#but when he is it's like. super important

[tomboy014]

Tamaranean Siblings, Part 2!

After the Body Swap incident, Phantom and Starfire get close.  Really close.  Turns out swapping bodies breaks down a lot of boundaries, and unlike Raven, the two have bonded.  Starfire has always been a hugger, and she’s taken to carrying Phantom around like a teddy bear. Phantom is used to having a red-headed big sister, and ever since his parents worked the ecto-deflectors into their jumpsuits, he might maybe be a teensy bit touch starved.  He loves to sprawl over Starfire whenever they hang out together.

It’s driving Robin up the wall.  Phantom knows he’s been crushing on Starfire for a while, and he goes and does this?!  He can’t help but get more brusque with Phantom, to the point it starts to interfere with group dynamics, and it prompts even Starfire to tell him off for it.

Danny confronts Dick privately to tell him off for being a total dingus.  As far as the two of them are concerned, Kor’i and Danny are basically siblings now.  He’s knows Dick has a crush on her;  that’s why Danny has been trying to talk him up to Kor’i so she’ll give him a chance, and his attitude is not helping.  Dick needs to CHILL OUT!

Robin: … Who?

Phantom: You live with her for pete’s sake! How do you not know her first name?!

This is also where it comes to light that Robin/Dick doesn’t actually have any dating experience.

Robin is a super popular super hero, leader of his team, and supposedly smooth and charismatic.  Dick Grayson is the adopted son of Bruce frickin’ Wayne and beloved by the public. Danny’s at the bottom of the social ladder and he still got a date with the most popular girl in school. Twice!  How are you this bad at girls? 

Either way, things with Robin start to calm down and the group dynamic returns to normal (though Danny will never let him live down his lack of love life).  But things in the training room start to heat up. 

Starfire and Phantom now have a much better understanding of each other’s limits, and the gloves are off.  The whole tower shakes whenever the two of them spar together, and they’re both experimenting with new ways to use their energy powers after seeing how the other uses theirs.  Phantom even manages to give Starfire a black eye for the first time, and she’s ecstatic! It’s a Tamaranean thing.  In their culture, it’s an accomplishment when a younger sibling to visibly injures the elder sibling for the first time.  It shows how much the younger has grown and how well the elder has taught them.  Starfire is super proud and posts it all over SpaceBook.

But Phantom has ulterior motives for pushing Starfire the way he has been.  No one knows his strengths like Starfire does.  More importantly, no one knows his weaknesses the way she does.  If there’s anyone who’d know how to stop him…

Phantom asks Starfire to be his contingency plan, and explains everything that happened in The Ultimate Enemy, about his future self, what he did, and how terrified he is if he one day becomes that.  If that ever happens, he wants her to be the one to take him out.

Don’t try to talk him out of it.  He already gets it enough from his friends and sister that it won’t happen.  That he’s a good person.  He doesn’t need to worry about that, etc.  He’s heard it all before, but… None of them have actually agreed or promised to end him if it does happen.  And if it does… his friends are only human, and they couldn’t stop him before.

Starfire agrees.  She can see how important this is to him, and she won’t lose Danny to a dark path the same way she lost her sister.  The wave of relief that washes over him breaks Starfire’s heart.  These must be the horrible feelings that led him to develop the Ghostly Wail.

Still, she is confident that this future won’t come to pass because he chooses not to let it happen.  She, too, has been flung forward into a bleak future, but she knows nothing in the past, present or future is set in stone.  She fought and changed the future with her own two hands.  She’s knows Phantom is strong enough to do the same. 

While Dick and Danny were never really good at staying in contact with each other, Kor’i is and keeps up her relationship with Danny even after he “retires.”  She knew months before Dick of Jason did that he took the job at Arkham and is happy for him.  It may not be the career path he wanted, but he found a good job and a way to still help people without his powers. 

<<Prev

[feroluce]

Thinking old thoughts about henghill during the Wardance today, because I think it would be funny for Dan Heng to help Boothill "prep" for his matches wink wink nudge nudge.

Like Boothill has Dan Heng pinned up against the door in his lodgings, mouths and bodies slotted together, hands all over each other, metal warmed, fans whirring, something like adrenaline hot and heavy in his synthetic veins, and Boothill is just about to pick Dan Heng up to carry him over so he can bend him over the table-

And then Dan Heng suddenly hits the open switch and just shoves Boothill out the fucking door NDKXKJXMDLD

Boothill tumbles out into the hallway, blinks. Blinks again. Turns back around just in time to see the door slam shut in his face. "Don't come back until you've won your match," says Dan Heng's muffled voice through the door.

Boothill stares for a second, processing...processing...processing complete! And his grin is suddenly wide enough to nearly split his face.

Boothill throws his head back and laughs as he slams his hand on the door, leans in close to it to make sure he can be heard on the other side. Tells Dan Heng to just watch, he'll go win this just for him, and he'd better be here waiting cause he'll be back in no time flat!! "Yer the best, love ya babe!!" And then Boothill happily trots off to go beat someone within an inch of their life on live TV while he's still riled up and rarin' to go. ☆

((Luka, who unfortunately saw this nastiness from down at the end of the hall: Wow, Mr. Boothill seems to have a good warmup plan. Maybe I should ask him about it?

Caelus, covering Luka's eyes: Luka, don't be like them.))

[shrimpybbq]

sarah finally meeting high school gf!au reader and maybe reader is super excited but also nervous bc she wants this to go well for rafe and sarah so badly

¡I hope I’ve interpreted this right!

I’ve kind of touched on this before, but Sarah and high school gf have always had a good relationship. For a long time, Sarah was all high school gf had when Rafe was out, unavailable and unwilling to partake in the raising of his son. They spent hours cooped up in Tannyhill together, dealing with a screaming baby and learning how to take care of baby together. Sarah had always liked Rafe’s girlfriend, thinking she was far too sweet for him and surprisingly kind and gentle - not at all the type she thought Rafe would go for. When she heard her brother and high school gf were going to be parents at 18, she was so disappointed, but she knew she couldn’t just leave her alone. High school gf had always been kind to Sarah, spending time with her when Rafe was out and Topper suddenly decided to cancel his and Sarah’s date. The pair would watch movies together and gossip, and then one day their gossip changed from boys to babies.

So when Rafe did what he did to Sarah (not that high school gf was aware) and she pulled away from him and their family, the older girl was heartbroken. Sarah was her family, and now she was gone. They would often see each other around the island and have small conversations, maybe a quick greeting from Charlie, but nothing like they used to. She knows Sarah isn’t ready to speak to Rafe again, and she honestly doesn’t blame her.

When Sarah showed up at their door in season 4, she’s secretly ecstatic. She knows how much this means to both of the Cameron siblings and when she grabs Emmy from Rafe’s lap, she can’t help the tremor in her hands as she picks her daughter up. She’s so nervous. High school gf places Emmy on her playmat in the lounge room and presses herself against the open balcony doors, desperate to hear the conversation. It’s not what she wants to hear, to be truthful, but it’s progress. At least they’re in the same room as each other - that’s more than can be said for the past 18 months.

Before Sarah goes, she gives high school gf a hug, squeezing her tightly. They’ve both missed each other so much and being separated was hard on both of them. Not to mention how much they miss Wheezie. Wheezie loved her nephew more than anyone, they used to say. Sarah has her found family with the pogues, but before them, she had her sister-in-law. She asks Sarah to come around again sometime soon, but when she hesitates, she suggests brunch at a cafe instead. To her relief, Sarah smiles and nods at her and the pair make tentative plans.

The born Cameron and the wedded Cameron have both been through a lot, but they have always found a lot of peace and security in each other and for them to begin to rebuild that is so important and valuable to them.

Sarah and High School Gf are each others number one supporters!!!! My girls!

[ghouljams]

heya ghoul! feel free to ignore this if it’s too personal, but you’ve mentioned having a partner (i think? my apologies if im wrong). i guess my question is: does your partner know about your hard kinks? as you might have guessed from the fact that im on your blog i really like some hard kinks but i cant imagine how i would ever broach that with a future partner. if they do, how did that conversation go?

—signed, a chronically shy and single but still kinky anon

I do have a partner! Mr. Ghoul is lovely and an absolute darling to date. He's a good boy.

Just ripping the bandaid off: yeah he knows about the kinks I want to play with.

Notice I said "want to play with" and not "all my kinks." He does know about pretty much all my kinks even the hard ones but I like to make the distinction with him what I actually want to try out and what is just fantasy.

Talking about kink with my partner is actually super embarrassing for me lol I'm always so nervous he's going to think I'm weird but he always just asks questions about what parts I like and if I'd wanna try it out some time. Honestly it's easier talking about the hard kinks than the relatively vanilla ones. Also we don't overlap with our kinks and Mr. Ghoul is not that kinky, which is honestly? Great.

Being able to make a space in conversation of "I just want to talk about this I'm not asking to act on it right now" makes talking about kink way easier. And the fact that we don't overlap much means there's not a "let's do that right now" threat to talking about kink. We can actually sit and talk about what we're into and how we want to execute it.

Honestly talking about hard kink with your partner and having them ask questions really helps you get to the bottom of "which parts do I actually want to try?" When I broached cnc with my partner he asked if I wanted him to "rape" me and I sort of had to sit and be like "actually I just want you to chase me and pin me down" so we do that. It can be embarrassing to talk about but it's also important, and you really do just sorta have to rip the bandaid off while talking about sex.

Idk it's not always sexy talking about kink, sometimes you're just talking about it.

[maybe-boys-do-love]

Aof Noppharnach motifs in the Ticket to Heaven Trailer:

1996/1997 makes its return! 1997 is the year P'Med died (and is that P'Med's walkman!?) and the year Torfun was born. It's also the year the Asian financial crisis began in Thailand and it's the year HAART for HIV AIDS was introduced in Thailand. 1996 is the year the first HAART studies were published and the multi-drug therapy was introduced.

Christian topics. Christmas has appeared in several Aof works. In Last Twilight, Day gets notified and rushed to the hospital over an available eye transplant; the transplant fails. In Moonlight Chicken, it's on Christmas that Li Ming takes Heart to connect with the deaf community but it's also when Alan, Jim, and Wen get into a physical fight that leaves Wen injured. And in Bad Buddy, Pran is interrupted in the middle of the Christmas concert and forced to transfer schools because his parents have observed him getting along too well with Pat. I think it's fair to say that Aof does not think Christianity is exactly beneficial to the gay experience.

The swimming pool. Listen, water and underwater shots are used across BLs and queer teen media (Skam and Booksmart, anyone?). And Aof doesn't have this as a motif in many works. BUT! The way he uses it in Dark Blue Kiss and Moonlight Chicken is super important because it subverts the way other series use it. In other shows, the water, whether underwater at a pool or at the beach, is private and away from society. It's a place to explore without commitment. In Dark Blue Kiss, it's a public pool and serves as the culmination of Kao's coming out! He kisses Pete for the first time unafraid of if they are seen and then they submerge while they kiss beneath the surface indicating that whether people see them or not, whether Kao made his love public or not, their love is still real and there deeper than what is seen and what is stated. Moonlight Chicken has Heart and Li Ming at the water's edge while visiting Li Ming's mom where the latter repairs his relationship with her while still choosing to stay with his guncle.

Faith. At the core of almost all of Aof's series is faith beyond the tangible world. We've got a gay ghost that only Thun can see in HCTM. We've got recurring motifs of flight, ascension, and separations (by death and by distance) in ATOTS. Last Twilight is almost vulgar with its theme of faith not by sight. Bad Buddy has its fake-out break-up ending and its antecedent in the beginning where the boys pretend to not know one another despite their former close ties; in other words, love that can't be seen or shared persisting despite. I could go on. Aof himself has stated explicitly that he always aims for his series to convey hope. And as any former Bible school child, like me and apparently Aof!?, might tell you, "These three remain: faith, hope, and love. And above all these is love." Be still my romantic Christian-raised heart.

The autobiography of it all! When Aof takes screenwriting credit, he seems to signal that the series includes aspects of his own life, which is why the year is significant, or why Moonlight Chicken's age-gap romance reflects Aof's owner life-partner, etc.

[soulrox]

(I picked a random age cause canon sucks and nothing makes sense)

My name is Jon Kent, I am the son of Clark Kent aka Superman. I am 8 years old and I have an imaginary friend. She's awesome. She can fly, turn invisible, go through solid objects, shoot beams, and so much more. She has long white hair, glowing green eyes, and wears a black and white suit she looks about 16. Her name is Dani, specifically, Dani with an I. She always says names are important and you should always respect what people wish to be identified as.

Dani showed up one day following my dad home. Mom and Dad can't see her, Mom and Dad say that means she's my imaginary friend.

I love Dani! She tells me stories from all around the world. Like the one about the man in Australia that she watched who is a Crocodile Hunter. I love those stories. She's told me stories about the boy version of her, Danny with a Y, and all the wacky things he's gotten up to. Like how his pants fell down when he was talking to his crush. Danny with a Y stories always makes me laugh.

Dani has even helped me with my powers. I was always a little bit of a loner because I'm secretly half-Kryptonian, so ensuring, I don't harm regular humans is challenging. But with Dani, I don't have to worry, I can even hug her full strength, and she's fine. She is super tough, she says she is stronger than my dad. She's taught me how to better handle my strength. We played hot potato with eggs. Mom wasn't happy when she saw the mess we made. Mom said I wasn't allowed to play with food with Danny anymore. Dani tells me mom and dad pronounce her name wrong they say it with a Y, not an I, she can tell. I say it correctly.

We always play fight in my room. Since she travels so much she teaches me all sorts of different fighting styles. I really like Capoeira, because Mom and Dad just think I'm listening and dancing to music.

Dani only visits for a week at a time. She says she is a free spirit. She always giggles when she says that. I don't know why. Traveling is where she gets the best stories so I stay strong when she leaves. Dani always makes sure I get the best strongest hug before she leaves.

Mom and Dad hear me talk about Dani all the time. They are surprised that she leaves for weeks at a time. I always tell them Dani's traveling to get more stories for me. They always say I have an active imagination about all the things I "come up with". I don't come up with it though Dani always tells me these stories. Mom and Dad just laugh that dumb parental laugh when I defend Dani.

DPxDC #5

Dani while traveling unintentionally becomes children’s imaginary friend. For many children all over the world.

Dani’s only knowledge about adults is that they’re untrustworthy:

- Vlad created her and discarded her

- The Fenton parents are ghost hunters, hunting their own son

- G.I.W

- No adults help Team Phantom

- No other hero’s help Team Phantom

So she instinctively just doesn’t let adults see her.

As she travels she obviously does want to visit other hero’s but wouldn’t trust them. She’d follow them invisibly to learn more about them and fighting styles. Following them home she’d see they have kids.

She would want to interact with the kids and learn more about having a superhero as a parent. Young kids have imaginary friends all the time so parents wouldn’t be too concerned.

She would teach the kids all kinds of things and tell story’s from all around the world. All the adventures she’s been on. Maybe even other languages.

Of course she makes friends with many non hero kids, some even villains kids. Villains kids would get a completely different perspective of the world thanks to Dani.

Down the line eventually it would come out that several different kids have seemingly the same imaginary friend. Parents like to share story about their kids. Like oh my child has this imaginary friend a little girl that can fly and phase through walls and stuff haha they are so silly missing so many hero’s powers together.

Or the parents are having a meet up and bring their kids and the kids can all see Dani. Which isn’t normal for others to see your personal imaginary friend. Kids are gremlins when they learn the truth they have fun with it messing with their parents.

[blueishspace]

Hero, Villain God 15

(Prev) (Next) (First)

*Scar's pov*

Cub has called you... He said it was something really important so you did your best to make it as fast as you could...... He hasn't really been very happy with you after the Mother Spore incident so you didn't expect him to be the one to ask to see you... You are a bit nervous...

Wait! What if he's quitting?!? You could never manage to do your work without his help! You'll have to beg! You will do it if that is what it takes.

You sigh ...Here goes nothing.

"Mayor Ren and Martyn have been taken hostage"

What? What does he mean they were taken hostage? Doesn't he have bodyguards to protect him??

"How? When? Where is he?"

"Oh he's still in his office"

Come again? What is Cub on about then?

"But you said he was-"

"Yes, it seems it is the office that's holding him hostage"

..."What?"

"Specifically, the mechanical door and windows have all been locked by an unknown attacker. The defense system has been turned into a threat on his life."

"Oh"

"We believe either an hacker or a villain with power over technology might be at fault."

You see, what you don't understand is why you were called for this. It feels suspicious.

"Do you want me to go after this hacker -"

"No. Not now at least. The mayor needs you to get him and his vice out of the building unharmed. The defenses he installed are quite dangerous when made into weapons so be careful"

"Am...am I going to work alone then?"

"Yes. Ocean Queen water manipulation could backfire around so much electronics and the building is too cramped for Sheriff's wings."

You think you understand, you nod at him, he looks at you.

"I'm ready"

"And don't stay out too long"

Cub wasn't kidding, as you dodge a literal laser you wonder just how paranoid the mayor must have been when he set up this defense system... This is a level of security you would think to find in a super secret governent base, not the mayor's office.

You don't have much time to wonder though as another laser almost hits you in the face and w- IS THAT A MACHINE GUN!?!?

You sigh as you take out one of your explosive arrows, you'll have to fight fire with fire if you want to get anywhere... hopefully the mayor won't mind a bit of property damage.

You really don't want a lawsuit right now by the mayor...or exile! Wait could the mayor even exile you if he wanted?

... You should ask Cub later.

*Martyn's pov*

You have been trapped in this office with Ren for what feels like hour now... It might have been, It's not like you can tell with the windows blacked and no clocks in the entire office... Why does Ren have literally 0 clocks in his office!?

Your thoughts are suddenly interrupted by Ren shouting in your ear.

"We are doomed Martyn! Doomed I tell you! I knew they were coming for me and now we are going to die here!"

Who was coming from him? This is news to you.

"I ... I'm sure they must have sent someone to save us Ren. You are still the mayor, pretty important guy if you ask me."

"Who knows how long that will take my dude, we might have to stay here to starve for days! We'll have to result to cannibalism to stay alive!"

Ok what, how have we got to this point.

"Woah there, how about we *don't* do that actually? How does that sound mate?"

"Right, right... I am sorry Martyn."

...You stare at eachother... Without his voice in the background things are weirdly akward... He's always seemed so confident, you have never seen him this worried before...You hold Ren's hand, he seems surprised for a moment.

"It's going to be alright, I'm here with you"

"Yeah... Yeah, you'll protect me!"

Uh... You don't remember saying that but telling him no would just be too cruel.

"Right, you can count on me Ren."

"Of course dude! I trust you more then I would trust myself!"

Ren's face is suddenly so close to yours, right in front of you. You didn't expect it so you scream and fall back.

"Ah??!"

"Oh sorry dude! I didn't mean to jump at you like that... I got excited"

"It's...it's fine Ren"

"Are you sure?"

You are staring into his eyes and he is staring into yours... It wouldn't be too hard to just lean in and-

"Hello people! Hotguy here to save the day! Is everyone ok?"

...Motherfucker.

[ppupkit]

Could you possibly do some Cait/Vi taking care of Maddie hcs? (I LOVE YOUR BLOG SM!!! YOUR HCS ARE AMAZING) -Mutt ⚜️

why hallo there mutt OF COURSE I CAN !!!! i am number one maddiecaitvi er trust me. ( i jumped around in excitement and stimmed like crazy seeing this ermm tehe (′ꈍωꈍ‵) ). also ohmigosh one of my names is mutt too how silly !! i apologize for the late response but here are the long awaited headcanons !!! also i appreciate your kind words so much my tail wags. ૮₍ ˶ᵔ ᵕ ᵔ˶ ₎ა"ﾉ"

cw(?) : 100% sfw talk of padded agere / petre

okay for starters i'm big into t4t maddiecaitvi and have been a transmasc butch vi truther since the beginning so i refer to him mostly as he / him but also sprinkle in some she / her as well. tmasc nonbinary vi is really really important to me as a transgender butch so if you're going to be mean or say something unkind about me using other pronouns for vi please just don't interact with this : C. i headcanon both maddie and caitlyn as transfem , not sure if that's relevant for these headcanons but just wanted to get that outta the way : 3

maddie's not really a talker as i mentioned before , being largely nonverbal or mute while regressed. on the rare occasion she's on the older side however vi is mam or mama and caitlyn is mummy. caitlyn calls maddie my sweet , sweet thing , baby , or pup while vi calls her pup(py) , nugget , munchkin or mads.

maddie's full name is madelyn but they never pull out the full name unless she's in Big Trouble. vi never really uses it , being the more laid back of the two but if maddie's done something Really naughty caitlyn'll hit her with the "madelyn graham nolen... what have you done ?"

maddie being super clumsy leads to lots of spills. both spills of whatever's in her sippy cup and her falling over. oh my gosh it's gotten to a point where she's only allowed to be fed bottles no matter how small she is because otherwise she'll manage to get her juice , or milk ALL over da place. (－‸ლ) sometimes maddie will fuss or plead to be able to have a sippy cause she's a "big girl !". her puppy eyes work on vi but caitlyn gets a little frustrated dealing with the inevitable mess later if maddie gets her way. caitlyn giving both maddie and vi a stern talking to , wagging her finger at them. vi gives her a sheepish smile while rubbing the back of her neck a bit embarrassed. maddie struggles to speak but gives caitlyn her best sorry puppy eyes.

maddie is a bit hard on herself. if she knows she's done something bad she'll go straight to one of her mamas in tears , offering up her stuffie or a favorite toy for them to take away as punishment. caitlyn and vi are very very gentle with her , careful to speak with her about her mistakes , having many conversations while she's not regressed about punishments. they're very adamant about never depriving her of her comforts no matter what she thinks she deserves , taking care to make sure she understands when she's genuinely done something versus when her brain is being mean to her. "it was just an accident , sweet thing. mummy's not angry with you , you're a good girl for letting me know."

maddie lying at vi's feet whenever possible because he always gives her the best head scratches. she'll bark and whine if he stops , nuzzling at his hand if he's fallen asleep and she wants more scratches or pets.

maddie's a very silly girl , always barking and babbling nonsense. both caitlyn and vi listen very attentively , nodding along to her nonsensical barks. vi letting out the occasional gasp : "is that right , nugget?" caitlyn can't help but smile when vi's little encouragements cause maddie to wag her tail , getting her all excited. caitlyn will keep her hand on maddie's back , giving her little pets and pats to keep her calm and her body safe. maddie is a big stimmer being autistic and sometimes if she gets overexcited she can hurt herself or someone else.

maddie is super fussy about being padded , she's really shy about it , getting really ashamed whenever she uses her diaps. she can get super bitey when it comes to diaper checks if she's trying to hide an accident or she'll hide away from caitlyn and vi. caitlyn is the only person she'll allow to change her and even that takes some convincing. she'll get weepy in the middle of it , she just feels so stupid and silly. caitlyn is so sweet and gentle with her though , giving her all the reassurance in the world and so many kisses. giving her a little pat on the bum when she's done , ruffling her hair. "that's better , isn't it silly girl?" maddie will growl in response but yes it is and she's very thankful for her mummy.

whenever maddie wants something she'll go to vi. her puppy eyes are lethal , vi can never say no she's just too cute !! caitlyn has more practice with them so she's a bit more immune but even she has to give in sometimes.

vi loves playing with maddie , she's always down to play fetch with her or let maddie indulge in a little tug of war with a toy. vi's never actually trying to keep something away from her it's all just for play but maddie's too little to know that. if vi's feeling extra silly he'll bark back at maddie. caitlyn rolls her eyes every time but fails to hide her grin and gives both her puppies head scratches.

maddie has her own bed but she never sleeps in it while regressed. she sleeps at her mamas' feet on their bed. they welcome her to come snuggle but usually she likes to sleep at their feet because it makes her feel even more like a puppy !! maddie's a little guard dog for her mamas ! if she's feeling suuper super baby though she'll nestle in between vi and caitlyn , curling up in a little ball with her back against vi's chest and head buried in caitlyn's. she's gotta be touching both mamas or else she'll get fussy , she's just a baby after all she's still working on the whole object permanence thing x p .

oh my gosh this really got me to yapping.... and i've so much more to say however it is now 3:17 in da morning and this has gotten quite long so i suppose this is long enough for one part. hjfksjjnsmk who let mrs. autism out of her cage... i hope these are coherent i've not proofread ε-(´・｀)

[mew-ya]

can we see Marens OG Design?

MAREN HISTORY LESSON!!!

this was the very first drawing I did of him from 2016! his OG design! at the time, he was just like, a genderbent self-insert because my friend wanted me to make a one piece OC sibling. he was always intended to be older and part of the whitebeard pirates! he wasn't part fishman yet. he also got allergies a lot (like me!) so i would draw him with a runny nose. i have since removed this feature from him lol. he honestly looks pretty similar to his current design though except that he used to be super twinky to match my body type.

here are the only other drawings I have of that old design (along with my friend's oc)

his next iteration didn't come til way later! in 2022 or so? basically i had no interest in any canon/canon katakuri ships at the time and realllly wanted to draw him with a "good future". so i took my old op oc and made him fit katakuri a bit better--i wanted him to have sharp teeth so i decided to make him a fishman, but keep him looking fairly similar to the old design. so he was only half. it was also important for me to have a partner who was katakuri's size because i think he deserves to be held <3 so that's where the idea for a porcupinefish/pufferfish came in!

I got a bit better at drawing chubby bodies and made this reference, which is the closest to a current ref i have. back then, i had this thought that he'd only look chubby when he "inflated" since it makes more logical sense that way.

but i later felt that having a character who was "optionally fat" was just insulting in a way (and also bordering on fetishes that i wasn't particularly interested in my work being part of). so now i just draw him fat at any size, at varying levels. if i could change this reference, he'd be chubbier on the left.

here's a fun redraw I did to show how they've both changed!

and here's the latest most "reference" appropriate art I've done of him. I love this because I tried to make it fit the OP anime style as much as possible so it's really fun to see how people translate this into their own style.

[softness-and-shattering]

I saw a video the other day that thos woman had filmed of "pranking" her husband, by surprise shaving q big ol clump of his beard. Because she didnt like his beard. And he had the audacity to keep it anyway.

And he doesnt even get angry, just sad and defeated. References her doing "crap like this all the time". And he says "if I took that and took off some of your hair that would be abuse, people would say its abuse but because youre doing it to me its different" and she says "yeah you better not" and she *cackling* the whole time like its fun and hes absolutely devastated.

That *is* absolutely abuse. And its also the effects of "men strong, women weak. Women have emotions, men not allowed emotions.". This guy is being abused and maybe only sort of recognises thats whats happening because hes a guy and his abuser is his wife and thats not the narrative. And thats not right. Men have to be allowed to admit vulnerability because how else do you reach out for help? How else do you name "this feels bad and relationships arent supposed to feel bad like this, something is wrong". How do you say "my wife is abusing me I need help" when youve never been allowed to show any weakness whatsoever??

Crying by itself *is* super important. But its not just "cant tear up in a movie". By not being allowed to display vulnerability, thats stops you from showing someone else that you need help. It means you just dont get meaningful support. And thats huge. Thats getting away from an abuser huge its likely life and death huge. We all need each other.

"being told not to cry isn't the same as violent misogyny" is like. yeah, obviously, different groups experience different things and those are never the same because they're different experiences. but like can we acknowledge that, for example, men experiencing domestic violence or any other kind of abuse often have trouble getting help or speaking up in general about it because of the societal pressures not to show emotion or vulnerability and that it's really dismissive and disrespectful to reduce the issue down to "being told not to cry" and none of the kinds of people that make these arguments are willing to acknowledge that even a little bit?

oh yep that's another thing people do when they are actively being dismissive of another group's issues. like yeah when you position it as "women are being MURDERED on the STREET and you're mad that men can't get a little teary at movies???" like you are actively trying to make it seem lesser. i've literally seen men say that they were told men are ONLY allowed to cry at their mother's funerals. and like you said, "men can't cry" is connected to all the other issues that leads people to not take male victims of abuse seriously and drives male victims of abuse to keep quiet because it's seen as shameful to show weakness. but when u reduce all that down to "men are told not to cry" it's easy to make it sound like nothing (especially if you are a cis woman who has literally no personal experience with how this impacts you)

[aroaceleovaldez]

Ibr despite having ADHD/autism/depression a lot of the disability themes in PJO you've written about have kind of... managed to fly over my head? Everything you've said makes sense and I accept that you're right, but I've always read the books as a fun "mythology in the modern world" sort of deal.

If I write a pjo fanfic, do I need to highlight disability themes too? I just want to have fun with the setting and characters, but a lot of what you've mentioned is daunting, and I don't know if I could do those themes justice.

Anon, i am gently holding your face. In fandom (and fanfiction is included in that), you are not beholden to the original themes of the work. You can do whatever you want forever. Nobody can stop you. You are creating your own art derivative of this work that can have whatever themes you want because it is yours. If what you want to do is just have fun with the settings and characters and not delve into deeper topics than that, it is your right to do so!!!! If that is what you want to do then that is what you can do! Nobody can stop you from playing in your sandbox however you like.

Also, it can be both fun mythology in the modern world and a discussion about disability themes! These things are not mutually exclusive. Examining themes about disabled experiences in the lens of modern fantasy/mythology can be fun and silly and light-hearted!

When I talk about disability themes in PJO in the context of the fandom, largely I'm discussing how the fandom tends to refuse to acknowledge the disability themes in the original work when discussing the original work itself (outside of fanworks), or refuse to acknowledge characters being disabled at all (or not interacting with disabled characters appropriately - such as using ableist stereotyping or doing no research into portraying disabilities the characters have - this is extremely common with Percy, Leo, and Nico in particular). This is a thing that happens in general fandom a lot, and in any fandom with disabled characters, but it's very poignant in PJO specifically because of how the original work itself is so explicitly about disabled experiences.

You don't have to delve super deeply into the minutia of the characters' personal experiences with disability in your fanworks or anything, or even ever explicitly bring it up at all if that's not a detail you want to focus on. Like, if I'm writing Nico, I don't have to mention he's a brunet every time I write him. That's just a known fact about his character. It's the same with their disabilities. It will affect them and how they navigate things, but in the same way any other trait does, which will crop up when you write those characters if you have spent any amount of time analyzing a character to figure out how to write them. But it's important to be aware of the fact that these characters are disabled and what their stories are about to better understand the characters themselves, which will service you in fanworks you want to create even if it's not about that topic specifically. In PJO specifically, it also helps you understand the mechanics of how the world works within the metaphor it was built around, so that you can make sense of the logic being used and expand upon it further with more consistency if that's your jam! It just adds another tool at your disposal. But ultimately you can wield that however you'd like.

[thesesoldierboysarebi]

Alejandro Vargas hcs!

• loves himself a sweet treat. Sweet treat every week or Colonel Vargas gets grouchy. His favorite is flan but he also loves a good arroz con leche. Gets his faves from street vendors in Las Almas on his work breaks

• very competitive. He’s often gotta make it a race to get to the point during missions. Is a beast when Vaqueros play soccer together. A bit of a sore loser, but he always buys his team ice cream if they win. He and Rudy sometimes get into it bc Rudy doesn’t take his shit and will challenge the colonel whenever he can

• aches and pains from his military career are starting to bother him and he’s resentful that he can’t just bounce back from physical duress like he did when he was 20. His left shoulder got badly dislocated early on and it pains him during strenuous work. He *will* pretend it doesn’t and that he’s untouchable

• has a mom and two younger brothers in Las Almas whom he keeps protected and sees regularly. His father died when he was a teen. Ale is very attached to his family!

• deeply deeply deeply attached to his unit, they���ve all been through hell together and Ale will genuinely put himself through the grinder to do his utmost to ensure his soldiers come home alive whenever possible

• damn good alcohol tolerance and he is a menace when the Vaqueros go out and drinks start flowing. He teases people he likes when they make faces at his extra extra string tequila. Unfortunately, when he gets tipsy, he seems to think that this is also an excellent maneuver for flirting, if his crush is nearby

• isn’t aware that he comes off as overly pushy sometimes. He’s used to being in authority, so unfortunately sometimes if he’s worried about someone he loves, he’ll unknowingly try to strongarm them into what he thinks is best. Rudy is good at calling him out on this. Valeria would kick his ass if he tried this on her back in the day they worked together (and dated!)

• openly bisexual. Doesn’t give AF.

• very fashionable when out of uniform! He cares about presentation and puts a lot of effort into his looks. Likes wearing bold colors like red and deep blue, shirts that show off his arms and chest

• vain. People told him he was handsome a LOT during his teen years and he internalized that. Has a lot of confidence about himself and his body, as he should! He knows he’s hot

• in his early 20s, however, when he was a reckless and careless young man, his vanity got to his head a little and he genuinely thought that if he wore cologne, he didn’t have to wear deodorant. A few outspoken checks from Valeria and Rudy solved that issue with a quickness!

• made a lot of reckless decisions in his teens and young adulthood. He’s learned from lots of past mistakes, thankfully.

• doesn’t know jack shit about cars and doesn’t care to

• doesn’t super love any non-Latin food, though he’s polite about it when going to other countries. He just thinks his culture’s food is best!

• used to get around a bit and not care much about being responsible, back in his younger years, but a pregnancy scare and a few other messes served to mellow him out as he got older and wiser

• good at flirting until he starts getting tipsy

• he doesn’t fall in love easily, but when he does, he falls *hard*. He isn’t entirely over the girl he dated his senior year of high school who dumped him right before he was going to propose to her. The ex-boyfriend he had during training broke his heart when he transferred to Tijuana and got married without any warning. He’d do literally anything for Rudy, including not say anything to preserve their friendship. And yeah, he’s still kinda hung up about Valeria! His exes are important to him and hold a lot of space in his heart.

• is catholic, but not practicing. Is still in debate about whether to have his future kids baptized or not

• is genuinely always happy to see Task Force 141 when they visit!

[iamnmbr3]

@blorger RIGHT?! Ginny's personality changes really radically in book 6 compared to other books, and in-universe one way to read that is her just putting on the kind of persona she thinks Harry wants. For example, in book 4 she doesn't seem to care that much about Quidditch - and even in book 5 she's decent at it but doesn't seem to love it - but suddenly in book 6 she acts like it's super important to her. Maybe her interests just changed. Or maybe she thinks this is who she has to be because Harry loves Quidditch.

I always found her reaction to getting broken up with very striking for exactly the reasons you mentioned. Harry gets uncomfortable with people crying usually (though notably much less so when it's Hermione, who he is comfortable with and knows well and cares deeply about). And Ginny doesn't cry, which is a relief to him. How nice that she doesn't have any inconvenient emotions or reactions.

But wait. Turns out actually she was extremely upset and messed up over Harry leaving her. She just hid it from Harry and only showed her true feelings in front of Ron. This shows us that Ginny doesn't feel comfortable expressing herself around Harry and puts on a front that shows him what she thinks he wants to see. This bodes so ill for the longterm viability of the relationship.

I think it's believable that they got together but I think they'd break up post war and both ultimately be much better off for it.

Put this in a chat originally, but I'm still thinking about it so it's going here too. I really think Ginny got done so dirty by how Hinny ended up turning out in the books. She really truly does deserve better imho. It's so tragic because Ginny gets kind of overlooked a lot and diary!Tom seems to be the only person to really listen to her...ever. And he doesn't even actually care about her. And once he's gone she never gets that again. He gloats in the end of book 2 that she once told him "no one's ever understood my like you, Tom" and that's still true.

Harry never tells her anything nor does he seem to bother to learn anything about her. Never mind the Horcrux stuff that he only shares with Ron & Hermione and never even considers telling her about. He doesn't even tell her about the prophecy after book 5. And in book 7 he goes into her room briefly and mentions that he's never been there before. All that time he lived with her and he never looked in.

And he shows no sign of recognition when he sees what posters she has up there. He doesn't think "oh of course she'd have that" because he never even found out basic things like what teams or music groups she likes. The one person who ever bothered to care to actually find out these sorts of things and show interest in her was Tom...who turned out to be using her. It's really sad.

I do actually like hinny happening in the books and find it realistic given both their characterizations - given the way Ginny idolizes Harry and probably feels pressured to change to become his "perfect girl" and to not "bother" him with her problems and the way Harry thinks he might be dead soon and Ginny symbolizes to him all the normalcy he thinks he might never get to have, more an idea that a person, and also seems to be physically attractive to him. I just don't like it as an endgame relationship. I think it's realistic they would get together under the circumstances they did. And i think they would break up after the war when Harry realizes he's not comfortable talking to Ginny and Ginny realizes Harry doesn't respect her and they both realize they don't really know or understand one another.

[somereaderinblue]

Odysseus of Troy AU

Inspired by the Warrior!Penelope AU, @maggie44paint's Malewife Menelaus AU & @theblindgoddess + DaughterOfDungeonBat's Penelope of Troy AU.

So instead of Helen, Paris chooses Odysseus, thinking he's the safer option because he's just the king of small, barren Ithaca & super smart. Baby Telemachus is also spirited away as extra leverage.

Paris thinks he's being cunning, hoping this choice can somewhat ease Athena's wrath as well.

At first, Athena is furious....but then she gives the go-ahead for 3 reasons.

Odysseus will give Paris hell.

Hera will give Paris hell.

This one is important: Penelope will give Paris hell.

Paris tells himself he's doing Penelope a favour! Now she can find another, more powerful husband & have another kid with him. Plus, she's a woman with a tiny kingdom, it's not like she'll come knocking on Troy's walls.

Newsflash: a furious Penelope comes pounding on Troy's walls with a vengeance.

(Bonus if she isn't even being backed by Ares here. Oh no, all that unstoppable rage is 100% pure Penelope.)

In Olympus, Hera & Athena are cackling and high-fiving over a bucket of popcorn. In Troy, Ody is going full Mission Impossible, being a monster (rawr rawr rawr) to Paris, mapping out servant passages, calculating how much cloth it'll take to make a long enough rope & hoarding tiny paper scraps and crumbs for bird feeding.

He goes all: Yes, I need more clothes. It's not my fault my clothes keep ripping. *wink wink*. Oh, I'm not supposed to be here? Silly me, I'm hopeless without Athena's wisdom now! Look at the cute birdie, little wolf! *slips a message onto them while his son's buried under feathers*

Athena is very proud of her master liar.

Bonus:

Hector & Ody ironically become good friends because they're both dads and loving husbands. Hector tells himself he will NOT get attached to the man who's singlehandedly screwed him, his family & Troy over......only to pat the guy's back as he sobs for the nth time over missing his wife. It's hard not to empathize with him & feel a little sorry for the kid who doesn't even remember his mom.

And maybe when Hector senses that the end is coming, he & Andromache ask Ody to take Astyanax with him. He won't have a future in Troy, but it's better than no future, period.

Thus, Penelope returns to Ithaca with her family one member bigger than before.

[kailoraurelius]

Am I talking about Swan and Mercy again? In another post? Because I am in love with their characters and the subtle things that define them individually and, therefore, together?? No, that's crazy talk.

So anyways, Swan is a bad ass. I said that in my last post, I'll say it again 📣📣 baddest bitch in the gang. Periodt. 💅

But MORE IMPORTANTLY, she's the most protective in the gang. My girl's first solo lines in the album are her worrying about them all going uptown unprepared. Like almost all the women, basically, are speaking against the idea, but they sound more annoyed or angry at the idea of not having weapons. But Swan is very clearly worried. She's thinking about how far it is and, if something goes down, how far they'll have to go to get home. She's worried about her ladies. Protective 👏👏👏

Then, she's the first one to start shouting "Stay down" to the Warriors in Derailed. Then, Woodlawn Cemetery, first thing she does is a head count. And in Orphan Town, it's her idea to approach the Orphans with a lighter touch, because they're outnumbered and she wants to protect her family so badly.

BUT she also chooses to protect Mercy in this song. Mercy, who she doesn't know, who has literally just tried to start a fight with her and her crew by demanding her vest. When Sully gets rough with her, Swan steps in and tells him to leave her alone. She was getting what she wanted before that!! Sully was backing off and allowing her through and even when Mercy tried to start shit, it's MERCY he got angry at. By all logic, if Swan hadn't spoken up, they could have still flirted their way through. But no. Swan sees a woman being treated wrong and she steps in.

And she's continues being protective of her crew for the rest of the album. But, let's skip to the end, then come back to talk about the three other major moments that I wanna talk about. So, The Finale. Swan sees this hearse, this dude calling out her crew, and without knowing a thing about him, she steps up to go fight his ass, telling the others "Stay behind me". She has, more than once in the album, put herself into danger to protect the others or done things out of her character to ensure their safety. And this is THE pivotal moment of that. It's why nobody listening can be surprised when she says, "Stay behind me". Because it's the defining characteristic of her.

It's simultaneously the saddest and sweetest thing about her. And that protectiveness is a super important aspect of her relationship with Mercy. Going back to the other moments I wanted to mention, it's most obvious to me in Park at Night and A Light or Somethin'.

Park at Night is a little more subtle, unless you're reading the lyrics. When Ajax gets cuffed and tells them to run, Swan immediately says, "Everyone go ahead". Sacrificing herself to lure the cops away so her family can escape. But, just as lightning quick, Mercy replies "no!" This girl who has known her a grand total of one (1) train ride SEES what she is doing. She's her once again putting herself into danger to protect someone. And she says no. She stays.

The other girls know the plan. Regroup in Union Square. But Mercy has just joined them and doesn't know this so it sounds to me like Swan's answering, "we'll regroup in Union Square" is her trying to tell Mercy to go, that she'd be okay.

But again, Mercy refuses. She says, "Swan, stick with me!" And then Swan seems to accept this woman isn't leaving her and she's switches to telling the others, "On the yellow line southbound platform, we'll meet you there". And she and Mercy, the one who wouldn't leave her alone, run. This moment, to me, is THE moment that made Swan/Mercy beautiful. Because nobody else argued the plan or even seemed to fully understand it.

In Cardigans, Cowgirl and Rembrandt are literally TALKING SMACK about Swan, saying she's "off canoodling with Mercy" and she "split off and left us". Like, y'all, she just put her life on the line to lead the cops away from you??? Rude.

Even Cochise, who stands up for Swan, doesn't say, "Hello, she just saved our lives at the risk of her own", she only defends the canoodling part by saying it's tactical.

Like, Mercy has been in your presence TWO SECONDS and she understands Swan better than y'all do, I'm crying. (Do not take this as me hating on any of the Warriors, I am in love with all of them and I know they're angry and scared in this moment and likely blinded by that and lashing out.)

And that brings us to the second of the three major things I wanna talk about. A Light or Somethin'. I know, everyone has talked about it. But there's something about it that I don't think I've seen anyone else mention. In that song, when Swan is rejecting Mercy, everyone is saying it's all because she has low self-esteem or doesn't trust her or is scared to feel her emotions. But I think the truth is that Swan is doing exactly what she's done this whole time. She's protecting someone else. She knows who she is, she knows she has lived a rough life and she's likely not going to be a very good partner because she's never learned how. So she's PROTECTING MERCY AGAIN by pushing her away. She says "be careful", "don't put your hope in me", "don't put your trust in me". Yes, this is definitely Swan thinking she isn't good enough, but it's also her protecting Mercy from HERSELF.

And Mercy, love of my life, is trying to tell her that she isn't scared. That Swan isn't something she needs protection from. SHE wants to protect Swan. She is in her corner, she stayed with her when the cops rolled up, she wants to fight by Swan's side. She says, "then WE'LL go" when Swan says she'll leave. Mercy has seen this amazing, protective woman, who cares so much for her family and for total strangers, and she wants to stay with her.

And that brings us to Same Train Home. When those rich assholes get on and are staring at the Warriors and Mercy is hurt by what she sees in their faces. And Swan, likely moved by Mercy still staying with them after her rejection and definitely moved by Fox's death and the loss of Ajax and Cleon, does it again. She puts aside her own fears and self-doubts to what?? Protect👏 Mercy 👏 She takes her hand and says, "Hold your head high. Let them stare in judgement" before she kisses her. Effectively telling Mercy "I heard you in the tunnel, I know you want to live bravely and boldly and I'm not going to let these pricks scare you into doing anything less. Fuck them and what they think."

And that's what's so beautiful about them, to me. They see each other so clearly.

Anyways, I'm gonna go cry now, thanks for listening to me ramble. 🤙

[sticks-stones-sonic-insanity]

Ok idk how plausible this is but like. Just considering the possibility. Let's think about it for a second.

Shadow has Chaos Island on his register for Shadow Generations. In a more meta explanation, we know its because Chaos Island was the least utilised location in Sonic Frontiers: most of its platforming was 2D, and the more interesting locations that players wanted to travel to were either unreachable or off in the distance as set design. Among other things. Shadow himself hadn't actually been there, but he hadn't clocked that since the game's story took place at the same time as 2011 Generations did.

Gerald's explanation for its, as well as that of Sunset Heights' existence in white space was that the Time Eater (or Black Doom?? Idk they don't really make it clear who's controlling what) was pulling from locations in Shadow's FUTURE as well as his past, so some locations that were present were for a future Shadow to experience instead.

Is it at all possible... that maybe we haven't seen that version of Shadow either? Is it possible that Shadow is among a cast who return to Starfall Islands in a Sonic game further into the future than what we know about?

I don't have much to back this, and I'm cool with that. It's just an interesting idea to think about.

The plot of Sonic Frontiers is fairly linear, but the primary story beats within the characters held a very clear message about change. Change, progression, and wanting to move on to become something more than what they believed themselves to be. Amy wants to explore the world and find more places to share her passion and love with others. Knuckles wants to push himself to leave Angel Island and have a life outside of his role as the Guardian of the Master Emerald. Tails wants to be more independent, and spend time honing his skills without Sonic to fall back on when he's in trouble. Sonic is notably excluded from this common desire to change, but they don't touch much on his reaction to this information and he's primarily there to spurr on their motivation anyways. I have my own feelings about Sonic himself in Frontiers, but it's not super important to go into here. Point is, the characters here are looking for growth. An opportunity to give to themselves room for change.

Shadow did much of the same in Shadow Generations, but Gerald's dialogue about his motivation in life being stagnant after he and Maria move on is a nod to the idea that Shadow is very much not done on the development front.

He's let go of his past, and has a drive to keep moving forward in honour of it.

Now what?

I'm not sure how, or when, or if it could happen, but I think it would be interesting for Shadow to find that same kind of time for introspection as (three of) the core 4 did on the Starfall Islands. Frontiers had that softer, more serious tone to it that Shadow's change in attitude would benefit from. His half of generations was able to match that tone, since he made most of the journey on his own. Anyone who interacted with him brought an atmosphere that fit the individual cutscene.

What kind of conclusion could he come to, given the time to think about it? Who would be at his side to help him voice his thoughts?

Does Shadow know what he wants in his life? If not to Maria, where will he look to find the answer to that question?

All of this speculation is mostly shot down by the fact that this game occurs that little bit too far back in the timeline for these things to line up, but I still wanted to consider it. Its interesting to think about, and I've been having fun trying to guess what Sega has in store for these little guys. Whatever comes next, I hope it's got the same love and care in it that went into Shadow Generations, because that way we know we'll be in for something good. Lmk what you think!