#but this was only about one character so it didn't have a lot of talking

[bweirdart]

nearly oc-tober time again - time for some prompts for 2024

F.A.Q

do i have to draw?

not at all! you are free to participate with any medium that suits you... writing, artwork, free bases and templates, simple text posts, in-character-as-your-oc roleplay, whatever! (just no stealing or AI)

do i have to make new content?

nope! re-uploading old stuff that fits the prompts is allowed (and encouraged) ... old art that didn't get the appreciation it needed always deserves a chance to be shared again, it's a fun throwback!

do i have to post every day?

nope! only 10 days are mandatory (the ones in red with a star symbol) and everything else (yellow) is 100% optional! if you're busy or tired, please skip as many as you want

can i start early?

you can prep your posts in advance if you need to ... but please wait until the right day in october to share them!

can i re-upload your prompt list to another site?

i would prefer if you dont - i have accounts on most sites, so just reblog/retweet/share from me!

event tag?

#bweirdOCtober

have fun!

image desc/text version ↓under the cut↓ or on bweird.art/october

prompts:

WEEK 1: OC INTRODUCTIONS

WEEK 2: BUILDING BACKSTORY

⭐ 1: FAV OC

what makes them your fav?

2: NEW OC

how recently did you make them?

3: OLD OC

how long ago did you make them?

⭐ 4: UNDER-APPRECIATED OC

an oc you feel like you don't talk about enough, or you haven't fleshed out as much as you would like

5: RE-DESIGNED OC

an oc who has changed a lot (what changed about them?) or, if you haven't redesigned an oc: is there anything you might want to change about an existing oc?

WEEK 3: FUN + GAMES

⭐ 6: PAST

where is your oc from? what did they look like as a child?

7: LIKES

what do they like (and why?)

8: DISLIKES

what don't they like (and why?)

⭐ 9: RELATIONSHIPS

doesn't have to be romantic! can any kind of relationship (frienship, family, rivalry etc)

10: PERSONALITY

what are your oc's main personality traits

11: SYMBOLISM/THEMES

what represents your oc? is there a specific colour you associate them with, or a specific animal?

12: FUTURE

what will your oc look like in the future? do they have any plans or goals?

⭐13: MEMES

do any memes remind you of your oc? are there memes your oc would find funny? maybe you want to redraw your oc as one?

14: WHO/WHAT INSPIRED YOUR OC

are there existing characters that your oc looks like? was your oc based on yourself? is your oc originally from a specific fandom?

15: MUSIC

share a character playlist, write a songfic, post lyrics that remind you of them, etc

⭐16: EYES CLOSED or NON DOMINANT HAND

draw a picture of your oc with your eyes closed or with your non domminant hand, write or type a paragraph about them without your eyes closed, etc ... have fun, and don't worry about it looking "bad" -it's meant to!!

17: DnD ALIGNMENT CHART

put all your ocs into a DnD alignment chart, or any other similar chart if you prefer

i've compiled a few templates on my site, but you can find more easily if you google "oc alignment chart"

⭐18: SWAP

swap something between your ocs - their role in the story, hairstyles, personalities, fashion taste, species ... whatever you want! how would this difference change them?

19: PALETTE CHALLENGES

draw your ocs with as many of these colour palettes as you want (or just skip if you don't draw/don't like doing these!)

WEEK 4: COMMUNITY

hex codes for the colours:

palette 1 - #3C1E81 #6D1EA2 #B059E8 #FE0876 #FE5284 #FE7C96 #E0CFE3 #FFD5C3

palette 2 - #352823 #673F28 #AB541C #BA8233 #897128 #A68B2F #F7BF6A #DAC3A4

palette 3 - #A42E25 #D7412B #E47C29 #F7A233 #FCC02D #FCE4A6 #486548 #FEFDE8

palette 4 - #2F4769 #39597E #53779C #94D1E7 #AADDE7 #D48DB7 #D498B5 #D2BABA

some ideas for what you could do: talk about a friend's oc you like, make gift art/writing of them, collabs, trades, reblog/appreciate ocs in the event tag, make interactions between your ocs and other people's

20-26: A WHOLE WEEK OF SOCIAL STUFF

if you don't have the time/energy to do every day this week, ⭐ day 23 is the only one marked as mandatory! you can skip the rest!

WEEK 5: HALLOWEEN

⭐27: FEARS

is your oc scared of anything? do they have any phobias? are they startled easily? would any of your ocs try to scare ppl on purpose?

28: MONSTER

what would your oc be if they were a monster (eg: werewolf, vampire, eldritch beast.. whatever) or, do you have an oc who is already a monster?

29: PUMPKIN CARVING

your ocs carving pumpkins, a drawing of a pumpkin carved to look like your oc ... or even carve it in real life!

30: GHOST

this can be literally a ghost, or a concept that haunts your oc! up to you!

⭐ 31: COSTUMES

what are your ocs wearing for halloween?

[vanfleeter]

Let It Be Me - A Jake Blurb

Summary: Grief hits at the most random of times and Jake just needs a little comfort.

Characters: Jake Kiszka x Fem!reader

Warnings: 18+ || Angst. Grief. Crying. Mentions of passed loved one. Fluff. Kissing. Cuddling. (no editing, apologies for any mistakes)

A/N: I wrote this on the anniversary of a couple friends' passing and I just needed to write it out. But to whoever reads this and you may be in the same shoes, I want you to know that grieving is okay and healthy (though it may seem the opposite), and you when you think you have no one to run to, just know that I am here, and you will always have someone to turn to. 🤍

A/N 2: I don't normally do tags for blurbs, so if you see it, you see it 😉

Usually hearing from Jake around this time when he gets home from work, you found it odd when a text never came through. Or even a phone call. So you thought you’d reach yourself. But when your texts go unanswered and your phone calls are sent to his voice message box, you gather up your things and get in your car and drive off to his house.

His car sits in the driveway and you can see the lights are all off in the house. Climbing out of your car, you walk up to the front door and try to twist the knob, only to find it locked. Picking through the few keys on your ring, you find his key and slowly unlock the door before letting yourself in. It was eerily quiet, something that was unusual for him. At the very least he’d have some kind of music playing but there was nothing but silence.

Slipping off your shoes and setting your things on the foyer table, you climb the stairs to the second floor and trudge down the hallway to his bedroom. The door is slightly cracked open and you peer inside to see the form of his body curled up on the bed with the covers drawn over him completely.

Padding quietly over to the bed, you gently sit down by his feet and rest your hand on where his ankle is resting. “Jake?” You only grunt and grumble before he twists his body and pulls his ankle away from you.

“Jake..” You crawl across the bed and sit on the side of him. “Do you want to talk about it?” You can see the blanket move as he shakes his head, followed by a sniffle. “Okay..” I breathe as you shift your body to lay down beside him.

You hadn't realized you had fallen asleep until you woke up finding Jake curled around your body. You can tell that he’s awake when you feel his chest shake as he sniffles, trying to fight off the urge to cry. Turning over to face him, you look up at him and he’s already looking down at you. You give him a small smile as you rest your hand on his cheek. His chin quivers and his eyes gloss over with tears.

“You’re okay..” You whisper.

He shakes his head and you immediately pull him into you as he starts to cry. You still didn't know what was going on or what even happened to prompt this but all that you did know was that he needed comfort and you’d be happy to provide it.

“Just having one of those days?” You ask. You feel him nod his head and you rest your hand against his hair and lightly stroke your fingers through his locks. “I love you..” He didn't answer with any words, just simply squeezed you tighter and kissed your shoulder.

Soon he pulls away and rests against the pillows, his eyes focused on the ceiling. “I was doing fine.. And then something happened that reminded me of him and then it all came crashing back. I’ve been doing okay, or so I thought I was..”

“It’s okay when grief comes and goes. Grief never truly goes away, Jake, but that’s what makes us human–as sucky as that sounds.. It’s still new to you, but eventually it won't hurt as much as time goes on. You’ll be able to see things that remind you of him and instead of feeling heavy, you’ll smile.”

“I just wish it never happened, you know?”

“Oh I know,” You say as you reach your hand over to brush your thumb over his cheek. “There’s a lot of things we wish never happened, but we're only human, we can’t control everything.”

“I don't know what I would do without you,” He says as he turns his head to look at you. “How did you even know to come here?”

“You didn't call or text me like you normally do when you get home from work..”

He smiles, a light chuckle escaping him. “I guess I didn't want to drag you down with me..”

“You can always do that, Jake,” You say as you lean down to kiss his cheek. “You know that I would drop everything to help out.”

“I know you would,” He says. “And that’s what I love about you.”

“That can't be the only thing,” You say, playfully rolling your eyes.

“Did you just roll your eyes at me?”

“Only because you were speaking so absurdly.”

“There's a lot I love about you.” He says as rolls on top of you, his body weight pinning you to the bed. “I love how kind you are,” He says, kissing you. “I love how snarky you can be,” You giggle and he laughs. “I love how you stay by my side even when I don’t want anyone around. I don’t know what I do without you, because you are my person, my best friend, and overall the love of my life. I don't know if I say it often but I’ll try to because I do love you. I’ve lost enough people and I’ve realized that I never told them how often I loved them, but I won't let that happen with you.”

“Whenever you need someone, let it be me.”

He smiles and kisses you again. “And if you're not available?”

“I will always make myself available for you. Through hell or high waters, I will come to you. Even if you just need me to hold your hand, I will be there to do it.” You run a hand through his hair, pushing it away from his face and tucking it behind his ear. “Are you busy the rest of the day?” When he shakes his head, you smile. “Want to have a movie marathon?”

“Which movies?”

“Anything you want to watch,” You say. “Even if it’s Lord of The Rings.”

Jake smiles and rolls off you before reaching over to the nightstand and grabbing the remote. He hands it to you before snuggling up against you and resting his head on your shoulder. “You pick,” He says. He drapes his arm over your waist and pushes even closer to your body. “I just want to be here with you.”

[everythingannoyingpjo]

how a lot of east asian characters are antagonistic/mean kinda sucked for me. like, half of them. does this make me a bit selfish for thinking about just my race? maybe. but i'm also speaking on behalf of 11 year old me, who didn't get much rep in the media to begin with. ethan nakamura was a villain just up until the end. drew tanaka was a one off character whos only purpose was to be a stereotypical aphrodite girl. sherman yang is described multiple times to just be a flat out dick. annabeths step mom is very debated upon but just from annabeths perspective shes bad. and frank zhang was the only major ea character whos main character traits werent just being mean and rude. i guess theres alice miyazawa and billie ng but they barely got any pages. (franks grandmother and mom too but yeah). anyways that kinda broke little 11 yr old me's heart because my only other option besides frank zhang was cho chang from hp but cmon. her name is cho mfing chang. i guess thats why ive always gravitated towards frank? and why im such an apologist for drew tanaka. i feel so selfish talking about this cus i know other asians (not ea) have a way harder time with media representation but i just had to talk about it because from the perspective of an 11 yr old, the rare occasion of seeing people in media just like me being villainised definitely made me a bit upset reading the books.

Never thought about it, but you're totally right. That is super annoying. Drew-apologists are totally valid! I honestly think anyone who wants to flesh out a flat villain character is a champion among fans!

[ihopesocomic]

See something funny

When I watched My Pride I always thought Feather was just Nothing's step-brother

Makes sense, son of her step-father, that's her step-brother

But then I watched your review on it and yall kept calling him her cousin and I went???? No that's her step brother

Until I realized, no he IS also her cousin, her mom and his mom are sisters AND I DIDNT KNOW

They did SUCH a bad job with establishing basic character relationships that I didn't know that Powerstrike and Waterhunter were sisters.

HOW DO YOU EVEN DO THAT THERE AREN'T MANY ADULTS IN THE PRIDE AFTER SHARPTONGUE DIES

Powerstrike and Waterhunter literally never interact it's hard to tell if they even know each other????

Like in IHS you can instantly tell the relationships between Clever, Careful, and Vicious and you can tell they're sisters because omfg they actually talk and interact like they know each other!!!🫨🫨🫨

Like you don't even need to make Waterhunter speak but just let her interact with ANYONE????

She feels like a such an outsider you can hardly tell that Nothing, our main character who she lived with and who grew up with her around, EVEN KNOWS WHO SHE IS

lmao yeah, we've got a lot of comments that are all 'you keep calling Feather her cousin when he's not, he's her little brother: this just proves you didn't watch the show properly and your whole argument is void!' and we're just there snickering because we know...

In some twisted way, nobody knows the ins and outs of this show like we do. We didn't study it for six months without dotting the i's and crossing the t's. We didn't ask for this. We could've become well versed in French or some shit but instead we became experts in My Pride lore. It's a curse. lolol

The only thing I think I messed up was calling Kyoga a 'god' once or twice but, in my absolute defence, she did transform into a literal god at one point so I don't know what the hell else I was supposed to call her. lol

But the weird thing about Waterhunter is that she was actually supposed to have lines and she did have a VA. The lines were just cut for whatever reason. I'm willing to suspect that Tribble probably found the notion of having a voiceless character quite funny but it just made her a big ol' waste of space. A lot of nonsensical things seem to happen just so Tribble could have her weird inside jokes (i.e. Nothing have that weird ass steak thing on her face, Feather randomly disappearing in the middle of the Nothing vs. Fire battle).

A lot of characters could've been combined here. Powerstrike and Waterhunter. Farleap and Feather. Maybe even Silentstalk combined with them two for good measure. There was also no reason for Quickmane and Proudmane to be separate characters either.

But thank you so much, anon. I think another thing that helps is that Cat also designed the three sisters to actually look related too. Powerstrike and Waterhunter not only do not remotely resemble each other but neither of them resemble their mother either. Which is weird because I don't recall Cow of the Wild having this issue. - RJ

[vidavalor]

Hello lovely! I'm wondering if you have any thoughts about Maggie in Final1 5? Isn't it weird that she wants to go back to talk to Az and Crowley while Nina's working? Something about it feels off to me.

Hello right back. 💕 There's chamomile mint tea and shortbread since we're on a Maggie theme, if you'd like some. Maggie's behavior from that scene on is super fucking weird, I agree.

Before the milk run-- when Maggie becomes the only involved character whom we lose track of a bit during The Final 15-- versus how she behaves when she returns is so strange as to be something that I consider maybe additional proof that things are not at all what they seem to be in The Final 15.

On Maggie and Crowley's weird Final 15 behavior, a possible meaning to all the allusions to robbery in S2, and what Maggie and Nina might be able to tell us about what happened at the end of S2.

TW: brief mentions of show's non-consensual possession/rape analogy.

Think for a moment about how truly weird Maggie's request for her and Nina to go back to the bookshop in that moment actually is...

It's only been a matter of minutes since Maggie and Nina were basically hostages in the bookshop who were almost killed by Michael and Saraqael. Crowley saved their lives in getting them out of the shop maybe, what? It's been a minute since I rewatched that bit of it but it couldn't have been more than 15 minutes prior?

The beings in the shop but for Maggie and Nina are supernatural and so left magically without using the door but while we the audience know that these people are no longer in the shop because we were watching it, Maggie and Nina do not know that. When Maggie suggests to Nina that they go talk to Crowley and Aziraphale, they have no way of knowing if the beings that just tried to kill them are still in the shop. They didn't even see Aziraphale leave with Whoever Derek Jacobi Is Playing yet because Nina was all "where's the other one?" to Crowley when they arrived back in the shop.

Maggie is literally like: Nina, I know you opened the business you own late and are the only one working right now and have a line of 20 people waiting for their morning, pre-work coffee but what if-- just hear me out-- we just made them wait an indefinite amount of time to voluntarily go back into the place where we nearly died a matter of minutes ago that could still be full of the people who wanted us dead and we did this for no other purpose than just to tell off my beloved adopted godfather and his partner, who just risked harm to save both our lives? And to maybe then also stick our noses into their love lives in return or something?

I mean... WHAT?!?! lol

Consider, even, how even more weird that is when Maggie, just *prior* to having gone to the mini-mart, had never been more on the same page with Nina and never more understanding?

She sacrificed her own want to go sleep behind the counter of her shop to offer to help Nina. It's a big moment of change in their relationship and shows a lot of growth for Maggie. She's gone from someone who is caring but has a tendency to only think about how things make her feel to seeing things from Nina's perspective. She's matured through the season into being someone more ready to be a partner to Nina. Maggie offering to help Nina with her morning rush-- and Nina accepting the help-- is the sweet, romantic moment showing that these two are heading in a positive direction, both individually and together.

When Maggie gets back with the milk, though? After she's been out of our sight for a few minutes? She's behaving very differently.

During S2, Maggie is shown to be a pretty guileless character. She might have the occasional judgemental moment but she's not deceptive or tricky and she really wouldn't hurt a fly. When Maggie comes back from the milk run, though, her insistence on Nina dropping everything and going with her in that moment is not just weird behavior but manipulative in a way that could not be more out of character for Maggie.

Nina has been in an abusive relationship where she was afraid of displeasing Lindsay. Maggie is aware of this, as it's been the subject of multiple conversations between them throughout the season. So, when Maggie gets so bizarrely insistent on Nina dropping her work-- her livelihood, her purpose, her job-- to meet Maggie's demands in that moment? When this isn't an emergency of any kind and isn't at all time-sensitive and there is no objective reason why Nina should be halting her job to do what Maggie wants in this moment? Maggie is being controlling in a Lindsay-like way. She keeps at it, knowing that Nina will give in and agree to go with her because Nina is used to doing that with her partner.

Nina hesitates and isn't sure whether or not to go with Maggie for a moment and I don't really blame her? This is the complete opposite behavior to Maggie before she left for the mini-mart. Maggie is suddenly acting quite a lot like her polar opposite-- the Lucifer-and-Heaven-paralleling Lindsay.

Maggie is also literally on Nina's shoulder like a devil the whole time in the scene in which she's convincing her to step away from the shop and go across the street with her to the other shop for a chat and...

...listen to what we just said there...

...it's a parallel to the thing that Whoever Derek Jacobi Is Playing is doing with Aziraphale, is it not?

So, what happened on the milk run?

Who did Maggie run into at the mini-mart that we couldn't see in the ending of S2 without it giving the game away? I wouldn't be surprised if, on this mirror-happy show, on the other side of learning in S3 that it was The Devil with the coffee in the bookshop in The Final 15, we also had a scene that showed that, while on her milk run, Maggie had a run-in with Sister Teresa's killer.

Did Hastur possess Maggie as part of Satan's plan? Was the idea to use Maggie and Nina to further trip Crowley and Aziraphale towards disaster to get Aziraphale? If so, it kind of half-worked. I'm not convinced that anything Maggie and Nina said to Crowley really mattered-- I think they weren't telling him anything he didn't already know or feel and that it's largely misdirection for the audience. What was effective, though, was the impression Aziraphale got upon seeing them leave as he was coming in.

Maggie and Nina being back in there at this weird time and then rushing out with smiles and comments like that they were "just leaving" and they were sure Crowley and Aziraphale had "a lot to discuss" seem to have led Aziraphale to assume that Crowley had asked them to come back and to the conclusion that he must have done so to tell them of his intent to ask Aziraphale to marry him. It's Maggie and Nina leaving the shop that reinforce to Aziraphale the idea that, when Crowley stands up afterwards, takes off his glasses, and says he supposes he has "something to say", that Crowley is only trying to communicate a proposal and not a plan.

It's what helps-- big time-- to lead Aziraphale to not listen for a shred of coded language for the entire scene. Neither he nor Crowley are listening for that with one another, which is why neither of them can truly understand what the other is saying, but Aziraphale's part of that is really fucked to Hell by the presence of Maggie and Nina in the shop when he came back. That's all pretty suspicious since Maggie was out of our sight for a few moments and came back fixated on the idea that she and Nina needed to go to the bookshop right that very moment and that it couldn't wait.

The Final 15 is a dark parallel to The Baby Swap plot and Maggie and Nina are full of shadows of Sisters Mary and Teresa to a point that the final shots of both of them in the series are mirror images of the final shots of their S1 characters. Nina looking through glass at Crowley departing is the last shot of Sister Mary both in 2008 and 2019, while Maggie's last shot?

To me, it's one of the most eerie moments in the entire series because of how much it visually resembles Sister Teresa's death.

Basically two minutes after we hear about The Second Coming... in the same season where Maggie and Nina's partial-vavoom gives way to a (possessed?) Gabriel saying: the dead will leave their graves and walk the Earth once more... we are shown Crowley and Aziraphale's apparent adopted goddaughter unresponsive on the counter of her shop.

Is Maggie dead?

Is Maggie asleep, like we were led to believe she wanted to do earlier in the episode? Maybe. Is she comatose/unconscious? Maybe. It's just that, best I can tell, she does not take a breath during the shot which I feel had to be intentional on the part of Maggie Service, and she's in the same position as we last saw Sister Teresa in S1...

Then, there's the robbery theme and how Maggie and Nina foreshadow so much of the end of S2 back in this scene here:

In Good Omens, the shop is the character. Maggie is, symbolically, the records she sells. The show also explains that Maggie's shop used to be a part of the bookshop. Now, there are three characters, not two, who are A.Z. Fell & Co.: Aziraphale, Crowley and Maggie. At the same time, Aziraphale is also The Small Back Room. The shops are intertwined as the characters are, essentially, family in the story. The fate of one is the fate of the other, which makes what Maggie and Nina foreshadow when talking about Maggie's shop while trapped together in Nina's not just the fate of Maggie's shop in S2 but also of the bookshop.

Maggie says that if she can't close the door to her shop, someone could walk in and take records. Maggie is the records she sells so, symbolically, this means someone could take Maggie. We got a bit of a preview of that when Shax appeared to get into her mind during the attack on the bookshop and Maggie also became the one who unintentionally "let the robbers in."

These robbers, Maggie frets... they could empty her till-- take all her money on a literal level... take her mind, or maybe even her life, on another. (Not to mention the now chill-inducing use of money-related words and coins with regards to the paralleling Crowley...) These robbers could take forcible ownership of Maggie's shop-- so, of Maggie. Maggie's shop was born of the bookshop... so, they could take forcible ownership of the bookshop, too.

Not just the physical bookshop, though that, too. The symbolic bookshop. Which is not only Aziraphale but Crowley and Aziraphale.

But, if The Small Back Room was originally part of the bookshop, then the bookshop really isn't just Crowley and Aziraphale-- it's Crowley, Aziraphale and Maggie.

If the robbers come for the bookshop, they've also come for The Small Back Room because it is all born of the same, symbolic shop.

Is that what they did?

Is that why Maggie is last shown to us non-responsive in her shop?

Now, Nina's even more foreshadowing reply:

Nina said that, if she owned a record shop, she'd be more concerned about "someone breaking in and leaving more records behind."

What are records? They're the literal records in the musical and old film sense that Maggie sells, yes, and also Maggie herself. They're also books, like what Aziraphale sells, and Aziraphale himself. But they're also a third thing that's very much of note in S2.

They're also the life's work of a scrivener, like what Muriel does.

Nina foreshadows someone breaking in and leaving "more records behind"... which is exactly what happens in The Final 15.

Elspeth's graverobbing. Bildad stealing Job and Sitis' wine and food. The 1810 Clerkenwell Diamond Robbery. Aziraphale having the missing Shakespeare Robin Hood play in the box in 2.06. The robbery-based fantasy Aziraphale was telling Crowley in Lockdown: ...the other night, when a couple of young lads broke into the back and tried to steal the cash(cache)box!

The Final 15 is a robbery.

The last two episodes see the shop attacked during The Meeting Ball and into the next morning. Aziraphale is robbed blind of his entire life. Characters are taken hostage. Signals for help are tried and fail. The cop, it turns out, was a stooge for the robbers. Whoever Derek Jacobi Is Playing broke in through the open door and robbed the place blind, as Maggie foreshadowed. As Nina foreshadowed he would, what did the robber leave behind?

More records. Muriel.

To rob, as we know, is to steal. It's to plunder or strip a place from someone through force and/or violence. That is why it was once, in addition to being descriptive of physical goods stolen from a person, also a word that was used for rape, for which non-consensual possession has been analogous since the show's first episode. That is why some of us think that the music goes insane on the look to Crowley in the scene below. Satan is robbing Crowley-- forcing him to identify him as The Metatron to Aziraphale and the angels and to let Aziraphale go alone with him.

Satan attacked Crowley in front of Aziraphale and, while Aziraphale pretended he didn't see it, he did, which is why he led "The Metatron" straight out the door in an effort to get him away from Crowley. Because, speaking of characters behaving very weirdly... anyone have a better explanation for why guard dog Crowley sat in that chair like he couldn't get out of it and encouraged Aziraphale to go alone with a guy who once tried to kill them? It just doesn't make any sense unless his words are not really his own and there's only one character we've seen do that to him.

And if Crowley's not the only one behaving out of character, then what else happened to Maggie at the mini-mart but something similar?

What happened in The Final 15? Satan robbed the bookshop.

He and The Metatron don't give a toss about the shop itself and plan to destroy it alongside everything else once Armageddon gets rocking. They're there to get Crowley and Aziraphale out of the way for Armageddon by dividing and conquering. Just because we've yet to see blood doesn't mean this wasn't robbery by force.

Satan took hostages at the start-- letting the ones go he didn't care about go and keeping the ones most likely to influence the shop's owner: Crowley and Muriel.

Satan and The Metatron sacrificed Muriel to their plan, not caring if Muriel explodes along with the shop when they kick off Armageddon a matter of *checks watch* basically any minute now after S2. We think Muriel is better off in the shop at the end of S2 but I'm not totally sure they are. I think it actually might be one of the most dangerous places to be in right now. The bookshop didn't burn down this time-- it was burned as safe space in every possible way. It's a crime scene.

The Metatron and Satan are here for revenge. The Metatron is letting Satan have Aziraphale to get Crowley and Aziraphale out of the way for Armageddon. There is no real job offer-- it's all Satan tempting Aziraphale into falling. Satan's revenge on Crowley and Aziraphale is to force Crowley to help him take Aziraphale right out from under his nose. That's the start of it, anyway.

Besides Armageddon and daring to have a relationship and a sense of self outside of the demonic collective of Hell what is Satan really pissed at Crowley and Aziraphale about?

His kid. Adam. Crowley and Aziraphale helping Adam against him.

If Satan has been lying in wait, still very, very angry at Crowley and Aziraphale for turning his son against him and if he's now here for revenge, then who else besides Aziraphale is then most in peril here?

Yes, my Job-and-Sitis-paralleling poppet... your big, cross duck and your kids are most imperiled here and S2 showed us that your kids are not just humanity writ large but, specifically, Maggie. The Small Back Room is of the bookshop that is you and Crowley. Maggie is your Adam. Will Satan come after your daughter? It's a concept posed in your paralleling/foreshadowing story earlier in the season... actually, it was also the entire plot of that paralleling story earlier in the season as well...

I feel like not going with Ennon and Keziah's theories on Satan's behavior is probably the best way to form a Good Omens theory 😂 so I'll stick with the idea that Satan very much would dare leave a revenge body count of Crowley and Aziraphale's adopted kids, as the Job minisode proved he'd do even with the spawn of "God's favorite human", let alone anybody else.

As, speaking of foreshadowing lines, this is really even more S2 than it was about S1:

Satan will even have a whole pseudo-philosophical chat about it with you first, amused that he's standing in a place called Give Me Coffee or Give Me Death and ordering a coffee while the plan is likely for this place, the women making him the coffee, and everyone on this street and on most of the planet to be dead by tomorrow.

Maggie is the only character who actually asked for coffee using that exact word in S2.

[fakescenariosbeforesleepblog]

By fire and heart. Pt. 8

Daemma Targaryen. Second daughter of King Viserys and queen Aemma, you're the living portrait of your mother with the character of a true dragon, as a second daughter you don't have right to the throne but certainly, you will protect your sister's succession by heart.

Warning ⚠️: Credits of this images goes to the TikTok user ccarmyy! Grammatical and spelling errors, maybe this won't be good enough but In my head the story was a good one.

Disclaimer: I do not own any of the characters nor do I claim to own them. I do not own any of the images used nor do I claim to own them.

You arrived to the north and instantly ran to your future husband, hugging him, drowning in his scent, the desire you've been containing during the trip disappears as soon as you and him are in your chambers, he was a wolf riding a dragon and you were a dragon devouring a wolf.

The room was destroyed just like your dress and every clothe, you used every chair, every table, all your bed, and you still needed more.

«I'm your betrothed, it doesn't matter if we share our bed before the wedding, I'm already yours my lord.»

You were happy, you weren't sure if it was because of him, because you loved him or if it was the fact that all your desires were attended.

While you're enjoying and exploring new horizons of your femininity and the love between a man and a woman, at the other site of the kingdom, your father gave his last breath and your half brother is trying to escape the throne and the crown that his mother and grandfather want to put over his head.

You don't even imagine it, until you're taking a bath, eyes close, suddenly some visions, are tormenting you.

Aegon wearing a crown, Rhaenyra wearing another, you can see blood in their hands, hearing screams and pleadings, one of Aegon's children, you riding the back of a wolf, dragons roaring and spitting fire everywhere, Thank to the gods your future husband is close to hearing your heavy breathing, bringing you back to your reality with a touch in your shoulder.

- What's wrong with my warrior princess?

- I... I don't know, I'm sorry... Perhaps I'm just tired my Lord.

Smiling instantly you're trying to hide the obvious anxiety that is eating you alive, you can't fool him but he knows there's no point in insisting, you will talk about this when you feel ready so he only kisses you softly and leaves you to rest while he goes to attend his usual tasks.

For the next few days you've been keeping him busy in your chambers, fulfilling your marital duties, even though, you're not married yet.

Your place as the future lady of the north has also a lot of duties, so, during the day you're the lady of the north but at night, you're still the warrior princess, the one who rides the wolf of the north, the one who made the strongest alliance in the name of her sister.

You're In the training yard observing your future husband, when the wind whispers something in your ear, or at least that's what you think, you're alone, there's no one close to you.

«The greens are coming for you...»

Cregan suddenly is running to you, you didn't even feel it, you were falling, fainting. You ended up on the ground, Cregan instantly asked for help, everybody took you to your chambers, you don't know how much you slept, but In your sleep you could hear the roars of dragons, your sister screaming in pain, you had visions about a baby with a dragon tail, scales, feet and hands; you saw your father's crown, you heard the voice of your uncle whispering «Luke is deep in the sea... The queen of the seven kingdoms...and the princess who protects her...»

Cregan stayed at your side, hearing you mumbling strange things about war, about kings confronting and burning the world and how the gods were whispering and showing you the future. He thought the fever was attacking you, taking the best of you, another lady that would die in his arms.

Meanwhile your sister is dealing with the war that is approaching, dealing with the pain of her child's death, the little Visenya, who came to this world before her time.

Your sister is in need of help, her spirit is stronger than ever but her heart is weak, the pain is invading it.

She knows she needs any house big or small, she needs as many people as possible on her side. Messengers are on their way to every corner of the kingdom, some dragon raiders too.

Soon or later, the news will knock on your door. Your nephews are on their way to different sites of the kingdom,while you still can't wake up from your dream.

The tragedy following Rhaenyra as a shadow, you're the last light of hope, she never realized how strong it was the bond between you and her, since that day, when both destiny was sealed.

Daemon, received the news first, he had a soft voice only for Rhaenyra, softly telling her the horror her son lived in before leaving this world.

Lucerys Velaryon, the prince, the messenger that never came back home and Arrax, his young and brave dragon, defeated his rider until the end, the little beast dared to attack the largest and oldest Dragon, Vhagar. No one would ever know the bravery of the young prince and his dragon had to confront his uncle and his giant beast.

«Arrax! Luke! Where are you?...»

In your dream, you can hear your nephew calling you, you can hear the roaring of Arrax, you can only see silhouettes, poor you, you can't imagine what is happening in the real world.

Cregan has left your side, he still has duties to attend. But you have your maidens taking good care of you.

Targaryen are dreamers, some of them believe in what they see, some others, don't. But you're one who decides to believe them. As for magic, you wake up, gasping loudly, your maidens are instantly trying to calm you, they're more anxious than you, your mind is focused on your family, then someone informs you, your nephew, Jacaerys came to leave a message for you and Lord Stark.

- Bring me a coat, I have to see my nephew, now!

Everybody in the room is running, preparing you a bath and clothes, even though your servants told you, Cregan and Jace are on the wall, you don't care, you will fly in your dragon if it is necessary but you have to talk with Jace.

You're ready to leave when the doors of the entrance are opening. They're back, you run to Cregan, he catches your face between his hands, observing if You're okay, Jace is quiet, observing both interaction, as soon as you plant your eyes on him you hug him tightly.

- Jace, what is it, what is going on, why are you here?

- Aunt Daemma, I bring news, unfortunately not good ones. Cregan told me you were sick but you seem healthy.

- I am perfectly fine, I just... Had a vision or something. Doesn't matter right now, tell me, what are the news.

And while Jacaerys talks, you feel more and more sure about your dreams, your visions and all that happened in your sleep. At least nothing is completely bad, Cregan and Jacaerys are good friends and allies, if you already had the north in your hand, the fact that your nephew came personally to ask for help kindly without threat made this alliance stronger than ever.

- To win a war you have to know who your allies are, I'm so glad you had the chance to talk and meet Lord Stark.

The three of you are in a deep and important conversation, negotiating the last details of this alliance when a man comes to Cregan with a letter, a raven from Dragonstone, while he's reading, his expression starts to get cold and serious, you don't have to ask, you can bet it is about Lucerys and you were not wrong, Jace is young but is also a strong Targaryen who knows the importance of keeping the pain and the sadness for another moment.

Cregan, as the gentleman and leader that he is, understands perfectly your decision to leave. You have to go home, support your sister and fight at her side, now that you're sure he will keep his word, you can go and do the necessary to help.

- I'm not only loyal to our queen, I'm loyal to you, Daemma. The north will be waiting for your commands, and I will be waiting for my wife's return.

Kissing your forehead, your hands and your lips deeply, holding you tightly and wishing you good luck, he says goodbye.

You and Jace embark on the journey, but before going to dragonstone, you decide to make a quick stop, alone, at Kingslanding.

You had to be far or fly too high to not be seen by the guards, you're waiting in the sky, expecting a distraction to finally land not so far from the city.

Aemond's arrival is the perfect distraction, now you're taking the hidden halls of the castle, once you're sure you're in Aemond's chambers, you can see him, walking from one side to the room to another, biting his nails, too distracted by his own mind.

You consider killing him, right there and no one would expect it. Unfortunately, your anger and the poison you've been containing pushes you to ruin your best chance.

- How stupid you have to be to think that an old dragon who has been in battle its entire life wouldn't attack to kill? Also, it is ironic... You said they are bastards and yet, you gave him a classic Targaryen dead, he died riding his dragon.

He doesn't act surprised, but you're sure you scared him and quickly made him furious.

- How stupid you have to be to come here alone and talk to me in that way, Daemma?

- Oh Aemond, don't think I'm afraid of you, if I wanted I could kill you, you would be dead already, but it is not me who has to make you pay for what you've done, I'm here with the only intention to know why.

You know you messed up, you could take revenge but that silly mistake now has you playing a risky card.

- You can't be serious. All the long journey to just know why I did what I did? Doesn't matter, what is done, it's done.

He walks slowly in your direction, you don't step back, you have to keep your defiant position but also you have to make him feel like you're not an enemy right now.

- Really? Is that what your mother told you? The queen must be... Very pleased, after all, she was a great influence who helped and supported Rhaenyra's usurpation throne.

- The queen doesn't know what she wants anymore.

- Of course not, the queen has always spoken with two tongues, she has always been divided between her father and her childhood friend, that always has been her problem, but in the end she chose to be her father's puppet.

- Watch your tongue, Daemma, she's still my mother I will not allow you to talk about her in that way.

Time to move on, leave that conversation behind.

-I always considered you as the smartest one. You know? And with all that is happening right now I've been thinking about how unfair it must be for you to not be named as king.

His tensed jaw makes you calculate your words, you have to be careful.

-You're smarter, stronger and a great knight. Don't take me wrong, I do not intend to provoke you, I'm just pointing at the obvious.

He looks at you confused, somehow he's expecting anxiously for your next words.

- You and I, we have more in common than what you think. We're the second ones. We've been proving we're better than our siblings our entire life, with time I accepted my destiny but you, Aemond you don't have to make the same mistake. I think you deserve more...

- Be clear, Daemma.

You stand in front of him, touching his hair softly, looking at him with big bright eyes, praying to make your magic or have some luck to at least have a chance to escape by fooling him touching a weak fiber inside him, whispering the last words in the most sweet and innocent way you could, so close to his ear that your lips are almost caressing it.

- The crown should be yours, my king...

Aemond doesn't show any emotion, for a second you think you're making more and more mistakes so you look down at the skirts of your dress, when his large hand takes your chin to make you face him again.

- Why are you saying all this?

- Because I know myself, my sister and I know Aegon, none of us would be good leaders, but you, Aemond, you have what we don't, I've seen it in dreams, you will be sitting on the throne.

Perhaps you say all those lies with much confidence or maybe you had the luck you prayed for. But Aemond smiles a little, convinced, pleased with your words.

- You're saying all this with a reason, tell me what is it.

- I said I wouldn't be good sitting on the throne to rule, I just want... Dragonstone, I want to be the owner of something, that's all.

He's about to ask more questions when a guard knocks on his door. Without opening the doors and with a loud and cold voice he demands to know why are they interrupting him.

- What is it?

«Ah... Pardon me, my prince, but your brother requested your presence at the small council.»

- See? Aegon can't handle the responsibilities, he's weak and easy to persuade, but you're different, you're difficult and impulsive, that's your advantage. You have to clean your path on this side and I'll do it on mine, do we have a deal?.

You whisper again feeling like a snake, filling his system with your poison, feeding his desires with false hopes and lies, because it's not your intention to betray your sister, you only want to escape. He looks back at you, caressing your chin, observing cautiously in your eyes, looking for any signs of lies, but maybe you played well, since he nodded in silence and left the room, as quick as he disappeared you did the same, coming back to your dragon, going home.

While you were in the sky, your sister was looking for her son, anything that could belong to Lucerys Velaryon.

Meanwhile the greens are struggling, different objectives, different causes and motives are on the table. Did you create more cracks?.

As soon as the moon is lighting the sky, you appear and soon, Rhaenyra does it too.

She doesn't even talk to you, or someone else in the room, some men welcomed you but that was all, her rage and grief were palpable.

After some people inform the advances, she listens or at least you would like to think she does. But the only thing she says, is something none of you weren't expecting.

- I want Aemond Targaryen.

Just like that, she doesn't say anything else and leaves the room. Daemon left minutes later, you feel like a ghost, not many people notice you, now you're feeling like the young version of yourself, isolated, wondering if you made the right decision leaving your comfortable place in the north.

Jace convinced you to go with him to have a private meeting with his mother, once there, you're behind the young man, who's hardly trying to not show how much the loss of his brother is affecting him.

- Your grace.

Both say in one voice, curtsying, Rhaenyra stays on her seat, her puffy eyes reveal all the tears she had been pouring.

Jace says something about a dragon in vale, then he mentions the men and the loyalty the north promised, his voice is cracking and suddenly Rhaenyra stops to play her character as queen and changes it for the mother figure her son needs.

You're still behind, unsure of what to do, the moment seems intimate and private, but then, Rhaenyra looks at you and without stopping the hug with her son, she offers one hand, indicating you can approach, instantly you run and join to the hug, sobbing and apologizing for not being here before.

The funeral was bitter and full of sadness, but somehow brought more union between your family. But Daemon mysteriously disappears, no one knows where he is, but you know his absence is something to worry about.

At the hour of the owl, walking between the walls and In front of everybody's noses, the revenge walked, the blood was soon to be spilled.

«The queen of dreams and the queen of dragons tied by the loss of an innocent»

The whisper wakes you up, you don't know why or how, but instantly you walk around dragonstone, checking on every kids room, because you were not prepared to lose someone else.

[starcurtain]

I love your post so much I love how everything is backed by evidence. I wanted to ask for your opinions on ratio and aventurine's relationship (relationship in general, not necessarily in a romantic sense).

My mind keeps goes back to Aventurine and "Aventurine"'s conversation about Ratio's fake betrayal part of the plan and Aventurine says "Or maybe he wasn't acting at all?". I just keep thinking about how even though Ratio did exactly what he was supposed to do to help the plan succeed, Aventurine can't help but doubt the motives of the person that he's working with even when he does exactly what will benefit his plan. I've just been thinking that maybe it's another part of Aventurine where he can't completely trust anyone. I've seen a lot of post where people state that they had a great deal of trust in each other and that's why the plan succeeded but ignore what that line means for how Aventurine might've felt about it.

And then on Ratio's side of this, I do think he cares about Aventurine's well being but only does what he can to help him because if he tried to force Aventurine to be better, to treat himself better, it wouldn't really change Aventurine's mind on his self if it's for someone else's sake instead of his own. The little flavor text of Ratio's sticker in 2.3 mentioned how he's "just doing what a supporting character should do." which is, supporting the main character I'd think. Ratio does genuinely care for humanity so I can't think the only reason he sticks around Aventurine is "because he makes an interesting conversation partner than most."

I just can't stop thinking about how they're undoubtedly connected for another reason besides just their work, and I am just so curious about what the writers have in mind for their cooperation in the future. sorry for my trash heap ✌️ if this is too incomprehensible I understand not answering it

Okay, the full answer to this ask is over here in a separate post, since I thought it might stretch people's dashes a bit if I didn't, BUT before we get to that, there is one little thing I wanted to say and don't have room for in the other post:

You mention: Aventurine says "Or maybe he wasn't acting at all?" I just keep thinking about how even though Ratio did exactly what he was supposed to do to help the plan succeed, Aventurine can't help but doubt the motives of the person that he's working with even when he does exactly what will benefit his plan.

And while I agree that Aventurine has TRUST ISSUES stamped on his forehead, I also think that a lot of people kind of gloss over one major aspect of the scenes between Aventure and "Future" Aventurine, which is that:

Aventurine spends most of those scenes convinced he's actually talking to a manifestation of Sunday's power.

Aventurine starts off suggesting the "Future" Aventurine is a dream or psychotic hallucination.

He rejects the idea that "Future" Aventurine is actually himself at all, and asserts that this "Future" figure is a "newborn of the Harmony's power." He even has a throwaway line asking if he's about to become an Emanator of the Harmony himself. (And the Ena-Gaiathra fans rejoiced.)

Normally I would say that's all there is to this, Aventurine just not wanting to accept this ghostly version of himself and the harsh truths it keeps bringing to light.

But, throughout the entire lead up to the end of 2.1, we get weird moments where the "Future" Aventurine asks for information it should already have. A lot of these are passed off as "Well, I just want to hear you say it yourself!" but... if it's truly Aventurine himself and knows all there is to know about him, why does it need to hear the info from the real Aventurine?

Why do we continually get exchanges that strongly call into question what the "Future" Aventurine even knows?

And:

Later:

(Shouldn't it have already known?)

Repeatedly, the "Future" Aventurine says things that imply it is still learning about the real Aventurine:

Even up their very last scene together, the "Future" Aventurine was constantly pressing the real Aventurine to reveal every detail of his plan:

"Future" Aventurine goes through the cornerstone shuffle, guesses at Ratio's involvement, pushes Aventurine to reveal the broken Aventurine cornerstone, asks what tactics Aventurine intends to use to win his gamble, how the IPC fits into all of this, and finally comes to the realization that Aventurine plans to use Acheron to create "death."

We could go very deep with this and suggest all these weird "Did you or did you not know this information? Are you really me or not?" exchanges are just meant to show Aventurine's doubting nature, that his mind is a mess and that he doesn't, even at his deepest, understand himself, but I don't think the devs did this accidentally. We're being given plausible deniability on purpose.

At the very least, we players are supposed to ask ourselves: Could it be that this really is the Harmony and not Aventurine himself?

Until the very last scene, when "Future" Aventurine completely changes his tune to gentle empathy, real Aventurine is definitely convinced that he's still talking to a manifestation of Sunday's power.

Right after the line about Ratio's betrayal supposedly being real or not, Aventurine is still saying:

Or, an even clearer indicator that real Aventurine was convinced he was talking to Sunday's manipulations: The "Future" Aventurine is listed as ??? in the dialogue option all the way to the very end, when Aventurine at last accepts that he may be speaking to himself, and the name card finally changes to "Aventurine."

So, what to make of this line then:

Personally, I think there's enough dubiousness to the whole situation to suggest that we can't really take this line at face value.

Is Aventurine genuinely doubting Ratio here... or, convinced that he's still talking to the Harmony, is Aventurine scrambling to try to keep the last details of their plan out of Sunday's reach?

If after this line he's still telling "Future" Aventurine to stop stealing information from his mind, can we really expect him to be speaking truth here?

Throughout all of these scenes with "Future" Aventurine, real Aventurine continually refuses to reveal new details about his plot, forcing "Future" Aventurine to fill in the gaps. It's clear from other lines throughout the theme park scenes that Aventurine is intentionally avoiding giving away any specifics that the "Future" doesn't already know:

So to me, even though I agree that Aventurine has been made into a distrustful person by his traumatic experiences and I think he does doubt the sincerity of everyone around him...

I don't necessarily think this one line about Ratio should be held up as an example of that deep doubt.

I think there's enough suspicion cast on the "Future" Aventurine and its possible connections to the power of the Harmony that many of the things Aventurine says to it might actually be attempts to mislead and distract, so that he can carry his final gamble through without Family intervention.

And I think looking at this line about Ratio from that mindset also introduces an entirely different possibility many people seem to overlook:

Is it out of character for Aventurine to make sure the only person sacrificed in his gambles is himself?

If Aventurine really thought he was talking to a manifestation of Sunday's power, could it be that saying "Maybe Ratio wasn't acting! Maybe he really did betray me!"... wasn't doubt, but an attempt to protect his co-conspirator? To shift the blame away from Ratio and spare him from the fallout if their plan ultimately went awry? To make himself the Family's only target?

I'M JUST SAYIN'!!

Anyway, totally go read the rest of the actual answer about Aventurine and Ratio's relationship now~! It's all posted!

[utilitycaster]

On the heels of your critique of C3's pacing and the sludginess of it all—something I have been contemplating lately is how the perceived need (certainly ICly and seemingly OOCly) for BH to move at a breakneck speed from event to event has had an effect on inter-party discussions and bonding that I find really pretty tragic. I can't help but wonder, would we be dealing with the indecision and rehashed circular debates we're seeing now if the party had been able to take the downtime they needed to really get to know themselves and each other, and to better define what's important to them? I often see people expressing frustration about how badly certain characters "need to TALK to each other!!!" but to date, I just don't know if the pace of the campaign has created many opportunities for that. And that's the thing I miss the most about the previous campaigns, just having more breathing room to let the characters and their relationships develop organically. I dunno. Increasingly I feel like these are interconnected issues.

I think I've talked about this before so I don't want to get too in the weeds but: yes. I think at this point Matt is like...making space deliberately for them to talk in-game, but at this point the party has spent so long not really talking and we're so late in the game that no one really takes him up on it or when they do it's the old Gods Debate again.

I really think the problem is once again what I've been saying for like, well over a year now. I don't think the cast was given as much direction as they were for campaign 2, nor was the campaign deliberately tailored to this party, so it has always been ill-fitting. Even some of the pre-planned elements have fallen flat (I have innumerable reservations about the Laudna book, but I do want to read it if only because I still could tell you basically nothing about her and Imogen's time together pre-campaign - it's one incident in Gelvaan, helping Zhudanna one time in Jrusar which wasn't even pre-planned but rather their "session zero", and apparently they saw someone with boob tassels one time). Things like Ashton and Imogen's relationships with the gods feel tacked on after Taliesin and Laura realized that having some sort of pre-existing opinion on the gods was in fact deeply relevant to this campaign; I do genuinely want an answer from both of them of whether "I had prayed to the gods and they never answered" existed in their backstories more than 5 minutes before it came up in game because I'd bet good money it was "no, I threw that in on the fly." So you have characters that are a little more broadly sketched, which would normally be fine (I mean, I don't think most of Vox Machina in the original birthday party one-shot had a terribly deep backstory to start), except for the fact that they never had to take watch, they had a patron giving them jobs and a generous stipend from the start of episode 2 until his demise in episode 38, and both Imogen and Laudna; and FCG and Ashton already had apartments in the city so no one needed to bunk up with anyone they didn't already know. The party did not need to take watches; they did not need to decide on a direction; and they didn't have to learn to resolve conflicts and make choices as a collective group. And yes, the pace has been pretty breakneck throughout, so there wasn't space early on for the cast to feel out their characters and what motivated them and how they'd act. I think the first time I saw a large number of people in the fandom going "MAKE A FUCKING DECISION ALREADY I DON'T CARE WHICH ONE" was with the party doing a similar endless handwringing about Dusk in episode 29, and I don't think they've really gotten better. Like, I do think episode 29 is already on the late side anyway, even for a long-running campaign with a lot of wiggle-room; for a long-running campaign with some very specific plot beats planned, this really needed to be done in character creation.

So now that there is more room to debrief and talk, because in-character they're still on a deadline and the world's been ending all campaign, and because that groundwork wasn't laid, they don't talk about anything except the task at hand. Like...I think a defense I've seen of this campaign is that it's about a group of people who really aren't suited for what has been laid before them, but the problem is that's kind of every D&D campaign that starts from a low level and this is a particularly weak example thereof. Vox Machina didn't show up ready to kill dragons nor Vecna, and the Mighty Nein are still Wildemount's best kept secret; both of them grew into their current hypercompetence. Bells Hells don't really belong to their story, nor does it to them, so yeah, hard to talk within that framework.

[clubpenguinthrowaway-blog]

Garykernal or known as Runin, Module0, Mothnwizard, Blaketwo, or any other possible account is a stalker. There is more under the cut. More parts will be posted, We have to break up all of this into segments. Keep in mind, Gary is 25 through this all. The person who is a victim allowed for at least their age to be stated, that being 19. There is a minor in this situation, but for now this post is about the oldest of the victims.

Green's Story

This user has stalked and harassed a club penguin blog for some time now. Unfortunately, this blog had to be created to warn other users about this person. Green is a victim of Gary's behavior. They did not know Gary very well. Written by them, they said this to me:

"I vaguely knew them, like you pass by this person on Tumblr and like a few posts and I saw them in a discord (they got invited by someone) but after all this they got banned from said discord. They obsessed over me to an unhealthy degree, I kinda just rarely replied to the dms they sent. They only knew me for a week before confessing they were in love with me. I wasn't interested, I was kind in turning them down because I didn't want to date anyone. I was clear in this, though things persisted. Gary would flirt with me, yet I wouldn't fully process it nor did I really want to engage with it. It was clear to everyone around that it was uncomfortable. I was scared to say anything in fear of causing issues. Well, guess that went out the window considering how this went down. They would draw ship art of themself and I. My sona isn't a sona, it's my real physical self. They had an entire whiteboard fox where they drew us kissing and whatnot. Sorry White, I rather not send that to you. They would ask me to send them images and tag it as us when I didn't know them well and sure that isn't a horrible thing to do, though they crossed my boundaries a lot. They had brought up my abusers in a conversation at random while I was already stressed out. I asked them to stop at the time, they did not respect that. I ignored them even more at one point, my friends knew how overwhelmed and scared I was to come out about anything. They were my rock in this time. Yet, I was still functional with what I knew at the time. I thought it was a baseline creepy stalker they couldn't have gotten any worse than this and I'm just pissed they harassed my friend Coral because I blocked Gary and decided I had to cut them off. They were bad for my mental health, they were bad for me. In the screenshots I sent you, it all came down because they decided to look up my old username (which I did not tell them at all so they had to go digging for that) and then dmmd me about it and it felt off. Thank god I cut them off then. From what I learned recently, not only did Gary have a shrine of me, but Gary had drawn porn of them and I. When I learned this, I threw up not only because it was of me when I, in fact, do not like to be sexualized nor would it even be a normal and sane thing to just draw nsfw of a real physical person. That's just gross. I'm not a fucking oc nor am I a character from a media. I'm a real person. Flesh and blood. Yellow and I were mortified, Yellow being my current partner who has known me for years before we started to even date. Yellow had to comfort me when I left my college classroom to go throw up. All of my friends were in my dms trying to comfort me, tell me it was ok, but I feel violated. I don't care if it's stupid that I feel that way, I'm not famous. I'm not someone that should be sexualized. I'm a victim of CSA and SA, this gave me paranoia and a flare up in pstd. I know this is heavy. I hope you're able to speak for the other victims too. Coral I feel bad for, they were harassed by Gary and now a friend of Gary's to let Gary contact me after I blocked them. I'll pass you onto Coral now, after that I think you should talk to the minor who Gary sent nsfw dms to as well. Red I feel most bad for. I know that I'm the main victim of Gary, but dear lord did Red go through shit."

Green stated that they felt bad for how they typed everything out a bit messy. They wanted to get their feelings out so I reassured them it was fine. This is Green's final messages with Gary. After the final message Gary sent, they blocked them.

I asked Green for any final comments on this. "I know that I only have these screenshots to back up my end of things, though Coral has some and Red has a ton. Though if I had to state any last thing to Gary and their system, especially from my system- Yellow and I together in this, fuck off. Delete that gross porn you made of me you vile freak. You're one of three people now I can never forgive in my lifetime. I hope no one has to deal with the shit I did. To your system, if anyone has a shred of sense in it, destroy that shrine to me. Scrub away every single little bit of ship art or nsfw art that Gary made of me. God forbid this, if anyone else drew art of us together I hope they block you. Stay away from me, stay away from my system, and stay away from my friends and my family. I can't forgive you for the trauma you put on me. Maybe someday you'll be a better person, but people who send nsfw messages to minors deserve to burn. I hope Red is able to recover from this like everyone hopes I do."

Thank you Green for letting me post this. I wish the best for you and your recovery.

Coral's story -> Red's story/closing statements

[stari-hun]

Reverse 1999 is an Existential Horror and they’re reminding us of the genre

This is a post about Vereinsamt, book 7, but I won’t be talking about any massive story spoilers here!

Chapter 7 - The Maze of the Minotaur is horrible cause it viscerally shows how different we are as humans from then to now.

I was just talking about how 1999 was when Blair Witch came out, so every character has massed out on the massive horror resurgence that came out after it. In Reverse 1999, 1999 was when they had it all. But to us, if you asked what the best era in the past was you’d get 100 different answers, and very few would be before the 2000s.

Blair Witch was the turn of horror films because it gave the foundation for a new genre that was accessible to amateur film makers: the Found Footage genre. It made way for an entirely new type of story where all people needed was a friend and any kind of camera in order to tell their story. This stemmed into a digital version of this genre: Alternate Reality Games or ARGs. As well as a subgenre of Found Footage called Analog Horror, in today’s age, even phones have better camera quality than most cameras' film quality back then. So the genre learned to turn the quality down on videos in order to get a vintage quality to them because the inability to see would give a fear of the unknown. We both have a fear of the unknown, but the characters in Reverse 1999 have no knowledge or baseline to be afraid of things that aren’t what they appear. Arcanum can be used to change one’s appearance and it’s uncommon knowledge, but to totally change a person's stature and look is a rare ability. A few arcanists have a certain transcendental ability to tell people apart by their aura, bones, or unique arcane signature. But they haven’t experienced this horror renaissance. Horror movies actually have a pretty important role in public perception of things. If a person was walking around with a knife or a bat and we didn't have horror movies or stories of that exact situation, then unless you heard about a dangerous person on the streets, your guard wouldn't be up. Hearing and seeing stories about the possibility of harm and what could happen in a certain situation is a very important role media has in our lives. With the Mandela Catalogue came a fascination with urban myths and similar cryptids. People from Appalachia and indigenous people around the time it came out would share stories of their encounters with creatures who would pretend to be human and lure us to them. Whether or not a person chooses to believe in nonhuman entities is up to them, but it's a fact as well that a lot of animals have adapted to humans and learned how to mimic us. Birds mimic us easily as animals who specialize in it, but cats and dogs do their best to mimic our speech patterns to. Humans are animals as well so we sound like other animals. Bunnies being hunted in the woods make screaming sounds that grab the attention of anything nearby but especially humans, they even sound similar to us in the way babies' cries can make other animals think we're a similar species to them. So whether it has a mystical explanation or one in nature, we know that something that sounds like what isn't on purpose is a sign of danger. We've seen horror movies and heard stories about turning around and seeing what we think is a friend only to be betrayed by a monster tricking us in many popular media. We've seen media portrayals of that person being something pretending to be human and pretending to be your friend, so we know that that means imminent danger. In Doctor Who you have Weeping Angels who use the voices of others to communicate until they're caught, Supernatural used the stories of mimics many times, even in DnD as a tabletop game has it as an enemy that isn't strong but always poses a threat because trusting that you're safe when something is tricking you into thinking that way is one of the scariest things to humans. It's why I think Arcanists, because of the nature of arcanum, struggle the most from memory gaps or mental illness. Arcanum relies on your mind and schema as power. As humans, we naturally feel uncomfortable with the unknown and take comfort in learning and overcoming fears. We like an environment we can feel control in and safety from as well as people we can feel safe with. So along with the unknown, another thing we fear is being innately unsafe around someone we've placed absolute trust in.

The characters in R1999 lack the public zeitgeist we have. 37’s instincts aren't to distrust the people around her in any situation. Even when 210 is purposefully trying to knock down her ego, she doesn't react to it with feeling hurt because she genuinely trusts the people of Apeiron and especially her close group. She doesn't consider they would do anything bad to her, and she doesn't have the knowledge to consider that something could use that trust by pretenidng to be them.

[taravangians-storming-balls]

btw have we all talked about how kaladin was in the middle of having a panic attack and then adolin walks in and kaladin is immediately checking out his outfit and how nice his hair is

[scammydoesstuff]

Been a minute since I've been able to draw or even post anything. And that's cuz I've been busy af with a job that's been slowly killing me for the last 8 months. But it's all good; I'm actually leaving that shithole at the end of the week. Yay! Maybe that means I can open up commissions again since I'll actually have time for them? Who's to say...

Anyway! Had a rough weekend at Fan Expo Chicago last week, and I've kinda had this in mind to draw ever since my disappointing interaction with Neil Newbon. He was very nice, but it felt pretty clear that he only really cared about Astarion. And, like, to a degree I get it? Astarion seems like a cool character that means a lot to a lot of people, but to act like no one cares anymore about Resident Evil Village cuz it's an "older game" (his words, not mine), kinda killed my mood for the weekend. Not to mention coming back with COVID. That was also a bummer...

*I* still love Heisenberg, at least. And if I'm the only one, then so be it. ❤️‍🩹

[nordicbananas]

alexis I blame you for this (pt. 2)

[sysig]

It started with a whisper ♥ (Patreon)

[thetisming]

im actually really worried that im not that interested in &j anymore like ivd been having a hard time writing about it and talking about it online and i mean i talk about it a lot irl but idk like people have been knowing more than me and im starting to feel so incredibly inferior that it's hard for me to enjoy it

[what-is-it-to-be-pk-esque]

My partner finally finished BG3 but has no idea that his ending was actually bad cause he was a pro-Vlaakith githyanki who rode off with Lae'zel but got NO EPILOGUE where Withers points out y'all died im 😭😭😭

they have no idea what happened with Gale or anyone else (who was still alive) after flying away 🙃🙃🙃