#but this is also an interview so it's more on whether the person they're interviewing is reliable
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Hi I would like to delve deeper into the oasis lore and was wondering if you have any book recs ?
I read that the supersonic book (containing all the interviews from the doc) is quiet extensive, and obvi from the sources themselves, but maybe you have other Recs that you found interesting?
we were delighted to get this ask, bc yes yes YES we DO have loads of opinions on the oasis books! Be aware that most of these cover sort of the same time period (my spirit mourns for an in-depth book dealing with the mid-to-late aughts). Presumably every publishing house in the UK circa 1996 was offering book deals to randos if they heard the name "Oasis", but these are the best ones (there are, if you can believe it, many more):
The Supersonic interviews are a definite rec -- they're exhaustive, cover way more than the doc suggests, and feature a lot more voices too. The editing job is astounding. Definitely be aware while reading that the interviews were conducted in 2015; with Oasis especially, facts and feelings change depending on time, mood, the wind, whether one is hungover, etc
Brothers from childhood to Oasis by Paul Gallagher. If one never reads any other book on Oasis, they should read this. In fact, no one is permitted to have an opinion on Noel or Liam without having read it. Paul has his blindspots, as one would expect with any sibling, but he also ofc knows his brothers and what makes them tick in a way no one else on the planet does, so!
Oasis: what's the story? by Ian Robertson. This one is somewhat controversial; the author was a bodyguard/security coordinator for Oasis and people understandably have opinions on that. Imo he's a good enough writer that he has a very clear authorial voice and perspective, which makes any worry about being fed lies moot so long as one has a brain. I appreciate he also takes some artistic risks in this book. Also, regardless of his flaws as a man or employee lol, he has a keen, at times painfully empathetic read on Liam specifically. iirc he was the only person who wrote about Oasis in those early years who had a front row seat to Liam's voice/throat problems, which lends a somewhat Cassandraic air to the whole book.......
Getting high: the adventures of Oasis by Paolo Hewitt. Oh, Paolo. What can we say. You have to read this one because it covers so much ground, just be aware it's badly written and the author is quite biased towards Noel. (I say this as a Noelist myself)
Was There Then: A Photographic Journey by Jill Furmanovsky. This is a photography book (and a fucking beautiful one) but it also has a TON of text background. Critically, it offers a perspective on the band/brothers missing from all the rest in this list -- that is, the view and impressions of two women who worked closely with the band (Jill herself and Daniela Soave, a music journalist)
Oasis, definitely by Tim Abbot. This one had a lot of personality and abbot was a creation guy so he knew the band pretty well.
Take Me There: Oasis' Story by Paul Mathur. Mathur was a Melody Maker journalist who followed them around in the early years. He had a pretty fair take on them.
The Truth: my life as Oasis's drummer by Tony McCarroll. So, obviously Tony hates Noel, like. A lot. You have to approach this book like you're giving a hostile witness a cross examination lol but THAT SAID, he does cover stuff missing from other books like pre-deal Oasis.
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I was on the wikipedia page for phobias just for fun but just discovered theres an actual word for a fear of being touched.. 🥹
#haphephobia.... and they list guts from berserk under pop culture references 😢😢😭😭 thats my guy....#not gonna lie i teared up a bit i didnt realise it 'counted' as an actual phobia#i find it really difficult to talk abt but i have a complicated relationship w touch/physical contact (likely trauma babeyy)#and while i do crave it a lot i also have a very physical reflexive fear response especially if its intentional + i dont expect it#which can sometimes even get triggered just being in proximity to ppl bc like. even the possibility sets me on fucking edge#it would be nice to be as physically affectionate as i naturally want to be without dealing w my fight/flight/freeze but alas#its weird bc there are some random situations where it doesnt get triggered at all but its so unpredictable every time#and varies wildly person to person for seemingly no reason. there r strangers im innately more comfortable with but also friends ive known#for years and will never be comfortable around. i think part of that depends on how strongly the other person communicates and whether-#i feel as if theyre demonstrably able to respect boundaries not just mine but their own too + understand theyre not always fixed#ideally i need to have had this conversation with them so i Know they understand. which is rly difficult i find it so hard to admit#and i have a complicated mental block where i need the other person to naturally bring it up which very very rarely ever happens#idk just an atmosphere of safety yknow. i think its intentional touch that specifically makes me panic bc im usually fine w like-#bustling crowds or even expected social rules like handshakes at interviews. bc its not like they're Trying To Touch Me its just rote idk#hopefully eventually ill reach a place where im able to unpack it and reduce its severity bc man sometimes its fucking heartbreaking to me#bc i do genuinely really like physical contact im an incredibly physical person its my main way of interacting w the world#and the way having to force myself to avoid it meshes w my rsd too augh.... its a clusterfuck#even just having one person im completely comfortable with. maaaaan.#almost makes me miss my ex. at least i was mostly cool around them#god its sucked lately ive been having weird vivid dreams related to it. but whatever its so far down my list of problems to prioritize#and at least i dont get it w my familys dog so i can cuddle her :^) i miss her i cant wait to see her next month :D#anywayyyy thats enough im so tired goodnight every1...#.diaries
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source:
So they just admit it
#organization is rated by a bias aggregate website i used for high school papers as having a strong left bias but being mostly reliable#but this is also an interview so it's more on whether the person they're interviewing is reliable#not that im saying i don't beleive the words in the article but it's so easy to just reblog an unsourced screenshot and beleive something#because it sounds right without checking at all and it drives me crazy that everyone is so okay with spreading misinformation or just not#checking anything at all and getting all their information from posts like i certainly do that and i want to get better about it even though#it's a hassle it's so much easier to just believe posts while scrolling and like who wants to be doing research when they're scrolling but#if we're going to have posts abt important things that take from articles they should be sourced i think idk
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I'm looking into getting a purebred cat for the first time because I've developed allergies, and it's such a different world from my niche corner of dog breeding, I'm so lost How common is it for cat breeders to focus on temperament over conformation? I've shown a dog and been to many shows, and am working on a breed in development. I'm uncomfortable with a fixation on "correct" appearance versus a heavy focus on what an animal's quality of life is and what they're like to live with If I'm paying more for a kitten than I charge for a puppy I want to know the breeder has done a lot of handling and enrichment, grooming conditioning (for relevant breeds), and pair their cats for temperament strengths and weaknesses, not just conformation. What should I look for on a breeder site/what should I ask without sounding rude? I also have seen a couple breeders advertise a health guarantee including FIP for one year, and I'm wondering how that's possible. Can you really guarantee against it? I'm so sorry you and your gremlin are going through this, it sounds like a rollercoaster!
it's difficult to answer your first question! cat breeding seems more…..casual in terminology than dog breeding, if that makes sense?
with temperament, there’s a stereotype for each breed (Bengals = active, Siamese = yowly, Ragdolls = angelic beings, etc). breeders often have a page on their site explaining their idea of what the breed is (the ideal appearance, personality, and so on), and then a section with their breeding cats, with blurbs for each one. and they usually also have social media, where you can see how these cats slot into their lives.
if you’re from the states, be VERY WARY of breeders who cage their cats! that’s more of a cultural norm there, and personally, I prefer breeders who treat their animals like family members and live alongside them.
here are two examples of breeders who go above and beyond: Praticalcats and Trillium Devon Rex. their sites give away how obsessive they are about their animals - all the articles on Praticalcats, and all the genetic testing on Trillium - and I would feel comfortable recommending them to anyone who asked.
as for over-emphasis on a “correct” appearance – for each breed, there will be a certain look that’s a red flag. Devon Rexes that are too brachy, Maine Coons that are too large, Siamese that are too spindly, etc. if you do enough research on your breed of choice, you’ll start recognizing it. the cat will look more ‘special’, and more ‘like it’s breed’, but it’s an exaggeration at the cost of other qualities.
for specific questions like what handling they do, whether they’re conditioned to tolerate grooming, and how the cats get paired with buyers, most of the time you have to contact a breeder to ask that. there should be a mini job interview before any money changes hand, where the breeder grills you, and you get to return the favour. if a breeder skips this, I’d consider that a major red flag. and don’t worry about sounding rude, a good breeder will be delighted that you care so much about all of this!
and now, the guarantee against FIP – what are they guaranteeing, exactly? it might be a guarantee that they’ll replace the kitten if they develop FIP (the contract with my breeder had a similar clause). but if they’re guaranteeing that any kitten from them won’t develop FIP, then that’s nonsense. basically all young cats get exposed to the feline coronavirus that causes FIP, and whether they develop it or not is just a lottery gamble. I'd be suspicious of any breeder who claims that their kittens are exempt from this.
anyway, I think I've answered everything. hopefully that was helpful, and not just me rambling!
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Newspapers
Some notes:
The Dolphin Herald is one of Allport's main papers, and it has some popularity outside of Allport too, amongst those who want to keep track of happenings in the central city of the world. It does report on events outside of Allport if they are big enough and the publishers believe it will be relevant to Allport's residents, but the primary focus of the paper is on the happenings and politics within Allport. The Dolphin Herald is pro-Navy, and while their business remains independent from the Navy, the paper is closely linked and multiple staff members have direct connections to Navy personnel.
The Ocean Independent, is, as the name suggests, a paper that prides itself on doing independent reporting and unbiased news (though whether or not it is truly unbiased, and which way that bias might lean, is a source of constant debate). It is constantly under fire from the Navy for being too anti-Navy, and constantly under fire from neutral factions and outlaws for being too pro-Navy. It's more of an international paper than the Dolphin Herald is, giving a well-rounded summation of current events throughout Mana.
The Pirate Standard is an illegal paper being produced and printed on a pirate ship that is actively on the run from Navy operations trying to shut it down. It's more like a tabloid than a proper paper, being fact-light and opinion heavy. However, pirates enjoy it for its weekly bounty ranking tables and pirate spotlight interviews (if they can't interview a crew they want to interview, they may just make something up). It also gives the most accurate news available on what pirates have vendettas against each other, what areas of land have been claimed by certain pirates, who is allied with who, and so on. They also keep tabs on Navy activity and report "danger zones" that pirates should avoid if they're not looking for a run-in with the law.
The images used:
The images used in the papers were both lucky candid shots taken by the two people on the docks who happened to have selfie stones with them at just the right time to capture an image after witnessing a pirate and a vice admiral falling from the ceiling. One of the people was positioned on the other side of the docks, and managed to take a picture of Kira and the Riptide pirates as they negotiated the exchange of Kuba's body. The other person was a more experienced stone user, who was in the streets leading away from the docks when the incident occurred. They snuck down the alleyway and peered out to find themself right next to the squad of Navy soldiers, and managed to capture the image of Gillion shouting at them before the pirates took their leave.
#jrwi riptide#jrwi show#jrwi fanart#jrwi riptide fanart#gillion tidestrider#jrwi gillion#gillion fanart#my art
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Uchusen Vol.186 (Autumn 2024) Kamen Rider Gavv | Detail of Heroes ft. Main Cast Interviews (other pages and translations below)
Publication: October 1, 2024 (between episode 5-6)
Chinen Hidekazu (Shouma)
"Which shows from the Kamen Rider series have you seen?"
Chinen: From my generation, I watched "Kamen Rider W," "OOO," "Fourze," and "Wizard." I've been watching "Kamen Rider Zero-One," a masterpiece by Director Sugihara, who also directed the pilot of Gavv, and recently I watched "Kamen Rider Den-O" for the sake of studying.
"Who would your all time favorite Rider be?"
Chinen: Including OOO, I like alot of them, but lately I've been particularly fond of Den-O. It was really amazing to see each of the Imagin's personalities being performed by Satoh Takeru-san, the lead actor. The theme song is good too. I listen to the OP every episode without skipping it.
"Please tell us about the time of your audition for Gavv."
Chinen: We were put into pairs, one would play a role reminiscent of the food lover Shouma, and the other played a cool role similar to Hanto. During the first audition, I made a mistake. When I was supposed to do a performance where I entered the room from outside, I mistook the door for an outward opening one instead of an inward one, so I kept trying to pull it when I should've been pushing, and it ended up making alot of noise. I also heard the Producers laughing because I was having trouble getting in, but when I finally did, I continued the performance as if nothing had happened. Thinking about it now……I guess maybe that feeling of disconnect was also linked to Shouma's.
"We're sure you must've been quite flustered at that time"
Chinen: I was really flustered because of that (laughs). I was panicking quite abit because it wasn't an act, I really made a mistake. Still, I thought, "I've come this far, so let's do this!," so it might've been a good thing that I was able to accept it and give an earnest performance.
"How were you informed that you had been chosen?
Chinen: One day, my manager called me and said, "I need you to come to the office after work." I went to the office thinking, "Maybe they're upset at me for failing something?," but they said, "We have a report. We're disappointed to tell you that the final audition for Kamen Rider is no longer available." I was frustrated because I thought I had been rejected, but I still said, "I understand, I'll do my best next time." At that exact moment, the staff came through the door and shot off party poppers. That's when I asked my manager, "This isn't a dream, is it?" I pinched myself just to be sure (laughs). Even though it hurt, I couldn't believe it, and when I finally became aware of it, I felt like, "I'm the happiest guy in the world right now!"
"How did you inform your family?"
Chinen: I immediately called my mother about it. She said, "Hide, will you be okay with having the lead role?" Ever since I was little, I always said I wanted to one day play the main character in Kamen Rider. Both my mother and father supported this dream and saw me off to Tokyo. However, I really didn't think it would come true, and I think I was more worried about whether I'd be able to play the main character in such a big title before I was happy.
"Please tell us your impressions when you learned that Gavv was a Kamen Rider with a sweets motif."
Chinen: I received the proposal at the same time I was chosen to play the lead role, so that was the first time I learned about it. My first thoughts were, "A sweets Kamen Rider?" and "What will the gummies be like?" I didn't immediately understand the concept. It was the same kind of impact I felt when I first saw the orange and armor motif of "Kamen Rider Gaim." Still, when I read the proposal, it was very original and interesting. I could really feel the passion of the creators in wanting to create such a hero needed in the era we live in. I thought, "I want to be that kind of hero, and I also want to do my best!" I was impressed by the way the Rider's design incorporated gummies and potato chips, and I thought, "The person who thought this up is a genius."
"What's your absolute favorite form?"
Chinen: As of right now, it's Zakuzaku Chips. I'm a big fan of dual wielding swords, as I often use dual wielding characters in games. Also, I like the jagged potato chips on its eyes. From a distance, doesn't it look like Kamen Rider OOO? I like that about it too.
"Due to the complicated background of the character, we feel that Shouma, who you're playing, requires difficult performances. What kind of orders did the Director give you?"
Chinen: Director Sugihara said, "While he is a young man, I want him to retain a part of his innocence," and that, "He's friendly, but there seems to be a wall between his heart." He said, "He has a bright side and a dark side that he doesn't show others. I hope you can show us how well you can switch between those two personalities."
"Shouma's upbringing is one thing, but it's also cruel that the enemies he's fighting against are his family."
Chinen: Yeah, I personally think it's so cruel, that I pity Shouma. It's a harsh story for a show that's meant for small children to watch. I personally feel like it's mentally draining to play the role of blood related brothers fighting against each other as enemies. What's more, there's no escape from that fate. However, while the story and Shouma's circumstances are hard, the eating of sweets and poppin scenes help soften the situation. The gap between those scenes gives more depth to the hard story. I also try to be conscious of this when I act differently.
"It seems to strike a good balance between the poppin imagery and the hard content."
Chinen: Some fans predicted, "Is it going to be a show like Gaim?," when they saw the official announcement before the show aired. Kamen Rider productions that start out appealing to the "pop" part tend to have harsher developments (laughs). I myself don't want it to be too serious, so through trial and error, I'm still trying to figure out how to make the "pop" in Gavv stand out.
"The role sounds like a pretty high hurdle to clear."
Chinen: Still, I think it was the same for my seniors who performed in previous Riders. I believe that it's Kamen Riders who overcome their troubles, conflicts, and ordeals.
"How was filming for the transformation pose?"
Chinen: The pose was decided on three or four days before we started filming. We agreed on it through discussions among myself, Action Director Fujita-san, and Director Sugihara. In the first episode, there was no proper pose, as the transformation was done during a pinch, so the pose wasn't done until episode 2, but the transformation scene in the first episode was also very cool. Shouma's body slowly changes, and at the end, we get a closeup of his face and Gavv's mask, but he doesn't change all at once, leaving the eyes unchanged. It was very cool, and I was trembling by the way they showed the expression in my eyes until the very end! This is a special version that's only found in the first episode, so I hope you'll watch it again.
"We think that there'll also be action scenes before the transformation, but what about you?"
Chinen: The action is alot of fun……that being said though, I struggle with it quite abit. Action isn't just about being good at punching and kicking. I have to make the action visually appealing. Despite all that, I of course have to put my feelings into it. Fujita-san was by my side the whole time, and Gavv's Suit Actor Nawata Yuya-san was also always near the cameras, and he was very helpful and gave me advice like, "You did it this way before, but why don't you try it this way?" Also, I practice kyokushin karate, so that might be why I was praised for my kicks. So, when it came to direction, we also had an increase in kicking scenes. Over the next year, I'd like to improve my action skills more.
"How was post recording?"
Chinen: It was my first time, so it was much more difficult than filming. Director Sugihara spent alot of time with me for episodes 1 and 2 in particular, since they're the ones the viewers would see for the first time. After that, Director Sugihara gave me some advice. Shouts like "Hah!" and "Tah!" tend to become monotonous as it goes on, so he said, "I want to see some variation." He recommended the game "Street Fighter" as a good reference. I wrote down the shouts I thought were good in a memo and did them my own way. Naturally, I also referred to the shouts of my senior Riders.
"What's been your most passionate scene so far?"
Chinen: It would have to be the transformation scene in the first episode. Until then, the wind had been blowing so strongly, that it was like a cloud of dust, but it stopped right as it came time to do my performance. Thanks to this, we were able to shoot the cut where the wind makes Shouma's hair rise up and reveals his eyes. I also talked with Director Sugihara about it, saying, "It's a scene where the wind was on our side."
"How's the teamwork with your costars, Hino Yusuke-san and Miyabe Nozomi-san?"
Chinen: Both of them are usually friendly, but when they get in front of the cameras, they quickly switch into their roles. They're the type of people who can clearly switch on and off. Not just for Shouma, they're also my own reassuring friends.
"We were told that among the three of you, Chinen-san's plays the role of the funny guy, while Hino-san's the straight man."
Chinen: Sometimes I'll derail the conversation or make bombshell statements (laughs). Each time, Hino-san puts us back on the right track. Miyabe-san watches from a slightly removed position, but will sometimes react.
"By the way, Chinen-san, what's your favorite sweet?"
Chinen: It's gummies, naturally! However, since I'm from Okinawa, I'd also like to promote "chinsukou" and "sata andagi" (laughs).
"We'd also love to see those two appear as Gochizou."
Chinen: Will they appear?! It seems like they'd be limited to Okinawa. Of course, I'd be happy if they come out, but for now I'll just hope for it within my heart.
"Finally, please give a message directed to all the fans of Gavv."
Chinen: The story of Kamen Rider Gavv began with a young man coming from another world to the human world. I hope that you'll pay attention to how Shouma meets unique friends in the human world and grows. Especially the bond he has with his mother, family bonds is one of the themes, so if possible, I'd like you to watch it with your loved ones. If you watch it, you'll definitely want to show your love and respect to your parents. I'd like to make this a show that you can support throughout the year. I hope you'll pay attention to and enjoy the activities of not only our cast, but also the Gochizou. I look forward to your support throughout the next year!
Hino Yusuke (Hanto)
"Have you watched the Kamen Rider series?"
Hino: I have an older brother, so we had alot of transformation belts from "Kamen Rider Kuuga" and other early Heisei series at home. In terms of my generation though, it would've been "Kamen Rider Den-O." After that, I watched "Kamen Rider Kiva" and "Kamen Rider Decade."
"Who's your all time favorite Rider?"
Hino: I watched it with enthusiasm, so it'd have to be Den-O. When I was in elementary school, I commuted to school by train and was once stopped by a station attendant when I tried to walk through the ticket gate with the pass for the transformation belt (laughs).
"Did you play the role of Hanto during the audition?"
Hino: I also played the role of who I later found out was the main character, but in the end, I was frequently assigned the role of Hanto. Still, I thought his character had a cool position when they explained him to me, so I wasn't sure if he'd fit with my everyday self.
"How was it when you learned that you had been chosen?"
Hino: I was shocked because I wasn't expecting to be picked. The way my agency informed me also startled me abit. I was so happy and shocked, that I was in a state where I couldn't think straight for about five minutes.
"Did you contact your family right away?"
Hino: I was told it was okay to contact my parents as soon as I could. My mother cried and was delighted. Hearing my mother's tearful voice on the other end of the phone caused me to cry as well. My father never seemed very interested in my work, but when I told him that I had passed the audition, he exclaimed "seriously?!" in the loudest voice I had ever heard (laughs). It made me really happy when I heard that. My father's always worrying about me. I started this work when I was in high school, but was told, "You're a student, so your priority is your studies and to then go to college." However, my work became so busy, that it became difficult for me to attend college, and my parents were constantly worried about me. That's why I think I was finally able to reassure them by passing this audition, and it's a new starting point for me as well. In this day and age, TV dramas that run for a year are rare, so I'm grateful for the opportunity to participate in one, and I'll do my best this year without forgetting to keep my mind fresh.
"What was your first impression when you read the script?"
Hino: When I first heard about the motif, I thought, "What would a sweets Rider be like?" I think everyone's first guess would be a poppin, cute hero. So, while yes, the designs give off a cool, cute and modern feel, the story is very dramatic. The lives of Shouma and Hanto, who I play, will gradually overlap, and many other appealing characters appear, which always makes me wonder what will happen next. I myself look forward to the next script whenever I receive one. How will Hanto become a Kamen Rider, and how will he relate to Shouma after becoming one? I hope that you'll look forward to that.
"Did the Director give you any orders regarding your performance?"
Hino: I was told, "It's good to be more flexible." There's the way he approaches people with his fake smile when he's a freelance writer, and his "I'll crush you" anger when he confronts a Granute. It didn't matter what others would think, he told me, "I'd rather you vary his strengths and weaknesses so that he looks like a different person." At first, I thought Hanto was a cool character. It certainly looks that way when compared to Shouma and Sachika, but there are surprisingly few scenes resembling that in the show, it's more like he's clumsy around people. The Director raised the mood of my first appearance scene, up to the point where it felt like a silly older brother had appeared. That part changed the impression I had when I first received the script considerably.
"We have the impression that freelance writers are prone to being disliked, as they're always snooping around and are persistent in pestering the main character."
Hino: While I can't speak for myself, Hanto himself is a character who's teased during the show, so he's the most lovable character. He acts with conviction, and I think that's what makes him so cool, but he sometimes ends up getting nowhere, so he gets teased. And yet, when he's teased, he'll get angry and say, "Don't screw with me!," but he doesn't deny it (laughs). The reason Hanto's slowly becoming more like that may be due to the fact that my own character is starting to come out. In this sense, I feel that the synchronization with the role has risen. This way, Hanto's character has a wide range, so I'm able to play him rather freely.
"After this, Hanto reaches a major turning point when he becomes a Kamen Rider, so did you switch up your performance there?"
Hino: For Hanto, it's not so much a situation where his fate has taken a turn for the worse, it's more like his connection from the past has further unfolded. That's why rather than switching between before and after he becomes a Kamen Rider, I tried to separate his role as a freelance writer from his desire for revenge against the Granutes. To tell you the truth, after I learned about Hanto's early life, I tried to avoid "seeing" his family as much as possible in order to understand his loneliness alittle better. That's why when he confronts the Granutes, I think his eyes are pretty much burning with anger. It is of big help for him that he's surrounded by cheerful characters like the Gochizou and Sachika.
"How was the first transformation scene?"
Hino: Before his first transformation, another major event happens to Hanto which leads to him becoming a Kamen Rider. With the power he's acquired for the first time, Hanto's first transformation is a scene where he shows the anger and hatred he's been holding onto for such a long time towards the Granute. Trying to convey those emotions through my performance was one of the hardest things I've ever had to do. I think that Valen's transformation itself was also unrefined, unlike the image of a perfect hero with overwhelming strength. Still, he's unrefined but works as hard as he can, so I'd be happy if everyone who watches the show can feel that there's a cool feel to him. In a scene where "tears" are an important point in the direction, I was so emotional, that tears genuinely ran down my face as well. I still remember this because it was a moment when my emotions and my performance matched up.
"As Hanto, did you feel like he reached the climax from the earliest stage?"
Hino: No, no! This isn't the end of his story! (laughs). I'm sure there'll be many more climaxes from now on, and I'm personally looking forward to them.
"What did you think of Kamen Rider Valen's design?"
Hino: There was more chocolate than I expected (laughs). Despite that, it's cool. I also like that Valen is a "helmet type," while Gavv is a "mask type."
"By the way, Hino-san, what's your favorite sweet?"
Hino: Chocolate of course!
"Do you have a favorite secondary Rider from previous Riders?"
Hino: It's Kamen Rider Zeronos from Den-O. I love his "I'm pretty strong!" catchphrase! In terms of actors, I like Yoshizawa Ryo-san, who played Kamen Rider Meteor in "Kamen Rider Fourze." When you're that cool at giving a performance, you can't be beat. Director Kamihoriuchi previously told me that when Yoshizawa-san was told to "do something like this," he instantly made it his own performance instead of following instructions. He also said, "His ability to adapt was exceptional." It made me want to be an actor like him. He's a respectable person.
"We'd like to see a catchphrase from Valen as well."
Hino: Yeah. He currently doesn't have any lines that he's always saying, but I'll try to bring out Hanto's human appeal while standing beside Shouma, the hero from another world.
"Do you want to film some action of yourself before transforming?"
Hino: Action is fun! I do voluntary training on a daily basis together with Valen's Suit Actor Kaji Kotaro-san, Gavv's Nawata Yuya-san, and everyone else on the Action Team. The day before an action scene is set to be filmed, they would assist me in practicing for it. With the exception of impossible scenes, I've been challenging myself to not use a stand in.
"How's the teamwork with your co stars, Chinen-san and Miyabe-san?"
Hino: We get along very well. They're both really adorable, but they're professional actors who are reliable on set. In a good way, we're rivals and friends. I hope I can build a better relationship with them from now on.
"Not long ago you said, "It might be his own fault that Hanto's become a character who's teased," but is Hino-san himself a character who's being teased?"
Hino: Basically, I play the role of responding to Chinen-kun's jokes (laughs). However, including Miyabe-san, when the three of us are together, I sometimes play the role of a fool, and will often be the one saying, "Hey, cut it out~." That's the way things usually go. Just so you're aware, I am the oldest (laughs).
"And now finally, please give a message to all fans of Gavv."
Hino: For me, Kamen Riders are the heroes I've dreamed of being since I was a child, so I'm very happy that I'm able to be involved in this historic series. Over the next year, I'll do my best to meet and exceed everyone's expectations with sincerity, and without forgetting my original intention. I look forward to your support!
Miyabe Nozomi (Sachika)
"First, please tell us about the time of your audition for Gavv."
Miyabe: I'll be honest, the audition was a disaster. The audition script contained several assignments, each being individually numbered. At that time, act 2 was a fainting performance and act 3 was a conversation between two people, and even though I thought, "I absolutely have to pass!," I was so incredibly nervous, that I ended up doing a fainting performance for act 3. The other actor spoke to me according to the script, and that's when I realized, "This is wrong!," but it was too late. The final audition didn't go well either. The Director told me, "Act like an aunt from Osaka," but I wasn't confident that I could pull it off, and that's when I became depressed and thought, "This is a lost cause." In spite of all that, I was surprised that I was chosen.
"How did you receive the report that you had been chosen?"
Miyabe: After the audition, my manager called me to come to Ginza. As I headed there and thought, "I wonder if they're upset about something?," they messaged me with, "Take a selfie with your phone." I didn't understand what they meant and was like, "Eh? Did I gain weight or something?" but then I got a message saying, "You passed the audition." It seems that the selfie was to document me going from freaked out to smiling. I had never been so emotionally moved as I was at that moment. This video captures a memorable moment in time, so I hope to be able to release it in some form someday (laughs).
"Have you watched the Kamen Rider series?"
Miyabe: I have a younger brother who's eight years younger than me, so we watched "Kamen Rider Drive," "Ghost," and "Ex-Aid" together. After I passed the audition, I watched "Kamen Rider Gotchard" in order to study.
"We're sure your brother was happy to know that his sister was going to play a role in Kamen Rider."
Miyabe: I still haven't told my brother yet (at the time of this interview). I was given the okay to talk to them about it, so I did contact my parents right away. I plan on surprising my brother by not telling him until the official announcement.
"What were your impressions of Gavv from reading the script?"
Miyabe: Each and every character has a story to tell, so I thought it was a production that'll keep you interested even early on. That's why I can never wait for the next script. I'm sure all the viewers feel the same way.
"Did the Director give you any orders regarding your role?"
Miyabe: Along with Shouma's Chinen-kun, Director Sugihara gave us acting lessons even before filming began. Each time, I was told, "Cheerful, cheerful." It was required at the auditions, so I always try to have the cheerfulness of an Osakan aunt and the kindness that seems to embrace everyone. Sachika is a gyaru president, but I've personally lived a life with no connection to gyarus. I also wasn't the type to stand out in class. That's why after I was chosen for this role, I learned to be more like a gyaru by listening to songs with a cheerful tempo, reading gyaru magazines, and watching official Youtube channels and TikToks.
"What does Miyabe-san think a gyarus mind is?"
Miyabe: I wonder…….No matter how difficult a situation may be, you can always think, "Well, I'll figure it out!," and in a positive sense, I think it's important not to "overthink" things. A friend of mine often says, "Keep a gyaru in your heart,” and I thought it was a very good saying. Thanks to those words, I'm now able to have a gyaru named Amane Sachika reside in my heart.
"Playing the role of Amane Sachika is also a "transformation" for Miyabe-san."
Miyabe: You're right! There's quite a gap between myself and Sachika, so I don't think it's an exaggeration to say that it's a transformation for me. I've never played a role so different from my own self before, so it's fun (laughs). It's not just acting that I enjoy, but also doing alot of research for the role.
"Did you also make your hair blonde for the role of Sachika?"
Miyabe: I did. I've always had black hair, but I bleached it three times to make it blonde. At first, every time I looked in the mirror, I was like, "Who are you?" (laughs). Still, once I got used to looking at it, I started to see myself in photos as a different person from who I used to see when I had black hair. Sachika also wears heavy makeup, so you might not even notice me when I walk down the street during my private time. That's why I'm thinking of wearing colored contacts and false eyelashes in my private time so people will notice me (laughs).
"Sachika isn't a fighter, but are there any plans for action scenes?"
Miyabe: There are no particular scenes set for me, but I was once allowed to participate in an action session. I didn't do very well at the time, but I'd be happy if they could prepare some action scenes for Sachika too! Since I went through great lengths to appear in Kamen Rider, I'd like to try my hand at action.
"Would you like to transform into a Kamen Rider like Shouma and Hanto?"
Miyabe: I'd like to do that too! Recent series always have female Kamen Riders, and my dream is to be one of them. However, Sachika's a woman with a strong heart, so even if she can't transform, I'd like to use the strength of her feelings as her "weapon."
"Miyabe-san, which Rider do you like more, Gavv or Valen?"
Miyabe: That's a tough question! (laughs). Gavv's a Rider from another world, so he's incredibly strong, but when he's alone he usually ends up in a pinch. And since Valen's the one who helps him, it's like they're one and the same. So, I guess I'd go with both.
"Have you ever directly seen the Kamen Riders on set?"
Miyabe: They're so cool! Being able to see those forms up close and personal will definitely motivate me for the next year. Before I entered this set, I thought the camera work was what made the action so powerful. Naturally, there are scenes like that, but the action itself is very powerful. When I watched episodes 1 and 2, I was surprised to see that the scenes that were already powerful without CG were even more powerful with CG.
"Were there any other spectacles unique to tokusatsu heroes?"
Miyabe: The Gochizou are made by using both props and CG, so during filming of the CG scenes, Chinen-kun talks to Gochizou that aren't there. I thought that kind of performance was difficult. Still, Sachika doesn't know that the Gochizou exists. She also doesn't know about the Granutes, or that Shouma and Hanto are Kamen Riders. They're so close, yet she only knows about Kamen Riders through gossip. I can only imagine what would happen to Sachika if she knew of the Granute's existence. She might want to try to get along with them instead of fighting. Of course, she'd become angry if someone she cared about got hurt by them.
"What's been the most impressive scene up to episode 5?"
Miyabe: Sachika runs a general store, so she and Shouma do alot of jobs together. I enjoyed the scene where they were handing out flyers to advertise the ramen shop. I'm looking forward to seeing what other jobs they do in the future. I also like the scene in episode 3, where Hanto comes to Hapipare and Sachika pokes him with a toy. I thought it was a good representation of their relationship. It's not that Sachika can't read the room, as when she has to do something, she'll do it, but the mood of the place comes first (laughs).
"Hino-san himself said that Hanto's a character that everyone teases."
Miyabe: Hino-kun himself often makes the set feel more relaxed when he's teased. I also mess around with him alot (laughs). It's kind of easy to tease him, almost like there's a sense of security and that it's okay to tease him. He's the oldest out of the three of us (laughs). Chinen-kun lightens up the mood with his interesting remarks, like when he says, "That's one way of thinking about it!" Once Hino-kun gets into it, it becomes really noisy. We screw around when it's time to screw around, but we're very serious when we have to face our roles. They'll suggest things like, "Let's try this here," or "Let's practice this alittle." I'm glad that the three of us will be together on this set for a year.
"Miyabe-san, what kind of sweets do you like?"
Miyabe: I like plum types of sweets, like crunchy plums and dried plums. On days when we have filming, I'll stop by a convenience store and buy one of those before heading to the set. However, the makeup artist pointed out to me that I should be careful not to eat too much, otherwise my face might puff up (laughs).
"And now finally, please give a message to the fans of Gavv."
Miyabe: Kamen Rider Gavv is poppin and cute, and I think it's a show that'll be easy for all kinds of people to relate to. I really hope that people of all ages will watch it. Since I'm also "armed" with a gyarus mindset, I'll do my best to cheer up tons of people. I look forward to your support over the next year!
#kamen rider gavv#kamen rider valen#kamen rider#hidekazu chinen#chinen hidekazu#yusuke hino#hino yusuke#shouma stomach#shouma inoue#inoue shouma#inoue shoma#karakida hanto#hanto karakida#my scans#uchusen#my translation#sachika amane#amane sachika#tokusatsu#toku cast#interview#yusuke-kun...
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another absolutely insane Primo interview
in my first post about Primo's characterization, i noted that he has a dark sense of humor and possibly cruel inclinations. i recently found scans of a April 2012 Metal Hammer interview that features Primo and a Nameless Ghoul (big thanks to @ Primoismelting on twitter!!) i can now say with absolute certainly that he delights in evil and cruelty and being a villain.
this interview is like. really long. so i'm not posting a whole transcript. but here some highlights from this interview:
Primo says he would maim a panda bear for less than $500.
THERE ARE VARIOUS MEANS OF ASSESSING WHETHER SOMEONE IS EVIL OR NOT You don't need to wait until a person plunges a rusty pair of gardening shears through your eye to stop and think: "Yes, my reading of the situation is that he's a bit on the evil side." Criminal psychologists and those working in secure psychiatric facilities use questionnaires called psychopathy tests in order to judge whether someone is a grade A violent nutcase or not... whether they're mad or simply bad. Today's two subjects from the occult rock band Ghost – a sinister figure shrouded in robes who answers only to the title of A Nameless Ghoul and a desiccated cadaverous fiend wearing the pope's robes and mitre, called Papa Emeritus – have agreed to sit ARE YOU EVIL? 101. We tell them, "No one will ever find out. Tell me how much money it would take to persuade you to hit a panda really hard in the face with a brick." Despite his voice being disguised by electronic effects to help preserve his identity, the disgust in the Nameless Ghoul's answer is audible: "It would take a lot of money. An insurmountable amount of money." But you would not kill the panda – probably just fuck its nose up a bit. And I have a Large amount of money to offer you. But the Ghoul will not budge and is clearly appalled: "I will pass thank you. I have no desire to hit a panda in the face with a brick." Papa Emeritus pauses for what feels like an eternity before croaking: "One. Million. Lire.” A willingness to harm animals is often judged to be an indicator of psychotic behaviour. Most people would never agree to hit the unfortunate bamboo-eating, sex-phobic, monochromatic bear on the hooter. Papa is not only happy to do it but he also knows a Gene Simmons-sized business opportunity when he sees one, yet the Ghoul on the other hand has revealed he has a more moral outlook. This is very confusing. Another test is needed. Metal Hammer (April 2012)
the Italian Lira is a now-obsolete currency that was phased out and replaced by the Euro from 1999-2002. in 2001, its last year of usage, it had an average conversion rate of roughly ~2180 Lire = 1 USD. 1 million Lire would be about $460 USD. Primo dgaf about endangered animals LMAO.
Primo reacts with sinister glee at the idea of invading and conquering Poland. (understandably, this is the interview where a Nameless Ghoul compares him to H*tler.)
We put the following to them, "OK, consider this. You are passing by Poland. Do you stop and think A) What a fantastic opportunity, I must visit this famous land and soak up its rich culture and history and make new friends in the process, or B) I must annex this God-forsaken strip of dirt and grind its populace under the heel of my jackboot in order to create Lebensraum for my Reich which will reign in glory for a millennium?" The Nameless Ghoul stammers: "I have yet to step foot in Poland so it's a foreign country to me." Stop avoiding the question. Would you sooner visit Poland for a holiday or invade it? He sighs and says: "In my line of work we are pretty much into invading countries. Being a rock musician with the aim of putting on a very good show all around the world, it would be very handicapping to not explore the cultural aspects of countries you visit. But when you are in a band such as Ghost that's on the rise and you go to a country like Poland, you go there with the aim of conquering the country. You go to their country to enrich them with your culture of blasphemy.” Papa Emeritus does not add anything but he is grinning as much as his rigor mortis will allow and rubbing his hands together. It looks like in his mind he is already packing his bags and choosing a particularly severe tank commander's outfit for the trip. Again there is a big divide between the mysterious monk and his partially decayed singer. The conclusion of the test is far from clear. Could it be – as strange as it may seem – that they are nothing more threatening than ordinary travelling minstrels who simply wish to excite young people with an invigorating and theatrical "rock show"? Or are they indeed, as they claim, emissaries sent from Hades to recruit foot soldiers for the most evil of battles to come? More tests are needed. Metal Hammer (April 2012)
Primo has no problem with being compared to H*tler, but he DOES NOT want you to forget that his dick is HUGE.
The Nameless Ghoul says this is partially the point: "A lot of people presume we're parodying the church by inverting it but this isn't the case. We do the exact same thing as the church but we add a little topping to make a point. I think the real Pope is a very frightening character and that's the reason why he is an impenetrable, invincible and uncontrollable figure. It is the same with Papa Emeritus. You can't defeat Papa Emeritus because he's sacred. Most people find authoritative figures like the Pope enthralling. So he represents everything that is sacred, powerful and authoritative. It is very humorous as well, because not only is he our own Eddie, he's also Freddie Mercury, Adolf Hitler, Dracula, Marlon Brando and the Pope rolled into one.” Anger rouses Papa Emeritus from his near slumber: "Don't forget John Holmes!" The Nameless Ghoul sighs and corrects himself, throwing the 13 -inch-cocked porn star into the mix: "He is like Freddie Mercury, Adolf Hitler, Dracula, Marlon Brando, The Pope and John Holmes rolled into one.” Metal Hammer (April 2012)
Primo fucks, but he DOES NOT do foreplay.
"Thank you," says Papa E. It has to be said, while the singer no doubt cuts quite a figure in his robes and he undeniably has great bone structure, some of which is exposed to the elements, it's perhaps a shame that he doesn't have a better grooming routine as this might afford him and Ghost more young female fans. The Ghoul laughs raucously beneath his hood: "You'd be surprised at how many women flirt scandalously with him from the audience. The Ghouls get repelled when we see this happening actually. It is true that he has good bone structure but I think it is not so much his looks as the idea of him being whoever they want…” So basically you're saying that there are a lot of women out there who are having impure thoughts about a cadaverous cross between Hitler and Freddie Mercury in a dress? He lets out another chuckle: "Yes... yes, I am." Papa cuts in with a lascivious leer: "Whatever makes you think that I do not engulf myself in the carnal aftermath of our masses? I do, however, refrain from so-called 'foreplay'."
in the original lore, Papa Emeritus I was a zombie pope. he was supposed to be an actual literal corpse.
the interview makes several references to Primo being a zombie. he's described as 'cadaverous', having rigor mortis and exposed bones. the joke was that the title "Papa Emeritus" is the title of former popes, but a former pope would by definition be a dead pope, so the idea was that Ghost's Papa Emeritus I was a dead pope. this was before Pope Benedict resigned in 2013 and became the first living Pope Emeritus, ruining the joke, LOL.
#minimal commentary here bc i honestly dont know what to say#i think this really speaks for itself like. he's fucking crazy.#papa emeritus i#primo#radley post#the band ghost lore#quotes
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The Au Pair (modern!HOTD) part 1
Part 1 ~ Part 2
pairing: Daemon x fem!Reader x Rhaenyra
summary: You take a new job nannying for a family on the Upper East Side. You find yourself intrigued by both parents.
warnings: 18+ (slight power imbalance as they're your bosses, sensual themes), language
word count: 3.1k
note: I've been in a Daemon x Rhae mood and this idea came to me and suddenly it is here, enjoy my loves!
When you looked up at the high-rise apartment building, you felt your stomach drop. You had always been that way with heights, whether looking down or looking up at something tall, the feeling of intense vertigo washing over you. You took in a deep breath to steady yourself, draining the rest of your coffee before walking in.
Throwing the cup in a nearby bin, you popped a mint into your mouth to hopefully disguise your coffee breath.
You’d nannied before but never au-paired. It seemed to be a little more intense, having you live with the family, and become a part of the family. But you had to get out of your current living situation, and the website was too tempting to pass up.
You didn’t even think you’d get a response when you sent in your resume. You recognized the family name; old money, the backbone of Wall Street. It was too good to be true when you received an email inviting you in person for an interview.
Still, the thought of caring for three boys was nearly overwhelming.
“You’ll only truly be a little help,” Rhaenyra had told you, after leading you through the foyer, giving you hot tea in a cup that felt so delicate it might break in your small hands.
Rhaenyra had ushered you to the sofa, before sitting in the one directly across. She crossed her ankles, clad in a dark maroon suit, her silver hair striking against the wine-colored fabric. She was ethereally beautiful, the kind of pretty that takes your breath away.
“Luke and Joff are the littles, they require the most attention,” Rhaenyra explained.
You take a sip of the tea, warmth flooding through you.
“How old are they?” you ask, blowing on the tea.
“Jacaerys is the oldest, he’s nine, then there’s Luke who is seven, and little Joffrey is only four,” Rhaenyra tells you.
“No girls?” you ask and she shakes her head.
“Daemon’s daughters Baela and Rhaena sometimes visit during the week, they’re nine as well. They live with their mother mostly, and often spend the weekends with us.”
“You have a full house,” you comment, smiling.
“Several,” Rhaenyra answers, mirroring your smile, “We have two apartments here, in the city, during the weekends we go to our house, outside of the city.”
“That’s wonderful, that you’re able to get away,” you tell her, “the city can be overwhelming.”
“I agree,” she says, “it’s nice to have an escape. So, tell me about yourself,” she cocks her head to the side, “what made you want this position?”
You sigh, deciding it's best to be truthful.
“Well, I’ve worked with kids before, on and off,” you begin, “some babysitting, nannying, I was a camp counselor for one summer.”
Rhaenyra nods, her violet eyes warm and inviting.
“I also, just recently lost my apartment,” you tell her, “it’s a long story, but I need to be out by the end of the month, so a job that comes with a place to live was very tempting.”
Rhaenyra smiles, and you nervously play with the rings on your fingers.
“I can be really good with the kids, I think we’ll get along great.”
Rhaenyra looks you up and down as the door opens. The most beautiful man you’ve ever seen walks in, throwing his briefcase on the counter. His silver hair falls in front of his eyes as he leans against the counter, tapping his ring-clad fingers against the black marble.
“Daemon,” she calls, not turning around, “meet our guest.”
Daemon simply glances at you, busy with something on his phone.
“He’ll warm up, don’t you worry,” Rhaenya says, standing.
“I won’t let you down if given this opportunity,” you tell her, placing your teacup down and standing to leave.
“I know you won’t,” she says, taking your arm to lead you to the door, “let me discuss with my husband, and we’ll let you know.”
“Thank you, truly,” you tell her at the door, “It was nice to meet you, ma’am.”
“Please, call me Rhaenyra,” she insists.
“Rhaenyra,” you say, and she leads you out.
Rhaenyra sighs, returning to the couch and flipping through your resume once more.
“I’m shocked you let her leave,” Daemon says, dropping a kiss on Rhaenyra’s head, and squeezing her shoulder with a ring-clad hand.
“She’ll be back,” Rhaenyra assures him, “I’m taking it slow.”
“Surprising,” Daemon says, “with her calling you ma’am so sweetly.”
Rhaenyra merely glances up at him, smiling coyly at her husband.
“I’ll give her a call this evening then,” Rhaneyra says, kissing the back of his hand, “officially offer her the job?”
“Call her now, if you like,” Daemon tells her.
“She’s probably still in the building,” Rhaenyra says with a chuckle.
“Even better,” Daemon says.
Rhaenyra hums, pulling out her phone.
“Someone’s eager,” Rhaenyra teases, earning a low growl from her husband.
After celebratory drinks with your girlfriends and packing all your shit into boxes, a car picks you up bringing you to your new home. You’re shown to your room by one of the housekeepers. It’s perfect for you, with large windows and a private bathroom. The bed feels like heaven as you lay on top of it. You can’t believe your luck.
You’re introduced to the boys when they come home from school. While Jace is apprehensive, Luke warms to you right away, insisting on showing you his collection of Lego model sets. Dragons are his favorite at the moment. You spend the afternoon with them, and the day flies by.
Only when you’re in your room later, fresh out of the shower and dressed for bed do you realize you’ve lost something rather important in the move. You silently curse, and pad down the hallway toward the home office Rhaenyra uses.
“Mrs. Targaryen?” you ask, knocking on the office door.
Rhaenyra beckons you in, smiling, removing her blue light glasses and looking away from the computer.
“I’m so sorry to bother you-”
“Nonsense, darling, what is it?” Rhaenyra says, lacing her fingers together, “and what did I say about addressing me?”
You blush, forgetting yourself. You find it easy to get flustered in Rhaenyra’s presence.
“I’m sorry, Rhaenyra,” you correct yourself.
“You don’t have to say sorry,” she tells you.
Her tone is so sweet, so kind, and loving that it almost makes you want to apologize again. You release a breathy laugh instead.
“I seem to have lost my hairbrush in the move,” you tell her, “you wouldn’t happen to have an extra one lying around?”
Rhaenyra stands, walking out from behind her desk and toward you.
“Of course, come here,” she tells you, reaching for your hand.
It's warm and soft as she interlaces her fingers with yours, pulling you out of the home office and down the hallway. You haven’t yet seen Daemon and Rhaenyra’s room, though you realize this is about to change. She opens the door and brings you into their room.
You can’t help but gawk at windows that stretch from the floor to the ceiling revealing the New York City skyline. The curtains are still open, revealing the sparkling city below. Daemon is already seated in bed on top of the covers reading, looking up as you enter with Rhaenyra.
“Already?” he asks, and Rhaenyra shushes him.
“Our friend is without a hairbrush,” she says, releasing your hand and moving to enter the master bathroom.
Daemon hums at her response, returning to his book. The bed is huge, big enough to comfortably fit the whole family if they wanted. The sheets are a deep gray, and look like they’re made of the softest silk. You almost want to reach out and touch them, feel the softness when Rhaenyra reenters the room.
“Sit,” she tells you, motioning to the bed.
“That’s okay,” you assure her, “I can-”
“It’s the least I can do,” she interrupts.
You want to argue with her. They’re letting you live in a gorgeous highrise on the Upper East Side and essentially want for nothing, and yet they’re the ones who are grateful? You suppose it just shows what good parents they are, wanting nothing but the best for the boys. It warms your heart knowing you can help support them in that way.
Rhaenyra motions to the bed once more and you sit down on the edge. You know immediately that sleeping in that bed would cure any problems you’ve ever had. It’s so soft against you and you run your hand over the sheets. Rhaenyra sits next to you, crossing her legs.
“Turn for me,” she says, and you move so your back faces her.
She takes your hair, still wet from your shower, and runs her hands through it gently. You can feel her nails against your scalp causing goosebumps to rise on your skin. She moves the hair from your neck before gently beginning to brush through your hair. It’s so relaxing your eyes flutter shut.
Daemon is watching now, closing his book and leaning his head back against the headboard. Rhaenyra meets his gaze and his eyes narrow. She flicks an eyebrow at him, continuing. Daemon sticks his tongue against his cheek before rising from the bed. You open your eyes as you feel him move, watching as you walk by you, stopping to press a kiss against Rhaenyra’s cheek.
He heads into the bathroom, not bothering to close the door as you hear the shower turn on. Rhaenyra places the brush on your lap.
“There you are,” she tells you, placing her hands on your shoulder and squeezing.
“Thank you,” you tell her earnestly.
Her kindness brings tears to your eyes and you find yourself wanting to hug her, bury your face in the crook of her neck, and have her lavish your face with kisses. The thought brings a blush to your cheeks. She’s your boss. Still, as you get up to leave and bid her goodnight, you find your gaze falling to her lips. You look away quickly.
“Thank you again, Rhaenyra,” you tell her, “For everything. I’m really grateful for this opportunity.”
Rhaenyra smiles, smoothing some hair from your face.
“We’re happy to have you,” she tells you, “Goodnight, my dear.”
“Goodnight,” you tell her, leaving the room and heading to your own.
Daemon reappears with wet hair and a towel around his waist. Droplets of water cling to his chest and shoulders. Rhaenyra smirks at him.
“Enjoy your cold shower?” she teases and he chuckles in response.
The following week is a test run, seeing how you handle the boys and their schedule. It’s easy enough-no scarily easy. The boys are a dream, so well behaved and respectful toward you, and enjoying the attention that is devoted to them while their mother and stepfather are busy working.
Your schedule is simple. Wake up, make sure the boys get their breakfast, escort them to school, and then the rest of the morning and early afternoon is yours. Rhaenyra has assured you that sometimes she shall give you some errands to run, but for the most part, you’re free to ponder around different coffee shops and bookstores and attend your university classes.
You pick up Joffrey first, as his daycare releases him in the early afternoon, and bring him on a walk. Then you wait for Jace and Luke to end their school days and escort them to their afterschool activities. You almost feel bad for Rhaenyra and Daemon, like you’re taking advantage of them somehow. It shouldn’t be this easy, right? It can’t be this perfect?
You’re still lost in your thoughts while you sit on a park bench watching Joffrey toddle about on a play structure as someone sits down beside you. You blink, pulled from your thoughts, giving her a kind smile.
“You’re the new Targaryen AP, right?” the girl asks, smiling at you.
“Yeah!” you answer, telling her your name.
“I’m Shae,” she tells you, “The Lannister’s Au Pair.”
You nod. You’ve heard that name before. Shae points at a little girl with golden curls on the swings.
“Cerelle Lannister, one of the little lions I look after,” she says chuckling.
She motions for your phone.
“Here, let me put in my number,” she tells you, and you smile while handing her your phone, “We have to stick together, you know?”
“Thanks,” you tell her, “I’d love to get coffee sometime and get some advice. This is my first time being an Au Pair.”
Shae raises an eyebrow as she adds her number.
“Good luck with the Targaryens,” she tells you chuckling, “they can’t seem to hold onto an AP for more than a month.”
Your brow furrows and you glance at the boys. You can see Jace running across the soccer field and Luke on the other side with the younger boys. Joffrey plays on the playground, staying in your line of sight. You can’t help but smile.
“I don’t see why,” you tell her, “the boys are great. Very well behaved, impressive manners. Better than me.”
Shae laughs.
“It’s Daemon and Rhaenyra I’d be wary of,” Shae tells you, voice lowering with the nature of the conversation, “the last girl they had was doing fine until suddenly she’s signing an NDA and being shipped out of New York. I never spoke to her again.”
A chill rolls through you.
Jace calls your name, running over to you.
“Did you see what I did!” he says, a huge grin on his face, Luke trailing behind him.
“You were so awesome Jacey!” you tell him, ruffling his hair.
They’ve warmed up to you immediately.
You keep thinking about what Shae said all night. When you join the kids for dinner, Rhaenyra and Daemon do not, as they ended up having to work late. When you tuck them in and return to your room you find a small box on your bed.
You open it, revealing a small necklace. Dainty, and expensive, with a small pearl hanging off the chain.
A gift.
You pick up the card that goes with it.
For all your help, xx
There’s no signature. Though you suppose it must be from Rhaenyra. You blush at the kind gesture before retiring to bed for the night, curling up in the soft sheets with a book.
The next few weeks go smoothly, and without any fusses. The boys are lovely as ever and easy to drag around to different parks, activities, and school functions. They’re starting to feel like your little brothers, like your own children even. You journey with them to the weekend house, an hour outside the city, roasting marshmallows, swimming in the gorgeous pool, and taking them to get ice cream. It’s paradise, it’s a dream.
You see Rhaenyra more than Daemon, though she was right. He does seem to be warming up to you, glancing at you more, checking in on you. Sitting with you when you’re at the counter for breakfast. Letting a hand drift across your back as he passes by.
You keep finding gifts. A silk robe, a new purse, a pair of earrings that match the necklace given to you. Fresh flowers by your bedside. It’s very sweet of them, to be so welcoming. Almost romantic.
Later one night during the week, you can’t seem to find sleep.
You make your way to the kitchen, feet padding softly down the hallway. Rhaenyra had said to help yourself to anything, what’s theirs is yours. You’d been craving something sweet since dinner. Since moving into the highrise your palate has begun to adjust to the rich, expensive foods the chef makes and has begun to spoil you. You’re starting to wonder how you’ll ever go back to living normally when this job ends. It’s not something you want to think about. You’re determined to stay as long as possible.
You open the fridge, the light bathing the floor in front of you. You look around, moving things trying to find a treat. Their fridge is crazy stocked, full of fresh fruits and vegetables, and green juices. Things that sound good any time but now. Now you need chocolate.
“Looking for something?” a deep voice calls and you jump.
“Shit, you scared me, sir,” you say, holding your hand against your chest.
Daemon moves toward you from the shadows, silk pajama pants hanging low on his hips. He’s shirtless and you make a point to look at his lavender eyes. They’re almost black in the low light, a smirk dancing on his lips.
“I was just looking for something sweet,” you tell him, biting your lip.
“Something sweet, hmm?” he echoes, reaching around you to open the freezer.
You back up, suddenly very aware of your choice of pajamas. Another gift you’d found waiting on your bed, a silky red set. The tank top hands low, the shorts hugging the curves of your ass and thighs.
“Try this,” Daemon says, holding out some gelato.
You let out a breathy sigh.
“What?” Daemon asks, tilting his head curiously.
“Everything here is so fancy,” you tell him, “even the ice cream.”
“Isn't it nice to have expensive things?” he asks, unscrewing the lid and throwing it on the black marble counter.
“I don’t know if I’ll like it,” you tell him, nose scrunching.
He chuckles, cocking an eyebrow. Daemon reaches for a drawer, pulling out a long silver spoon, perfect for ice cream. He dips it into the gelato before bringing his violet eyes to yours.
“Open your mouth,” he murmurs, holding the spoon out to your lips.
With his seductive tone, the roughness of his voice floating over you like silk caressing your skin, you instinctively part your lips, accepting the sweet treat. It’s cold and sweet as it moves across your tongue, sliding down your throat. A bit dribbles on your lips as Daemon removes the spoon from the confines of your mouth. A small remnant of the cream lingers on the spoon and Daemon places it between his lips.
Your eyes are wide, watching him suck on it, and you can feel a blush creeping up your cheeks. He removes the spoon, licking his lips. You bring your hand to your lips wiping away the trace of cream that remains.
“Do you like it?” Daemon asks, voice gruff, eyes hungry for more than gelato.
“Yes,” you breathe.
He smiles and then places the container in your hand.
“Enjoy,” he tells you, before walking out of the kitchen.
You stay still, standing dumb for several minutes after he leaves, feeling the container of gelato begin to soften the longer you hold it. Snapping out of your trance, you hurry back to your room, closing the door behind you.
note: hope you enjoyed my loves! 😘
HOTD TAGLIST GENERAL: @bluevxnuss, @thattargboy, @xlilacfrostx, @drinking-tea-and-be-obsessed, @marvelescape, @geminithrone, @deltamoon666, @i-killed-ramsey, @tempt-ress, @eddiemadmunson, @zillahvathek, @hangmanscoming, @jojoesq, @f4ll-for-you, @rwdkarla, @cc13723things, @filipiniamultifandom, @watercolorskyy @alexxavicry @sachafirebringer @polireader @jamespotterismydaddy @grv7ay9In35s @sofiaadler @sophielangdonx @doublesparrows, @sophielangdonx, @alitaar, @castellomargot, @paodemorangol1l1, @nik2blog, @arkainea @eddiemadmunson, @malfoytargaryen, @eudximoniax, @targaryen-world, @ghostheartbeat @savagemickey03, @aemondsdaemons, @candypurplebutterfly, @eddiemadmunson, @xxnaly2, @ghostheartbeat, @savagemickey03, @dieg0brandos-wife, @paodemorangol1l1, @hb8301, @padfooteyes, @valeskafics @doublesparrows, @bornbetter, @beyond-the-ashes, @clairacassidy, @aslanvez, @loglady00, @gettheetoanunneryimmediatly, @minami97, @serving-targaryen-realness, @chaotic-fangirl-blog, @possiblyafangirl, @shmexie, @winter-soldier-101, @kaelatargaryen, @urmomsgirlfriend1, @floswife, @mizfortuna, @strawberryduvet, @girlwith-thepearlearring, @arryn-nyx
bold means I could not tag!
✨ click here to be added to taglist ✨
#hotd imagine#daemon targaryen imagine#rhaenyra targaryen imagine#daemon targaryen#rhaenyra targaryen#daemrya#modern!au#hotd modern au#fem!reader#daemon x reader#rhaenyra x reader#daemyra x reader#daemon targaryen x reader#Rhaenyra Targaryen x reader#hotd smut#daemon targaryen smut#rhaenyra targaryen smut#daemon x you#daemon x y/n#rhaenyra x you#daemon x rhaenyra x you#daemyra#daemon x rhaenyra#daemon targaryen x you#daemon targaryen x y/n
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chicago
a/n I MISSED MAKING THESEEE
liked by tchalamet, yourfriend and 3,188,773 others
y/n 💕
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tchalamet forever and ever
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y/n and always
shawnyn god WHEN
wonkaswhore if they ever break up I'll kms
tchalamet just posted a story!
~~~
@ceoofynandtim tweeted- it's kinda been a while since they posted each other huh... im scared. I MISS THIS ERAAA
@teddyyn replied- DONT EVEN THINK THATTT
@girlyyn replied- am I the only one thinking they're engaged? 🤭
@aliveyn replied to @girlyyn- but why aren't they posting each other at all!??!?!? it's v unlike them...
~~
@celebnews just tweeted- BREAKING ‼️‼️Timothée Chalamet and Y/n L/n have broken up. Verified by a close source, the pair have split after four years together.
@phasesyn replied- NOOOOOOOOOOOOOOO💔💔💔💔💔💔💔😭😭😭😭😭
@wonkaswhore replied- love is dead.
@nightlyyn replied- no one touch me. my parents just got divorced
@ynxpaul replied- the way they spoke about each other... jesus how did this happen. never saw two people more in love.
@ronxyn replied- so we're all just believing this ?😭😭
@girlyyn replied- well. no reason to live now tbh
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y/n if it's real, then can you show me?
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pepperyn omg. that song.
yourfriend you're too gorgeous
rachelzegler MY PRETTY BEST FRIEND
sabrinacarpenter my shirt looks good on you
biyn LESBIANS !?!?!
dystopiayn girl they are friends 😩💀 sab has a bf!
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y/n trying to get in my horror era
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rachelzegler the horrors persist but so do we!!
y/n I love you
ynscurtains you're already a scream queen !!
harryynpot im literally a child of divorce omg
modernyn Timothée fumbled omg
chalsyn they both fumbled 💀💀
@celebnews just tweeted- Y/n L/n in a recent interview talking about her split from Timothée Chalamet: "We had a few months before the whole world knew, so I got to kind of heal and process everything in private without people looking at and analyzing my every move. Breakups are rough no matter what, whether or not you're public about it. There are days that feel worse than others, and.. it is because I really, truly, thought i was forever done with that whole dating portion of my life."
replies have been turned off
@tchalametupdates just tweeted- Timothée seen recently greeting fans! When asked about his and Y/ns breakup he responded with, "Some things you just have to get through by yourself. I'm glad that you're all sending me love and support, but I'll be okay!"
@timschal replied- CRYINGGG 😭😭
@laurieslaurence replied- bro he seemed so sad 😭😭
@ynsstan replied to @laurieslaurence- well he broke up with her so idk why he's so hurt 🙄
@steelyn replied to @ynsstan- omg didn't know that you were part of their relationship too... dumbass
@ynxtimmy replied- I still think they're soulmates like they're gonna get back together watch !!!
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y/n took myself out for valentines day this year. it was actually quite romantic
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sabrinacarpenter beautiful girl
liked by y/n
rachelzegler we should've gone together
y/n next year 🤭
timmytimstan MAKE HIM REGRET IT
ynscurtains you're literally a timmy acc hello ? 😭😭
ynsheadphones kms cause their valentine posts were so cute
ynsshoes FRR their captions were always the cutest 😭😭💕
y/n just posted a story!
caption- single girl era 💕💕
@ynupdates just tweeted- While promoting her newest movie, Y/n was asked about Timothée, she expressed how she still has love for Timothée and doesn't hold anything against him. "He was the best person I've ever had the pleasure to love. I hold no negativity in my heart for him. Truly, I wish him nothing but the best forever and ever." She also went on to say that an Oscar win is definitely in his future.
@paulsyn replied- maybe they just need some time apart 💔💔💔💔
@lonesomeyn replied- 'forever and ever' KILL ME NOW
@ynscurtains replied- THEYRE SO NICE ABOUT EACH OTHER PLS LET THEM BE TOGETHERRRR
@ringsyn replied- I hope they stay friends 😭😭
~~~
*3 Years Later*
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y/n and when im back in chicago 🎶
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timmyyn remember when timmy and her would go to chicago like once a month 😭😭💔💔💔
vampireyn girl let it go
ynsheadphones UHHH TIMMY LIKED !?!?!?!?!!?????
coolyn BITCH I AM UPPP OMGGG
happilyyn do NOT get my hopes up omg
rachelzegler no invite ??
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@celebnews just tweeted- BREAKING ‼️ Timothée Chalamet and Y/n L/n were recently seen getting close with one another in Chicago. Apparently they were trying to remain unnoticed when someone asked for a photo.
@horroryn replied- GOD IS REALLLL
@chappellyn replied- THEY LOOK SO CUTEEEE MY LOWKEY PARENTSSS
@timmytimstan replied- bro I've been waiting for this news omg 😭😭
@rhodeyn replied- they're like justin and hailey 2.0 omgg
@laurieslaurence replied- the way they're literally matching. they used to coordinate their outfits alll the time and they're doing it again 😭😭🫶🫶🫶🫶💕
@cutesyn replied- THE WAY SHES SITTING ON HIS LAP OH MY GODDD IM SO SINGLE
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y/n me when
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ynslipgloss ARE THOSE NOT TIMOTHÉES FEET 😭😭😭
tchalamet I wish I could like this 200 times
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sabrinacarpenter pretty girl !!
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blankyn I bet timmy took these pics
ynsheadphones HIS COMMENT OH MY GODDD
florencepugh how are you so beautiful
y/n no way you're asking ME that 😭😭😭🫶
airyyn can yall just hard launch already 😩😭😭
y/n okay!
airyyn HELLO!??!!
slyyn WE'RE SO BACK
tchalamet just posted a story!
caption- falling... falling... fell
@celebnews just tweeted- Timothée Chalamet spoke about him and Y/n L/n for the first time in three years, in a recent interview. "I'll never forgive myself for being away from her for that long. She is the most exceptional, divine person I have ever known. Being without her, while I did learn and mature a lot, was torture."
@bookyn replied- how I like my men
@timmyandynstan replied- they had to be apart to come back together 😭😭😭💔💔
@halfbloodyn replied- i cant wait for all the content we'll get of them 😭😭🩷💕
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y/n please please please!!!!!
comments have been limited
tchalamet my beautiful girl
tchalamet who needs an oscar when i have you
sabrinacarpenter felt
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tchalamet Je t'aime de toute mon âme
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y/n how are you so perfect
liked by tchalamet
timmysgf ugh I thought we were free of her
huffleyn stfu 🖕 fuck off!!!
sabsyn DONT EMBARASS HER, MOTHERFUCKER
floralyn 😭😭😭💀
paulsdunes he didn't even embarass her the first time 🙄
sabsyn omg just play along, it's a song lyric
y/n my darling boy
tieyn remember when they broke up and she was saying how she thought she was done dating and now look 😭😭 back together FOR GOOD THIS TIME
wallowsyn MY PARENTS ARE BACKK
*
#timothee chalamet#timothee chalamet fanfiction#timothee chalamet imagine#timothee chalamet x reader#timothee imagine#timothee x reader#timothée chalamet#timothee chalamet au#timothee chalamet x you#timothée chalamet imagine#timothee fanfic#timothée chalamet social media au#timothée chalamet x reader#timothée x reader#timothée imagine#timothée chalamet smau
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There seems to be a bit of debate within the fandom about whether Isayama stated that Erwin is handsome while Levi isn't, or if Erwin was based on Captain America, and so on.
What I'll offer you is my personal take on the matter, as someone who not only happens to be a woman but also, sadly, a woman who likes men (lol) but also as someone with plenty of friends who share that preference.
Let me preface this by saying that I don't intend for this post to be seen as definitive proof or canon, derived from specific panels or interviews. No, this is simply my humble opinion, based on one thing: my perspective as a woman.
Now, if Isayama believes that Erwin resembles Captain America due to his care for his appearance, and thus is deemed more conventionally attractive, that's fine. But let's remember, Isayama is a MAN. When has a man ever accurately grasped what women truly find appealing?
Sure, Erwin may be tall, handsome, and blond. I'll admit, I even find Erwin attractive. But do you know any girls who go wild over that? No, girls aren't going to Marvel movies for Thor or Captain America (well, maybe some are). They're there for Loki, the Winter Soldier. Men seem to think girls thrist over Captain America's abs, when in reality, I've witnessed more girls giggling over Bambi's dad and his deep voice. Girls don't fantasize about Captain America; they're watching Peaky Blinders or Pride and Prejudice, yearning for a Tommy Shelby to size them up, cigarette and whiskey in hand, with that Birmingham accent asking, "Are you a whore? If not, you're in the wrong place." We want Daemon Targaryen beheading someone who dared insult us.
In my own fanfic, I don't deny that characters like Mike, Erwin, Reiner, Zeke, and all the "conventionally attractive guys" are attractive. But Levi? He's known as the strongest thug in the underground, yet he's also the man who rescued a young girl lost in the streets. In a den of violence and depravity, Levi was both tough and compassionate. I'd wager Levi had the bitches making lines.
The perfect example of this is Zeke admitting he's "not popular with girls." It's like the guy who posts a frustrated TikTok because his gym crush is dating someone edgy. He's the type who wonders, "Why that twig and not me?" Well, sweetheart, because that "edgy" guy is caring and probably knows how to make a woman come better than you. He's so secure in his masculinity that he doesn't need to prove it.
I've said it before, and I'll say it again: Levi embodies the female gaze because he's what girls want. I'm not claiming this as gospel truth or canon. I'm simply explaining why it seems obvious to me that Levi would still be attractive and desired within the walls—just like how many girls these days prefer Cillian Murphy over Chris Hemsworth.
#levi ackerman#levi#captain levi#levi aot#snk levi#levi x reader#levi x y/n#aot levi#snk levi ackerman#levi ackerman x reader#levi ackeman#levi attack on titan#captain levi ackerman x you#captain levi x reader#captian levi x reader#captain levi ackerman x y/n#captain levi x you#levi shingeki no kyojin#levi x you#aot#attack on titan#snk#shingeki no kyojin#attack on titans#levi ackerman snk#levi ackerman x female!reader#captain levi fanfiction#captain levi/reader#snk headcanons#snk headcanon
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Hey everyone,
'The New ThoughtCrime' is an anti-trans community detransitioner essay
Just wanted to give a heads up to the FTM community on here that a user named @mewthoughtcrime is trying to repost the 'New ThoughtCrime' think piece from 2017 - tagging it with this such as 'trans man', 'nonbinary' and 'transandrophobia'.
However this blog fails to mention that the main author of said piece is a lesbian who considers herself a detransitioner. While there is nothing at all wrong with that -
the problem more comes from the fact that said author also believes the trans community is a cult.
This quote comes from the author's interview with Genspec - an organization that pretends to be trans supportive, while also believing trans kids are a myth, trans men are just confused teen girls, and pushing the book Irreversible Damage.
The author also believe in the idea of 'cotton-cieling' - a terf dog whistle that implies trans women intend to force lesbians to sleep with 'males who identify as lesbians'.
The think piece is NOT at all about trans men or transandrophobia.
It's about detransitioning from a woman who believes the trans community engages in 'thought reform' - in a way akin to cults.
The piece reads largely inspired by 'Irreversible Damage' - an anti-FTM shred-piece. This is basically J.K Rowling ideology.
They're in their right to repost whatever they want, especially if that piece of writing specifically spoke to them and other detransitioning folk.
However I do think it's incredibly disingenuous and sneaky to not include this information - or the true nature and intention of the work - in the Tumblr post, as the original author was very clear in stating so.
To post such a piece without tagging the detrans community is a disservice to them and a deliberate choice towards us.
The piece is not at all about transandrophobia - the OP is simply mistagging it to target particular groups - mainly, actively transitioning FTM who are looking for community.
This isn't to say you can't read and enjoy the piece, or connect to it. You absolutely can, it's about someones valid personal experience (well - some parts.) that's eloquently written.
What I do not support however is posting such material, purposely and vaguely mistagging it, while not explaining the contents, the context, and the intent of the author clearly.
I believe readers should always be informed about the source and intention of the writers of the information they received.
People should be allowed to make informed choices about what they read and involve themselves in - whether that be trans politics, or reading think pieces online.
That's why I am making this post.
'The New ThoughtCrime' is an Anti-Trans Community think-piece that targets trans men and lesbians by supporting TERF ideology.
Read with that information in mind. With the situation going on now with staff, I think it's important to be on high alert for indoctrination or misleading literature like this.
By all means, read if you like. I was just not at all impressed with the lack of transparency from @mewthoughtcrime when it comes to detailing the actual contents and source of that information.
It's one thing to call the trans community a cult - before turning around and releasing anonymous faceless think-pieces that you spread around without sources or actively informing others of its contents, in order to purposely get a demographic of people who do not wish to interact with you to unwillingly engage in your rhetoric.
As a essay that calls for 'transparency in the trans community' we can first start by lending some transparency to THIS essay.
Stay safe and stay informed y'all ✌🏾
#i wouldn't be making this post if they had been clear about the nature of the piece#the original blog was VERY forthcoming about the intention of the piece so OP should be as well#You claim to want to spread information - but you refuse to include the information about the work you wish to share#For a deliberate and calculated reason#I'm not gonna sit here and let you trick trans people into reading your bull#I wouldn't sit here and let black people get tricked into reading eugenics shit either#Always remember y'all - you are not immune to propaganda#ftm#trans ftm#transgender#trans masc#trans guy#trans man#transphobes#transphobia#terf ideology#trans misogyny#transandrophobia#transmisogny tw#transmisogyny#lgbtq#lgbtqia#lgbt#queer#nonbinary#enby
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Making the ✨Lioncourt Gown✨ (Part 4/4)
It's been such a fun project working on the Lioncourt Gown (aka Interview with the Vampire's Lestat de Lioncourt's theater costume -
made into a 1790s women's redingote) and I can finally say that I have finished it. It's done, and I love it. It didn't turn out exactly how I'd planned, but that's how it is with me and sewing. I admire anyone who can just stick to their original plan haha but that person is not me. Usually, when sewing I don't think too far ahead, I just do it until I hit a point where something just isn't working out and have to find a way around it. I'm also self-taught, so my workarounds may not be standard procedures when you actually know what you're doing. But I'm still really, really happy with it, and I did a little photo shoot as soon as it was done.
But anyways, here's the final part of this project.
In my last post, we left off with the still detached but finished collar/yoke and the finished bodice. I attached the yoke to the bodice, and then went on to make the final piece - the outer skirt.
For that, I essentially did the same thing I did with the bodice and the sleeves. I attached the colored satin triangles and stitched them down with the tape. Here is a picture just before I attached the tape:
This process is very time consuming and I had severely underestimated it. I did end up finishing it in a day, but it was the only thing I did that day. You have to stitch super close to the edge or the satin is going to fray and stick out and it's not a pretty look. It did end up happening in a few places, so I had to take the stitches out and redo them. But when that was done, I added red tape to the raw edges of the fabric and finished the skirt.
Then finally, it was time to attach the skirt to the bodice. For that, I gathered it with a quick basting stitch to bring it to the needed width and then had to hand stitch it in place, making sure I was attaching it only to the lining layer so the stitches wouldn't be visible from the right side.
Once that was done, it was time for the first complete try on! For one, I was really excited to see it as a basically completed project, but more importantly, I needed to know where to put the buttons. So I put on all my layers for this (shift, stays, bumroll, two petticoats, the skirt, and the bodice with the outer skirt), and realized... it was a bit smaller than anticipated. It fit, but I'd planned to make it double-breasted and the front panels didn't overlap quite enough to make two button rows possible while keeping them centered. So I ended up deciding in that moment I was only going to do one row of buttons. The original only has one row, so it was fine either way. But while on the topic of buttons, another thing: I'd mentioned in a previous post that I wasn't sure whether to add buttonholes or to fake the closure with hooks and eyes, and I decided to do neither. I was way too scared of the satin fraying if I did button holes and the whole hook and eye system is pretty annoying to do, and since I'm only really gonna wear it once or twice a year I decided to just use some red pins to pin myself into the dress for the day. This protects the satin from fraying and is less work for me. It doesn't look super professional though and while historically accurate for some dresses in the 18th century (some even used to sew themselves, or have someone sew them into their dresses), it was not used on redingotes (as far as I'm aware) for practicality reasons. Redingotes are essentially riding coats and were used primarily outdoors, so buttons was the most common way to close up these types of garments. Still, I did not want to risk ruining the fabric, so I decided to do it this way.
So once I'd figured out where to place the buttons, I sewed them into place. On a side note, I do love the way they look. They're so pretty.
I added four in the front, two on each sleeve and four in the back.
So this is it. It's done.
This was, mostly due to the color details, the most time time-consuming and frankly expensive project I've ever worked on (well, maybe except for my very first dress as I still didn't know what I was doing back then - that one took me literal months hah). But it was so worth it. It's been in my bedroom for a few days now and I smile every time I see it. I still can't believe it's in my possession.
Part 1 | Part 2 | Part 3 |
#fashion history#historical fashion#iwtv#interview with the vampire#lestat de lioncourt#amc iwtv#sewing#redingote#georgian fashion#18th century#18th century fashion#18th century dress#1790s#1790s fashion#georgian#fashion
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Do you have England nation revealed headcanons too? My tsundere babe needs love
I do. I think England is a bit more reclusive with his fame. He just wants to live a normal life, so he's not accepting deals or interviews left and right. He only really appears in documentaries or serious interviews, but he'll go on a casual talk show like once or twice a year at most.
I'd say his public reputation is fairly good. A lot of the older generations hold him in high regard and see him as an absolute gentleman. But I think the younger generations are more aware of his messier side. He always conceals his feelings with a mask of stoicism and politeness. He wants to keep his reputation in tact, but sometimes he slips up. Whether it be a moment of drunkenness or a negative remark about a public figure, Legacy media always makes a big deal out of any mistake he's made. People on social media don't really care about that, and they're a bit tired of all the manufactured drama.
England isn't really on social media all the time. He usually only uses it to either post things for tourism or to critique and react to stuff. Like half of his posts across all accounts are him talking about some shitty movie/show/book. He also likes to comment on all the crazy shit America does. A lot of his Instagram is just him taking pictures of America and being like "guys wtf". He's gotten into quite a few petty internet arguments on twitter (especially with a certain Frenchman). His internet beef with France is infamous, but a bit one sided. France sees it as playful banter while England is genuinely annoyed.
He gets followed around a lot by paparazzi, especially due to his relationship with the crown. It's died down a little, but it used to be way worse before they days of social media. But there are still a lot of stalkers who search for every detail about him, including his personal records. His own staff have gathered information to sell it off.
Tabloids love to stir up drama about him, especially with his brothers. Modern day, their relationship with each other is fine/neutral, but they love to milk every argument and interview the brothers like "oh, what are you going to do after he said this?" and stuff to drive a wedge in between them. England has personal beef with the Daily Mail that goes back a century, and he'll clock them at every turn.
#hetalia#forsoobado answers#anon#hetalia headcanons#aph england#hws england#hetalia england#arthur kirkland#aph america#hws america#aph france#hws france#aph uk bros#hws uk bros#nations revealed au#hetalia public au
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idk if y'all remember that instance when yoo sangah decided to read all of dokja's memories, a move which made a lot of people hate her, but, here's my take on that: yoo sangah is a person who knows how to take risks, or at least she tries to know how to assess them correctly, and, you know, to have a relationship it is necessary to take those risks, especially if you want to get closer to someone else, if you want to let them know you're there for them. Then, what if the person you wanted to get closer to and so badly understand is Kim Dokja? The guy who's so deeply ashamed of himself he has to hide behind a wall, the guy who feels so proud of not letting anyone get to know him because he believes no one can nor will ever understand him so it's better to push them away, the coworker who paired up with you on your first interview, the coworker who kept quiet while you put pepper onto the coffe machine and even took the effort to move the cameras so that they wouldn't fire you, he, the one who talks to you without the intention to get something back nor seeing you as an object, and who also seems to be okay with you despite feeling so distant, Dokja, Kim Dokja, your dear friend.
And then he sacrifices himself. Over and over again. What would you do then? Yoo Sangah can't just stand there doing nothing, watching him suffer silently. She's an empath, she wants to be there for people, and he's her friend, she has to do something about it, let him know all KimCom is there for him, that she's there for him, but he's being so stubbornly distant with everyone. It is also at this point of the novel where Dokja's debating whether to tell them that they're all characters of a novel, and therefore being much more distant. What is there to do for yoo sangah? It's a desperate situation, and such desperate times require bigger risks to take in for the relationship; to read dokja's memories is dangerous, it is to overstep his boundaries and privacy, dokja may never want to talk to her again, because it is a betrayal in itself. Yoo sangah knows all of this, but she's willing to take the risk, for him. It is incredibly selfish as well, but it is the only way out for her, the only way she feels she can reach out to him beyond that wall.
#orv#yoo sangah#kim dokja#kim dokja orv#yoo sangah and kim dokja#they're besties#and their friendship is beautiful#and i love them for it#omniscient reader's viewpoint#omniscient reader#orv novel#전독시#전지적 독자 시점#btw this is only my interpretation#don't take it too seriously#please
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I loved all of what Sarah highlighted in her interview today and I'll elaborate a bit especially on the romance part:
In Maas’ fantasy worlds, love interests often exist as fated “mates,” with invisible strings between them that are powerful and often poetic. Readers can see the literary metaphors, like complementary powers between two characters. But other times, there are no metaphors, with their connection initially seeming random.
She's too attached to the mate trope and I like that she gives us different cases and scenarios for it, otherwise it'll be boring.
“Sometimes, I will write a scene with two characters that I’ve planned for them to get together, and then they have no …” She shakes her head slightly at me. “It’s like holding two dolls and being like, now kiss! And they won’t. … And then sometimes a different character will walk in and they will just” — she snaps.
I yelled at this part because it's as if she plucked the scene from Azriel's bonus chapter and used it as an example. Those parallels between Elain and Gwyn are intentional. It doesn't mean Elain is bad it's just their dynamic doesn't work as a couple and it was obvious to the author. I know she didn't specify who this was about but like, come on, who tried to kiss and which character showed up in a bonus chapter after that depressing scene and gave a glimmer of hope?
“It feels like magic in a way where, as much as I tried to plot out things years in advance, I let my characters guide a story. And they usually wind up with the people that they need to be with and who offer them the most growth and joy.”
I love this so much and allow me to speak about my favorite ship and its because the snippets we saw of Az and Gwyn together especially in the bonus chapter brought out a lighter version of Az. His scenes with Gwyn were light-hearted and the bonus chapter ends on a hopeful note for them. It's hard to deny that connection between them whether you theorize she's luring him or they're mates, those theories wouldn't exist if she had no ties to him (she's in his own chapter like come on).
I go the philosophical route with my next question: We’re talking about fate here, but at what point is a character the agent of their own fate? What happens if someone rejects their mate? (Listen, if I were Fae and I didn’t like my mate, whatever God chose for me is not my business.)
People are jumping the gun and assume this example is set to be Elucien but... we have Helion and Lady of Autumn likely being an example of a tragic rejected mates story (if you read ACOWAR and their history it's obvious they're mates). Maybe it's Mor and Eris and that's the secret that ties them to each other. We have other characters from other series too.
For a convincing mate rejection story in my opinion, it needs more than one book or it's a case that we see with side characters where we can see their history and the long-term implications of a rejected bond.
It's too easy of a story to have one person's central conflict be the words "no I reject you" and they're done. Again, this is not exclusive to ACOTAR but also her other series.
“That’s something I find to be very interesting,” she replies. “What if the forces that be put you with the wrong person? Or what if you just decide, eh, I’m not interested. … There’s a lot to explore within the concept of mates and your agency about it.
The concept of agency is something many readers in the fandom discussed especially when it comes to mating bonds and there were arguments on (would Rhys fell for Feyre if she wasn't his mate or would have Cassian fell for Nesta if she wasn't his mate). We know that some mates don't work out but stay together because their dynamic is unhealthy (Rhys's and Tamlin's parents). We got examples of a loveless mating bond already.
We also saw that Nesta didn't immediately accept the term "mate" because it would mean cutting off her last tether with humanity. It's not a matter of "you're my mate" "yes I'll be with you", the dynamic between the mated couple is important to explore.
“I’m not going to say if I am exploring it in future books or not,” she continues, “but it definitely offers a wealth of things to explore with this concept of freewill and what is true love. Is it something that’s destined? Or is it something that you make? Is it both?”
This part aligns with what I think about Elucien. We never had a mated pairing who knew they were mates but are not in love with each other. Every mated couple found out they're mates when they were already in love.
Can a destined love turn into true love? Or do you settle for a destined love without love being in the equation. Love wasn't in the equation for Rhys's parents, but love was the equation for Feysand and Nessian. Elucien was left unexplored for a reason and both Elain and Lucien view each other by label "mate", they didn't have a chance to get to know each other. So it's going to be very interesting to see them navigate their feelings for each other despite the mating bond.
I didn't expect her to elaborate a lot on this but I love that she did and I hope in future interviews she gives us more good bits about her writing and examples of the decisions she took for some characters and couples.
Didn't expect this post to be long but happy reading! I'm still reeling from HOFAS 🥲
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Ohsama Sentai King-Ohger Photo Book: ~King of Kings~ Main Cast Member Interviews Support Cast Special Comments (translations below, LONG POST)
(other pages)
Sakai Taisei (Gira Husty)
-The Director's valuable advice on how to play Gira in a natural way-
I think that we were able to complete filming without any issues due to the support of many people over the past year.
As an actor, I was inspired alot by the many career actors in the King-Ohger cast. In particular, Morioka Yutaka-san, who played Douga, and Masato Yano-san, who played Racules, both of whom I had many opportunities to work with, were very important. However, both of them didn't give me any specific advice on the set. They always had the attitude of, "You're free to do whatever you want to do," and I was grateful for that more than anything.
Filming was done in front of a green screen in the studio, which was a special environment, but since I personally didn't have much experience in filming dramas, I had no objections to it at all. Sometimes we filmed on location, so experiencing the "live scenery" and "atmosphere of the site" was nice, but in our situation, we felt uncomfortable unless we were in front of the green screen (laughs). It had become such a normal thing for us.
As for the performance, at first I couldn't understand the Director's intentions and was just figuring it out in my head, but then Director Kamihoriuchi Kazuya told me, "Feel it with your heart," and that's when it became easier to act. After that, I feel like I was able to take on the role of Gira more naturally throughout those days of filming.
Also, I think we showed "Gira two years later" in the new chapter partly through the visuals and direction, such as his costume and hairstyle, but I also wanted to play the role showing a more relaxed side in my own way.
-The wonderful thing about Gira is that he's always there for others-
What I was most mindful of throughout the year was definitely the relationship with Racules. I wasn't told of any future developments, so I was surprised when I read the scripts for episodes 41 and 42. Even though he's his older brother I played the role with a strong sense of, "Overthrow Racules!" I had heard during filming for episode 20 that he was going to reappear later, but I had no idea he was destined to carry such a cruel burden……That's why I was deeply moved by our joint fight scene in episode 42.
After that, in episode 43, I'll never forget the scene where we hold each other's hands. Compared to Yano-san, I think I'm still inexperienced in some aspects of acting, but I did my best in my own way, so I'd be happy if you could grasp the feelings the two of us have.
From episode 48 to the final episode, many of the cast members who've helped us in the past reappeared, and the motivation on set was even higher than usual. The main Director of the last three episodes was Kamihoriuchi-san, and the six of us who play the roles of the kings have absolute trust in the Director, but he's also someone who's uncompromising in his approach to the play, so I worked hard to "hang in there until the very end."
The final day of filming was the scene in the final episode where the six of us are untransformed. I personally didn't intend to be overly emotional just because it was the final take. However, when the Director said "OK!," the cast and crew involved in the production, including Yano-san, who wasn't supposed to be filming that day, gathered around. I thought, "So many people were watching over us" and became overwhelmed with emotion……I think I probably cried more than anyone else (laughs).
Looking back on all the episodes, I think that Gira was always portrayed as a character who stood by someone's side. He always tries to understand people's feelings, regardless of whether they're a king, retainer, or a citizen, and I thought it was wonderful to see that kind of attitude as I played Gira
As time goes on, please don't forget about Gira!
Watanabe Aoto (Yanma Gast)
-Yanma's coolness is the charm that Director Kamioriuchi possesses-
Currently, when I look back at Yanma from a year ago, I feel alittle embarrassed because he seems so childish (laughs). I've jokingly said to the staff on set things like, "I want to reshoot that scene," but on the other hand, I felt that it was a performance that only I, who had just encountered Yanma, could give. That's just how I feel right now.
As for my role, it was largely created together with Director Kamihoriuchi Kazuya. In the beginning, I read stories about real kings and books by various leaders, and I tried to express them through "moving performances." In response, the Director told me to, "Take a more confident stance," and from that point on, I had the image of, "Even if he doesn't say much, his coolness will be shown through his actions." To be more specific, Yanma has something in common with Director Kamihoriuchi himself. I think that the Director's charm as a person is reflected through Yanma.
What I remember well from early filming was the N'kosopa scene in episode 2. We spent the whole day filming in the cold during the middle of winter with the participation of members of the TTFC (Toei Tokusatsu Fan Club), and it truly felt like a king and his people overcoming their difficulties as one. Episode 2 in particular was the one where I read the script repeatedly after my audition, so I'll never forget the excitement I felt when I saw the finished footage.
Every episode is filled with memories, but the developments that take place two years later starting from episode 27 stirred me up. At first, I thought he was going to be alittle more mature and relaxed, but now that his hair was a blonde pompadour, I decided to play a more active role. In episode 35, when they all go to take back the invaded N'kosopa, I felt Yanma's growth compared to episode 2. The actual successful recapture took place in episode 39. During that time, for the main episodes of Hymeno, Kaguragi, and Rita, Yanma had many funny moments, and as I played him I thought that even though things were tough, he doesn't stay down, which is another cool thing about him.
-The fans are part of the production!-
When he was being manipulated by Hilbil in episode 44, the interaction with Gira had many homages to the past. Usually, there are many opportunities for Yanma to say something preachy, but in this episode it's the opposite, and Yanma catching Gira's fist is also a reverse pattern from episode 17.
Also, defeating Hilbil using the 10 combination King-Ohger for the first time in a long time was a hot development, and in the end, we both said the exact same lines as in episode 2, being, "Lowlifes like you…(-Gira), Should know your place…(-Yanma), On your knees! (-both)."
From episode 48 to the final episode, new assets have been created, and I think that the viewers will enjoy the spectacular visuals until the very end.
In the scene where the "King's Proof" is returned, only my mouth is shown, and the Director told me, "The love you've received is too great, so it's okay if you cry." I intended to act dignified, but those words were like magic, and I was immediately overcome with emotion.
Other hot developments include the reappearance of major characters, and the relationship between the kings and the people they're meant to protect is also noteworthy.
Even after all the battles were over, Yanma still had work to do, and I was able to play the role of Yanma, who's always looking forward until the end.
After working on it for a year, first of all, I'm relieved that filming was completed successfully, and I'd like to take this opportunity to express my feelings of "thank you" to the many people who supported us.
Personally, I believe that King-Ohger was created by everyone, and the fans are also a part of the production. I'd be happy if you could think of us six kings from time to time.
Murakami Erica (Hymeno Ran)
-The key to playing Hymeno is "how to deal with life"-
Hymeno has a selfish side, but if she shows it too forcefully, her position as a king will be in danger. Of course, it's not just being selfish, and the reason was depicted in episode 3, but reading the script and actually doing the performance gave off a different impression, so I explored this through the opinions of the people on set and through interactions with the cast. Also, after learning about the setting in which her parents were murdered in episode 7, I thought that Hymeno's key point was "how to deal with life."
I was acting without knowing what was going to happen next, but it was interesting to see things in a different point of view once all the facts were known, such as the foreshadowing of the anesthetic in episode 8 being revealed in episode 42. It was like reading a serialized manga, and there was a competition among the cast to see who would get the new script first (laughs), and the person who got it first would upload a photo of the script to our group chat.
Personally, my favorite episode was episode 28. I had alot of conversations with Kaku So-san about playing Kaguragi, and I was able to see a side of Kaguragi that I had never seen before, and I think we were able to deepen our understanding not only of our characters, but also of the cast. Other than that, I also enjoyed episode 36. The matchmaking competition was hard to endure because everyone was trying their best to make me laugh, like Yanma's weird face when he was being controlled by Jeramie (laughs). Also, Hymeno, who was being impersonated by Kamejim, casually crossed her legs even though she doesn't usually do that. The uglier the fake becomes, the brighter the real one shines, so I was conscious of the gap between the two while concealing her true identity.
When I got involved with Rita in episode 5, Director Kamihoriuchi Kazuya told me, "I want you to perform the role of Hymeno as if she's aware Rita will be hard to deal with." At first I thought, "Hymeno and Rita are incompatible, huh," but as they got closer and closer through Moffun and the "Wrath of God," I feel that they've become a very special person to Hymeno. That's why when Rita came to Ishabana in episode 30, Rita may have just been fulfilling their duties, but I thought it was cute that they misunderstood that Hymeno had gone out of her way to meet them. To be honest, I was pretty excited to film the tea scene (laughs).
-I was lifted up by Hymeno's inner strength-
The existence of Grodie, the enemy of her parents, was revealed in episode 30 and defeated in episode 47, but before that, I personally thought episode 46 was important. Jeramie decides to use his"King's Proof" to give life to the immortal Grodie, and Hymeno accepts his decision. There's a conversation between the two of them where they said, "It's okay to cry" and, "I'll ruin my makeup." The script was based on the answer I gave to screenwriter Takano Minato-san when he asked me, "What do you want to do?" I suggested that if a little girl was crying and Hymeno came to her, she might say something like, "What a waste of a pretty face" or "Your mascara will be ruined" to keep her positive. When I opened the script, I was surprised to find that she wouldn't be crying, but I was happy because I wanted to show Hymeno's strong will!
In the end, it was an "all star" effort, and I was thrilled that she was reunited with her parents in episode 49. Although the scene took place while both of them were concentrating on providing treatment, they were able to communicate without having to talk, and I felt a sense of closure within Hymeno. In the final episode, it was cool to see everyone stand up against Dagded, there were some unexpected surprises, and we were able to reach a truly wonderful ending.
All 50 episodes are filled with the passion of the cast and staff, and I think that no matter which episode you watch, you won't be disappointed. During all this, I myself was lifted up by Hymeno's inner strength, and I'm so glad that I was able to work with all the cast members until the end. I hope to see you again in the future, such as the FLT, so please continue to support us!
Hirakawa Yuzuki (Rita Kaniska)
-Playing the role of Rita by moving their "mind" with their whole body-
The role of Rita is an "immovable" character, so the performance doesn't focus on movement, and their face is visible only through their left eye and you can't see their facial expressions, so it was difficult in the early days of filming. The solo performances were particularly difficult. In episode 12, there's the trial scene where Jeramie is listening to them, but since only my eye was visible, I was concerned that my blinking or the direction of my gaze might convey nuance that I didn't intend. At that time, Director Kamihoriuchi Kazuya gave me advice of, "If you perform by moving your mind with your whole body, it becomes an expression, so you don't have to be caught up in performing with only your left eye." This gave me confidence and made me think, "Maybe there's more I can do."
When talking about Rita, their relationship with Hymeno is also important. In addition to being king, Rita has the role of Chief International Justice, so there was a part of them that drew a line between themself and others, but after the interaction with Hymeno was depicted towards the end of episode 16, Rita was able to separate their work and private life, and the areas where they could express themself gradually became clearer. I thought that when they had tea together in episode 30, it was another scene that brought them closer together.
Also, Karras and Shiron are like parents to Rita. In episode 16, we learned some of Rita's past, which I thought could be reflected in future performances. After that, everything came together in episode 30. When I read the script and learned of Shiron's death, I was personally shaken, and during filming, I was able to fully feel Rita's feelings while acting. Also, while they were determined to seal Grodie in this episode, Hymeno stopped them from doing so, and it reminded them once again of how valued they are. Episode 30 is an unforgettable episode, not only because of their relationship with Hymeno, but also in the sense that Rita became stronger after preparing to die.
-It was a year of pursuing the role of Rita that I envisioned-
I was very happy to receive lots of feedback on SNS for the Idol episode.
The stage scene was only about two lines long in the script, but the set they created was so beautiful, so I went into filming thinking, "I hope the viewers will enjoy it."
It was the most difficult time for me, learning dances and recording at the same time as filming, but I have the impression that I did my best as "Hirakawa Yuzuki" in this episode, even though I was playing Rita.
Towards the end of episode 45, it was very exciting to see Kaguragi and Rita, who had never had a chance to really interact before, working together. Since we often filmed separately, when we met, Kaku So-san and I would report to each other with, "How did that scene go?"
I was also impressed by the scene in episode 48 where they launch the evacuation plan "Zero." It was really hard even for me to admit that they couldn't defeat Dagded, but I think that's just how much I got into the role.
At the end of the story that spanned a year, six people with very strong personalities come together, and if just one of them were missing, the story could not be completed, so I think it concluded in a way that was truly typical of "Ohsama Sentai."
Looking back, I had wanted to play the role of Rita since the audition stage, and being able to pursue my own vision of Rita for a year was an invaluable and truly precious experience.
Now that filming's over, I feel sad, but I hope that people will look back on the show after it's finished airing, and I hope that it grows into a show that'll continue to be loved forever.
Kaku So (Kaguragi Dybowski)
-Until I did the difficult role of deceiving and tricking people-
In the beginning I was told that the role of Kaguragi was a character that deceives and tricks people, but at the same time, the Producer said, "Please don't make him someone that people dislike," and I thought, "No, that's going to be difficult" (laughs). In a way, Kaguragi has conflicting aspects, but in episode 4, the resolution within me improved, and I began to enjoy playing the role more.
Also, the "Hweh?" response when he's acting silly in episode 8 wasn't specifically written in the script, and when I first tried to just do the facial expression, Director Yamaguchi Kyohei said, "I want it to have alittle more impact," so I also added the voice. It's thanks to the Director that I was able to emphasize his personality.
Then there's the relationship with his younger sister Suzume. Kamura Mami-san, who plays Suzume, had such a convincing performance from the first day that it made me think, "That's Kaguragi's sister," and through her I was able to bring out the comedic side of my performance alot more.
All the episodes are memorable, but if I had to pick one main episode for Kaguragi, it would be episode 37. While I've always played the role that rides the line between good and evil, that episode gave more weight to the fact that he carries a tragic past, and I myself became more fond of Kaguragi. The honest and pure Kaguragi I played in the flashback scenes are literally just me (laughs), so it was easy to do. His voice is usually deep and threatening, but at that time I tried to show his "difference" by using a tone that was closer to my actual self.
It was also interesting to perform the scene where he and Racules, played by Masato Yano-chan, were trying to expose each other's secrets. However, I wasn't sure about their relationship, and one time when I asked Yano-chan, "Do you know when they'll become friends?," he left me hanging with, "No, I don't know" (laughs). I first found out about their backgrounds when I read the script for episode 42. In retrospect, he was mostly absent in episode 36, was he perhaps discussing things with Racules behind the scenes? The line at the end of episode 37, "Let's take the dirtiest road ahead from now on," was also foreshadowing.
As for Kaguragi, he probably believed in Suzume and followed Racules, and I believe that he carried out his own will even though he was prepared to be deceived.
-Even now, Kaguragi's in my heart!-
Towards the end of episode 45, it became a main episode between him and Rita, someone he had little chance to interact with up until then. It was a new experience for me to work with Yuzuyan, and we enjoyed each other's presence. The scenes where they both communicate their feelings were performed separately because I spoke to their partner Morphonia, but even though they weren't in the same space, it was really cool to depict that they shared the same mindset. Kaguragi may be deceiving on the surface, but deep down, he just wants to make people smile, and I was able to portray that side of him.
The final episode completes the story, but there's also some room that allows you to use your imagination, which is what I like about it. If it ended properly, that'd be sad, wouldn't it? During filming, I worked hard until the end, but I'm personally the type of person who likes to joke around and have fun while doing it. I'm glad that we were able to spend time in a cheerful atmosphere until the very final moment.
Even after all filming finishes, I still have many more opportunities to play Kaguragi, including performances at Theater G Rosso and the FLT, and I still feel as if Kaguragi is in my heart.
Having a stance like Kaguragi's may not be easily rewarded, but I think it's filled with what's important for people to live their lives.
Whenever you feel like giving up or are having a hard time, I'd be happy if you could remember Kaguragi and think, "Let's do our best!"
Ikeda Masashi (Jeramie Brasieri)
-Jeramie, who's been alive for 2,000 years, shows his "composure"-
In my situation as Jeramie, I started out as the narrator, so my job began with voice recording. The other five had already started filming, and looking back, it feels nostalgic, as when I first greeted them, I was overwhelmed by their flashy costumes and everyone's aura. I made my first appearance as Jeramie at the end of episode 11, where I was suddenly performing with a mask on.
My real appearance began in the next one, episode 12, and since his character is set to have lived for 2,000 years, I thought I should have a certain amount of freedom in my performance. At the time, I still wasn't used to being on set, but it's not good to get nervous, so I just gave it my best shot. I was really happy that everyone was willing to talk to me during this time. Thanks to them, I was able to open up right away.
In the beginning, I think Jeramie was a character who he himself was hard to read between the lines (laughs), but as the story progressed, his growth was also depicted, which I personally found very rewarding to perform. In particular, I think that episode 26 was a turning point for Jeramie. Just before Desnarak VIII dies, the scene where they exchange the lines, "You'll become king, and make them see, that the Bugnarak are here" and, "You'll be there too……" is one of my favorites in the entire show. Desnarak VIII is family, as they share the same name "Narak," and the, "You'll be there too" was an expression of his feelings that he didn't want him to die, as Desnarak VIII's existence was a major factor in Jeramie's resolution to become king.
-The final episode had a perfect conclusion and everyone was satisfied-
After entering the new chapter, in episode 29, there was a scene in which I play a major role as the mastermind behind everything. It was difficult to find the right balance, but I acted with so much enthusiasm that I was willing to yell at everyone. As Jeramie, I wish for peace more than anyone else, as I want to protect everyone at the expense of myself, so I faced the situation as best as I could, which was both noble and heartbreaking.
Then, in episode 31, everyone fought to clear my (Jeramie's) name. I feel that Jeramie, who has been lonely for such a long time, had finally made true and kind friends. Also, the line "I love you" that he says to his mother (Nephila) in this episode really moved me. In episode 12, for those words he said, "There's no phrase in this world that's more cliche," but I didn't realize he would capture that foreshadowing so effectively.
There's a scene where he fights together with his mother towards the end of episode 49, and I'd like the parents who watch the show to pay attention to the relationship between us as parent and child.
Also, in episode 47, it was really intense when Grodie was given the "King's Proof." For Jeramie, the "King's Proof" is "eternal life," so he'll no longer be immortal if he uses it……The determination to reach that point was no ordinary feat, and it must've been very worrying. That's why the scene where Jeramie talks with Hymeno in front of the setting sun after making up his mind left such an impression on me. Marie was able to convey her thoughts clearly, so I was able to naturally get into the role, and I think the two of us were able to create a performance that worked well together.
The final episode perfectly portrayed Jeramie's role as the storyteller, which had continued from the first episode, and the story comes to a perfect conclusion based on what had happened so far. I was talking to everyone on set, and deep down, we feel we were able to end the show properly.
More than anything, I'm really satisfied that I was able to spend a year with this group. Throughout the year, I'm sure each of us had our own hard and painful times, but seeing everyone's faces on set made me feel at ease. I'm very grateful to the five of you who played the roles of king.
Ohsama Sentai King-Ohger: The Kings Group Discussion Over the past year of filming, the bonds of the cast have gradually deepened. Looking back on filming, we asked them about their "true opinions" that they can only talk about now.
-Fun memories from the past year-
Kaku: The first topic is "fun memories." Does that mean the casual conversations we all had while filming? (laughs). We all talked in the moment and everyone would laugh and go "wahaha" alot.
Hirakawa: On the other hand, filming alone made me feel really lonely. It was natural for me to be with everyone else.
Murakami: It was part of our daily routine to go out and eat with everyone after we finished filming. It was fun~.
Watanabe: Also, the day before the broadcast was part of the fun!
Sakai: It's really exciting to see your own performance on screen. And then there were the reactions after the broadcast.
Hirakawa: We were popular every week on SNS.
Kaku: Each time, the character with the most active role would be trending.
Ikeda: For me, the recording sessions were also fun.
Murakami: I'd see footage for scenes I wasn't in for the first time during the recording, so that was alot of fun too.
-The many true selves that everyone's seen-
Murakami: After spending time with everyone, the first thing that surprised me was that Taisei actually likes to play pranks.
Sakai: Eh? I've never played one once.
Kaku: That's a lie!
Murakami: You did stuff like add wasabi to our kaisendon (laughs).
Hirakawa: It was really spicy! (laughs).
Murakami: Or before our cue, you'd shout, "Whaa!" from behind us.
Sakai: I never did that~
Ikeda: Yes you did~
Hirakawa: He did that to me too (laughs).
Murakami: It was also abit surprising that Aoto, who I thought was cool at first, would also mess around.
Watanabe: Eh? Really?
Hirakawa: It's also surprising that he pretends not to know. Actually, he's "in charge of being cute" (laughs).
Murakami: Yeah, "the person in charge of being cute."
Watanabe: When I first learned about the cast of the kings, I thought I was going to be the "cute one" (laughs).
Hirakawa: That's what we're saying!
Sakai: For Marie, even when we were filming late at night and everyone was tired, she had a fun aura surrounding her.
Kaku: Her jokes were amazing. We listened to these awkward jokes as we continued to perform at other sites.
Murakami: My nickname became "Mood Breaker."
Watanabe: Eh? This is my first time hearing that!
Murakami: Are you a liar?
Watanabe: That's a really straightforward insult! (laughs).
Murakami: Ahahahaha.
Sakai: The usual pattern is that Marie suddenly says something strange and everyone laughs.
Murakami: At first, I thought, "I have to do this properly," but halfway through I gave up (laughs).
Hirakawa: No, you gave up early on.
Murakami: Ehehe (laughs).
Kaku: For Masashi, he tried his best in the beginning to join in, but soon the two of us started speaking nonsense in our dressing room.
Ikeda: Conversations where you turn off your brain.
Kaku: That's it (laughs).
Watanabe: Definitely, when I passed by Masashi's dressing room, I often heard his voice from inside.
Ikeda: I have a loud voice!
Watanabe: Not a single sound came from the dressing room me and Taisei shared (laughs).
Sakai: You two seemed to be having fun.
Murakami: Yuzuyan is the youngest of the members, but she's like an "older sister" in some ways.
Ikeda: Yeah, she has the image of a caring person.
Kaku: Still, you're the youngest in your family, right?
Hirakawa: Yes!
Watanabe: It's fine now, but when we first met, she wouldn't even look me in the eyes (laughs).
Hirakawa: I'm a shy person, but I usually talk alot to hide my shyness. However, I was really nervous at the beginning of King-Oher (bitter smile).
Watanabe: And now, you're a lively person!
Sakai: I'm also from Kyushu, so I felt a sense of familiarity from the beginning. That's why I don't think you had any major changes from beginning to end, right?
Hirakawa: But, at some point, I started speaking with a dialect.
Sakai: Ah, that's right.
Murakami: Yuzuyan gave her all from the beginning.
Hirakawa: That's because Kaku-san, the oldest of our group, affectionately embraced all of us.
Kaku: Yeah! Say more of that!
Ikeda: Because of that, there was an atmosphere on the set where we could talk about anything.
Sakai: He really brought the five of us together.
Kaku: That makes me happy! Thank you (laughs).
Murakami: How cute~
Kaku: No, this is seriously embarrassing.
Hirakawa: (to Watanabe) Aren't you in charge of being cute?
Watanabe: (laughs).
Kaku: Conversely, I was saved by everyone's good character. That's why I wanted to support everyone. I've always felt that way.
-Feelings I want to share with everyone now-
Kaku: If we were to take this opportunity to say a few words to everyone, I'd first start with Masashi. Thanks for always messing around with me!
Watanabe: I hope Masashi will continue to do well with his friendliness.
Sakai: I want to work together again with you even after this job ends!
Hirakawa: I really appreciate the way you always looked out for everyone during filming.
Murakami: When we all go out together, he takes the initiative to invite us. Thank you for creating so many memories.
Ikeda: Eh! I'm so happy! Marie has always been cheerful, and I hope she continues to do her best with her cheerful and beloved character!
Murakami: Yeah! I'll do my best!
Watanabe: I hope you keep that smile on your face.
Sakai: She has the kind of character that I wish I had as a childhood friend or something. You always had a smile on your face and brightened up the set.
Kaku: For her performance, in the Hymeno episode (episode 36), Hymeno, who was being impersonated by Kamejim, was really interesting. I'd like to see a performance like that in a different production.
Hirakawa: Marie has always supported me with her "harmonizing" spirit. On the other hand, from now on, I hope to be able to help her as much as possible.
Murakami: Yuzuyan is the one who has always been there for me. I think that's her strength, and I hope she continues to be there for many people.
Hirakawa: Of course! Thank you.
Kaku: Despite being the youngest, she was the hardest worker in our group. During the idol episode (episode 38), even though she was having a hard time during filming, she simply said, "I have to practice tomorrow and the day after tomorrow, and then the day after the day after tomorrow I have a costume fitting." That's what gave me courage and energy.
Watanabe: She was more aware of her surroundings than anyone else. You helped me there too.
Sakai: That's right. When I was alittle out of the loop, she'd casually come over to me.
Watanabe: I'd say it's okay to think for yourself from now on.
Ikeda: Right, take care of yourself more.
Watanabe: Be selfish.
Hirakawa: Well then, I guess my goal is to be Hymeno (laughs)
Murakami: For Kaku-san, when the time came, he'd show off his "dependable big brother" nature.
Ikeda: He's got a heart as generous as the universe itself.
Hirakawa: I asked Kaku-san for alot of advice during filming, and he always listened to everything. I'm sure I'll be asking him for advice again in the future.
Kaku: Please do, please do!
Watanabe: When I got heated, he'd calmly give me advice from an adult's point of view. I also got alot of advice from him.
Sakai: I'm not the type of person who can talk to others about things, but there were times when Kaku-san sensed that I was at a loss and approached me. That made me really happy.
Kaku: I was alittle worried that you'd all think, "How annoying" (laughs).
Murakami: Aoto seemed like he was laid back, but even when times were tough or difficult, he always made it a point to help liven up the mood.
Ikeda: Usually, Nabe-chan and I notice the same things. We'd both go, "Hmm?"
Watanabe: That's true! (laughs).
Ikeda: That made me happy.
Kaku: Also, he had a super funny and cute character. He made me laugh so much.
Hirakawa: In the beginning, I wasn't the type to talk much, but I was happy to open up to Aoto!
Sakai, Murakami, Kaku & Ikeda: Right?!
Watanabe: No, I think I opened up first.
Hirakawa: We opened up to each other. At first, I thought we'd never get along (laughs).
Watanabe: Eeeh~?
Hirakawa: I kept watching you from different angles, and then you spoke up unexpectedly. I spoke up too.
Ikeda: Such words! (laughs). (*she used alot of onomatopoeia)
Sakai: Aoto and I are the only ones who are the same age.
Ikeda: That's true
Sakai: Especially in the pilot (episodes 1-5), I still wasn't used to things, but I was really inspired by Aoto's good acting.
Watanabe: No, on the contrary, I was focused on Taisei.
Murakami: Taisei had a huge burden on his shoulders as the main character, and it must've been extremely difficult for him, but I thought it was really amazing that he didn't come off that way at all.
Ikeda: Yeah, I definitely respect that.
Hirakawa: You must've had a much harder year than us. Still, you never said "It's tough" or, "I'm tired" at all.
Sakai: No, there were times when it was tough.
Hirakawa: It's amazing that you never showed it.
Kaku: Taisei had alot of trial and error in the beginning, but halfway through, I learned alot from him, including how to switch between emotions and how to act. What'll happen when you play a different role in the future? Right now, I'm very excited about Taisei, and wonder what kind of actor he'll become in the future.
Murakami: After all, he's the "leader."
Ikeda: Thank you for being the leader of King-Ohger!
Sakai: Same here, thank you everyone!
Murakami: Even after this job ends, I want to see you all again.
Watanabe, Hirakawa, Kaku & Ikeda: We'll definitely get together again!
Retainer Cast Special Comments From the cast members who fulfilled their roles as competent followers, supporting the kings of each country, their comments have arrived.
Morioka Yutaka (Douga) Profile: A strong retainer who served as part of the entourage for Racules. After that, he went job hunting in the other countries but wasn't hired, so he became the retainer for the next king, Gira, and protected the country.
"Please tell us what you respect about Douga."
Morioka: He's someone who values etiquette, does his absolute best in everything he does, and lives his life honestly through his own convictions. He has a strong will that allows him to sincerely offer advice to his king, but I also like the fact that there's a part of him that's somewhat out of the ordinary and we get a glimpse into his cute side.
"What are your impressions of Gira and Racules (including Sakai Taisei and Masato Yano), and were there any memorable moments during filming?"
Morioka: I think that both of them have a perfect link between their own personalities and those of the roles they played. Sakai Husty-sama is kind to everyone, and his natural side that's visible in his hard work is endearing, which makes me smile when I see him on set. Yano Husty-sama built his performance with great delicacy and precision. He truly is Racules. Their appearance have a certain "aura" that allows me to be their retainer without forcing myself to be aware of it.
"Give a message to the character you played!"
Morioka: Douga, you must be exhausted from the many things you had to do to support your country and family…..Sometimes, it's good to spend time relaxing and not think about anything.
"What was your most memorable moment in King-Ohger?"
Morioka: It'd be episode 21, the episode where Douga's job hunting. I have fond memories of the staff working together to support me to the best of their ability, even in the silliest scenes, including the wonderfully strange costumes and props as I traveled around each country. Then, after the short but intense performances with the other retainers of each country, there was the serious last scene with Gira-san. It was great and I'm truly grateful.
"A message to all the retainer members of the other countries!"
Morioka: Shiokara, don't address the kings with "you." Sebastian, despite your appearance, I'm in awe of your physical ability. Kuroda, I'd like to learn from you your excellent fighting skills. Morphonia, you should try to be alittle more motivated everyday. (*form of "you" meaning you're inferior to the speaker)
"Please give a message to the fans of King-Ohger."
Morioka: This was my first time participating in the Super Sentai series, and I was surprised and moved by the amount of energy and love shown by all the tokusatsu fans, and I was able to make it through this because of everyone's support. I can only express my gratitude. Your words on SNS and other sites have been well received. Please continue to love King-Ohger!
Chiwata Yuhei (Shiokara) Profile: When they first met, he saw Yanma as a yankii with a bossy attitude, but admired him after learning of his manly spirit. After that, as Yanma became king of N'kosopa, he became his retainer.
"Please tell us what you respect about Shiokara."
Chiwata: There's alot, but the most important would be his charm. You could call it junior colleague energy, but I think he's good at building relationships and closing the distance with people. I was never good at such things, but as I got older, I began to realize the importance of it and started to practice, and little by little, my weakness turned into my strength. However, I'm still not as good as Shiokara-kun, so I'd like to use him as a reference (laughs).
"What are your impressions of Yanma (including Watanabe Aoto), and were there any memorable moments during filming?"
Chiwata: I feel that Yanma is a character whose emotional growth was depicted throughout all the episodes. I think it's cool that he's able to calmly, sometimes violently, confront everything that happens to him, and then use what he learns from it to take the next steps in his life. I think this is also due to Aoto's acting ability, so Yanma and Aoto are one and the same! The most memorable moment was in episode 10. I still vividly remember thinking that the way he created the atmosphere of the scene was wonderful, just like Aoto.
"Give a message to the character you played!"
Chiwata: Thank you so much for your hard work! Keep up with the most coolest Yanma-kun and follow him wherever he goes!
"What was your most memorable moment in King-Ohger?"
Chiwata: It's episode 35. I was very happy that Shiokara's character, which had been built up, was given depth, and that his past of being very different was depicted. It was a really hot development, and as an actor, there were many scenes that required alot of passion, so even preparing for it was fun. Until the actual performance, I would read the script everyday and think, "How would Aoto react if I did this?" Normally, I don't discuss the scripts with Aoto, so imagining it was part of the fun. What's more, we wouldn't know the title of an episode until the week before it aired, so when I saw the title, "Don't Cry Slack Jawed Tanuki," I was moved. The last bit of the episode was a perfect fit. Furthermore, I was overwhelmed with emotion when I heard that it was (screenwriter) Takano Minato-san who came up with the idea. I was also very happy that this episode won a special award at the "Toei Tokusatsu Fan Awards 2023."
"A message to all the retainer members of the other countries!"
Chiwata: Originally, I don't think the Super Sentai series featured so many sub characters. This is because there are already six members making up the main cast. However, I think the reason why the retainers have become so beloved is due to the fact that we all played appealing characters, and continued to support the main cast, who played the kings, in different ways in each country. This resulted in the popularity of "retainers". And for that, I'm grateful. Thank you so much!
"Please give a message to the fans of King-Ohger."
Chiwata: First off, thank you so much for sticking with us for the past year. I still think about how fortunate I am to have been involved in this production in the long history of the Super Sentai series. It was a great experience for me to see everyone's excitement online every week, and to then go to the set feeling like I was carrying everyone's voice with me as I performed. In this show, each character stands out, and I've seen the characters moving freely in everyone's minds through fanart, and I feel that this was a production that has been truly loved by everyone. There were alot of things that made me feel like, "Ah! I see, I definitely think Shiokara would say that! I think I'll do it! I want to play Shiokara like this!," and they were alot of fun to see. I also felt a real love for the people who participated as extras and prepared costumes for the different countries. Thank you so much. The Super Sentai series is revised every year, but I hope that King-Ohger will remain in your hearts forever. And, for those of you who are children now, I'd like you to go back and watch it again when you grow up. I'm sure you'll see it differently. Until then, let's meet again soon!
Yoshimitsu Hiroto (Sebastian) Profile: His real name is Romane Dearborn (aged 25). Under orders from Hymeno, he was given a "butler looking" elderly appearance through special makeup, and changed his name to "Sebastian" when he became Hymeno's retainer.
"Please tell us what you respect about Sebastian."
Yoshimitsu: I think that Sebastian's willingness to fulfill any of Hymeno-sama's selfish requests is worthy of respect. Sebastian's life was saved by Hymeno-sama, so he must be absolutely obedient to her orders. Well~ I think Sebastian understands the kindness and compassion that goes beyond Hymeno-sama's selfishness.
"What are your impressions of Hymeno (including Murakami Erica), and were there any memorable moments during filming?"
Yoshimitsu: I think that Murakami Erica-san is an impeccable young lady. There are no complaints when it comes to her appearance. She's bright and has a great personality! In addition, she's positive. Even when she's depressed because the performance isn't going as well as she'd like, she doesn't let it get her down, saying, "I've gained this experience, so I can use it in the next performance." In the first place, I don't have time to hold back (laughs). She had a hard time sitting down on set. When I asked her to "sit down," she replied, "Because all the extras are standing, I can't sit," which shows just how considerate she is. She's a really good kid!!
"Give a message to the character you played!"
Yoshimitsu: When playing Sebastian, my hair is slicked back, I wear glasses, and I have a mustache. His appearance is balanced by the fact that he wears a tailcoat, but while in casual clothes, with his "slicked back hair, glasses, and mustache," wouldn't he stand out? On the train ride home from the set, there wouldn't be that many people who'd sit next to me, right? (laughs). Well, that's because I did ride the train looking like that.
"What was your most memorable moment in King-Ohger?"
Yoshimitsu: Was it episode 25 with the 20 person combination? If I'm remembering right, I rode in God Scopion. It was a fresh new experience for me, both the cockpit and the controls. Also, episode 36, where Romane Dearborn appears, personally left a deep impression on me. It was Sebastian with his special makeup removed. We find out how the super handsome Romane Dearborn ended up in the special makeup, and why he serves Hymeno-sama as a butler who changed his name to "Sebastian"……It's my favorite episodes because it depicts the bond between Hymeno-sama and Sebastian.
"A message to all the retainer members of the other countries!"
Yoshimitsu: To all the retainers, thank you so much for getting along with me. Douga-san and Boshimar-san are relatively closer in age with me, so when filming ended in the evening, we used to go out and drink alot. Morphonia-chan was my partner who liked to talk with me alot about old man stuff. I also talked to Shiokara-kun and Kuroda-kun about various things. From now on, please continue to support Sebastian!
"Please give a message to the fans of King-Ohger."
Yoshimitsu: Thank you very much for your support of King-Ohger over the past year. No matter how interesting a show is, it's not complete unless everyone watches it. This time, King-Ohger has been seen by so many people, and I think everyone involved in this production feels happy. If it remains in your heart and you remember it someday, King-Ohger will live on forever!! Thank you so much.
Hasegawa Kasumi (Morphonia) Profile: She's Rita's retainer and candidate to ascend to the throne as Gokkan's king. While she has a lazy personality, she's always concerned about Rita and never gives up on her work despite complaining.
"Please tell us what you respect about Morphonia."
Hasegawa: Even though she complained about it, no matter how difficult the environment or situation was, she was able to do her job. And, she never gave up on communicating with Rita. If it were me, I would've given up halfway (laughs). I also respect her quick thinking and ability to look ahead. She's a surprisingly capable kid (laughs).
"What are your impressions of Rita (including Hirakawa Yuzuki), and were there any memorable moments during filming?"
Hasegawa: I think Rita was and still is an interesting person. It's great that we're able to see them in many different situations, with the self they show on the outside and the real them. They're pure in a good way. When I first met Yuzuchin, I thought, "Waaah! It's Rita!! Rita's appeared!!" (laughs). When you talk to her, she's even friendlier, kinder, and more dependable than Rita. My partner. Also, I guess our most memorable moment was……the kabedon. I couldn't stop laughing (laughs).
"Give a message to the character you played!"
Hasegawa: When Chikyu is at peace, please relax and enjoy eating oranges under a kotatsu. Make sure to apply for paid vacations and eat lots of delicious food. Also, please continue to support Rita.
"What was your most memorable moment in King-Ohger?"
Hasegawa: It's episodes 10, 25, 38, and 45. I was impressed by the gradual deepening of her relationship with Rita. While reading the scripts, I felt that the way Rita and Morphonia relationship grew closer was very endearing. I remember that even when I was actually performing, there was a warm feeling within me. And the more we filmed these scenes, the more I came to love Rita.
"A message to all the retainer members of the other countries!"
Hasegawa: Douga-san, We look forward to welcoming your career change at Gokkan any time. Boshimar-san, I've had almost no interactions with the real Boshimar-san, so let's meet in Hakabaka if you get a chance. When the opportunity arises of course. Shiokara, I've been curious about this for awhile now, but what's up with your curly bang? Sebastian, you've been a great help to my Rita. Thanks for your continued support. Kuroda-san, next time, please treat me to some delicious food. Gerojim, you're alittle bigger than the others, so please consider your range when moving. That tail will hit you.
"Please give a message to the fans of King-Ohger."
Hasegawa: Thank you for supporting King-Ohger up to this point! Even though there were many strong "personalities" among the kings, they were able to reach the same goal in the end. Through this production, I also learned the strength of valuing one's own individuality and respecting the individuality of others. I hope that King-Ohger, which was created by many people including myself, will remain in everyone's memories. And with that, see you later!!
Kanzaki Hajime (Kuroda's Actor) Profile: A male kuroko who serves as the retainer to Toufu's king, Kaguragi. Although his face isn't shown, his movements are gorgeous and he's got a very nice voice.
"Please tell us what you respect about Kuroda."
Kanzaki: It's possible that he's known Kaguragi for a long time, but since becoming his retainer, he's kept the "king and retainer" relationship, and has been thinking and acting in accordance to his position as a kuroko. He's sometimes missing, but he has a cute side. And, he has a nice voice (thanks to Toriumi Kosuke-san!).
"What are your impressions of Kaguragi (including Kaku So), and were there any memorable moments during filming?"
Kanzaki: He's big! Of course, he's also tall, but his muscle mass and costume makes him look even bigger. In his spare time, he does muscle training with Masato Yano-san and others, and he'll work on his shoulders using a folding chair, so he's definitely stoic! Other than that, when the Director gave me the "OK" for a take in the film where I use a trampoline as Kuroda, he was happy and said, "You did it!" He's a magnificent man, not only with his body but also with his kind heart, it's as if he's Toufu's mother nature!
"Give a message to the character you played!"
Kanzaki: I read somewhere that originally there was no role for "Kuroda," but I started speaking lines along the way, and I'm grateful for this blessed year. Once the matter with the Uchu King has been settled, please take a good rest.
"What was your most memorable moment in King-Ohger?"
Kanzaki: It's episode 9, where I spoke as Kuroda for the first time. It was also fun to mess around with the other retainers! As for Toufu, it would be episode 37. It was like a Taiga Drama that condensed Kaguragi's past, which had been told little by little in the main story and the film into this one episode, and I was relieved that abit of Kuroda's past was also revealed.
"A message to all the retainer members of the other countries!"
Kanzaki: Boshimar-sama (Fukuzawa Jubun), I have fond memories of being mistaken for (Masato) Tsutamune-san when I first met him (laughs). He has a strong passion for acting, and I learned alot from him. I got goosebumps when I played the role of a soldier against him! Douga-sama (Morioka Yutaka), It was great that you got to play the role of a handsome old man with a family. On the other hand, when you were being interviewed in various countries, you were really funny and your actions were cool! Your style is good! Shiokara-sama (Chiwata Yuhei), He was always thinking stoically and calmly about how to make the viewers happy, which was a great inspiration! His style is good! Sebastian (Yoshimitsu Hiroto): Thank you so much for talking to me in your spare time and for thinking about a bunch of ideas for the flow of the performance on set! It's a pity that you couldn't do a backflip……If the opportunity arises, let's film it! Morphonia-sama (Hasegawa Kasumi), She had a "floaty" vibe, but she knew what was expected of her and was very stoic on the inside. It was wonderful to see her naturally embody what a senior colleague once told me, "Create fans among the staff." It's a pity that she couldn't do a back handspring……please do it if the opportunity arises! Gerojim-sama (Saitou Kenya, Suit Actor), With Gerojim's arrival, the retainer team became even more lively. The delicate acting that linked Seki Tomokazu-san's voice with his large body was wonderful! It's a pity that you couldn't perform a reverse somersault……If the opportunity arises… (laughs).
"Please give a message to the fans of King-Ohger."
Kanzaki: Everyone, thank you so much for supporting King-Ohger. It was a very meaningful year for me, as I was able to see the scenes in a different way than usual in the Action Club, I was able to appear on TikTok while rubbing shoulders with talented performers, and I was able to become part of the merchandise. Thank you so much for your letters and presents as well! I'll study so that I won't have any trouble when Kuroda appears again, thank you for your continued support!
Seki Tomokazu (Gerojim's VA) Profile: He's a Kaijim equipped with mayfly BNA and can mimic the appearance of humans by applying light refraction. He's currently working with Jeramie, who has become the king of the Bugnarak.
"Please tell us what you respect about Gerojim."
Seki: Ultimately, I think it's his unwavering faith. Even when he's lost, troubled, or frustrated, in the end, he tries to follow through with his beliefs. I respect his heart and attitude, which is like a blue flame, quiet but never extinguished.
"What are your impressions of Jeramie, and during recording, were there any episodes with memorable moments?"
Seki: First of all, I'm disappointed that I didn't get to work with Ikeda Masashi-san, who played Jeramie, even once during recording. When I saw Jeramie's performance during the broadcasts, I felt that his soft demeanor, intelligence, and his somewhat lonely appearance were all wonderful. I'd like to directly talk with him in person someday!
"Give a message to the character you played!"
Seki: I'm so glad you found a nice place to belong. I hope you'll feel safe and secure at Jeramie's side for all eternity.
"What was your most memorable moment in King-Ohger?"
Seki: That we were all able to ride the Shugods with the kings! I've ridden in Robo's as an enemy in previous productions, but I think the opportunity to ride a Robo in the Super Sentai series is very valuable! Even though it was just my voice, it was great to feel like I was in the fight with them!
"Please give a message to the fans of King-Ohger."
Seki: This year has flown by! I'm sure that everyone else feels the same way. However, I believe that the story will continue! Please continue to support King-Ohger, and let's see where we end up, together!
#I teared up alittle#plus everyone's so beautiful (I'm in shambles)#ohsama sentai kingohger#kingohger#super sentai#gira husty#yanma gast#hymeno ran#himeno ran#rita kaniska#kaguragi dybowski#jeramie brasieri#my scans#my translation#tokusatsu#toku cast#kingohger cast#king of kings pb#ohsama sentai king ohger#king ohger#also no wig kaku is weirder than no wig marie#even if just alittle he should grow it out for real
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