#but very few of them are relevant to this situation

[falindankovsky]

Forewarning I’m so sorry this is so long!! Ended up rambling way more then expected 💔💔 anyhow Here’s the basic info/some other information about my patho insert Falin Dankosvky!! Including some art of him at the very end of this info dump lol

He’d be the fourth playable healer known as the psychologist but obviously you can’t give antidepressants to cure a plague so his fun thing is his blood can reanimate the dead so he can only bring back his bound after they’ve died but he has a very thin time limit due to decomposition and even then he needs to get a secondary form of medication to keep them alive after reanimation (and his bounds are known as the renaissance due to their focus on rebirth.) he’s also Daniil’s spouse and the reason he’s even in town to began with is implied to be so he can get some more money for thanatica

the reason why Falin is even in the town to even begin with that’s because Falin was hired by Saburov to do a psychological evaluation on Peter in order have him deemed fit to stand trial aka to have him executed for the murder though Falin comes on board in order to convince for a possible institutionalization instead of execution. However word got back to Andrey about this information and Falin is met at the train station by getting brained, That’s also how he gets introduced to his miracle of reanimation because he wakes up in his own grave. Neither Dankosvky knows the other is in town until they see eachother at the Stillwater day 2 (Falin stays in the rod for day ones night!!)

Some other information that’s relevant is his father was an inquisitor and had raised him to be one as a young girl (if you’re familiar with franziska von karma it’s similar to her situation.) he also starts his route being very scared of his miracle and confused that his ability to cure death was born of someone else’s wish/being overly polite to others due to being scared of push back however come day 5 to day 10 he gets his period leading his exhaustion meter to go down much further, his dialogue that was once filled with fearful kindness get more snappy and closer to his actual personality as he gets frustrated quicker and the hunger meter drops quicker/same with the exhaustion meter which makes bloodletting far more dangerous where he only gets one opportunity to screw up (pass out and wake up at the Stillwater.) before he just straight up dies.

He has ocd which it’s his main reason for wearing gloves (he has a compulsion involving tearing at his lips.) and he also gets stressed doing important tasks at uneven times of the day, also autistic as well which comes into play a few times such as him mentioning getting overwhelmed by the scent of Twyre and snapping at someone to shut up for making a overly loud noise too many times. His ideal animations would be smoking or finding him asleep at the Stillwater where he gets up to greet the player healer. His symbolic animal is a moth and his sense is touch (since the other healers have something similar felt it’d make sense if the psychologist feels!!) he comes into town with a handgun and a few bullets (the implication being his father taught him how to use it.) also his favorite animals are seals!!

As for his personal relationships the breakdown!! Daniil! They are married!! T4T husbands!! And they have some parallels to Nina and victor (mystic spouse and normal guy who’d do anything for them but there’s more to that parallel then just that!!.) both also have the attitude that’s it’s okay if they die so long as the other survives (and it’s implied Falin’s miracle came from Daniil’s wish to both protect him from death and cure death.)

Clara! They are siblings (dubbed the miracle siblings by me but in canon it’s a thing they’re called in a mocking manner.) but they met in the graveyard in the beginning of Falin’s route and Clara just drops that they are siblings before running off and he’s like yeah sure i believe that, he reassures her multiple times that he’ll always care about her no matter what her twin won’t change that fact. It’s also implied he lets both her and Clara’s twin sleep in his room at the Stillwater. Willow is one of his bounds and he also forms a sibling relationship with her and evens tries to help her get out of town in the bachelor and haruspex route but….that goes how you’d expect :( :( He has a friendly relationship with Aglaya due to them having a common link to the inquisition/they both have a shared past as one of blok’s exes. He’s friends or at least friendly with Lara as on day 9 of any healers route he has a breakdown at her house and she will flat out tell the player character to leave him alone. Him and Anna have a slightly friendly dynamic?? But it’s more pity on Falin’s end?? Though he wants to help her out in a genuine sense because he struggles with the same disorder as her. He’s also cool with stakh

As for his other more unfriendly relationships, he doesn’t have a good relationship with either twins as Andrey is constantly trying to murder him throughout his route (Daniil is unaware of this because I couldn’t figure out an exact reaction he’d have to that.) he also dislikes Andrey for how he treats Willow, as for Peter he just can’t stand his self victimization and thinks he needs to stop hiding behind his brothers protection and take responsibility for his actions. His hate for them is so strong that he destroys the polyhedron out of spite alone. He isn’t fond of Artemy openly having a distaste for him due to the Willow situation /however when it comes down to it he does act polite to Artemy and even asks him for help with the Andrey situation. He hates all the uptoians sans Eva he calls them “bratty aristocrats.” Also vlad Sr he wants him to explode genuinely wants that man dead

Okay end of text dump I am so sorry for all that text my dear mutual 😭😭 didn’t expect to get so carried away but here’s the promised art at the end I got this commissioned by stozkpile on here!! Absolutely adore this art so much <3 <3 also love this art done by my mutual spinecutter as well!! One of my all time favorite Falin’s arts

i'm in my oc era rn and i want to hear about everyone's ocs, including oc-canon interactions! if you have

an oc/canon ship

a fankid

a fansibling

an oc who hates a canon character

any other oc-canon interaction

for bloodborne, pathologic, or silent hill. please tell me all about them i'm very curious!

[dashiellqvverty]

are people like. aware that all the ships from kids cartoons currently winning in the femslash polls are like. canon as well as very central to their shows?? you don’t have to like cartoons to each their own but SOMETIMES the way people talk about them im like oh so you know nothing about these shows. i am saying this as someone who dislikes both lum.ity and c.honi (for very different reasons) like i have no stake in who wins that poll.

i am just like you know luz is Thee main character right?? you know catradora was the whole plot of the show right??? no they’re not good because they’re representation that alone is not enough to make something a good ship (see: lumi/ty but also ch/oni) they’re good because they’re like. interesting and fleshed out characters. catradora and lu/mity and korrasami and bubbline aren’t showing up in the top 100 because they’re frequent side pairings in m/m fics like none of those fandoms have m/m ships that even compare in popularity. like not that this isn’t a larger problem of femslash ships (and like the preference for sanitized couples Is A Thing as well 100%) but like that is not what’s happening Here

[crossgartered]

LMAO WE KNOW, BREQ

[curlicuecal]

playing science telephone

Hi folks. Let's play a fun game today called "unravelling bad science communication back to its source."

Journey with me.

Saw a comment going around on a tumblr thread that "sometimes the life expectancy of autism is cited in the 30s"

That number seemed..... strange. The commenter DID go on to say that that was "situational on people being awful and not… anything autism actually does", but you know what? Still a strange number. I feel compelled to fact check.

Quick Google "autism life expectancy" pulls up quite a few websites bandying around the number 39. Which is ~technically~ within the 30s, but already higher than the tumblr factoid would suggest. But, guess what. This number still sounds strange to me.

Most of the websites presenting this factoid present themselves as official autism resources and organizations (for parents, etc), and most of them vaguely wave towards "studies."

Ex: "Above And Beyond Therapy" has a whole article on "Does Autism Affect Life Expectancy" and states:

The link implies that it will take you to the "research studies" being referenced, but it in fact takes you to another random autism resource group called.... Songbird Care?

And on that website we find the factoid again:

Ooh, look. Now they've added the word "some". The average lifespan for SOME autistic people. Which the next group erased from the fact. The message shifts further.

And we have slightly more information about the study! (Which has also shifted from "studies" to a singular "study"). And we have another link!

Wonderfully, this link actually takes us to the actual peer-reviewed 2020 study being discussed. [x]

And here, just by reading the abstract, we find the most important information of all.

This study followed a cohort of adolescent and adult autistic people across a 20 year time period. Within that time period, 6.4% of the cohort died. Within that 6.4%, the average age of death was 39 years.

So this number is VERY MUCH not the average age of death for autistic people, or even the average age of death for the cohort of autistic people in that study. It is the average age of death IF you died young and within the 20 year period of the study (n=26), and also we don't even know the average starting age of participants without digging into earlier papers, except that it was 10 or older. (If you're curious, the researchers in the study suggested reduced self-sufficiency to be among the biggest risk factors for the early mortality group.)

But the number in the study has been removed from it's context, gradually modified and spread around the web, and modified some more, until it is pretty much a nonsense number that everyone is citing from everyone else.

There ARE two other numbers that pop up semi-frequently:

One cites the life expectancy at 58. I will leave finding the context for that number as an exercise for the audience, since none of the places I saw it gave a direct citation for where they were getting it.

And then, probably the best and most relevant number floating around out there (and the least frequently cited) draws from a 2023 study of over 17,000 UK people with an autism diagnosis, across 30 years. [x] This study estimated life expectancies between 70 and 77 years, varying with sex and presence/absence of a learning disability. (As compared to the UK 80-83 average for the population as a whole.)

This is a set of numbers that makes way more sense and is backed by way better data, but isn't quite as snappy a soundbite to pass around the internet. I'm gonna pass it around anyway, because I feel bad about how many scared internet people I stumbled across while doing this search.

People on quora like "I'm autistic, can I live past 38"-- honey, YES. omg.

---

tl;dr, when someone gives you a number out of context, consider that the context is probably important

also, make an amateur fact checker's life easier and CITE YOUR SOURCES

[arolesbianism]

If I had the freedom of not knowing there is going to be future new lore stuff added to oni I would do unspeakable things to so many of these guys. Or Id just make them normal guys who just sorta exist. Either or.

[flimsy-roost]

I realized the other day that the reason I didn't watch much TV as a teenager (and why I'm only now catching up on late aughts/early teens media that I missed), is because I literally didn't understand how to use our TV. My parents got a new system, and it had three remotes with a Venn diagram of functions. If someone left the TV on an unfamiliar mode, I didn't know how to get back to where I wanted to be, so I just stopped watching TV on my own altogether.

I explained all this to my therapist, because I didn't know if this was more related to my then-unnoticed autism, or to my relationship with my parents at the time (we had issues less/unrelated to neurodivergency). She told me something interesting.

In children's autism assessments, a common test is to give them a straightforward task that they cannot reasonably perform, like opening an overtight jar. The "real" test is to see, when they realize that they cannot do it on their own, if they approach a caregiver for help. Children that do not seek help are more likely to be autistic than those that do.

This aligns with the compulsory independence I've noticed to be common in autistic adults, particularly articulated by those with lower support needs and/or who were evaluated later in life. It just genuinely does not occur to us to ask for help, to the point that we abandon many tasks that we could easily perform with minor assistance. I had assumed it was due to a shared common social trauma (ie bad experiences with asking for help in the past), but the fact that this trait is a childhood test metric hints at something deeper.

My therapist told me that the extremely pathologizing main theory is that this has something to do with theory of mind, that is doesn't occur to us that other people may have skills that we do not. I can't speak for my early childhood self, or for all autistic people, but I don't buy this. Even if I'm aware that someone else has knowledge that I do not (as with my parents understanding of our TV), asking for help still doesn't present itself as an option. Why?

My best guess, using only myself as a model, is due to the static wall of a communication barrier. I struggle a lot to make myself understood, to articulate the thing in my brain well enough that it will appear identically (or at least close enough) in somebody else's brain. I need to be actively aware of myself and my audience. I need to know the correct words, the correct sentence structure, and a close-enough tone, cadence, and body language. I need draft scripts to react to possible responses, because if I get caught too off guard, I may need several minutes to construct an appropriate response. In simple day-to-day interactions, I can get by okay. In a few very specific situations, I can excel. When given the opportunity, I can write more clearly than I am ever capable of speaking.

When I'm in a situation where I need help, I don't have many of my components of communication. I don't always know what my audience knows. I don't have sufficient vocabulary to explain what I need. I don't know what information is relevant to convey, and the order in which I should convey it. I don't often understand the degree of help I need, so I can come across inappropriately urgent or overly relaxed. I have no ability to preplan scripts because I don't even know the basic plot of the situation.

I can stumble though with one or two deficiencies, but if I'm missing too much, me and the potential helper become mutually unintelligible. I have learned the limits of what I can expect from myself, and it is conceptualized as a real and physical barrier. I am not a runner, so running a 5k tomorrow does not present itself as an option to me. In the same way, if I have subconscious knowledge that an interaction is beyond my capability, it does not present itself as an option to me. It's the minimum communication requirements that prevent me from asking for help, not anything to do with the concept of help itself.

Maybe. This is the theory of one person. I'm curious if anyone else vibes with this at all.

[innerfare]

You’re Jealous

 Summary: You get jealous of someone else in his life.

Characters: Luffy, Zoro, Sanji, Ace, Sabo, Law, and Kid

Genre: Slight Angst // Fluff

CW: None // SFW

——— 

Luffy:

He never told you Boa Hancock was in love with him, and when you find out, you have to remove yourself from the situation before you have an emotional outburst and start something with the Pirate Empress. The problem is, you don’t even know which emotion will spill out of you. Finding out the world’s most beautiful woman, and a powerful Warlord, no less, is desperate to marry Luffy is a whirlwind, to say the least. Luffy can seem clueless at times, but his emotional intelligence is through the roof, and he picks up on what has you upset almost straight away. He knows to give you some space, and when he senses you’re ready, he approaches you with a handful of wildflowers he picked. He doesn’t really say much, just pulls you into a hug, presses a few kisses into your cheek and temple, and says in your ear, “you’re my girl.” 

Zoro:

He didn’t mention Perona was also at Mihawk’s castle for those two years until a few months after the crew gets together. He tells a story that features her, and you realize there was a woman keeping him company. Your heart drops into your stomach. Zoro insists he didn’t mention her because he didn’t think she was relevant; the only thing Perona did those two years was annoy him. He’s actually the one who won’t let it go, not you (even though you are pretty jealous). Whereas you’d prefer not to talk about it, Zoro is wracked with guilt because he’d never considered the whole thing in a relationship context. Him fretting constantly over it actually heals your jealousy because you realize you’ve never seen him panic over the prospect of hurting anyone else’s feelings. 

Sanji:

Even with a third eye, Pudding is stunning. And Sanji almost married her. It was before you two were together, but listening to the stories from Whole Cake, hearing how close he came to marrying another woman, knowing she really did fall in love with his kind heart and wonderful cooking, turns you into a little green monster. You know you shouldn’t feel jealous of a woman you’ve never met before, a woman Sanji chose not to marry, but you can’t help it. Sanji is completely shocked that you would feel jealous over his relationship (if it could even be called that) with Pudding, though after thinking about it some more, he does realize why you might be jealous that he had a fiancé. His solution is to bring you a bouquet of roses and walk you through the dark details of his life, telling you things he’s never outright told anyone, so you understand the special place you have in his life. 

Ace:

He collects people without trying, and often times, without realizing, either. Ace thinks he’s just making friends, but you see the way the women he laughs and shares drinks with are drawn to him like plants to the sun. He promises them freedom and adventure (and he has a very nice laugh), and you can see how it excites them. You don’t really mind it, knowing Ace well enough to see the way he holds those women at arm’s length, even if he seems close with them (such is the magic of Fire First Ace). But Yamato makes you jealous. It’s not hearing the way they laughed together but hearing the way they fought that gets to you. You know how Ace lives to fight and even just roughhouse, you know how he’s a rough and tumble guy, and you worry you’re not tough enough. Should you be punching his arm when he makes a joke? Should you be trying to trip him out on deck? What should you be doing? When you finally come clean with Ace about what’s been bothering you, he actually laughs. “If I wanted to be with someone who gives me hell, I’d be sleeping in Marco’s cabin every night. Besides,” he says, scooping you up in his arms, “I like being able to manhandle you.” 

Sabo:

Sabo is a flirt, and you knew that going into your relationship. It actually doesn’t bother you when he flashes that charming smile of his at someone else or swoops in to save a damsel in distress (a speciality of his) and even serves to entertain, especially on the rare occasions his flirtations are rebuked. What does bother you, though, is his tight relationship with Koala. You know it’s ridiculous to be envious, you know Koala would sooner saw off her arm than kiss the man she considers her irksome big brother, but they’ve known each other since they were little kids, and Koala has been through so much with Sabo that the pair have such a close bond. It’s not the angry kind of jealousy that bubbles up in you when Koala mentions something about Sabo’s past that she assumes you know but you don’t, just the sad kind that you try to keep to yourself. Surprisingly, Sabo notices, though you don’t realize until he hugs you from behind and mumbles in your ear that he’s glad you’re the only one who knows he has a skincare routine, his silly words diffusing your mood and acting as the exact affirmation you needed. If it’s not enough, though, he’ll happily prove his loyalty to you by challenging Koala to a karate match, though.  

Law:

Dr. Law and Dr. Robin sure do get along well- so well, in fact, you can’t help but wonder if they are better suited to each other than you and him. Even if they didn’t have such good chemistry, it would be impossible not to feel a touch of jealousy toward the archeologist. She’s intelligent, beautiful, fiercely loyal, a member of the Straw Hats, and has an impressive bounty that she earned even before she became a pirate. Needless to say, you find yourself brooding when the Robin brings him a beer and sits down beside him to discuss the immune systems of fishmen, a topic both are rather interested in. Of course, you’re interested in that, too, thus the reason Law realizes something is wrong when you don’t participate in the conversation. He ends up excusing the two of you and taking you to bed, worrying you had too much to drink, the thought you may be jealous never once occurring to him. You end up not saying anything (many thing in your relationship with Law being unspoken) and just sleeping it off, the fact that he excused the two of you proof enough of his loyalty. 

Kid:

He doesn’t ever talk about his first love, Victoria. In fact, you didn’t even know she existed until Killer got drunk one night and began speaking of his dearly departed. What he didn’t mention was that Kid, too, had been in love with her. It only comes up the next night when you mention it to Wire, who mentions it was the death of his first love, Victoria, that put Kid on the war path and united the first four members of the Kid Pirates. Realizing Wire messed up, Heat chimes in to say, “he’d do the same for you.” But you’re not convinced, mainly because Kid never told you any of this. It tears you apart, leaves you tossing and turning for nights on end, until you finally burst into Kid’s workshop one night ranting about how he doesn’t trust you and holds you at arm’s length. “Heat says you’d do the same for me, but-” Kid cuts you off and says, “I wouldn’t do the same, I’d do worse. Much, much worse.” And from the wicked gleam in his eye, you’re inclined to believe him. 

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[siarven]

do you have a insta?

hi! :D thank you so much for asking! I do, though I am ..... kinda very inactive on it kdjd but you can find me as @/siarvenart on there :)

Unfortunately the algorithm has made finding the motivation to upload stuff really hard recently, esp now that insta is trying to become tiktok, so I am not very active on it right now. Trying to change that, but we'll see if that works out for me x'D

[whetstonefires]

One thing I don't think I've ever seen talked about is how post-apocalypse ideation is largely about homelessness.

Homelessness looms large in the American consciousness. Like, not that it's irrelevant elsewhere, but it's got a particular cultural place in the US that's reflected in Hollywood, and therefore relevant because what makes it into film and TV sets the terms of so many conversations.

We don't acknowledge it if we can help it, but I think most people know they're never more than a few very bad months from winding up there.

Even people who are sure it only happens to people who deserve it, who fuck up and put one foot in the morass of their own foolish volition. Even they know the quicksand is there, waiting to be walked into, and that the odds are stacked against ever climbing out on your own once you have. And that they, too, are capable of fucking up. Of trusting the wrong person. Of getting cancer incorrectly.

And those of us who know damn well we can't be sure we're safe even if we do everything right, we know it even better.

And in that sense it doesn't matter what the world would realistically look like after X kind of apocalypse, what people would do, how society would adapt. Because the anxiety that's being processed is about the reality that's in existence now.

About what if my world ends. And I lose access to the fruits of developed society, to clean clothes and new glasses and running water, to a safe place to sleep where I don't expect to be killed or robbed, or driven out by men with guns and dogs. To my home and work and family and everything I usually use to tell me who I am.

What if every man's hand is against me, and every meal is a small victory, and there's only my own dwindling strength between me and the long night?

Will I make it? Will I hold up under the strain? Will I retain my dignity? Will I be lucky? Will I be able to protect the people I love, in that world, the world where no one is protecting us anymore?

Is there a way to continue to live as a human person, when you're denied the prerogatives of one, and don't know if you'll ever get them back?

Putting this anxiety into the context of a massive apocalypse divorces this scenario from the burden of shame tied up in the idea of winding up in that sort of situation in the normal course of events, by having society vanish rather than expel you, personally, as a washout, and continue on around you.

It also allows you to rule out a priori the question of what resources might be offered but can't in an anticipatory context be counted on; shelters and programs and housed friends and family who may or may not help. And narrow the narrative to only the question of what you can survive, and often a fairy tale about surviving all of it and starting over.

Rehearsing for a loss in a mythologized format is a very normal anxiety processing behavior, and I think a lot of apocalypse scenario building is attached to the buried dread of that personal apocalypse. But I haven't seen that one make the list.

[come-on-eat-your-own-pants]

Headcanon to make the timeline work:

The kid Caryn is holding isn't Shermie Pines, it's his son

Okay so think about it. Alex himself has said that though this baby was somewhat intended to be Shermie, it would make no sense time-wise as both he and his son would have to be fifteen or sixteen when they would become a father to get Dipper and Mabel to be the correct age.

Consider. For this theory Shermie is a few years older than Stan and Ford, which would make him about twenty to twenty-two years old when Stan gets kicked to the curb. College age. So let's say he got a little wild in college (or wherever else he is -- perhaps working his first job?) and gets some poor girl knocked up. Of course this is the seventies -- birth control and abortion are a thing, but they aren't as safe, successful and easily accessible as they are now -- so they end up keeping the baby. And Caryn, like any grandmother (source: my mother, who puts up a fight if she gets my brother's kids less than one day/night a week), occasionally looks after the kid so her son can focus on his education (or job). The kid grows up and is about thirty when Dipper and Mabel are born, which is not a very strange age to become a father in the 90s.

I mean, I suppose Shermie could be even older, meaning Caryn would be looking after the kid purely out of grandmotherly love or convenience and not necessarily to give her young parent of a son a break, but it makes more sense to me to have him be college age when he becomes a dad, for mostly one reason: Filbrick. Filbrick Pines explicitly calls Ford their "ticket out of here," which to me reads as Ford being the only son he's really actually proud of, or at least the only son he sees as being actually useful. Perhaps Shermie wasn't as much of a screw-up as Stan, but he also isn't someone Filbrick flaunts. Knocking up a girl would fit that, especially if he had to drop out of college because of it, or something like that.

An argument against this theory could be the absence of Shermie in Stan and Ford's childhood. But honestly: my oldest brother (five years older than me) wasn't that present in my childhood as well. I mean, sure, we did a lot of things together and in a way we were quite close, but we hardly ever played together other than things we did as a family, and he moved out before I even got my first period. This would actually work even better with Shermie being more than a few years older than the Stan twins, because the bigger the age gap, the less interaction there would be.

And of course Stan and Ford are twins, so it would make sense for most of their memories to be of the two of them together. They wouldn't need their older brother so much if they had each other.

Then there is the principal of their high school mentioning to Filbrick and Caryn that they have two sons, which I've seen as an argument for saying that Shermie wasn't born yet at the time (which wouldn't work in any way really because the West Coast Tech admissions team visits the next day, at the end of which this shot of Caryn with the baby is taken, and neither looks like there's been a birth in between the talk with the principal and Stanley getting kicked out). Far more likely to me is that the principal simply didn't know or care about the Stan twins' exact home situation. I mean, it's high school, how relevant is the exact amount of children in a household to a principal? He only has to deal with two, so he only mentions two.

Like, yeah, I know this theory isn't perfect, but the timeline also doesn't really make sense with having the baby be Shermie. I suddenly got this idea, and it works for me, so yeah

[useless-catalanfacts]

I have added English subtitles to this video posted by Helena Sotoca on Instagram. She's from Madrid (Spain) but has been living in Catalonia for 7 years. As she explained in another video, she didn't learn any Catalan the first 3 years she lived here, but then realised how she was imposing Spanish on her group of Catalan friends and how important it was for her friends to keep their language, so she learned it. She is very happy about this decision which has allowed her to integrate more in Catalan society and culture.

In this video, she gives her personal opinion on why languages are not only "a way to understand each other". This sentence is something that we speakers of discriminated languages have to hear all the time (in fact, I was reminded of this video a few days ago because @beautiful-basque-country got that comment). Many times, they'll say: "why are you so annoying about wanting to be able to speak your language? A language is only a tool to understand each other, so if you speak both [the local language and the imperial language], why not just always speak [the imperial language]?".

This mindset is what leads to language extermination. First of all, because it assumes that our languages are less worthy of existence and thus that the language's community is less worthy of existence. If I stop speaking my language, I stop being a part of me. If all my culture stops speaking our language, we stop existing. Language is deeply tied to culture, it's through language that we think and transmit our worldview, and there are many aspects of our culture and our landscape that we can only describe in our language, because only we have the specific words to describe it or because the translation loses nuance, context, and connotations. Remove language, and the rest of the culture will soon follow.

Secondly, it erases the reason why we speak the state's language, which is usually because of imposition through violence, and justifies this imposition because the imperial violence of the past that made the imperial language more widely spoken is now the reason why speakers of the imperial language deserve more rights than those who suffered the imposition.

But besides these more social reasons, I like how Helena explains her personal relation to the language in this video. She also shows us one of the reasons why it's so important to promote discriminated languages to be used in public (and not only hidden at home): when you meet someone speaking a language, you form a bond with them in that language and it can be difficult to change. Speakers of minoritized languages often meet each other in contexts in which they're socially pressured to speak the state's language, and so we find the situation where a group of friends who are all native speakers of the minoritized language will form a bond in the state's language. Thus, slowly, because of the state's language imposition in the public sphere (this is what the "speak the state language if there's even 1 person who might not speak the local language! Languages are only a tool for communication!" mindset pushes us to), the local language gets pushed aside more and more, until we can't have a normal life in it and the state's language imposition becomes absolute, and the local language dies, taking with it its culture, history, and connection to the land and ancestors.

With some work, it can be reversed. I've explained this before but I'll say it again because it's relevant. My parents met in Spanish, because they met in high school and back then speaking Catalan in schools was strictly forbidden and punished. They were speaking in Spanish even when they started dating, but they realised how absurd it was that two native Catalan speakers spoke Spanish to each other and how it was a result of Francoist policy. They decided they don't want Francoism to infiltrate our personal lives, so they made the effort and switched. Maintaining the language of their surroundings, their culture, their land, they became even closer. And, thanks to their decision, when I was born I had the luck of being a native speaker of the language too, because it's what we've always spoken at home. But they did it because they had a political antifascist conscience, many people don't think much about it and just go with what is easier. If they had done that, the language would have lost them and also me. Multiply this for how many people meet each other in settings where social pressure or social rules promote speaking the imperial language instead of the local one that is closer to their hearts.

So no, a language is not only a tool to understand each other. It's also what allows us to speak according to our own understanding of the world (instead of assimilating into another's worldview), it gives meaning to our surroundings (both nature, the names we give to places, etc), every word is an unbroken chain with all of those who came before us, it allows us to understand our ancestors whether that be through their writing or songs they passed down or legends, it's an integral part of the human relations we establish, and so much more. Every language is worth everything. Every language has the right to exist and to thrive.

[schtrawberry]

[3] personal astrology observations

[!] this is mostly an introspective view into my chart; in no way, shape, or form am i saying that any of this is fact or set in stone, nor am i saying that i am a professional astrologer. these are just presences that exist within my chart that i've felt manifest themselves in real life. simply put, take what resonates and leave what doesn't :)

— the observation that venus in the 9th house and sagittarius mars natives are far more likely to be attracted to foreigners and/or meet their future partner/s in a foreign country is true!

[nothing, just felt like confirming, esp as someone w both these placements 🤭 like, i honestly am more likely to be approached (in a romantic setting) by a foreigner both in-person and online!]

═ sun square neptune is the aspect of daydreamers. they're always thinking about an idealized version of the future or dwelling on the past. rarely do they ever think in the present. it is often easier for them to drift off into a daze either thinking about what could have been or everything that could be.

☰ chiron in fifth house indicates pain associated with creative passions and self-expression. one may have had negative experiences that have led them to feel insecure about these aspects of life; thus leading them to distance themselves from openly expressing themselves creatively. they may take great care to keep their works of art private, tone down certain parts of their personality, and may even feel ashamed to explain themselves when others ask them about certain aspects of their creative and self-expression because of negative feedback they could have gotten in the past.

but with such pain comes empathy and understanding. once developed, these natives are the first to take notice and are the fastest to lend a sensitive ear as well as a supportive hand as soon as they see others going through the same struggle.

☱ sun-lilith in harsh aspects might have been told to cover up more by both peers and grown-ups, even when wearing "acceptable" clothing when they were kids. this placement can indicate an individual that was more sexualized from a young age, which can lead to them either being hypersexual or overly-reserved sexually in adulthood.

☲ lilith in the seventh house can indicate an individual that struggles to commit and open up about who they are to their partner/s. people with lilith in this house may have had bad experiences with marriage (perhaps witnessing bad divorces or tumultuous long-term relationships between their parents) and therefore might be turned off by the thought of marriage and/or long-term partnerships.

and though this doesn't mean that the native will be a lone soul forever, it does make one more likely to have these sort of relationships at a significantly older age in comparison to other signs.

[tw: mention of domestic violence in my personal experience, i have witnessed my parents go through an incredibly bad separation (tons of emotional abuse, infidelity, and a situation actually involving domestic violence) which has honestly made me quite hesitant to get married, even as i approach my mid-20s.]

☴ the cancer rising urge to cry when someone you care about is crying or in distress in general.

☳ a few asteroid notes:

note: asteroids are less impactful to one's personality, physicality, etc. compared to personal planets. they tend to only be relevant to one's chart if they are either in a tight orb (0-1°) or have major aspects to personal planets, preferably conjunctions or oppositions.

✢ messalina (545) known as the most promiscuous woman in rome, empress messalina is still recognized today as a symbol of uncontrolled, violent, irrational, and impulsive behavior. this asteroid reminds me very much of lilith in that it is representative of dark feminine energy and having this prominent in one's chart can be indicative of an individual that is not afraid to use their sexuality to their advantage or to create harm unto others in different aspects of their lives, but especially in terms of romantic and sexual relationships.

✢ anagolay (3757) is an potentially hazardous asteroid named after anagolay, the tagalog goddess of lost things and the daughter of the hermaphroditic goddess of seasons, lakapati. she is culturally-recognized for her ability to find not only physical objects but also abstract possessions like lost opportunities and faded memories. having this prominent in one's chart can suggest an individual that is very in-tune with cycle of nature and the subsequent passage of time. they may be more sensitive to bouts of nostalgia where they dwell on things that could have been and the way that things were. may also just indicate a person that is hypersensitive to losing physical things, though.

[`] film: go (2001) dir. isao yukisada

last / next

[ramblings-of-a-chaotic-neutral]

Alright, time for another Merlin au! This one won the last poll, marked as "an au featuring Arthur being an idiot"!

In this au, set sometime in the three years between season 4 and season 5, Arthur, Merlin, and the knights of the round table get ambushed by a large pack of ferocious wyverns while on a quest. This time, Merlin couldn't be subtle about using his dragonlord commands to pacify them, and that was the only way to ensure that they would all make it out alive. So, Merlin uses dragonlord commands to make the wyverns leave and, in the process, reveals that's he's a dragonlord. However, he at least managed to keep his magic a secret through the ordeal, so he's got that going for him.

Arthur is, of course, rather upset about Merlin keeping this secret from him, and is even more upset when he learned that Balinor was Merlin's father and guilty that he didn't support his friend through mourning his father as Merlin had for him. However, Arthur can also keep things in perspective. After all, dragonlord powers weren't actual sorcery, apparently it was a magic-adjacent gift that Merlin had inherited at the moment of his father's death, whether he wanted to or not. Besides, it wasn't like Merlin chose to have the ability, so Arthur couldn't really hold the ability itself against Merlin.

And anyways, Arthur mused to himself at their camp after Merlin came clean to the knights the night after the the wyvern attack, it wasn't like there were any dragons left. The only thing Merlin could do was command wyverns. While that could perhaps make him a threat if he wasn't the most harmless person Arthur knew, they didn't even encounter wyverns that often.

So, Arthur was willing to just let this be a useful little trick that Merlin could use on the off chance that they ran into wyverns. Still, the image that the whole situation gave Arthur, an image of Merlin being a formidable, powerful dragonlord with devastating dragons under his command, was rather amusing.

So, as Arthur settled in for the night after hearing the last of Merlin's explanation, this wasn't going to be a big deal. Sure, he was still hurt that Merlin kept this a secret from him, but Arthur could understand why. Uther had killed all of the other dragonlords, so it made sense that Merlin felt unsafe with his father still on the throne, and since they didn't run across wyverns often, there was a very real chance that Merlin just forgot about his ability entirely until it was relevant again. That was a very Merlin thing to do.

So, everything was fine. Everyone with them looked comfortable with Merlin, and he knew that they would keep this a secret for Merlin's sake. If word of Merlin's dragonlord abilities got out, Arthur could always publicly grant him a pardon. After all, it wasn't like he had ever hurt anybody with it. The only thing he seemed to do with it was send wyverns away.

Arthur quietly snorted to himself at the thought. Oh no, the terrible powers of Merlin the dragonlord, telling some wyverns to shoo.

Arthur relaxed into his bedroll, listening to the knights settling in to sleep and their fire crackling a few feet away. The quiet noises were peaceful, but were broken a few minutes later by Leons seemingly innocuous question.

"Merlin, if you were already a dragonlord when we rode out to face the great dragon, did you do anything with your powers? I assume you're the reason Arthur made it out alive through the whole ordeal."

Merlin froze where he was sitting, a myriad of emotions passing through his face before his expression settled on a grimace. Arthur sat up, interested in hearing Merlin's answer. What truly happened that night with the dragon? In the comfort of his own mind, Arthur admitted that Merlin's explanation of Arthur slaying it was... unlikely, at best, considering that Arthur was unconscious at the time.

"Well, you'd be correct Leon. It took me a while to figure out how to use dragonlord commands, since I never got any instruction on how I was supposed to command Kil- the great dragon. I'm truly sorry that I wasn't quick enough to save the other knights."

Merlin hung his head low, with what looked like shame. Arthur frowned at his manservant. Surely Merlin couldn't hold himself responsible for their deaths? Every knight had similar guilt, telling themselves at night that they should've been faster, should've been better, should've been more aware, then maybe some of their friends would still be with them.

Every knight learned the same lesson: those thoughts were the path to madness. It was disheartening to see that misplaced guilt on Merlin as well.

Luckily, before Arthur had to try to articulate that, Leon seemed to have similar thoughts, and spoke to Merlin with a soft, reassuring smile.

"Merlin, they volunteered for that mission, and they knew the risks. You are not to blame for the dragon's actions. Now please, tell us, how was the dragon actually defeated?"

Merlin nodded at Leon's words, but the guilt remained on his face.

"I, uh, was able to find my dragonlord voice after Arthur was knocked from his horse. He hadn't managed to hit the dragon, and he was about to kill Arthur, but I couldn't let that happen."

Merlin glanced over at Arthur, who was valiantly trying to ignore the warm fuzzy feelings blooming in his chest at the thought of Merlin slaying a dragon single-handedly just to protect him. He wasn't some maiden in a children's tale!

"But, when I gave the order to the dragon to stop attacking, I- I couldn't-"

Merlin swallowed thickly before continuing.

"I couldn't kill him. He was the last dragon, the last of my kin. So, I ordered him to leave. I banished him from Camelot and forbade him from ever harming another human again."

This time, Arthur froze where he was sitting, and he could see that the knights were in similarly tense states. Poor Leon turned a rather disturbing shade of pale.

Finally, Arthur spoke up with a forced calm tone, the type that was only a thin veneer to panic.

"Merlin, you don't mean to tell me that the dragon is still alive? And it could return to Camelot to finish what it started?"

Merlin looked at Arthur and tried to reassure him, but Arthur could barely comprehend Merlin's words through his rising panic.

"Well, yes, he's still alive, but dragons physically cannot disobey orders given by their dragonlord. He cannot return to Camelot at all, unless I call for him."

Merlin tried to give him a comforting smile, but Arthur wasn't sure he could feel any sort of comfort at the moment. He locked eyes with Leon, who wasn't faring much better with his own panic. Dear gods, that monster was still out there! They had all been living under a false sense of security! And all the while, Merlin was smiling at him like there was nothing wrong at all!

Arthur took a deep breath and tried to think through the haze of his panic. Right, Merlin hadn't killed the dragon. That made sense, since Merlin hated killing anything at all, much less the most dangerous monster on the planet. Right. But, according to Merlin, the dragon physically couldn't enter Camelot or hurt any humans.

Information, what Arthur needed was more information. If he had more information, he could come up with a strategy to keep Camelot safe from the dragon indefinitely. Merin's orders had worked for now, but there was no guarantee that those would work forever.

Forever... wait a minute...

"Merlin," Arthur called out frantically, fueled by an awful thought. "How long does a dragonlord's order bind a dragon?" Please say forever, please say forever...

Merlin's eyebrows shot up, apparently not expecting Arthur to ask such a question.

"Well, any dragonlord's order is fully binding to a dragon up until the original dragonlord rescinds the order or the dragonlord dies, whichever comes first."

Arthur felt panic's icy fingers wrap around his heart. Arthur despised even thinking about any hypothetical death of Merlin's, couldn't fathom an empty life as the king without his friend, but this, this information put a whole new layer of dread onto the though, which Arthur previously thought wasn't even possible. He could see the other knights catching onto his logic as well, while Merlin still sat on his log, looking at all of them confusedly.

If Merlin somehow died, then his banishment on the dragon was lifted. And if that happened, there would be no dragonlord left to stop it from reducing all of Camelot to ash. If Merlin died, then Camelot was doomed.

This new knowledge sat heavy in Arthur's gut, putting him on edge. Balinor had been killed from a bandit's crossbow bolt, something that Merlin faced regularly while following Arthur around. All it would take was one lucky shot on a bandit's part, and all of Camelot would die.

One bandit attack gone wrong, one assassin from Morgana, one accident on the training field, one illness contracted from a patient, and all of Camelot would go up in smoke.

Wait... dragons lived for thousands of years... and Merlin would, if Arthur had his way, live for at least a hundred years, but everyone died eventually. The dragon would surely outlive Merlin, and then the only way that Camelot would still stand was if there was another dragonlord! But Merlin was the only one left, and it was passed down from...

from father to son.

Arthur choked on air as he realized it. Good god, what had his life come to?!

If Camelot was going to survive, Merlin needed to have a son, and have one quickly. For the continued survival of Camelot to be ensured, Merlin needed to find a wife and get laid.

Arthur wanted to start laughing hysterically. The fate of his kingdom rested upon Merlin's ability to sire a child.

Arthur stared at Merlin as the other man tried not to squirm under the shocked gazes of all the knights. Ok, he could do this, his kingdom would be safe from the dragon, he just needed a plan.

First, they needed to get Merlin back to Camelot, where he would be safe and away from murderous bandits. That part was easy enough, they were already heading back to the kingdom anyways. The knights had estimated that it would have taken them another three days to reach Camelot, but with all of the knights sharing Arthur panic around Merlin's safety, for both the sake of their friend himself and the kingdom, they were able to make it back in only two days.

For those two days, Merlin seemed more confused by their frantic and panicked behavior than anything else. His shocked and embarrassed face when Percival had helped him on and off his horse - "so he doesn't fall and get hurt", the gentle giant had rationalized - had been very amusing. All the while, Arthur planned out what they would do when they returned and repeatedly reassured Merlin that no, he wasn't too mad about Merlin letting the dragon live since Merlin could at least keep it away.

Then, they needed to ensure Merlin's protection in Camelot. Granted, there weren't many dangers in Camelot, but the clumsy fool could find danger anywhere. With his luck, Arthur would bet that Merlin would trip over some stairs in the castle and wind up bleeding out! That could be remedied by assigning knights to guard Merlin at all times in Camelot and keeping Merlin physically by his side as much as he could. Merlin raised an eyebrow at his new guards and schedule, which kept him glued to Arthur's hip at all hours of the day, but otherwise said nothing (besides a little mocking about how Arthur couldn't get anything done without him. Arthur tried not to think about how the familiar taunt rang far more true than he had ever realized.).

(Merlin, on his end, took these measures as a sign that he had lost Arthur's trust with the admission of letting the dragon live. What else was he supposed to think about knights following him 24/7 and being kept in Arthur's line of sight more than ever before?! Merlin consoled himself that it was by far more lenience than he had been expecting. Arthur hadn't threatened him, he wasn't being executed or exiled, Arthur was still treating him as a friend, and he had every chance to earn Arthur's trust back again. Really, if his punishment as just having to be with his knight friends at all times, then he could happily live with that.)

Still, Arthur didn't know how to go about the final part of his plan: ensuring that Merlin would have an heir to inherit his dragonlord powers and keep Camelot standing for generations to come. Of all of the trials and quests he'd faced, this one seemed to be the most daunting of all: finding a woman attracted to Merlin.

Arthur eventually settled on a plan. He'd have Gwaine accompany Merlin on long walks around the castle and the lower town, and the knight would report back to Arthur on which ladies had caught Merlin's eye, and which ladies Merlin had caught the eye of. Gwaine had a way to spotting attraction between people, something he frequently used to gather ammunition to tease his fellow knights with. With any luck, there would be some overlap between the two lists, and they could find some nice woman for Merlin to settle down with.

After a few weeks, however, Arthur found himself having to re-evaluate his plan. While Gwaine had reported that there were a good number of young ladies in the lower town that seemed to fancy Merlin, Merlin didn't seem to have eyes for anyone, which made their mission trickier.

Eventually, Arthur resorted to inviting Merlin over for dinner with him and Gwen, hoping to flaunt to Merlin how great the married life was and how Merlin was getting older and was running out of time to settle down and have children. To his disappointment, Merlin didn't seem to get the hint, instead telling both of them how much he appreciated them including him in their time together when they didn't have to. Arthur had to swallow back frustrated screams at his friend's obliviousness.

(Gwen, meanwhile, was perplexed by Arthur's push for Merlin to find a wife. At first glance, she would think that Arthur was worried about Merlin never settling down and starting a family, which was something Gwen sometimes worried about as well.

However, Arthur's push was more vehement than a concerned friend's. There was something there, some underlying passion forcing him to push Merlin towards a wife.

When Gwen finally realized the truth behind Arthur's efforts, it broke her heart. Gwen knew that her husband could be a bit old-fashioned in some ways, and that the prejudices that he must have grown up with as a noble were not easily shaken off, but still, that wasn't an excuse to be homophobic towards Merlin!

Gwen had figured out about her friend's preferences during the Lamia's attack, since Merlin was the only man unaffected. Truthfully though, Gwen had suspected long before that, given how Merlin had looked at both Lancelot and Gwaine. And while it was shocking for Gwen, she would support her friend no matter what!

So, she was very disappointed in Arthur's behavior. Arthur must have somehow learned about Merlin's preference towards men during their last quest, and now he was trying to pressure Merlin into finding a wife! She agreed that Merlin deserved a lovely family, but Arthur should not force him into the nobility's narrow definition of family! If Merlin wanted his lovely family to involve a husband instead of a wife and that's what made him happy, then that is what they all should wholeheartedly accept!

Gwen really needed to give her husband a stern talking-to before he could hurt Merlin with his prejudice!)

(Merlin, meanwhile, is far too sleep-deprived and stressed over keeping Arthur safe and the prophecy to even think about romance or starting a family. His disaster bisexual ass has too much on his plate right now.)

So, Arthur tries everything he could think of to find Merlin a wife. Unfortunately, Arthur is not nearly as good of a wingman to Merlin as Merlin was to him. Arthur had hosted many balls and feasts, making sure to invite attractive ladies around Merlin's age, but Merlin didn't even bat an eye at any of them.

Perhaps the only thing more frustrating than Merlin's lack of attention towards any of the young ladies of the court was the fact that, now that Arthur was looking for signs of anyone's affection towards Merlin, he could see how many members of his own court were smitten with his manservant.

And Arthur was just baffled because how?! How was that possible?! That Merlin, a lanky beanpole of a man with a blinding smile and charming wit and unending loyalty and eyes he could get lost in...

Where was Arthur going with that? Oh right. Merlin, with all of the suaveness of a wet sock, was somehow the object of desire for most of the ladies in waiting. Arthur was entirely baffled by it.

And just when Arthur thought that it couldn't get any worse, it did. It got so much worse when his wife sat him down and started lecturing him for some sort of prejudice that he was showing against Merlin by pushing him towards a wife, because apparently Merlin's eyes didn't stray towards women at all.

Look, Arthur knew that some of his own knights preferred the company of men, and he wouldn't begrudge them something like that. To each their own. But if Camelot was going to still be standing for Arthur's heir, Merlin needed to sire a son of his own.

After Arthur explained to Gwen the situation that they were in with the great dragon still alive and Merlin's life being the only thing holding the beast back from destroying Camelot, Gwen also became grave with the realization that they were stuck without a solution that would keep Camelot safe for the next generations.

Arthur moped around for a few weeks, unable to think of a single solution for the situation he had found himself trapped in. How on earth was he supposed to get Merlin to have a biological son if Merlin doesn't even like women?!

Wait, but Merlin had liked a woman, at one point. Perhaps his preferences had changed, but at one point, he was willing to sacrifice himself, to willingly confess to sorcery in front of Uther Pendragon, in order to keep the woman he loved alive. And Arthur knew that love like that didn't die easily. And Arthur should know, since he loved the same woman in the same way.

From then on, Arthur kept a keen eye on Merlin and his wife. He knew that his wife would never be unfaithful to him with Merlin, and Merlin had been nothing but supportive towards Arthur and Gwen's relationship, even when Arthur himself had given up on it. Still, Arthur knew that if Merlin had eyes for one woman in the world, it would have to be Gwen. He saw the way that Merlin looked at Gwen sometimes. Merlin didn't look at any other woman that way.

Gwen had confessed that she had romantic feelings towards Merlin at one point, and Merlin certainly had some sort of feelings for Gwen that went beyond platonic. Arthur swallowed dryly as he thought about it. Could... could that be the only way?

(Cue slowburn Mergwenthur, with Arthur trying to set up Gwen and Merlin together with a heavy heart, while the other two are kinda oblivious and mistake it as Arthur wanting a threesome, which they would be more than happy to go along with, along with Arthur slowly realizing his own feelings for Merlin.)

(Meanwhile, since Arthur's crap at communicating, Merlin doesn't actually realize that it all started because they thought that they needed Merlin to have a son to keep Camelot safe from the dragon after Merlin was dead. Upon Arthur finally telling him, Merlin then has to awkwardly informs them that he's immortal and doesn't really need to sire an heir.

Arthur, understandably, screams into a pillow at the news that his efforts were pointless, while his lovers laugh gently at him and start kissing him to make up for all the stress he had to go through.)

And that's all for this au! I hoped you liked Arthur's himbo-ness shining through one again!

Thanks for reading through my ramblings! :D

[cosmicalily]

"baby, you can have it" - a jeongin oneshot by @cosmicalily

"an inch away from more than just friends, touch me, baby, put your lips on mine." - 'naked in manhattan' by chappell roan

author's note: another situation where i normally gatekeep the fuck out of my queer anthems (in the context of writing non-wlw fics for them), but the whole 'an inch away from more than just friends' felt SO relevant in the context of this oneshot. go stream 'the rise and fall of a midwest princess'. go listen to 'casual' and cry. it's good for you!

warnings: nudity, suggestive (the most that occurs is a makeout, nothing more)

You hadn't been able to stop yourself.

Why couldn't you have just remained a normal friend, his best friend?

Why were you spending hours, analysing the simplest things that he did, things that made your heart flutter, scream, and slingshot all the way to the moon and back? Spin around Saturn, melt through the heat of the sun and settle back in your chest, a mess of thoughts and emotions, innocent and otherwise.

The way he ate the strawberry liquorice he loved so much; his pink tongue pointed and sticking out occasionally to brush his lower lip as he savoured the candy.

The way he'd drag you home with him almost each night after school, hand you a cherry cola, and you'd spend hours playing video games and talking and laughing. Sometimes, Jisung would join you, but those evenings you got Jeongin all to yourself were something you treasured. And sometimes, those nights would end with more than just you kissing him on the cheek goodbye. Some mornings, you’d wake up, sprawled across his chest, the ghost of his lips on your neck, and the aching feeling of missing something. The feeling that even if he held your hand all the way to school, where you’d enter class together and apologise in unison for being late, he could slip away oh so easily.

The way he had made a habit of sketching little stars in a blue ballpoint pen around the few freckles that dotted your arm.

You looked down at your skin. There were still faded sketches dotting your arm, blue ink melting into your skin. Ghosts of the drawings he’d done yesterday; slowly disappearing but still very much so there.

Of course there were other girls. Girls who’d message him day after day, ask for his Snapchat, stick post-it notes onto his locker and cling to his arm in the hallway.

He tried not to pay too much attention to them; the occasional smile and ‘hey’, not to be rude, not to be unkind, but never responding to their affection, to their endless babble.

Jeongin was made to be a high school crush. He had bleached hair with the slightest hint of pink to it, sharp, fox-like features, contrasting wildly with his soft, dimpled cheeks, frequently flushed with a peach tinge.

You sometimes wondered why he gave you the time of day. Jeongin, although he wasn’t necessarily the most popular guy, was known across your grade and even the years above. He was older than almost everyone in the year level; an early birthday had originally granted him a move up to twelfth grade, but he’d opted against it. His friends were all in the year above, and whilst he still sometimes sat with them at break times, he’d decided to go for you.

“He hardly sits with us anymore,” Jisung mumbled to you, after Jeongin had passed out on the couch, head in your lap, arms around your waist. 

“I know. I keep asking him why. He says he sees you guys enough.”

Jisung looked down at Jeongin’s babyish expression as he slept, face pressed against your stomach. “Or he’s in love with you,” Jisung had reasoned, ruffling your hair and giving Jeongin’s arm a pinch before leaving.

You’d looked down at the pile of Jeongin lying before you; sleepy, clingy and oh so angelic. His features looked softer in the dim light, and his eyelashes fluttered every few seconds.

Every soft breath against your stomach made your heart swell, and you wished, just for a moment, that he’d say it out loud. Admit to it. 

There were times where you were almost certain. Ninety-nine-point-nine-nine percent. Catching him staring at you from your vanity mirror as you did your eyeliner, his hands slipping around your waist as you sat on the bathroom counter bleaching his hair, the soft kisses to your cheek that he’d offer you when you were crying.

That wasn’t platonic, was it? It couldn’t be.

You looked down at your arms, admiring the faded stars again. There was one in particular, a little larger than the rest. It wasn’t really a star anymore. His hand must have slipped. You craned your neck a little closer, getting a better look at the smudge of blue ink.

A heart.

You breathed out a little, and Jeongin’s eyes fluttered open.

You stroked his hair softly, hoping he’d fall back asleep, but he sat up, looking into your eyes. 

You felt so overwhelmed by him, but in the most beautiful way possible. By his sparkling eyes and his sweet face, the soft scent of his skin, and finally,

His lips on yours.

The way they moved in harmony, the way his tongue slipped in gently, not dominating your mouth, but exploring it. Curiously, like he wanted to get to know the parts of you that he hadn’t been able to. The parts that exceeded the confines of platonic love.

His hands were on your cheeks, your shoulders, your hips, your waist, gentle, fluid movements that sent shivers down your spine. There was a calm desperation about his actions, a need to search for more, to find another patch of skin he hadn’t seen or ran his fingers across yet. 

And when the two of you broke apart in a daze, chests heaving, sweat glossing over your skin, he hooked his fingers through the straps of your camisole, looking at you intently and giving you a moment to protest. When you nodded eagerly, he pulled off your tank top with one movement, one hand on the fabric, the other smoothing your hair to avoid it getting tangled. But once it was off, he didn’t grope or squeeze or touch.

Not that he would've without making sure you wanted it, even if he felt sure. Ninety-nine-point-nine-nine percent wasn't one hundred, after all. He wanted you to be sure, because he was sure. And he was sure as hell that he didn't want to hurt you, not when he had you like this.

Not when you struggled to keep your lovedrunk eyes open, exhaustion creeping through your veins.

So he laid your body down to rest on the sofa, chest-down, and pulled a blue-ink ballpoint pen from his back pocket.

“That tickles,” you giggled, squirming a little as Jeongin settled himself behind you and began drawing on your bare skin.

“I wanna give you all the stars, baby,” he mumbled, sketching. His fingers were hot but the metal tip of the pen was cool on your back. The patterns he traced and the galaxies he formed were soothing and repetitive, and you felt yourself drifting off.

And when you woke up, he was beside you, limbs wrapped around yours, lips pressed against your neck.

A faded imprint of the ink stars on your arms stamped onto his skin.

taglist: @hyunjiiza @velvetmoonlght @s3ungm1nxxl0ve @btch8008s @yaniluvs @ellemir2404 @bellarellasstuff @starsinagreenskyxx - comment, dm or send an ask to be added!

[thesummerstorms]

There's no way at least a few of the Crows gathered for the show down in the Opera House didn't look at Lucanis and Arsinoë de Riva and pick up on the fact that they were involved, even if both parts of the couple thought they were hiding it like professionals.

Most likely, those Crows perceive this as Viago's attempt at a power play.

They're wrong; he's in the corner gritting his teeth and silently begging Arsinoë to stay under the radar for once in her life. Openly attaching herself to the first Talon as a romantic partner makes her a target. That's a complication for House de Riva as a whole, one the Talon part of Viago is already complaining about dealing with, but also in general he wants Arsinoë to live.

(Dellamorte spouses companions do not tend to live long, healthy lives.)

But to the traditionalist Crows' outside point of view, it makes sense for Viago to make a power play through his protege. In his handling of the Illario situation, Lucanis has just exposed the fact that he can, in fact, be manipulated by a soft heart. The way they see it, if Viago then manages to place his protégé as Lucanis's lover and House de Riva as his ally, much less if Arsinoe eventually marries Lucanis and they have children, then Viago will have a considerable amount of influence over the First Talon and the whole of House Dellamorte through her.

Hell, if Arsinoë and Lucanis have children, then after a couple of carefully placed accidents, Viago could even place House de Riva in the seat of first Talon by declaring that his protégé's children belonged to their mother's house.

I cannot stress enough that this is the opposite of what Arsinoë, Lucanis, and Viago all want. Arsinoë doesn't even want to be a mother under regular circumstances, much less as part of an entrapment scheme, and no amount of calculation would ever make Viago use her that way.

But Crows are Crows, and the traditionalists especially do not believe that the more "Reformist" houses like Cantori and de Riva (and now Dellamorte by virtue of Lucanis) don't have some long game they're planning.

So in an a not entirely unexpected move, a few of those Houses send their own agents, their best or most beautiful or most charming, to try and make Lucanis a "better offer" as it were.

Again, this isn't entirely unexpected. Viago can't do much directly without putting more spotlight on Arsinoë or confirming things that he doesn't mean, but Caterina still holds the real power at this point. She deals very harshly with anyone she catches in the attempt.

Arsinoë is a little upset at the disrespect towards her character, significantly more upset that Lucanis has to deal with it, but ultimately stays out of it except comforting Lucanis and deflecting any attempts made in front of her. Maybe the occasional bout of poison, since they've made up their minds about her relationships and reputation either way, but generally it is what it is unless she can spare Lucanis discomfort directly.

Lucanis can't help a certain level of emotional "what the fuck", even though Caterina warned him and Illario extensively growing up that Crows from other Houses might try to romance or bed them as a power play. Illario had responded to that by turning the strategy back on anyone who tried it, not to mention his regular contracts; Lucanis had never thought it would be relevant to himself.

The attempts are upsetting in what they reveal about how outsiders perceive him (weak, easy to manipulate, yes, but also potentially unfaithful which is much more infuriating) and Arsinoë (who's being slandered/minimized). They're also just generally uncomfortable and annoying. Yet he doesn't actually have the power to make them stop; professing his love for Arsinoë doesn't change the perception of those involved. It just puts more of a target on her back.

Spite is honestly the most pissed though. He doesn't even entirely get what's happening. The emotions bleeding over from Lucanis are confusing, even if he's growing to slowly understand emotions outside his domain from his attachment to his mortal host.

He does, however, understand that these other humans are INSULTING his human and their Rook, trying to separate them as if they aren't both Spite's, and trying to hurt them besides.

Spite has many, many ideas how to deal with an insult and a threat. There's a growing risk that one day Lucanis might be fed up enough to agree.

[kngstr]

Revisions from JWCT Season 2 Finale's Ending Sequence [boarded by Jiedi @tio-trile].

Recommended listen: Daniel Pemberton - Nueva York Train [ATSV] I had this on loop while working on the final sequences of this episode.

"We're not leaving without you..."

"... I'm not leaving without you."

"I'm not the same Brooklynn you knew."

I mentioned in a previous post that Jiedi did a magnificent job with the boards & I'm going to do it again here. Approaching revisions for these intense emotional beats felt very fluid as she had set us up for success with this final sequence (you'll find a few of her drawings in here).

Navigating my drawings for the airstrip reunion sequence was a whole lotta: "how is each member of the N6 feeling in this situation, after everything? How did Brooklynn's death affect them individually?" what relationship did they each share with Brooklynn and what does this discovery mean for them? What kind of acting here will create a satisfying & convincing conclusion to this long emotional arc?"

This season means a lot to me. There was a lot of shit going on in my life when I was on this show. I was often at my limit - mentally, emotionally, but I always tried to stay the course, remain composed/effective, and find ways to channel whatever relevant feelings/emotions that I had into our characters. I hope that our audience was able to feel some of that.

Bonus: "haha i win. fuck them kids" - Santos