#but those shows aired on my tv when i was a child

[oifaaa]

For some reason it is so strange to see one piece on BBC iplayer like this is not a show I expect the British public to watch

[rottenlittlefink]

Audhd kid things: Feeling subconsciously jealous seeing Shapey and Block meet & connect for the first time but u just couldn’t understand why back then 😭

[cherryredstars]

Cherry, I’ve always wanted to say this to you… You. Are. Amazing! I seriously can't get enough of your work!

How about this? Reader is a TV host that bashes on Spider-Man. However it is just a job to her and doesn’t believe in the things she rants about. Anyway, one day reader is caught in the middle of one of Spider’s Man foes and our favorite grumpy spider saves her. Though he is extremely rude to her when she tries to thank him (what else is new?). Reader has to convince him that she doesn’t hate him (the opposite in fact) and decides to show him her appreciation.

Pairing: Miguel O’Hara x fem!reader

Warnings: 18+, NSFW, Thigh Riding, A Little Electricity(??)

A/N: Thank you, lovie!! Enjoy!

Unedited

The world must hate you.

The stiffness in the air is haunting as the burly hero trails behind you, making sure you don’t make more trouble. You weren’t exactly looking for it, it just came to you. How were you supposed to know actively looking for one of the biggest criminals in the past few weeks for a story could be dangerous?

Okay, maybe he had a point.

You sigh, trying to subtly glance over your shoulder. Even through his mask, you can see the grimace he directs at you, pixels slightly distorting. You thin your lips, rubbing your arm. Great, even Spiderman is after you.

“Um,” you start, turning to face him. He crosses his arms over his chest and you try not to let your eyes linger on how it tightens his suit. “My house is just around the block, I’ll be fine from here.”

He doesn’t move, continuing to stare down at you like you’re a child. You gulp, balancing on the balls of your shoes before slowly turning around and walking forward with a dragged out whisper of okay. You lead him down the block until you stop in front of the entrance to your apartment complex.

You face him once again, putting on an awkward smile.

“Thank you for, uh, escorting me home.” The hero says nothing, looking over you for any injuries before starting to turn around.

Your hand rushes out, electricity pulsing under your fingers for just a second as you grab his arm before he shakes you off.

“I don’t mean those things.” You rush out, suddenly desperate to clear the air with your favorite hero. “I-it’s a job. Just a job.”

You can hear the small scoff he lets out from under his mask, something in you deflating slightly. You open your mouth again, but no words come to mind to reassure him. You clamp your mouth shut, a stupid idea coming to you. You reach out, grabbing his arm again and turn him to face you. You’re quick as you lean up and press a hard kiss to his mask, your lips tingling from the buzzing technology. Instinctively, Miguel grabs at your waist to steady you on your toes, a low grunt leaving him.

You pull away, clearing your throat. Embarrassment flushes your skin and you sharply turn away. You really are stupid or something. “Good night.”

You stalk towards the entrance door, body moving like a robot as you avoid the burning gaze at your back. You open the door, turning when you feel hot electricity directly behind you. Your eyes stay on his chest, too embarrassed to look him in the eye.

“I’ll walk you to your door.”

What he really meant was, I’ll follow you through the door and proceed to fuck you against it.

You let out a soft moan as he presses you against the wall, pressing a suited thigh between your legs as he guides you up and down it. Your hands clutch at his shoulders, digging in so strongly that the suit glows white under them. You can feel his lips at your skin, mouthing and sucking on the delicate curve of your neck. Your pencil skirt has folded up to your waist, leaving only your panties to protect your aching clit from the subtle buzz and zaps of his suit as he grinds you on him.

You throw your head back, a whimper leaving you from the harsh hold he has on your hips. You can tell he’s trying to get you off quickly, probably in a rush to get back on the streets and protect the rest of the city. But right now, he’s here, in your apartment with his sharp fangs teasingly dragging against your skin.

You wonder if he can feel the wetness of your parties through his suit, if he is able to smell the pure arousal wafting from you as you buck your hips against his thigh with heavy moans. You try to look down at his face, only to see the bottom half revealed so he can mouth at you. You whine in disappointment, even though the rational part of your brain understands why he won’t reveal his full identity.

He seems to smirk at the nose, flexing his thigh and making you gasp as your clothed cunt runs over the corded muscle. A small curse flutters from your lips as another pleasant flicker of electricity runs over your clit, your orgasm just over the horizon.

Miguel speeds up his movements, making you grind faster against his leg until he’s sure you’re about to glitch out his suit from how hard you grab onto him. You come with a strangled cry, cunt fluttering against his suit as his teeth give a small nip to your neck. The tiniest dose of venom hits your skin, but it’s enough to leave your post-orgasm state limp. You slump against him, twitching from the aftershocks of pleasure and his suit. He ever so gently moves you to the couch, laying you down as his mask fully obscures his face again. You’re left to drowsily stare at him as he approaches your window, opening it before disappearing into the night.

What a way to thank your heroes.

[wisecura]

Sheets

megumi fushiguro x fem-reader

p.1

p.7  ( ⸝⸝꩜ ᯅ ꩜⸝⸝;) p.9????

p.8

AN: small toji x you in this one. isn't smutty just small fluffy. some comfort. well pick up with our normal story soon. I was gonna write in the next part but I needed to make this small enough to chew. I keep debating whether I want this to end quickly, or get drawn out. leaning towards drawn out just for my peace of mind but...I've got other shit I wanna write too. And I'm not entirely sure if it'll be worth it haha.

warnings: this story may cover sensitive and uncomfortable topics. please read at your own risk, violence, lashings, blood, mental breakdowns, yandere, obsessive behavior, possessiveness, mommy kinks, mommy issues, arranged marriages, forced marriages, angst, eventual smut, clan politics, age gap (5 years from meg, and a little over 10 with toji), toji aint the best dad, mentions of child abuse, slowww build.

Short summary: Your arranged marriage to Toji Fushiguro had been sudden and unexpected, but now you found yourself living under his roof alongside your moody stepson. Your only directive from your clan head before moving in was clear: keep a close eye on Toji, the notorious Sorcerer Killer, and his son, a potential sorcerer prodigy.

Big Dick Energy

The house was quieter than you’d expected, the kind of silence that wrapped itself around you and refused to let go.

You busied yourself with routines—cooking meals, tidying up, bingeing your favorite TV shows—but none of it could fill the hollow ache that lingered. Every task felt aimless, every distraction fleeting.

Toji dropped by occasionally, his teasing remarks and sharp smirks offering brief diversions, but even he couldn’t fill the void that seemed to stretch through every corner of the house.

Too often, your gaze would wander to Megumi’s closed door, only to be met with the same cold, unyielding stillness. You hadn’t expected to miss his presence this much, not after the way he’d ignored you in those last three months.

Yet now, with him gone, his absence cut deeper than you cared to admit.

His words lingered in your mind, a confession boarding on something less than platonic. You could only hope it wouldn’t be so painfully awkward when he returned next summer.

But more than that, a creeping fear had begun to take root.

He was likely throwing himself into missions now, facing dangers you didn’t even want to imagine. The thought of him out there, the prospect of death always a step away, gnawed at you. You tried desperately not to let it get to you.

So you cleaned.

You ate.

You slept.

And then you did it all again the next day.

And the next.

And the next...

Until the day came when you couldn’t put it off any longer. You had to visit your former clan house.

The walk through the grand gates and pristine courtyards felt suffocating, each step heavy with memories you’d tried desperately to leave behind. You were led, wordlessly, to one of the estate’s least popular tea rooms, the chill in the air colder than you remembered. Megumi's birthday would be coming up again, soon.

In the tea room, waiting was the clan head in all his big dicked glory, draped in his full traditional garb. The look was doing little to soften the venom in his eyes. Two servants lingered just outside the room, their presence silent but always watching. Listening.

The man across from you wasn’t terrifying because of his cursed energy—it wasn’t the strongest.

What made him so off-putting were the memories you had attached with him, the sheer weight of the past pressing down on your chest. His disdain for you was palpable, radiating off him like heat as he launched into his usual tirade.

“Incompetent,” he spat, his voice cold and very much arrogant, each word sharper than the last. “The information you've been bringing is worthless. A disgrace. Is that the best you can do? I thought that maybe, even someone like you would have some shred of capability.”

The gardens outside the shoji doors were undeniably beautiful—a cruel contrast to the scene inside. Birds chirped softly, butterflies flitted through the air, the scent of flowers wafting in—CRACK.

A sharp, stinging slap across your cheek snapped you out of your thoughts. Your head whipped to the side from the force, and pain bloomed across your skin like fire.

You froze for a moment, your hand instinctively rising to your cheek as you bit back the sting of humiliation. You vaguely remember how he always used to do shit like this. The taste of iron lingered on your tongue, but you didn’t dare make a sound.

Schooling your expression quickly, you forced yourself to meet his piercing gaze, his eyes as cold and unyielding as ever. This son of a—

“Don’t get distracted now,” he hissed, his tone venomous, his hand still hovering near you as though daring you to flinch. Always ready for a second one. “Is that really all you’ve got? You really are a useless girl. Why we ever kept you in the clan, it'll never know. ”

He hadn't even needed to slap you again. Each word landed like another blow, slicing through the fragile composure you clung to. He leaned forward slightly, his shadow looming over you, his anger simmering just below the surface.

“Do I need to remind you what happens when you fail this family?” his voice dropping into a quieter, almost mocking calm that sent a chill down your spine. His tone was unmistakable. You always were able to tell when he was about to do something drastic.

The gardens outside remained serene, as though mocking your situation. You swallowed hard, the bitterness in your throat impossible to ignore, and shook your head. No. You don't need a reminder. You remember well.

The man across the table hadn’t been happy, and you knew without a doubt that punishment was inevitable. Being a Fushiguro now meant nothing here. You still very much belonged to this family.

His piercing, cold eyes drilled into you, his disdain a tangible weight pressing in on you. He looked ready to throttle you. Your head lowered down, as you fix your gaze on a spot on the table. And just as you’d been taught, you thought of things that might be useful for him. The sting of his slap lingered on your cheek, the imprint of his hand no doubt burning into your skin.

You already knew this visit would be a bad one.

“His son went off to school,” you started, your voice steady despite the tremble building. “He’s now enrolled at Jujutsu Tech—”

“Yes, we already know that,” he interrupted coldly, waving his hand dismissively. “No thanks to you. And what of Toji Fushiguro? Have you seen any...suspicious activity recently?”

You didn’t hesitate, desperate to give him what he wanted, even if it was crumbs. “He’s been out of the house for four days this week.”

“That the best you can do?” His eyes narrowed as he stared you down. Obviously, to him, this was no where near enough.

He stood slowly, his movements deliberate, trailing around the table, his presence loomed heavier with every step until he was behind you. Your eyes don't dare follow him. Your breath hitched as you felt his hand settle on the back of your neck, the weight of it cold and commanding.

You stiffened, your body slightly trembling under his grip as he leaned closer, his breath hot against your ear. “Useless,” he spat, his fingers tightening just slightly. “How many times do I have to remind you what happens when you waste my time?”

The walls seemed to close in, the silence suffocating as the air around you grew heavier. You clenched your fists in your lap, willing yourself not to react. Not to cry. Not to give him the satisfaction.

The grip on your neck tightened painfully, and before you could brace yourself, he yanked you upright with a brutal force that left you stumbling.

Your feet, barely catching your balance as he dragged you toward the courtyard. His actions—ruthless, uncaring, as though you were nothing more than a disobedient dog being hauled to its kennel.

No one dared to intervene. They never had before. The well-kept greenery, the polished stone pathways, the fragrant blossoms swaying in the breeze. Serene, if it weren't for the hand clutched around your throat.

"Five lashes," he barked to the nearby servants, his voice sharp and devoid of hesitation. They hesitated only for a fraction of a second before scrambling into motion, their eyes fixed on the ground, avoiding yours. Just how you were taught.

Your stomach twisted violently. Five.

It wasn’t the worst you’d endured, but it was more than enough to leave a lasting mark. Harsher than usual, and you didn’t have to wonder why. Your reports had been sparse, vague, deliberately lacking the substance they demanded. A small, quiet rebellion on your part. And this was the price.

You barely had time to brace yourself before you were hauled forward and thrown to the pristine stone courtyard. The sharp scent of iron reached your nose, and it was only then that you realized your palms were scraped raw, streaks of crimson painting the stone beneath you.

Up close, the stone wasn’t as flawless as you thought—tiny imperfections, cracks, and now smears of your blood, stark and vivid against the pale surface. 

The bile in your throat was hard to swallow. Your body knew what was coming, as it trembled. You tried to steady yourself, tried to push back the rising tide of panic.

They’d brought a wooden stick, one you knew all too well—thin, long, and biting.

Another servant stepped forward, pulling at the back of your kimono with practiced ease, baring your skin to the biting air. How many times have they ran through this same routine?

You shivered violently, clutching the front of your garment in a futile attempt to preserve some shred of modesty.

"You should know better than to bring me shit like that." he spat, his voice heavy with disdain. His measured footsteps echoed behind you, circling like a predator toying with its prey. "Sparse, irrelevant, unusable. Is this the standard you think is acceptable? Do you enjoy putting this family to shame?"

You didn’t respond. You couldn’t. You knew what was coming. And words would only make it worse. He wasn’t looking for excuses. Silence was safer. Silence was survival.

His pacing stopped abruptly, his shadow looming behind you. "You’ve grown rebellious," he continued. "Perhaps your time away from the clan house has done more harm than good."

Your heart raced, dread pooling in your stomach. You pleaded silently, begging him not to order the dissolution of your marriage. The only positive outcome from this would be his decision to let you stay.

"It’s a shame, really," he mused, almost lazily, "We need to keep you there for now. But let this serve as a warning."

The first lash came without warning, the whip cutting through the air with a sharp crack before it struck your back.

The pain was blinding, immediate, forcing a gasp from your lips despite your best efforts to stay silent. The second followed quickly, and your body jerked against the force, the rough stone scraping your knees further.

By the third, your breathing was shallow, labored, your skin burning with a fire that seeped into your bones. You could feel the blood pooling beneath your clothes, soaking into the fabric and staining the once-pristine courtyard. If there had been more lashes, perhaps the pain would have numbed, but there was no such mercy.

The world around you felt distant, your focus narrowing to the searing pain and the sound of his voice. He was talking but you didn't catch all of it. Each strike felt personal, a reminder of your place, your failure, your rebellion. 

You bit down hard, swallowing the sound threatening to escape as the fourth lash tore across your back, and your vision blurred as you bit down hard on your lip to stifle a cry. The metallic taste of blood filled your mouth, grounding you in the moment as the final strike landed with brutal precision.

“You should be grateful I’m not ordering more,” he said, his voice deceivingly calm. “Consider this mercy.”

Mercy. The word felt hollow, meaningless, as you pressed your forehead against the cool stone, your breaths shallow and labored. This wasn’t mercy. This was power trip. A reminder of the leash around your neck that he had no intention of loosening.

When it was over, the courtyard fell silent, save for your ragged breathing. You remained on the ground, trembling, trying to summon the strength to move past the pain and the humiliation that burned hotter than the lashes on your back.

"Clean her up," he said dismissively, his voice devoid of any human emotion. Without so much as a glance in your direction, he turned and strode away, his fancy pants robes swishing behind him with an air of finality.

To him, you were nothing more than an inconvenience—a speck of dirt sullying the pristine courtyard.

You stayed motionless, your breathing labored, waiting for the echo of his footsteps to fade and for his looming shadow to vanish from sight.

The gardens outside remained serene. Cicadas buzzing, birds chirping cheerfully, the flowers swayed in the gentle cooler breeze, and the sweet, heady scent of blooms filled the air. Damn, September was your favorite time of year.

But the blood staining the immaculate stones beneath you was a fucking wake up call—reminding you of just what it cost to defy him, even in the smallest of ways.

Thankfully, your clan visits were few and far between. The trip home that day had been nothing short of brutal. Your clan head’s disregard for how you might explain the aftermath to your husband lingered in your mind like a bitter aftertaste.

Toji hadn’t been surprised when you walked through the door, battered and silent. He took one look at you and seemed to understand everything without a word. Never pressing for details. Without hesitation, he led you to the bathroom, grabbing the first aid kit on his way. The usual Toji—sharp-tongued and teasing—was nowhere to be found. Instead, he was quiet. Unusually quiet. Unusually helpful.

His hands steady but his expression unreadable. There was no lecture, no pity, just a resigned understanding that somehow made the whole ordeal feel even worse.

Your chest tightened, the weight of everything pressing down until the words broke free in a cracked whisper. "Toji, I can’t do this anymore."

He froze mid-motion, the damp cloth in his hand still hovering near a particularly nasty gash on your back. For a moment, he didn’t move, didn’t speak. The smirk that so often danced on his lips was conspicuously absent, replaced by a hard, distant look as his eyes flicked to meet yours in the mirror.

He watched you for a long moment, his gaze colder than you’d expected, and then let out a small, almost weary sigh. "I know, doll," he said, his voice low and measured. "I know."

Your eyes misted as his words washed over you, the weight of his acknowledgment settling deep in your chest. It wasn’t just the words themselves—it was the way he said them, low and measured, carrying an understanding that made your heart ache even more. You hadn’t realized how much you needed someone to say those words, to acknowledge the heaviness you carried.

His hand moved slowly, almost hesitantly, until his fingers ruffled your hair in a rare, soothing gesture. Toji wasn’t one for overt displays of comfort. This was as close as he got. And yet, the tenderness in that small act unraveled something inside you. The tears that had been threatening finally spilled over, silent but unrelenting.

You lowered your head, letting his hand linger, unsure if you wanted to cry harder or lean into the comfort. He didn’t say anything, didn’t pull away. Toji wasn’t the type to offer empty platitudes or promises he couldn’t keep, but his presence was steady and grounding.

After a moment, he spoke, his voice quieter now, softer. "You don’t have to say anything, doll. Just…take a minute."

You nodded, barely able to find your voice. "I just…" You paused, swallowing the lump in your throat. "I’m tired of fighting. Of pretending it doesn’t hurt."

His hand slid down from your hair to rest on your shoulder, his grip firm but not overbearing. "I know," he said again, his tone carrying a strange mixture of understanding and regret. "You’ve been through more than most. But you don’t have to keep doing it alone. Youve got me here. And Megumi." A hollow promise, but still...

"Megumi hates me right now, Toji. He's been avoiding me for weeks. And youll come to hate me too."

His hand stayed firm on your shoulder, a steadying weight as his eyes flickered with something unspoken—frustration, understanding, maybe even guilt.

"Megumi doesn’t hate you," he said after a moment, his voice low and deliberate, as though he were willing you to believe it. "He’s a kid, doll. He’s got a lot going on in that head of his, more than he lets on. But hate? Nah. That’s not it."

You shook your head, the words spilling out before you could stop them. "He’s been avoiding me for weeks, Toji. Barely looks at me, barely talks to me. And the way he left—" Your voice cracked, and you swallowed hard. Your insecurity getting the best of you. "It’s like he couldn’t get away fast enough. I—I don’t know what I did wrong. I don’t even know where we stand anymore."

Toji let out a slow breath, his hand dropping away as he leaned back against the counter, crossing his arms. His dark eyes held yours, unflinching. "Megumi’s not avoiding you because he hates you," he said, his tone sharper now, cutting through the self-doubt you’d been drowning in. "He’s avoiding you because he’s figuring his own shit out. And yeah, maybe he doesn’t know how to handle it, but that’s on him. Not you."

You turned away, staring at your reflection in the mirror, your own expression a mixture of pain and uncertainty. Pathetic.

"What if I make everything worse, Toji?" you whispered, your voice trembling. "What if he’s right to pull away? What if you’re right to pull away? You’ll come to hate me too—both of you. My clan…they’ll kill me at this rate. I can’t—I don’t want to do this anymore."

The admission hung in the air, heavy and suffocating. You felt the tears welling up again, blurring the already fragile image of yourself in the mirror. Then Toji moved. He didn’t say anything—he just turned you around, his large hands firm but gentle on your shoulders, and pulled you into him. Avoiding your wounds so carefully.

His arms wrapped around you tightly, his warmth a surprising comfort. "I’ve got you," he murmured into your hair, his voice low and steady. "I’ve got you, doll. Let it out."

And you did. The first sob broke free, sharp and uncontrollable, quickly followed by another, and another. You clung to him like he was the only thing keeping you upright, your fingers curling into his shirt as you cried. The tears came in waves, each one more overwhelming than the last, the dam breaking under the weight of everything you’d been holding back.

Time became meaningless as you cried. It could have been minutes or hours. You didn’t know. All you knew was that you couldn’t stop, couldn’t hold back the flood of emotions spilling out of you.

And Toji stayed silent. Holding onto you gently as you cried. His arms stayed carefully positioned, mindful of the deep wounds covering your back.

Thank God you only had to go to the clan house every so often.

p.1

p.9

come home

AN: To be continued soon. Please leave a comment if you enjoyed! and please give a follow, and reblog if you want to stay updated - or follow along on my ao3

I will also be posting updates here:

https://www.tumblr.com/communities/obsessedjjk

come home

[toysrguts]

smiling friends headcanons!! :D

i have smiling friends brainrot

allan:

•wine is his de-stresser. after a long shift he likes to go home and sip on a glass of wine while watching shit TV like some kind of cool guy

•doesn't smoke cigarettes often but will bum one off of charlie sometimes during their breaks

•bites people he loves :)

•perhaps his dr. monsters appointment with dr. monster was an appointment to assess him for OCD

•very very particular about the way he likes things and hates unexpected change in his routine

•also a math god he's like a walking calculator

•always helping other people reach things that they cant

•he has to be like 6’3 or something probably

•autism be damned my boy can work a grill (he can cook really well)

•in fact hes often the one cooking meals for the other smiling friends

•he also lovessss to garden its one of his favorite hobbies

•he grows his own vegetables to cook with and flowers to decorate his home :)

•i feel like this man would get down to some queen or duran duran

•he’ll listen to pretty much anything but i feel like he would gravitate towards 80s classics

•used to own a car that he loved but it broke down and he never bought another one

•went to school for engineering and started volunteering at smiling friends after graduating as kind of a placeholder job, but loved it so much it became his full time job

•cheese is his safe food

•had to wear glasses when he was younger but felt like they deterred the ladies so he switched to wearing contacts

•probably drinks black coffee like a fucking freak

•either that or he adds oat milk

•hes pretty anxious and freaks out a lot and will also snap if he has sensory overload

•wears noise canceling headphones a lot cause too much noise drives him insane

•HATES fabric touching his skin but will still wear a tie cause “it’s classy” and will wear clothes if hes out in public

•once took a trip to france and almost didnt come back cuz it was like cheese heaven

•goes clubbing during some of his nights off and is a karaoke GOD

•also goated at chess and gets heated during a game of scrabble

charlie:

•definitely sneaks a cart into work every day

•if allan didn’t cook this dude would go into debt from ordering takeout every day

•was raised mostly by his uncle cause his parents werent always around, and they're more like really good friends now that hes older

•grew up poor and had a pretty hard childhood overall but he doesn't dwell on it too much

•relieves his stress and frustration by terrorizing people in fortnite lobbies

•the smiling friends hq is air conditioned 24/7 per his request, he's heat sensitive and sweats EXCESSIVELY

•uses axe body spray to mask the stench

•his living conditions are depressing to look at, the only furniture in his apartment is a mattress and an old camping chair he borrowed from his uncle years ago

•also probably owns a shelf dedicated to lego builds

•he spends like 90% of his time in his bed if not working

•his morning routine consists of waking up disoriented asf, throwing on some clothes laying on the floor, forgetting to brush his teeth and walking out the door

•was exposed to shock sites wayyy too young

•acted out and got in trouble a lot in his adolescence but now just likes to keep to himself for the most part

•believe it or not he was baptized as a baby

•started caring about life a little more ever since experiencing hell

•feel like he likes music his uncle showed him as a kid, maybe judas priest and whitesnake type shit

•doesn’t even have to say anything when he goes to salty’s cause hes a regular and they know his exact order

•thats a bisexual man if ive ever seen one

•the hat hides his receding hairline lul

•has a fat ass surgical scar on his nose from when james ripped it off

•wears the same beat up white adidas shoes and got in highschool

•owns one of those “dubstep, weed and jacking off” shirts

•hes an only child but pim is like a brother to him

•had a family dog growing up and is a dog person overall

pim:

•begs to play roblox when anyone else is playing video games in the office

•curls up into a ball when he sleeps

•also will freak out without a night light

•his room is definitely littered with stuffed animals

•grew up watching mlp (g1) and probably still owns some pony figures

•and says “hello everypony!!” when entering a room

•played a LOT of browser and flash games as a youngster like club penguin and moviestar planet

•genuinely finds beauty in everything i wish i was on his level of joy and whimsey

•would totally listen to vocaloid and would totally go on a super long tangent about how its so cool and holograms are so cool

•also has a collection of light sticks and miku plushies and definitely kisses his miku poster goodnight

•i feel like he ate paint chips as a child

•craves social interaction cuz his parents had a rocky marriage and were neglectful and his sister treated him like shit when they were kids

•his sister would tug on his nerve ending when she got annoyed

•having a rough upbringing and dysfunctional family is what pushed him to start working for smiling friends, hes genuinely passionate about making people smile and just wants to help people who are in bad situations like he was

•prone to panic attacks :(

•sings little songs to calm himself down

•flails his arms or jumps around when hes excited

•still uses pool floaties when swimming lmao

•also still loves to dress up and play pretend as an adult

•mmmmm loves sweets what is a nutritious meal?????

•wore glasses growing up but just kind of stopped for some reason probably cuz his eyes are fucking massive

glep:

•chronic cyberbully-er

•tells people to kts in his gibberish language when they annoy him

•has most likely caused several wars across the globe

•puts whatever he wants on the tv and then hides the remote and watches everyone fight over who took it

•small but lets out the most diabolical burps imaginable

•is fluent in every single language on earth and probably space too

•absolutely brainrotted from that ipad he wont stop watching skibidi toilet

•unties peoples shoes when theyre not paying attention

•little guy has never known sobriety in his life

•has so many random ass pictures and videos saved on his tablet

•hes like a little vlogger

•if someone says or does something he doesnt like he’ll probably hire a hitman on them

•definitely has access to the deep web

•hates gardening but will help allan out with it once in a while for something in return (like a grilled cheese or some weed or something)

•also will sit next to allan while hes cooking so he can eat all the scraps

[ctrldoll]

Perfect Home

Wife!Reader/Husband!Miguel O'Hara

Part One | Part Two | Part Three

Genre: Angst (⁠ب⁠_⁠ب⁠)

4.5k words.

Arguments are so tasking to write! They're supposed to be illogical, anyway. :⁠'⁠(

This has been in my drafts for a month! Ideas were not idea-ing! (′д｀σ)σ

Listening to a The Weekend playlist while editing was such a vibe!!! (∩^o^)⊃━☆

Warnings: Cheating, Pressure From Parents, Society’s Marital Standards, Desire To Have A Child, Cursing, Envy, Suggestive & Homely Vibes Are Non-Existent.

Peace and blessings to you, My Love!!!

𖤐⭒๋࣭⭑ [𝐑𝐄𝐂𝐀𝐏] ➜ He cheated, you found out. You don't know whether to leave him or not. Now what?

The egg in the pan let out a bitter scent before you firmly flipped it. “Ugh.” You let out as you looked at it from your sunken and puffed-out eyes, breathing in mucus as you struggled not to sob once more. “Over an egg? Over an egg, [Name]?!” You thought and picked up a tissue to brush your tears and stray drops of slick over.

Just yesterday, you found out about your beloved husband's cheating with his ex for two months.

You should have caught on to the signs during your parents’ gala that took place two months ago. Dana’s excitement led her to firmly hold on to Miguel's firm arm as Miguel discussed the success of a deal with Stark Industries with the both of you, which should have been a warning sight. It irked you slightly, but you didn't view it as enough to suggest anything. Maybe how Miguel didn't depart from her hand for minutes on end should have done it.

You've always been a bit credulous. Always having one too many friends who didn't really care about your well-being from the beginning, desiring all that your younger self, who faked sickening sweet kindness, had. The public loved every bit of it, as did your parents. You noticed the subtle hints of disrespect and commented on them much later. Far too late.

You made sure your presented nature wouldn't crawl into adulthood, but it spread itself into your relationship.

Miguel was a quiet nerd when you first got to know him. Never the hot topic, he stuck to himself the majority of the time.

You bonded with him while you visited your friend in the institution, watching as she obviously flirted with Miguel's friend while they walked with one another. Surprisingly, you bonded over an idle conversation about cake.

“Tres leches is fantastic! Dios mío, there's no arguing with that!”

“Yes, Tres leches may be fantastic to you, but [ — ] definitely crosses that!”

You both didn't catch the side-eye both friends gave one another.

The next week, a double date was set.

It was the perfect TV show grounding for marriage. It all feels like a waste now that you look back on it with low eyes.

“Mi Alma.” You rolled your eyes as your husband walked into the kitchen in sweats with a water bottle in hand. You felt the chill of the Five AM air for a moment before you turned to place the egg on your plate and turned off the stove.

The crinkle of the wrapper as you pulled out the loaves of bread constantly broke the silence in the room as you looked away from him.

“Were those four years we spent with one another a waste?” You asked after a moment, then opened your mouth to chew on a loaf. A tear poured down your cheek, but you quickly wiped it away.

“No, no, they were not, Cariño. They were the most amazing years of my life.” Miguel sadly sighed, rubbing the back of his neck. “I'm so sorry, Mi Amor. I promise I'll be better. For you, for us.” 

“You don't get to call me that. How am I your love when you cheat on me?” You barked, glaring at him. Your fork clinked when it reached the floor. You sighed in exhaustion and picked it up. You tossed it into the pile of dishes in the sink. “Fuck, I feel done.”

“Can’t we just get past this? We've been through so much for something like this to tear us apart. Miguel tsked and shook his head as he rolled his eyes. Nervousness ran through them, but he wouldn't show it. “Are you fucking serious right now, Miguel?! I should get over it?! Is that what you're saying?!” You yelled, frustrated, and you took deep breaths to calm down. “You’re such a fucking asshole, Miguel.”

“What about you, [Name]?! You're so damn ungrateful! I’m there for you! I support you, but you never support your husband! You barely do anything useful; you're always so caught up in your work that we can't even spend time together!” Miguel yelled, drawing closer to you.

“I have to work, Miguel! What part of that don't you understand?! I don't do anything useful?! Who's the one who does nearly everything in this household?! Me! You aren't even around for us to spend time together! If you aren't working late into the night, you're fucking patrolling! Do you want me to just sit down and wait for you?! I have other things to do!” You couldn't be more thankful in the moment that the room was soundproof. You could let out more than you would have in other spaces.

“You are so damn stubborn! Fuck! We can't even have a conversation without you trying to form an argument!” Miguel yelled, standing at arm's length as he pointed at you.

“Don’t point at me, Miguel.” You demanded and backed away from him to grab your purse. “If you honestly think that this isn't overdue, you're ridiculous. Stop victimising yourself. I’m the one who was cheated on. Go be with Dana, who probably won't piss you off as much as I do.” You said it with a crack at the end of your words as you struggled not to break down.

“[Name], I-” Miguel pushed his hand forward to grab your arm, but you pushed it closer to your form as you quickly left the hotel room. “Read the letter on the kitchen table. Or don’t. I don't really care.” You closed the door and walked away.

On the kitchen table, a letter in cotton paper was laid on it with your mother’s formal handwriting, inviting the both of you for lunch before your departure. Miguel cursed as he read it, the stress already getting to him as he envisioned how it would be.

Meanwhile, you headed to the café, reassuring yourself to calm down as you walked the longer route to it, hoping to have felt better when you reached there.

What you didn't notice was your mother’s gaze upon you from her balcony as she let out another puff from her cigarette while in her white silk nightgown, a black coat with a fluffy neck covering her as she cocked her eyebrows. Her eyes squinted at the moment you paused to quickly rub your eyes. She let out a hum, watching your figure disappear from her sight.

“These crumpets are quite fantastic.” Your father smiled, spreading another with blackberry jam as he chewed the spongy and soft treat. “We should wait for a few moments before requesting lunch, no? It will only take them a few more moments to arrive.” Your mother smiled at the both of you, a glass of water in hand, before taking in a long sip, bothered.

“So, Miguel, how have you been? Is there any success in the partnership with Calahan Tech? I've heard much about it in the Nueva York Times. Business moguls are just as excited about it as I am.” Your father's eyes twinkled in excitement as he imagined the size of the funding he would receive and the amount of votes the results of the collaboration would bring him in the next election as he snacked on a pig in the blanket.

“I’ve been well, Joseph. The agreement to partner has been a bit tough because we've been trying to convince the funders to work with us, but I’m sure we're about to reach a breakthrough.” Miguel responded, proud, as a smile appeared on his face. His hand shifted to your thigh under the table, alerting you as you took a quick look around before shoving it off of you. You were still bothered; he could tell by the way you struggled not to furrow your brows and the quick way your heart beat at his gesture, which reverberated in his ears as you gracefully downed a glass of water to calm your nerves.

“If you ever need some extra help, you know who to call. I can convince those hotshots to remove the sticks up their asses and agree.” “Joseph!” Mary whispered with a hiss, patting his arm as the man chuckled. “No one heard me, Darling. I whispered.” Your father said it with a wink, placed his hand over his wife's, and squeezed it. Her shoulders slouched, pleased even if she didn't verbally express it, at her husband's gesture, and she looked at their intertwined selves, then went back to her drink.

Joseph winked at the both of you once more and separated his hold from hers for the appetisers.

Your heart squeezed with want as you watched them. It was a moment of love, but also a reminder that you couldn't have that anymore. You looked away with a smile, not wanting to endure the feelings of sadness that weighted your heart.

“Hello, Mary. Hello, Joseph”. You heard in the background but were unable to focus on the two new voices in the background as you focused on calming yourself down.

“Cariño, I-” Miguel whispered in your ear, catching onto your feelings, but a sharp noise broke the moment.

“[Name]! Look at you! You're getting more and more gorgeous by the day! My gosh, you're glowing!” Elle, your sister-in-law, beamed and hugged you from your seat. You stood up quickly to hug her and beamed when you saw your brother walking up to the table.

“Aww, you're so adorable! Gosh, we haven't seen you in a bit.” “We apologise for that, by the way.” Micah shook your hand and led Elle to their seats. He smiled at the stink eye your mother threw at the both of them and rolled his eyes once he looked away from her.

“We apologise for arriving so late. Some business had to be taken care of just at the moment I was to leave the office.” Micah said with an apologetic look on his face. “We wish that we could have arrived on your anniversary as well, [Name] and Miguel. Work, once again, occupied us. Happy belated fourth anniversary to the both of you.” Elle congratulated him with a smile and thanked the waiter when he brought their wine.

You internally giggled at her personality change. Elle was always so casual around you but had to become formal when the fact that she's in public sets in. It wouldn't be good for a model to appear improper.

“How are you, Miguel?” Elle was greeted as Micah nodded. “We haven't seen each other in a while, man.”

“I’m doing well, thank you. I’m just taking care of the missus.” Miguel responded to Micah’s approval and your resistance to roll your eyes. “It’s been four years. I still can't believe that [Name] managed to tie someone down. She's so difficult.” Micah chuckled as you glared at him. “Speak for yourself. I still can't believe Elle wanted you. She could have done so much better.” You giggled and dismissed him with a wave of your hand.

“Don’t you remember when you..." Micah began, but Mary interrupted him. "Children, there is no need to complain about one another. To be quite honest, I didn't expect either of you to get married so soon. I thought that you'd both get married after building up your characters.” Your mother giggled, much to both of your dismay.

“Mum? You're cracking a joke? Are you sure you're alright?” Micah questioned, raising a brow that quickly came down when you kicked him underneath the table. “What was that for?” “What are you talking about?” You evaded his glare with a smile.

“I’m just glad to finally see my children and their spouses in the same spot.” Your mother had a gentle smile as she looked at the both of you as your partners looked elsewhere for a moment. She didn't approve of Elle either.

In her view, her children were supposed to marry someone of their status. Someone who is highly regarded. Not anything but that.

However, she regarded your brother in a higher manner when it came down to who he chose to marry.

Elle was a ‘blantant gold digger’ in her words, ‘a model who just wanted someone to raise her higher in the industry’. Micah was a highly praised film director and writer. Who better to expose her to the world of the rich and famous than him?

“Before we continue, Micah and I have an announcement to make.” Elle announced and stood up along with her husband. Your heart dropped as the next sentence echoed in your brain.

“We're pregnant!” They both grinned and hugged one another while grins appeared on your parents' faces. “Congratulations!” Mary cheered and eagerly stood up to hug the couple. “Congratulations. My boy, you've done it again!” Joseph grinned, to which Micah flustered.

“Congratulations!” You finally joined in, grinning as you hugged them both, a bit too tightly. You wanted the moment to feel real. You weren't upset. You couldn't be. You shouldn't be.

“That's a bit tight.” Elle said, causing you to break it. “Oh, I'm sorry. I'm already excited to see your little one or ones.” You grinned. “Congratulations, you two. We can't wait to see the little one.” Miguel smiled next to you, wrapping his arm around your waist.

You could feel the sharp looks from your parents, Micah and Miguel. Elle paused to look at you, and her brows furrowed in worry. "I hope this wasn't inappropriate." She whispered in your ear, looking at Miguel for a moment, holding your hand, to which you tightened the hold. "Elle, are you excited for this new part of your life? I'm so happy for the both of you." You shook your head to hint, and a relieved smile appeared on her face. "Yes, yes, I am." She responded and hugged Micah. He hugged back and smiled at you as a form of assurance and sternly looked at Miguel, to which he looked away.

“I can't wait to find out the gender of your little one. Searching for outfits will be pleasant.” Mary said once you all sat down, smiling at the couple who were in their own moment of adoration as food was brought on the table. Your heart broke as you watched Micah caress Elle’s stomach lovingly, and her hand lifted to squeeze his as they smiled at one another.

You looked at Miguel, whose eyes remained trained on yours, and softly sighed when his hand held yours in assurance, wanting the hurt to end when yours squeezed his. Clinging onto his attention, you hoped that it would rub off the pain you felt, but guilt and shame crawled onto you. You drew your hand from his and onto your fork.

“I just know they'll be spoiled rotten.” Ella giggled as Micah let out a chuckle. “Definately. We'll have to watch out for that.” “I can't wait to meet my first grandchild.” Your mother’s gaze fell on you for a moment, emitting her disappointment in you before having it on the couple as she grinned more.

Much was discussed around the table. The women's attention remained trained mainly on the little one and topics that interested them, as the men were cooped up in their own little world. Soon, it was near the hour of your departure. 

“[Name]. Let's chat for a moment in private.” Your mother said once Micah and Elle left to arrange their hotel room. The frown on her features became more evident the more you both drew away from the public eye. You both stepped into an empty break room. Once the click of a lock was heard, you sighed.

“Do you even realise just how disappointed I am in you, [Name]?” Your mother started. “Micah has a child before you. He hasn't even crossed two years with that girl, and he's made so much progress compared to you. You should be ashamed, [Name].” Anger flared in you as the words sunk in. You had already been through so much in such little time. Why did life’s cards decide to add more to your plate?

“Why does it bother you so damn much? I’ll have children when I want to. What part of that don't you understand?” You responded, glaring at the older woman. “You’ve always regarded Micah highly in comparison to me when it comes to marriage.” You rolled your eyes at her glare.

“[Name], Micah’s a man. Whether or not he has children early, he's alright. If he were to even leave Elle, he'd find someone new. He’d be able to have children, regardless. Men get better with age, unfortunately, unlike us. Your clock is ticking, [Name]. You need to progress into the next step of your life before it's too late.” Mary shook her head and sighed at what she believed was your foolishness.

You drifted into lassitude, it clinging to you like glue, with the realisation that she would never be satisfied with you until you did what pleased her. “I can just imagine how the public will react to this. You've set yourself up for failure.”

“I need to go.” You said, looking at the keys in her hand. “[Name]. Why can't you just listen to me? Did I raise such an impudent child? I’m just looking out for you, [Name]. I don't want you to experience regret. It'll never stop. I’m guiding you towards the right path.”

“Open the door.” You said once more, refraining yourself. “Why do you act so childish? I’m trying to help you.” Mary insisted, only further pushing your buttons. “Open the door.” You repeated it and headed towards it. You hand motioned at it. “You’re going to regret it if you continue with what you're doing.” Mary said, placed the key inside the keyhole, and turned it. “Maybe I will; maybe I won't. I respect you so much, Mum. Let's end this.” You said, then opened the door. “This will only end if you do what is right.” Was all you heard her softly say. You left.

“They offered only sixteen million dollars to help fund the project?” Your father questioned Miguel as he puffed the cigar on his lips and blew it out. The smoke waved in the air, and Miguel glanced at it for a moment as he drank his glass of beer. “Yes, they did. They didn't believe in the project’s potential until recently, when testing made a lot of progress.” Miguel responded, then drank the rest of his drink.

“Your drinking tolerance must be high. You've drank four beers since you arrived, and you're still standing straight. You'd do amazing in the drinking competitions that go on in the basement on Saturdays. Don't tell Mary; she wouldn't be pleased to know about them.” Joseph winked, to which Miguel chuckled as he shook his head. “Don’t worry, your secret’s safe with me.” 

“Miguel, why won't you have children?” Your father broke the silence and looked at him, somewhat disappointed. “I’m a man as well, Miguel. It's not hard to conclude the possibilities.” The cigar was nearing its last draw.

“My career. I don't think it would let me enjoy the simple pleasures of family life. I do my research late into the night. [Name] does so much to accommodate that. I don't think it would be right of me to bring children into that.” Miguel confessed with a sad gaze as he thought back to your heartbroken expression when you found out about his involvement with Dana.

It hunted him throughout the missions he did that night, rage and shame filling his form, and anyone around him sensed it. Many in the Spider-HQ avoided him in the brief night he was there. Jessica and Peter avoided him as well, aside from brief interactions. They knew he'd pour out his feelings to them eventually. 

“As much as using work as an excuse gratifies you, it's a poor choice, Miguel. You'll regret it if you decide to let it linger.” Your father looked at him from the side of his eye and rubbed his moustache.

“My work was easier in my younger days, but I found it just as challenging as I find it now. I was just an assistant to the previous politician at the time, too. You understand what I’m hinting at when I say that, right?” Miguel nodded, to which the older man smiled. 

“I had my children either way. It was a struggle to tackle the task of raising them and working. I had days where I thought I didn't do enough for them and that I found my work to be more important. Mary had her own career to focus on. She would work late into the night. I’m assuming that [Name] does the same thing since she chose to be a designer just like her mother. Do I need to be corrected?” “No, you don't. You're right.”

“We still did the best we could, regardless. We could have done some things better, yes. But we can't go back in time to correct ourselves. We can only give advice to those who seem to be going astray.” Joseph hinted, looking at Miguel, who looked back at him.

Joseph knew; he could tell by the way he looked at him, disappointed and angry, but chose to contain himself.

“I only hope you won't regret your decision, Miguel. Just know that I will be alongside my daughter when she decides to tell us.” Your father took in one last puff and let it out. Miguel and Joseph gazed at the smoke one last time until it disappeared into the clear, blue sky over the beautiful atmosphere.

Joseph's cigar remained in its ashtray, the soft red of it fading with each passing moment. Both men took in the peacefulness of the atmosphere with sombre spirits.

Moments after you freshened up, you headed to your husband. ���We should head out in a bit.” You said, then placed your head on his shoulder and laid your hand on his chest. He noticed how drained you felt. He sensed the irregularity in your hormones. You felt his arms wrap around you, and you wrapped yours around his. You made your decision at that moment.

“Cariño, I am so sorry. I'll be better. I'll never hurt you again.” He whispered in your ear, his soft tone and the warmness of his breath in your ear making you melt in his arms as you tightened your hold on him.

“We will see each other once more.” Mary stated, across both of you with her husband. She hugged you, then Miguel. Her hands held the sides of both your shoulders and shook them. “Drive safe, alright?” Joseph said, then hugged you and shook Miguel's hand. “Yes, sir. We'll be alright.” Miguel responded and shook the keys with a grin.

“We hope to hear some good news soon.” Your mother commented, smiling as she directly looked at you. “We will soon, won't we, Miguel?” Joseph said, looking at Miguel with a grin. “Hopefully.” Miguel responded and straightened himself. You could tell that something happened between them. “Don’t worry, you will soon.” You responded with a smile and left hand in hand with your beloved.

The strawberry air freshener, coffee, Miguel's spicy cologne, and your sweet perfume lingered in the air of your home when you both stepped in. The cosiness hugged your form, and you took it all in, craving the warmth you desperately needed in the last two days.

“Miel, it feels good to be back, doesn't it?” Miguel placed your luggage on the side and hugged your waist, savouring the comfort of the air before him. You squeezed into his warmth, cherishing it as a longing emotion overcame you. You turned to face him, and before anything could pour from his plump lips, you locked them with your own.

He lifted you, soft lips still entangled, his stamina much greater than your own, to the wall, willing to do all the work as you squirmed in eagerness across him. “Let me help you.” You said, in between gasps, need flaring all over your body as he kissed your neck, nearing your collarbone as kisses and tiny licks trailed towards it.

You could feel the slight sting of a canine; the sensation became foreign as it had been a long time since you embraced in hazy lust. Your body missed it—the curl of your back as you felt it draw a messy line down your collarbone.

“Mikey, please-” You drew out a sharp breath, your eyes hinting towards the stairs that led up to your bedroom, then shut tight when he pressed his hips closer to your own, evidently just as excited as you were. He lifted you in a hug, and your legs immediately clung on to his waist as he tightly held on to you, almost as though you'd disappear right there and then.

“Mi Vida, I promise I will never hurt you again. Te quiero tanto. Te quiero, te necesito tanto, Mi Vida, Mi Todo. Por favor, por favor, déjame tenerte.”

[“I love you so much. I love you, I need you so much, My Life, My All. Please, please let me have you.”] 

“You can have me, Mikey. Please.” You dragged on, clinging more to him as want consumed your forms.

The sensual fog filled the house as carnal desire mixed between your bodies late into the night. You finalised your decision as sweat stuck to your body, your gaze on Miguel as he slept soundly. You hadn't seen him like this in such a long time. Your fingers moved to separate a stray lock that stuck to his cheekbone. Pain struck your heart when you thought about how Dana must have seen him this intimately. You wouldn't blame her if she did the same thing you had just done. You just hated that she got to.

The never-ending bustle of Nueva York in the distance was all you drifted off to sleep once more with. You had a fleeting thought of what went on in his mind when he watched you drift off to sleep first. You knew he must have loved it; he must have gazed at you with the same adoration during your first moments together. You missed it all.

“I want a divorce, Miguel.” You calmly let out, scrambled eggs on your plate and his as you ate breakfast with one another, spirits low. He sighed, an indication that he expected this, then looked at you, searching for a sign that you would consider any plea that fell from his lips. He didn't find any. “I’m sorry, Mi Amor.” He apologised, then drank coffee. The cup was placed on the counter a bit loudly for comfort. He looked towards you in apology. You nodded, then turned to eat.

“I know.” You responded, looking out the window at the eggs that softly lay on the nest on top of the tree next to the household, wondering if, by leaving him, you'd unlock the path towards that. The mother bird’s eyes lingered on her eggs for a moment. Maybe it was in adoration.

You let out a hum, making Miguel shift his low eyes towards your own in questioning, and you shook your head, then turned back to your plate.

I’m done!!! Yessssss!!! I don't know whether to continue with this or not. If I do, it'll take a bit to get chapters. This took a bit out of my lifespan but I’m so happy that I wrote this! ꒰⁠⑅⁠ᵕ⁠༚⁠ᵕ⁠꒱⁠˖⁠♡

[physalian]

Transformers Prime Appreciation Post

You know what. You know what?? This show has featured in so much of my writing advice, it deserves its own “This show is amazing and has amazing writing and shit you can learn from it to be a better writer” post. It’s streamable on Netflix at the time of this post. I own it on DVD. I have all three seasons on actual, physical discs that I bought new for my DVD collection. That’s how much I love this show.

What is TFP? TFP aired on The Hub network, the joint venture between Hasbro and Discovery Channel that died after MLP ended, I think. We lost cable before that happened. TFP was probably single-handedly sustained by MLP money for a while, like the rest of HBO on GOT.

This show came out when I entered high school and I have extremely vivid memories of some of the constant previews they showed of the season 1 finale 3-parter, to the point where whenever I watch the scenes that were in those teasers, I still get a physical reaction from being bludgeoned over the head with those lines of dialogue.

I used to scroll ahead in the TV guide as far as the scheduled programming allowed, just to catch snippets of what episodes were slated to air within the next month. This show was the shit.

But it was too expensive and its budget got eaten by Friendship is Magic. The bronies ruin everything I guess.

It’s 3 seasons (technically 2.5 since 3 was only greenlit for half its episode count) of near-perfection and a tv-movie. There are a few weak episodes, sure, and one absolute dud of a clipshow episode, but there are no awful episodes. There ain’t no “Great Divide” for this show.

Why you should watch it:

1. A “kids” show that absolutely takes itself seriously

One of the Autobots dies 5 minutes into the series and it’s the inciting incident for the entire story. He gets blown up, taken prisoner, and then stabbed through his chest by a Decepticon’s fist without warning. He then gets brought back as a zombie, killed again, infects his partner with the zombie juice when she’s trying to save him, and dies for good.

Two main characters get straight-up murdered, long-running characters whose deaths have lofty consequences for the narrative. There’s betrayals, double-agents, robot torture, robots getting eaten alive by scraplets, gaslighting of an amnesiac, near-murders of POWs, near-murders of fan-favorites who get so hurt, their recovery spans 4 whole episodes, attempted child murder, terrorism, and mad science.

But there is also some heavy emotional shit. The surviving partner of the zombie is damaged by his loss for the entire show because she can’t properly manage her grief. There’s characters going on suicide missions to avenge their dead/dying friends, getting beat to shit while a child watches helplessly on the sidelines screaming at them to get up and run through tears. There’s war flashbacks to dead friends and comrades and the terror and fallout of being eons-old soldiers.

There’s quiet moments, too, about grief and loss and living with disability and disfigurement from battlefield wounds. There’s the machinations of a tragic villain, openly and explicitly abused in front of his whole team and who keeps crawling back and groveling at his master’s feet and his internal identity crisis over who he is, if he’s not with his abuser. There’s the fallout of an extremely divisive trolley problem where a normally calm and collected character loses their shit with grief over the decision that was made. There’s the quiet rumblings of dissent and rebellion in the ranks and all the backstabbing that follows.

And there’s clever moments. Rogues and rebels orchestrating complex and interwoven plots to further their agendas. A POW who no one would ever expect to be captured absolutely trouncing their captives and laughing all the while while they free themselves. Characters who always have a backup plan to force others into awful predicaments.

The first episode after the 5-episode mini-movie that opens the show features an A-plot about school science projects, and a B-plot about waking a loyal ‘Con from stasis and trying to convince him to bow down to the ‘Cons’ temp leader, Starscream, while Megatron is elsewhere. It does not end well for him. The very next episode features robots getting eaten alive by alien metal termites.

2. Depth of Character

Beyond the actual plot, the villains might be more compelling characters than the heroes across many arcs and episodes. You’ve got five main autobots for most of the show that generally fit the 5-man band:

Optimus: Leader

Ratchet: Smart Guy

Bulkhead: Tough Guy

Arcee: Lancer

Bumblebee: Heart

Also guest starring the Alien Robot Cowboy Samurai known as Wheeljack, he’s amazing.

These characters have some really rich episodes and arcs, and moments where they have to put their own values, wants, and agendas aside for the greater good or the problem at hand. They feel like real people, for lack of a better word. They laugh, they cry, they rage, they grieve, and since the show is one long storyline, what happens seemingly inconsequentially in season 1 will come back to haunt them in season 3.

But then you have the villains, an extremely dysfunctional team of “every man for himself, we’re all not here because we like each other, but because we hate the Autobots,” and I can tell from the fanfic that the ‘Cons are the much more popular characters to write about.

Megatron: The fascist narcissist warlord

Starscream: His scheming SIC both too smart and too dumb for his own good

Soundwave: The utterly badass TIC comms chief who never loses and is insanely, fiercely loyal to the cause

KnockOut: The absolutely gay-as-fuck cosmedic surgeon/chief of medical voiced by Daran Norris, who’s only design requirement was to make him a sexy sportscar, and they ended up with a cherry red Aston Martin. One of his first lines in the show is "*whistle* Sweet rims” at Optimus in truck mode.

Breakdown: KO’s himbo, canon* boyfriend with some of the best, cringey puns

Airachnid: Arcee’s arch nemesis, the only other female transformer, a “love to loathe her” type

And others down the line for both teams.

*Canon insofar as a kids show on a kids network allows a la “we’ve given you as much subtext as we can, do the rest”.

KO is technically my favorite but it’s a tossup between many and that is a feat, especially when they’re the villains. They are all extremely compelling characters.

3. The Story

With some exceptions, episodes don’t happen in isolation. Most of season 1 is a bit random with a foggy throughline, but season 2 is utterly amazing, sans that one clipshow the producers probably insisted on.

Season 2 is the show’s finest hour and without spoiling anything: The end of season 1 sees this database that had been in the ‘Cons possession suddenly now with the means to decode and decrypt whatever’s locked behind it. The database contains coordinates on Earth of a myriad of confiscated weapons, ancient relics, and the like and the entire season is one big fetch quest with both sides racing and beating the shit out of each other to decode coordinates and retrieve the relics before the other side.

The macguffins are pretty cool in their own right (alien mustard gas, a giant Final Fantasy sword, an alien nuke, a phase-shifter) but it’s the intensity of the story and the action and drama that happens around the various quests that is so amazing.

At one point, the show takes four episodes to tackle a fetch quest across four separate relics that involves the entire cast on both sides and the two rogues all gunning for their targets at the same time, ending with one character critically injured that grinds the whole plot to a stop.

The show is one long story, as I mentioned, where something that happens in episode 2 shows up again as critically important in episode 40 and that’s a heck of an achievement on the writers’ part, making it all feel like it was planned that way from the start, even though it wasn’t.

Season 3 is… lesser, mostly because it has half as many episodes because the show was canceled. However, the writers knew about the cancellation early enough to still deliver a satisfying story, and wrap up loose ends with a tv-movie that is also pretty good.

Episode-to-episode there’s definitely a mixed bag of what kind of tone you’ll get. It’s still a kids show and there are human characters so there are some lesser episodes with the humans’ lives as the focus and the Autobots running support. Then you’ll have small-screen perfection, but like I said, there’s never a single episode of story (not clipshow) that I skip upon rewatch, no matter how many times I’ve seen it. The second “clipshow” episode is far and gone above the first, told through the eyes of a character as they’re on trial, only their scenes through the story, as they await judgment that might see them executed.

4. The Production Value

The majority of the animation budget rightfully went to the transformers themselves, which left the environments and the human characters a little rough around the edges. But you came for alien robots and before I got this show on DVD, I streamed crap quality episodes online. Once I saw these characters in full HD color, for the first time since it aired on TV, I was blown away. The reflections are, bar none, the best part. Which seems like a strange hill to die on but these are shiny metal giants. There’s some shots where you can see the reactions of other characters reflected hazily in the chest plates of the speaking character, and this is kids animated TV.

Some episodes do stand out, possibly because they changed studios, but some do have some off-kilter coloring or shadows, but you wouldn’t notice if you’re not like me and have picked some scenes apart frame by frame.

The music, also, is amazing. It’s grand and epic and far and gone from the 80s synthesizers, with a few choir tracks thrown in. The foley and sound design can get a little gratuitous with the metal-on-metal squeals, but none of it ever feels out of place.

I bought the directors’ commentary without knowing it for seasons 1 and 3 and they talked about having all the digital screens in the backgrounds of both bases constantly moving and showing data, not just static, blank images, and it really ups the feel of the quality and care put into the show when there’s always something cool to look at in every frame.

There are also some money shots. At one point there’s a fight that demands Optimus and Megatron join forces and with zero dialogue between them, only choreography in the span of about 25 seconds of animation shows you that these two really were old friends, old allies, old confidants. Their moves are mirrored, back to back, showing that Megatron clearly taught Optimus how to fight and this shot, the one at the top of the post, is too good to not spoil.

5. The Writing

Beyond the overall arcs, I mentioned in my “How to make your writing less stiff” post that the dialogue in this show is stellar. Due to animation budgets, they didn’t have the means to fully render a huge variety of environments, and that includes anything on Cybertron. So, when necessary, outside of when characters actually go to Cybertron later in the show, they use some beautiful matte paintings and voiceover narration by Ratchet, absolutely dumping exposition on the audience in spectacular fashion.

I have the director’s commentary. I know Ratchet’s monologues were a thing of beauty. They also had the cast all recording their dialogue at once, standing in a big U for more natural line deliveries.

The actual writing though, from the different ways the characters speak to the lore, the backstories, how the show can be a horror trip one minute and a kids’ science fair the next, showed incredible variety and flexibility in the writers’ room.

Optimus’ lines remain my favorite because they’re just that juicy, but then you have characters like Starscream, a perpetual schemer who loves to hear himself talk, pontificating whenever he can about his plans and how much he hates Megatron and how self-important he is. Or other righteous characters who use Big Words like Optimus that don’t feel out of place against somebody like KnockOut who says stuff like “I like the way I look in steel-belted radials” or Wheeljack who clearly learned English from watching Clint Eastwood movies.

Or, a later character, Shockwave, the most “robotic” of the robots and very poncy and scientific with the way he talks and interprets the world, with most of his lines including whether or not a character’s choices were “logical”.

This show is fantastic at creating tension out of mundanity and keeping you on the edge of your seat for nail-biting action scenes. You feel the anguish and the grief with the characters. Their rage and elation and devastation.

Some faults, because I love this show and I can recognize them

The human characters are… well, teenagers. Miko is pretty divisive, you’ve got the camp of “wah she’s a girl and she’s annoying” and just people who don’t find them as compelling. Which, fair. Their animation is a bit gummy and sometimes they disappear for entire episodes and their human world arcs are kind of abandoned. They’re not the best, but this isn’t about humans, it’s about transformers.

Due to probably time constraints with the show being canceled, some transformers’ arcs also felt abandoned or not given their due time to shine (of which fanfic has made painfully clear and rectified). It’s a very tight plot, but there are some dangling loose ends.

Sometimes it is incredibly in-your-face that this is a show meant to sell toys, particularly in season 3 with the whole uh, “we must become beast hunters” and the soft rebrand.

There exists a subplot of C-list villains, human militants who want to dissect cybertronian biology and make weapons. While some of their episodes are absolute bangers, you can tell the writers were getting sick of them before they’re finally written out of the show.

And a few awkward lines here and there.

Other cool shit if nothing else has convinced you

No love triangle or romantic subplot for the two female robots and one of the female humans. You can read one of Arcee’s relationships as romantic or platonic, but she is far beyond just “the girl” of the group, she’s a badass. The other romantic subplot is between a mom who’s deadbeat ex-husband is inexplicably missing, and a pot-bellied Army vet, and it’s really sweet and healthy.

(I think) incredible representation of characters with disability, in Bumblebee’s various war scars and his mutism.

The Gays. I swear there’s a page in the art book (of which I am desperate to find a copy of) for KnockOut and the caption of his art legit says something like “we made him too sexy, oops”.

So. Many. Puns. Puns that know they’re awful and relish in it. Dad jokes, too.

Ratchet losing his mind over how human children can get “twisted limbs and metal burn” if they do a dangerous thing before realizing the latter does not apply. Ratchet losing his mind in general. Just all of the cranky medic. Jeffrey Combs can make a phone book entertaining.

One of the last times we’ll probably get Peter Cullen and Frank Welker together doing Optimus and Megatron, the OGs. And also, one tiny moment where Frank has to say “treasure” and he still flubs it just like he does for Fred in Scooby Doo.

Consistency between character injuries. If Optimus’ sword breaks in a battle, whenever he summons it before he can have time to fix it, it’s still broken in ensuing shots.

An episode of zombies infecting the Decepticons’ ship and Starscream and KnockOut accidentally admitting they love each other while cowering in terror, while also calling back to a different pair of characters they did not witness saying the exact same lines.

Optimus transforming, ramming Megatron in the chest in truck mode, booting him off a cliff, and using his tires to melt rubber in Megatron’s face once they land because he is pissed.

All of Starscream’s immensely satisfying comeuppance for situations he gets himself into.

Using the murder termites for good in a rather horrifying death of a random goon.

Megatron’s hate boner for Optimus that clearly shows how badly these two don’t actually want to kill each other, despite having a million chances to do so, because like Batman and the Joker, “you and I are destined to do this for eternity,” and killing one would leave the other alone, after eons of fighting.

The gorgeous matte paintings.

—

Somebody on here once drew KnockOut with Autobot blue eyes and I have not been able to find that post since. If anyone sees it, please send it to me, it was gorgeous.

Now go watch this show. You can do it in a weekend.

[hamletshoeratio]

"But no new content 😭!!" that means jack shit. We have several literal decades worth of content we can watch or rewatch. The writers and now the actors too are not only fighting for their livelihoods but for the futures and the soul of their industries.

Fuck new content, fuck the executives and producers and powers that be who make millions upon millions while the people, who create the content that make them rich, can barely make ends meet.

Here's some suggestions to anyone who doesn't know what to watch;

Nostalgia rewatch; watch old favourites, shows and movies you haven't seen in years but that stayed with you, the ones that mattered to you.

Watch the shows your parents didn't let you watch growing up because they thought the show was "too mature" for you.

Watch the shows and movies people have recommended to you that you never found time for before.

Watch indie films!!!

Look at different genres than what you've watched before and give them a go.

Try films and shows from other countries and/or in other languages. There's dubs and subtitles available and these shows and movies can be just as good if not better than their American and/or English speaking counterpart.

And remember when watching shows, that you do not have to binge them all at once, you can have your own personal tv schedule and watch say an episode a week like you would've done when/if they aired before streaming

Look at some older films and shows, why does it matter if it's in black and white or the camera quality is lower than 4k and hd, so long as it's good? And so many of those shows and films, while not perfect, have aged better than shows that have come out in the last decade, like the golden girls for instance has aged so much better than say glee (ok many many many shows aged better than glee but let's be real for a second, music was better when artists were terrified of the Glee cast doing a better version of their song on the show. I do still wish it was a show my mom didn't let me watch tho, lmao glee was fine but no, her twelve year old being obsessed with Les mis and rewatching it religiously was cause for concern 😂😭 I was just as obsessed with glee for seasons 1-4 especially).

It's ok to indulge your inner child and rewatch the classics tm. The shows and movies you grew up with. Rewatch the shows that got you through sick days from school, the tv movies you remember watching premiere, the cartoons that MADE your Saturday mornings, etc.

On the topic of animation, that's literally an unlimited genre you can tap into, which rarely gets the recognition and respect it deserves.

Don't be afraid to watch the one season wonders, the shows that networks and streamers cancelled after one season in spite of strong reviews and good ratings. Or the shows that ended abruptly around the season 3 or 5 mark because networks and streamers cancelled them because they didn't want to negotiate contracts and have to pay the actors and writers more. Get angry, remember what the actors and writers are fighting for.

The privilege of older shows that either concluded naturally or that writers were given a heads up on might be on it's last season is that you get closure, unlike with the above. That might not mean an ending is good but a bad ending is better than a cliffhanger. There's always fix its fics for a bad ending. And if the ending is good, it's typically GOOD in my experience. The fear of a cliffhanger and zero closure has already turned many against watching new content until the show is renewed for another season or is fully wrapped (and fans don't hate the ending).

Watch the shows that were in their day or are popular or critically acclaimed, they usually hold up to the hype.

Watch the old shows and movies your favs were on/in before they were your favs.

Try a soap or a telenovela, they can be entertaining af (holby city my love, Tuesdays have never been the same since the BBC robbed me of you).

If you liked a reboot or a revival of a show, try the original (in certain cases, the og is even better, see boy meets world v girl meets world).

If you like period dramas, try shows and films from other countries based on their history. A lot of times when people are telling their own history it goes far better than when Hollywood tries it (see the many times Hollywood has actors brought in because producers think they're good for box office and they then go on to butcher the accent their character should have, see Cameron Diaz, Julia Roberts, Meryl Streep and so many others who have absolutely butchered the Irish accent over the years for instance. There's also many many instances even recently of just blatant whitewashing see Matt Damon as the last samurai...).

Listen to recommendations, watch the shows and movies you know your family and friends loved but you never got around to watching.

[toweroftickles]

Reimagined Tickling #5

Fairy Tail/The Legend of Korra

A lot of times when I see a tickling scene in a movie or TV show, I imagine how fun it would be to see other characters in those same situations. You know, like "Oh I wanna see X character get tickled like that." So I thought I'd try writing a few drabbles where I'll take a famous tickle scene and reinterpret it with new characters in new settings.

This one was a request from my readers! Let’s see how Avatar Korra fares, living through Lucy Heartfilia’s torment from Virgo.

This story takes place during TLOK Season One.

Late-night puddle droplets splished into the air and drenched Korra’s heavy tundra-camel boots with every thunderous step. The brickwork backstreet was too crowded for her to use her bending arts safely, but she wasn’t going to let her target escape.

“Hey! Get back here!!” she shouted.

Through the window of Narook's Noodlery where she and her Fire Ferrets celebrated, Korra had spied the girl outside...a scrawny little scarecrow, couldn't have been more than 10 or 11, all in seaweed-colored rags of ill fit, with tufts of bright orange plumage shooting out from beneath her aviator goggles. She'd been struggling to remove the hubcaps from Asami’s car. A street rat kid rummaging for auto parts? Probably part of the Badgermole Triad. Well, if Officer Lin was too busy with “important city matters” to deal with them, Korra would do it herself.

The Avatar pushed and shoved her way through the crowd, lagging behind a diminutive thief who had the ability to simply slip underneath the sea of legs. For a moment, her pursuit was blocked by a busy traffic intersection...the girl was already across the street and fleeing fast...but Korra quickly dodged and flipped between the charging vehicles. As one car pulled out into the road, milliseconds before crashing into it, she vaulted legs-first over the engine hood, a blast of air propelling her along to the sidewalk on the other side, and the squeeeaaeeaaaky slide over hot metal nearly rubbed her butt-cheek raw.

"GET OUTTA THE STREET, YA MORON!" The pedestrian driver's horn rattled her eardrums.

Yow!! Ow ow ow ow ow! Korra hissed to herself, clutching her sore behind as she ran. (Well…it was more of a limping hop.) Ugh, that’s gonna smart for a while…

The chase led down a limestone alcove, hidden beneath a dumpster behind the Cabbage Corp building, down a wrought iron ladder that bored flakes of rust into Korra’s palms, and into the cyclical catacombs of the Warrens. Why did these dumb squirts have so much energy? She was nearly out of breath and about to call off the pursuit, when she found herself in the atrium of a massive cave.

The city lights above illuminated the red-brown earth floor. All across the sprawling portal were the bodies of countless wrecked vehicles, no doubt used in the illegal racing circuit. Satomobiles and Cabbage Car chassis of all colors littered the pools of light like croutons in soup, their parts creaking and groaning against each other. And at the far end of the cavern, past the musty graveyard of wheels and springs, there stood the kid, her back to Korra, perfectly still.

Was she oblivious, or planning something? Korra wasn't gonna wait to find out. Uncaring about noise or stealth, she charged.

Now I've got you!

Without a turn, without even a sideways glance, the mysterious child stomped a bare and bandaged foot into the dirt.

The ground beneath Korra's feet instantly dropped away like a trapdoor. “WHOA!!!” Korra yelped and tried to stop herself, but her momentum slid her down the ramp-like opening on her heel and carried her right into the maw of this newly-dug pit. She barely had time to steady herself either - as soon as she wobbled to a stable position, four large rectangles of stone, thick as concrete slabs, rose up vertically around her and rushed at her from all angles. On pure instinct she threw her arms out to the sides to block them, and her wrists were greeted by a crushing weight that nearly shattered them to splinters. She winced and shouted as the walls pushed against her hands, boxing her in and forcing their way closer and closer to her, but somehow, her throbbing arms held firm. Her energy was drained from the chase, but eventually, the blocks ground to a slow stop, and the dust settled.

Korra wheezed. Whew. I was almost a pancake. She felt like she was trapped inside a chimney. Unable to clearly see her surroundings, she glanced up to find the little sticky-fingers on the ledge of the trap hole, staring furiously down at her.

"Stop following me!" the kid yipped.

“You’re an earthbender?!”

"Of course I'm an earthbender! Now leave me alone!"

It was this surprise revelation that made Korra pause…this earthen box itself was no problem. One quick push outward and the walls would crumble. Her knees swiveled inward to form a Gong Kiu stance. She furrowed her brow and felt the rock surge beneath her hands, unaware of the sedimentary serpent that approached her.

It started small at first. Tiny granules of sand and crumbled earth all teemed together like a school of krill at the Badgermole recruit’s feet. Then, smoother, rounder stones joined the fun. Soon they all coalesced into the shape of a tentacle, that grew and grew in length until it was large enough to reach over the edge of the crevice and spiral down to the Avatar’s body. It nosed around as if hunting, dancing to its master’s commands, until finally, it lunged.

A sharp blade of air stabbed Korra's throat. All the blood in her face drained into the back of her neck, and she froze, save for her widened eyes, which darted to look at her abdomen. For a split second of terror, she thought she'd been speared. But no. This was worse.

The stone whip that she saw for the first time caressed her stomach back and forth like a tongue, up and down, side to side, between every taut muscle and even around the rim of her navel. It wiggled and poked and wouldn’t stop.

What the - ?!

“Tickletickletickletickletickle!!” the urchin girl’s shrill voice called out.

No. Wait. You’ve gotta be kidding me.

Korra tried to wrestle the urge down into her stomach, but she couldn’t help herself. She simply burst out laughing.

“Wha…d-d’ah! H…Haha! Haha Ha-Ha Ha!” Only for a fraction of a second, her hands slipped downward. But that was enough. Her strength gave way and those rock slabs, commanded by another stomp of the mysterious kid’s foot, pummeled even harder against her arms. They smooshed Korra tighter and tighter ‘til her elbows buckled.

“Ahhhh-ow ow ow OWWWW!!!” Hot thorns of pain cracked her ulnae.

“Heh-Heh Heh! That’s the best trick I ever learned! Not so easy to concentrate on your bending when you’re laughing like a hyena-monkey, is it, Miss Avatar?”

“Ugh! You little brat! Fight me like a real bender!” Korra barked.

But the young thief was merely bemused by this demand. “Hmmmm…” She stroked her chin and pretended to ponder for a moment, before a cruel snaggle-toothed smile grew across her freckles. “Ok!”

The girl threw out her right arm and twisted her wrist so that her fingers faced the ceiling. While those pointed digits wiggled in the air, her left hand made fast swipes like a conductor's baton, and her feet drew concentric circles on the ground. Korra had never seen bending like this. She would’ve been more curious...if her thoughts weren’t distracted by the craggy tentacle that was now wiggling underneath her left armpit.

“D-don’t!! Haha-Ha! Ha-Ha Ha-Ha!! *gasp* Huh! Quihit it! Nooo, crahap; why don’t I cover thohohose?!” This was humiliating. Why tickling?!

With every tiny stumble of her hands, the rocks pushed in closer. A few more slip-ups and she'd be crushed. Now she was starting to panic.

“Are you ticklish here? Or here? What about there? You’re gonna beg for mercy before long!”

The pebbles in the strand climbed over one another and traced serpentine patterns along Korra’s jaw, dragging their tiny rigid edges against the underside of her chin…down her neck…deep in her collarbone…drilling into the left armpit, and then the right…down her back…scrawling between each individual rib…once it even burrowed itself into the back of her knee, twisting and wriggling against a painfully vulnerable spot of skin. Every time Korra attempted to contort her body away from the rock-and-sand tendril, it leapt with lightning speed to another one of her softest pressure points, each more weak and sensitive than the last.

“Kitchie kitchie coo! Ah-Kitchakitchakitchakitchakitchakitchakitcha!” That nasal baby-talk was really starting to grate.

“PFFHA-HA HA-HA……nnnnn!! ….GkKHaha-Ha! *hic* Ha-Ha Ha-Ha Ha-Ha!! D…Dahamn it! Haha! Huh-Huh Ha-Ha Ha!! R-HA-hocks…rocks are supposed to be sharp; they’re not s’posed to tickl-hl-hl-ha!!”

Korra’s arms trembled in their sockets. Only a single cubit’s length separated the two walls that sandwiched her…all her strength was sapped out…gravel was practically sanding down her ears…

“Had enough yet?”

All of a sudden, the tickle whip backed off. Korra bent over double in a struggle to catch her breath. Pools of achy misery swam through her ab muscles. A single bead of sweat drizzled its way down the bridge of her nose as she huffed and puffed.

“Hmmm…this isn’t working,” the pint-sized pilferer pouted with folded arms.

“Uhhh…Wha…what do you mean?” the Avatar moaned and raised her head. Particulates of sand were slithering up the side of the crevice and back to their commander. “Why’d you stop?”

“Hmf. Well I wanted to punish you for chasing after me. But you’re enjoying it.”

“ARE YOU KIDDING ME WHAT THE HELL IS WRONG WITH YOU THIS IS TORTURE!!” Korra might not have been a direct branch on Aang and Katara’s family tree, but she sure could channel her Water Tribe forebear’s explosive frog-mouthed temper. Tenzin was rubbing off on her.

Before she could protest further, the stone walls around her dissolved back into the ground as quickly as they’d sprung up. With nothing to push her palms against, Korra was suddenly thrown off-balance and, with her arms windmilling wildly, she toppled backwards like a chopped-down tree.

CRASH!!

It was a good several seconds before she managed to push herself up off the soil again. A heavy pulse thump-thump-thumped all the way from her hips to her throat. Her arms felt like jook pudding.

“Ugh…yep. Still smarts. Landed right on it,” she groused, to no one in particular. Korra didn’t have to climb out of the quarry to realize that her quarry was long gone.*

Great. Just great. She galavanted off halfway across the city, ditched her friends, bruised her ass, got lost in the Underground, nearly broke her arms, and got tickled mercilessly, just to fail at catching a poor kid who didn’t actually steal anything from them. Brilliant, Korra. She groaned and pinched her eyebrows, her mouth in a stubborn frown.

Slowly standing and dusting herself off, Korra limped up and out of the hole. In the midst of wondering how to explain this one to the team, one more terrible realization struck her.

"Aw, crap...

…I didn't pay my check."

*Why yes, I AM very proud of that sentence, thank you. (gets hit with a shoe)

********

[spatial-jump]

Spoilers for all episodes of the Umbrella Academy Season 4 and profanity below.

What the actual fuck was that finale?? Was I watching the same thing directors looked at and went, “Yeah, this is cool!”

Those last two episodes were a total shit show. An absolutely horrendous finale to a wonderful TV show.

The first thing I am so fucking pissed about is how they’ve written Five in this season. They ruined him. They tore apart the aloof apocalypse-obsessed arsehole who loves his family, destroyed it, spat on it, and then danced on the grave before crushing it under an anvil.

In no fucking timeline whatsoever would Five and Lila be a thing. I understand where some people would come from to defend it — that yes, they were both isolated for seven years and could only find company in each other, distorting their relationship as they sought comfort which mistakenly and incorrectly transpired into ‘love’. No, it’s messed up. It’s so fucking messed up and creates unnecessary drama that the writers probably wanted since they were undeniably lacking in the finale. When I first saw the camera angles and shots they were getting prior to Year Five in the subway, I was naïvely thinking, “Surely not. Please don’t tell me this is where I think it’s going.” And lo and behold, I was right. And I’ve never hated to be right so much in my entire life.

Lila (WHO HAS THREE ADORABLE CHILDREN WITH DIEGO, BY THE WAY) has known Five for absolutely ages — since he was in the body of a thirteen-year-old child. Mentally, he’s however many decades older. Regarding the actors, Aidan and Ritu, themselves, there is a fifteen-year gap between them. But my point is, Five is not a home-wrecker. Five is the type of character who would not deliberately fuck around with his brother’s wife because he absolutely adores his family. It’s not in the nature that has been presented to us, and goes completely against his values — and for what? To serve exclusively as a shitty love triangle so that Diego and Five would fight in the finale and break up the family even more at the most crucial point for them?

Five is your textbook example of a pragmatist. He knows how to prioritise, and would certainly not decide that the time to fight Diego was when two of their siblings were badly injured and another had merged to bring about the Cleanse — a.k.a. end of the world, again.

I am so, so disappointed with this, especially as Five is the character I’ve had the strongest attachment to, ever. I think I’ve managed to disconnect S4 him from the first three (that fucking greasy rat’s nest hair of his has finally been given a beneficial purpose), but I’m still sick to my stomach.

Anyway, next thing: the episodes. I know we were told in advance about how there were only going to be six episodes, and we knew they had a lot to fit in to make it work.

It didn’t. It was executed very poorly. I understand some fans didn’t like the unnecessary subplots and fillers from the previous seasons, but S4 was a bit too rushed? I mean, they found and drank the marigold within the first episode. And floundered around at the end, not even bothering to stop the Cleanse until it had been aired on TV. I get they might’ve wanted to make the show more fast-paced, but it could’ve been handled differently. They didn’t have to do a ‘Stranger ThingsTM’ and make four goddamn films for a Part One. They just needed to properly iron out everything, and that didn’t happen, which is a massive shame.

The finale itself (not the erasing their identities, but from the moment Ben is shot) deserves some YouTuber to pick it apart with a four hour video until it’s dust. It was badly structured. Normally, you see a rather pleasant — not exactly linear, but in the concept we’re progressing positively — pattern as the episodes and plots build up to the finale. We see the family find out about an apocalypse, they fight and break off individually, then they slowly pair up, eventually coming together to save the world. This was not like that.

Instead, you had one sibling fucking around in a subway with his physically much older and mentally much younger sister-in-law, another that was hopelessly obsessed with a girl he just met (but no hate for him — no one exactly told him that being closer to Jennifer was just harming them both and the world), one germaphobe who, despite not taking drugs or drinking, is off looting money wherever he can find it and deciding that was the moment to pay off his debts??, three others doing fuck knows, and then the last one who actually gives a shit, teamed up with his hideous father, and tried to prevent him from killing Ben as long as possible because he knows what it’s like to end the world, and is therefore the only one who did anything useful. God, that was a long sentence, so I’m sorry for those of you who struggle with it.

The finale was not your Umbrella Academy finale. Once everyone had (I say this in the lightest way) been ‘brought together’, they had no bloody idea what to do. In the meantime, they’d disbanded about three times within the thirty minutes of screening because of petty fights and the drama I’ve already discussed. Five leaving them at the most essential moment (due to Lila and Diego, blah, blah, blah) was an error in his character. This old man has survived through apocalypses, the one who tries to round everyone up despite everything he has seen. Even with his doubts in the S3 finale, he was still there — and his doubts were shared enough that they created a majority. In this S4 finale, there was no majority. It was just Five, and Five alone. There were gaping holes and shredded pieces of the beautifully developed characters the show had done so well in portraying. They did this with Allison during that scene in S3, where they took her villain arc too far. There are so many flaws in this, and there is definitely many people out there who can communicate it better and more concisely, but here is my two pennies anyway.

I have a lot more thoughts, but I’m currently bone-tired. I might post another rant if I remember anything else — but don’t be too surprised if it’s Five x Lila related.

I am thankful and appreciative that the Umbrella Academy was one of the lucky shows that saw its way to the very end, but I think all of us are entitled to a little disappointment at its quality and execution as it was brought to a close.

[ryttu3k]

A question, spawned by a thread on Reddit! Explanation will be beneath the cut, please have a read after replying to the poll.

This is the doll character EC, from the Australian 90s children's show, Lift Off. EC was able to move independently and served as a friend to the child cast.

For responses: 'positive emotions' includes feeling warm, affectionate, etc towards EC. 'Neutral emotions' includes feeling ambivalent, not having any particular feelings regarding EC in particular. 'Negative emotions' includes feeling fear, disgust, disconcerted, etc towards EC.

Beneath the cut, a longer explanation on EC, and why I'm asking this question.

Lift Off was an Australian kids TV show that aired from 1992 to 1995, aimed at 3-8-year-olds (I was five when it started), partially fantasy but largely educational, aimed at helping kids learn how to deal with problems and difficult emotions, learn about the world, and foster empathy for others. In the first episode, two of the main cast of kid characters find a discarded doll, who, much to their surprise, starts to move independently. The kids befriend the doll, named EC, who becomes a main cast member.

In this clip, Poss and Kim find EC.

EC, short for 'Every Child', was designed to be an audience stand-in, allowing the entire young audience to project upon them, to be a vehicle for imagination. This... may have backfired for a lot of people, because thirty years later, what most people remember of Lift Off is of being completely terrified of EC, the faceless, non-speaking doll.

This article on the ABC, with Luke Carroll, one of the child cast members, opens by mentioning kids being terrified of EC. This article on Buzzfeed is entirely on how scary EC is. This post on r/AustralianNostalgia also goes into it, and this recent post on the same (which prompted me to make this post!) shows a positive response from OP, but with a lot of comments to the contrary!

(There were EC dolls available for sale - albeit with a plastic head, not a cloth one. I desperately wanted one.)

So, I'm extremely curious about how people initially respond to EC, particularly those who didn't watch Lift Off as a kid. There's a thread on the first subreddit post that has me thinking:

"We had an EC toy and I never once found it creepy. I loved playing with EC and played in a similar vein to the kids on the show. I've since found out that I'm quite neurodivergent so maybe that says something? I loved this show so much and have since shown it to my kids."

"I loved EC too… and I’m ASD, maybe that’s the secret"

"Exactly me! Was my fave toy ever. I remember all the scenes where he made cool magic happen"

Another comment:

"I adored Lift Off. Had my own EC doll because he just had the loveliest vibes (still have him somewhere), had the Purple Backpack as my very first school bag, got the magazines every month... it had me transfixed. Diagnosed with ASD in my 30s, which might explain it. But that show was just pure, undiluted joy for me."

I adored EC, wanted an EC of my own, and I'm autistic. I'm wondering if a positive response to EC is linked to that - with clearly projected body language and a lack of facial expression (or facial features!) and spoken word, EC definitely communicates in a non-'normative' way, which I found extremely comforting. I vastly preferred EC and Lotis (the sapient artificial intelligence controlling the building's elevator) to the human kids, honestly!

So, how do you feel about EC?

[rhysdarbinizedarby]

Rhys Darby has ‘not an ounce of scaredness’ about son’s band dreams

NZ actor Rhys Darby and his musician son Finn interview each other. VIDEO CREDIT: David White/Stuff

Rhys Darby is proudly listing career moments - but they’re not his own.

He’s recalling watching his son Finn’s band, Great Big Cow, “absolutely rock” iconic LA venue Troubadour to sold-out crowds.

As a parent, “you worry about a bit of nepotism,” he admits.

“Are we just ‘yay, our boys!’ when really they’re dreadful?”

But, he says, the band’s indie folk rock is “brilliant”, and keeps getting better. And, he insists, people are paying attention.

“We’re shocked as parents a little bit,” he jokes.

The band, Rhys and I are nestled between a Street Fighter arcade game and a pinball machine, in a dark corner of Auckland’s Whammy Bar. The US-based teen band has been sound-checking for their first international show.

Rhys has donned weathered jeans and a plaid jacket - approved by Finn. His son is wearing Dad’s socks for the night. While Rhys talks, Finn pulls faces and shares quiet in-jokes with his band mates. There are plenty of laughs.

Finn, Paolo Pesce, Will Angarola and Wyatt Nash originally played together in a school jazz combo, and went on to form Great Big Cow in 2022.

Rhys Darby, left, watches his son Finn’s band dreams without “an ounce of scaredness”. DAVID WHITE/STUFF

Now, Rhys insists, they have a growing fanbase. Some of whom “[do] that thing where you dance really closely … Moshing”. He points to my notebook.

“Put down there that I did know what moshing is.”

Sure, Rhys Darby - one of New Zealand’s most well-known comedy exports - helped the band get bums on seats and lock in bigger venues, but they were also recently featured on LA public radio station KCRW’s Young Creators Project, can be found on Spotify and their mainstay is house parties.

“I think because I'm a bigger deal [in NZ], it might have been a little different. In LA, no-one really gives a shit about who I am,” he laughs, looking over at Finn who’s patiently had his hand raised while Dad spoke.

There are people and groups in LA that have helped the band too, says Finn, and he’s not sure those opportunities would have happened back in NZ.

“I would have got you on bFM for sure,” Rhys quips back.

He looks on at Finn’s creative path with, “not an ounce of scaredness”.

“Obviously as a child I had many different dreams, but at the base of everything was art and performance,” he says, describing his younger self as a “dreamer” who wanted to entertain.

Rhys Darby with son Finn before Great Big Cow played Auckland’s Whammy Bar. DAVID WHITE/STUFF

“When it comes to [my kids], I see different ambitions, but they have the artistic talent - I’m completely open to whatever they want to do. I’ll always be there for them.”

Where New Zealand has a bit of a reputation for tall poppy syndrome and an air of negativity, LA is hugely positive, says Rhys - especially for fostering young talent.

And it was in LA, at a house party, that Finn recalls being caught up in the “electric energy” of playing live.

“The whole audience was moving. And I think two people got lifted up above the crowd and surfed around above the crowd,” he says.

Finn’s not the only Darby putting in some work while in Aotearoa. Following Rhys’s joint 50th celebration with wife Rosie, he’ll be returning to the local stage, performing his Rhys Darby 25 Years stand-up show at Waiheke Island’s Wild Estate on April 3.

It encompasses the best bits from his previous shows, but performing it at Waiheke is “just another excuse to put on a show, really”, and to show his US mates another part of Auckland.

Rhys Darby, following a stint in the army and then university, kicked off his career with stand-up, before becoming a household name with an impressive TV and film CV, including Flight of the Conchords, Yes Man, The Boat that Rocked and Our Flag Means Death.

As for whether he still loves stand-up, “love is a strong word”, he laughs.

“I still enjoy it. But it's it's less of a thrill than it used to be.”

What he’s really loving is throwing himself into acting, and challenging himself with more dramatic roles - different to the very physical, crazy “shenanigans on stage”, requiring more focus for the comedian and “not just being a silly bugger”.

Plus, he’s 50 now.

“It’s much easier to do the stuff where I'm just sitting down,” he laughs.

Still, there’s no denying he’s been part of a movement that threw New Zealand comedy into the wider world, and he speaks proudly about his own work, but also that of other Kiwis such as filmmaker Taika Waititi and actor Rose Matafeo.

It’s a type of comedy, he says, that “has a signature” and can’t be copied.

Rhys Darby and son Finn at Auckland’s Whammy Bar. DAVID WHITE/STUFF

“I think it’s that positivity thing, which is ironic coming from a place with tall poppy syndrome. We don’t like each other but you guys love us, eh?”

It’s one of the reasons Darby is still living in LA, “still waving the flag [and] not changing my accent”.

And while Darby’s big break may have been the role of band manager Murray, when it comes to Great Big Cow he and Rosie “don’t want to be helicopter parents too much”.

“We're there when they have a question.”

And while Rhys says he can’t talk about any of his own projects, Finn interrupts with a quiet word about vague plans for a comedy musical theatre show featuring Rhys and the band.

Looking back at his own career, the highlight was breaking into the US market - name-dropping X Files and Our Flag Means Death as highlights.

“What's next? It's all peaks and troughs,” he says - mentioning Hollywood is turning to AI, but “thankfully, there's no one that can do a better robot impression than me”.

Still, the changing industry is worrying.

“People are losing their jobs, and AI is having a lot to do with it,” he says - dropping the quips and gags for a moment.

“After the strikes, I know, it's taken a while to get the industry back on its feet, but I'm hoping that it will get there,” he says.

“But it is worrying. It's really worrying the moment.”

Source: Stuff NZ

[20kmemesunderthesea]

AMC's Nautilus

Action, political intrigue, plot twists and a healthy amount of sea monster skirmishes:

These are just some of the many reason why even those unfamiliar with the works of Jules Verne will find "Nautilus" to be an engaging SciFi adventure series.

Here are my (spoiler-free) thoughts on the show.

Note: as I write this, "Nautilus" is airing only on SVT: This is How I Watched it Living Outside of Sweden

When I heard that there was going to be a TV series about Captain Nemo's backstory, I was mightily aprehensive. The main reason for this apprehension was the mere fact that Captain Nemo's past is so dark and tragic. Thankfully, the series begins after the horrific events of the 1857 rebellion and just as the Nautilus is launched. What happened to Nemo's family is shown in flashbacks which explain the events without being graphic.

When I began the show, I honestly had very low expectations. I didn't really expect to like it. To my delighted asonishment, it turned out to be one of the best film tributes to Jules Verne I've ever seen - no hyperbole.

Throughout the series, there are fight scenes, periodic depictions of people bleeding and a couple "blink-and-you'll-miss-it" innuendo jokes, so I wouldn't watch it with a small child, but I think it would be appropriate to watch with most young teenagers (13+).

I believe both well-read Jules Verne fans and those who've hardly heard the name "Captain Nemo" will enjoy the intriguing storyline, likable characters and aesthetic scenery. There are many other factors which made me fall in love with "Nautilus" as well:

The Man of the Seas

The character of Captain Nemo has always facinated me. I was blown away by how perfectly and accurately Captain Nemo was portrayed in this series. Shazad Latif, in my opinion, is an immaculate Captain Nemo and he really brought the character to life with all his complexities. Out of all the film portrayals of Captain Nemo I've seen, I'd have to say his has been by far my favorite.

Tributes to Indian History and Culture

I'm American an my husband is Indian. He and I were both very impressed with the way in which Indian culture and history were presented. I want to see more shows like this to teach our son about his heritage. 

Many of the action scenes reminded me of South Indian cinema. In one episode there is a scene where the Nautilus crew is playing cricket against some Englishmen, which may seem a little disconnected from the rest of the story, but Bollywood fans may recognize it as a delightful tribute to "Lagaan."

The Writers Were Well-Verse in Vernian Lore

Although the story wasn't 100% accurate to the book, the writers obviously had read Verne's books and knew the nuances of Nemo's story and background quite throughly.

There were certain details which made me excited, such as when Nemo has an enigmatic exchange with an Englishman in which they greet each other warmly and seem to be thanking each other for...something. Nemo ends the conversation by saying, "Give my regards to Phileas!"

In Verne's other classic, "Around the World in 80 Days," Princess Aouda is the widow of the Raj of Bundelkhand. Since Jules Verne often dropped little hints that his books existed in the same universe, I always wondered if Aouda and Nemo were distantly related, since Bundelkhand is Nemo's kingdom of origin.

A question is posed: in this conversation, was Nemo thanking the Foggs for saving someone he cared about? This is the first time I've ever seen anyone address the detail that Aouda and Nemo might be relatives.

Tributes to the artwork of Alphonse de Neuville and Édouard Riou

I noticed several shots which were obvious tributes to the first-edition illustrations of Jules Verne's classics, such as Captain Nemo standing on the submarine deck with his spyglass, and the map of Lincoln Island on a cave wall. Those details absolutely thrilled me! 

Everything I've Ever Wanted in a Verne-Inspired TV Series - Except for That Cliffhanger!

Everything about this show absolutely floored me. It was everything I could have hoped for in a Captain Nemo TV series...and then it ended.

Such a well-done series ending with fairly significant loose ends felt like a punch in the gut more forceful than the maelstrom itself. I've been trying not to let it overshadow the rest of the show. I wish with all my heart that there could be a season two!

If anyone's curiosity gets the better of them, I compiled a list HERE of questions I desperately want to know the answers to. I hope someone may be able to answer my questions one day!

I want NEED more!

While I'm still coping with my post-series let down, I find myself pining away for more shows like this; shows based off of classic adventure novels which honor the spirit of the origional author.

I want shows which are imaginative, exciting and engaging, but have snippets of real-life science, culture and history woven in. Incidentally, I daresay these are the same elements which make the stories of Jules Verne himself so timeless.

[alanaartdream]

Funny thing happened on one of my TikTok videos where I was drawing and talking about fairly odd parents; my fairy Timmy au; and Nicktoons unite

And I had a comment on one of them

Asking

*Danny PHANTOM has a FANDOM 😭*

With that crying emoji with it and I responded that yeah it does like I was surprised someone would ask like that being as Danny phantom was one of nicktoons most popular cartoons along with fairly odd parents invader zim; Jimmy neutron and SpongeBob for quite awhile until well Nickelodeon made SpongeBob their golden child out of its cartoons and devoted all it’s attention to it ignoring it’s other cartoons series (it kinda reflects in the nicktoons unite games because when those games started you could see they tried to include all the most popular cartoons main characters as it’s focused but as the game started to hit the end of their run the games got more and more focused on making SpongeBob the main focus witch is kinda sad they went that way)

Like I live in Australia 🇦🇺 and grew up in Australia 🇦🇺 so not all the nicktoons shows or games made it to here or were not advertised much other here ( also like most Australian families didn’t have foxtel networks like Cartoon Network or Nickelodeon; like in mine it was enithr have internet cable or tv cable and we went with having internet cable so would end up watching Danny phantom on YouTube as well as watching others game play of nicktoons unite games on there as well; think I enjoyed watching the cut scenes most)

So my guess that commenter didn’t really get to see Danny phantom cartoons ever being as here in Australia most of us got to watch Nickelodeon cartoons through abc kids channel here a lot of fairly odd parents cartoons made it on there and I think jimmy Timmy power hour made it onto there

(I was obsessed with cartoons as a kid and became obsessed with anime as a teenager; those both became a hyperfixtion for my adhd brain and I can tell you kid and teenager me REALLY hated those reality TV shows that got into way of cartoons/ anime I wanted to watch

I hated those sidcoms that were not cartoons because they stated to replace cartoons I enjoyed on other free to air channels here in Australia

Think I wasn’t the only kid who hated those I remember abc kids network asking it’s kid fans what they wanted on the network and a lot were asking for anime content so not many wanted those sitcoms)

So my guess is they only knew a handful of the nicktoons because probably only got to see only a handful of the cartoons from where they were from (what I do know Australia got SpongeBob on channel 10 network in the mornings I believe; not sure wasn’t as into SpongeBob as many others were I was more into fairly odd parents; invader zim; a very beavers cat dog Rugrats and Aaaahhh! Real monsters!

Ok now that I think about it it was abc kids and channel ten that would air Nickelodeon cartoons/shows to Australian audiences one would do mornings or Saturday mornings while the other would do afternoons after school

You had to get the times just right to watch your favourite shows

And I know jimmy neutron did well here because his movie did make it here as did fairly odd parents because that ended up showing until like seasons 6-7 on abc kids in afternoons then just stopped so kids knew about those cartoons heck avatar last air bender ended up on that network as well for a time but the thing was invader Zim and Danny phantom didn’t end up on either of those free to air tv; you had to watch on YouTube or a friend would have dvd box set of the show and you could watch it from them (that’s how as a teenager I got to see invader zim and Danny phantom I had to go to YouTube for that)

So maybe that’s why half don’t understand Danny’s family/ friends got his back while many misunderstood how Timmy’s life truly sucked for him or why he needed Wanda & Cosmo

They may not of gotten many episodes to go off on and maybe what other fans have told them or maybe I’m overthinking things

[thislovintime]

Remembering David Jones, and sending thoughts to his family and friends.

(Footage in this edit from the Blu-ray set, Getty Images, Australian TV, Extra, the 1990s documentary; audio 1 from Peter's 1999 interview with GOLD 104.5.)

“Genuine, reliable and huggable, Peter is a natural person — really gets off on talent — loves other musicians and can jam along with the best of ‘em. I saw him holding his own with Hendrix, Stills, Young. He encouraged me no end. Bought me my first guitar and my first drum kit. […] He used to walk with a swagger, shining his arms with a confident air. He calmed hysteria, and lifted depression. ‘Dried banana, anybody? Piece of orange?’ — smiling, waving, running his hands through his hair. He knew all the crew by their first names. Kids crying at his feet he lifted and hugged like a father calming a child. […] He’s the most musically talented of us all by a mile. His songs are real. ‘For Pete’s Sake’ — which replaced the Monkees Theme at the end of some of the shows of the second season — is one of my all-time favorite songs by anybody. I’ve joked a lot about Peter giving everything away. But it was true. He was always giving his spare room to someone who needed it for the night — anyone. And he always seemed far away somewhere — in a different space. But I’m glad I know him. Of all the things he gave me, he gave me lots of laughs — and food for thought.” - Davy Jones, They Made A Monkee Out Of Me (1988) “I enjoyed [Micky] the most, respected Mike the most, and loved Davy the most.” - Peter Tork, Hartford Courant, February 26, 1982 “Davy adored performing, and adored meeting and greeting his fans. He was tireless in making himself available to sing a song, do a dance, shake a hand; whatever was asked. I had heart-to-heart moments with him that were among the best in my life. I was blessed to know and work closely with him. He was one in about 6 billion, give or take. We won’t see his like again. He left much too soon. I share your sadness. Thank you again for this chance to contribute. God bless and keep you all.” - Peter Tork in a note for a Pennsylvania memorial event for Davy, also shared via Peter’s official Facebook page, 2012 Peter Tork: “He was a master of many aspects of this kind of thing [entertaining], and, you know, and we had some very wonderful personal connections, and I’m really sad to see all that gone.” Q: “He just seemed to be a fun guy. I know he loved horses.” PT: “Sure did.” Q: “And obviously loved Peter.” PT: “Sure did. Loved him.” - 94.5 FM (Phoenix), 2013 “[Micky] and Mike and I have a very cordial relationship and share a lot of common topics. We go to lunch together when we’re all in town and have a good time. I love and respect each of these guys in their own way, although the real joys that I shared with Davy were special. At one point we had some good hard connections but as the years rolled on, those things faded away. But I am sorry to see Davy go. He was the one member in the group that I had the strongest human connection with. I still have two guys that I love and respect left from the band, but we share a different dynamic.” - Peter Tork, Review Mag, May 27, 2016

[noahsartt]

My reservations with the 2022 Interview with the Vampire tv series:

My thoughts on amc’s Interview with the Vampire (2022) tv series compared to the 1976 source material and what I liked about the 1994 movie.

Some reflections before the second season airs. I watched the series as it was coming out in 2022, so these thoughts have been sitting for over a year.

This is a subjective critique of the show, not me hating on it. I liked the show a lot & watched it twice. Many of the key changes were extremely creative ways of exploring those characters from new perspectives, instead of just pointlessly remaking something that's been done before. Distinct creative change should be the basis of every remake, no point is making something 'new' if there's nothing new about it. This show knew that, and the changes for the most part were written beautifully. ...But the movie is still my favourite despite its many flaws. Camp classic right there.

Issues with the show:

Making it take place 100 years later, it ruins the specific aesthetic of the book for me. (But I understand they had to in order to re-write Louis & Claudia as black).

Aging up Claudia. The way Bailey Bass played Claudia was amazing, no notes at all for her. I just wish they kept her younger because that was a very symbolic part of what made Claudia’s original character so tragic. She suffers in an entirely different way to Louis because of her age. New Claudia is supposed to be in the body of a 14 year old, but the actress was 18/19 so she looks much older already,  and no matter how well she played it, the age factor can’t be helped. Being stuck eternally in the body of a 5 year old (book) is so different to a 14 year old, who looks much older (tv show). Kirsten Dunst who was 10 in the movie, was able to play the little child - adult vampire progression a lot better. People say Claudia's original age is too 'disturbing' to see on screen... but that's the character...

Daniel being old… WHY?? Just so they could tie together the storyline or him meeting Armand multiple decades before ???? I only read IWTV and some of the TVL so I don't know everything that happens down the line for him, or what amc plans for the character in the show... but I don't understand the aging up except for 'diversity' reasons. Which, ok, but just to check a box? Louis and Claudia's race change make sense as a creative decision. But the Daniel in the book and film is a 20-something year old which is why he's so fascinated by Louis' 'gift', and doesn't understand the message Louis is sending, instead wanting to become a vampire too. Why would old Daniel want those same things? Changing Daniel's age is such an inherent thing... it's like if they didn't make Lestat blond. Eric Bogosian plays him funny though, I will say that. Christian Slater kind of just sat there.

Louis having no money and needing Lestat's financial support for his business ventures????? When it’s supposed to be Lestat leeching off Louis' estate … WHY. Why did they change something so fundamental about their dynamic. Lestat moves in because he needs wealth and Louis has it. And then he starts acting like it's both of theirs and Louis just lets him. Funniest thing ever. But in the show Louis moves in with him instead. That's just wrong.

Louis asking (basically begging) Lestat to make Claudia when Lestat is supposed to be the one to do it in order to ensure Louis doesn't leave him. Another fundamental part of their relationship that just got flipped around completely... and for what? Why did it change the things it didn't need to?

Antoinette... girl why are you there... we don't need more characters. Go away.

The guy that Louis gets with to make Lestat jealous …. why is he there either? In the book they don't need to bring other people in to irritate each other.

One of the most perfect scenes from the film was when Lestat was tormenting that girl and trying to get Louis to kill her. The show’s version with the opera singer wasn’t the same. The original scene is such a good depiction of their dynamic with each other: Lestat's eccentric killing methods and Louis’ shame and guilt. The show’s version didn’t live up to it. That scene was so excellent in what it set out to do. It captured their back and forth in such a simple way. That dynamic follows them forever, even as Louis begins to accept his nature, that spark of annoyance towards Lestat is ready to become a full fire at any moment. That scene is enough to be a full character study. The show has little bits here and there which capture something similar. But they should have recreated that scene at least.

Claudia and Lestat's relationship evolving from enjoying each others company and similarities, to detesting each other and competing for Louis’ affection. They didn’t spend enough time on Lestat and Claudia’s relationship in the show to fully demonstrate that, only a few scenes of them driving together and hunting together at the beginning. Even the two hour movie found a way to intergrade that better. Their relationship and the way Claudia is so starkly similar to Lestat when they move to Paris, is one of the my favourite parts of the book to analyse. Louis leaving Lestat and moving all the way across the ocean, only to be reminded of him in everything Claudia did. The show did have some purposeful parallels between Lestat and Claudia in the dialogue which I appreciate, I hope that continues in season 2.

Louis being in on Claudia's plan to kill Lestat and even being the one to finish off Lestat when it’s supposed to be Claudia’s idea on her own...?? Lestat's death is supposed to be an "ok, I guess that was necessary, time to move on with our lives now," moment for Louis. But he wasn't supposed to have the courage or the want to be the one to do it himself. He was hesitant and regretful in the show, but he still slit his throat... it was supposed to be Claudia alone. Credit where credit is due, the scene was beautifully filmed, the red blood on white cloth looked incredible and the entire scene captured the tone of devastation that the movie didn't. It was all very quick and emotionless in the movie.

Even though I hate Br*d Pitt's acting, his Louis was way more accurate to the book Louis. He basically was the embodiment of book Louis. Just sad and whiny the entire time. New Louis had more to him, I think Jacob Anderson even said in an interview that it was a purposeful decision to give Louis more grit. It's not a change I appreciated because it alters the original character too much. You can't change something that fundamental. Just ugh. In the show, Louis is more angry than pathetically sad, it’s very different to how the character was originally written. 

Sam Reid’s Lestat is pretty on the nose but still more serious than the original Lestat & Tom Cruise’s portrayal which was the perfect level of camp and eccentric. Tom cruise was playing Lestat from just IWTV but Sam Reid is playing him with the baggage of his entire life as written in the other books, maybe that's why he is different. Maybe his performance is even better because of it. I haven't read the other books so I can't really say.

I won't say anything about Armand (yet) because he hasn’t had his time to shine. We’ll see after season 2. I loved Antonio Banderas as Armand, and even though he was very different from how book Armand was, it was a change I liked. New Armand is going to be more accurate to the books I believe, but i didn’t like how Armand was there the entire time Louis was being interviewed… why...

Maybe I am one of the few that doesn't overtly appreciate the 'fresh' take of this story. Many of the things that draw me to the book and the movie have been taken away in this adaptation.

---

I recommend this fan fiction that explores the idea of Louis being a person of colour in the context of the original book's 1700s timeline. It explores the intersectionality of Louis' struggle with vampirism, queerness & race while still being authentic to the book. Go read it.

In the Author's words: This is NOT a rewrite of the AMC TV show, nor does it intend to be. This is us making one (subtextually plausible) change to canon in order to 1) explore underlying issues with the source material and 2) see how it affects the way the events of IWTV played out.

Ok that's it. Will maybe add to this when the second season airs. For months, this was just for me in my notes app but what is tumblr for if not to air out my locked away ideas.