and longest history of Welsh, too.

Which also means there's a lot of activism-related stuff in that area. It's probably worth you reading up on the history of Tryweryn (which was a bit further east, but sets the scene well); there was also a BIG thing a couple of decades ago where activists would burn down English-owned holiday homes (while they were empty in winter, not, like, with the English in them). This is because, in addition to the usual issues with the social impacts of holiday homes (driving up prices meaning locals can't live there, eroding communities, etc), holiday homes in Welsh language heartlands are a significant and tangible threat to the language. Even today, the issue of holiday homes is an extremely touchy subject, as is the issue of (mostly-English) people moving into the area because "It's so pretty!!!" and then not learning the language.

(Yet another reason they will love you if you Make An Effort)

Historically speaking, you'll be in a chunk of the country that was the ancestral seat of the last kings of Wales (Gwynedd). The final one, Llywelyn ein Llyw Olaf, was ambushed and murdered in 1282, which was the beginning of the end for fighting off English rule. In fact, Owain Glyndŵr later crowned himself king of Wales for about two years, but weirdly, no one acknowledges this as real kingship for some reason - if you google his name, he's always listed as a soldier or military commander, which really opens up a whole "Who gets to say when someone is royalty" debate, but he did actually claim descent from the House of Aberffraw anyway, so ultimately it still links back to Llywelyn.

Ecology! Temperate alpine. There actually isn't a global scientific distinction between hill and mountain, but most countries set an arbitrary height standard. This means it varies from country to country depending on how tall their topology is. Wales, however, bucks this trend, and instead decides based on what is formally referred to as 'land use' and colloquially referred to as 'Vibes'. If it's a hill, it's tamed - if it's a mountain, it's wild. This means Eryri is fairly short by the standards of tedious foreigners who regard mountains as a sort of geological dick waving competition, but it's in fact a whole mountain range; it's also older than Saturn's rings. And, crucially, it's very much sufficiently above sea level to have an alpine ecosystem.

There are three endemic (i.e. not occurring anywhere else in the world) species in Eryri, to whit:

The Snowdon lily. A small and delicate flower growing in protected and inaccessible spots on yr Wyddfa (formally known as Snowdon). Excessively vulnerable to trampling, so the national park keeps sections where it grows fenced off.

The Snowdon beetle. RAINBOW BEETLE.

The gwyniad. A sub-species of whitefish until recently exclusively found in Llyn Tegid (Bala Lake), trapped there after the ice age and now developing its own genetic profile distinct from other whitefish. Some dickhead in the 80s introduced the ruffe to the lake for fishing, and the ruffe eats the gwyniad's eggs, so they've now transplanted eggs to Llyn Arenig Fawr nearby as a conservation measure.

There's also feral goats. And Welsh mountain ponies. Ooh, and, red kites - in the UK red kites were so heavily persecuted they eventually fell to just 7 breeding pairs in Wales. We established a protected zone and hired Nepalese Gurkhas to guard the nests and thus saved it from extirpation so successfully they later translocated Welsh birds to other spots in the UK. It's a big conservation success story, and now red kites are considered to be the national bird of Wales. They have a very distinctive silhouette, too, look for the forked tail.

Oh, and, we have a unique habitat type called ffridd, which you see a lot of in Eryri.

Final wildlife pictures to close:

Anyway - have a great time! Enjoy muchly.

[sophie-frm-mars]

I'm not sure how much people are talking about Aaron Bushnell having engaged with online leftist media, but the records show that they were a viewer of a bunch of different twitch streams, including mine, and subscribed to a bunch of patreons, including mine. I'm not going to inflate my importance here, the livestream link was sent directly to Talia Jane and Anark, so those are probably the voices Bushnell felt the most connected to and followed the most directly, like idk if they also subscribed to someone's patreon after watching a video abt Cars 2 or whatever, I'm not trying to examine whether social media drove the self immolation because I think that's disrespectful to the memory of someone who literally died screaming Free Palestine. I don't personally know of any leftist creators who directly advocate political suicide, and I know that we all share in the political understanding that underscored Bushnell's decision.

I've already made a point of telling my patreon server that my politics are about growing into each other and supporting one another and that if anyone asked me if I thought they should do what Bushnell did I would say no absolutely not.

I'm ruminating a bit on the nature and meaning of the protest, because a lot of people are engaging with the image of a man in fatigues on fire, standing proud and declaring "FREE PALESTINE", while I've seen others talking about the fact Bushnell's username on several platforms was LillyAnarKitty, mourning the loss of a potential trans sister, talking in depressive terms about the act of suicide, to which I think the people who are engaging in the more macho interpretation of the protest are saying "no it was cool and masculine, it wasn't suicide in the conventional sense it was about principle!" I think there's room for plenty of both. For the record LillyAnarKitty used he and she pronouns in discord servers.

Andreas Malm's approach to self-sacrifice and self-endangerment is that we as subjects of the imperial core are in a sense, precious. Valuable. We are supposedly what it is all for. The imperialist project must be doing it for the citizens of the imperialist nations because if it isn't, then it has to nakedly admit that it is doing it all for the intense power and wealth consolidation of a tiny tiny number of soulless ghouls. Therefore when we put ourselves in harm's way in a way that says you would have to destroy me to get to the thing I care about, we leverage the implicit value of ourselves for our principles. A planned protest by Palestine Action against the London Stock Exchange was allegedly going to involve locking the actionists' necks onto the mechanism of the door into the LSE making it impossible to enter or leave without probably killing them, for example. I think that Bushnell's self immolation sits on a sort of dissonance, my life is precious and my life is worthless. My life is precious and so you should care about the obvious tragedy that I am enacting and my life is worthless if thousands upon thousands of Palestinians are killed as part of the project that enables the life that I lead.

There is also the way that people have debated the meaning of "complicit in genocide" - Bushnell worked in USAF Intelligence and the US has active troops in Palestine, it's possible that they were already culpable in an unknowable number of deaths without having set foot there.

In one sense it's a little pointless to debate the fine details of the meaning of Bushnell's protest in the same way that it's pointless to pick over any feelings of responsibility that I and I know other people that we know they watched are feeling. When I first saw the video I was struck by the language, by their concise and astute analysis and I knew, without knowing just how closely that they were plugged into the same intellectual and political milieu as us. In that same sense I think that they already described what they did the best that any of us are going to be able to:

“My name is Aaron Bushnell. I am an active-duty member of the United States Air Force, and I will no longer be complicit in genocide.”

“I’m about to engage in an extreme act of protest. But compared to what people have been experiencing in Palestine at the hands of their colonizers, it’s not extreme at all. This is what our ruling class has decided will be normal.”

"Free Palestine."

[tslittlecaesars]

RE: Homestuck Discourse, Media Literacy, Fandom Entitlement, & The Puppet Theory

an essay by yours truly

content warning: discussions of child abuse, CSA, & child neglect

so many discourses and debates surrounding homestuck boil down to lacking basic media literacy. so instead of making a petulant rant, i’ll attempt writing a productive essay, but forgive me if my annoyance seeps into parts of this post due to the subject matter. let’s start with dave, since he’s one of the most contentious characters (also because he’s my blorbo, sorry not sorry), and move on from there!

i constantly see people say something along the lines of “davekat happening in the retcon timeline makes no sense why would terezi ignore dave and gamzee yada yada yada”, like there’s not a whole scene that explains this! and it’s one of the most plot relevant scenes in the comic!! if you don’t know what the blood scarf even is, your opinion on this irrelevant, since you didn’t read/remember the text. rule number one of media literacy is properly consuming the media.

“dave being abused and the gay stuff came out of nowhere” this is definitively not true. one of the first things we learn about dave is that he has to hide food in his room so he doesn’t starve, and that this is an intentional choice by his brother. oh, and then his brother actually beats the shit out of him on screen, while not letting him abscond, right after we see john and rose strife their parents in a healthy way no less. (take note of bro using cal, and dave trying to abscond from him. more on that later.)

and re: dave’s sexuality, rose immediately points out that dave is probably gay during their first on screen interaction, and it’s her first line of dialogue to him.

TT: In some cultures the persistent refusal of a lady's invitation to play a game with her would be a sign wanton disrespect.

TT: Either that, or flagrant homosexuality.

moving on, later that same day, dave outright admits he loves john:

in these scenes, rose would be considered a mouthpiece! author’s use mouthpieces to get across information to the audience, that the character(s) themsel(ves) don’t know. in this case, that character is dave.

so now let’s address the elephant in the room, you probably thought these messages were just jokes, and that’s okay! that’s for three reasons:

first, your worldviews and perspectives shift the way you perceive the world, and more specifically art in this instance. that’s a fundamental part of the human experience. having your own personal biases based on your life experiences isn’t inherently a bad thing! for example, if you finish my essay, you can learn more about compulsive heterosexuality, or the effects of child abuse, see all of the signs, all without having to deal with it first hand. which is great! that’s the point of art and storytelling.

secondly, you probably still thought dave was straight while reading this narration. that’s because homestuck is written in deep pov, or as you would probably call it, unreliable narration. these are technically two separate things, but i don’t feel like breaking down all of those pedantics. all you need to know is: deep pov is when a character’s worldviews and perspective shift the narrative, rather than a story being told objectively. think junie b jones, the percy jackson series, or uh, catcher in the rye, if you’re into that sort of thing. that means that all the dialogue and narration within homestuck will always have some level of subtext, aka the non-literal explanation for text. homestuck is made by adults for adults, so it’s created on the basis we can analyze the text, and come to our own conclusions, unlike YA and children’s media.

a lot of people assume homestuck is supposed to be YA series, but that’s not the case. homestuck’s themes are about exploring the effects of child abuse and neglect, which you need to be an adult to fully understand. and unlike cinderella, homestuck shows child abuse on screen, and as we’ll discuss later, tackles subject matter about CSA, or child s*x*al *ss*lt. that inherently makes it a 18+ story, no matter the ages of any characters involved. just because most of us read homestuck as kids doesn’t really have any impact on that.

“well there’s no explicitly 18+ content in homestuck!!! they’re all 13!!!!” please take one look at equius’s room, or translate damara’s dialogue, and tell me if you still feel that way. oh, and read the epilogues too. also do you not remember the sheer amount of bloodshed, sex jokes, and cursing shown without a single censor??? even the official homestuck twitter said this:

finally, it’s also worth mentioning the time homestuck was made, because art can’t be removed from it’s historical context. so in 2009, gay representation was still virtually non-existent, especially in children’s and teen media. in the 2000s there was an extremely prevalent trope, “queer people are funny”, where the whole joke is that a character doing something that could be perceived as gay, or transgender, is funny. this problem was especially rampant in media for men. the most infamous example of this is family guy this was s8e18 of family guy, “quagmire’s dad”, where the whole joke is that brian slept with a trans woman, and everyone single joke comes at the expense of the trans woman, who’s relegated to a background role, while the narrative focuses on quagmire and brian’s emotions, the two cis men. so what homestuck is doing is called a deconstruction of this trope! deconstruction is where you break something down to critically analyze the philosophy behind it. we’ll leave a pin in john for now (just you wait), but it’s made extremely clear that dave is struggling with internalized homophobia, thus deconstructing why he makes these jokes in the first place. by the end of homestuck, dave says:

DAVE: but ive had a fuck ton of time on my hands to think about stuff. about stuff ive said and done in the past why i said and did them. a lot of things i once would have insisted were like part of my brand and helped me come across cool and smartassy, but now im not so sure. we used rip on each other all the time for being gay even though we knew we werent which of course is what made it "funny" remember?

with this quote, and the knowledge that dave goes onto date a man, i don’t think anyone is denying the internalized homophobia now, so let’s move onto reading this:

i’m sure all of us are thinking “there’s no heterosexual explanation for this, he doesn’t even like ben stiller!” OR “maybe dave’s just too embarrassed to admit he likes shitty movies? is it really more than that??” either way, that’s because hussie utilitized the rule of three to make you subconsciously notice dave’s obsession with irony! the rule of three is used to set patterns in a story, either to establish a fact, or to subvert the viewer’s expectations. for example, let’s analyze this joke:

notice how terezi’s third response is the funny one?by setting up the pattern, both you and john are expecting her to keep laughing in response, so when terezi flips the script on him, it’s hilarious. that’s called payoff, or in this instance, comedic payoff. now we can compare that to dave’s irony, where it was mentioned three times on one panel. no subversions of expectations here! that’s because hussie wants to establish dave’s obsession with irony, and they did so by creating a pattern you would notice subconsciously. this is how the rule of three works! psychology is cool, right?

so now that we can all agree that the subtext here is related to the irony, we have a new problem: we’ve only gotten dave and rose’s perspectives. we still need one more to complete the rule of three. fuck. thank god i can skip ahead!

using my whimsical ability to read ahead analyze text, i find out what john said to dave, and leave out the unimportant bullshit for everyone’s sake (mostly mine though):

dear dave, happy birthday!!! (…) i got you these. they're totally authentic! they actually touched ben stiller's weird, sort of gaunt face at some point. i'm sure you'll dig them because i know you lolled so hard at that movie. ok so for real, this is sort of a shitty present, but it is an ironic present because i know you wouldn't have it any other way. maybe you can wear them ironically some time. they MIGHT even be more ironic than you and your bro's dumb pointy anime shades.

now we have three characters’ perspectives on dave’s behavior. you’re probably able to put together the pieces i’m putting down, but for those who aren’t getting it: when you compare john’s letter, with dave’s actions, and rose’s messages, you realize that: dave is keeping these glasses because he loves john, not because he likes ben stiller, but he can’t admit that to himself, hence why his narration overcompensates with the usage of irony! it’s worth noting that all of these examples are from dave’s pov, because switching to rose or john’s pov would no longer make them mouthpieces!

“okay but isn’t dave’s perspective not reliable either??” yes! that’s why we’re using his actions as textual evidence, not his statements. the fact dave kept these glasses, and hung up a picture of an actor he doesn’t even like, is the proof he loves john, not him saying outright that he loves him. like i said earlier, this is a comic intended for adults, so characters aren’t going to outright say themes or how they feel. that’s more for peppa pig, hannah montana, and riverdale, you feel me? just like in real life, talk is fucking cheap here.

so now we’re left with a new question: why does dave feel comfortable admitting his love for john to rose, but not john himself? i’m sure the answer is becoming obvious! putting all this together we can gather the following: hussie wants us to know that dave possibly has a crush on john, but definitely loves him.

wait a minute… possibly?!? that’s because we still need textual evidence dave likes men. luckily, like i mentioned earlier, we can skip ahead to the epilogues, where him and karkat get together in the meat timeline, thus proving dave has liked men this whole time. boom! that’s payoff!!!

now we can OFFICIALLY put together that dave had a crush on john. once again, notice how we’re using dave’s actions to prove this, and not just quotes! either way, now we have officially used media analysis to deduce that dave had a childhood crush on john! huzzah! pat yourself on the back my loyal reader.

and for those who still aren’t convinced of dave’s crush on john, this masterpost has way more evidence than i ever could fit in this post.

(trigger warning: csa)

so now with everything we’ve learned about media analysis, i present you with my own analysis: the puppets are a symbolism for abuse, and the sex puppets specifically are an allegory for CSA, or child s*xual ass*ult. symbolism is where you use a certain object to represent ideas or qualities. the best example of this is the iconic green house logo we see throughout the comic. in comparison, an allegory is when a certain object or plot device is used to get a point across, without directly stating the point itself, aka, a hidden meaning. for instance, hussie has said their game “pyscholonials” is an allegory for how they feel about their gender identity!

so now, let’s start finding textual evidence to back up my claims about the puppet allegory, through looking for textual evidence of dave’s symptoms, aka analyzing character psychology:

dave’s anxiety manifests in the way he types. according to healthline “rambling or excessive talking [is a sign of] social anxiety. you fear saying the wrong thing or being judged by others, but you end up talking more (…) in an effort to help make up for your anxiety, and help quiet the worries revolving around what others think of you”. this is basically dave’s whole personality, but more specifically, you can see him doing this around the puppets in this scene, he rambles to himself non stop when returning to his childhood bedroom, and he’s still doing so on the meteor when he can’t find terezi to do “some stuff”. by the end of the comic, dave even acknowledges this himself by saying: “DAVE: yo im hardly one to talk here since i am a goddamn geyser of hilariously self-pulverizing freudian bloopers”. it’s also worth mentioning that, generally speaking, dave also spams his friends a lot until he gets a response, implying he gets anxious when people don’t respond quick enough to him, which is a normal reaction after being neglected as a child. that’s called a trauma response! all of these bullet points are trauma responses that happen to people who had to deal with CSA. in this case, the trauma response would be dave’s anxiety in general, and not him spamming his friends specifically. moving along…

dave’s hypersexuality manifests in a pretty in a pretty straightforward way, hence him constantly making s*xual jokes, and him drawing dicks on stuff on the meteor, much to the annoyance of everyone else. terezi even points this out herself while dave is failing to grieve bro:

TG: im sorry you are so flustered by the mere mention of glittering mythical cryptodick it honestly makes me think youre not ready for the truth

GC: D4V3 YOUR P3RPL3XING 3UPH3MISMS INVOLVING WHAT I PR3SUM3 TO B3 L3WD 4ND VAGU3LY INTRIGUING PORTIONS OF HUMAN 4N4TOMY 1 THINK 4R3 NOT 4S HILARIOUS 4S YOU PROBABLY B3L13V3

his dissociation is also pretty straightforward. he constantly talks about himself in the third person, and treats himself like he’s a character in a story, rather than a person who has wants and needs. for reference, dave immediately pulls meta shenanigans when you meet him, foreshadowing his dissociation. you can tell it’s built up to an already toxic level when we meet him, because on the same day, he has almost no reaction to seeing his own corpse, and immediately disposes of it “for jade’s sake”, rather than his own. and to make matters worse, he immediately “moves on” as if nothing happened. deep pov, remember? he also couldn’t properly process bro’s death. once again, terezi tries to point this out to dave, and he’s still not getting the message. put a pin in this section for now.

near the end of the comic, davepetasprite outright says that davesprite was depressed, regularly talked about how he wanted to off himself, and implies he might of attempted it. this is a grey area since davesprite is technically a separate character, and grieving the death of everyone from his original timeline, but it feels weird to just ignore it. to each their own on this point, but i would assume davepetasprite was referring to dave’s whole life when they talked about him being depressed based on wording, and his terrible childhood, but the s**cidal stuff could go either way. again, the proof here is dave/davesprite’s actions, not davepetasprite’s quote itself.

he displays regressive behavior 24/7 by wearing his shades to avoid eye contact, refusing to participate in common social cues (i.e.: constant dick jokes), and the few times we see him get upset, he shuts down rather than feeling his emotions. not so fun fact, the only time dave cries in all of homestuck is because of onions being cut in front of him. there’s an allegory in this scene, can you find it? (hint: the dragons forced dave into the soup, but he refuses to get out of it) also, in his most emotional scene, he still tries his damndest to not talk about emotional stuff with dirk, and still doesn’t cry when they hug, despite discussing bro’s death, and his thoughts on his own abuse in detail:

the lack of self esteem is pretty apparent. he constantly over compensates at the beginning of the comic, as seen below. he always talks about himself as if he’s a famous important guy, despite that all of his friends know he’s lying, and regularly say it to his face, but he’s still adamant that they’re wrong, or commits to the bit without actually admitting the truth. i wanna note that dave’s humor is always more of a commit to the bit and keep it going sort of thing, for better… or usually worse. not full on sarcasm. this is opposed to rose and john’s teenaged douchebaggery mixed with flagrant sarcasm. also, in the aforementioned scene above, davepetasprite still refers to davesprite as a piece of garbage, showing this is something dave struggles with even while being combined with nepeta. again, we’re using the action of putting himself down, not the quote itself. (also, sorry for the image quality, i’m on mobile)

in the long term, it’s basically impossible for him to form long lasting, fulfilling, and romantic relationships. first, it’s his crush on john, but that’s just kids being kids stuff. there’s also the fact dave and rose had some sort of failed relationship in davesprite’s timeline, due to them not learning they’re siblings. then we see the serious problems arise with terezi, who he dates pre-retcon mostly just cause she’s there, and his weird definitely not gay rivalry with karkat, which leads to her being unfulfilled in their relationship, and starting a kismesistude with gamzee. obviously the jade stuff is a big wooooof (pun NOT intended), both with davesprite, and the candy timeline. ultimately, both times, dave only dates jade because he feels bad for not liking her back, which leads to the relationship falling apart both times. remember the pin in dissociation? that’s what he’s doing here. karkat would be the opposite of jade. dave doesn’t let himself date karkat because dave hates himself, and more specifically, his attraction to men, which i’ll elaborate on later. this is what we call a character foil, aka two characters who have similarities so you can contrast their differences. think naruto and sasuke, or uh, deku and bakugo i guess? how do you do fellow kids? actually yeah! cause jade is green, and karkat is red blooded, which would symbolize how dave sees karkat as the “wrong” choice, while jade is the “right” one. the colors green and red are opposites, but jade and karkat are both of dave’s love interests in the epilogues. see? character foils! symbolism! personally, i refer to this as “star wars logic”, cause the good guys have green lightsabers, and the bad guys have red ones. this is definitely intentional, seeing as homestuck is littered with star wars references, like how HIC is basically just darth vader. meenah is also definitely a reference to darth maul, just look at her double sided weapon, or how they both die before getting to their respective thrones. i could keep going but it’s not really relevant to the discussion.

so right now you might be thinking “well you still didn’t explain how dave got assaulted tho”, and that’s fair. however, i wanna remind you that showing children porn against their will is 100% a form of CSA, same with sex paraphernalia, and especially forcing sex paraphernalia onto them. to do that to a child non-stop, in an environment they can’t escape, would have horrid effects psychologically, and dave displays almost every one of them, as you saw with the textual evidence above. so when dave can’t admit to himself that he he hates bro’s puppets, and more specifically the sex ones, it’s because doing so would force him to admit: a) what bro did to him was wrong & b) that he enjoyed it in some aspect. john even points out how weird bro’s affinity for puppets is weird and definitively not cool, which causes dave to immediately shut him down hardcore (more allegory).

speaking from experience, one of the worst parts of CSA is that you have no clue what’s going on. victims of assault often blame themselves, or feel guilty of what happened, and children lack the ability to tell what’s fully going on in the first place, due to their brains being underdeveloped, thus amplifying the guilt and blame. people often worry so much about the “man tricking kids with candy” because it’s the most pervasive p****ph*le you see in media (god i hate true crime culture), that people forget that 84% of csa happens in the home, 50% of the time it’s someone the child trusts, and 40% of time it’s family members specifically. even if 99% of your experience is terrible, you’ll still find a way to blame yourself for the 1% until you can properly process that you didn’t do anything wrong. this is what’s referred to as the “the myth of the perfect victim”.

i know this is “personal speculation”, but to me, it seems very apparent that dave is gay, and can’t come to terms with it because of his CSA trauma, hence his inability to just admit to himself he has a crush on john. every girl he dates in the main comic is quite literally the ONLY dateable girl in front of him, or usually the only girl in front of him at all, and all three girls have crushes on him/flirt with him WAY before he starts their relationships. and once again, he only dates jade in the epilogues due to his own guilt and dissociation, combined with her doing everything short of forcing herself onto him. compulsive heterosexuality is a major part of homestuck. for instance, hussie has confirmed via author’s notes that rose had a crush on dave when they were kids, and that something happened between them when they never learned they were siblings on davesprite’s timeline, yet hussie has also said that rose is a full on lesbian. that’s comphet, and it’s very intentional!

i also wanna take a moment to acknowledge that dave and rose are 100% nods to luke skywalker and princess leia, who also kiss before finding out they’re related. notice how dave fights with swords, like a lightsaber, and has the same hair as luke. meanwhile, rose’s seer of light powers are basically the same as leia’s force powers, and she uses most of her weapons as blasters, just like leia. i don’t think hussie was trying to be weird or add this stuff in for any unsavory reasons, like some people imply. there’s a reason all of this extremely vague, and not shown on screen. put a pin in that.

so in the same way the katanas in dave’s fridge symbolize bro prioritizing preparing dave for battle over what he actually needs (food and shelter), that’s how the puppets symbolize dave’s CSA. now, if you read dave and rose’s conversation about the sex puppets with that knowledge, it starts to paint the harrowing picture (again, allegory). it’s important to remember that rose had a canonically had a crush on dave at the time during this conversation, so she was probably just negging him the same way she negs her mom. she was upset because she knew that dave liked john, and probably was just gay in general, so he was never going to like her back. she’s definitely projecting her gayness (and love of puppets) onto dave too. again, all of this is definitely comphet lesbian behavior. all that’s to say, i’m not claiming she’s intentionally victim blaming him or anything during this scene. she’s just as much of a child as he is. put a pin in that too! i got sited sources coming, but i can only put so many goddamn words and images in a single post.

so, i see the sentiment shared a lot that hussie just tacked on the abuse stuff at the end, and that the beginning of homestuck “was just a silly comic at the beginning it’s not that deep”. that is an objectively ill informed take, and now you know why! the entirety of homestuck’s themes are exploring the effects of child abuse and neglect, hence the name, home stuck. there’s a reason the protagonist who is able to save everyone, also has a seemingly perfect home life. notably, the only other character who’s a completely well adjusted nice person is nepeta. she’s also the only character who’s able to free roam as she pleases, has a loving lusus, and ironically, is the only character without a home/hive to begin with. once she makes into the game, her land is quite literally her cup of tea as well. these definitely aren’t coincidences. i hope your allegory alarms are going off right now!

the only reason homestuck is sillier in the beginning is solely because it was a fan lead project for the first few acts. back in the day, there were forums dedicated for audience input to decide what happens next in the story. fun fact: this is how a lot the characters names were decided as well! so there’s a reoccurring bit where (insert beta kid) does (something stupid) and then the plot just moves on (i.e. john’s HILARIOUS antics). those were the silly suggestions sent in by the fan community! that was back when the homestuck community was still pretty small, all things considered. this explains the wonky pacing in the first few acts, and the more comedic tone.

moving on, the reason the puppets and the katana fridge are used as symbols, is because yeah, the tone would be way too dark if they played that straight. however, there’s another reason that’s way more important. remember how homestuck is written with a deep pov, aka unreliable narration? (please don’t kill me pedantics police!!!) hussie uses deep pov to display how homestuck chacters see their parents/lusii, in order to convey the themes of the story. stick around a bit longer and i’ll explain the theme of homestuck! just let me explain something real quick, so you get the big picture.

bro is shown in a positive zany light because that’s how dave sees him. to dave, bro is his whacky older brother, and sure he’s a little out there, but ninja battles and puppets are sick as fuck, right? well we as the audience know that’s NOT the case. again, dave is literally starved on screen, and gets the shit beaten out of him, also on screen. this parallels rose’s relationship with her mom, who gives her everything she could ever want and need, but doesn’t fulfill rose’s emotional needs, so rose sees her as a some sort of spiteful cartoon villain. dave even calls this out the second he sees all the wizard stuff rose got from her mom.

meanwhile, you can see rose admit to liking the puppets here, and she says she’s a fan of bro’s pornbot websites as well.

ultimately, they both want what each other has, but aren’t really able to fully grasp why their own parents did what they did, much less each other’s parents, which leads to them both envying the toxic part of each other’s households. i’m sure you’re starting to see the big picture with the puppets now, so to send the point home, remember that image i showed you during dave and bro’s strife? well, bro is attacking dave with a puppet, and dave wants to abscond, but can’t, perfectly paralleling dave’s abuse to a puppet. furthermore, that’s why he’s surrounded by sex puppets specifically, and they’re all throughout his apartment. it’s all symbolism for how dave is trapped in home dealing with CSA.

this is the purpose of allegory, telling you something without directly showing it. i doubt any of us think homestuck would be better if this stuff was depicted literally, for all the obvious reasons. i’ll close out with this dialogue since it shows what i mean better than i ever could myself:

DAVE: why did i get such a raw cut of the asshole deck? and why did it take me so long to figure that out? and like hes dead now so thats that. so all thats left to do is look back and try to put the pieces together of my first 13 years, and all i can think is what the fuck WAS that?!

DAVE: i dont come away with the impression i used to try convincing myself of, that he was like "mysterious" or "stern" or "aloof". the only feeling left is this insane impression that i was raised by somebody who fuckin HATED me, and the whole act of even "raising a child" was some totally fucked up game to him.

DIRK: What… did he do?

DAVE: i dont want to get out the laundry list, but for reference laundry wasnt one of those things. that was just one of the many little domestic things i just had to sort of FIGURE OUT. sorta like i eventually had to learn what the REAL purpose of a refridgerator was from movies.

DIRK: Wait. What???

DAVE: i dunno theres too much to even get into. just- i dont remember the atmosphere ever not being nerve wracking. all havin to sneak around and... ugh my shitty childhood spider senses are tinglin just thinking about it.

DAVE: it was "training" you know?

DAVE: but you know what it really was, it was some vicious shit that was bad and sucked and i hated it

DAVE: it didnt make me stronger

DAVE: it did the opposite

DAVE: it made me never want to fight

DAVE: it made me never want to see blood or be near danger or hear metal sounds

DAVE: it made me hate the idea of being a hero cause he was a hero and he ruined the idea of heroism

(…)

DAVE: i know how it sounds but i am NOT joking and there is NO shred of doubt in my mind that he loved all those puppets more than me

so uh, this essay is already long enough, and you definitely want me to just say the theme by now, so let’s explain the rest of this allegory in optional bullet points that you should definitely still read.

rose liking the puppets is symbolism for how emotionally neglected children often end up subconsciously “wanting” terrible things to them, like abuse or self harm, so they can justify their own unhappiness with their lives, due to them not understanding that their emotional needs aren’t being fufilled. again, the myth of the perfect victim, starting during childhood specifically. rose does this by convincing herself that her mom hates her, rather than seeing that her mom is trying her best to parent, and failing miserably. rose is also unaware of her mother’s alcoholism, which symbolizes how she doesn’t understand that her mother is emotionally neglecting her. this parallels how dave is seemingly caught off guard by dirk’s sexuality, and thus bro’s sexuality, due to dave not processing that his abuse is sexual in nature.

jade’s love of plushies parallels dave’s love, and eventual hatred, for puppets. (once again, notice the red vs green. character foils!) this is because her neglect causes her to become extremely immature. when she’s a kid, this mostly just manifests as her liking children’s toys, and speaking with a childish affectation. however, this immaturity goes unchecked, leading to the epilogues, where she completely ruins dave and karkat’s relationship for her own sexual desires (paraphrasing). you could say the same for her secretly getting rose pregnant in hs^2, knowing kanaya will be upset when she finds out. basically, she has a huge emotional disregard for everyone around her, which stems from her almost complete isolation for most of her childhood. once again, emotional neglect leading to regression, more specifically maturity regression in her case, which makes sense when you remember she grew up raised by an actual dog. and interestingly, dogs have low emotional intelligence compared to other animals. jade herself becomes part dog while going godtier, right as she has to go into further isolation during the three year journey. dogtier symbolism! jadesprite also throws a tantrum when she’s created, right after being combined with a dog. more symbolism!

dirk loving cal is an allegory how he can’t let go of his own self abuse, which becomes extremely literal when he cuts his head off. something something symbolism. this is also foreshadowing his eventual role as the villain of the story once he achieves his ultimate self, and begins thrusting abuse onto others. after going ult, dirk ends up pushing jane into presidency, thus allowing a troll genocide to happen. it’s also worth mentioning jane r*pes jake in the epilogues, and while knowing this, dirk still supports her because he believes “the ends justify the means” during all of this. now he’s officially just as bad as bro at this point. i also wanna point out that this, once again, this makes dirk a huge foil to dave, with both of them helping their respective presidential picks to win the election. i believe this is hinting that dave will eventually be the one to defeat dirk, thus finally not letting his bro have power over him, or anyone else for that matter. remember how dave is a reference to luke skywalker? well the main villain of homestuck^2 is his father figure from another timeline/universe, so at this point, it seems like dave will have to be the one to do the killing blow on dirk, the same way luke did to vader. only time will tell. pun intended bitch. also, dirk’s shade of orange is right in between dave’s, and the yellow bloods, possibly symbolizing how dirk is doomed by the narrative just like sollux, mituna, and the Ψiioniic, combined with his own self abuse.

roxy has seemingly no affinity or hatred for puppets, dolls, or plushes, foreshadowing her failed assassination attempt on the batterwitch, and her short lived alcoholism. however, she does still have a pile of cat and wizard plushes in her room. roxy is probably the third most well adjusted character in all of homestuck, and had a pretty nice childhood all things considered! obviously it wasn’t perfect though, hence the short bout of alcoholism. all that fits into my puppet theory pretty well, implying that roxy made it to the end of her game due to her lack of alcoholism, unlike her alpha self, but just like rose. her shade of pink being the middle ground of dave and rose’s makes sense as well.

on davesprite’s timeline, his sprite prototypes with cal, and one of the birds who never left his apartment, symbolizing how he was unable to escape the trauma of his abuse and homelife. also another easter egg! crows are the smartest bird, and one of the smartest animals in the animal kingdom. this is symbolizing how dave is actually the smartest member of his session, which makes sense due to the sheer amount of math he does for his sylladex, despite bro not bothering with his homeschooling. this is why davesprite’s wings are clipped, to symbolize how his neglect and abuse ultimately made him worse off, rather than “being the air beneath his wings”. actual dave notably fights with a clipped sword, can you guess what that symbolizes? (hint: bro clipped the sword)

john interestingly fits into this as well, due to him receiving a harlequin doll for his birthday, and it later prototyping his kernelsprite. john hates clowns, and is the main character, which interestingly foils gamzee, who loves all things clown, and is relegated to a joke background character. let’s just put another pin in john and gamzee for now! i promise it will pay off.

but most importantly, lord english is the referred to as “the 8ig 8ad” by vriska (not a coincidence! think about spidermom!!!), and lil cal himself is referred to as the “most important character in homestuck”. notably, lord english is also the mind behind lil cal. this symbolizes how abuse is a central theme of homestuck, and the last trial the characters must overcome. that’s why rose stops drinking after the retcon, and why dave starts… doing something with karkat?

so there’s a huge elephant in the room! if we’re discussing davekat, we have to to mention the contentious reveal scene, don’t we? forgive me, but we have to address all the little nuances of this. so uh, remember dave’s anxious speaking habit we’ve established? well he starts blabbering when karkat immediately brings up his old black feelings for john, most likely implying he’s a little jealous/insecure about that. this is pretty normal, cause he’s still teenager at the end of the day. you can see it specifically in these two lines:

DAVE: so are you SURE you still dont have these unreconciled blackrom feelings about john

DAVE: i say we air this out before it ferments into some rank and hella unexamined feeling sauce

see? remember what i said about dave having trauma responses? this is it. he’s just anxious karkat might still like john, thus ruining their relationship, or uh, situationship at the time. he also might be projecting his romantic attraction to john onto karkat as well. then, he rambles a bunch of incoherent bullshit when john asks what his sexuality is. karkat is extremely embarrassed by this part of the conversation, yet he was able to calmly discuss his old crush on john. so this all comes to a head with the following dialogue:

JOHN: did you... like, date any boys?

DAVE: uh

JOHN: but there weren't even that many boys on the meteor? well, there's the clown guy, but i don't really see you and him... that really only leaves... um, were you and karkat... ARE you and karkat, like. hmm.

this makes karkat officially loses it due to embarrassment, but i’ll spare you from that huge wall of text. next dialogue reads:

JOHN: dave, i'm pretty sure we're making karkat uncomfortable now.

DAVE: yeah maybe we should drop this

JOHN: ok.

so lets think. they aren’t dating, but they definitely did something kinda gay. notably, this parallels the “things” dave did with terezi pre-retcon, while still being tastefully vague. the idea that dave did some gay teenager shenanigans actually does make sense for his character arc, because it implies he’s comfortable enough now to try something like that now. though i do wanna emphasize that i’m not try to explicitly say they had sex, i’m just saying dave explored his sexuality. come to the conclusions you’re comfortable with here! hussie goes out of their way to not display or mention characters doing any sex acts while they are minors, and this is the closest we ever get to anything like that. there’s only one instance of making out even happening in homestuck, and it’s just jake making out with his avatar poster. well, unless you wanna count this i guess? considering everything we’ve gone over in this post, this is most definitely intentional.

through john’s retcons, the butterfly effect forces the dave and rose to address their respective childhood traumas, which leads to them being able to beat the game. same with davepetasprite finally giving jade the closure she needed right before she woke up. same with terezi fixing her relationship with vriska. karkat runs for president later, proving he’s got over his leadership trauma as well. that’s how you win sburb. john saving everyone with that retcon shows the central theme of homestuck: you can change at any point, and get through any hard times, as long as you have people in your life to help and support you. the retcon is great because it shows you how a timeline is doomed, so that way you can understand why they won.

EB: well to be honest, i never really believed any of your guys's doom and gloom nonsense. not because i think you are lying... i just feel like there must still be a way to win! (…) also, there is always hope for someone who has good friends to count on!

so when dave and karkat start getting together, and do “stuff” on the meteor, that’s all the tasteful way of saying: dave was able to process things, and become more comfortable with himself. again, this totally could’ve just been making out, come to the conclusions you want. the vagueness is intentional.

notably, vriska, dirk, jake, gamzee, and jane are the only surviving characters to not address their trauma at all by the ending, which leads into their current arcs in homestuck^2 (or lack thereof in gamzee’s case). there’s also one more character, who we’ve carefully left pins in until now….

it’s time to address june egbert. spare the torches and pitchforks please! i’ve done a ridiculous amount of research, and there still doesn’t seem to be a proper explanation for june egbert from either a homestuck fan or a creator behind homestuck, so i’ll bare the cross of this explanation. from here on out, i’ll still say both names interchangeably for pedantic reasons, but that’s solely because this is still in a weird state of schrödinger’s canon, and hs^2 is pretty much it’s own thing in itself. but i’m a trans woman so w/e. once again, spare the pitchforks! please!

the reason why her being trans works is because john/june spent the whole series so focused on saving everyone else, that she never focused on herself, or thought too deeply about anything. that’s kind of her thing, taking everything at face value, and not thinking too deeply about herself (i wonder why… ♾️). this is even pointed out by dave himself during The Davekat Scene™:

DAVE: ok i guess what im saying is… i dont think its all as simple as you think it is, or maybe not like ACTIVELY think it is but continue to assume it is on account of NOT thinkin about it much, due to a lot of junk about the subject that gets shoved into our brains from movies and stuff while we were just dumb kids

JOHN: i,

JOHN: hm.

so you see the set up here right? the character who i was referring to, who still hadn’t processed their childhood? it’s important to realize that june/john has never actually had a character arc herself, because her story is told via the hero’s journey structure, not a typical three act story structure like almost every other character receives in their arcs. ever notice how homestuck is constantly compared to the odyssey or the iliad? that’s why! this all means, june/john is a plot motivated character, rather than a self motivated one, again, like almost the rest of the entire cast. it makes sense for her to have to start self introspection once the game is over, she never really had the chance to while saving everyone else. interestingly, vriska’s arc is told in the format of the hero’s journey as well. dave/davebot’s arc in the epilogues and hs^2 is also told in the format of the hero’s journey. he seems to be in between “woman as the temptress” (aka jade) and the “atonement” stage, which would most definitely be finally seeing karkat again, something hs^2 is still building up to. this makes sense for all three characters, seeing as being a “hero” plays huge parts of all of their respective storylines.

i also wanna bring up the clown stuff again, and more specifically, gamzee. even more specifically, this amazing analysis by @abcq2:

before murderstuck, gamzee has no idea that he is a clown. sure, he anoints his face with greasepaint, rides a unicycle, and juggles, but these are serious religious sacraments to him. and, sure, sometimes he trips on his giant floppy shoes and lands face first in a pie, but that's just being blessed with a miracle, because he was just thinking about pie. and, sure, sometimes his friends say things like "HEY ASSHOLE. CLOWN ASSHOLE. YOU WORSHIP A CLOWN RELIGXON. FOR CLOWNS." to him, but he's too zonked on sopor slime to extract any meaning from it. when gamzee sees the ICP miracles video, he's too sober to dismiss it as a mere coincidence; for once, he gets the joke, and realises that he was the butt of the joke the whole time. he understands that every time he fell face first in a pie, it was the work of an unsen riddler. he grasps that he is, in a cosmic sense, a clown, and hates it. (…) when the murder spree is over, gamzee's beatific grin returns; no longer a look of blank ignorance, but a knowing smirk. he's successfully ruined his character forever - no one wants to see him and no one thinks he's funny. hussie seems to say: jesus you are such a shitty clown. and gamzee's impassive face seems to say: i know. gamzee refuses to clown out of spite, and hussie refuses to remove gamzee from the story out of spite. it's a committed relationship of reciprocal, mutual antagonism. what i'm saying is that hussie and gamzee ar-

once again, all credit for this gamzee analysis goes to @abcq2, please check them out!!!

so i’ll cut straight to the chase, mostly due to me getting close to tumblr’s character limit. the clowns are an allegory/symbol of being transgender. it’s impossible to ignore. remember that game i told you about? psycholonials? if you’ve ever played it, you’d know that clowns and transgenderism are tied up together in one big scene. i won’t spoil the game, it’s really good! check it out! this parallels homestuck, where june has always been associated clowns. not a coincidence. once you fit gamzee into this equation, it’s clear that gamzee’s “clown” dysphoria is a stand in for gender dysphoria. read the analysis above one last time and tell me i’m wrong. hussie themself has only posted themself in clown makeup since 2020, this started exactly half a year before they unofficially came out as non-binary via a homestuck announcement. they also tweeted that they use any pronouns shortly afterwards, on a private (?) twitter account. it’s also worth mentioning that one of the few of photos of hussie that we have, they were in ICP/juggalo stuff just like gamzee, and this photo was taken in october of 2010, mere months after gamzee’s introduction, and possibly a month or less after act 5 act 1 was finished. if you know anything about this image, or tumblr user @dead12234352356456775, please message me! this blog is the earliest place the picture can be tracked to, and i’d love to ask OP if they know anything about this image. hussie has notably referred to themselves “clown gender” as well. it’s unclear to me whether hussie actually likes icp, or if this is one huge coming out ARG, but either way, clowns = trans, got it?

so when john/june have a clown sprite following her around, it’s an allegory for how the trans stuff is literally in her face, but she can’t understand it!

“but there’s no textual evidence of john wanting to be a girl!!” see, we’ve officially waded deep all the way into the murkey grey waters of nuance. so if you don’t know, june is the embodiment of what us trans women refer to as the “pre-egg crack”, aka, the phase before you realize you’re trans. this phrase applies to all trans people, but trans women use/identify with it the most, just cause we usually come out way later, usually around say, 20-23, like john/june is by the end of homestuck! huh, what a coincidence. in all seriousness, this is because most trans women start their transitions when they first live on their own. john/june’s also a computer scientist by hobby, something a lot of trans women do. this is because trans women are one of the smallest minority groups, so we usually have to go resort to online communities to talk to each other. this is also necessary for a lot of us, due to research on hrt not really being as advanced as it should be, and the fact transitioning is still illegal/hard to access in a lot of areas. trans women are also likely to stay inside on our computers cause yknow… dysphoria. plus computer jobs often have decent pay, low barrier to entry, and require little to no interaction with other people in person, making them perfect to both medically and socially transition. sure, june never outright says “i want to wear a dress” or laments about dysphoria, but again, homestuck is by adults for adults. the story shouldn’t have to explain something like this to you. the only reason you had the impression that there’s no evidence of john being trans is because you weren’t educated on the subject matter, but now you are!

“you’re just projecting onto this character!!!” and you are too! again, that’s how everyone engages with art. to think you don’t do the same yourself is foolish. utter poppycock even! however, i really despise this sentiment. the fact i’m a trans woman makes me the most qualified to speak on this subject, not the other way around. who are you to speak on the experiences of trans women? exactly. i’m tired of us trans women being berated for headcanoning characters as trans women, even when it’s extremely obvious why we do as such. it’s always the boils back down to the same bullshit in response: “well actually YOU’RE the transphobic one for saying all trans women look/act the same!!!” *sigh* that is literally the definition of an identity. you sound dumb, and are speaking over actual trans women, whose opinions are infinitely more important than yours when it comes to this subject. this is literally just the “what is a woman” debate repackaged with the guise of liberalism. it’s annoying.

“all this june stuff came out of nowhere!!!” this headcanon became prevalent during the pandemic, where tons of trans people were able to start their transitions! i did this myself, and so did hussie. doesn’t seem so random now, does it?

“hussie is just doing this for woke/fandom points!!!” uh, and what would they be gaining by making john trans? if this was about making money, wouldn’t the merch link on the official website work? hussie makes visual novels now, and has removed themselves from homestuck as much as feasibly possible, while still maintaining their ownership of the IP. not exactly the most lucrative career path. and if you’re implying hussie is adding any element to homestuck simply to please fans (yes, that includes davekat), you obviously know nothing about hussie. go on reddit, read ANY responses to the epilogues, or the plot of homestuck^2, and tell me when you find the tons of people happy with their contents. oh, and see how homestuck fans feel about kankri and cronus while you’re at it. i’ll wait.

“okay but the toblerone stuff is dumb!!!” at no point before the june wish did hussie say that finding a toblerone would give the finder the power to make a canon-altering wish. as you can see here, all of the wishes weren’t even granted, some of which have no impact on canon at all. if hussie wanted to, they were well within their rights to go “yeah no, this is dumb, sorry” when the wish for june egbert was sent in. this means that june egbert already fit into hussie’s idea of canon, and as i’ve already pointed out, june egbert has properly been foreshadowed, so this all adds up. the idea that hussie “turned john transgender because of a toblerone” is an exaggeration of events perpetuated by losers misguided and ill informed fans. hussie has been sent an insurmountable amount of headcanons over the years, and aysha u farah, who has had major involvement for multiple homestuck projects over the years, has said “the only headcanon i've ever seen andrew get excited about is june egbert” on a now defunct podcast called perfectly generic podcast. (forgive me, but any links to the specific episode i’m finding no longer work due to their official website no longer working. i’m not listening to hundreds of hours of an archived podcast for this minuscule of a clip. be my guest if you want to take that on! once again, message me, and i’ll update this section.)

either way, based on everything we know, june egbert is canon because hussie wanted this prior to the toblerone wish, because if the wish contradicted or retconned canon, it wouldn’t have been granted in the first place. simply put, june egbert is canon because it’s want hussie wanted to begin with, and the wish came after that. once again, the sheer amount of foreshadowing here should be more than enough proof, and if you want more even more proof of june egbert foreshadowing, check out this blog post! it’s great!

“well it’s dumbledore logic!!!!!!!!!” is it though? j.k. rowling is a transphobic bigot, who’s works cost money to access, who confirmed dumbledore was gay only after he died, and then she still straight-washed him in future harry potter media. hussie is an actual trans person, running an indie project, who wrote one of the longest literary works in the entire english language, made it all free to access, supports all fan archives, and hasn’t even ended homestuck^2, where john/june is very much alive. and once again, the wishes were to add something to post canon content specifically, without shifting the canon of the main series. homestuck^2 is still updating, and as far as we know now, more projects are on the way, like the completion of hs^2 and hiveswap. these situations have almost nothing in common aside from deriving from twitter. if you’re mad about this, were you mad when jake was confirmed to be brazilian in a youtube livestream comment? or when gamzee’s red crush on tavros was confirmed via a dubiously canon comic? probably not. eh, maybe you were actually, i don’t know you. either way, feel how you wanna feel about jake being brazilian, i don’t care, but you can’t say there was “nothing building up to june egbert” now that you’ve read this essay. the dumbledore comparison is dumb as hell.

“well i’m trans and i don’t feel represented by june!!!” if you’re “feeling unrepresented” by june, it’s probably just because you’re not a trans woman obsessed with computer science. that’s just you not relating to the character. it’s really not much deeper than that. and on that point…

“well i just don’t like this!!!” with all due respect, you seriously need to put thought into why that is. i can’t think of a single non-transphobic to be upset about a character transitioning in a story. and again, homestuck is one of the longest literary works in the entire language, and is completely free to access. in all of homestuck history, not a single product was sold under the guise that “john will be cisgender forever” or “dave will not end up with karkat” or “jake will never be brazilian”. hussie doesn’t owe anyone any part of their story’s canon. it’s their story, full stop, and if you’re mad about that, you’re entitled to something that was never yours to begin with. not all art is made purely for your consumption, and free art is especially not made for your consumption. can you critique it? absolutely. there’s a big difference between criticism and bashing though. if you don’t like any part of homestuck, write a fan fiction, make some fanart, or write an oddly soapboxy essay about your personal fan theories and headcanons. turn that negative energy to make something positive! i’m being serious! hussie themself encourages this!!!

“okay but it’s still lame the davekat stuff happened off screen” i can agree to a certain extent, but dave and karkat’s relationship plays a major part in the epilogues, as well as homestuck^2, and that’s not even unpacking their weird borderline black rom dynamics pre-retcon. to act as though their romance starts and stops during one intermission really downplays how seriously their relationship is taken throughout the homestuck series.

“okay but isn’t a lot of that stuff dubiously canon?” baby, everything is canon. hussie has said so themself. there are infinite possibilities for what could have happened during homestuck, so maybe we should just focus on the fact it’s taken seriously at all? honestly, the line between dubiously canon and actual canon is paper thin. homestuck^2’s entire plot is currently deconstructing what canon even means. if you wanna only see the main series as canon, be my guest, but the accusations of homophobia and queerbaiting over the davekat reveal are a little ridiculous. their relationship plays a major part in all homestuck content for years now. also, big reminder that, with the reveal of june egbert, there’s now only one canonically straight character from the main series, and she’s a villain now, so…

“well you’re just strawmanning me now!!!” my loyal reader, i understand you are a human being with infinite nuances i will never be able to understand, cause quite frankly, i have no clue who you are to begin with. i don’t think everyone who hates davekat or june egbert is some anti-lgbt bigot. i’m just here to set the record straight, and provide context for people who are willing to listen. a lot of this shit is confusing, and there’s misinformation a plenty out there. most people who are participating in this discussion clearly haven’t bothered reading homestuck for years at this point, possibly even a decade. and that’s fair, most of us read it as kids, and probably stopped by the final update, if not sooner. honestly, i think the main issue here is that people are playing the telephone game via fandom discourse. that’s how we went from “hussie supports june egbert” to “hussie made john being transgender canon cause of a candy bar” in the first place. if you’re participating in this discussion, maybe try rereading homestuck before you let your vague memories of reading the comic years ago define your current day opinions? besides, i’m not delusional enough to think any bigots are going to read this post and be convinced, but i’m sure i can open up the minds and eyes of people who are willing to listen! give homestuck a reread, imagine how much more foreshadowing has gone unnoticed over the years!

i feel the need to be so thorough, bust out so many references, break down every bit of nuance, and speak from my own experiences, because inevitably, a small group of people are gonna read this post and still go “it’s not that deep! they’re just puppets! june egbert is a bunch of sjw malarkey!!!”, and to those people, i hope you stop making fandom spaces miserable because you didn’t wanna pay attention in english class. media analysis is a necessary tool, and i’m sorry our education system here in america failed both you and i. (or maybe your a non-american country has english classes as terrible as ours? idk.)

honestly, i think i read like five or six books in throughout of all high school. i failed english my freshman year, and dropped out by my senior year. there’s always room to grow though! look at how i’m able to write this essay now! all you have to do is just watch some video essays that break down your favorite movies, tv shows, books, and more!!! there’s tons of jackasses like me who will lament about their hyperfixations. plus, now you already know what symbolism, the rule of three, and allegories are! before you know it YOU’LL be the one noticing all of the easter eggs in the media you enjoy, just like us the rest of us pretentious media analysis fuckheads.

i’m sure all of us are old enough to remember how exciting it was when rosemary was first confirmed, or when the dirkjake kiss happened, or all the recent stuff with davekat. and guess what, june egbert is going to be that lots of young trans women! after reading all of this, is hating june egbert the hill you’re gonna die on?

you know, hussie practically uses homestuck as their personal diary. i don’t think anyone’s denying that. it shouldn’t take a rocket scientist to understand why they want their main character to be trans, or why they wanted dave to end up with karkat. maybe you’re just not willing to understand it? if we’re allowed to project on to these characters, then why won’t you let hussie?

if you got to the bottom of this post, thanks for reading! i might turn this into a video essay if i’m being honest, but if you wanna repost this, or make your own response, please just credit me! also check out my homestuck fanworks if you like this post, i’m sure you’ll like them too!!! i don’t really have anything else to promote so uh…. if you’re on the homestuck^2 team and read this…pleasefortheloveofgodiwouldkilltoworkonanofficialhomestuckprojectidontevencarewhowhenwhenwhereorhowbutillsettleforanytjingpLEdareplelaplwlalsplelallaldle

in all seriousness, thanks for reading! i doubt this post will take off simply due to how long it is. i’d love to hear other people’s thoughts and opinions on this, or possibly make mutuals to yap with even! dear lord i miss having friends to talk about homestuck with. also sorry for the censors, normally i wouldn’t bother with something like that, but i’ve been working on this non-stop for the past few days, so i don’t wanna risk it being taken down.

anyways….. THAT’S why i have the bro strider tag muted 😭

(EDIT ON 9/15/24: added a new source i found and fixed some minor grammatical errors)

[apomaro-mellow]

Hot for Teacher(s) 10

Part 9

Shawn tried not to think too hard about his dad and his teacher dating. He knew his family was a little different than the others. Most people had two parents. But he’d never ask for his sire to show up. Never in a million years. He still remembered how bad it got. 

It made him a little wary of Mr. Munson. He didn’t think he’d ever hit his father. But sometimes pain wasn’t physical. Even when Billy hadn’t put his hands on Steve, the yelling had been horrible too. But Steve had been in love. And there had been a time when Billy cared for him. He’d told Shawn so.

Shawn couldn’t believe it. People in love didn’t do that kind of thing. People in love did things like go out on dates, gave each other gifts and scented each other nicely.

Like how Shawn could smell Mr. Munson on his dad. He probably wouldn’t have been able to tell who it was if not by his powers of deduction. They’d been sitting on his bed, his dad reading him a bedtime story. He didn’t bring up the scent, or how it made him feel nice. He just hoped Mr. Munson would stay around a while.

“Are you and Mr. Munson in love?”

Steve fumbled with the basketball in his hands and Shawn used the opportunity to steal it from him and go for a shot. He missed, but getting a steal from his dad was still nice.

“He and I are…dating, as you know”, Steve said, grabbing the ball as it bounced his way. “I think it’s a little too soon to be using words like ‘love’.”

“He’s over here a lot”, Shawn said.

Steve didn’t know how much he should read into that. Was Shawn saying he didn’t like Eddie being around so much? Did he feel like someone else was taking time away from Steve? It was hard to tell with his son sometimes what he was thinking.

“How come you always make me go out when he’s over?”

“I don’t always-”

“I know you’re going on a date every time I have a sleepover. And I’ve been having a lot of sleepovers lately.” Shawn’s expression was a little too mature for a child his age.

“First, don’t interrupt, it’s rude. Second, I thought you liked having sleepovers.”

“I do. I just don’t know why you don’t want me around Mr. Munson. I see him all day at school.”

Steve kept his body language nonchalant while dribbling the ball. “Well that’s just it. I figured you’d be sick of him. He’s at school AND at home?” He shot and the ball went right in. 

“If I score more than you, can we get ice cream?”

“Shawn, it’s January.”

“I want chocolate with gummy bears.”

Steve was still thinking of it a few days later when he had sent Shawn on yet another sleepover while he, Eddie, and Robin got drunk and gave powerpoint presentations on a subject of their choice. Robin was about ten slides deep into one about why TV shows sucked on writing lesbians on purpose but somehow made the most compelling character chemistry on accident.

At first, he’d been sitting close to Eddie, legs in his lap, playing with his hair but Steve had learned that Eddie never sat still for long. Every few slides, he’d jump up with an interjection and Steve knew if he didn’t want to flop off the couch, he’d better not get too tangled.

Robin was very open to discussion. Heated discussion but still. Steve finally cleared his throat when they started getting closer, hands moving wildly as they argued about the sexuality of Sandy the Squirrel.

“Hey, it’s Powerpoint Night, not debate night”, Steve said.

Robin gasped. “Steve! Can we have debate night. We finally have a third party to mediate.”

“What do you guys need a mediator for?”, Eddie asked.

“She has very strong opinions on salted caramel”, Steve said. “Your turn Eddie.”

Eddie got up, his presentation popping up as he cleared his throat. “Pluto’s Planet Status: Logic vs Sentimentality….”

Robin stayed the night, taking up the guest bed while Eddie went up to Steve’s room. He’d been inside before, but it always felt momentous. A space that not many had seen before and Steve was allowing him. They collapsed next to each other, limbs tangling through the night.

The next day, they got up, making a breakfast of sausage, eggs, and other greasy things to stave off any hangover symptoms. And before Eddie left, Steve asked a favor of him.

“Do you…mind scenting some of the pillows? Not for me, but for Shawn? I want to gauge his reaction to the idea of you becoming more…permanent.”

Eddie’s eyes got wide. “Do you want me to be more permanent?”

Steve bit his lip and nodded, moving in close to scent Eddie at his neck. “You’ve always smelled like safety to me. And now…you’re starting to smell like home.”

Eddie wrapped his arms around him, confirming that he felt the same. He wanted more of Steve’s scent around his own home. Eddie completed the favor, scenting the soft throw pillows on the couch. 

When Shawn got home, he had Steve spent most of the day inside, doing various things but when the sun set, they had a movie night. Steve tried not to look too giddy when Shawn grabbed one of the pillows and held it to his chest, nose pressed to it. His body language may have been neutral, but the happiness must’ve shown in his scent because Shawn started to cuddle up to him. His omega hindbrain was filled with thoughts he hadn’t allowed for a long time.

Good alpha. Safe. Perfect alpha. Perfect for pup. Need to scent pup. Need him scented by both. 

That was all Steve needed to move things up to the next step. He enacted it when picking Shawn up from school one day. He was mindful not to take up too much of Eddie’s time during dismissal, but Eddie always assured Steve that he’d rather talk to him than the other parents.

“What if you’ve got something important to tell them?”

“That’s what emails are for. And really, how many times can I say ‘your kid cried because someone looked at them’ or ‘ they’re chattier than a telemarketer’?”

Steve figured some things about being a teacher didn’t change all that much between the age groups. He built up his nerves to ask the question. He had already asked Shawn if it was okay and his pup was more than happy about it.

“You know, Shawn’s birthday is coming up soon. We usually go out and do whatever he wants. And we were wondering if you wanted to tag along?”

Eddie looked between them both, mouth agape and looking like he wanted to jump for joy, hug them both, and blast off like a rocket all at once. It really made Steve want to kiss him in front of all these people, parents, teachers and all.

“Hell yeah-I mean, y-yeah”, Eddie stuttered when he remembered where he was.

Shawn looked elated too and things couldn’t be more right.

And of course, that was when things started going wrong.

Part 11

Tags

@anne-bennett-cosplayer @aol19 @lololol-1234 @gregre369 @attic-cat-blog

@hippieg1rl420 @spectrum-spectre

[miniwrites1]

Scared of The Past (Running From the Future) - Theo Nott (1/?)

Words | 700 Warnings | Fem reader | Future use of (Y/N) | Nothing else (yet) Pairings | Theo Nott x Reader | Neville Longbottom & Reader (Siblings)

The black lake was eerily peaceful at night, the occasional slosh of water breaking on the edge and birds chirping as they flew was the only thing breaking the silence.

You sat staring out at the edge, internally debating your next steps in the mess you currently found yourself in. With the wizarding war looming on the horizon, you knew you had two choices. Stay and fight or run.

You sighed as you thought through your options. Staying to fight alongside your brother and friends seemed like the right choice, but a feeling settled in your stomach every time you thought about it. The possibility of ending up like your parents, tortured to the point of insanity and spending the rest of your life institutionalised was wildly unappealing, to the point that death would have been a better fate.

The thought of running and being freed from your wizarding life held some appeal, but it would mean leaving behind everything and everyone you’d ever know. There would no longer be a place for you in the wizarding world, essentially sentencing yourself to exile for the rest of your life. Was that a fate better than probable death?

Your mind spun these thoughts around until you felt a hand on your shoulder, jolting you to attention.

“Amore mio, it’s me.” You heard a familiar voice whisper. You relaxed almost immediately at the sound.

“Theo, you scared me.” You whispered, turning your head to look up at him, barely able to make out his face in the darkness. He gave your shoulder a squeeze as he moved to sit next to you, his hand making its way from your shoulder, down your arm to grasp at your hand.

You sat in a comfortable silence, taking the time to run your thumb over his knuckles.

“Are you still thinking about your choices?” He mumbled after a while, causing you to let out another sigh. You nodded, shuffling slightly closer to him and resting your head on his shoulder. He released his grip on your hand and wrapped his arm around your shoulders, pulling you into his side.

Very few people saw this side to Theo. To most, he was closed off and tight lipped, scowling and fighting were what he was known for. But to you, he was kind and open, a true gentleman.

“I don’t know what to do.” You mumbled, forcing down the lump in your throat. Theo heard the strain in your voice, quickly pulling you into a hug and placing a gentle kiss on your forehead.

“Whatever you choose, I’ll stand by you.”

“But it’s not that easy!” You spoke exasperated. “We’re on different sides of this war.”

“Not by choice.”

“I know that!”

You sighed again, pressing your palms into your eyes and rubbing them, trying to stave off the tears that you’d been holding in for days after the last order meeting you’d attended.

“I’m sorry.” You mumbled. “I shouldn’t blame you for a choice you didn’t make.”

Theo sighed and held you tighter, the light of the moon grazing on his dark mark that was peeking out from under his uniform. His induction into the Dark Lord’s army of Death Eaters had been a sore subject for weeks.

In his embrace, your tears began to fall, like a dam had broken and your emotions were flowing out freely. Your body wracked with sobs in his arms.

“It will be ok.”

“But what if it isn’t? What if one of us dies Theo?”

Theo didn’t respond but clutched you tighter to him, unwilling to let you go. At seventeen you were both too young for this, completely unprepared for what this war had caused. Lines were drawn, divides were reincarnated tenfold, war was unkind to all involved.

“What if I ran with you?” Theo mumbled, his face buried in your shoulder, his words so quiet that you barely caught them.

Your head rose from his shoulder.

“What?”

“I said, what if I ran with you?”

“You would?”

He nodded softly, lifting a hand to your cheek and brushing your tears away.

“I can’t lose you amore mio.”

[drdemonprince]

At one point he was down in between my legs, fingering me, and he made a throwaway comment about probably being Autistic. 

I leaned back, trying to relish what pleasure I was getting. “Well, we can talk about that subject, if you like,” I said vaguely, not really wanting to bring my professional life into things. 

He kept working away at my body, kissing between my lips and thighs. “Oh I know who you are,” he said suddenly. “Your book changed my life. In a way, I guess this is me thanking you.” 

I made him exit my body and we went to the kitchen to hash it out. It turned out he was a big fan of many things I’d written. 

“I’ve seen you around the neighborhood many times,” he confessed. “But you posted online that you don’t like when people come up to you, and so I always decided to leave you alone.” 

He said, “Your book is the reason I got divorced, actually. My ex-husband was a therapist, and when I showed him your book and said I thought I might be Autistic, he didn’t believe me. We have been separated for a year.” 

He asked, “Did I just make this weird, telling you when I did that I was a fan?” I told him that if he’d said it sooner, I would have never fucked him at all. 

People never realize that when they approach me, what they are doing is dragging me into work. It doesn’t matter whether I was at breakfast, or an orgy. I was just some guy standing there, enjoying his beer, but now they have made me the known scholar and author. And sure, my job might be meaningful, but that doesn’t mean I like to work. 

I tell my friend that I no longer want to be a public figure, and that I am planning how to make it all end. She tells me, “You’ve got to do what is the best for you, even if it’s something that the rest of us wants and can’t imagine giving up.” 

I ask myself, did I want this? It would be more flattering to say I didn’t, and play the role of the hermetic author whose work developed its own life purely because it was so good. But that isn’t true. 

From the moment I got a Myspace account in high school, I was publishing essays about my political views. I serialized multiple novels on Tumblr, guerilla marketing them with giveaways and custom-made images until they hit the Kindle sales charts. I have made memes, tried starting viral trends, coined phrases, and given hundreds of hours’ worth of media interviews. I write prescriptive nonfiction, for Christ’s sake. Of course people seek guidance from me. I offer it up! 

I have been strategic about how I dress, and my video backdrops, and retaken clips of myself speaking over and over again until they sounded right. I’ve hosted debates with my most vicious critics while I’m in the shower, started public beef with creators who had larger accounts than I did, and rushed to my keyboard when upsetting news broke, because I alone was possessed of the most correct take on it.

I wanted this. I didn’t know what this was, this internet fame I was chasing, but I did all I could to make it mine. I thought that by writing so much, I would one day be able to escape myself, maybe really feel connected to other people. Instead it has meant never being able to stop thinking about myself: how I am seen, what I am working on, how it all fits together, what comes next. It has also meant being spoken about, theorized about, and criticized, and developing a firm exoskeleton of disdain between myself and the world. 

I believe now that that it is immoral for any person to be listened to by ninety thousand other people. Holding authority and status like that runs counter to my anarchic ideals. I am not more important or correct than anyone. I should not be trusted to tell people which commodities to buy, which companies not to support, what to read, what to think, what words to use, or how to conduct their lives. 

All the other animals know there is no one way that a creature “should” live. There is only the way that it does. The world has no consciousness, no beliefs. It cannot pass judgment. We only feel so watched and evaluated because we have covered the planet with so many millions of our eyes. But we can stop performing dignified human goodness at any moment. 

I think that celebrity is an evil, corrupting force that pits the human instinct for bonding against itself. Instead of appreciating the singing of our friends around the fire, we stream Chappell Roan until stalkers break into her house. Rather than playing card games together, we stan Twitch streamers, filling up their chats with highlighted messages until they acknowledge us. We long to be famous novelists because then we would have the social permission to write, and we don’t have the money or time to enjoy the activity on its own. 

I wrote about Chappell Roan, stalker stans, and how turning art into content creation ruins the work, and the creator's life. It's free to read in full (or have narrated to you by the app!) on Substack.

[mrsfrecklesmarauders]

Lily had always been a nice girl. Tried to never hate anyone or wish bad to anyone. She hated confrontation, fighting and insults. Always asked for forgiveness if she stepped over the line. She hated when people were angry at her.

Except when it came to James whatever his second name was (probably wanker) Potter.

There was something about this boy that put Lily to the limit. At him, she screamed, insulted and wished the worse when he made her angry. Which was constant and in different circumstances.

While debating during class because he always contradicted her in everything she said. And somehow he always knew everything and excelled in every subject without even trying. They bickered in front of the whole class. Even if Lily wasn't good at public speaking.

When Lily found James and his friends making one of their stupid pranks. When she told a teacher, she ended up like the snitch and the bad guy. James always lied in the most convincing way. And not only that, but changed the subject and ended up faking admiration for said teacher and asking them about their family, spouses, kids, pets and in case of Sprout, plants. All teachers adored him.

When Lily defended Severus when Potter and Black where bothering him. Why did they have against poor Severus? Just because he wasn't rich and popular like them. James called Severus her little boyfriend when they were just good friends and nobody understood that. James told her she could do better than that. It irritated Lily to the core.

And, lastly, when James had the stupid delusion of asking her out in fourth year in front of everyone. Humiliating her completely. Lily tossed a cake to his face in response. But that didn't stopped him. He was constantly buying her gifts and doing things to impress her. Like casually playing her favorite songs. Or wearing her favorite colors. Or offering her sweets and chocolate because she was weak for them. All of it was Marlene's fault who was telling him those things behind her back. And Lily told him to fuck off. She knew it was only for a bet. She overhead the Marauders talking about it.

All those things drove Lily crazy for years. She learned more insults to use on him, than with anyone in her life. She cursed under her breath and swore in his name. She wished him terrible things. She yelled and continued bickering like a child when he responded her in the same tone. She ended up doing things she was never used to.

Bloody James Potter.

Until, suddenly, during sixth year, all of it stopped. James became more quiet. He didn't bicker with her. He stopped doing things that irritated her. He stopped being an ass with Severus and everyone else. He stopped trying to impress her. He was more genuine.

James was his usual cheerful self with friends. But he seemed less selfish. He wasn’t that irritating anymore. It was like a miracle.

Lily was surprised at first. She was prepared to insult him for everything. She was prepared to fight. Though when he didn't bicker back, it wasn't fun anymore.

Now that all the irritating parts of James Potter were gone, Lily started learning about the rest. How of a good friend he was. How funny he was. How he was anything but selfish.

"It's called maturing, Evans" James told her when she asked him what had happened "All I want to do is be a better person"

Lily felt something strange inside her belly. A some sort of spark. Maybe the start of something knew. Maybe a friendship. Or maybe something else. Only time would tell.

"Who would say James Potter was capable of that?"

And that laugh, that childish laugh. It was new. But Lily liked it. This relationship was different. And it could be better.

[ponett]

with the fallout of bandai namco's idiotic "it's up to interpretation" bs, do you think that it's possible to enjoy queer media made in a corporate environment in addition to independent works? is it even worthwhile to attempt making queer media in a corporate environment? i find it special how well the g-witch production team managed to tell the story they wanted even with the challenges and pressures they faced, but i have to admit that independent works like slarpg are always going to more completely tell queer stories. as someone who has resonated with both slarpg and g-witch, i was curious to know your perspective.

i'm probably less cynical about this than a lot of my peers are - not that i can blame anyone for feeling cynical about queer rep from corporate-owned media. (we've been through so many First Ever Gay Disney Characters at this point, and lord knows blizzard loves to tease that another overwatch character might be gay every year or so as a PR move.) unfortunately it's just extremely hard to get something like a full season of an animated series funded and produced independently, so the artists looking to enter these fields and pour their hearts and souls into meaningful queer stories as a full-time job don't have many options

going indie gives you theoretically endless creative freedom to tell your stories without corporate censorship, but it's also a massive gamble. only an extreme minority of indie creatives in any medium are actually able to make a living. the fact that i came out the other side of slarpg's development with enough money that i can keep being a full-time indie instead of being in massive debt makes me one of the lucky ones. and even with my modest success, i sure as hell don't have the money to hire a whole team, which limits the scope of what i can make. so i can't turn my nose up at the queer people writing disney channel cartoons where they can't say the word "gay" out loud. they have health insurance, i don't. for most people, what i do is simply not an option

with the corporate-produced Queer Stories i enjoy, i'm often able to squint and see what the creatives were trying to do, wishing that they could have done more while understanding that they probably had to fight tooth and nail for what's there

in the realm of children's animation in particular, i'm thankful that the people working at these studios ARE fighting for more, because it means that kids today have so many more positive queer stories to relate with. i didn't have a single gay character i felt i could relate to until i read scott pilgrim at age 16 and saw wallace wells. before that, i felt so alone in the world. i denied who i was for years because it felt like there would be no place for me. i didn't know anyone openly gay in real life, growing up in the south, and in fiction gay people either existed as the butt of a joke or not at all. the fact that queer kids are now able to see people like themselves in so many shows means something, even if we still have a long way to go and the big studios continue to be a major obstacle

on the subject of g-witch, i'm honestly unfazed by the statement from bandai-namco. i guess i wish they could've let suletta and miorine kiss, but like... the text of the show is extremely blunt about them being a couple by the end. it's not up for debate. and it's not like a gundam series having a meaningful story in spite of the wishes of the toy-producing overlords is anything new, this is just our latest example

all that being said, i do think people should branch out more and explore more weird indie shit if they want more wholeheartedly, openly queer stories. people gotta suck it up and embrace more outsider art instead of only valuing things with studio-level production values. start looking at ren'py visual novels, rpg maker games, obscure webcomics, zines drawn in sharpie, artists on bandcamp who aren't signed to a label, all that jazz. maybe part of the reason why i'm not more fazed by the state of affairs with corporate-funded fiction is that i'm constantly surrounded by furry artists who are telling their own little gay stories

[ourflagmeansheartbreak]

All the gentle little ways Nandor has been showing his love [spoilers s1-s5]

I talked about this before, but the glitter painting. Can you imagine this giant ancient warrior who used to slaughter people for fun now slaughters people for food on daily basis, sitting down with a painting of him and a picture of Guillermo in front of him trying to recreate… a glitter painting?? For his friend??

Him trying for citizenship test. He said in the interview with the camera that he “obviously just gonna hypnotise the man to get his citizenship”. Yet he sat down, what was probably for hours, studying with Guillermo. And for why if he knew he’s going to just hypnotise him? Perhaps because he’s majorly detached from humans and his idea of managing to spend time with one human he feels certain… connection to, is to create a false pretence to spend time together? Just to hear him talk a little longer?

Speaking of talking, on more than one occasion has Nandor asked for Guillermo to just… talk. Especially when he’s going to slumber. Not knowing Guillermo has ulterior motive, he was more than happy to hear about some movie he saw. And he’s so passionately listening to it as well. Or just whatever he’s thinking in general. In very few cases has he stopped him, it’s usually others that do. Not Nandor.

Not turning him into vampire. This might be debatable, but the reason as we saw in the finale was obviously because he didn’t think he can… be one. He was waiting for him to get tougher. But he never did, simply because that’s not who he is. And him saying that vampirism is a curse and he could not burden him with it? Nandor has been unhappy being a vampire for a WHILE and the idea of subjecting someone he cares about to it… must have brought him a heart ache. Something Guillermo never got. Nandor wanted to be a father and he was so sad his children were afraid of him after he turned.

Guillermo has yelled, cussed at Nandor many times and once even slapped him (hard if I may add). Nandor never got mad or upset, if anything he usually agrees with him. The most he has reacted to it was “your tone was disrespectful but you’re right”. Not to mention Guillermo tried to kill him three times now, and if anything it seemed like… Nandor gained some respect for him. And that makes sense, he’s a soldier, he used to measure respect by the blade and body count, but it also seemed like he gained more than just respect for him.

Nandor likes it when Guillermo stays until he’s fallen into slumber. He asked him to stay because… Guillermo is probably the only person he feels safe with. He even asks “what is this feeling I’m feeling” because he’s too detached from it and he trusts his judgment.

Whoever annoys Nandor even a little he either hypnotises them or just simply tries to kill them (remember Topher? He liked him quite a bit but he attacked Guillermo and then annoyed him and he tried three times to kill him. The only time Nandor wanted to kill Guillermo was when he disobeyed him by turning himself into vampire behind his back.

In the “reunited” episode, Guillermo was swearing and yelling at everyone and then he fell through the floors, Nandor didn’t even stop to think, he just yelled out “Guillermo I’m coming!” And jumped in immediately. Man didn’t even doubt it for a second. Then this ancient warrior sat down to dry him off and ask “how are we feeling”. YOU GOTTA REALISE HIS DAILY LIFE IS KILLING PEOPLE AND HE SITS HERE IN FRONT IF THIS MORTAL AND TAKES TIME TO DRY HIM OFF.

In the “mall” episode Guillermo said he’s going to get footlocker, Nandor didn’t know what that was, he’s 700 years old what the hell does he know about foot locker? So he gets a huge case for Guillermo. The foot locker. The bitch really sat down and thought about what the hell that is and he got the closest thing he could think of.

I made a whole separate post about last episode as a whole, because it was Nandor’s love letter.

This ancient warrior, who kills people every day, killed thousands of people, has a soft spot for one mortal who brushes his hair so gently before he goes to slumber. They’re in love. You can’t deny it.

Am I reading into details? Yes. It’s a show, that’s what I do.