#but we're stopping here

[sophieswundergarten]

I'm still considering @bi-demon-ium's post about what would happen if Milligan adopted Kate before regaining his memory fully.

Because, imagine:

Milligan has been looking out for Kate and the other kids for a while, now, and he's very glad that they're finally off of this island safely. He loves all of them, of course, but he can't help but feel especially connected to Kate. Something about her just sticks out to him, either because he's had to save her from herself more than a few times or because of her spunk and attitude or maybe because she was the first child he felt like really looked him in the eyes and saw him since he'd started helping run the tests.

Either way, he feels a really strong connection to her, and after he escaped Curtain's men on the island, he began feeling twinges of memories returning. Throughout his time on the island, he kept experiencing odd sensations of déjà vu, but nothing concrete. A few of the agents that the team ended up rescuing from the Institute seemed to recognise him, and he could sporadically recall some of their names, so he became fairly certain that had been an agent at some point, but there wasn't much else getting clearer.

In the weeks after Curtain's defeat, Milligan began experiencing disorienting memory flashes which, while still not helping him piece anything together, gave him horrible migraines and would, on occasion, short out his awareness of where he was presently. These would always pass, but when they happened Kate was right behind him, helping him sit down and running to get him water (She eventually began keeping a bottle in her bucket when it became apparent this would keep happening), and she was consistently proven to be the best out of all of them to bring Milligan back to the present.

As the other kids began finding their way to their families, with Constance and Reynie being adopted, and Sticky's parents coming to find him, everyone began to settle into their lives. But Kate had yet to return to the circus.

"Oh, of course I love the circus, and I'd love to get back to them, but Milligan still needs me here. I can't leave him."

After this goes on for nearly a month, Mr. Benedict begins talking to Milligan about adopting Kate. He's been through it a few times now, after all, he'd be happy to show Milligan how to do all of the paperwork (And maybe make a few bribes in the right places, since Kate's technically a semi-unregistered wild child who ran away). It takes a bit longer for Milligan to broach the subject with Kate, but when he does, she just looks at him in surprise.

"Well," She begins, slowly, "I can see how that would be nice, for legal reasons and everything, of course, but I kind of thought that's what we were already doing? Just, without the paperwork."

Milligan has a hard time keeping himself from bursting into tears right then and there, but he sweeps her up into a huge hug and if a few tears slip out as his brain sighs with the correctness of holding her in his arms, and if Kate finally relaxes as if she feels he could protect her from anything in the world, well, that's between them.

Life slips into a routine for them, and though there were a few close calls with Milligan's memory flashes while he was doing things like cooking breakfast that led to Number Two pulling a few extra fire extinguishers out of the closet, and a couple of times that Kate would find him standing outside in the rain, staring at the puddles in the backyard with blank eyes and a slightly frustrated expression, as if there were some secret hidden in the muddy ground that he couldn't quite find, for the most part, things were going alright.

As Milligan slowly, very slowly, began to understand himself, he began to understand Kate, too. There were times she seemed too ready to jump up from a meal and help, too prepared to drop whatever she was holding and run to his side, like she was afraid of finding some terrible tragedy when she arrived. She offered to do the shopping one day when Number Two couldn't quite find the time, and though she came back with everything they needed (and a few things they didn't strictly need) with money from the budget she had been given somehow leftover, the sharp, frugal expression on her face when she counted over the food again as she started to put it away was far too serious for a twelve year old.

Milligan's heart broke for Kate every time he saw how growing up alone had affected her, even if she couldn't see it. Of course she couldn't see it; she was a child, she wasn't supposed to see it, she shouldn't need to. Every time he saw her expression harden as she tried not to cry, before she remembered she could now; every time he watched her freeze when a knock came at the door, subconsciously positioning herself in front of Constance and between the perceived threat and the boys, before she relaxed when she saw Milligan himself go to answer it, trusting him to protect them; every time he went looking for her and found her curled up in the vents, breathing shallowly and refusing to come out until he assured her they won't send her away, she doesn't have to run anymore, she's welcome and safe here, and then when she slowly unfurls and drops heavily into his arms, burrowing into his chest and sighing deeply as she breathes him in — All of those times and more, he feels a growing resentment and even a simmering hatred for whoever Kate's father is.

This man who found whatever else he had going on more important than protecting his daughter, as if anything could be more important than the child he wanted so desperately to hug, wanted nothing more than to protect and love, but had to watch as she shut herself away and steeled her body to be prepared to face any and everything all on her own. What Milligan wouldn't give to find this man, to hunt him down and shake him, to explain to him exactly how badly he'd messed up, and then leave him somewhere he could never come back from; somewhere he could never return from and hurt Kate again.

Sometimes she'd mention a task she had experience with, or a time she'd "lived off the land", or recounted her ability to perform a grownup's job just as well, with a sense of pride in her skills, and the adults in the room would exchange sorrowful glances over her head. The first time she said she'd never played on a proper playset, since she'd been too young when her dad had left, and the orphanage never had any safe equipment, Milligan sat straight up, and the next day they went to the nearest park and stayed there until dark, Kate spending hours on the swings as his strong arms pushed her higher and higher until she felt as free as when she was flying through the air on the trapeze.

One day, as the two of them were sitting at the kitchen table, eating a late breakfast since they'd been up half the night because Milligan took her stargazing, Kate offhandedly says, "You know, Milligan, I've never really minded that my dad left, but now, I think that I'm glad he did. Because otherwise I would never have met you."

Milligan stops dead as he's buttering his toast, trying very hard not to overreact and shatter this moment where Kate is humming contentedly and swinging her legs. Slowly, carefully, deliberately, he responds, "Well, I'm glad that I met you too, Katie-Cat."

[riacte]

not romantic not platonic but a secret third thing [what would happen between earth and the moon if the earth stopped spinning as illustrated by xkcd randall munroe]

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[sprnklersplashes]

shout out to leigh bardugo for creating a disabled character who can be described as "he doesn't let his disability stop him from achieving what he wants (threat)"

[mr-malumm]

Cringetober day 16: something youve been bullied for 💥

Im a 2014 onceler fan, its officially been 10 years and im not over him 🥰

[siffarooni]

grow back your sharpest teeth, you know my desire

[kirby-the-gorb]

[justpassingbyoursht]

I've seen some people say some character art downgraded from 1 to 2 and while i agree about some poses not being as dynamic and some of the art being unfinished (early access tho) and the colors not being as dope, and some of the gods feel different

but i wanna specifically ramble about Artemis best gurl for a bit

this is my girlie in Hades 1

I've been thinking about the differences from 1 to 2, and I think in here, she's presenting herself as the Goddess of Hunting.

she looks a bit menacing, she looks sharp, she looks like she just got here, the angle she's looking at you it's not very direct it's like she's measuring you from head-to-toe kinda way, she also has that greenish light which feels kinda like an aura. she's down to business!

and when we look at her in Hades 2

She looks confident still, and you can see her weapons just as clearly, but her pose, and her smile? she's like, laid back, she's not quite posing to create an impression, she doesn't have that greenish aura, she's there in the flesh, she's not really presenting as a goddess in particular... she looks more welcoming, a bit softer looking... she looks like she's just stopped for a chat, while in 1 it's like she's in the middle of something

and when you stop to think about it? she is. she is just chatting with her friend. Melinoe is her friend, she called her Sister.

We're much more closer to her as Melinoe than we were as Zagreus. bc while she does become friends with him in H1, she's more of a long distance friend. we were building our bond with her in H1.

But here? in H2? she's known Mel for years... she kept it a secret from other gods... she's got those accessories thingies with the 4 colors. not only are we close friends we even got a friend bracelet thing going on with her!! Melinoe is a precious friend to her from what i've seen so far.

Why would she pose and be a bit distant with her friend? we know Artemis is a bit closed off from people, she prefers being in the woods with the animals than other gods i recall her saying that to Zag, but Mel? Mel is a dear friend, she sounds much more casual from the get go with her than with Zag because we have a strong bond with her already

In Hades 1 we just got to know her, so she's more closed off, she is more business like, she is distant, she is The Goddess of Hunting

In Hades 2 she is our friend 💖

that. is the difference

[httpiastri]

hope we all know that this isn't just any paul aron who we're gonna see as the f1 reserve next year…

it's the paul who's been in love with racing ever since he was a baby, who wanted to race just so he could grow up to be like his brother. the paul who travels around to support his brother or his team even when he's got a weekend off.

it's the paul who finished third in his first-ever season of formula 3, who was in the fight for the title up until the last round (and would've had a much better chance if not for the team's mistake in spa).

it's the paul who fit so well into the mercedes profile, who expressed his gratitude to the team and their work whenever he could, who fought so hard to make them proud.

it's the paul who was always going to be put behind kimi in toto wolff's eyes, no matter how well he performed.

it's the paul who had to leave everything he had grown up with, his team of many years, his close friends and staff members, and move on. who had to let go of everything he knew from before and go alone.

it's the paul who went into his first full formula 2 season with hopes and dreams instead of expectations; who said he was there to learn and grow, and then he would see where that would take him.

it's the paul who failed to get into the top ten in qualifying for the first round of the 2024 season, but still managed a p5 in the sprint – and a podium in the feature, despite a time penalty, and got to celebrate in parc ferme with his brother and trainer.

it's the paul who, as a rookie, went onto the podium every round in the first seven rounds. who's been consistent like few others in a series (and team) known for its inconsistency.

it's the paul who never forgets to credit and thank his family, team and trainer, acknowledging that every success is thanks to a team effort – and that even if things don't go as well as planned, the team still did their best to help him out.

it's the paul who thanks to his determination and hard work managed to impress his f2 team principal, oliver oakes, so much that the latter thought "i need this guy on my team" when he became the alpine f1 principal.

it's the paul who fights every setback with an attitude of revenge instead of hopelessness; despite everything he's been through, he never gives up. he wants to prove everyone wrong.

it's the paul who turns every heartbreak – from mechanical failures to tactical missteps – into fuel for his fire. it's the paul who reminds us that success isn't a straight line; success is the product of unwavering determination and the courage to keep going.

it's a paul who's learned so much, grown so much stronger; who's been through so many hardships and said "you know what? i'm going to learn from this and come out stronger on the other side", and that's exactly what he did. i'm so proud to have gotten to follow him on this journey, and i can't wait to see where this next chapter of his life will lead him.

our paul aron. 💙

[apnourry]

it was hot at work, i was hot at work, i forget the rest

[fluentisonus]

[guinevereslancelot]

[egophiliac]

I was going to wait and poke at this a bit more, but the excitement of Upcoming Episode 7 took over. :') so here's one of my alt ideas for Silver's UM poster! this time with more Diasomnia-appropriate colors (that said, you can tear the pink fluffy clouds away from my cold dead hands)

I also recorded this one, for anyone who's interested in that kind of thing! it includes all my fuckups and changing my mind and spending forever adding details before deciding it looks better without, so, uhhh, enjoy my failures! (I kept trying to draw in his jacket details...it never worked...) also featuring lots of drawing on the wrong layer, forgetting how jackets work, and the black censor boxes of continually forgetting to turn off pop-up notifications. hope you like watching me draw birds!

here it is, combined and compressed down to about 10 minutes long (with a warning for flickering and flashing colors from sped-up zooming/layer changes): [ link ]

[its-kinda-snowy]

Sacrificial Lambs

[canisalbus]

Hello, I'm not sure if you're aware, but tumblr is going to start helping midjourney gather data for their AI. You're one of the artists I follow here pretty actively and I wanted to warn you to maybe start nighshading your art before posting it here so it doesn't get swept up!

I've seen a couple of posts about it. Feeling disappointed but not that surprised. Also not excited about having to start nightshading/glazing my pieces but if there isn't going to be any serious regulations regarding data scraping and ai "art", there aren't a lot of choices.

Thank you for taking the time to warn me just in case, it was very thoughtful of you!

[rejaytionships]

cannot believe i gotta say this but please don't follow me if you're comfortable selfshipping with canon racists. i don't care if you headcanon them as otherwise, because if their racism against a real group of people is a key facet of their character (much less incredibly important to the telling of the story that this character is a racist) then i do not wanna see it. this is not the safe space for you