#but there are more people. so presumably more stuff?

[canmom]

yeah, for sure!

it's a portal system, where the playing field is level, meaning there's loads of stuff getting posted and you just have the contents of that box to entice someone to try your story - there's no blurb for them to look at, and of course, here these ads are being shown while you're reading another story so they have only seconds to intrigue you enough to pop it open in another tab. in that context, simple is better! it's the same reason (I imagine) so many Japanese web novels on shōsetsu spell out their entire premise in the title...

a lot of the tools available to printed books aren't available to web novel authors. you don't have a blurb. you don't have famous authors or critics to provide pull quotes about how important or profound the book is. you don't have the style of the binding, communicating what type of novel you have in your hands, or how physically long it is from the spine. with such limited information... well, memes win right? they're a format optimised for rapid communication in tiny boxes.

but what's fascinating about it for me is like, it's a window into a different literary subculture, with totally different priorities to what i'm used to.

fanfics are usually categorised by things like relationship dynamics and in particular the sort of emotions aimed to be evoked by a story. for example, hurt/comfort, slow burn, porn without plot. by far the majority of stories are romances; we have a term gen for the minority category of non-romance stories. as you mention, mainstream fantasy/ya/etc. novels have increasingly started to be marketed in similar terms ('cozy'), as well as emphasising demographic boxes (e.g. asexual protagonist).

here, by contrast, stories are largely sorted by types of power-fantasy premise such as isekai, cultivation, litRPG and harem. the 'MC' exists as a kind of meta-character, an audience-projection figure who will presumably be more or less similar in most stories. it's a feedback system: the more RR becomes known for a certain type of story, the more readers will be attracted there to read it, and the more readers will be inspired to become writers of the kind of genre they've been reading.

at least, that's what I surmise from the window of advert boxes - i've only been on RR to read Worth the Candle and The Flower That Bloomed Nowhere, which don't really fit the stereotype of a RR story, but rather use its familiar genres as a point of departure for character-focused stories and examine familiar science fiction themes like power, mortality, the weirdness of the mind, moral philosophy, sexuality, trauma, and so on.

and maybe some of these stories are that too. after all, you bait the hook with an easy-to-comprehend premise, you can't lead with anything too dry. but i get the impression (from memories of writing similar stories as a kid) a lot of people approach this kind of thing more like a solo TTRPG. it's sort of like. what if you wrote down the narrative you construct in your head when you're playing a game?

anyway i shouldn't speculate too much about a genre i don't read and don't super plan to get into, i just think it's cool to see all the different things people do on earth, you know

so on royalroad, the english-language serial webnovel website, there's ads created by users for other stories at the top of each chapter - you know, for the common case where you're reading a book and you want to suddenly start reading a different book. (they set it up in a way that's fiddly to block.)

they're kinda fascinating? I almost want to start collecting them. they triangulate into genres with bulletpoints. isekai. cultivation. reincarnation. yes romance. no romance. harem. no harem. some of them use anime-styled art or fantasy concept art (most likely a lot of it either AI-generated or used without permission/attribution, I get the vibe)... but a lot of them are straight up just memes.

hell lemme just refresh the page a bit and see what I get. I'm only a liiiiittle selective here.

...I could keep refreshing but you get the picture.

and sure, it's just the same as the AO3 tagging system with a different set of aesthetic priorities right? people are searching for stories which scratch a very specific itch. but there's something weirdly fascinating in advertising a story based on how formulaic it is. or ads for a novel that look like ads for a mobile game. how so many of them refer to their protagonist as 'MC'.

I assume this like, works, or people wouldn't do it? Same principle as long light novel titles. otaku database theory stuff. I just... don't really get it! who's it for?

[homestuckreplay]

My First Social Interaction In 413 Years

(page 1040-1051)

THE AIMLESS RENEGADE SHOT AT WV AND PM. I’m furious over this. There will be no forgiveness. But it makes sense that since Jack Noir was recently introduced as a potential villain for the beta kids – certainly for John, as he’s imprisoning his dad – we are getting a villain for the future folks too.

I really like the nervousness between WV and PM (p.1044) which I’m sure could be interpreted as romantic, but I personally see it as the first motions towards truce between these two different sides of a war. This might be the first time either of them has interacted with someone from the other planet in a non-hostile way. They’ve also both been wandering the wasteland without meeting anyone else in person for potentially up to 413 years, so any social interaction is probably nervewracking under those conditions – it’s not like either of them were great at interacting with the kids. These first movements towards friendship between them are very sweet.

PM’s sword is back and so badass. I think real mail workers should also be allowed to carry a sword for self defense. I hope that worm with the mailbox in its jaws is gently holding it for PM and not about to take a chomp, otherwise it’s about to have a bad time.

Page 1041 is drawn in a full color, wide brush scribbly style that was also used on page 1007, but used here for a more landscapey page (plus Jade’s ‘==> cover!’) it looks like a hybrid between the cleaner future style and Jade’s note (p.1038), further blurring the boundaries between the present and the future, between Jade and WV. Although I’m not sure what the ‘<== hurry!’ is doing, as that seems directed to PM, who hasn’t looked at the note yet so can’t be following the order.

This update also introduces some Gender. Jade refers to PM as ‘Miss Mail Lady’, and has previously called WV ‘Mister Mayor’. I think it is a little strange that a chess piece construct has a gender but I respect people’s pronouns. Later, Jade thinks that the other Prospit moon tower only differs from hers as it’s ‘home to a young boy instead of a young girl’, though I’d say the clown presence and the inhabitant being asleep are more striking differences.

@tenaciouschronicler was so right to mention keeping an eye on dichotomies, and that’s definitely a theme I want to write lots about in the future, but I’m especially interested with how dichotomies are set up and then questioned or subverted. We’re seeing this with the art style, with the different timelines, possibly with the light and dark sides of the war, and hopefully with gender (although that could be my personal bias).

I actually forgot to even speculate who or what might be in the other tower, but John being there (in a matching golden outfit!) explains this earlier conversation.

GG: oh gosh john i really want to tell you all this stuff!!! GG: but i cant yet GG: i really think you need to wake up first! EB: huh? GG: well ok not literally GG: well ok maybe KINDA literally!! (p.652)

I think that awake Jade had this conversation with John, because of the Jade inequality where waking Jade seems aware of dream Jade’s existence, but the reverse doesn’t seem true – dream Jade isn’t aware of the finger reminder system (p.777, 1050). Waking Jade wants to explain the difference between these two selves to John, but she thinks John won’t believe her, because John doesn’t know about this alternate version of himself. If the dream self represents the unconscious then perhaps now that he can see the graffiti in his waking room, he’ll be ready to realize this. This means that the previous conversations Jade has with John (p.169, p.293) happen while Jade is asleep – in fact, are presumably about to happen, because she’s about to message John to ask about his present (p.1051).

Which means that the explosion Jade describes on page 169 actually happens on Prospit, possibly as a consequence of the eclipse Jade is nervous about. It also means that there is a version of Bec somewhere on Prospit, as he warns her away from investigating between the two conversations (p.293). This all calls into question my sense that Jade likes to take control of conversations, dispensing information slowly as she knows more than her friends – if her dream self isn’t even aware of her waking self’s life, and if she’s dreaming during roughly half her conversations, her information is a lot more imperfect than I thought. That’s exciting to me, and makes it well worth rereading all of Jade’s conversations and trying to figure out which Jade is talking.

Clearly, John has been within the Medium since before he entered the Medium. How long has he been here, and how does that line up with how long John and Jade have been friends while awake? Did Jade see the kid in the other tower and decide to search for him while awake using some of her powers? Or did John talking to Jade online ‘infect’ him slightly with some of her abilities and pull him under Skaia’s will? Is the whole thing a total coincidence, or is it a “coincidence”, predetermined by Skaia? Which version of Jade – awake or dreaming – was talking to John the first time they met online?

And no shit John is having troubled dreams. There’s an imp on his bed. Specifically, a black chess piece, which is unexpected on Prospit. And his graffiti is also here, so it’s a fair guess he’s dreaming about clowns. I’m thinking about how Prospit is supposed to be the planet of goodness of light, working for the righteous cause of protecting Skaia, but Jade and John both go through some rough stuff. Even if it can’t extend to waking life, I’d expect a place like this to guard its wards from unpleasant dreams, and one single imp doll should not be able to overpower the entire planet. So what’s going on? What are the secret dark sides to this luminous planet?

Page 1051 (below) has to be one of the coolest visual panels so far. The white/blue to black/yellow transition, with Jade hovering bravely between the two planets bringing the colors from the bottom section into the top, and the geometric reflections of Prospit superimposed on the swirling clouds, are all stunning and make the eclipse feel like an important moment.

> Jade: Reminisce about previous eclipse.

[mlobsters]

probably a weird thing to ask you but you seem to have watched a lot of those panels. why do you think they keep doing those cons. outside i guess of the money. i'm asking as someone who hasn't seen their panels at all. maybe one day i will. but like, i think, what do you think j2 (and the rest of the cast presumably) get out of it.

thank you again for this ask, i am very happy to have an excuse to talk about this! i have not been in this fandom very long (about 2 years now) and i mostly just make stuff so i think i still have a slightly outsider perspective, so i suppose take all this with that in mind. :)

straight away, for sure the financial aspect is gonna be part of it - and i imagine especially so for the cast that participates that had smaller roles. but that aside, i don't genuinely believe that the main cast would continue to do these for so long unless they enjoyed it and got something positive out of it, especially being that they are actively working on other projects too. they actually talked about this, in a way, at this most recent con (nashcon 2024) so i'm going to include some of that - and a bit jared talked about the connections fans have made (chicon 2023). for reasons stated below*, i'm sure there are a bunch of examples of times they've talked about these things i'm not aware of, because i haven't read or watched that much panel content. but here's a small sampling.

jared and jensen main pain, nashcon 2024 question: what has it been like to watch the entire fandom change and grow over these last many years, and people who have been at these conventions change and grow?

jared and jensen gold panel chicon 2023 question: what's your favorite fan interaction over the years?

to go along with this, i think it's part and parcel to the topic; i really do believe they truly are invested and care about their characters and the story. the way they've talked about the revival/season 16/whatever you call it, they're all in to go back to it. jared even mentioned at one point if they had shorter seasons (which they asked for repeatedly), they might still be making the show. i don't have concrete examples i can point to in panels, but i think if you do watch them talk about their characters much, there's a lot of thoughtfulness and care there.

Would you be open to returning to Sam Winchester? I feel like there are more stories for that character and, with The Winchesters done, it's a weird time to be a Supernatural fan with no new Supernatural on television for the first time in almost 20 years. It is weird, right? It's weird for you to say that and weird for me to realize it. The simple answer to your question is 100%. I will play Sam Winchester again. Jensen will play Dean Winchester again. It's more of a timing and availability thing. In hindsight, Jensen and I have always said "always," if we ever have the option. I think in the last two or three seasons of Supernatural, when we realized somebody might want more, we said "2025. In 2020, we're ending this. Let's get together in five years and see what Sam and Dean are up to." I'm going to see him in a few weeks to talk to him about it again. We've talked about it a few times. He and I are both champing at the bit to see what these boys have been up to and what else good they can do in this world or the next. I'm excited about it. My only contingency about it is, with Jensen and I being so protective of the show and the characters, the story has to be absolutely right. I don't just put on flannel and big coat, get in an Impala and say "Dean!" That won't work for Jared. It needs to have a purpose, as Sam and Dean always did.

via cbr, walker season 4 interview with jared

and i think they just have fun! they've developed a relationship with fandom that works for them in this format and they get to play around on stage with their friends and entertain people that love them. at the end of the day, it is a job for them, and they are putting on a performance; but i wouldn't be so cynical to think they aren't being somewhat genuine within that framework.

jared and jensen dccon 2023 main panel question: How long have you guys been friends?

and not to be totally j2 brained, but when you have a connection with someone like this, maybe it also isn't such a hardship to keep working together

*i actually haven't actually watched many panels! but fortunately for me (us), i have seen a lot of gifs and transcriptions. i have a hard time with the video format for reasons. when i decide to make gifs, it's often because i saw a quote or snippet somewhere and i go looking for the conversation to get a clip of, and sometimes might bump into something else that grabs me while i'm there. fortunately, a lot of the videos on youtube have at least autogenerated captions so i can scroll through the transcript there/search for keywords, etc. @eisforeidolon transcribes selections of questions from cons periodically, which i'm forever grateful for. a not insignificant chunk of my panel related show/cast trivia has been gleaned from those.

[greatcometdeservedbetter]

Nothing makes me feel more like the Joker than knowing that Tamora Pierce has an entire novel about Tris at Lightbridge that will just… never be published? Apparently?

Anyway, as a poor substitute, here’s a list of things my brain has decided happens in that book:

Tris attends under a pseudonym, as planned, and no one knows about her connection to Niko or anything about her life at Winding Circle. She is one of many children of middling merchant families in her class.

Due to a mixup, she is assigned a roommate. For the first time in a long time, Tris has no access to power or connections and so she has to put up with it.

Most of her professors find her difficult to work with because she does not limit her study of their subjects to the traditional curriculum. Maybe one or two professors pay her special attention and praise, enough that her classmates are made aware of how talented she is.

Despite having no information about her except her milquetoast background, her classmates still find her strange and difficult. Her unexplained talent and advancement for a freshman leaves her isolated from her peers.

Gradually, Tris finds herself writing to her siblings less and less because she isn’t sure how to keep her unhappiness out of the message.

Making things worse is the roommate, who turns out to have a remarkably similar kind of backstory to Tris. Maybe she’s an orphan or a scholarship kid; her magic was definitely discovered later in life after a lot of hardship. Everyone in the school embraces her and finds her endlessly charming despite her social sort comings.

Poor Tris sits in the corner of their room while her roommate goes on about all the parties and dinners and whatnot their classmates have invited her to.

Only one student really tries to befriend her. He doesn’t have a name but he looks like a young Tom Hopper (Black Sails/Umbrella Academy). A super outgoing young mage from a working class family, he’s very adept at physical magical workings and is always outside doing like pushups and stuff where people can see him. He’s not used to an academic setting, though, and anytime he sees his pull ups catch Tris’ attention, he always calls out to her and sometimes asks for her help with classwork. She finds him annoying but still helps him when be asks because no one else talks to her.

She doesn’t know how he got into the university because he is. Shockingly bad at magic.

At one point, Nico visits. He tries to keep a low profile, but some of her classmates notice them spending time together. It immediately becomes the only thing anyone talks to her about, which is the opposite of what she wants so she starts being extra prickly and avoidant to make them stop.

This goes on for a while. Lonely Tris avoids her classmates and focuses on her studies. Presumably some kind of mystery is afoot and she can throw herself into that instead of wallowing in her misery.

At the midway point, she gets more visitors. Possibly all three of her siblings, but At minimum Briar.

For the sake of moving along, let’s say it’s just Briar. They connect mentally way before he arrives and any annoyance he has at her lack of communication dispels when he feels her frustration and sadness through the bond. He rolls up ready to be her social lubricant.

He introduces himself as her brother, never mind why they don’t look alike, and easily blends into the crowd at school for a few weeks. He makes friends effortlessly, gets invited to all kinds of parties and events, and even shows off a bit of his ambient magic during classes.

This infuriates Tris. They have a fight about it shortly before he leaves. Briar rightly points out that all the work she’s doing to lie about so many big parts of her life is preventing her from seeing the obvious - that many of her classmates have been trying really hard to make friends with her.

Her roommate only told her about things she was invited to in order to gauge if Tris would also be interested and to try and invite her along! And the boy constantly doing pushups in front of her actually has better grades than he lets on because he’s looking for excuses to spend time with her and all she seems to do is study. People only asked about Nico because he was the first concrete bit of information about her that anyone had!

It takes Tris a bit of time to process this, and she will have broken some bridges beyond repair already, but she does eventually see it and slowly starts to reach out.

Her circle (ha) stays small, but her life at Lightsbridge vastly improves once she starts seeing her classmates’ bids for connection for what they are.

As she gets comfortable with people, she gets key gossip and information about the school that she had previously been missing out on. Now the mystery becomes solvable.

It was probably whatever authority figure was nice to her in the beginning. Secret, asshole me too type behavior maybe.

She ends her first year better than she started it, with a good bunch of pals to help her out going forward, and a lot more confidence in her abilities.

Maybe she visits home over the summer or maybe we cut to after her graduation, but we see her return to Emelan at the end of the book

Whoever didn’t get to see her during the plot has a chance to hug and scold her for being standoffish. Then Briar’s like “and anyway, that guy who’s obviously in love with you asked if he could stay with us for a few weeks while he gets settled at his new job, and I told him sure”

And Tris is like “What guy? No one at school was in love with me.”

And then knock knock it’s the beefy-but-smart guy at the door and Tris is like “oh shit”

End book

[craigularory-joe]

Day 9

[ganondoodle]

the company i work for decided that its switching from the german formal "You"(Sie) to the informal "you" (Du) in all of our websites so now we have to scour the entire database to change it and i quite frankly hate that, not just bc the unecessary extra work but especially bc its such a weird and unecessary change

i bet its bc everything here is getting englishfied (both literally and culturally it feels like, when my new boss talks its half in english bc every second german word is just replaced by an english one despite there being perfectly fine words for it in german too, its so annoying) and bc they want to sound more personal in hopes of getting more clients bc 'company is your fwiend uwu!!', i know this here is the amercian tm site so you wouldnt understand really but i do not want to be greeted with 'du' by companies, no, thats too personal, you dont know me and im not giving you my data, stay away!!

i guess thats how i would describe it .. the formal you is like a polite distance, like someone you dont know staying outside your personal space, but when its the informal 'you' it feels invasive unless i told you you can call me that, and that goes double for companies

maybe its a small thing that doesnt seem important but i cant stand it, im just a little part time worker doing data work so i got no say in it but the companies founder also announced hes giving his post to his kids some time ago so ...... since then theres been alot of changes and new projects that solely aim to imitate whats popular and whats done by other companies, despite ours being one that is, or used to be, intentionally different, like, that was the POINT, but i guess chasing trends is just too appealing for CEOs

[wherevenusholdssomeofficespace]

Linda Flynn-Fletcher

I think Linda Flynn-Fletcher is potentially one of the most misunderstood characters in the show.

It think comes from a natural enough place. Her role in the show is of course, to act as the potential threat to their summers of fun. While they boys never see her as a threat, narratively she's the big bad. If she sees it, its game over.

Here's the thing though. She's a not a bad mom. Her children LOVE her. Similarly to how Phineas and Ferb absolutely adore Candace and would do nearly anything she asked, Phineas, Ferb and Candace all love and respect their mother and don't disobey her. Now a bit of this is clearly Linda being a more permissive parent, but any rules that Linda has Phineas and Ferb never do anything to disobey their mother. While I wouldn't be surprised if there were one or two instances where Candace disobeyed her mother willfully, the closest I can think off off hand is Candace not doing a bunch of chores that she was supposed to do. Really, the fact that all her kids love her, shows how much all her kids feel loved in their household. And I think that's super important. Candace wrote a song about how much she feels loved by her mom, even if her mom is dismissive of Candace. But she still goes with Candace to see what the boys are up to even if she doesn't believe it. She sets boundaries on how often Candace can bust the boys sure. But she hasn't forbidden Candace from doing it altogether. Nor does she punish Candace for presumably lying?

At MOST Linda will say something like: "let's get you out of the sun" after a failed bust. The worst of it I think is probably the time Linda made her promise not to try or suffer the Pharaohs curse. Which, was just some guy in a Pharaoh costume telling Candace curse you. Linda goes out of her way to read books to try and deal with her daughter. She and Candace still clearly hold a lot of affection for each other and do spend a decent amount of mother daughter time together. Linda gives books to her daughter, tries to direct her to other activities, and finds her sleep busting cute, and sometimes goes out of her way to do activities her daughter wants to do with her. All things considered Linda is REALLY patient about Candace's busting. Could she be doing more to get to the bottom of why Candace is presumably acting out? Sure. But Doofensmirtz could also be doing a better job of listening to his daughter and not insulting her (or do we not remember why Vanessa wears earbuds around the house) but we all call him a really good dad.

A LOT of shows have kids hiding a secret from a parent for one reason of another. But while the crux of the show rests on Linda not knowing what her sons are doing, its not because its a secret. The boys aren't hiding it from her. The boys genuinely believe she knows. Lawrence genuinely believes she knows. Candace is the only one in the family who really grasps the situation.

Linda's ignorance, her disbelief of the wild shenanigans that her children get into is easily mistakable for normality. For representing the oppressive day to day. The same thematic antagonist as school. A mom who wants whats best for her kids, and thinks that whats best for them is them being normal, without realizing what's really best for them. After all why else we saw what would happen if she found out in Quantum Boogaloo. But the fact of the matter is aside from that one future (which also featured an effectively evil leader in Doofensmirtz, and therefore implies more factors at play than just Doofensmirtz and Linda's characters), we don't really know how it would play out in the long term. Future Linda even just kinda moves on after discovering the truth.

Linda is exactly like her kids. She just does the same things on a less physics breaking scale. The woman has like 37 different hobbies. She takes a cooking class, donated an art sculpture, is part of a jazz group. She has a background in astrophysics. She was a pop star. She won a meatloaf contest. She takes french lessons. The fact that Linda has several hobbies is part of the reason the formula works at all. Linda is constantly trying new things which gets her out of the house, while her sons are trying their own new things. Her absence is what prompts Candace to have to go looking for her. Also, What Do It Do when the moment Linda gets put in Candace's position she acts the exact same way.

Also it's why she and Lawrence are so compatible. They have a lot of weird hobbies they spend together. She likes Lawrence's history references. They watch car racing together. They went spelunking together. They go bowling regularly enough to have equipment. She has played the bagpipes while Lawrence danced (which sidenote: do you think she taught Candace how to play the bagpipes?).

Not to mention her extended family. Think about it. Her mom was a competitive roller derby skater who once bit a skate and shook it like a dog with a chew toy and pulls elaborate pranks with her identical twin. Really she's a lot like Candace with her aggressive passion. Her dad apparently won a balloon race, but tells the story in the most straightforward way possible, sometimes very oblivious, but is overall a lot like Phineas. Her sister is an adrenaline junky. And back to Quantum Boogaloo for a minute: Her granddaughter is just like Candace, Grown up Candace is a lot like Linda. Do you not see the implications!!?!?!? LIKE???? DO YOU NOT REALIZE THAT LINDA WAS PROBABLY A LOT LIKE CANDACE AND PHINEAS WHEN SHE WAS YOUNGER?!!?! YOU THINK IT SKIPPED A GENERATION OR SOMETHING???

Do you think Linda used to complain about Tiana??? Do you think Linda thought her family was weird and was embarrassed by them??? Do you think Linda ever called herself the only mature/normal member of her family?? LIKE CANDACE DOES????

Anyway, Linda is just like her family. Sure, she is RELATIVELY more normal, but that's relative, and probably simply because the universe bends itself around to keep her from knowing. Linda literally cannot find out about the real nature of her universe. Linda is just a grown up version of her children, seeking to make the most of each day, but within the bounds the universe has set upon her, both as an adult woman and mother, but also in the laws of physics expected of her. But she still makes the most of her life. You don't have to build a roller coaster to make the most of each day and all that.

I think if Linda is representing anything its that even parents can have rich fulfilling lives. Where they make the most out of each day. Having fun with your life doesn't stop with adulthood. Even if you have more responsibilities doesn't mean you can't have fun? Sure childhood is something you can't get back but growing up isn't inherently bad either?

[hyperfixationsposting]

an immortal bisexual witch and the cute lesbian butcher she may or may not have hooked up with once or twice :))

[essektheylyss]

I love that, regardless of any other fey nature or trickery, Morri genuinely seems to love Fearne. There's no question in her greeting that she does see her as her own granddaughter, as much as Fearne sees Morri as her grandmother unequivocally.

[edwinisms]

see I can’t accept charles’ comic background and socioeconomic status as canon for the show because if I did that would mean the whole group would be a bunch of rich kids and that’s a horrifying concept

[not-cool-enough-to-scuba-dive]

actually I would quite like to hear your thoughts on gender philosophy in omegaverse worldbuilding? :3

hm. anon, I fear this is a far larger can of worms than you probably anticipated. I'm going to spare you the worst of it by only giving you a short version, but be careful what you wish for.

I'm also hiding it under a cut because even the short version is embarrassingly long.

I'm hardly a connoisseur of omegaverse content, nor would I consider myself anywhere near an expert. I don't want to speak for all fics as I've admittedly not read many. I did do my master's diss about legal gender recognition, so this is more about gender and philosophically sound worldbuilding than an indictment of any particular writing or story tbh.

the short answer is I find omegaverse worldbuilding really interesting, but I've never fully been able to enjoy it due to the way a/b/o identities tend to have a biological determinist slant to them imo, and tendency for a lack of real world implications of what the omegaverse does to gender and character interactions anywhere outside the bedroom. I'd love to figure out a version that's more inclusive and philosophically/ideologically consistent, both with itself and with my own views on real life gender (basically, I want to make it make more sense, have less biological determinism, and be more inclusive of the wider range of human experiences). this is a big task, and ngl I haven't achieved it and don't anticipate doing so any time soon. I have like, a concept in my head, taking apart all the key pieces and putting them together again but different, but to make it thorough enough would require more effort and time than I have because I'm like, employed 😔

I feel like someday if I ever get invited to a powerpoint night though, this could be It.

[smile-files]

i don't know if ralsei is a transfem or transmasc i just know he is trans

[rustedleopard]

Unpopular Opinion(?): I'm firmly in the "Starlo doesn't have a tail" camp

[brittlebutch]

Actually, it's interesting to think about the sheer amount of footage that Jay never shows us. I'm rewatching Season One again, and Entry #3 caught my eye because Jay says he cut together about 2.5 Minutes worth of clips that he pulled from around 12 different tapes.

Depending on what kind of tape Alex's camera used, a single tape could hold anywhere from 1 to like 5 hours worth of footage -- at Minimum Jay watched 12 hours worth of footage just to make that video where he showed us like 0.002% of it.

I wouldn't go so far as to suggest that Jay was deliberate about framing Alex in any particular light when he started the channel, but it is interesting to think about the footage he decided wasn't interesting or worth sharing, and what kind of story a different cut would have told

[lesbiangiratina]

A good while ago i was scrolling through someone’s testament tag and once i got past march 2022 i saw them using she/her for them n i wish i remembered who this was because they were on some remarkable shit

[imabiscuitinthousandworlds]

i'm here for MURDER not wistful staring at the memory of a pretty lady!! why is the romance so fucking inescapable!! it's not NECESSARY it adds NOTHING honestly a childhood best friend instead of first love or something would be infinitely more interesting and would have so much more narrative weight if done properly!