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#but then i don't know the various histories of the myth
ennaih · 9 months
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Every Film I Watch In 2023:
264. Undine (2020)
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snarky-badger · 11 months
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Places to donate to help Palestine
PCRF.net - They did over a 100 medical missions in 2022 (Palestine Children’s Relief Fund)
Middle East Children's Alliance - A Non-profit organization fighting for the well-being and rights of Middle Eastern Children. They also have a link to a 'tool kit' to help spread information about the Gaza Genocide. I'm linking to it directly HERE
Anera: Where Hope Finds a Way - They provide everything from food, medicine and hygiene kits. $30 equals 16 blood bags - an essential thing for helping doctors help people survive horrible physical trauma.
UNICEF.org - Link to where you can donate to help UNICEF get aid to those suffering in Palestine.
And because I know damn well that lots of people don't have the extra funds to donate money - you can help by simply clicking here once a day. It donates ad revenue. Click to help Palestine
[I wanted so much to find other places people could donate that weren't in the US or Canada, but I was having problems figuring out how to ensure that they were reputable. If anyone knows of any, please reblog and add the links!]
And some basic informational sources for those who want to understand what's really going on other than the misleading information from the media.
BDS - The Boycott, Divestment, Sanctions movement works to end international support for Israel's oppression of Palestinians. Offers actual news about what's happening.
Decolonize Palestine - In depth information about the history and origins of Palestine. Also has a great 'debunked myths' section that lists almost all of all the lies the Media has been peddling.
Mondoweiss - An independent website devoted to informing readers about developments in Israel/Palestine and related US foreign policy. (Be aware: Some articles show disturbing images of the horrors happening in Gaza.)
Petitions I found with reputable track records (there are a LOT of fakes out there)
Canada:
Independant Jewish Voices Canada - Gaza on the Brink Ceasefire Now! - Prewritten letter to Justin Trudeau and Mélanie Joly calling for an immediate ceasefire, and for an end to the collective punishment of Palestinians. Just sign your name and it sends a letter!
There are several other ways (Including email addresses to various people/companies, as well as physical addresses you can mail letters to) listed here.
DON'T send threats/hate mail. That does nothing but make them double down on their current stances. Be polite. You don't have to take a happy tone, but be polite.
United States:
USA - Tell Congress: Stop Fueling the Gaza Genocide - Demanding an immediate ceasefire and for Humanitarian Aid to be allowed into Gaza.
Jewish Voice for Peace - You can use their form for send a letter to Congress to demand that they should focus on de-escalation instead of sending money and weapons to Israel so they can continue their genocidal war against Palestinians.
Jewish Voice for Peace (part 2) - Fill out this form and inform President Biden that he should call for a ceasefire and stop supplying money and weapons to Israel.
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jewishvitya · 11 months
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[This post was originally written in response to someone tagging me and claiming that a free Palestine would mean all Israeli Jews will be kicked out and where will I go, and how they can't understand why I'm so against Israel being our ethnostate. OP blocked me, so I'm reposting with a few edits, because I already wrote this and I might as well.]
Look. I understand your mentality. We're traumatized by a history of violence against us. We were shown that so many in the world want us dead, and so many others won't stop them. I get it. But I refuse to let myself silently become the face of similar oppression for other people.
Israel benefits from antisemitism and maintains myths that got Jewish people killed in the past, like double loyalty. It weaponizes it for propaganda reasons. It's supported by antisemitic Christian zionist organizations with terrifying motivations. It started out with violence not only against Palestinians but against Jews too. Israel isn't motivated by our safety, it abuses that idea. It manipulates and weaponizes our trauma to make us feel justified in causing so much suffering to innocent people.
You're right that I'll have nowhere to go if I'm kicked out of here. This is where I was born. My parents come from other countries that I won't feel safe in. But all of this is hypothetical. The ethnic cleansing and genocide of Palestinians is not hypothetical, it's REALITY. It's happening RIGHT NOW. And I don't understand how, as a Jewish person who knows what this kind of suffering and loss of life means, you seem unable to prioritize that. I tell you I'm witnessing a genocide happening right next to me and you keep telling me "but what if they hurt you instead."
The assumption that Palestinians will pull some sort of reverse ethnic cleansing against us is racist. This assumption is the reason Israel feels comfortable calling the carpet bombing of a civilian population "self defense." Killing them based on a this is not self defense, it's a racially motivated crime against humanity.
And I'm calling it an assumption because I'm not willing to pull from the Hamas charter that they've since replaced. Hamas isn't Palestinians. The only reason they became this powerful is Israeli funding, and Israeli violence giving Hamas free PR as the only ones who will stand up to the state that will keep them trapped and dying.
We control every aspect of their lives. Israel created a place that breeds radicalization. No group of people, living under the conditions forced on Palestinians, would be peaceful. They would fight back. Because peaceful attempts to have the human rights that Israel denies them got nothing. We stomped on every single one. We blocked all other routes and left them with only violence, which Israeli politicians have been using as an excuse for over 15 years to make a show of force with military campaigns whenever they wanted a boost in popularity. We created living conditions with such low life expectancy that half of the population is children because so few adults survive. They don't deserve this. No one deserves this.
Palestine was a land with people living in it. One plot of land can create multiple groups of people, especially when we've been separated for 2000 years. Our connection to this land does not cancel out theirs. Removing them to create our own country could never be right. It's not an argument saying that our connection to Israel gives us the right to move here to live ALONGSIDE Palestinians. That's not what we wanted. We wanted a country that enforces Jewish majority and legally prioritizes Jews. You're justifying this when I repeatedly state that the only way for it to exist is through ethnic cleansing and genocide. There's no way to make this concept into a reality without killing, displacing, and oppressing whoever's left in various different ways, from apartheid to other kinds of discrimination.
I'm not against safety for us. I want to be safe. I want my children to grow in a safe world where we can be openly and joyfully Jewish. I'm not willing to pay for that with the lives and freedoms of other people.
So I will be loud about this: Palestinians deserve to be free in every part of their homeland, even if it's our ancestral homeland too.
If safety for us means we're the ones committing the genocide, maybe we should rethink what safety looks like.
I'm terrified for the lives of millions of people in Gaza. Right now, all I can think about is this, and it baffles me to see people so willing to transfer the horrors of our history to other people.
I had a lovely conversation in DMs in response to the first post, about how zionism encourages us to isolate rather than build bridges in the places where we live all over the world. We can't ignore the way antisemitism saturates culture, but we should also remember the places where Jewish communities thrived for centuries, the places where our neighbors protected us. We're hated, and we're loved. Each form of oppression is unique, so no other group experiences what Jewish people do exactly, but we're not alone. We have a long and rich history of solidarity with other marginalized communities and involvement in liberation movements. We're actively working to make the world safer, and we have people fighting with us. I'm just participating in this fight where I am. The struggle for liberation is a human struggle. You can't use the trauma of antisemitism to silence me about other kinds of bigotry.
Never again. To ANYONE.
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hellsitegenetics · 7 months
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Well since you mention valentine's professions of love, I think it wouldn't be right if I didn't take this chance to extoll the virtues of moths. Firstly, they're adorable. Some of them are really fuzzy and have cute antennae. The rosy maple moth and the common silk moth are both very very cute. Secondly, (as this blog proves again and again) there are SO MANY of them in such a huge variety that you're bound to come across one that tickles your fancy! Take the Atlas Moth for example! It's got a wing span of nearly 25cm! That's like the size of a small bird! (You have no idea how much I want to pet a large moth species. Not the caterpillars though. Never touch random caterpillars. In fact, some moth caterpillars have hairs and stuff that you definitely do not want to touch due to them being poisonous.) Thirdly, moths are culturally and historically important! Silk has been a major industry for centuries upon centuries. The techniques of silk production and the actual moths themselves are the subject of myths in various cultures. They were once so jealously and secretively guarded that there are legends of how they came to be spread to different parts of Asia. I cannot stress how big of a deal silk was throughout the history of the world and how the trade of silk influenced international relations for hundreds, if not thousands of years. Oh and the thing is, common silk moths aren't the only silk-producing moth! There are several moths in the Saturniidae family that make cocoons of silk which are also used in modern, commercial silk production -- some of which don't result in the death of the chrysalid.
Look, I know whatever string of nucleotides this ramble produces will not end up matching the genetic sequence of a moth, because that's just how these things work but... I hope that people will look upon all the moths that do show up going forth with a fond and grateful eye because moths are truly magnificent creatures. Happy Valentine's Day!
String identified:
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Closest match: Parapoynx stratiotata genome assembly, chromosome: 8 Common name: Ringed China-mark
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h0bg0blin-meat · 7 months
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I think I need to make it clear for many Vaishnav (looking especially at you, ISKON) Hindu extremists (and even many Shaivites) that ya'll can have your sects and your beliefs as Vishnu or Shiva as your supreme lords. I don't have an issue with that.
But when you try to say that this is the ONLY truth about the Vedic religion (I'm not using Hinduism here because it doesn't sum up the pantheon as much as the ''Vedic" word does, despite the term being associated with the Vedas, and yes we need to come up with a better word that comprises this entire pantheon as a whole), that's when I have a problem, because that is definitely NOT the entire pantheon.
Do not spread the beliefs of your sect as the ONLY canon belief and don't speak for the people who don't fall under this category. I have seen this in all of social media and it pains me how much of a linear pantheon this once oh-so flexible culture has become.
Yes the concept of Prajapati and the Supreme being has existed since the Vedas. But when you say that Vishnu and Shiva are somehow superior to other gods as the ONLY CANONICAL BELIEF, that just flips me off, and I'm gonna call it out.
How dare you forget the four Vedas, that had no mention of such an idea? This might tick some people off but Indra, Agni, Rudra (which later became synonymous with Shiva, but is a whole different deity), Mitra, Varuna, Vayu and a few other Gods were just as much powerful as Vishnu or Shiva, if not more. This is ANOTHER canonical truth that these extremists (again, somehow mostly Vaishnav) are denying.
Ancient pantheons weren't some linear path with just one canon event. These were their own multiverses of a plethora of VARIOUS canon events, myths and legends. So stop making the Vedic religion a linear, rigid pantheon. Remember? It's not an organized religion. There can be SEVERAL canonical truths. Like I definitely understand that a religion/culture changes overtime. It evolves. Fine. Vishnu is the supreme God now, fine. But you can't deny the history. The Vedas that didn't canonize this. Are you gonna say that these Vedas, that came BEFORE this Vishnu/Shiva being the considered the supreme lord(s), were wrong? I hope not lol.
Besides, I'm not even gonna get into ISKON. They have regarded anyone that's not Vishnu as a demigod, which is ABSOLUTELY VILE AND DISRESPECTFUL. Do they even KNOW what a demigod is??? FUCK NO. They don't. They just like to use that word to inferiorize other deities, due to their unhealthy and toxic obsession with Vishnu, who doesn't deserve it. On top of that they have claimed that worshipping such gods will not lead you to eternal peace, or that it's somehow wrong. Ah yes. Gotta love gatekeeping and toxic cult fan behavior. Call me rude but if you disrespect a GOD (yes, Indra, Mitra, Varuna and others are ALSO GODS, FYI) is WILD, and they should be called out for it. (Some Shaivites have done the same in case of Shiva, and they need to be similarly called out.)
In conclusion, worship whoever tf you want, but remember that theologically, and even historically, there can be more than one canonical story. It really depends on which sect/region you belong to. You CAN be a polytheist. Idk why Hindus these days are inadvertently trying to appeal to the monotheistic pantheons so much, to the point that they have an internal dislike for polytheism, which they're not aware of, but it shows when they speak up.
This pantheon (like every other pagan pantheon back in the day) is very broad. Remember that. And it's very flexible. So let it be like that, and stop gatekeeping it and having a war between who supreme Lord is. I'll stop my yapping here. But I hope people understand this. Cuz damn.
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lewis-winters · 9 months
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I was just curious but do you have any recs for period dramas about the philippines? I want to expand my period drama watching and im not quite sure where to start
Oh, the monster you've unleashed. YES I do have so many period dramas from and about the Philippines. Unfortunately, not all of them might be accessible to you if you're outside of the Philippines. Some of them are found on Amazon Prime, Netflix, and MUBI though. I'll make sure to put a lil note next to each film if they are. Also! these vary in genre (meaning: not all of them are war films, and some of these are horror films-- because this is me we're talking to, heh). I also have copies of some of these and will make a lil note next to each film if it's available for sharing, though I'll only give the link via DM. Please note, however, that they are all either in Tagalog, Bisaya, and/or other local Philippine Languages and not all of them have subtitles!
I also have very nuanced relationships with all these films, since Philippine History was my undergrad of choice. But to keep this post as brief as possible, I'm not going to talk about them at length. Though I will be including trigger warnings. Also note... some of these movies kinda suck HAAHAHAHA but I had way too much fun watching them so like. Please don't tell me they suck, please. I love them too much.
Also tagging @emmylynnaa because I promised her a similar list.
This is sorted by eras in Philippine History. Enjoy! (under the cut because it got long):
Spanish Occupation Era (1565 to 1898)
GomBurZa (2023) – A film following the GomBurZa, the three native Filipino Roman Catholic priests Gomez, Burgos, and Zamora executed during the latter years of the Spanish colonial era. TW: period typical violence. Furthermore, this is a Jesuit produced film so like. Once again. Take it with a grain of salt.
Jose Rizal (1998) - Jose Rizal's life and works are recounted through a series of non-linear flashbacks which reflect on various aspects of his life - as writer, propagandist, lover, friend, brother, doctor, and the man that inspired a revolution. Available on MUBI. TW: depiction of sexual assault by a priest. I also have a love-hate relationship with this film because on one hand, literally shaped my love of history. On the other hand, it is the MOST idealistic depiction of Jose Rizal ever + very historically inaccurate in many places, please watch this with a grain of salt.
Maria Clara at Ibarra (2022 – 2023) – A series about a girl from the 21st century who is magically transported into Jose Rizal’s famous novels Noli me Tangere and El Filibusterismo (you know, the novels that helped spark the Filipino Revolution against the Spanish). The synopsis sounds cheesy but trust me, it’s very good. Available to watch on the GMA official webpage. I just don’t know if you can access it outside of the country. TW: rape, abuses of the Catholic church, period typical violence, abuses of Spanish colonialists. A personal favorite—the costumes? Divine. And the character arcs are also really lovely. Helps you understand Philippine contemporary culture, too.
Katipunan: TV Mini Series (2013) – A mini-series depicting the creation of the Kataastaasan Kagalang-galang na Katipunan ng mga Anak ng Bayan (or the KKK—no, not the white supremacist group; that’s unfair, by the way, we did it first), the revolutionary organization founded in 1892 by Filipino Nationalists against Spanish Colonialization. Available to watch on the GMA official webpage. I just don’t know if you can access it outside of the country. TW: depictions of rape aftermath by Spanish soldiers, period typical violence, torture, graphic depictions of a corpse. This is a personal favorite of mine.
Hele sa Hiwagang Hapis/A Lullaby to the Sorrowful Mystery (2016) - Andrés Bonifacio is celebrated as the father of the Philippines Revolution against Spanish colonial rule. This eight-hour epic examines this myth, undertaking an expedition into history through various interwoven narrative threads, held together by an exploration of the individual’s role in history. Available on Mubi. TW: it is literally eight hours long. But that’s Lav Diaz for you. I love him, but oh my god is he an acquired taste.
Ang Kababaihan ng Malolos (2014) - The saga of the 20 Filipino women who petitioned for the opening of a school in a time when women weren’t given the chance to do so.
Ganito Kami Noon... Paano Kayo Ngayon? (1976) – Set during the end of Spanish colonization and the start of American colonization. After his mother's death, the simple-minded and naïve Kulas (Christopher De Leon) begins his much-awaited trip to Manila. On his way to Manila, he mindlessly takes on the mission of retrieving a friar's son and bringing him to the friar's residence.
Mallari (2023) - A horror film chronicling the deeds of the first recorded serial killer in the Philippines. This film spans decades, all the way up to present day. It's kinda stupid. Like. Really stupid. That's ok. We watch it because we want to see Piolo Pascual and JC Santos covered in blood. TW: oh my god so many bodies and so much gore.
Filipino-American War and America Occupation (1899 – 1940s) (this era has the best films, actually, if you want a place to start and start strong? start here)
Amigo (2010) - A local leader of a small Filipino barangay must decide whether to keep the peace with the American troops occupying his village or join the insurgency with his brother and son. TW: racism, sexual harassment, graphic depictions of corpses, gore, period typical violence.
Heneral Luna (2015) - Set during the Philippine-American war, Heneral Luna follows the life of one of Philippine History's most brilliant soldier, General Antonio Luna, as he tries to lead his countrymen against colonial masters new and old, and to rise above their own raging disputes to fulfill the promise of the Philippine Revolution. Available on Netflix. TW: short scene depicting the aftermath of sexual assault, period typical violence, and graphic depictions of a corpse. Again, one of my favorites. I have so many happy memories of this film + the fandom it birthed! I miss it sometimes.
Angelito (2018) – The short film that bridges both Heneral Luna and Goyo: Ang Batang Heneral, depicting the brothers Manuel and Jose Bernal – Antonio Luna’s aides-de-camp – and their youngest brother Angel, two days before the General’s assassination. This film you can find on Youtube!
Goyo: Ang Batang Heneral (2019) – The sequel of Heneral Luna, this film follows the story of Gregorio 'Goyo' del Pilar, one of the youngest Generals during the Philippine-American War who fought in the historic Battle of Tirad Pass. Available on Netflix. TW: short scenes of torture, period typical violence, and graphic depictions of a corpse. Again, a personal favorite for the same reasons stated above. Though it’s not as strong as Heneral Luna, I gotta say.
Ang Larawan (2017) - In a musical tale about standing together against materialism, two impoverished sisters anguish over whether or not to sell a painting, the final masterpiece by their recluse father. A bitter struggle for survival against betrayal set in pre-World War II Manila. A personal favorite, oh my god. This film. Oh my god, this film.
World War 2 and its aftermath (1940 – 1950)
Quezon’s Game (2018) - In 1938, Philippine President Manuel L. Quezon, military adviser Dwight D. Eisenhower, along with other notable figures, set out to rescue Jewish refugees fleeing Nazi Germany. Quezon simultaneously deals with a relapse of tuberculosis. Available on Amazon Prime. TW: talk of genocide and short scenes depicting the murder of Jewish people by the Nazis.
Tatlong Taong Walang Dios (1976) - A woman falls in love with a Japanese soldier during the Japanese Occupation in the Philippines; the whole town turns against her. TW: rape. Think Malena.
Oro, Plata, Mata (1982) - Set in the Philippine island of Negros during World War II, it tells the story of how two hacendero families cope with the changes brought about by the war. TW: rape
Kusina (2016) – Her kitchen. The silent witness to the life and love of Juanita. It is her sanctuary, the place where she creates dishes for her family, friends, even enemies and strangers. Through cooking, she gets to know the people around her. TW: violent child birth, death of mother in child birth, sexual harassment by Japanese soldiers. This spans multiple decades, all the way up to Martial Law.
In My Mother’s Skin (2023) - Stranded in the Philippines during World War II, a young girl finds that her duty to protect her dying mother is complicated by her misplaced trust in a beguiling, flesh-eating fairy. Available on Amazon Prime. TW: body horror, gore, explicit depictions of a corpse, period typical violence.
Markova: Comfort Gay (2000) – A coming of age drama film loosely based on the life of Walter Dempster Jr., the last surviving Filipino “comfort gay” (male sex slaves for the Imperial Japanese Army) from World War II. TW: CSA, wartime systemic rape, rape.
Comfort Women: A Cry for Justice (1994) – The story of how two sisters and the rest of the women of Sta. Monica are forced into sex slavery by Japanese soldiers during World War 2. TW: wartime systemic rape, rape, and period typical violence.
Seklusyon (2016) - In 1947, a group of deacons (aspiring priests) on their last week of training are sent to a remote monastery to live in seclusion for seven days to protect them from the devil, who on the last few days of training attempts to break the will of deacons to make them reconsider their choice of becoming priests. During their seclusion, a little girl named Anghela, believed by locals to be a living saint because of her healing abilities, appears at the monastery seeking refuge. Available on Amazon. TW: pedophilia, gore, body horror, Catholicism, religious horror.
Corazon: Ang Unang Aswang (2012) - A psychological thriller film detailing the psychological breakdown of a woman struggling with infertility in post-war Philippines. If you want to see women go feral, this is fun.
Martial Law (1970 – 1980) (actually, you know what? I lied. This era is the era with the best films. God, these are CLASSICS and are the ones that’ll help you understand contemporary Philippine culture the most; definitely start here)
Manila, sa mga Kuko ng Liwanag (1975) - Júlio Madiaga, a 'provinciano', arrives in Manila to search for his beloved, Ligaya. TW: coerced sex work, sexual abuse. Once again, a Filipino cinema classic.
Insiang (1976) - After a teenager is raped by her mother's boyfriend, she sets out to exact revenge on anyone who has hurt her. TW: I mean. It says it right there. Though it’s not actually shown on screen, it is very heavily implied. She doesn’t die in the end, if you’re wondering.
Dekada ’70 (2002) - A middle-class Filipino family struggles to survive in the era of dictatorship. This is a fucking classic in Filipino cinema. Available on MUBI. TW: sexual harrassment, discussion of torture, depictions of wounds and beatings, period typical violence. Martial Law was rough.
Aparisyon (2012) – A psychological drama film set in early 1970s, where the story about the nuns in the period immediately preceding the declaration of martial law by Ferdinand Marcos. The film’s director, Isabel Sandoval, is a transgender woman and an absolute visionary. Her other films Senorita (2011) and Lingua Franca (2019) are also very good, please check it out. All films are available for streaming through the Criterion Channel. TW: rape, religious trauma, period typical violence, Catholicism.
Lihis (2013) - Set in the 70’s during the darkest hours of Philippine History, we follow the story of two young NPA warriors who find themselves entangled in a web of frustration, despair and victory as they fight not only for democracy but also their love for each other. Available on MUBI. TW: Infidelity.
Barber’s Tales (2014) - In a rural town in the Philippines during the Marcos dictatorship, the newly widowed Marilou inherits the town's only barbershop from her husband- a business that has been passed down by generations of men in her husband's family. With no other means of support, she musters the courage to run the barbershop.
Dahling Nick (2015) - Dahling Nick is a docu-drama exploring the life and works of National Artist for Literature Nick Joaquin, who only accepted the National Artist Award on the condition that the Marcos administration release a well-known writer who was being unjustly detained during Martial Law. I love Nick Joaquin. He’s shaped my understanding of the Magical Realist genre far more than any of his contemporaries have. This film is notoriously difficult to get your hands on, so I suggest going to read his anthology by Penguin Classics called the Tropical Gothic instead!
Respeto (2017) - Hendrix is a poor aspiring rapper who wants to make a name for himself in the underground rap battle scene and gain respect in the community. After attempting to rob a second-hand bookstore in the neighborhood, he is discovered by the owner, Doc, an old poet with a haunted past as a dissident. Not necessarily period, but definitely has its roots in Martial Law.
Liway (2018) – A film about the kip, a young boy growing up in a prison as the son of anti-Marcos dissident Cecilia Flores-Oebanda, better known as Commander Liway, during the waning days of the Marcos dictatorship. It is currently streaming on Youtube!
The Kingmaker (2019) - is a 2019 documentary film written and directed by Lauren Greenfield, featuring the political career of Imelda Marcos with a focus on the Marcos family's efforts to rehabilitate the family's image and to return to political power, including her plans to see her son, Bongbong, become President of the Philippines, and the alliance that Bongbong and Imee Marcos established with Rodrigo Duterte in his bid to win the 2016 Philippine presidential election. Available on Youtube! if outside of the Philippines, use VPN.
1980s – 2000s Philippines
Misteryo sa Tuwa (1984) - The fortunes of three impoverished friends and their families abruptly change after an airplane crashes in a nearby mountain.
Alpha Kappa Omega Batch ’81 (1982) – A psychological drama film depicting the titular fraternity's harsh initiation of new batch members as seen through the eyes of pre-med student Sid Lucero. TW: hazing, torture, psychological torture. It’s fucked up, actually.
Himala (1982) – During a total eclipse Elsa, a young girl from rural Philippines, allegedly witnesses an apparition of the Virgin Mary on top of the hill where, as an infant, she was found and adopted by Saling. Said visions change her life and cause a sensation hysteria in a poor, isolated northern village in the midst of drought. TW: rape, religious fanaticism, religious trauma.
Adela (2008) - The story of Adela, which takes place in the span of one day, is a heartbreaking story of a woman who longs for the company of her loved ones. This isn’t actually period. This film just breaks my heart. And of course, it has acting legend Anita Linda in it. How could I not recommend it?
Now Showing (2008) - Rita is named after a famous American movie star whom her late, former actress grandmother once adored. She lives in one of Manila’s oldest districts with her mother and aunt. Years later, she is still the same girl enamoured with television, now tending to her aunt’s stall selling pirated DVDs.
Elegy to the Visitor from the Revolution (2011) - A woman from the end of the 19th century visits modern day Philippines and observes three interwoven stories: that of a prostitute, a group of criminals and a musician. This is another Lav Diaz one. It’s long.
K’na The Dreamweaver (2014) - K’na is a young woman coming into her own in the mountains of South Cotabato, where the T’boli live, overlooking the majestic and mystical Lake Sebu. She is part of the royal family of the South bank of the lake, part of the clan that was banished from the North Bank centuries ago after what the elders call The Great Betrayal. At a young age, K’na, is trained in the art of weaving the T’bolit’nalak. The design of the t’nalak fabric comes from the visions granted by Fu Dalu, the goddess of abaca, only to deserving women who become dreamweavers. K’na’s grandmother, Be Lamfey, is the village’s last master dreamweaver. When Be Lamfey dies, the gift of dreamweaving is passed to K’na and her father, LobongDitan, decides to put an end to the warring clans of Lake Sebu once and for all by arranging a marriage between K’na and Kagis, the heir to the throne of North bank. Meanwhile, K’na has fallen in love with Silaw, a childhood friend whose family supplies the finest abaca fibers to the dreamweavers. Silaw leaves love messages for her by tying bits of abaca thread to a tree outside K’na’s window. As the marriage grows near, a revolution brews among those who do not believe in the union of the two royal clans.
Smaller and Smaller Circles (2017) - Two Jesuit priests, Gus Saenz and Jerome Lucero perform forensic work to solve the mystery revolving around the murders of young boys in Payatas, one of Metro Manila's biggest slum areas. While dealing with the systematic corruption of the government, church, and the elite, the two priests delve into criminal profiling, crime scene investigation, and forensic analysis to solve the killings, and eventually, find the murderer. Available on Netflix. TW: child death, talk of child sexual abuse at the hands of the Catholic Church and at the hands of teachers, graphic depictions of a corpse, film also triggering to folks who suffer from claustrophobia.
Billie and Emma (2018) – An LGBT coming of age story set in the mid-1990s featuring two teenaged girls Billie and Emma as they grapple with topics such as sexuality, family, religion, unplanned pregnancy, and the uncertainty of the future.
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tanoraqui · 1 year
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I love your world building! Your name ideas are awesome. Love the idea of Indis being a true prophetic mother name
-@outofangband
Belated thank you! Also, sharing my thought process on that one because it's a very classic Silmarillion headcanon origin: it bothers me that Indis's name means "bride." I hate how it reduces her to a feminine trope - at "best", only here to have a troubled marriage; if you're a staunch Fëanorian, a femme fatale homewrecker. I immensely dislike how this is, in fact, an fairly accurate description of her role in the story...
Which is deliberate on Tolkien's part! The "canonically correct" way to ameliorate this misogyny (though neither erase nor excuse it) is to remember that this whole text is a mixture of history, legend and myth passed through multiple storytellers over thousands of years, translated and re-translated and interpreted through the eyes of elves and men and hobbits and men again, until even if this person ever actually existed in the history of Middle Earth - IF! - "Indis" probably wasn't even her epessë, much less her commonly used name. Probably her name got ink blotted on it at some point, or mixed up with someone else's name, and the next Númenorean scholar to rewrite the text followed the Archetypal School of historical interpretation and decided to name her "Indis" because of her role in the story...
But this, too, bothers me. Because I love the framing device of these various books, I love the historian-given dubious canonicity of literally every detail of The Hobbit, Lord of the Rings, and especially of The Silmarillion. But! We need some solid canon upon which to hang all our headcanons, so it's imperative to retain a delicate mental balance of knowing everything could be made up (more than it already is by being fiction!) while also adhering to as much as possible as something that Really Did Happen - and names are pretty solidly in the latter category. I mean, everyone has multiple and for those who don't, we tend to make more up, but a belief in the basic premise of the text is necessary in order to function in any fandom, and "names of characters" is pretty "basic premise."
So it's impossible to ignore that her name is Indis; and it's impossible to ignore that the name "Indis" is closely connected to her place in the narrative, more than most characters, and that said place is uncomfortably non-feminist - you can round out her character all you like, but you have to admit that her role in the story is to be the Second Wife and Mother whose acts of being a wife and mother cause trouble! That's a fact! And it's not great! And the name "Indis" isn't helping because if she was named anything but her literal narrative role, that would be characterization! She could be noble like Artanis, she could be of the sea like Eärwen, but she's not! She's just "bride"!
...so, I redeem this by making this definition of her life deliberate within the text - and not just by a future Númenorean scholar, but by Indis's mother. (Female! O! Cs!) Furthermore, names of prophecy are implicitly grand (even if they're not necessarily either good or bad). It makes being a bride itself feel more active - and why not! Do Indis's acts of love and marriage not change the fate of the world just as much as Lúthien's? Consider that Indis's act of marriage is so important that it echoes back through the Great Music to be known by her mother as she held the future bride as a babe in arms. Consider a mother holding her child under stars beside a lake and going, "damn, this kid is gonna have ripple effects. I should add a bragging warning label."
Also, if you accept the headcanons that
a) most Elvish languages treat "sex" (physical) and "marriage" (soul-bonding) as basically synonymous; and
b) Indis spends thousands of years in the Second/Third ages patiently and stubbornly figuring out how to Make It Work between herself, Finwë and Miriel, such that all three of them can marry with genuine all-around mutual love unto the end of days, for peace among the still-troubled Noldor but mostly for happiness for herself and those she loves most (also an act of bride-ship worthy of prophecy, note) -
then you can with a straight face imagine Indis saying, "I fucked my way into this mess and I'm going to fuck my way out of it."
Feminist critique + consideration of canonical historicity + elaborate headcanon web = sex joke! Now that's good fandom!
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calisources · 9 months
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TAYLOR   JENKINS   REID   BOOK   QUOTES.   all   sentences   are   taken   from   various   of   taylor   jenkins   reid's   books.   mentions   of   sex,   marriage,cheating,   divorce,   soulmates   and   heartbreak.   change   names,   locations   and   pronouns   as   you   see   fit.
"People think that intimacy is about sex. But intimacy is about truth."
"When you realize you can tell someone your truth, when you can show yourself to them, when you stand in front of them bare and their response is 'you're safe with me'- that's intimacy."
"I had absolutely no interest in being somebody else's muse. I am not a muse. I am the somebody."
"Never let anyone make you feel ordinary."
“Men often think they deserve a sticker for treating women like people.”
“Don't ignore half of me so you can fit me into a box. Don't do that.”
“I’m under absolutely no obligation to make sense to you.”
“It’s always been fascinating to me how things can be simultaneously true and false, how people can be good and bad all in one, how someone can love you in a way that is beautifully selfless while serving themselves ruthlessly.”
“Sometimes reality comes crashing down on you. Other times reality simply waits, patiently, for you to run out of the energy it takes to deny it.”
“Heartbreak is a loss. Divorce is a piece of paper.”
“I spent half my time loving her and the other half hiding how much I loved her.”
“I think you have to have faith in people before they earn it. Otherwise it's not faith, right?”
“When you're given an opportunity to change your life, be ready to do whatever it takes to make it happen. The world doesn't give things, you take things.”
“Passion is...it's fire. And fire is great, man. But we're made of water. Water is how we keep living. Water is what we need to survive.”
“If she knew how often I was thinking about her, she wouldn't feel lonely.”
And my heart breaks for every single version of me that didn't end up with you.”
“No matter who you choose to go down the road with, you're gonna get hurt. That's just the nature of caring about someone. No matter who you love, they will break your heart along the way.”
“When you think of me, I hope it ruins rock 'n' roll”
“No one is just a victim or a victor. Everyone is somewhere in between.
“People are messy, and love can be ugly. I’m inclined to always err on the side of compassion.”
“Confidence is being okay being bad, not being okay being good.”
“How were you supposed to change- in ways both big and small- when your family was always there to remind you of exactly the person you apparently signed an ironclad contract to be?”
“You're all sorts of things you don't even know yet.”
“We love broken, beautiful people. And it doesn't get much more obviously broken and more classically beautiful than Daisy Jones.”
“We live in a world where exceptional women have to sit around waiting for mediocre men.”
“Just because something isn’t meant to last a lifetime doesn’t mean it wasn’t meant to be.”
“It hurts to care about someone more than they care about themselves.”
“Family is found...whether it be blood or circumstance or choice, what binds us does not matter. All that matters is that we are bound.”
“Nobody deserves anything,”
“It shouldn’t be wrong, to love you. How can it be wrong?”
“Isn’t it nice … once you’ve outgrown the ideas of what life should be and you just enjoy what it is.”
“Our family histories are simply stories. They are myths we create about the people who came before us, in order to make sense of ourselves.”
“I am absolutely positive that I need you more than I’ve ever needed another living soul,”
“If there are all different types of soul mates, then you are one of mine.”
“And taking pride in your beauty is a damning act. 
“Must be nice. To be able to be weak. I wouldn’t know.”
Better just to stay in the now and focus on what you can do better in the future.”
“Forgiveness is different from absolution.”
“There’s no room for you in my life anymore. And I don’t owe it to you to make any space.”
“That's what you do when you want something. You don't look for reasons why it won't work. You look for reasons why it will.”
“It's the ones who never loved you enough that come to you when you can't sleep. 
“Just because you can live without someone doesn’t mean you want to.”
“History is what you did, not what you almost did, not what you thought about doing. And I was proud of what I did”
“Alcoholism is a disease with many faces, and some of them look beautiful.”
I used to care when men called me difficult. I really did. Then I stopped. This way is better.”
“The truth often lies, unclaimed, in the middle.”
“I guess what I’m saying is it’s not all luck. It’s luck and being a son of a bitch.”
“But a good life is knowing people care about you, knowing you can take care of the people that count on you.”
“There was finally enough air within her for a fire to ignite.”
“Everything that made Daisy burn, made me burn. Everything I loved about the world, Daisy loved about the world. Everything I struggled with, Daisy struggled with. We were two halves. We were the same.”
“Love and pride don't mix.”
“I’m cynical and I’m bossy, and most people would consider me vaguely immoral.”
“When you find that rare person who really knows who you are and they still don't love you... I was burning.”
“Fate or not, our lives are still the results of our choices.”
“I have changed over time. That’s what people do.People aren’t stagnant. We evolve in reaction to our pleasures and our pains.”
“We are two people who are madly in love with our old selves. And that is not the same as being in love.”
“It’s a hard business, reconciling what the truth used to be with what the truth is now.”
But she was always the person I loved the most. She was always the person I would choose.
Water is how we keep living. Water is what we need to survive. My family was my water. I picked water. I'll pick water every time. And I wanted Daisy to find her water. Because I couldn't be it
“My heart hurts when you hurt because you are my heart.”
“You don’t need to find the perfect thing all the time. Just find one that works, and go with it.”
“You can only forgive yourself for the mistakes you made in the past once you know you’ll never make them again.”
“I'm not perfect. I'll never be perfect. I don't expect anything to be perfect. But things don't have to be perfect to be strong. 
“We loved each other and we lost each other. And now, even though we still love each other, the pieces don’t fit like they used to.”
“What's that saying? Behind every gorgeous woman, there's a man sick of screwing her? Well, it works both ways. No one mentions that part.”
“The Chosen ones never know they are chosen. They think everyone gets a gold carpet rolled out for them.”
“Your whole world can be falling apart, she thought, but then Springsteen will start playing on the radio.”
“Drunk words are sober thoughts,”
“...if you redeem yourself, then believe in your own redemption.”
“I want to be with someone who lives for me. I want to be with someone who considers me the love of her life. I deserve that.”
“No one goes around throwing caution to the wind unless the wind is blowing their way.”
“You are happier to have known him than you are sad to have lost him.”
“Love is forgiveness and patience and faith and every once in a while, it’s a gut punch.”
“It seems as if you see me exactly as I wish to be seen. There is no greater gift than that.”
“I've seen a lot of marriages where everyone is faithful and no one is happy.”
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This is a little different from your usual content. But you have so much niche information that just I love to hear about. Do you have any podcast recommendations?
WHOO okay so I'm doing my nonfiction podcast recs and leaving out my horror or audio dramas but without further ado:
It's been out of production for years, but Caustic Soda is probably my favourite of all time. It's a small Canadian production of tons and tons of episodes on everything from shark attacks to murder to warfare to bugs and anthropology. It's so fucking funny and pretty well-researched as time goes on. Honestly, I was so young listening to this that it formed part of the lens through which I view the world.
Stuff You Missed in History Class: Often corny, wee bit lame, occasionally hilarious, always solid; this one is probably the one that has taught me the most. It's been on the air forever now, and it's really fucking great. They have also used sources that I actually dug out and made public for the first time and I'm quite proud of that. Its the favourite sweater of podcasts.
Time to Eat the Dogs is about the history of science and exploration. I highly recommend it if you like any of those things. I really like the host's interview style; all the guests are academics and authors. It's very conversational and feels like having a lovely sit-down with good friends, but those friends have Ph. Ds.
Casting Lots: Two really, really funny Brits discuss survival cannibalism across time and space. This podcast informed me that a story i heard as a fireside tale was based on true events. It somehow manages to mention Canada in every other episode and then some. I love the first three seasons in particular. They have truly done some incredible work in the course of their series and pulled from some primary sources that surprised even me, an actual archivist. They're shockingly respectful for how funny they are and how disturbing the content is and really take into consideration things like culture, empire, sex and racism as they discuss cannibalism, and it's just. I love it so much, truly.
Big Old Boats: It's not technically a podcast, but I've never once in my life actually watched the video as he discusses various maritime disasters, and I don't think I've ever missed anything by doing so. This is an absolute must-listen if you enjoy maritime history, missing ships, ghost ships, or just anything weird related to a boat. Archival work I did is actually mentioned in a couple of episodes!
Not What You Thought You Knew: Another podcast I really love that was, unfortunately, a very short run but academics and actual historians debunking popular historical myths. I am very, very fond of the episodes on The Night Witches in particular.
The Midnight Library: Last but not least my favourite fucking podcast currently running. It's a nonfiction podcast framed as a fictional witch/librarian in her cursed library telling (mostly) true stories around a particular theme, human vice, or any number of stories. And the way it's framed is so fucking great. Like they're talking about real history, witchcraft and folklore in so many of these, but you get little glimpses of world-building that have honestly started to bleed into the way I write. Even the ads are for fake magical businesses like 'the League of Lady Grave Diggers, the Broom and Fang pub. The library assistant/bouncer is a werewolf. The Witch's on-again and off-again boyfriend is a spring-heel jack. It's just so fucking clever a way to frame a nonfiction podcast in a spooky atmosphere while being historical, terrifying and funny in turns.
Anywho, if you listen to any of them let me know! And sorry if that went overboard!
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mjjune · 1 year
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[all image descriptions are in alt text] [banner art by @jamieanovels !]
MJ's Reintroduction!
updated 09.26.23
i'm m or mj (or whatever you wish to call me tbh).
this blog is solely dedicated to my writing and inspiration. to see my friend's writing (and writing i like in general), see my side blog @mj-library !!
ask and tag games open!
i might occasionally post/reblog mature content, but it will be clearly marked. interact at your own discretion.
i write fantasy of all kinds, but always with a touch of queerness. i lean towards dark and mysterious with supernatural and magical elements.
my favs: found family, female friendship, fairytale/myth retellings, anything queer (especially sapphic & aroace), neurodivergent & mental health rep, disability rep, anything with angst, reluctant heroes, enemies to [insert anything here]
all of my wips have a taglist. if you wish to be added to one/multiple don't hesitate to message me <3
My Projects Below! [or see this tag!]
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DS // high fantasy
When their farm is raided by strange poisonous creatures from the sea, Sasha’s sibling is poisoned. She must journey into the deadliest monster-infested island in the world to find a cure. But the only person willing to help is a mysterious traveler—who she suspects is lying about who they are. She treks into the jungle and must uncover the truth of both the poison and the stranger, or else it might be not only her sister who suffers, but the entire island.
Status: Draft 1, 80k, alphas in-progress
Rep: gender stuffs
Full Page Here
WIP Intro Here
Blog Tags: #w: ds, #ds snippets
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TWTR // dark fantasy red riding hood retelling
After six years, The Wolf has returned seeking Red, and the Woodsman is tasked with finishing what he started. But as he tracks the beast, The Wolf leaves behind clues and messages that hint that the kingdom isn't what is seems; the history they all know is false... The Woodsman must uncover the lies and defeat the beast, or else lose the closest thing he's ever had to a friend.
Status: 73k, querying
Rep: aro/ace, trans/nb
Full Page Here
WIP Intro Here
Blog Tags: #w: twtr, #twtr snippets
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AVOF //dark urban fantasy duology
When a vampire sleeps with a werewolf to spite the ancient vampire order and homophobes everywhere, they accidentally reveal supernaturals to the human public. As media tensions, protests, and riots rise, the vampire must choose: risk everything to save his new lover, or hunt down the rarest creature in the world in hopes to prevent war.
Status: - Book 1 Complete, 97k words, shelved - Book 2 Draft 1, 109k words, editing
Rep: various unlabeled queer identities; asian, latine, black, jewish
Full Page Here
WIP Intro Here
Character Intros
Character Sheets
Blog Tags: #w: avof #avof snippets
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thefirstknife · 1 year
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speaking of the unveiling, and bc im interested in hearing more of your thoughts on it, ive always been of the opinion that even as a parable or a metaphor or allegory or whatever you want to name it, because of the nature of the setting and how destiny largely tends to approach its own metaphysical "rules" in conjunction with its various narrators, that just because something is a metaphor doesn't necessarily mean it isn't also literal? if that makes sense. maybe it's leftover from when i was more of an elder scrolls girlie, but in my mind the two are not as mutually exclusive as one would think when it comes to fantasy/scifi especially in settings like destiny. there could very well be a "garden" and a "game" but exactly what and where (i believe these maybe more metaphysical concepts than physical and im open to being completely wrong) could be something completely inaccessible to human understanding if it even exists at all. that being said, im with you in wondering why everyone is getting angry over what i thought was kind of obvious.
Yeah, absolutely! I really love how Brookes phrased it:
“Unveiling is a parable. It is effectively a religious text. And how much of that is propaganda, how much of that is myth, how much of that is fact is deeply unclear in the nature of the text.”
Note how he never said it isn't real or literal. He said that we just can't know how much of it is myth and how much of it is fact due to the nature of the text. Most notably, due to who is telling it; the author being a biased party that is selling us a pitch to sway us to its side is super important.
If Unveiling is the result of the Witness peering behind the Veil and, well, witnessing the origins of the universe and therefore coming to a conclusion that everything is meaningless and that there is no greater purpose or a specific goal, the way the Witness would then try to present these origins of the universe would be painted by its conclusions. It has to make sense, the Gardener has to be meaningless and it has to prefer purposeless complexity over anything else and therefore the way the universe was constructed has to reflect that. So the Gardener and Winnower have to fight in a garden where everything was fine until the Gardener decided to make a change and that's why the universe exists as it does. And of course, don't forget that a part of the pitch is also to make us believe that the Gardener is not the right way to follow.
So an interpretation of these incomprehensible events would always to an extent fit the narrator. That means that we're basically dealing with a single interpretation of events that transpired which are impossible to factually see and measure. Someone else who looks at the Veil and uses it to see everything about the history of the universe will probably come to a different conclusion and will tell a different story based on the same events.
All terminology in the text is also very deliberately structured for human readers. There are references to big and small things that are specifically about only humans so this text would not work on any other species; it would have to be altered. This is immediately suspect because it shows that this was written for us and isn't just something that sprung out of nowhere fully formed with facts.
Among the references; the flower game which is literally just Conway's Game of Life (you can play it here btw) and it's a conscious reference since it mentions specific terminology from the game; the whole thing about the protein p53 which specifically calls it by our human terminology; the Cambrian Explosion which references geological eras and evolution of our planet; and super interesting reference to a specific individual, philosopher Jakob Böhme which is mentioned in two different pages. Someone did a deep dive into his philosophy in regards to the Veil because the Unveiling explicitly says that "he was right and it matters more than anything." Here's a really neat post about this on reddit if you want to dive into complex philosophical stuff.
These are hints that the author of the text is trying to put things into words that would make sense to us, humans, and that would additionally sway us to believe that the author is correct. So if you're trying to explain the origins of the universe to a human that you also want to sway to your position, you would naturally have to create a mythology that a human would be able to digest and believe.
I do believe that there's facts in Unveiling, as I've noted some like for example the Vex in my post about it. How do we explain existence before existence to a human and make them believe us? Use familiar terminology (garden, gardener, winnower, vex), construct a myth that neatly answers all questions, sprinkle references and facts about the real human history to show that the author is familiar with what they're talking about and then write in a way that's approachable.
So yeah. Something must've been there before the Big Bang. Our human brain really struggles to conceptualise this and humanity has been trying to figure it out since the dawn of time; through religion, philosophy, mysticism, science and all combinations of those. It might be literally impossible to figure it out and explain something like "initial singularity," especially in a way to make some humans decide that your story is interesting and worth following you for.
It's much simpler to boil it down to a "garden" with some relatable characters who are playing a game and get into a fight. It's easier to explain that the Vex may have preceded the existence of the universe by just saying that they escaped a garden where two cosmic beings fought over a game. This "place" (if we can call it that) might still exist, but by the virtue of being outside of our comprehension, it's easier to describe it as a garden with characters and a tree and some strange lifeforms. It's certainly more captivating than reading about real theoretical physics like for example this (as incredibly fascinating as it is, a lot of it will absolutely fly above people's heads, including mine).
The point is, the story could absolutely still be based on facts, as Brookes said, we just don't know what those facts are. The text itself is not telling ONLY facts because that's not its purpose, not to mention that it's easier to explain and entertain people by giving a cool myth with fundamental forces of physics and existence being shown through personifications who talk and argue and fight. People taking those personifications literally has always been weird to me because the text itself tells us they're allegorical. It's admitting that it's trying to explain things that are difficult to explain and is using a way for us to conceptualise this (showing itself as a benevolent entity that is eager to give us information), while also using this conceptualisation to weave its own propaganda in it at the same time.
Some of this will clear up soon. I'm very eager to find out if we'll ever get more of the Traveler's perspective on any of this. I would love to hear the Traveler say something at some point again. That would probably help us do our best to figure out more about what's fact and what's myth, but even that would be biased, in a way, even if the Traveler is the Gardener; the Gardener would still be telling us its own view of things. But another perspective would definitely help. Either way, it's a fascinating piece of text and an interesting dive into some really intriguing scifi concepts. I'm definitely not expecting some substantial 100% provable fact on how the universe began, as that question exceeds what a video game story can tell us, but will there be something that fits the setting? Some sort of an answer, as close to the truth as possible? Maybe!
To close this off, I always liked the story about the origin of the universe of the species called the Tiiarn, as told to Caiatl by her childhood mythkeeper, the psion Ahztja:
"Imagine the universe as swirling chaos," Ahztja said softly. Caiatl closed her eyes and saw it. "Among the chaos stands Irkyn La, the First Host, who blinks herself into existence with the First Thought: chaos must come to order." Caiatl saw a creature, tremendous beyond belief, in her mind's eye. "And so to satisfy the First Thought, which would become the First Law, Irkyn La consumes the chaos of the void and gives birth to the ordered universe." Caiatl opened her eyes, and they were bright with intrigue. "That is how the Tiiarn would say the universe began," Ahztja said. Caiatl looked at the toy in her hands, and then back at Ahztja. "Where does this giant woman live?" "The Tiiarn would say she is the very fabric of the universe. When you look to the sky, when you look out into space, you are looking into Irkyn La's mouth."
Who knows, maybe there's some truth to this myth as well.
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hompunkulus · 1 month
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This blog is about some history and my journey through Satanism, so I think it's a good time to stop calling myself a Satanist. I haven't found God, he doesn't exist. I'm not turning a new leaf, I'm just at the point where it is a budding dogma that can't get it's head out of its own ass.
If I say I'm a Satanist, three things come to most people's minds and I have issues with all three and it's not that important of a label for me anymore. The Devil is tempting me away from human concepts of his philosophy and majesty. I love the Devil, but the modern interpretations, omit much of the beautiful and influential literature, are horse shit.
1. Am I a member of the Church of Satan? No, because all I have ever done is argue with members that cannot admit fault. Even if you point it out in their literature, they always have an argument. Sometimes it makes sense and I understand better, but often it's just because they have brainwashed themselves into believing their own drivel. Sounds a lot like zealot Christianity.
2. An I a member of The Satanic Temple? Also, no, I am not. Lucien Greaves has a backround in Far-Right ideologies and even prompted the ACLU to defend a known White Supremacist in the early 2010's because, "Freedom of Speech." Well, Hate Speech is not, nor should be, protected under law because it's very existence is about taking right away from minorities, even to the point of violence. He did 'apologize' but, well, watch the video. It will point you to some nasty truths of the Temple.
youtube
You don't even have to watch the entire thing to get the point, but probably should to show support to the creator.
They are also based on double standards, much like their forefather, the Church of Satan. "We're atheists and we don't believe in magic!" Then why is Shiva Honey making money off selling magical products? They consider it ritual for psychological purposes... in chaos magic we call it the Paychological Model of Magic.
Just to be nitpicky, they sued Netflix for having a similar statue of their Baphomet in The Chilling Adventures of Sabrina. That's a waste of money and time for the causes that matter. I guess we should just conjure Eliphas Levi and have him sue the Satanic Temple!
I'm also not an athiest.
3. Then I'm a Devil Worshipper! Not exactly, because I don't believe in gods in that way. They are not anthropomorphic creatures, ancient ancestors, or any such thing to me. Gods, in my practice, exist much like consciousness does. We don't know what it is, how it is, why it is, or it's full potential, we just know that it is. It is also amorphous and abstract, no face, no body, no emotion, just something that exists and from time to time interacts with our objective universe.
Maybe I should use a rock as an example. It exists. It has no real purpose. Much like a god, it is damn near eternal, hard to break, and observes and remains until someone moves, buries it, or breaks it. Maybe a mountain or the ocean are better examples. Vast, myth inspiring, but they are not conscious like humans are, but they are powerful generators of myth and magic.
Satanism has had its place in my life, a very important one, but to consider myself a Satanist is to lie to myself and is not a battle I care to have with others. To reitirate, I still love the good ol' Devil and his concept as the Witch Father and various other deviations, but the Devil is not Satan and modern Satanism hardly acknowledges the Devil and their ilk in the way I have come to know them.
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thegodcyclecomic · 9 months
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Hello again! Thank you for your post that covered my question on what sources of inspiration you used for Athena. It was super enlightening!
I know this is a tall order because the myths are broad, but could you discuss what aspects of characterization and dimensions you feel are often ignored about Athena? This is me practically begging for a meta post, but I genuinely love hearing your thoughts on her because I agree with your assessment that roughly most media tend to lean to simplistic aspects of Athena. I like hearing from your inspiration notes that you thought of Athena’s childhood with Pallas and how she is more of a pragmatic character that has agency.
I have a lot of thoughts on this so this post won't be as comprehensive as I originally intended, I will be briefly covering the points I want to list out. I try my best to base my writing of Athena on the canon source material, but there will be aspects that veer into my own interpretation/headcanon territory. All Iliad passages here are from the Robert Fitzgerald translation.
Anyway, here are the aspects of characterization I think are normally ignored when authors write Athena.
Her calculating nature / intelligence
This one sounds weird because it's paradoxically the first thing that comes to mind when writing Athena. The issue with this is the same issue when amateur authors try to write characters who are smarter than them: They resort to cheap shortcuts and stereotypes to show a character is "smart".
Examples of this would be the overusage of chess imagery. It's a game that wouldn't exist in Ancient Greece anyway, and it's a measure of spatial memorization rather than strategy. In real warfare, everything is variable to change. Chess pieces don't have motivations or biases that could influence their actions. Opening moves in chess have their counters, but real-life tactics allow you more freedom on how to engage with it.
The next writing shortcut people resort to re: Athena's intelligence is how they use her reading books to show she is "smart" but don't really elaborate on what kind of books she reads of what topics she specializes in which is already in the mythos that can give you lots of ideas.
I mentioned this before but when I started TGC I had a hard time characterizing Athena at first because I didn't understand her domains too well. So you know what I did? I picked up books about military history, Ancient Greek laws, political theory, philosophy, and similar. Learning about these things gave me a perspective of "how would the personification of the state act if they were a person?". Ancient Greece was big on the Social Contract, as exemplified in Socrates's speech in Plato's Apology.
There's a lot more to it, I'm not doing it justice at all in this post. But that's the idea. In the Oresteia, Athena created the practice of cross-examination for murder trials, and then immediately proceeded to undermine the entire justice process by attempting to bribe the prosecution (the Furies). In the Iliad Book 4, she disguises herself as a Trojan soldier to trick Laodokos to shoot Menelaus to break the ceasefire-- essentially enacting what we in modern day would call a False Flag Operation. It's so quintessentially Politician(tm) of her to do.
Athena's intelligence comes from how she seeks to improve and make efficient current systems, like her strategy to Ares's warfare. Or her various inventions in mythos. Another one would be her ability to manipulate people and situations to push for the outcomes she wants. You can see this in her various dialogues in the Epic Cycle:
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Athena grifting in the Odyssey in a speech she makes to Zeus about why she should be allowed to assist Odysseus.
520: Athena kept the pace behind them, bearing her shield of storm, immortal and august, whose hundred golden-plaited tassles, worth a hekatomb each one, floated in air. So down the ranks that dazzling goddess went to stir the attack, and each man in his heart grew strong to fight and never quit the melee, for at her passage war itself became lovelier than return, lovelier than sailing in the decked ships to their own native land -Iliad Book 4
and this
100: “Son of Lykaon, I have in mind an exploit that may tempt you, tempt a fighting heart. Have you the gall to send an arrow like a fork of lightning home against Menelaus? Every Trojan heart would rise, and every man would praise you, especially Paris, the prince— you would be sure to come by glittering gifts if he could see the warrior, Menelaus, the son of Atreus, brought down by your bow, then bedded on a dolorous pyre! Come now, brace yourself for a shot at Menelaus. engage to pay Apollo, the bright archer, a perfect hekatomb of firstling lambs when you go home to your old town, Zeleia.” That was Athena’s way, leading him on, the foolish man, to folly. -Iliad Book 4
from what I can understand, Athena's domain of wisdom is not just limited to giving insight to people-- but also in obscuring the truth and leading others to their ruin. Which is in line with one of Athena's epithets which is Απατουρια (Apaturia) "Deciever".
Often times in other adaptations, they relegate Athena's intelligence to spouting random facts or a "nerdy" personality. Or they nerf it so that she doesn't solve these braindead plots in 2 seconds. Take Athena from Lore Olympus for example, the Athena of canon would've never allowed any of this shit with Persephone and Apollo undermining Zeus to happen TT_TT if you have to make your characters stupid for the story to work, then it is a bad story hands down.
2. Interpretations regarding Athena's relationship with heroes
This is something I see a lot where Athena is written to have a personal investment in her heroes like they are "her blorbos" (actual words I've seen people on this hellsite use for this). I'd like to direct your attention to this passage from of Athena speaking in Iliad book 8.
My father, now, is full of a black madness, evil and perverse. All that I strive for he brings to nothing: He will not remember how many times I intervened to save his son, worn out in trials set by Eurystheus. How Heracles would cry to heaven! And Zeus Would send me out of heaven to be his shield. Had I forseen this day that time he went down, bidden by Eurystheus, between Death’s narrow gates to bring from Erebos the watchdog of the Lord of Undergloom, he never would have left the gorge of Styx!
The way I understand this passage is that Athena does a lot of "NPC questgiver" tasks for Zeus in an attempt to curry favor from him. It's a calculated choice on her part and not something she does out of the kindness of her heart. A similar situation occurs when Orestes asks Athena for aid, she helps him on the insistence of Apollo.
Regarding Odysseus, I'm sure there is some fondness she has for him-- but that doesn't stop her from allowing him to be struck by storm (as collateral damage for the crimes of Ajax the lesser for raping Cassandra in Athena's temple). Or from her setting up the suitor problem so she could convince him to murder them all.
If you've noticed, all of Athena's champions are some kind of high-ranking warriors. A king or general or prince. You would think that the goddess of wisdom would favor the philosophers more, or would choose more often to avoid violence. But Athena is very quick to choose violence, it's who she is. And she needs a tool that she can use as a blade.
(these are my interpretations, if you disagree thats fine) 3. Athena as a "peaceful" goddess
This one makes me laugh and also drives me insane.
There are two Homeric hymns that directly and clearly contradict this idea.
(HOMERIC HYMNS 5 - 33, TRANSLATED BY H. G. EVELYN-WHITE) a. The Homeric Hymn to Athena
Of Pallas Athene, guardian of the city, I begin to sing. Dread is she, and with Ares she loves deeds of war, the sack of cities and the shouting and the battle. It is she who saves the people as they go out to war and come back. Hail, goddess, and give us good fortune with happiness!
b. The Homeric Hymn to Aphrodite
...Yet there are three hearts that she cannot bend nor yet ensnare. First is the daughter of Zeus who holds the aegis, bright-eyed Athene; for she has no pleasure in the deeds of golden Aphrodite, but delights in wars and in the work of Ares, in strifes and battles and in preparing famous crafts. 
What I find insightful about the second one is that it gives a specific reason for why Athena cannot be moved by romantic love. It's because war occupies the space in her heart that love would normally be. Both hymns specifically name drop Ares, so the idea that Athena finds Ares's violence to be repulsive is just blatantly untrue. If anything, she adores it. The time it would become an issue for her is when his rampages act against her greater interests, which is the source of all their duels in canon.
Other proof for Athena being generally violent can be inferred from her characterization in the Iliad, the instances of which are too numerous to list here.
4. Athena's personality defined by her lack of childhood.
I mentioned this in another post, but Athena was born from Zeus as an adult (though in TGC I changed this to being born as a pre-teen. This is intentional and serves a purpose). What we know about psychology today is that for normal social and emotional development, young children need to form an attachment with at least one primary caregiver. Athena being born as an adult means that she would've missed out on important development milestones that other gods would've gone through.
I will preemptively say that before you bring up the "theyre Gods they're not like humans" that as far as mythos is concerned, the way that gods behave and think is almost exactly identical to that of humans. They experience the same range of emotions humans do, as well as grief and trauma. So I will consider that their psychology is also the same with the difference being that they might experience mental degradation not typically seen in humans because of cumulative negative experiences over a long period.
Back to Athena, the only framework she would have to start from literally being born yesterday would be the fragments of memories she gleaned from being inside of Zeus's head. I think this would be confusing for her, as these are from the first-person perspective of Zeus, so using his memories but lacking context for those experiences might lead to an early identity crisis. Athena would then have to play catchup in learning extremely fast everything to fill those blanks.
This is why I think Athena has a hard time forming personal connections. She doesn't have a true equal. Athena's relationships are defined by power imbalances and transactions, and that is how she understands relationships in general to work.
5. Athena's humanity.
I think what bothers me the most about Athena in adaptations is the lack of humanity given to her character. I know I just went over why she's a manipulative machiavellian character, but what I see is that Athena often gets relegated to the Unfun Stick in the Mud character. She exists to ruin the fun of the Fun Chaotic Dudes Dionysus, Hermes, and Apollo. She doesn't have anything going to her except being a snitch and a daddy's girl, or worse, she exists to be "put in her place" by other male gods. This is why I really dislike Fedini's and "incorrect greek gods" take on Athena. I think there's this underlying biases that an ace-coded goddess can't have anything interesting about her, because all media on tumblr and fandom these days are broken down to fucking shipping instead of seriously engaging with the source material. I've seen people call her a Mary Sue or act like she is an annoying bitch for exhibiting personality traits that would be praised in a male character (the traits of a Byronic Hero).
Portrayals of Athena go one extreme or another, either she is a wholly Good goddess or she is a Villain/mere annoyance. It's a real shame to see, because I hope I can show you now that she is a wonderfully complex and morally grey character. I want to see Athena's curiosity and how she tries to understand the world from her own perspective. I want to explore her relationships with Zeus and her siblings like Ares and Apollo outside of the Meme'fication of Greek mythology.
Anyway, that's all I can think of for now, I hope this answers your question. If you have any point you'd like me to explain more, I'd be glad to make another post in greater detail.
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mask131 · 11 months
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While I'm at it, because I just had a little beef with a fanatical Christian who couldn't believe I was born in a Christian setting because I had a pentagram as an icon (you see the kind of person)... [Edit: For more details they were a clearly antisemitic Orthodox person who, after refusing to believe I was anything else than Jew, atheist or a devil-worshiper, starting lashing out at me when I said I had a Catholic upbringing saying I was the cause of the crusades and the reason Hitler was alive, yada yada, you know the kind of crazy religious person]
So I decided to have a brief Christianity talk. Not much but just this:
If you ask me, yes, there is a Christian mythology, even though people do not like this term - because there is a bunch of Christian legends and Christian myths that form a Christian folklore and a set of Christian tales with distant, weak or inexistant links to ACTUAL Christian teachings, rites and the actual Christian religion.
And I do believe that folk-Christianity is a fascinating thing that deserves to exist alongside official, actual Christianity. Santa Muerte, and the local saint celebrations, and strange Christmas and Epiphany beliefs, and this story about God and Saint Peter getting drunk at a farmer's house, and the fairytale about Jesus and the Virgin Mary throwing the devil and his wife in an oven to save the girls they wanted to eat... Anyway, no matter how much one can try to destroy folk-Christianity it will always survive because it was centuries and centuries of rites and beliefs spread across several continents, and you can't destroy that easily.
The thing that many people do not get is that a lot of what is Christianity today was completely made up. There's not a lot of Christianity today that was originally in the Bible. There's a lot of Christianity as practiced by the first Christians that was lost. The dates and meanings of celebrations like Easter, All Hallows Day or Christmas kept changing all year long. Lots of saints were completely invented. Don't even get me started on the apocryphal Gospels!
This is why studying and understanding the history and evolution of a religion always allow one to be more understanding of what the religion currently is and what is actually an "option" in it. Religions never stayed the same thanks to times changing, scholarly debates, schisms dividing it into various branches, political and economical forces being at play, translations from one country to the next - and that's not just true for Christianity, but also for all other religions. Islam, Judaism, Buddhism... They all had their own evolution, they all are today very different from what they started as, and to better understand them one needs to learn of their past, what they were, what they still are, what they're not anymore. Heck, today there are talks in India of kicking out and banishing all Buddhists when the religion started there! But now, Buddhism's main nations are China and Japan, and its Indian roots almost entirely forgotten...
Fanatics usually fail to do this study of their own religion's history and evolution, because they imagine that the past was just always a carbon-copy of the present, and that their beliefs stayed unmovable monolith coming straight from God (or whatever principle they follow) instead of something that went through centuries of men and women and governments.
Just look at why and how Protestantism came to be. People realized the Church had added a lot of stuff that wasn't there when Christians first appeared, and decided to return to the "original" Christianity, rejecting all the added, invented stuff. Like the celibacy of priests: Christians priests married and had children in the first centuries following the Christ's death. And the only reason Catholic priests took a vow of celibacy and virginity was because of economic concerns with inheritance matters. Jesus never asked those that followed him to never have children or never marry or never have sex.
Or take the existence of Purgatory! Completely invented by the Church around the Middle-Ages, never spoke about by the Christ or part of the original Christian religion, then quickly removed a few centuries later as a non-existent, borderline heretical superstition, and that yet survived in folk-Christianity, and then in popular culture.
In conclusion, I would have to say that there is one book that made me realize a lot of things about religion as a whole, and that convinced me to go from Catholic-Christian to simply deist. Terry Pratchett's book "Small Gods", which exactly put into words my feelings about the world: there is a difference between religion and organized religion. There is a difference between belief and the organizations built around this belief, between faith and the hierarchy created around this faith. The Church is like a shell that was built around the turtle that is the faith/belief/god - and sometimes, when the shell becomes too big and too heavy or too unfit for the creature it hosts, it smothers, hurts and kills the faith/belief/god, until there is only the shell. And people stop referring to the turtle, and only speak and interact with the shell.
This is the perfect explanation of how Jesus only preached peace and love and friendship and forgiveness, and its priests later invented the Inquisition and caused the witch-hunts.
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nebbyy · 6 months
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FIRST OF ALL
Thank you all so much for the support, it really means a lot for me cuz I was so worried that my writing wouldn't be liked. BUT, this isn't the reason I'm posting rn.
So as you might know, I'm a history enthusiast, ESPECIALLY about ancient Greek history and mythology. And I've been reconnecting to the PJO fandom a lot lately, and since many people started to take interest in it too after the new series, I thought this was the right time to talk about a thing that never sat right in my head.
Athena's children.
Don't get me wrong, I like how they depicted their birth in the series, but after all I've studied during all these years, all the texts I personally translated from the original Greek inscriptions and all, I still don't think that Athena would ever make kids of their own.
She's a very jealous deity (think about the Arachnis myth and many many others) so why would she give birth to an offspring that would inherit part of her own wit and intellect, knowing there's even the smallest chance that they could surpass her own skills.
She wouldn't really see a point in making kids.
But, and this has happened various times in mythology, she gladly protects other heroes as long as they fight and win in her name.
So, my idea to perfect even more the PJO world, I've been thinking for a long time that Athena's cabin could consist of demigods from various godly parents, maybe some even unclaimed, but all satisfying Athena's standards. Idk if this is just me reaching insanity or if this is actua a good idea, it made sense in my head😭😭
Anyway, that's it, thanks for coming to my Ted talk :3
ALSO quick reminder that requests are still open and won't be closed anytime soon💗💗
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stormblessed95 · 2 years
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Hello Stormy! :)
What are your thoughts on Jimin’s photobook pictures and the possible hints on his bisexuality? Could we add this to “Jimin’s rainbow moments”? I particularly think it is pretty significant that he shared all that with us after saying that he wanted to show us his raw self. But I would love to know your opinion, specially because your posts on their rainbow moments are the best. 💜
Hi! Sorry this post got a bit postponed but I'm finally ready to post and I'm just going to use this ask to talk about my thoughts over the photofolio itself here too! And all the pretty clear and what seems to be blatant queer coding that he used throughout his themes and design choices here too. Starting with the first concept shoot he did and going from there.
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The theme Jimin had for his concept was "persona." He wanted to showcase, in his own words, his colors, various sides of himself that he hadn't always gotten to express. To be raw and honest through the process. The process of this concept was one he started planning back in October of 2021, probably the initial stages of concept planning took place even before that.
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Concept 1 (ch 1) he wanted to express the side of himself that was full of thoughts, worries, and is a bit lonely. You can see some of the photos from that concept here too
So one thing I'll talk about here was his tattoo of Artemis that we saw peaking out from his collar. Artemis is referred to symbolically through this shoot (the moon spotlight) and the others well. Artemis is the Greek Goddess of the Hunt, Wilderness, Wild Animals, the Moon, and Virginity. One thing to make note of though is that in Ancient Greek, the same word for Virigin means Unmarried Woman. Basically making her the Goddess of Maidens. Which is true as we know from the many myths surrounding Artemis, her and her maiden followers basically never took a man to bed or to love a man, among other things. We also know that she wasn't a "virigin" in the way of never having sex, she had a female lover, her name was Callisto. Her twin brother, Apollo, was also, among other things like being the God of the Sun and Music, he was considered to be the patron of same sex marriages. He was often called upon to bless same sex unions. He also has been noted through MANY myths to have had multiple lovers throughout time of both genders, male and female. Both Apollo and Artemis show up as busts in later chapters in Jimin's photofolio too. Artemis and Apollo throughout history have often been used to represent themes of femininity/masculinity, light/dark, and night/day. The contrast and embracing of these various sides is something Jimin has often explored in both his photoshoots and his performances. Jimin even calling attention to how he wanted to express the lightness and darkness within during this shoot as well. And that's your mythology lesson for today! 😅😂
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Jimin shot these scene portraying a more melancholy mood. Surrounded by broken mannequins, a darker color scheme, light coming through but overall a darker concept. One that expresses his worries, his fears, his loneliness. Which I don't think anyone else can understand. We can empathize, especially for those of us who deal with things like anxiety and depression on the regular. But can I ever even pretend to understand the loneliness that comes from the level of fame he is at? The second guessing who is in your life for YOU and not just for your clout? The second guessing of every action because every move you make is analyzed and critized by the public in mass? How even when you are surrounded by people on every side, you can still at time feels alone? I'm so glad the members have each other, because they will understand those worries and that loneliness better than anyone else ever could. And if you add in the suspected possible queerness, in a country where you know you wouldn't be accepted? Adding that on top of all that fame? I know how hard that has to be. And I think Jimin did an incredible job expressing some of these harder feelings through this particular shoot.
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In the second shoot, the theme was color: freedom. He said for this chapter he wanted to express something more innocent, like an unrefined boy. Freedom. Interesting to me that the colors he chose to represent freedom are the bi flag colors. You can find some more photos from my post here
The first thing I'll mention here is how HE MENTIONED that one of his focuses during this shoot was his adornments, the tattoos, the glitter, the crown...
He has a "tattoo" that says Free Love, one word on each part of his arm. Free Love is a movement that started in the 19th century but only really picked up notable progress in the 60s about how its a social movement that accepts ALL kinds of love. The initial goal was to seperate the government from all sexual and romantic matters. And even if we take away the movement part of this "free love" is very "love is love is love." All types of love are important and matter. It's very.... queer coded, at a minimum is very *ally* of him. Lol The Love also had what looks like the male symbol ♂️ in it in place of the "o." Which defintely says SOMETHING. He also had tattoos of the words Filter, which is his solo song and we could get deep into all the possible meanings behind those lyrics as well, but that's a seperate post. He also had tatts of the Sun on one hand and the moon on the other. Drawing back to those Artemis and Apollo parallels?
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On top of this we have a rainbow necklace and rainbow beads used in his crown. An emphasis on heavy makeup, the idea he wanted to just show us an unrefined boy. He wanted to present himself as raw and "unrefined" as he could, all the colors and symbols meant to represent his inner self. And I think that's beautiful. Again playing on the masculine and feminine symbols, he is posing with an Apollo bust, who again, is a very queer God with all his bisexual king behaviors in myths 😂 He is also wearing a shirt from the pride section from Yves Saint Laurent, from an openly gay designer with very open support for gay rights. Not to mention the colors Jimin associated with Freedom are the Bisexual Pride colors, and if we add in the color scheme of his wings into the photos as well, it's giving the gender fluid colors as well. Which again, fits into his masculine/feminine comparisons through this whole shoot and many of his other shoots/performances. Including incorporating both very stereotypical poses for both masc and femme energy. It's giving Jimin embracing his contradictions, both sides of himself and everything about everything included in this photoshoot, is saying bisexual. Or at minimum, it's saying LGBTQ+. This whole chapter is heavily queer coded, the others are too, but this more than anything else.
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In the 3rd shoot, he stated he wanted to portray the tougher, cooler side of himself. And I think that translated very well. You can also notice that the moon and sun tattoos on his hands stayed on and stayed visible even if the others were covered up. He did various poses and also posed with a bust of Artemis too. You can see some more of the photos here
I think it's also interesting to note that the concept that is stereotypically more masculine was included with the bust of Artemis, who generally represents femininity. And the concept that is stereotypically more feminine was included with the bust of Apollo, who general represented masculinity. I think it's an interesting play and statement that shows both are there, both are always present. Even when one side is showing more than the other, both are always within him and both are always part of who he is. His femininity doesn't go away because he is giving more masculine energy at some point and vice versa. And its the way that artemis' bust has kintsugi on the cracks which symbolises embracing your flaws and imperfections. It's beautiful. And it's a beautiful way of showing that your imperfections are part of what MAKE you beautiful. It's not something to be ashamed of or to hide away. I think its an incredible way to show Jimin possible embracing all parts of himself. Even the parts he considered to be flawed, or not perfect or that he may not like as much. Accepting his differences and what makes him unique and recognizing that those things are part of what makes him who he is. And that who he is, is inspirational and beautiful, inside and out.
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And his last concept! He stated that this was the concept he worked on the most. It was him wanting to tell a story and he used the mannequins all around himself to represent all his different personas. All the different aspects of who he is and what makes Jimin, Jimin. You can find some more of the photos here
This again, feels very linked and reminiscent of his song Filter with the use of mannequins. If anyone wants me to do a breakdown of my thoughts of Filter or even Persona, Namjoons solo, let me know, because both songs touch on similar ideas and concepts that I believe Jimin was going for in his photofolio too. Which is super interesting. The mannequins representing more abstract and simplified versions of his personas (maybe even in filter too?) Is super interesting to me and I love the idea behind it. How much of each of your personas (because we all have some, even if we don't have as many as celebrities might) do you show at once, or even when you are being open and vulnerable, do you only expose the most abstract and simplified verisons of yourself all at once. It takes time to break down those walls. No matter who you are. It's brave to present yourself in front of so many like Jimin, and the other members, do so often. He also can link Artemis through symbolism here in this concept too. She has been the common connection through all 4 chapters. Artemis is often depicted as the Goddess of the Hunt or with a deer/stag. Note the similarities in the masks Jimin used?
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Another link to Filter and to Artemis here too would be how Artemis, in mythology could shapeshift. Which bares startling resemblance to Jimins Filter lyrics about being able to become anyone, anything, whatever you want. Pick your Filter, and he can do it. And I think his range and complexity in personality and in who he is and how multifaceted of a beautiful human he is (we are all complex) is displayed beautifully through the various and different concepts he chose here. And how even though they are wildly different, they also connect and compliment each other so well. Jimin is SO beautiful, inside and out.
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Also trying not to be giddy over the fact that Jimin and I both had our favorites of his concepts be the first one, with the moon lights. We both loved the color scheme. AND how if Artemis is his favorite Goddess, we have that in common too 🥰😍 I'd love to pick his brain one day. He must have the best conversations about everything, even just life in general.
ANYWAY, I think that mostly covers and wraps up my thoughts over his photofolio and his concepts. And how queer coded the entire thing is or can be. Hope yall don't mind I answered your ask and did a "my thoughts" post all in one. And again, sorry for the delay in getting this post out to everyone!!
Also a P.S. reminder that my links to photos only include SOME of the photos. The photofolio was 80 pages long and had extras. Lol I don't have that many photos linked. Sorry! You can find and watch many flip throughs of the entire photobook on YouTube though, like this one here, which is long and comprehensive!
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Love yall. Hope you all have a good week!!
Editing to add this link as well, which is HD scans links to the ohotos in Jimins portfolio as well as the poster and photocards!
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