#but this was only about one character so it didn't have a lot of talking

[mcflymemes]

PROMPTS FOR PRE ESTABLISHED CONNECTIONS AND CREATING HISTORY BETWEEN CHARACTERS *  assorted dialogue for giving your characters a history and giving them past things or events to talk about, adjust as necessary

do you remember what i told you last time?

have you been doing well since i saw you?

that's not what you told me back then.

when was the last time i saw you?

you were shorter then.

i'm picking the restaurant this time.

we've known each other since we were children.

always knew i could count on you.

that time was different. this is worse.

you're not going to let me live that down, are you?

i seem to remember a conversation we had back then.

so you changed your mind about it?

do you remember our encounter in paris?

you should know me by now.

am i the only one that knows the truth?

we had a lot of help back then.

your mom told me to look out for you.

you just love bringing that back up to annoy me.

maybe don't mention my past indescretions?

this was never going to work out between us.

i told you not to get attached.

i know more about you than you think.

i was there, remember?

i'm not about to forget all the shit you put me through.

you told me you were going to try and make this work.

remember what i said to you?

the last time i saw you, things were good between us.

you never mentioned this before.

that was the longest flight of my life, and you made it worse.

can i still trust you after all that?

at least we tried to make something work.

we never discussed what happened between us.

okay, but i'm driving the car this time.

i haven't forgotten what you said last week.

i'm still thinking about your comment.

i didn't realize it was you when i first saw you.

you seem to make a lot of enemies around here.

there's not much for us to talk about.

we worked it out last time.

i know you far better than you know yourself.

we have a long history.

is that the shirt you were wearing last time?

what don't i know about you?

i haven't told them about us.

you were the only person i could go to.

you know me.

this is bigger than both of us.

i can't stand your driving.

are you taking me to the place we had dinner last time?

that's not at all what you said.

didn't we agree on that?

i thought i made it very clear where i stand.

are these the same people that came after you last time?

are you still going on about it?

can we talk about it?

staying silent about it won't help.

you're the only person who knows the real me.

this is a bad time to talk about your problems.

[kinardsevan]

What is your opinion on Tommy coming back or not? And in they case we see him again, do you think it’ll be just for closure (ex: Abby in season 3) or maybe for a BuckTommy second chance?

fun fact: i was considering doing an entire breakdown with a bunch of Oliver's interviews from the start of this arc until now to point to my opinion:

Tommy is coming back. The romcom theme is still in effect, and we're only about midway through the 3rd act.

Long story short (and without sources right now), I think that the interviews were actuallly pointing in this direction with the wording for a hot second. We have OS telling us that he thinks the best relationships have a "will they, won't they" bit where the audience and the characters are pining. We've seen this play out on the show. And we also have to remember that Oli knew during this interview that the breakup was coming. We also have the interview (I believe it was the Decider one I linked last week) where he mentions choosing to fight for the relationship or not. I feel like a lot of people have taken the context of that and twisted it into "they didn't do it right away, so they're not going to". Except, there's ANOTHER quote of relevance, which is Oliver talking about how Buck's queerness isn't tied to Tommy or Eddie, and only to himself.

Obviously, there have been things said since 806 that would point towards me being delulu, except, here's the issue: TM, OS and LFJr are NOT going to tell us that Tommy is coming back if that's the intention. It would spoil the surprise of it all, and the win of it all. What fun is there in that? What TM has said is that Tommy is Buck's romantic past but that doesn't mean he won't turn up again in the future (all relevant and true facts which do not shut down a reconciliation). Lou never out-and-out said he was done with the show. He's said time and time again that he wants to come back. TM has mentioned Tommy coming around again. OS literally said in an interview "they may run into each other on scene and have it be awkward".

Now obviously we don't actually have the full story with how things went down and the show decided to go with splitting the boys up. I think the fact that Lou has called out the bullying but says he wants to come back suggests that it wasn't him saying it was too much. I have two theories that could honestly run concurrent with one another:

Evan and Tommy break up in 806 at the end of the episode. With 911 having 18 episode seasons, this quite literally only makes up the first third of the season. It set up the beginning of the year for us. We're now two episodes into the second part of the season with a pretty clear idea of where the next three will go and suggestions (by fans, nothing official) that the "soonest" we could see LFJr again is 812. This is reasonable, as it would be the end of the middle of the season. Knowing that TM has suggested he might do a multi-episode season finale, pushing LFJr back into the show in 812 (or even the end of 811 if we go with my theory that Eddie could possibly leave around this time and Tommy helps them pack up/his and Buck's first time spending time around each other again), there would still likely be something around this time period that would be around when they would open the doors to this. As it is, we know that 809 and 810 go together, and then we'd have 811 to really flesh out the end of Buck's fling. I think there's even more possibility of LFJr being in this episode as well because if the plan is to bring them back together (which everything has been suggested so far ON screen in terms of keeping Tommy "in" the story), three-episode arc gives us several things: a. it allows the show to make the point that Buck's queerness is not intrinsically attached to Tommy; that his interest in men is as equal as he know his interest in women is. b. it gives them the ability to also show that his feelings for Tommy are not based in Tommy being his "first", or Evan needing to "discover" more about himself. They're in love with each other, and the show has given us the pieces for that. LFJr has acknowledged it in an interview, Tommy loves Buck. We also know that Tommy's line to Evan is "you'd end up breaking my heart, and I don't think I could deal with that". When I hear that sentence, what I'm actually hearing is "I'm already in love with you, and if I let myself fall more in love with you by being with you every day all the time and this ends, I won't survive it". By relation, we have Josh ask Buck if he loves Tommy and Buck waffles, but I think this has more to do with his lack of understanding of what a healthy love is in a relationship, given his past relationships. He never got to tell Abby. Ali left. and saying I love you to Taylor wasn't about the core of actually being in love with her, which I think is another important piece for BuckTommy: they don't just love each other, they're in love with each other. Still, sometimes it's hard to quantify that feeling, and I think (as I've referenced before), for Evan it was easier to ask Tommy to share a living space with him than to share how he feels about him because historically, things haven't worked out well for him when he's been in love outwardly. Further, the questions Josh asks Evan are directly correlated with loving someone, and Evan answers yes to all of them. (I don't think I need to add this, but he also sees a future with Tommy, talks about being engaged or married. He's serious about Tommy in a way he never has been before.)

There's also the theory that the breakup happened because of scheduling conflicts. Now obviously the show could've found other ways to work around LFJr's scheduling issues by having Tommy go on a trip or what-have-you, but let's remember OTHER things that have been said by OS in prior interviews: a. back in June, he did an interview where he stated that he wanted and hoped that BuckTommy would go through issues that couples normally go through in their first year together. He wanted normal issues. This storyline IS normal. b. he didn't want to repeat Tarlos. By the very definition of what the show is doing right now, we're not. Tarlos and BuckTommy are their own things with their own reasonings.

One of the other things I also keep being pulled back to is these issues: first of all, we know how LFJr plays with the 911 demo, given that they got to see it last season. It's why he was written into more episodes after his initial four episode arc and brought back. ABC has also used BuckTommy in their own adverts, which suggests that they are very supportive of the relationship continuing because it draws in viewers. Truly giving that up for good feels like dousing yourself in gasoline and then considering striking a match. Second, people also keep calling out that TM only plans a few weeks in advance. I believe this is true with story beats. We know that the writers room has a general idea on character arcs, thanks to some of the discussion on the cheese page post-806. I really struggle to believe that TM didn't know going into going forward with the breakup whether or not he wanted to bring LFJr back. We know he waffled back and forth on the idea of the breakup, meaning he probably had other solutions on his mind for whatever LFJr's schedule needed adjusting for, and this is what he decided on. Also, even if 8b hasn't been broken down yet (we know it hasn't), they would still know at this point what they do or don't want, what their ideas might be. Solidification for why Tommy should be brought back is directly shown in the reaction by the GA and the fandom to the breakup. They may not know exactly how that reunion happens yet, but what they have suggested is that Buck's new relationship will be short-lived. That he's using it to cope. We also know he's still processing the break-up and still misses Tommy. These are all things that point to the story not being over. Plus, I feel (once again), if the story really was over and they didn't have plans to continue this in 8b, LFJr wouldn't be talking about wanting to go back. It be far more "yeah that sucked, but it's over now and what can you do? I'm off to this new show and I'll never be back." (I've commented also on the fact that the fangirlish interview comment about his "i'm going here, doing this, have some opportunities" statement is very run-of-the-mill. Obvs I could mean something. Or it could literally just be a canned answer.) (This might feel a little off-center, but I think his commentary on trusting TM and knowing what he's doing in one of his post-806 interviews directly suggests that he believes the story is going to be handled properly.)

I realize at the end of the day, all of what I'm piecing together could mean zilch and Tommy could possibly never come back. They could truly just drop the story and never circle back around, set fire to a beautiful arc and lose thousands (possibly millions) of viewers. I've certainly suggested myself being one of them. But I don't see BuckTommy only getting an Abby fix for two reasons. LFJr wants to come back and continue the story, and Connie Britton only ever intended to do one season. Also, the fling has been called out as being planned to be short-lived. Why bother mentioning that if you don't have other plans for the story.

The last thing I'll leave you with is my commentary from the interview Oli and Aisha did with the guy from Chicago. That reporter obviously liked the BuckTommy storyline and said he's choosing to believe that the relationship is paused, not over. By relation, we had Oliver say three things: (1 and 2) Buck is still looking for love, both in himself and with another person. (3)The season is only half over. Circle that back to 806-808. Buck is finding love in himself by dealing with it in a healthy way (so far) with the baking. We've also seen the "cracks" Oli mentioned with his continued urge to want to text Tommy, as well as him fighting it off by baking (referencing the "pendulum swinging"). Looking for love in others will likely be this arc where he tries to deal/move on. I feel like we collectively watched the end of 806, and then 807 and 808 yelling at the TV "you're in love with him, piece it together already!" (or maybe that was just me???). But truly, whether it's a fling, his therapist, or Bobby/Maddie/Eddie who finally spells it out of or him, I think there will be a point at which we see that come to fruition. The seeds were sewn in for it in the scene with Josh. Now it's just about watching those seeds sprout.

Final note: we've had a good run up to this point with these two. Did we truly thing that the honeymoon phase would last forever? (I didn't. Conflict and the pink bubble popping have to happen eventually.) If we really want to suggest that what BuckTommy has is real, they have to go through this and come out the other side. I think everyone is justifiably frustrated due to the 4 month wait on new episodes (I personally would not have left people hanging quite like this, but that's just me), but the narrative does lead us toward what the show is doing with the suggestion that it does have a natural (and good) conclusion. (Possibly with a helicopter/truck/jeep crash?!)

And just as my singularly LAST note, here's my other thing: Evan and Tommy both have abandonment issues. (Tommy's are clear based on the break up and we know Buck's.) By that correlation, when these two finally get back together, they're never going to fucking let the other go.

(This was so much longer than I intended it to be, but that's my answer 😂😂😂😂😂😂)

[stillness-in-green]

Some thoughts on The Discourse about the last BNHA cover

(Note: This Discourse was on Twitter. I don’t know how much of this may have been said here on Tumblr, so consider this either my contribution or just me reporting back on drama from other fronts.)

So, I saw a lot of back and forth over there between people who didn’t like the cover and people who did, and I spent a little while mulling it over. It seemed to me that the people who didn’t like it had a good point, but one they were not articulating particularly well, possibly thanks to the character limit and possibly also because the people talking about it tended to phrase their objections in sarcastic, consciously exaggerated terms because that’s the language months and months of dealing with the truly insufferable Horikoshi Defense Squad on Twitter primed them to use.

So what is the point?  Basically this: In going for the lazy/easy callback in both the cover design and Dai (plate-hair kid)'s role in the final chapter more generally, Horikoshi landed on an "everything comes full circle" ending when what the story desperately needed was an indicator of change.

We didn't need to know that a kid with low self-confidence and nothing to speak of in the quirk department can still become a Pro Hero if he[1] wants to.  We already knew that because it's what the whole story of BNHA was about!  Deku passing the torch/paying it forward is nice if all you care about is Deku's personal arc, but it's sheer reductiveness if you care about literally anything else.  If there was going to be a kid getting Deku's encouragement and help at the end, if that's the ending Hori was absolutely set on, it shouldn't have been the Deku Redux kid; it shouldn't have been the weak kid who has already been metaphorically proven capable of becoming a Hero.

1: And of course it would be a boy.

It should have been the troubled kid, the one from the bad family situation, the one who isn't sure whether he even believes in this Hero thing.  It should have been the kid who, if nothing about Hero Society had changed, would’ve been rejected by the whole corrupt system—in so many words, the Tenko Redux kid.  That's the one who we saw could not become a Hero under the previous system.  That's who we needed to demonstrate the system's improvement.

Instead, all we get is Deku helping himself.  And it fits, I guess, because “himself” is the only sort of person Deku ever wanted to save anyway—remember that in the very first chapter, Deku tells All Might that he wants to be a Hero because he was never “saved” as a kid and so he thinks saving is the coolest thing ever.  Implicitly, then, Deku wanted to be the kind of Hero who could have saved the kid he was, and that tendency to reserve his compassion for people he can recognize himself in—the crying children and the Hero wannabes—is consistent throughout the series.  Dai, then, simply becomes the very last of these examples, the chance for Deku to tell his middle school self that he, too, can be a great Hero.

And that’s quite a choice, isn’t it?  Take a second to consider the implications there. The metaphorical parallel Deku helps is his middle school self, not his childhood self—there’s no evidence that Dai was bullied on the same level young Izuku was, and we sure didn’t see anyone telling him to jump off a roof.  So, who does save those children, then, in this grand, improved version of Hero Society?  Does anyone?

Well, not really. Not that we’re shown. Indeed, the child who was the closest analogue to young Izuku—a weak and seemingly quirkless boy who stuck his neck out for other rejected children, who still stubbornly wanted to be a Hero despite a parent's disapproval—was Tenko, and Deku pointedly did not save him.

To be clear, I don’t mean that just in the sense that Deku failed to save the adult Tenko became, but even in the emotional sense that the series clearly wants me to believe Deku succeeded at, the saving of the boy's heart? I don’t think Deku even managed that.  Sure, he might have protected the echo of that child from a few memories, might have held his hands for a few exchanges of dialogue, but then the boy transformed back into the form of the Villain he'd become and was swallowed down the spiritual maw of the man from whom society failed to save Tenko to begin with! And what was Deku doing as this happened? Absolutely nothing but yelling impotently as he got blown backward and out of the mindscape.

Imagine that Deku had found some way to cheer up Izumi Kouta only for Muscular to kill the kid thirty seconds later.  No one would be saying, “I think Deku still saved him—his heart, anyway,” if Deku got Kouta to smile and admit that Heroes were actually pretty cool only to do nothing but scream helplessly as he watched Muscular pulverize Kouta’s ribcage with one gentle squeeze.[2]

2: Mind you, this comparison is flawed!  Unlike AFO’s vestige, Muscular doesn’t turn up to kill a child as a direct result of Deku’s own actions. Also unlike the events of the final battle, Deku doesn't jump up and personally administer the killing blow to the still-screaming victim, either.

It just leaves me thinking about some of the stuff @codenamesazanka has said about how the narrative treats Shigaraki and Deku helping him: not as something Deku has a duty to do, not something Hero Society on the whole owes Shigaraki (and all the other metaphorical expy/future Shigarakis), but rather a bonus, a nice extra, a demonstration to shine up Deku's Hero cred because he's making efforts no one else would bother with and that no one would reasonably expect him to make. It's not Deku’s job to save the Tenkos or the young Izukus of the world; apparently that just falls to society at large.

So then, what was the point of making Tenko/Tomura such an extreme case of someone who started in a similar place to Deku?  Why make him, also, a weak kid who was told he couldn't be a Hero, if you're not going to have Deku save him in the way no one saved Deku himself?

From where I'm sitting, the answer is, "It seemed like a good idea to Horikoshi at the time, but proved to be poorly thought out."  But if Deku failing to save his own closest childhood analogue was where the story was going the whole time, then Shigaraki should never have been used to parallel Deku to begin with.  It's just a damned waste of Shigaraki as a character, an insult to everything he represented, to use him for ~the parallels~ throughout the entirety of the story except the very beginning and the very end.

Anyway, Pro Heroes are bullshit and the ending should have been them being radically reconceived from the ground up with input from all the people they failed to save.  But again, if you have to still have Heroes-qua-Heroes at the end, and you have to have some stupid thematic echo because you as an author think callbacks are the single most compelling storytelling tool of all time, then everything we got on Dai should have been for Scissors-kun instead, and here I am very much including Dai's scene before the first war. An unsettling scene of a strange child with his mouth sewn shut, stuck in a straitjacket in a dark room should have been the last thing we saw before launching into the day of the raids, an apparent element for the future in the same way that so many future Villains were first shown in the wake of Stain's arrest.

See, Shigaraki’s own destructiveness is what ultimately frees Scissors-kun from the basement, “saving” this rejected, abused child in a way no Hero ever managed or even knew to try, just as Shigaraki brought light and a strange sort of hope to the lives of so many others whom Heroes failed.  However, Shigaraki couldn't carry his ambitions through to the end. He was never able to meet the kid he indirectly saved, never able to offer that appallingly abused victim an avenue for his signature brand of rough justice. Heroes stopped him from doing so. So then, who will help Scissors-kun?

If we’re to believe that the story's protagonist has made a real difference, that Deku and his classmates have changed the world for the better, then we don't need to see them helping a kid who we already know is going to turn out fine because “he” aleady did. We need to see them help the people that previously only Villains would have helped, picking up the torch they struck from Shigaraki’s hands.

So sure, keep the scene with Granny Evil and Scissors-kun if you must, to show that it’s not only Heroes but also the broader Hero Society that’s changed. After that, though, show Deku stepping in.  Show him taking an interest in this kid as a way to keep his promises—to Shigaraki, that the rejection and obliviousness that he sought to destroy have indeed been destroyed and will remain so, and to Spinner, that Deku will remember Shigaraki for the rest of his life. 

When Deku is older and in a position to give advice to a kid who’s floundering and uncertain of what to do with his life because of what people around him say about him, make that character echo the characters the old system failed to save, not the character who the entire story proved would do just fine.

For god's sake, ditch Deku Redux.

Now, I know the obvious rejoinder here: We can’t use Deku’s story to say that BNHA already showed us that Dai would be fine because Dai has a quirk where Deku did not, therefore Deku’s path would not be open to Dai.  To this, I would reply that neither Deku nor Dai specify that Dai wants/is able to be a top Hero, merely that he be the kind of Hero people can admire—which the story has also already proven true!

Ojiro got into UA with nothing but one (1) extra limb.

Manual has a perfectly middling quirk that turned out to be absolutely crucial in two different wars because it was the right quirk at the right time.

Wash’s quirk makes strong bubbles. 

Like, this list is not short.  Manifest Plates might or might not make Dai Hero Billboard material, but one of the major points of the endgame was the sublime and noble value of helping when you can, in the way that you can.  So to reiterate, we didn’t need that to be proven again in the epilogue.

If anything, going the route of retreading the same story makes the epilogue much worse! Not only do we not get to see how this society is helping the people the old society most profoundly failed—victims who fall through the cracks and become Villains—but in seeing yet another a weak kid being mocked for his heroic aspirations, we find that we’ve barely moved a step beyond the exact same place we started.

That’s the message Horikoshi chose to go with, for both the closing chapters of the story and the story’s final volume cover.  Truly, as art that summarizes the story goes, it’s a masterful choice!  And that's the whole problem. The cover of Volume 42 is a perfect illustration of the self-absorbed, cynical, cyclical nature of BNHA's endgame. Little wonder, then, that it's hated by the same people who hated said endgame.

[tls12lessthan3]

so i was thinking about the question 'if a tree falls in the woods and no one is around to hear it, does it make a sound?' as it pertains to orv. this is a question that orv asks over and over again throughout its narrative. or to be more specifically is asks the analogous question if a a story is created and no one ever witnesses it, does it really exist? and i initially thought that the answer was very firmly no, at least in the orv universe.

we see this when kim dokja is kicked out of the star stream and quite literally starts dying because he's no longer part of the story = he's no longer a character being read = he no longer exists. he's talking to himself in the garbage dump, but without the fourth wall recording it, he isn't making a sound - at least not one this universe knows how to recognize. the culmination of this comes with the oldest dream reveal, the idea that the universe quite literally cannot exist without someone observing it. this answer to the famous question could not be more definite, at least within the star stream.

but i don't think this is an answer to the question that the story - or kim dokja - likes. as firmly as orv defines this answer, it also pushes back against it. when kim dokja is fighting the dokkaebi king, they share this exchange:

"The Dokkaebi King addressed me as if to mock my actions. [There is nothing more futile than a story continuing on when no one's reading it. Everything is created the moment they are observed. That's how this universe has been constructed. If no one observes it, that Story can't prove its existence.] "…They definitely do exist."

kim dokja actively disputes the fundamental fact of this universe that stories only exist when theyre being read - pain only exists when its being observed, love only exists when its been recognized, people only exist when others have acknowledged them. rather, stories exist whether or not they're being observed.

frankly i can't think of many instances in orv where this is demonstrated, given the laws of the star stream and the nature of orv. but i can think of instances where it is relevant. mainly i think of it as relevant to the story of kim dokja - an abused and neglected kid whos struggles went completely ignored by everyone in his life. his story was a painfully common and dull one, the type people instinctively avert their eyes from. but that doesn't mean it didn't exist.

anyway. i've been thinking a lot about the debate about reality that comes with these sorts of questions and as always i can turn anything into an orv reference

[yuqsdug]

In the one (1) Block Tales comic i've made so far, I drew the player as this R15 model Noob with modern day Roblox chat. Since blocktales can have four (4) players in a battle, I decided to draw the rest of the sqaud.

OBLIGATORY SEBASTIAN SOLICE

Drew him from memory

READ MORE ABOUT THESE BLOCK TALES CHARACTERS? down below

So you want to know more about these goobers hm?

[Player] (yes that's his name)

- Despite his very cheerful demeanor, he can make grudges extremely easy.

- He's the only one of the squad who talks in modern chat bubbles. Something must've went wrong when he time traveled.

- He still uses R15 because he didn't want to lose his elbows. He needs those to throw balls, Okay?!

- He may, possibly, be abusing the ghost Walker for meaningless- and legally dubious- means. He's not paying for a 777 tix card!

- Was the only who got to experience the later half demo 3. He was quite surprised to be in a hospital after defeating IT. His friends were hovering woriedly over his bed.

- Hatred was particularly strong in this one.

BaconBoy

- Brother of BaconGirl

- Quite a skitish boy, Easily scared. He did not like Telamon's manor ONE BIT!

- the time when his model type was added to Roblox left quite an impact on him. Why were people so mean?

- he forgot to change his scale before time traveling, so now he towers over most people they encounter. Now he's noticed even more and bumps his head on doors... Yay...

- He doesn't know a lot about Roblox before 2016. So the meaning of the swords their collecting is a bit lost on him. He can't help but be a bit fearful of them. The previous holders of the Icedagger and Venomshank seemed to be going insane. And his friends seen awfully attached to the swords they have collected. He hopes everything will end fine.

- FEAR is strong in this one

BaconGirl

- Sister of baconboy

- She can't handle being alone well. Being alone for a short time causes great feeling of solitude. She's always with atleast one of her friends.

- She's in charge of snack duty, she got the biggest bag after all. Someone low on HP? A burger is ready. Low on SP? the Bloxycola is already in your hand. Low on Tix? That's something she can't fix.

- She the only one of the group who realised they should be in the R6 model when they time traveled. She thought the rest also knew this, apparently not.

- The Icedagger is her FAVORITE weapon. Just focus a bit and heal EVERYONE? yes please! ####, She'd let this thing freeze her for less.

- She's a bit cold to the touch

- Solitude is strong in this one

Ann

- short for androgynous default (who is naming these children?)

- Very chaotic person

- They kill every enemy in their wake, be it bird, Mosquito, or zombie. Getting 0 xp does not bring them joy.

- Always has hard mode enable to get more Xp. This has absolutely backfired multiple times.

- They will come up for their friends, every good friend does that! Including when BaconBoy burgers contain pickles.

- Their a fan of the Venomshank. An AOE attack also afflicting poison is. the. best! The pretty flowers coming out of the enemies is a plus too.

- Greed is very strong in this one.

- - - - - - - - - - - - - - - - - - -

Thanks for reading that btw.

The drawings were made on my phone.

(trying to post thing broke my Tumblr, lol)

[genericpuff]

Looking back on it, Rachel really should have called Lore Olympus something else. It really doesn't seem to want to focus on 'lore' or 'olympus' and would rather be a romance with her self insert and celebrity crush. So many plot points and characters got thrown away for her two characters. It reminds me of Twilight having interesting background characters (Rosalie deserved better) and an interesting supernatural world. Yet Stephanie just focused on the dry ass romance of Edward and Bella.

I mean, the title totally worked in the beginning, the comic just lost the plot after its first season and became more like what you're describing, a weird May December romance about a girl who's only empowered enough to wait until marriage with the first guy she ever crushed on before having sex 💀

And yeah true that, a lot of fantasy dark romances like Twilight suffer from the issue of getting too hyperfocused on the main couple doing stuff and not paying enough attention to the actually interesting stuff going on around them. Though I will say, in Twilight's case, a lot of the "interesting stuff" was grossly misrepresented from Indigenous tribes and beliefs so... maybe it's for the best Stephanie didn't expand too much on it all in the end LMAO

Of course, the same can be said for LO, there were some really interesting plot hooks happening around H x P, but by the time S2 rolled around, all of those hooks got shoved under the bed until it was time to hastily wrap them up for those of us who were waiting to see them resolved. I think the Hera and Echo plotline was one of the worst culprits for that, you can tell in S2 she had an idea for some kind of "double agent" story with Echo where Echo would slowly come around to Hera's side and have to choose between her and the job Zeus clearly hired her for (to spy on Hera) - but then it just wound up skipping all that so we could watch Hades and Persephone play golf with diamonds, go shopping, and fuck around in the Underworld, until Rachel had to suddenly wrap up the entire Hera x Echo story in the most rushed, confusing way possible just a handful of episodes before the end.

LO had a lot of interesting concepts and ideas especially with the added benefit of it being based off myths that many readers were already familiar with, but unfortunately they were in the hands of a terrible writer working for a terrible company that didn't provide her with the resources she needed and could have really benefited from to tell a better story. It clearly needed a more involved editing process, more drafts to work through and scrap and work through again, more time to really plan out the full skeleton of the story, but what we got instead was more like a rushed first draft that spent more time on the bland uninteresting DDLG couple because they were clearly the easiest things Rachel could write about - fantasy shipping scenarios of them talking romantically to each other, making out, and having sex, boom, plot 🥴

[azen13]

[Not really sure if this counts as a request but here we go] Who’s your favourite male yandere(s) from genshin? And could you talk about why?

Ah I love this question! Thank you so much for asking. I've been really busy with college lately so I haven't gotten a chance to write recently, but after this week I should be finished with a lot of tests until finals. Just to clear things up, I absolutely accept questions like this! I feel like I haven't really shared a lot about myself as a person so I'm hoping to do more of that in the future.

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CW: Yandere Themes, Spoilers for Wriothesley's Story Quest

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I'd say I have four yanderes who I really like, and then a few who I like but I'm not obsessed with. Those four being Alhaitham, Neuvillette, Wriothesley, and Zhongli. Beyond the fact that I just like them as characters (and I'm gay asf lol) they're the most interesting yanderes to me, in part because of how much power they have in their societies.

Alhaitham is really interesting to me because there's this personal conflict between his values and beliefs and the idea of falling in an obsessive love. Alhaitham is inherently self-centered, not narcissistically so, but to the point where he prioritizes and values his time alone. In doing so though, he's also extremely lonely. I think a lot on how Alhaitham would react to someone who's able to match his sharpened blade of wit with one of their own, how he might exchange parries and blows with that person and find himself needing to understand the nature of their mind. I also think about how he'd react to someone who struggles with taking care of themself, or overworking: how he'd try to get you to stop doing so much and trying to please everyone. If his lover can keep up with his intelligence, he treats the romance like a game of chess, lining up his pieces to topple over the defenses surrounding your heart. His possession of you is slow and methodical, like vines growing on walls, slowly creeping over every inch. If his lover's wisdom is spent in other areas, then he's quick to snatch them up and take them home. While I think he's quick to get you under his control, it's harder for him to make them fall in love and surrender to his calculating embrace.

Neuvillette brings a really interesting element that I like to think about when I'm writing for him: immortality. He's a dragon who's lived for centuries, and that element of the slow passage of time is really fun to both write and think about. I really like to think of Neuvillette as a really, really soft yandere; he's seen humanity at its worst, and doesn't want you, the beautiful thing you are, to be tainted by all of its ugliness. Besides, he just can't help himself, what with his draconic instincts.

Out of the four, Wriothesley is the character I'd say I have the hardest time writing for because it's harder for me to explain why he feels the way he does. The working justification I have is that being betrayed by his adoptive family and living his whole life in Meropide made him incredibly lonely and developed a lot of abandonment issues that remained unearthed for years, as he didn't really make many close friends in Meropide. Then you come along though, and for once, Wriothesley has something good, something he doesn't want to give up. He's definitely one of the hardest yanderes to escape, what with Meropide being a literal prison. I think he definitely takes extra precautions when it comes to you, though, because he's so scared of losing them. Beneath his gruff exterior, there's a heart of gold, a man who only craves your complete affection and attention.

And then there's Zhongli, who was actually the character who got me into writing Yanderes. The thing about Zhongli is that as a yandere, you're practically powerless, unless you're on a similar or higher level of power/divinity to him. Even if you exceed his power, you're still going to have a very difficult time escaping his control. With how long he's lived and how much he's seen, he knows the only way to guarantee your safety is to isolate you from Teyvat entirely. Zhongli has no qualms about doing this, regardless of how much you might protest. Because when you've lost everything but Zhongli, you'll eventually—and inevitably—crumble into his arms. Only then will Zhongli put you back together, shaping you to be his perfect lover. Zhongli's greatest power as a yandere is his patience.

[revenge-of-the-shit]

No hi I'm back again because after sitting on it for a while it was like Arcane suddenly saw all those issues it presented and abruptly decided that it was time to turn a blind eye to it instead in favour of a greek-tragedy-cosmic-horror-doomed-soulmates storyline. Whether this is due to studio interference or due to the actual politics of the writers, I don't know, but at the end of the day Arcane disappointingly fails to break free of the neoliberal messaging that deeply pervades any media that even tries to be progressive. It presents all these very real systemic issues, then either forgets about it or slaps on a last-minute band-aid solution that only serves to brush it under the rug.

I will grant that a part of it is just the fact that they simply didn't have enough time. A lot of this could've been expanded on had we just had one more arc, or even just three four-episode acts instead. The quick pacing honestly did Arcane a disservice this time. They had huge ideas, many of which were great, but they simply did not have enough time.

Some things that I wish we saw more of:

Ekko's community building and the fruits of his effort (and to add on to this: let him see his tree again!!! wtf!!)

Jinx and Sevika (and Ekko!!!) really, truly leading a united Zaunite revolution for longer than like half an episode that forces literally anyone in Piltover to consider the consequences of their actions

On that same point: meaningful change that takes down systemic barriers - better public infrastructure for Zaun, better funding for health issues, examining injustices committed by enforcers - this was only barely addressed by Ekko ("you're destroying our vents and polluting our waters") and then like never talked about again

Putting Sevika on the council as the singular token Zaunite is so painful like I can tell you as someone who's been the only queer non-white voice in the room that it's not as progressive and cool as it might seem to be. It's painful and torturous and just reeks of tokenism. A good first step would be to have a council with an equal amount of members between Piltover and Zaun but that's not enough to just have that!!

Jayce and Caitlyn actually having like, even a moment, just to think about what they've done to hurt, to oppress others, in their pursuit of "justice". Making weapons you never said you would and gassing a city of civilians should be thought about more, actually

Like there could've been so much more to Jayce and Caitlyn to make their characters even more well written. At their core they truly want to do good, they care, they earnestly want to help, but they are also raised in privilege and I want to see them wrestle with the biases they've been soaked in more.

I already talked about Maddie and the enforcers in a different post but just... more nuance about enforcers and how even the nicest enforcer you know will happily gas civilians and stand by and watch unnecessary violence. Like. Loris was one of the "good enforcers" but he helped to gas civilians too. Did we forget that

Vi!!! Just. More of Vi. She got the short end of the stick this season. The writer's punching bag. I wish we got more time to actually explore her trauma and to just... give her a break. But also more time on her thinking on her own decision to go bluebelly.

[rin-hanarin]

I realized that I've never addressed the elephant in Lucanis's room, also known as his romance plot, as a "Had been delusional about him for months before release" individual, so here's a surprisingly long rant/summary of how I felt about it in the process of playing the game.

As a Rook de Riva player, I obviously loved "Coffee with the Crows": we met Illario, joked about haha three Crows talking about nothing, talked business, Rook and Lucanis had a nice moment getting to know each other better outside of being teammates, Rook de Riva's background was acknowledged again, it really felt like a nice bonding moment, right?

Thennn a whole lot of nothing happens during any of the conversations between them, huh. Lucanis doesn't acknowledge flirting, which is fine, take your time bud, you'll get there; you keep pushing being supportive, he ignores you, you deal with his personal stuff for him one (1) time, and in my case he then proceeds to ignore Rook for 10+ hours of pure game time while busy talking to Neve at every opportunity until I finally get one (1) dialogue option to "express romantic interest in Lucanis".

And let me express my honest innermost feelings on the matter:

Not only did it feel like Lucanis genuinely couldn't care less about Rook even as a friend, it also felt like Rook was forcing Lucanis into something he simply wasn't interested in and that we were just getting in the way of his relationship with Neve. It was genuinely unpleasant to experience in a videogame that is supposed to be wish fulfillment and whatnot, and let me tell you, it was especially jarring because Dragon Age games also have a tendency of occasionally making you feel like the most special little protagonist known to Thedas, at the very least to your companions who you're supposedly building bonds with.

I loved hangout events in this game, too, I was so happy to just have these conversations about whatever with companions, have these little one-on-one moments with them that genuinely felt like walks with friends (especially with my bro my bestie my homie Davrin), and with Lucanis it started and ended with the coffee date. His fears and doubts about Rook later are never addressed, and lol lmao even, yeah, why would they be, when it feels like he barely acknowledges Rook exists outside of accompanying him to deal with his problems, none of which need Rook there? There's no reason outside of gameplay for him to ask Rook and not, say, his favorite Neve he talks about everything to? Somehow a lot of times when I hoped for any sort of dialogue with him, I was met with him talking about something very personal like his current feelings about Illario to Neve, like, isn't Rook supposed to know anything about anything, or are we just his convenient weird coworker he sometimes asks favours from?

We persevere though and keep supporting Lucanis, and can you take a wild guess what was waiting for me after like 40 hours of the game and after the infamous "kabedon assassin style" scene? Yeah bro, Lucanis just happened to talk to Neve. I wish I was making this shit up. My coping strategy was to come up with an entire jealousy subplot for my Rook because if I have to feel like I'm in the shittiest unrequited situationship of a triangular shape, I might as well do it on my own terms, right? It feels petty and stupid because as a player I like Neve, too, she's one of the coolest (no pun intended) characters, but as Rook, and Rook de Riva making an obvious choice especially? Yeah, let's just say this relationship fucking sucked for a while.

So after many trials and tribulations we're finally back with Inner Demons, and yeah, Neve is there again, I couldn't even give a shit at that point, and I'll be real here, the locking in didn't feel like we went through angsty slowburn or that we earned Lucanis' trust. Remember DA2's Fenris situation? Because I suddenly did, and surely one of many, many Neve banters I had to eavesdrop on could be sacrificed to have one or two banters that acknowledged Lucanis's anything towards Rook at all?

Also, Spite? Spite seemingly likes Rook more than Lucanis does. In between "It's so over" and "We're so back" in the Fade Ossuary it feels like somehow Rook gets more bonding time with Spite, which is kinda crazy to me.

We are so back though! As I mentioned, I was a "delusional before release" individual, I am perfectly capable of filling the gaps and extrapolating meaning from implications, and here's where one of the most infuriating things is: the rest of the romance is good, too! I can write whatever the hell I want between the beginning and the end of it, but like, why should I? How should I go about it, when in my game I was under the impression that Lucanis would rather just spend time with anyone other than Rook for seemingly no reason in particular, because there's simply nothing there? The fact that none of my pre-release ideas or comics even necessarily contradict anything about Lucanis or his romance as it is now is more telling than impressive honestly.

So where do I land with this exactly? Well, mostly in the glorious Fanon Land where I've been making my silly comics the whole time anyway. The highs are high, I love what they did at the end and how stable, protective and devoted Lucanis is, but the lows made me salty as shit and I wish I didn't have to feel that way to begin with. I wish I didn't have to connect the dots and joke about how badly Lucanis sucks at this and "Let's go girl give us nothing." And yes, I know about writer lay-offs, rewrites, restarts, etc etc, and it's a miracle that this game came out at all, but it hardly matters when you're just trying to do the good old datesim part of a Dragon Age game and end up feeling like a third wheel while trying very hard to get anything out of the character you're interested in.

[d3lly1000]

About Sonic and the others forgetting the events of Sonic '06 + The Twitter Takeovers are semi-canons

Okay, here we go... I saw some people mention this answer about Sonic forgetting Elise and being upset about it, and thankful that the Takeovers are "not canon", so I'll share my point of view on that and talk about why the Takeovers are semi-canon! (oh boy a long post-) ~~~~

To start: "But Sonic forgetting Elise is absurd! He was the one who put out the flame with Elise, they both should have known about each other." No. They shouldn't have. From the moment the flame went out, everything was reset and started at the point where Sonic was going through the festival. There was no invasion by Eggman at that moment, Elise was not kidnapped, there were no Events of 2006 EVEN though the game is canon. THIS has ALWAYS been a fact since the game's release. And it keeps gaining strength with new media (Sonic x Shadow Generations and mentions that Sonic make in external media).

And I dare even more, not even Silver should know about the events. But if he knows, it's only him and Mephiles, who was ERASED from existence and ended up in WhiteSpace, the Limbo of Sonic's Universe. (As for Silver, he constantly travels through time, he could be the only one who remembers, but I doubt it a little) But the point here is: The representation of the flame going out at the end of 06 is that everything was rewritten in a new way. Things didn't happen that way and that's it.

"But it's absurd. Sonic would never forget Elise, they liked each other!"

I know that in some way there are fans of Sonelise, but I don't think it's right to support their romance so much when it was rushed and totally done in a hurry to make us get some kind of "emotional attachment" to Elise. Elise was the one who showed the most interest in Sonic, even kissing him (geez...), while Sonic, even choosing Elise in the "Trial Of Love", sometimes the game still throws you to Amy's option in a strange glitch. Which doesn't make much sense since theoretically he "would be in love with Elise."

Elise had the potential to be an excellent character and I still believe in that! She was introduced in an obscure game (just like Silver) and we can't deny that fact. She always couldn't cry because she had sealed the Iblis Trigger in herself, she lost her father and had no mother and yet she was the governess of the kingdom of Soleanna. Have you ever thought how much she could have stood out by working on this issue of pressure that she suffers in a deeper way? Instead of Sonic's entire campaign revolving around a somewhat embarrassing romance, have you ever thought how incredible it would be if it focused on how far the line of our responsibilities goes and the fear of failing everyone? Elise could potentially even be an incredible parallel for Blaze being what she is, even if indirectly! There's the other idea of ​​Sonic and Elise being a parallel of sisterhood like Shadow is with Maria, and that's much more captivating than a romance, and I'm sure we'd get much more attached to her knowing that!

Sonic 2006 and plot holes...

Sonic's campaign is the weakest;

Elise is a character who has potential for much more than what we were given;

the time travel issue has many holes like the Blue Chaos Emerald being with Elise the whole time;

Blaze is in the game and we don't even have an explanation for it;

We're very vague about Silver and his future; So, the fact that Sonic and the others "forget" the events is something canonical since the end of the game and has always remained that way.

Now, about the Twitter Takeovers:

The Takeovers are silly and focused on humor, but that doesn't mean there aren't writers behind them!

(Social Media Manager for Sonic's official Twitter account.) This same script is thought by the entire team, since the company's characters are acting! There is a lot of work behind it, which must be recognized! In other words, the information becomes "canonical", since it covers and gives us answers about things that we don't have in the games yet. It's an expansion of the characters, the universe and the story that hasn't been told or fully explored yet, and that's fantastic! The questions are selected based on what they can probably tell us. Whether it's just about Sonic's fur or Shadow's taste for coffee, or even about the Super Transformations and the relationships between the characters. They are Semi-Canons. They are information that adds to our knowledge as fans, but they are not necessarily real, like Sonic breaking the fourth wall. As a fandom, we have to know how to separate some things! That's what makes the Sonic universe unique. Everything can be considered more clues to add to the franchise, but we need to know how to understand the reasons and whys behind it!

Conclusion

I still hope that if Sonic '06 gets a remake, they'll do a good redemption of it, because it deserves it! And who knows, maybe we'll see more of it in the future?

If you want to comment, feel free, this is an open field for that discussion. Just keep it respectful and friendly! I'd love to read and participate too!

Thank you very much for reading! Sorry for the bad English... Stay determined! 🤍

[coffin-ramblings]

In your opinion, what makes Andrew's interest in Ashley romantic rather than just sexual? Love your analyses and wanted your expert opinion, bc personally I'm kinda on the fence about it

I am very flattered that you like my analysts and consider me an expert! It is a great honor to be told that.

The first evidence Andrew is romantically in love with Ashley is this dialogue back in Episode 1. This was actually one of the big reasons why I did not check out Episode 2 for a long while because of how fucking weird Andrew is. I already knew he was weird and actually down bad for Ashley, but that moment really shows how deeply fucked up this guy is. What do you mean you think it's too romantic to commit suicide by jumping off the balcony with your sister? Even Ashley thinks he's weird there.

And then he explains that he thinks it's romantic because that'd mean their bodies would be be entangled together and have to be buried in the same coffin. Despite this, he likes that Ashley wants to join him, which wow, okay dude.

We now fast forward to chapter 2, where we get a lot more of incestuous hints from Andrew.

The first obvious one that you will always see is Andrew checking on Ashley because she's obviously in a bad mood having their burglary thwarted and having to talk with, cook for, and eat with their mother who abandoned them, likely sold them out, and wanted them dead. Ashley doesn't want to talk about it because this confirms her desire to sacrifice them and was hoping she didn't have to say it to Andrew, so she is also frustrated he's not picking that up either and being snappy. Andrew then thinks, "I want to hug her until she smiles", which okay, that's innocuous enough, but is then followed by, "I'm not going to do it, it's another thought that I wish I never had." What kind of thoughts do you have that makes you not want to hug your sister and comfort her Andrew? Isn't it a good thing you want to make her happy especially in this really shit day? And why are you blushing at that thought???

After that, you can have Andrew go talk with their mother and have this gem:

While it's easy to think Andrew thinking, "I don't want to grow fonder of Ashley because she's a bitch" if you see this the first time, notice that he starts blushing there. He very much does not want his romantic desires for Ashley intensified, nor does he ever want to be separated from her as we find out later on at the fireplace if you are on Burial route.

And before that, Andrew eats Ashley's mom-and-dad soup despite his obvious reluctance to and his outright refusal in Decay. He is only doing this to make Ashley happy, when the day before, he was holding back from just hugging her to cheer her up because of the fear that intimacy with Ashley will expose his feelings, which is why Ashley is surprised. That is, quite weirdly, a romantic gesture of Andrew.

And finally, no matter how you get Burial Sane, Andrew is still on better terms with her than before their parents died. Sure he's grumpy and aloof, but he still is happy to be with her and he doesn't start blaming her for their situation. This unnerves Ashley because she now realizes that he doesn't "need" her, but he's still hanging around for who knows how long and she can't guarantee he will stay.

It's easy to think that Andrew's feelings for Ashley is just sexual when the main focus has been Burial Questionable and the confirmation that they can have sex in Decay. Sane often gets neglected for being boring, "pointless", and Ashley being "out of character" for not teasing Andrew about the incest vision, but it is still a major route of the game and is worth analyzing. People often miss the main point of the game is that Andrew's and Ashley's (mostly) platonic relationship is already under a lot of strain due to their mutual distrust that the other will betray and/or leave them, Ashley being too stuck in the past in the most obvious form of being attached to Andy, and Andrew being cold to Ashley because he can't be honest with his affection for her. They have to rebuild their relationship as family and friends first before they can have a relatively healthy romantic relationship. Even after that obstacle, the fear of being rejected for their incestuous feelings is very real and valid when they're also family, and if the other leaves them for that or stops being on good terms with them, they are completely alone and/or heartbroken because they have no one left to love them and for them to love back.

This is why Andrew represses his romantic desire for Ashley, and Ashley can choose to stay platonic with him or tell Andrew that they will not have sex. They are both aware this really is not normal, they are most likely going to be rejected because it's abnormal, and they are afraid of what will happen after rejection. They value each other so much that they will be happy to give up their own desires if it means that they can still have each other around. That is also quite romantic, and needless to say, a very common experience for people who have trouble with confessing or never confessed their feelings to the people they love.

If Andrew merely had sexual feelings for Ashley, he can just keep dating and having sex with other women that look like her and move on. Even though Ashley doesn't like it and resents him for that, at least they still have a relationship, which is better than none at all for Andrew. It is much more difficult for Andrew when he is romantically in love with her, and he actively has to hide it away from her in hopes she won't reject him. He tried to make the best of dating Julia to try to get rid of his romantic and sexual feelings for Ashley, but even that is not enough. As seen in the Voicemails video, he needs to imagine Julia's Ashley to say romantic declarations of love to her, but that makes him sad.

On a more meta level, and one a lot of fans forget, is that TCOAAL is a psychological horror game. It is so much more revolting and well, horrifying that Andrew has romantic feelings for Ashley. My revulsion at Andrew was so strong that I stayed away from the game for months, planning to wait until Episode 3 because I want Julia to show up so I can root for her because neither sibling was sympathetic enough for me. If it was just Andrew being very sexually touchy with Ashley, I and many others would have thought he is sexually abusive or he only sees Ashley as a sex doll, and thus find it easier to root for Ashley and hope she leaves him or retaliates against him. But it is way more fascinating and accurate to a codependency that there is no clear abuser-and-victim or good guy and bad guy dynamic, that the siblings are mutually horrible to each other, but also mutually in love and lust for each other. Nemlei makes their romance an integral part of the game's horror, which is a masterful display of her skill as a creator to blend two seemingly opposite feelings into one work of art.

[codenamesazanka]

rereading Oumagadoki Zoo oneshot!

Unfortunately, because I am this tweet:

I will drawing comparisons of it to bnha. specifically, Shigaraki and the League, because the parallels are pretty obvious.

If you haven't heard of the oneshot Oumagadoki Zoo before, it's one of Horikoshi's earlier works, a oneshot that became his first serialized manga. Premise of both the manga and the oneshot is the same: Aoi Hana, a high school girl, applies to work at a zoo, only to discover too late the zoo is a magical one where the animals can turn into humans, while the zoo director, Shiina, is a human cursed to look like a rabbit-man; she then gets dragged along into crazy adventure as the director attempts to break his curse.

The oneshot is much less zany-comedic in tone, with Shiina a more serious and ambitious character and leader, but still deeply caring for his friends, who are all outcasts animals he helped. I've compared Serialized Manga Shiina with Shigaraki before; but I've always found Oneshot Shiina to be even more similar, especially with later series Shigaraki.

In the oneshot, the first mission we see Shiina and his team go on is to rescue a talking alligator that's been captured and smuggled by people wearing skull-masks. Obviously these guys are not the good guys. They acknowledge that the talking alligator might as well be considered a person, but are still keeping him caged and ready to be sell him.

So I always wondered if they were the basis of the bnha's CRC - skull-mask wearing criminals who looks down on Spinner, a person whose quirk make him looks like a lizard. But this time they're even more evil.

In the manga, it's due to Shiina's cursed magic powers that allows the animals to turn into human form; in the oneshot, however, the animals are born with magical energies that transforms them into human form - and Shiina is only someone who finds and gathers them in order to harvest their magical energy to break his curse.

If this sounds kinda selfish, it is - which Shiina acknowledges. Shiina didn't save the talking alligator out of the goodness of his heart - he needed the alligator's magical energy, and says so bluntly.

But when Hana accuses Shiina of using the animals to his own ends, Uwabami, a snake woman, says no, all the animals are here of their own free will.

The explanation Uwabami then gives Hana about why they stay with Shiina, why they follow him, actually mirrors Spinner's last dialogue with Deku on bnha a lot:

Uwabami describes the animals that have magical energy as beings whose forms have bent away from normal and turned 'grotesque'. In Japanese, the word she uses is 'igyou', which is the same word used to describe people like Spinner - translated as 'heteromorphs' in MHA. Uwabami implies that these 'grotesque' animals had suffered, had stood out with negative consequences, and that was how Shiina was able to find them. Similarly, Spinner says that he was oppressed for being a heteromorph, for having a quirk that altered his appearance.

The context is of course different, but I think the underlying feeling is still the same. Uwabami explains Shiina and the animals' situations are similar, that in helping Shiina break his curse, the issue of the animals' magical grotesque forms may also be solved as well. Shiina's mission aligns with their desires as well. In Spinner's case, Shigaraki told the League that he'll destroy everything, which at first also seemed like it was his specific dream; but within that destruction is also promised the changes and goals each of the League wants - Shigaraki represented him.

For the animals of Shiina's zoo, they were never able to fit in, they were unneeded and unwanted - and yet Shiina would still consider them comrade and friends, and gathered them together. Much like Shigaraki did for the League: he gave someone like Spinner a dream, a chance to be someone. Gave a bunch of strays, the dregs of society, a place to be.

So both Shiina and Shigaraki - leaders loved and respected by their friends so much that those friends - Uwabami and Spinner - are both willing to so straightforwardly spill out their hearts and feelings to near strangers.

anyways, I recommend the oneshot a lot. Read here at mangadex.

[amuseoffyre]

Fyre's convention adventures - Day 1

I've never done a con before, but for the chance to meet 5 of the folk from my favourite little pirate show, of course I was going to break that streak. Especially since it was a convention entirely focused on them and the show.

And since this is liable to get long, lemme put a lil snip

Since it was a hotel con and only focused on the one show, it was a lot smaller and more intimate than the more intimidating scale (to me) of Comiccons and things like that. Plus loads of people I knew already from fan meet-ups and things were going, which made it sound a lot more fun.

It was also the time for the wider OFMD fan community to meet the OFMD muppets :D My priority was to take down all of the characters of the cast who would be attending, so 5 in all: my latest Stede, Izzy, a new Calypso, Lucius and Jim. And two extras on commission - a second Stede and a full-body Ed in his Penitence Onesie. Seven in all 😅

I had three of them shipped down special delivery and the other four filled my case. Thank goodness for a generous hand-luggage allowance is all I can say. It also turned out to be the best decision of my life to bring them because they cause chaotic joy all over the place.

Did a bunch of mingling and scheming (more details on the Elusive Birthday Scroll later) and then the opening night and got to say it never stops being surreal seeing people off the telly in the same room as you.

Since I was treating myself to the gold ticket, I got to go along to the fanmeet which is basically a group of 8 at a table get a few minutes with each of the guests, speed-dating style (we also did chair rotation so everyone got a chance to sit beside the guests). Since we had enough muppets for nearly everyone, lo, we had them arrayed around the table on peoples' laps :)

I'm gonna do a brief summary of each, pulling in from my notes made the morning after as well.

First up was Vico when I was sitting by the guest seat and I got exactly the "OMG!" reaction I had hoped for when they saw the puppets❤️ Turns out they're super into puppetry (as is their partner) and have been incorporating it into their drag routines and have been planning to do a lot more with it with mention of an N'Sync style puppet routine for themself as well.

They also talked about an actor they've been compared to for years - Roberta Colindrez - and that they have recently done some work together and it made Vico realise that they are the muppet version of Colindrez in human form XD They are so animated as well, all hands all moving all the time :D I also said if I could arrange it, I'd try and get the puppet to them if they wanted it (Con rules are that you can't hand gifts directly to guests)

Nathan was second and went "ooooh those are all so creepy... except that one. He's gorgeous" about the Lucius puppet :D He chatted a bit about the show and adamantly insisted that he is a professional actor no matter what the sandwich to the head scene tells you.

Kristian was our third and for the first time in my life, someone recognised my accent as Scottish 🥹 Turns out we both have family from similar parts over here :D We had a nice chat about the places people were all from around the table.

And, of course, he got to see and hold Calypso :) Unlike all my other muppets, I redesigned her specifically for him. My usual design, the neck would be too small, so instead, I left the back of her head open and scaled up the body with a flat base.Course, he didn't know this and went a-seeking the hole 🤣 I explained she'd been redesigned and he had a chuckle about the fact "I went straight under the skirt there" :D "She's got better make-up than me" as well :D

And when I told him she was for him, his eyes went as big as Puss in Boots. And of course, then started pondering what would happen if he crossed her with his furry Calypso muppet and what kind of babies they would have. Probably furry XD

Next up was Con and with the most perfect timing, he arrived at the table just as one of our gang was shoving their hand right up the Izzy muppet 🤣 "Blooooody hell," says he and just has a good look around at all the mups. Asks who made them and all fingers point my way and he was out of his chair in an instant and around the table to give me the biggest hug and tell me "these are genius".

There may have been a bit of blue-screening in that moment and mental declarations of fealty.

I don't even remember how he ended up holding the Izzy muppet (or why he ended up giving it a snog 🤣), but he happily cradled it for the rest of the chat and looked very thrilled when I said that he could have it after the con if he wanted. Topic moved on and led to discussions of the boyfriend of one of the attendees, who made an... impression on him. Relating to size. And proportion. And how bits... fit 🤣

When asked about cars, he said he likes something sturdy and reliable and a bit like him and someone said, "what? A mini?" XD He also would like to go back to theatre, but says it would absolutely have to be the right piece. There have been discussions but they fell through, and he's off back to America to do some filming this week.

And lastly, with me back in the guest-neighbour-seat, it was our captain, who is very excited about getting back on the road with his stand-up tour and has lots of other bits of work coming his way.

He also talked about the fact that OFMD isn't going anywhere. He compared it to shows like Fawlty Towers, where there's the kind of humour and character stuff in there that was good and funny and loved for years, despite not running long at all.

The Star Trek stuff wot he can't talk about has him all excited but he would also love to do Doctor Who, ideally as some kind of helpful alien, though he wouldn't mind playing a bad guy.

He'd also like to do Star Wars at some point, but after they've stopped doing this oversaturation stuff, because there is so much of it all pouring out all of the time and they've lost sight of the heart of it. He loved Rogue One, though, so more like that :)

They were all so lovely and attentive and enthusiastic and it genuinely did just feel like sitting down for a chat with a bunch of friends. And so. frigging. funny in such different and fantastic ways :D It was definitely a great start to the weekend and it only escalated from there :)

There was some music and discoing, but after early travel and much dashing about, honk-shu time was calling and day one of the Fyre's first con experience was done :)

[orangelemonart]

what is your favorite arc in Naruto? i read something where someone explained the land of waves arc and how some of the themes were abandoned that Naruto hated how ninja was and he wanted to be the change but he did not do that - i did not finish watching shippuden i will but i don't care for spoilers and i wanna know what you think? and if you would change something to reflect back to the whole lets make a better world cause the one before us was terrible if you care about that kinda stuff

I used to feel that way. A million years ago, when the manga's war arc felt endless, I thought the series was abandoning all it's themes.

But after years of thinking way too much about this series, I believeJiraiya's "Quest For Peace" idea creates a through line from Land of Waves to the rest of the series and proves the themes WEREN'T abandoned. Putting this under a read more cause I rambled.

I'm sure the anime is worse because the war arc takes much longer there (I didn't watch the anime as is), so it really feels like we're losing the point for long stretches. But Naruto stays true to his feelings after the Zabuza and Haku stuff through the whole series. He refused to be a tool- his whole thing in that arc- when everyone was telling him to let Sasuke be executed, when they tried to keep him from the war, every thing or flashback about Nagato or Jiraiya's concept of a quest for peace. Hell it's WHY he was able to reach Obito. It's what he yaps about in every Talk-no-Jutsu

I think the entire series strongly supports that idea that Naruto would keep his vows to everyone he T-n-Jed about finding the best, least-violent solutions to conflict and oppression, all flowing from his Land of Waves experience. They're practically OVEREXPLAINED, not abandoned, that's why people make fun of T-n-J so much. And from what little I know about the spin-off series, his whole quest-for-peace/not-giving-up-not-being-a-tool/fix-everything/my-own-ninja-way is why he's busier than other kages, and why the antagonists are ninja moon aliens. Naruto is maintaining world peace, the only place left for villains is OUT OF THIS WORLD.

Anyway that's probably why the 5-Kage Summit is my favorite arc. A lot of (DUMB) people hate it because they think "well the whole village likes Naruto now, that should be the end of the series!", failing to realize Naruto's real goal has changed from being leader so everyone would treat him better, to being a leader who makes the world better for others. He spends that arc grappling with just how difficult that is through the microcosm of how he can't even do that for Sasuke, meanwhile Sasuke is dealing with the emotional ramifications of the cycle of revenge and CONSTANTLY being used as a tool by others. I think that arc strengthens the themes and character development.

I don't think it's perfect, of course. I think there's some muddiness in "not being a tool" and maintaining the ninja system. These things should have been addressed on a world-scale, not just a Sasuke-scale, after chapter 698. There should have been at least a cursory sentence about how Naruto as hokage is working hard to end oppression and cycles of revenge around the world, how even though he hasn't fixed everything, he isn't giving up or backing down! That's all it'd take, but nooooo we had dedicate the entire last chapter to introducing spin-off characters instead of addressing the themes of the series. The 5 Great Nations have more amicable summits, that's all we got.

I have a comic about what I would do differently, SOMEDAY I'll finish coloring it.... someday......

[zabiume]

Could Orihime Reject Someone Out of Existence?

This is one of those statements that gets thrown around by Orihime fans a lot as a way to defend her strength, because Orihime's weakness has been a defining part of criticism surrounding her character throughout the early-mid 2000s (and even today tbh). And it's not limited to Orihime's fans either. I've seen a lot of people use this as criticism too ["Orihime could probably reject someone out of existence"...(hence it's bad that she didn't get the opportunity to do so)]. Nevermind the fact that there hasn't been a single instance where she felt a villain has even warranted that, or the fact that Soul Society goes absolutely ballistic on Quincies, who do wipe souls out of existence, I still find this to be an interesting discussion because it neglects to consider....anything we've been told about Orihime's powers. Granted, it's pretty scummy that Kubo elaborates on the structure/logistics of her powers only in extra-canon material like CFYOW (read by only a few dedicated fans) or Klub Outside (paid Q&A forum with restricted fan access), so I don't expect that everyone has done their required reading on this, but I still think it's a good excuse to actually talk about what she can and can't do.

What Orihime Can Actually Do (Basic Powers, Achievements/Growth)

At the start of Bleach, Orihime has three basic shields - 1) Soten Kisshun - the one that rejects damage within a particular area, 2) Santen Kisshun - the one that rejects any attack aimed at Orihime & her allies (AKA, a traditional shield), 3) Koten Zanshun - the shield that forms within an external object and basically blows it up. I've seen people say Koten Zanshun is a akin to a small knife or shuriken, but in classic Kuboscience fashion, we see that it actually creates a shield that disrupts the union of matter. Ostensibly, Orihime could blow someone up if she's angry enough, and it is fun to think about Orihime blowing people up, so I understand any disappointment on that front, but. Moving on.

In Chapter 43, the Shun Shun Rikka clarify that they're not really "fairies," but a manifestation of Orihime herself. They are a part of her. I assume this works similarly to zanpakuto spirit manifestation. And IIRC, she is the only Fullbringer that has this type of manifestation (object affinity + spirit), when most Fullbringers only have an object affinity. They also mention that she needs two things to activate her powers: 1) her Heart, and 2) chanting the kotodama. I think point #1 should already make clear to us that Orihime won't be abusing her powers to hurt anyone any time soon, not unless she loses her 'Heart' like Ichigo did as a Vasto Lorde in Las Noches. Bleach signifies this as an Objectively Bad Thing. Whether we agree with that or we don't, it is the underlying mythos that sets apart our hero characters (Ichigo & his friends) from our villains.

So what can Orihime do, at this point in canon? She can regrow limbs and shield people from attacks, which she does extensively throughout the Soul Society and Hueco Mundo arcs. Here she is a) using two of her shields at the same time, and b) trapping Ichigo (the strongest guy in canon at any point in time) within her shield.

Over time, she develops Shiten Kosshun, a way to incorporate Tsubaki into an offensive technique without actually compromising on her distaste for excessive violence. Here's why that's a big deal. She can also use her Shun Shun Rikka long-range, which you can see when she's a) healing Chad post-Yammy (sorry for the random color screenshot, I got it off Twitter because I couldn't remember the exact chapter), and b) in 686, when we learn she uses them to keep an eye on Kazui. She also uses Santen Kesshun as a transport service throughout TYBW, which is not something she could do during the Lust arc, since she needed Uryu's help to get there. She also does not need to say her kotodama to activate her powers anymore, which is the result of constant and continuous training with Rukia pre-HM arc and Chad post-HM arc.

Since Orihime isn't a shinigami, it might get a little difficult to measure her "growth" the same way we do with characters who attain bankai (the Bleach standard for strength). But in less than three years, Orihime developed a new shield, got faster at healing, and found new and inventive ways to use her powers every arc. She was already at lieutenant-levels of strength in terms of healing way back in the Soul Society arc, if Ieumura's testimony is anything to go by:

So...what can't Orihime do? This is what I think I've seen a majority of people scratch their heads about, thereby making her seem ridiculously overpowered but severely underused.

Like any Bleach character of significance, Orihime is ridiculously overpowered, but I don't think this translates into "Orihime can do everything" and its implied "but she chooses to do nothing." We'll get into Orihime's choices and my opinions later, but I think now is a good time to talk about Orihime's natural limitations.

What Orihime Cannot Do

Two of Orihime's major limitations that I wanted to highlight are from Klub and CFYOW, like I mentioned earlier. You can read about them below.

To summarize: 1) Orihime can't recover spiritual pressure/is very slow at recovering spiritual pressure because of the tremendous strain it puts on her body and the fact that she can only heal what she can see, 2) Orihime can't heal someone with fatal injuries if "enough time has passed" (AKA if she gets to them too late after they've been injured). 3) Orihime can't actually revive someone if they've been evaporated. She needs a physical body.

These limitations are important, because they imply that she can't actually wipe someone out of existence. Interacting with reiryoku puts a strain on her. I once wrote that she could probably "reject" an egg that's just been fertilized by a sperm (we love a pro-choice queen!), but I doubt she could zoink a 20-year-old out of existence, because again: there is a time limit within which she has to act, or her powers won't be able to work. The only rejections she could do with people are abortions, and even then, I don't think she could do late-terms. And even then, if you can't see a cell with your naked eye, I doubt she could do those either. I've seen people wonder if she could cure cancers and my honest answer is: probably not until the symptoms were obviously visible.

The Shun Shun Rikka can't actually undo something if a certain amount of time has passed, so I highly doubt she could undo one's physical body, one's spiritual pressure...one's entire being. Even if she could, I doubt that would cleanse the spirit and send it to Soul Society. Instead, they would disappear/evaporate, which destabilizes the balance of souls (the way Quincies do it).

The reason I obsess about this is because limitations are a good thing when you're exploring a power system. There's always been this misconception that Orihime can basically "do anything," but that doesn't...mean anything. Orihime can't do everything, which means she is, like every other Bleach character, limited. Even Aizen's zanpakuto had a shortcoming, so I don't think Kubo necessarily nerfed her, and I think it does help contextualize what she can actually do vs what people expect her to do for no good reason.

Even if Orihime Could, Should She?

I enjoy powerscaling as much as the next guy, but I think the thing I like the least about it is its complete lack of literacy. Specifically literacy of the narrative.

In stories like this, heroes don't win over villains because they're objectively stronger. They win because they push an ideal that, in some way, represents the core values of the series. You were stronger, but I had the power of friendship on my side. You turned your pain into violence, but I turned mine into compassion. The entire point of Ulquiorra's arrogance was that he believed in what he could see – Aizen's strength. But he lost because of what he couldn't see – Ichigo & Orihime's hearts.

A part of the Arrancar saga is the long philosophical battle between Ulquiorra and Orihime, where Ulquiorra has faith in Aizen's watertight plans, his formidable army, his impenetrable kingdom. Meanwhile, Orihime has faith in her five scrappy best friends who invaded said kingdom overnight and have,,,,,only the slightest idea about what they're doing. Aizen's entire force operates under the belief that because they can do something, they should. Because they have power, they should use it, and if they can, seek more of it. Ichigo and Orihime, as a contrast, use their discretion and seem really upset about having to fight anyone at all. People point this lack of killing intent out as an exclusively Orihime thing, but it is very much an Ichigo thing too. Ichigo looking down at Grimmjow with pity-filled eyes is an exact parallel to Orihime looking at Ulquiorra with the same expression. People wanted Orihime to be vengeful against the Arrancars because they're her abusers. But Orihime sees them as victims. She pities the fact that they know nothing but brute violence — and that this is their reality. She sees them as someone to be saved.

But lest we think she's an irrefutable saint who gets off way too easy, it's clear she has some regrets about her place in the friend group and her dependency on Ichigo in particular. But, post-HM, she doesn't ask him to save her at all. Rather, the first time we see Shiten Kosshun, she's the one protecting him. I don't think Orihime has ever needed to kill someone to prove that she's a dimensional character in a series where even Ichigo hesitates to murder the guy who killed his mother. I think it's interesting that Orihime and Ichigo are largely sympathetic towards their villains unless they really, really fuck up, in which case Orihime has lashed out in appropriate doses (see: Ginjou, Yhwach.). I don't understand what vengeance would add to her character that compassion hasn't tenfold.

A last point I want to note is about weakness and our reaction to it. Many of us are shonen-brained to a point where we divide a story into victories and losses, battles won and battles thrown. But Orihime's character arc has never been about her victory over anyone but herself. Orihime can't reject someone out of existence, and even if she could, would she want to? Would Ichigo? Throughout the story, these two have been set to contrast characters who can and did. While their enemies sought to escape their own weaknesses (which Bleach conflates with being human) through transcendence, Ichigo and Orihime chose weakness constantly. They chose to be merciful, to be kind, to be vulnerable. I've seen countless jokes about how Ichigo loses 5 times before he can win for good. I've seen Orihime get her fair share of setbacks. But they come out of it victorious anyway, against all odds. And they aren't stronger because they have the power, they're stronger because they have the heart. I simply couldn't bear losing out on character writing like that.

[pizzabox-box]

The stakes are ramping up! Fasten your seat belts, people...

Blind Man's Bluff, Part five

Gustavo looked back at the exhausted man behind him on the rat. They were heading home after sitting through the premiere of the Pizza Tower movie. Normally, Peppino never even turned the channel to NTV (unless he had reason to suspect Noise was plotting something against him,) let alone go to the first showing of one of Noise's movies. But Noise had been acting off for months in ways only Peppino noticed, but couldn't understand, leading to Peppino also acting out of character. The little rabbit ear box in the dining area had been exclusively tuned to NTV since the explosion at Fake Peppino's, as the chef tried to glean a single clue to his rival's strange (for him) behavior.

He hadn't found anything. So they had gone to the theater, hoping for a chance to talk with Noise, who had been actively avoiding them, face to face. Peppino and Noise had had a confrontation in the lobby while Gustavo and Brick watched the final boss rush. Gustavo was particularly impressed with Fake Peppino's segment in the boss rush. The clone was never fully shown, but the fight played out in an extremely eerie way, visibly messing with Noise while never showing himself fully, even after a well-aimed bomb took out half the standing area on the Tower top, sending a mass of limbs, stonework and melting pseudough plummeting to the ground far below.

Gustavo wondered at both Noise's ability and willingness to pull the scene off when Fake Peppino was still missing, as well as the complete absence of that mysterious blue-clad character that took his place on the third floor. Why bother introducing him if he never showed up again? Especially with how stressful and high-stakes the whole scene was. There were a lot of loose ends that never got tied up. That scene really set Gustavo on edge - something clearly wasn't right about it...

They never saw the final escape. Peppino and Noise got into a pretty intense fight in the lobby, and Gustavo had to separate them and take Peppino home. It wasn't out of the ordinary for arguments between the two to come to blows, but something about the encounter felt different. In Peppino's own words, "it felt like he actually wanted to kill me."

Peppino stumbled through the front door, exhausted. He hadn't gotten any answers, only confirmation of what he already knew. He waved goodbye to Gustavo absent-mindedly, still trying to put the pieces together in his head. It was frustrating! Peppino knew he wasn't the smartest person in his circle, but this was ridiculous. Even though Pepperman and Vigilante had confirmed in his brief chat with them that something had changed in Noise, they didn't take it seriously. They said there had been an "accident on set" at some point during filming that may have attributed to the change, but looked extremely uncomfortable and changed the subject when asked to elaborate.

Peppino knew it was serious when two of the strongest people he knew looked scared and deflected. He recognized the same behavior in himself when asked about the war. Had Noise also been traumatized by whatever had happened on set? If only he could find out what had happened! He didn't need a lot of details, just the general idea...

Peppino continued on this train of thought as he prepared for bed and attempted to go to sleep. Unable to get his brain to shut up, he eventually waved the white flag and returned to the living room. He turned on the TV, hoping to distract himself enough to go to sleep. It didn't help that the channel was tuned to NTV, playing a rerun of one of Noise's older game shows. Peppino sighed; this was going to be a long night.

Peppino looked at the screen without watching, still turning the puzzle over in his mind. He tried to think of various things that could have happened on set to set Noise off, but nothing seemed to fit. For a brief moment, the strange man Noise fought on the third floor in his movie came to mind. Who was he? Why had Noise taken such a bizarre route for his film, only to not elaborate on it?

"Well, Italian man? What's your answer?" Peppino nearly jumped out of his skin when he heard Noise's voice, letting out a startled yelp before remembering he had turned the TV on. He sighed, attempting to focus on the show, trying to banish the infuriating thoughts from his head. It occurred to him that Noise was staring at the camera an uncomfortably long time, almost as if he was staring into his soul. "Peppino? Did you hear me?" Noise asked again, turning more directly toward the camera. He had an almost desperate expression on his face... strange, given the genre of the show... suddenly, it hit Peppino like a bullet train.

He wasn't in this episode.

"...N-Noise...?" Peppino hesitated.

Noise looked relieved. "So you did hear me," he said, taking several steps forward until he had his hand pressed against the inside of the screen. "I need your help. Please," he continued, a note of desperation in his tone. Peppino immediately climbed onto the back of the couch, breathing quickly as he felt his heart rate pick up. "If this is one of your sick jokes, I swear - " he began, staring right into the dull red eyes of the little goblin on the screen. Those eyes... those eyes, normally filled with an explosive vivacity that almost glowed, now had a lifeless look about them. The person on the TV, normally bursting with life, now looked almost dead. Peppino's breath caught in his throat.

Noise pounded on the inside of the screen. "Please! You have to believe me!" he shouted. Peppino jumped and fell screaming off the back of the sofa, hitting the floor with a thud. He could hear the desperate pounding and wailing voice, begging, "I can't do this alone! Please! You're my last hope!" His heart was going a mile a minute - he hadn't been this freaked out since he had dove out of WAR with two seconds left on the clock. Not even his first encounter with Fake Peppino had scared him this bad. He heard a cracking sound, and his heart skipped a beat. He saw the remote on the floor a few feet away, scrambled towards it, and pressed the power button on the screaming figure on the screen. The sound shut off instantly, but the screen slowly faded to black, with those haunting, heartbroken red eyes staring into his soul for several agonizingly long seconds before disappearing.

Peppino took several deep breaths, trying to calm his panicked heart. His hands were shaking. He stared at the blank TV for a long minute, eyes fixed on a crack that definitely hadn't been there before. He was wide awake now. He slowly crept up to the machine, reached behind it, and unplugged it. He looked at his vibrating hands. What had just happened? He felt something off in his stomach as he remembered how desperate the Noise onscreen had sounded. Had whatever that was been telling the truth? He couldn't make heads or tails of the situation. He had just seen Noise that night... right?

Peppino stumbled into the bathroom and started washing his hands for no particular reason. He was attempting to calm down, letting the sound of the water fill his senses. Every time he blinked, he could see those sorrowful red eyes staring back at him, pleading, hopeless. It hadn't even been five minutes, but Peppino somehow knew those eyes would haunt him the rest of his life. Had he made the wrong choice? He started to beat himself up for jumping to conclusions. He glanced slightly at his reflection.

His heart started speeding up again. Though he was washing his hands with pure water, the liquid flowing from the faucet in the mirror was deep red and slightly thicker. His reflection's hands were stained with blood. His reflection... it occurred to Peppino that he was wearing his white pajamas, not a pink undershirt and red pants. He didn't even own red pants? Trepidatiously, he slowly looked up at his reflection's face. Blue sleeves revealed themselves, and then...

Empty sockets stared back at him.

Peppino screamed and backed up, as his reflection climbed out of the mirror, never looking away. Peppino felt like he was about to have a heart attack. But... the specter didn't seem angry with him. Even with empty black voids for eyes, he seemed deeply saddened, almost carrying the same desperation as... the phantom gently pointed to the bathroom door. He carried no hostility in his manner.

Peppino gulped and also pointed at the door. "Y-you want me to go back out there?" he asked, voice barely able to rise above a whisper. The phantom nodded gently. Peppino nodded in return, cracking a nervous smile as he opened the door, not daring to look away from his uninvited guest. He was completely terrified, and his heart felt like it was about to quit. He backed into the living room - then stopped. He heard the sound of static. He slowly turned around and looked at the unplugged TV. The screen was white with static snow. Peppino was certain his heart completely stopped for a few seconds as he saw a bloody red glove emerge from the snow, followed by the rest of the figure.

It had the same silhouette as Noise, but it looked drastically different. Its suit was a stony blue-gray, and its cape and gloves were the color of dried blood. And behind that mask, its face was an even more deep, dark void than the eyes of the figure he knew was still behind him. Peppino couldn't make out a single facial feature in the gaping black eternity, seemingly only held back from devouring him by the feeble cloth mask over its face. And yet, despite its unrecognizable form... Peppino somehow knew it was him. "Theodore?" he asked, though he didn't truly need to. He recognized his rival after everything that had happened.

Noise slowly stepped closer to Peppino. The chef could feel his hopeless desperation, even though that horrible blank void of a face was incapable of betraying any emotion. He spoke, and Peppino thought that he sounded like he was on the verge of tears.

"I need your help, Peppino. I've tried everything, but I can't do this alone. Hazel, she's in danger - hell, everyone is! And I can't do anything to stop it, or she'll - " he stopped, seemingly unable to continue. He started to shake. Peppino hesitated only a moment, then taking a deep breath, he hugged his fallen friend. Noise hugged back, and Peppino felt his shoulder slowly become wet as Noise whispered, "I'm sorry, I'm so sorry, I took all of you for granted..."

Peddito hung back. He noticed Noisy hanging out by the window, and opened it to let the little creature in. He scooped him up and started petting him, hugging the tiny animal as he watched Noise and Peppino trying to get some closure. This had been several months in the making, as Noise slowly realized how much he had lost. How much he had taken from him, Peddito thought, still beating himself up over what he had done. His hands were still covered in blood, and he half fancied leaving them like that, as a reminder of what consequences his vengeful spirit mentality had had...

Peppino and Noise finally broke apart. Peppino could feel Noise staring into his soul, and the memory of those lifeless red eyes returned to him. Noise squeezed his hands, making sure he was listening. "I'm out there somewhere. You have to prove it, you have to stop him before he gets away, before he can hurt Hazel! I am relying on you. I know you can do this." Peppino nodded, still processing what was happening. He briefly thought of the war - then pushed those thoughts aside. He wouldn't fail this time.

Noise leaned against him again. "I know you don't have any reason to do this for me. I wasn't good to you... to any of you. I'll understand if you - " Peppino put a finger up to where he figured Noise's mouth would be. "I'll do it," he reassured his rival. "I'll save her. And I'll make sure you get a decent burial." He was fairly certain Noise started to cry again. "Thank you, Peppino..." Noise whispered.

Peppino looked around. They were gone without a trace. Even the crack in his TV had disappeared. Peppino felt his heart pounding furiously, and realized that it had been completely still throughout the entire conversation. His mind was racing. For the first time, he fully processed that Noise was dead, and he had been talking to his ghost. If Noise was dead, then who had he fought with that evening? Had he been the one to kill Noise? What was he planning to do to Noisette? Peppino trembled in sudden anger. He wouldn't let this doppelganger get away with it!

His train of thought was interrupted by a knock on the front door. He opened it and saw Gustavo and Brick, fully dressed and ready for the day's work. He also noticed the sun coming up. Oh boy, he had somehow managed another all-nighter. Gustavo looked at him and immediately became worried. "Peppino? Did you even sleep last night? You have eye bags the size of Pepperman's book bag!"

Peppino shook his head, then looked behind Gustavo at Brick, plopped on the sidewalk. The rat seemed to be reacting to someone invisible attempting to pet him. He protested at first, but then seemed to consent to the scritches, with no sign of anyone giving them. Peppino brought his attention back to Gustavo and looked determined.

"Gus," he said, "we're not opening the pizzeria today." Gustavo looked surprised. "We are getting on that rat, and we are going to go catch a murderer."

I was originally going to have the Noise's final request scene be a lot creepier, but I decided to change that and give them a little closure.

There's still at least two parts left. 😈

<<<Previous part

Hell yea! Go get his ass Peppino!

Thank you for another part of the story! The ghosts haunting Peppino scene was amazingly spooky  👌  👌  👌  So very excited for the final showdown! :D