#but the ideas keep recurring

[taperwolf]

Love Live Nijigasaki fanfic ideas that keep nagging at my mind:

The thing I mentioned a bit ago about Mia's possible resentment of "Jellyman Kelly", tied into the Famous Musical Taylor Family

The Game Designer Setsuna, game programmer Rina AU based on the Love Live Days poll/illustration and populating the rest of the Nijigasaki girls into roles a la NEW GAME

A story where Yu actually puts some introspection into her tokimeki and really considers what it means that she wants "to be the one to make you happy" for between 12 and 30 girls

And as a SIP bonus,

A Peggy Sue fic where Yazawa Nico is bounced back to her childhood and wrangles her way into 346Productions' Third Entertainment Division for a crossover with Idolmaster Cinderella Girls u149

(Why a Peggy Sue? Largely because the point is to see Nico bouncing off the u149 girls, especially Arisu, Momoka, and Risa. But without the years of rejection and loss that she'd suffered up until the formation of μ's shaping her bitterness and studied persona, it's hard to imagine her being very, well, Nico. If instead we have her reliving things — her post-HS-graduation mind cast into her body when she was back in year six, say — she could be Nico in personality, but one who's decided she can't risk just waiting through her life for high school to come again. No, she's going to start this idol thing young! She'll take the entertainment world by storm! And surely she can gain enough influence to get the talent scouts to notice some other girls. If life gives you lemons, you just have to make lemonade and assemble μ's six years ahead of schedule.)

[yet-another-discorded-whooves]

So on from questions about the master, if no one’s asked already do you yourself have a companion you travel with?

[ Introducing Loathing in a Loaf. ]

[gibbearish]

also considering making a video on like. how to get into scps. because Most People get bounced off the first few times they try bc they dont know where to start and just like. read through different entries one by one and take the wrong links and skip over the right ones and dont even KNOW about hidden submenus or the declassified subreddit or the canon hub

[fencesandfrogs]

Me sitting up from a dead sleep at 8am: time to torture characters

[crowdsourcedloner]

for verre 😭: How easily do they cry? Do they ever cry in front of other people? When was the last time they cried?

In day-to-day life it's hard to make Verre cry. She's resilient in social situations, takes things as they come, and is excellent at keeping a cool head in emergencies - things have to be going extremely sideways for her to break down crying. She's an effective emotional rock for the people around her and a reliable shoulder to cry on for her loved ones.

That said, Verre is an incredibly sentimental person. Especially about flowers. Any gift of flowers - dried, pressed, fresh, or otherwise - will lead to her crying sooner or later, though she prefers to retreat to the privacy of her workshop before the tears start if she can. She's not always successful.

as far as the last time she's cried... it's hard to say. mostly because my timeline for her is still heavily under development... odds are it's a time where she gets overwhelmed with her memories or she's relieved after worrying about her family?

[yuridovewing]

need to develop this so bad cause i only really thought it up while doing the family trees but i am thinking about hollytuft and sleekwhisker's toxic yuri

[duckapus]

Episode Idea: So You Think You Can Rap?

The title's namesake, a somewhat popular televised rapping competition, is coming to the Mushroom Kingdom, and the showrunners have asked Bob to be a judge alongside Girlfriend and PaRappa the Rapper. Characters both relevant and not have come to see if they've got what it takes to win, including a few members of the crew, while the rest are in the live studio audience to support both Bob and their friends onstage.

Unfortunately for everyone, one of the contestants turns out to be a disguised Mr. L, who managed to evade capture when the kids defeated him at the end of the Rosen Thorn storyline. His latest plan involves a hypnotic voice modulator, which he created by analyzing the footage of Lily using her siren powers on Anton. It's up to Lily, who's immune to the device thanks to a previously undiscovered secondary aspect of her power, Luigi, who's immune thanks to it technically being his own voice performing the hypno-rap, and Boopkins, who's immune due to being tone-deaf, to stop him from taking over the Mushroom Kingdom.

[pathsofoak]

I tried to build Justin's house/farm in the Sims last night and I regret to announce its mental image in my head breaks the laws of physics and therefore it cannot be visualized

[deoidesign]

A general cane guide for writers and artists (from a cane user, writer, and artist!)

Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!

This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.

This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions in your writing, but you absolutely should continue to do your own research outside of this guide!

This is NOT a medical resource!!! And never tell a real person you think they're using a cane wrong!

The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!

A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.

Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height can make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)

(some people elect to use a cane wrong for their personal situation despite this, everyone is different!)

(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)

When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane and the bad leg and follow with the good leg!

Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.

In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.

Now we come to a very common mistake I see... Using fashion canes for medical use!

(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)

The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!

Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.

The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!

This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!

However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.

Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)

Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.

Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)

(my canes, for reference)

If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!

When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!

For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.

When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)

When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)

That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!

Happy disability pride month! Go forth and make more characters use canes!!!

[broadwayfangirl222]

I made a past post showing parallels between Gideon & Bill a while back but the main parallel I noticed are their relationships to Ford and Mabel:

They used to be close to Ford/Mabel before their messed up actions caused a falling out between them

Gave them chances to join their side

Held them captive during the course of Weirdmaggedon

Now this could've been accidental and me just reading into things but the Book of Bill had this recurring idea of Bill being Ford's toxic, abusive ex. It just really cemented this parallel and the idea of Bill being Ford's Gideon.

IN ADDITION - While this might be reaching, I think with this idea in mind, there's an additional way to read to Gideon's line:

"Bill explained it to me nice and simple. She was always destined to be mine. Now that I have her trapped in a cage, she'll learn to love me. I have an eternity to wait"

Another way to read that is, Bill's projecting onto Gideon & Mabel a bit and this was what he initially had planned with Ford: Keep them trapped, and use the endless amounts of time they have to make him "learn" to love him, but then the barrier surrounding Gravity Falls derailed that

[phannibal]

so do i make a 911 blog orrrrr

[corkinavoid]

DPxDC More Shit Fae!Danny Has Said While Living With Waynes

Dick, opening his arms wide and going for a hug: hey, Danny!

Danny, looking him in the eyes without blinking: did you know that centuries ago fae really liked to crawl inside human bodies and use them as nests? I heard human insides are really warm and squishy.

Dick, sweating, frozen in place: ...no?..

Danny, smiling and cheerfully jumping to hug Dick: I didn't either!

Jason, because he is feeling adventurous today: I have a question. Where do Fae come from?

Danny: Ah, so B hadn't had the Talk with you yet, what a shame. So when a woman and a man love each other very much-

Damian: Enough of your foolish jokes, I do not wish to hear the sex talk from you. To answer your question, Todd, Fae come from the dreams.

Jason, deadpan: ...really?

Danny, very awkwardly: Um. Dami. Brother to my soul. I'm so sorry.

Damian: What?

Danny: I told you we come from dreams only because you were four. That's not actually how it works. We just fuck.

Duke, narrowing his eyes at Danny suspiciously: So, for the past week and a half, I've been having this recurring dream about you eating my brain with a fork like spaghetti. I was wondering, is it, like, a you thing or a me thing?

Danny, very offended: Duke! Not every weird thing that happens in this house is my fault! That is very rude of you!

Cass, after Duke had apologized profusely and left: You.

Danny, rolling his eyes: Yeah, okay, I did do that. In my defense, his fear tastes like the perfect greasy cheeseburger, and I have to get my fair share of junk food somehow.

Cass: >:(

Danny: Okay, I'll stop. Eventually.

Bruce, in his nth attempt at gaining information from Danny: How do you know if someone is a Fae or not?

Danny: Throw a fish at them.

Bruce: ????

Danny, not even looking up from his phone: Fish are scared of the Fae. So if you throw a fish at someone and the fish gets scared, they are Fae.

Gotham Rogues a week later: We have no idea why Batman keeps throwing guppies at us, but we collectively suspect his new child is to blame.

Danny: Oh, I'm forbidden to enjoy caraoke nights.

Steph, who suggested he join: What? Why? Is it some kind of punishment for the pizza incident?

Tim: No, it's because if he starts singing, we all lose our grip on reality.

Damian: And our dignity.

Danny: They mean they start dancing whether they want it or not, and I have videos to prove it. Wanna see Jason twerking? Or I have one with Tim and Bruce waltzing through the manor.

Steph, as everyone else bemoans their fate: With great pleasure.

| <- prev | next ? |

@violet-foxe

[zenlesszonezero]

Join Zenless Zone Zero with Tsukishiro Yanagi, the deputy leader of Hollow Special Operations Section 6! Beneath her ordinary office lady exterior lies a meticulous, emotionally intelligent big sister to the team.

[trans-axolotl]

also in regards to that last article about varied ways of thinking about psychosis/altered states that don't just align with medical model or carceral psychiatry---I always love sharing about Bethel House and their practices of peer support for schizophrenia that are founded on something called tojisha kenkyu, but I don't see it mentioned as often as things like HVN and Soteria House.

ID: [A colorful digital drawing of a group of people having a meeting inside a house while it snows outside.]

"What really set the stage for tōjisha-kenkyū were two social movements started by those with disabilities. In the 1950s, a new disability movement was burgeoning in Japan, but it wasn’t until the 1970s that those with physical disabilities, such as cerebral palsy, began to advocate for themselves more actively as tōjisha. For those in this movement, their disability is visible. They know where their discomfort comes from, why they are discriminated against, and in what ways they need society to change. Their movement had a clear sense of purpose: make society accommodate the needs of people with disabilities. Around the same time, during the 1970s, a second movement was started by those with mental health issues, such as addiction (particularly alcohol misuse) and schizophrenia. Their disabilities are not always visible. People in this second movement may not have always known they had a disability and, even after they identify their problems, they may remain uncertain about the nature of their disability. Unlike those with physical and visible disabilities, this second group of tōjisha were not always sure how to advocate for themselves as members of society. They didn’t know what they wanted and needed from society. This knowing required new kinds of self-knowledge.

As the story goes, tōjisha-kenkyū emerged in the Japanese fishing town of Urakawa in southern Hokkaido in the early 2000s. It began in the 1980s when locals who had been diagnosed with psychiatric disorders created a peer-support group in a run-down church, which was renamed ‘Bethel House’. The establishment of Bethel House (or just Bethel) was also aided by the maverick psychiatrist Toshiaki Kawamura and an innovative social worker named Ikuyoshi Mukaiyachi. From the start, Bethel embodied the experimental spirit that followed the ‘antipsychiatry’ movement in Japan, which proposed ideas for how psychiatry might be done differently, without relying only on diagnostic manuals and experts. But finding new methods was incredibly difficult and, in the early days of Bethel, both staff and members often struggled with a recurring problem: how is it possible to get beyond traditional psychiatric treatments when someone is still being tormented by their disabling symptoms? Tōjisha-kenkyū was born directly out of a desperate search for answers.

In the early 2000s, one of Bethel’s members with schizophrenia was struggling to understand who he was and why he acted the way he did. This struggle had become urgent after he had set his own home on fire in a fit of anger. In the aftermath, he was overwhelmed and desperate. At his wits’ end about how to help, Mukaiyachi asked him if perhaps he wanted to kenkyū (to ‘study’ or ‘research’) himself so he could understand his problems and find a better way to cope with his illness. Apparently, the term ‘kenkyū’ had an immediate appeal, and others at Bethel began to adopt it, too – especially those with serious mental health problems who were constantly urged to think about (and apologise) for who they were and how they behaved. Instead of being passive ‘patients’ who felt they needed to keep their heads down and be ashamed for acting differently, they could now become active ‘researchers’ of their own ailments. Tōjisha-kenkyū allowed these people to deny labels such as ‘victim’, ‘patient’ or ‘minority’, and to reclaim their agency.

Tōjisha-kenkyū is based on a simple idea. Humans have long shared their troubles so that others can empathise and offer wisdom about how to solve problems. Yet the experience of mental illness is often accompanied by an absence of collective sharing and problem-solving. Mental health issues are treated like shameful secrets that must be hidden, remain unspoken, and dealt with in private. This creates confused and lonely people, who can only be ‘saved’ by the top-down knowledge of expert psychiatrists. Tōjisha-kenkyū simply encourages people to ‘study’ their own problems, and to investigate patterns and solutions in the writing and testimonies of fellow tōjisha.

Self-reflection is at the heart of this practice. Tōjisha-kenkyū incorporates various forms of reflection developed in clinical methods, such as social skills training and cognitive behavioural therapy, but the reflections of a tōjisha don’t begin and end at the individual. Instead, self-reflection is always shared, becoming a form of knowledge that can be communally reflected upon and improved. At Bethel House, members found it liberating that they could define themselves as ‘producers’ of a new form of knowledge, just like the doctors and scientists who diagnosed and studied them in hospital wards. The experiential knowledge of Bethel members now forms the basis of an open and shared public domain of collective knowledge about mental health, one distributed through books, newspaper articles, documentaries and social media.

Tōjisha-kenkyū quickly caught on, making Bethel House a site of pilgrimage for those seeking alternatives to traditional psychiatry. Eventually, a café was opened, public lectures and events were held, and even merchandise (including T-shirts depicting members’ hallucinations) was sold to help support the project. Bethel won further fame when their ‘Hallucination and Delusion Grand Prix’ was aired on national television in Japan. At these events, people in Urakawa are invited to listen and laugh alongside Bethel members who share stories of their hallucinations and delusions. Afterwards, the audience votes to decide who should win first prize for the most hilarious or moving account. One previous winner told a story about a failed journey into the mountains to ride a UFO and ‘save the world’ (it failed because other Bethel members convinced him he needed a licence to ride a UFO, which he didn’t have). Another winner told a story about living in a public restroom at a train station for four days to respect the orders of an auditory hallucination. Tōjisha-kenkyū received further interest, in and outside Japan, when the American anthropologist Karen Nakamura wrote A Disability of the Soul: An Ethnography of Schizophrenia and Mental Illness in Contemporary Japan (2013), a detailed and moving account of life at Bethel House. "

-Japan's Radical Alternative to Psychiatric Diagnosis by Satsuki Ayaya and Junko Kitanaka

[whysamwhy123]

WIP: RE4 DustJim thing

Yeah, this bitch played (and by ''played'', I, of course, mean watched a Youtube walkthrough) of the RE4 Remake and thought ''What if this was about some of my blorbos?''. Didn't get far and probably won't finish this one at all for reasons, but it was a funny little idea in my brain - Dustin being this badass secret agent tasked with finding and rescuing Jim, the president's son.

Dustin recalled the meeting he'd had with the president. Even though she was a good foot and a half shorter than him, he'd never felt more intimidated in his life. She looked like she was in a living hell - which, he imagined, she was - but she spoke with such authority and power that Dustin couldn't get the words out of his head.

''I want to make two things very clear to you, Mr Howard,'' she had said. ''First, there will be no red tape on this assignment. I'm giving you carte-blanche to do whatever the fuck you need to get my son home in one piece. I don't care about collateral, and neither should you. Second, you do this for me and I'll give you whatever you want. I'll transfer you to any department, get you any position, any job you want. You want money? Name your price. Hell, I'll make sure you have the rest of your goddamn life paid for and you can sit at home drunk off your ass for all I care. Just find my son and bring him back to me.''

It wasn't the kind of offer he could refuse. Dustin kept staring at the photo, the face of the man in question smiling back at him, blissfully unaware of what was going to happen to him in the near future. He wondered if he'd made the biggest mistake of his life, accepting this mission. Potentially, the last mistake he'd ever make.

[yesimwriting]

An Act of Service

Pairing: Aemond Targaryen x reader

Summary: Your father has loyally served the Iron Throne and royal family for many years. No one would ever assume the Grand Maester wanted more for his family's name until he has the opportunity to send his daughter to help treat the pain that's plagued Prince Aemond since the childhood injury that cost him his eye.

Warnings/info: canon deviations (maesters are vowed to celibacy and not allowed to have families bc of the exact political reasons this fic follows, but i really wanted to write this, so we're going to pretend that they can have kids), thinly veiled implications of reader's father wanting to "sell" his daughter out to a prince to aid his family's position

A/n I hate to be the part 2 girl but the ending set up a part 2 so well i may have to

----

It's systemic, the proportioning of herbs so familiar you barely need to glance away from the bronze mortar.

Your arm reaches forward, your eyes briefly darting away from the metal bowl and towards the neatly organized botanicals at your father's work station. You reach for dried petals, the remnants of a rose's remains crumbling slightly beneath your touch.

"Very well," the words are earnest, a rarity when it comes to your father's praise. "But do not get so comfortable you forget your measurements. These remedies may be creations that we feel, but they are also exact."

You nod once, allowing the petals to fall into the mortar before setting your hand against the work table. Your father's unofficial lessons are precarious, often based on his mood and defined by his meticulous nature. He did not achieve his position within the Red Keep through careless work.

Today, he seems content, his peace evident in the lightheartedness of his corrections. Days like this keep your world on its axis, the time with your father making you ever grateful for his position as well as your own. It is rare for a Maester's child to be allowed to stay near their father, let alone work within the same home as him. His place within the Red Keep allowed him the privilege of bringing you and your younger sister to work as royal maids after your mother's passing.

"Of course."

He plucks another petal from the jar, dropping it into the bowl with no sense of malice. You're glad for his patience, but in all honesty, you're grateful for his attention and lessons no matter his disposition.

As a woman, you may never be able to become a Maester or dedicate your life to the work that fascinates you, but his lessons still hold great value. You help your father heal others between your domestic labors within the Red Keep, and at times, you aid sick or injured members of the royal staff.

He nods approvingly, giving you the confidence to reach for the pestle. You begin to grind the combined herbs sitting inside the mortar.

Hurried footsteps echo from somewhere beyond your father's door. You hesitate, eyes darting towards the entrance. You are not barred from assisting your father with his labors, but many frown on the idea of a woman so close to such an important Maester's work.

The door is pushed open with a protesting groan from its tired hinges. The individual turns, revealing a too familiar uniform. A guard.

You blink, immediately turning your attention towards the unfinished herbal remedy in front of you.

"Grand Maester," the man's greeting is curt, uncertain as he glances in your direction. You busy yourself with blending your herbs. "It is the prince, once again pained by his missing eye."

That alone tells you all you need to know about the guard's hesitation to speak in front of you. You've never once spoken to Prince Aemond, but everyone knows of the childhood injury that cost him his eye. Some maids even claim that a great deal of current political turmoil stems from the mistake that occurred during youth driven roughhousing.

The recurring pain that has afflicted the prince since is a lesser known ailment. Over the years, your father has often been called to the prince's apartments at odd hours to clean and treat the prince's permanent injury, late at night or during the early hours of the morning, when the halls of the Red Keep are most empty.

Your father moves away from the work table and towards the shelf of prepared medications. "Did the prince describe the pain? An ache, soreness..."

"It is a burning pain," the guard begins, "The prince did not go into detail, but he did say his skin felt warm."

Your father stills. "That is not his usual ailment." He turns to face the guard. "I will need to cleanse the eye before the pain can be treated."

The guard is silent for such a long moment you find it in you to look away from the safety of the work table. "His highness...The prince has mandated that no Maesters be brought to him. He only wishes for me to bring him the salve you offered him last."

The Grand Maester begins to pace forward. "May I send his highness the girl?"

Your hand stalls too suddenly, the pestle striking the mortar's side. Surely, your father is referencing some--some other girl. A prince's maid that he is familiar with, or--

"My daughter has witnessed and aided me in my practices her entire life. She is well versed in the process of cleaning injuries and applying remedies in a way that avoids contamination." The guard is silent as his attention shifts onto you.

The guard finishes regarding you with no real flourish. He looks over at your father. "The prince's desires were clear, he does not want more people aware of the situation than necessary."

"You would have a prince of the realm apply a salve himself to an already agitated wound without first having it properly cleansed?" He begins to walk forward, approaching the guard with a confidence you've seen him wear before. "I am more than willing to serve him at a later hour, but his ailments do concern me, and time is a significant factor."

The guard says nothing as your father continues to take measured steps towards him. "She offers the prince the discretion of a maid and the skill of a Maester."

Warmth begins to burn its way up your neck. You had never been put into the position to work closely with the royal family, only ever seeing them from a distance. That does not mean you have not heard stories.

You're not a particularly shy or nervous maid, you understand your place and the importance of keeping silent. But the princes...gossip about them often permeates the maids' quarters. Prince Aegon and his entitlement, Prince Aemond and his anger. Why is your father attempting to throw you to the dragon's? Is he--is he that concerned about the prince's current state?

The guard's eyes briefly find yours. "She can't tell anyone."

Your lips part, unsure if the statement is meant for you or your father. Before you can think of anything to say, your father agrees on your behalf, "She is loyal to the crown and instruction. Rumors will not spread from my daughter's lips." There's a beat of silence, and then the guard's careful nod. "Very well. I will gather the necessary materials."

"I must return to my post, a maid will be sent to take her to the prince's apartments." With those final words, the guard begins to approach the door, glad to be done with his involvement on a change that may upset the prince.

Once the door shuts, and you are finally offered the privacy of your father's company alone, the dread you had been warding off burrows itself in your chest. "Father, why--why would you ask to send--"

"I have treated the prince for many years, more than other Maesters within the Red Keep because of his desire for privacy, discretion." Your father's attention returns to the already prepared remedies. He steals a small jar from its place, setting it on the work table. "You are well trained, and no one will assume you are there to treat the prince."

He opens a drawer of bandages. "You also have a kind disposition, and a patience with the injured that even the most experienced Maester would envy. The prince's exterior may be hardened, but I remember him as a sensitive child."

The reminder of his childhood wedges itself into your chest, distracting you from your own fears long enough for you to feel something akin to compassion. Forever suffering due to an injury inflicted by the brashness of childhood anger.

Your father sets the bandages next to the salve. He then reaches for a cleaning ointment you are familiar with, placing it on the work table as well. Now satisfied with his collected materials, his attention finally finds you.

He approaches you slowly, a fondness not often seen pooling in his eyes. If this is a way of bringing your father pride, perhaps this task will not be as dreadful as it seems. "You have matured before my very eyes, growing into your mother's heart and beauty."

Your father extends an arm, his palm coming to brush against your cheek. The gesture is easing, a display of affection he has rarely offered you since your mother's passing. His fingers settle against your hairline, his nails carefully combing a stray piece of hair behind your ear.

"If you are to walk through the halls of the Red Keep, your hair should not flow as freely as a child's." The comment digs at you in a way you do not comprehend. When no worthy reaction comes to mind, you nod.

He steps back, attention returning to the supplies laid out on the work table. "Be careful, take your time checking the prince for infection and other sources of irritation. See to his needs, you are a good, kind girl. I am sure you will find a way to offer the prince comfort."

You swallow, unease settling in your stomach once again. With that, your father turns away from you.

----

The residential halls of the red keep are vast, with never ending turns and stairwells that come together to form a sort of labyrinth. Despite your lack of familiarity with the prince's maid that came to find you, you are grateful for her guidance.

She eyed you and the laundry basket disguising your medical supplies skeptically, but made no attempts to question you as she led you through the castle. Maids that are tasked with the direct care of the royal family tend to be familiar with the other staff members that work closely with the nobles. This woman has already recognized you as an oddity, a stray in routine.

If she had seemed less hesitant to be around you, you would have liked to ask her for her name, and to perhaps find a sense of normalcy through common ground. Her rejection and pointed distance has forced you to try to find a sense of peace through your surroundings.

You've rarely found reasons to wander through this part of the castle, the beauty of it serving as a way of distracting your racing thoughts.

Your guide stalls in front of a large set of doors. "These are the prince's apartments." She pushes open the doors, allowing you to enter before her. "The prince is resting in the room behind the seating area."

Your eyes land on the wooden door behind the small couch. One misstep in that room and things could very well be over for you and your family.

"Will you be able to find your way back?" The question is small, almost hesitant. You're sure she was tasked with getting you to and from the prince's apartments, but there's something about her stance that feels flighty. She does not want to enter the room the prince is resting in.

You have no way of knowing how Aemond reacts to treatments or his own pain, but if he fears the court gossiping about ailments enough to refuse a visit from a Maester, you doubt he takes well to maids witnessing his vulnerability.

"Yes," an act of mercy for you both, "Thank you for bringing me here, but I am certain I can make it back on my own."

She lets out a breath, nodding once. "Then I will return to my usual duties."

Considering that her usual duties revolve around Aemond, there's a good chance she's simply accepting the opportunity to excuse herself. You don't mind, glad for the excuse to not draw attention to what you're here for. She leaves you without another word.

You approach the door pointed out to you, firmly rapping your knuckles against the wooden surface once. A flat, "enter" provides you the strength to push open the door.

The details of the room are more intriguing than you can afford them to be, the intricate patterns on his walls and the ornate carvings etched into his bed frame so enticing a part of you nearly forgets of the prince.

You blink, forcing yourself to focus in an attempt to project the maturity your father had seen in you when he recommended you for this task.

You step further into the room, your eyes landing on the bed. There he is, head resting against the pillow, majority of his body covered by plush bedding.

Your father has only ever felt honored to care for members of the royal family, no matter Prince Aemond's sentiments, you're sure you'll feel something similar. "My prince?"

His head turns, the movement sluggish. "You...Who are you?" The words are more labored than they are defensive. That is not enough to ease the dread in your chest.

You exhale carefully, "The Maester--the Grand Maester sent me." You remain near the doorway, your hold on the laundry basket tightening. "I have a salve for your ailments."

He lifts his head further, his forearm pressing into the mattress. This new angle allows you to see the entirety of his features, the sharp slope of his jaw, the set of his lips...the jagged scar that cuts across porcelain skin. He regards you with an openness that leaves you without words.

The scar that marks him does not dull the beauty of his well sculpted features. Seeing him like this, studying him and what the loss of his eye has taken from him leaves your face warm, as if you've been caught searching for something not meant for you. You've never heard of a maid that's seen him without his sapphire eye.

"Alright." The response feels significantly less hostile than he was a moment before. "Leave it at my bedside table."

You walk forward carefully, mind begging you to think of a way to bring up why your father sent you here. "My pri--"

"You did not answer my question." The authority in his statement doesn't feel like an accusation. When you remain silent, he continues. "You are not my usual maid, the one who is sent to retrieve items from the Maester."

"No," you agree, "The Maester suggested that I bring you your remedy because he found the description of your pain slightly worrisome. He wanted to abide by your wishes to not be visited by a Maester while also assuring that your injury was properly cleansed before being treated." After a beat of no response, unease burrows itself further into your chest. "I can leave you, if you'd pref--"

He turns his head to better look at you, strands of silver hair falling past his shoulder. "What could possibly qualify you to cleanse a wound?"

The question, though delivered sharply, is a fair one. "The Grand Maester, my father..." If the revelation intrigues him in any way, he gives no indication of it. "Has had me assist him with his duties nearly my entire life. I have been trained in basic care and am confident in my ability to properly cleanse a wound."

Prince Aemond is silent for a moment, watching you with an all consuming focus. You've heard stories of his intensity, of his seriousness. The prince pushes himself to sit up fully. "Very well. The maid before you left clean water and rags at my bedside."

Your attention shifts to his nightstand, a small bucket and wash cloth waiting on the hardwood surface. You nod, digging through the clean sheets of your basket until you find the remedies and bandages your father had picked out for you. You lay out your supplies before looking over at the prince.

He has always seemed tall to you, but with him sitting in his bed, you cannot think of a proper way to lean over him to reach his eye while standing. You turn your head, eyes landing on a small desk and chair tucked into a corner. "My lord, would you mind if I..." You gesture towards the chair.

"Do as you need."

You nod in acknowledgement of his permission before moving the chair to his bedside. You dip the soft rag into the water before sitting. The proximity of your new position is oddly disorientating. Small Folk may not be held to the same pious standards as noble born women, but your father has raised you with certain expectations and regulations. With the exception of family, you doubt you've ever been this close to a man.

You lift the rag, but you cannot bring yourself to press it against his skin. "May I?"

He straightens. "Yes."

Even with that, you cannot will yourself to begin the cleaning process. Your father has always been careful when it comes to treating others, following every rule no matter how minor the injury. "My father has taught me to feel the area bordering the wound before cleaning it to make sure the extent of the injury is understood. However, I know this is an older wound, so if you'd prefer for me to only clea--"

"You may do as your father instructed. I am accustomed to the prodding." Sympathy briefly jabs at you. This is something he's experienced for over half his life.

You nod before lifting your free hand, fingertips gently brushing against his cheek. His skin is warm, perhaps a little warmer than a person should be. Your fingers shift forward gingerly, following the path of his scar. The closer you get to his eye, the warmer his skin feels.

"You don't look like him."

The comment pulls you out of your analysis. "Pardon me?"

"Your father," he tries again, "You don't look like him."

If his tone had been any less soft, you might have interpreted the observation as an accusation. "Oh, no." Your touch continues its path across his features. "Actually, I've often been told I take after my mother."

The skin around his eyebrow feels different than the rest of his injury, puffier, as if beginning to swell. Odd. "Does she work in the Red Keep as well?"

His curiosity is jarring, but not unwelcome. Having an excuse to speak makes focusing on such a personal task seem less invasive. "She did..." You blink in an attempt to reduce the impact of thoughts of what happened to your mother. You're doing well, you cannot allow an old grief to ruin everything. "Before she passed."

Prince Aemond hums once, the sound giving no indication of anything. Pleased with your preliminary analysis, you let your hand fall away from him. You turn to once again dampen the cloth held between your fingers.

"What happened?" The question is void of both empathy and brutal curiosity.

You bring the cloth to the side of the Prince's face. "She died..." Your only defense against his gaze is to focus on the irritated skin near his eyelid. Such swelling on such an old wound cannot be typical. "Bringing my sister into the world."

He falls silent again, allowing you to concentrate on dabbing the washcloth against his cheek. "I'm sorry."

Heat begins to burn its way up your chest, the way it always does when your mind dwells on the loss of your mother for too long. "I appreciate your sympathies, my prince."

Water beads against his skin, a single droplet beginning to drip downwards. Your hand stretches forward on instinct, thumb dragging against the hollow of his cheek to wipe away the water.

You do not realize your error until it is much too late. While wiping away the excess water dripping down the skin of an equal is expected, to do so to a prince without so much as asking first implies a familiarness that you are not entitled to.

"My lord, I apologize--there was water--" You stumble through your explanation while pulling your hand back.

Aemond extends his arm, long fingers latching themselves onto your wrist. His touch, though sudden, is far from harsh. You cannot manage to take in a full breath. "There is no need for apologies." He does not release you until you nod.

You return to cleaning his wound, this time making sure to be aware of your instinctual movements. The flesh above what once was his eyelid is jarringly hot. What would your father do? He'd--he'd examine the irritated area.

You shift towards him, so close you can make out individual strands of his silver hair. Your mind works at keeping your breaths even. There is a small area of his skin that's more swollen than the rest. At the center of the swelling, there's a thin line that seems to extend beneath his brow bone and into the space once occupied by his eye. As gently as you can manage, you lift the cloth to the space above his eyelid. He winces.

"I'm sorry." You're immediately pulling back, your spine pressing against your seat. "Are you hurt?"

Aemond's eye flits away from the wall in front of him and onto you. His lips are pressed together, his expression incredibly stoic. "No." The lie is a fragile thing that cannot matter. You saw him flinch. "If anything, you have been more thoughtful than most."

There's a tentative softness laced through the syllables, a hesitance that does not suit him. His careful assurance feels heavy, the pressure of it grounding you. In certain contexts, you can see how the strength of his personality could be perceived as violence, but there's something else to this quality...an intensity that can also apply to good things.

"I'm glad you feel that way." The nail of your thumb digs into the wash cloth. "I--I think I know why your eye has been troubling you, my prince."

His eyebrows draw together, expression coming dangerously close to displaying curiosity. "Why?"

"The skin just above your eye is slightly swollen and more irritated than the rest of your injury. When I examined the swelling more closely, I noticed a scratch." You pause, thinking through your wording. "It's small, but seems to be irritating the scarring around your original injury. You should have an ointment applied with your usual salve to ward off infection for the next few days."

You can't interpret the silence that follows. His expression morphs into something heavy. "A scratch?"

"It is nothing to be concerned about, my prince." The source of his pain is small, if he is careful, there should be no risk of infection or long term consequence. "Truly, the scrape is no wider than..." You glance around the room, looking for something to estimate the size of his injury. Your eyes fall to the hand on your lap. You lift your arm, holding your palm out between the two of you. "The width of my smallest finger."

Aemond lifts his own hand, his fingers bending around around yours. You let him move your arm forward. He studies your pinky before dragging his thumb against your knuckles. The gesture is so comfortable you have to work at not pulling away. He lets out a quiet breath.

"My prince?"

Aemond's hold on you tightens. "Such a dismissible ailment, and I am left defenseless."

Oh--had he taken your attempts at easing him as an insult? His current wound may be small, but skin so marred is easily agitated, easily made sick. "I did not mean it that way." The earnestness of your own voice should startle you. "Your pain is no dismissible thing, the extent of your original injury is brutal enough, I cannot imagine how it feels for it to be agitated."

The words tumble past your lips so quickly, you are not given a chance to think through them. It is never a good idea to express opinions in front of the nobles. "I apologize for over stepping, my lord."

"I told you," his thumb moves against your knuckles once more, "There is no need to apologize."

You nod, still not feeling completely certain. "You should feel much better after the remedies take. The swelling will likely begin to go down before day's end."

His focus remains on your hand. Aemond releases you slowly, his fingers dragging against your skin as he lets go. A part of you is glad for the excuse to return to the familiarity of your tasks.

You open the ointment, fingers gathering a generous amount before returning to Aemond's wound. "Where do you usually work?"

"Often with my father, preparing remedies and organizing herbs and other supplies." You spread the product onto his skin carefully, your touch as light as you can manage. "When I'm not doing that, I assist the other maids, usually with the laundry and in the kitchen."

He nods absentmindedly. You straighten as you finish applying the salve. You wipe your hands onto the discarded washcloth before unscrewing the jar containing the salve.

Aemond is still as you apply the salve onto irritated skin. This time, as your fingers trail against his skin, you can feel Aemond's gaze focusing on you. You work quickly, focusing your distribution of the product onto the cut beneath his brow bone.

Finishing is more bittersweet than you expected it to be. You're glad to know that you've done what's been asked of you, to know that you've done nothing to offend the prince. However, some small part of you is reluctant to leave.

You reach for the cloth, dampening the fabric before wiping your hands clean once more. "The medications should begin to alleviate your pain soon." You twist the rag between your fingers. "Is there anything else you need, my prince?"

He watches you for a moment. "Only your name."

Unease lunges at your chest, nearly making your heart skin a beat. It is quite rare for a noble to ask for a servant's name, especially if the servant does not regularly see to their needs. When Aemond continues to watch you expectantly, you offer him your name.

He tries your name on his own lips, repeating it slowly. Unsure of what the proper response would be, you briefly dip your chin downwards in a subtle nod.

His lips part. You straighten, preparing for the appropriate dismissal. "Sit with me a little longer." The phrasing is gentle, but it feels far from a question. "Conversation would be a decent distraction."

You wring the washcloth further. Cautionary tales of low borns who found themselves overly comfortable spending time with the royal family have been recited to you as often as traditional bedtime stories. However, there is nothing inherently wrong with making polite conversation if it is asked of you. Either way, the dangers do not matter. It'd be a fool's error to directly deny the prince.

"Of course, my prince."

The immediate silence that follows tangles your stomach. Aemond has asked you for conversation as a way to distract himself from his pain and you have nothing worth saying to a prince. You lift your head, glancing around the room. Your observations are in vain, what common ground could you both possibly have?

Your eyes land on his desk. There are a few books stacked neatly on the wooden surface, one with a familiar title written on its spine. "Are you reading The History of the Conquerors?" The question feels too abrupt without a clarification, "I finished the final volume less than a fortnight ago, my lord."

Aemond studies you so openly you almost convince yourself you've misspoken. "You read?"

Despite the politeness of his tone, his true question is easy to assume. A majority of maids and other royal attendants can only read certain words, being taught just enough to get through their day to day lives. Your father had gone out of his way to teach you to read fully. He originally taught you to read to make it easier for you to understand texts detailing remedies and health conditions, but you quickly developed a passion for any text he could bring you.

"Yes, my father taught me." You smooth the washcloth over your lap. "Originally, he wanted me to be able to read about treatments and diseases, and now he is forever cursed to find me new reading material." As soon as the words are out, you're immediately mentally cursing yourself for your casualness. "I apologize, my prince, that was a...joke."

He shifts, his hands coming to rest on his lap. "I told you not to apologize." The correction leaves an uncomfortable heat clawing its way up your chest. Your nails dig into the rag. Aemond lets out a breath. "And you do not have to trouble yourself with proper addresses."

That's--You know for a fact that no maids in the Red Keep have ever spoken of a noble dismissing the need for formal addresses. If it happens, it's something kept secret. Not even your father, who has known and treated the prince since he was child, addresses him casually.

You squeeze the wash cloth, the fabric dampening your palm. "Alright." The word sits there, floating aimlessly without his title to guide it.

Aemond nods before allowing his attention to shift towards the books on his desk. "Did you enjoy the book?"

"Yes." At least this is a topic you feel capable of speaking on. "The descriptions of the seven kingdoms before they were united together were interesting, I haven't found many historical accounts that go that far back."

He takes a moment to digest your response. "It is a detailed account, but at times the writing seems to overly rely on the author's perspective."

"To me, that felt intentional." The excuse to debate narration is more welcomed than it should be. "The author is only taking the time to recount these events because of his personal investments in the conflict. The constant references to his own position felt like an attempt to get ahead of any accusations of bias."

Aemond sits up a little straighter, one of his hands coming to rest on the side of his bed. "That's a fair interpretation, though if that's the assumption we're reading under, it is a poor attempt at denoting political bias when compared to The Recounting of the Dornish Wars."

The Recounting of the Dornish Wars is a relatively popular account, your father had no trouble finding you the first and third volume. The second volume seems to be more of a rarity, something no one in your world has been able to track down yet.

"That's a good point, but the author of that account was in a completely different situation." You fold the towel in half. "It's one of my favorite accounts, even without the context of the second volume, the depiction of the conflict is so thorough one can still understand all the dynamics that came into play."

Aemond taps his fingers against the comforter, the rhythm slow but steady. "Without the second volume?"

"I've yet to track it down, but I've read the first and final installments." The admission feels small, almost uncertain. You move past it quickly, hands fidgeting with the wash cloth on your lap as you continue, "What did you think of the final act? I liked the sharpness of the ending, but I can also see how the suddenness could come off as inconclusive."

His hands move back to his lap. "I enjoyed it. I found the ending's sharpness an accurate depiction of a dragon's strength."

Right. To him, the historical accounts and enthralling tales are more than just stories. They're a part of him, familial legacies he is expected to continue.

A part of working within the Red Keep is dismissing any curiosities you may have regarding what is left of Old Valyria. The Small Folk may think of the dragons, may even discuss them in private, but they do not ask their riders about them.

This is the danger of losing certain formalities, lines begin to blur. You squeeze your hands together before asking, "Really?"

The corner of his mouth pulls itself upwards. Aemond presses the heel of his palm into the mattress as he shifts. "Even the smallest dragons are more fearsome than you can imagine." He angles himself towards you, morphing the remaining distance between the two of you into something inconsequential. "Each of them capable of a destruction that could devastate entire armies."

You're more drawn in than you should be. There's very little you can offer in return. To the Small Folk, the dragons are closer to an ideology than something to be known. Your curiosity combines uneasily with the acute awareness of his proximity. You rest your chin against your elbow. "Your dragon is...Vhagar? The same one from the History of the Conquerors?"

His chin dips forward, making the gentle curve of his mouth impossible to ignore. The prince's sole eye remains on you as it is dragged downwards, the pace of his analysis so unhurried you can feel each moment of it. Bearing the weight of Aemond's full focus is no small feat.

"Vhagar was once ridden by Queen Visenya, who used her size and strength to help unite Westeros." His voice is low, giving the reminder of what is connected to him through blood the reverence it deserves. He shifts even closer, the warmth of his breath now a tangible force against your skin. "And now she is mine."

Heat claws at your skin. You feel your lips part, but there is no waiting response. Before you can string together a coherent set of words, the familiar echoing of footsteps brings you back to the world outside of Prince Aemond.

Your spine straightens on its own accord, the entirety of your back pressing against the seat. Your fingers find the wash cloth again, nails digging into the fabric as if attempting to make up for the time the fabric spent abandoned on your lap.

There's a soft knock agaisnt his door, one Aemond only halfheartedly acknowledges with a blank "enter". He does not move until the door begins to creak open, and even then his new positioning is subtle, more of a turn of his head than an actual attempt to create distance between the two of you.

A maid, the same woman who first led you through the twisting halls of the Red Keep, is standing in the doorway. Her gaze briefly finds you before settling onto the prince. "My Prince, the Queen wishes to meet with you in the great hall before supper."

Aemond is quiet for a moment. You cannot will yourself to look away from the doorway to read his expression in an attempt to understand the silence. "Alright, tell my mother I will be there in a moment."

The maid nods. "Of course, my prince." Her eyes fall to you once more, the corners of her mouth tugging downwards before she shuts the door.

You maintain your posture as silence falls over the two of you. He studies you with the same openness that's characterized most of this interaction. An odd pang of some somber feeling you can't quite place strikes at somewhere deep inside your bones. "Do you need anything else before you meet with the queen?"

He presses his lips together before responding, "There is a book at the end of my desk that I've been meaning to return to the library."

You nod, a part of you relieved to be given such an understandable task. You stand, arms reaching for the abandoned laundry basket before you've fully straightened. "Of course." You adjust the basket onto your hip before letting your attention fall to the supplies still on his nightstand. "I'll leave the supplies here so that you can reapply the ointment and salve before bed."

You step back, eyes falling to the desk chair. One arm falls away from the basket, fingers coming to grasp the seat's wooden spine. "You may leave it."

The instruction is strange, but you don't think much about releasing the chair. "Of course." You move a few paces back before looking over at him again. Much to your dismay, the newfound distance does not rid your mind of the warmth of his breath against your skin. "If you'd like, I can tell my father that you'd like him to visit you tonight to check on your eye."

"No," his tone is decisive, "I trust your work." An unexpected pride swells in your chest at his certainty. Aemond sits fully, his legs moving out from under his bedding and onto the floor. "In fact, I'd like you to return tonight to check on my recovery."

Tonight. Your mind leaves you with no response. It is one thing to be sent to treat the prince when you are the only option for him to maintain the privacy he desires, but to come to his apartments at the hours you've heard of your father being called during, when the world is quiet and all the well behaved are already in bed.

You force those thoughts to stall. Aemond is a prince, and this is only an act of service. This is not a source of impropriety. "Of course, I'll be here when you call."

His acceptance of your compliance serves as a dismissal. You turn towards his desk, your eyes scanning the neatly organized items before finding the sole book waiting at the surface's edge. A copy of the second volume of The Recounting of the Dornish Wars.

This cannot be more than mere coincidence. You blink, throat a little drier than it was a moment ago. You're careful as you pick the novel, your hand supporting the book's spine. "This--"

"The library is not expecting it back for some time, but I believe it is best to keep things orderly." His voice remains neutral, but the set of his mouth, the upturn of his lips is much too knowing to not imply more.

He has directed you to a copy of the book you've been searching for that no one will think to look for for some time. The gesture settles against you, squeezing your chest in a way that makes it difficult to keep breathing. You allow yourself to grin openly as your gaze shifts between the prince and the book in your hand. "I agree, my prince."

The title falls from your lips before you can prevent it. You had been doing so well at disregarding titles...Perhaps it had been an act of fate, or some desperate attempt of your subconscious to remind you that any imaginary kinship your mind has created while treating him needs to be forever abandoned at his apartment's threshold.

His expression morphs into something unreadable. Instead of reminding you of what he had told you about titles, he says, "Aemond." The suddenness of his name throws you. "When we are alone, I'd prefer it if you called me Aemond."

Warmth burrows itself in your chest. If you thought any of the casualness the prince had shown you throughout your time here was dismissible, this is the opposite of that. A nail in a coffin you do not understand.

Still, you nod, fingers tightening around the book as you respond, "Then...I agree, Aemond."

A sharp nervousness digs into your chest, taking control of your limbs as you turn away. You leave his room without another word, a maid's basket on your hip and the prince's book in your hand.

----

a/n if you want to see the reader come back to aemond's room later pls lmk bc i think a part 2 would be fun :)

[jamesmcalover]

Dreamwalking

First Class!Charles Xavier x Mutant!Reader

Warnings: a bit spicy i guess? but no actual smut. idk what happened here... not proof read

Summary: the reader has the ability to enter people's dreams and stumbles across the one of Charles Xavier

Until finding out that mutants existed, you've never thought of your ability as a mutation, it was more of a spiritual skill to you, maybe even a blessing.

"Dreamwalking" is it what you called it. The ability to visit someone's dream, appear in their unconscious mind, manipulate it, or your favourite activity – fuck with them. Since dreaming is such a mystery to the world, you can easily go unnoticed when entering someone's dream and creating loops, for example. One time, you trapped a person in a recurring loop, where they experienced the same scenario over and over again, believing they've woken up only to find themselves still in the dream. Of course you have never done this with cruel intentions, it was purely for your personal entertainment.

It was almost like a routine for you, that's what you had always done. Until the night you stumbled into Charles Xavier's dream by accident.

You weren’t looking for anyone in particular – just wandering through the usual sea of minds as you often did, seeking out a little mischief to keep yourself entertained. But then, out of nowhere, you found yourself in a dream unlike any you’d ever encountered. You were expecting to find the usual chaos of unconscious thoughts and memories. But what you encountered was something entirely different. A fortress of mental defenses, meticulously constructed, each layer more intricate than the last. It was structured, orderly, almost as if someone had consciously crafted it. Curiosity got the better of you, and you pushed further, expecting to uncover the secrets of some overly disciplined mind. Instead, you walked right into the mental landscape of Charles Xavier. The moment you realized whose dream you were in, a chill ran down your spine.

The infamous Professor X was no stranger to you. A man who could read minds and bend the will of others with a mere thought. You had encountered him a few times before in a bar that you regularly visited, spoke a few times with him, but nothing ever really happened between the two of you. Even if there was no doubt of attraction from both sides. The Professor had a certain charm to him, that was definitely no secret, you've watched him flirt many times.

You figured that toying with his mind would be your greatest challenge yet, the ultimate test of your abilities.

But it almost seemed as if Charles had been expecting you, waiting for you to make your move. You had no idea how you’d ended up there, but one thing was clear – this was no ordinary dream, and you were no longer the one in control.

His mind didn’t seem very unconscious; it was as if he were awake, fully aware of your presence. That shouldn't have been possible – you weren’t supposed to be able to enter the mind of someone who was awake. Yet here you were, standing in the middle of his dreamscape, feeling an eerie sensation creeping through your body. The dream was too lucid, too controlled, as if he were orchestrating every detail with precision. The air felt thick with anticipation, and the familiar sense of power you usually had in others’ dreams was absent, replaced by a gnawing unease.

You were the intruder, but it felt like he was the one who had allowed you in, as if he had opened the door to his mind on purpose. That realization made you shiver, because if he was aware of you, it meant he could see you, could sense you. And if he could sense you, he could stop you. For the first time, you wondered if maybe you’d wandered too far, if perhaps you’d finally met someone who could turn your favorite game against you.

As the unsettling realization dawned on you, the dreamscape around you shifted subtly, the edges sharpening as if the world itself was honing in on your presence. Then, out of the silence, a calm yet commanding voice resonated through the space, wrapping around you like a vise.

"I’ve been expecting you."

The voice was unmistakable – Charles Xavier’s, clear and deliberate, with a weight that made your heart skip a beat. His words weren’t a question but a statement, as though he had known you would find your way into his mind eventually.

"You’re talented, I’ll give you that," he continued, his tone measured and controlled, "but did you really think you could wander through my thoughts unnoticed? This isn’t a playground, and you’ve ventured into dangerous territory."

The dreamscape solidified further, and you felt the weight of his gaze even before you saw him. When he finally appeared before you, his expression was serene, but his eyes held a depth of understanding that made it clear – you have lost every last ounce of control you might still have had left in that moment.

As Charles appeared before you, his presence dominating the dreamscape, the environment around you began to shift, reacting to his will rather than yours. The walls of the dream narrowed, the colors dimming until everything seemed to fade into a muted gray. The ground beneath you felt unstable, like it could collapse at any moment, but Charles remained steady, his gaze unwavering.

"You're not here by accident," he said, stepping closer, his voice resonating with a calm authority. "Something drew you to me, whether you intended it or not."

You tried to push back, to exert some control over the dream, but it was like pressing against a brick wall. Your powers, usually so reliable, felt sluggish, ineffective under the weight of his mind. For the first time, you felt truly vulnerable, as if you were the one being manipulated.

Charles tilted his head slightly, as if considering his next words carefully. "You have potential, but your actions show a lack of direction, a misunderstanding of the responsibility that comes with your power."

Before you could respond, the dreamscape shifted again, this time to a familiar place—a room from your past, one you hadn’t thought of in years. The memories attached to it were private, intimate, yet here they were, laid bare before him.

Charles's gaze lingered on you as the dreamscape transformed into that intimate room from your past. The walls seemed to pulse with the echoes of your old memories, shadows flickering like half-remembered dreams. He stepped closer, the air charged with a tension that seemed to crackle with each movement.

"You're not just a curiosity to me," he said, his voice now soft, almost seductive. "There's something intriguing about you. Something that's far more than just your powers."

You felt a mix of frustration and an unexpected flutter of excitement.

This wasn't how you'd expected the encounter to go. The dream, once a playground for your mischief, now felt like a stage set for something far more intense. Charles's eyes met yours, and for a moment, the world outside seemed to disappear, leaving only the two of you in this charged space.

"Do you really think you can understand me, just by manipulating me?" you challenged, your voice carrying a note of defiance. But even as you spoke, you could feel the heat between you growing, his presence so overwhelming it was almost tangible.

Charles's lips curled into a faint, knowing smile. "I'm not trying to control you. I'm trying to understand what drives you. And I think," he said, his tone dropping to a whisper, "that you might be more complicated than you let on."

He reached out, brushing his fingers lightly against your arm. The touch was electric, sending a shiver up your spine.

The warmth of his skin against yours was almost too real, and you could feel the pull of attraction despite the situation's inherent strangeness.

"Maybe we should explore this connection further," he suggested, his voice low and enticing. "There's a lot more to discover about your power."

Before you could respond, Charles closed the distance between you. His lips found yours in a kiss that was as intense as it was unexpected. The kiss was both a challenge and an invitation, a way to bridge the gap between the fierce intellect and raw attraction that had been building between you.

You hesitated for a heartbeat, caught off guard by the intensity of the moment. But then, giving in to the magnetic pull between you, you deepened the kiss, your hands finding their way to his hair, pulling him closer. The dreamscape around you seemed to blur as the kiss consumed you both, transforming the scene into a private cocoon of desire and exploration.

Charles's hands roamed over your back, drawing you into his embrace, the kiss growing more fervent, more urgent.

You responded in kind, matching his passion with your own, every touch and caress revealing a layer of the complex emotions that had been simmering beneath the surface.

"Tell me," Charles said softly, his voice almost gentle now, "what is it you truly seek? Power? Control? Or is there something else you’re running from?"

"I'm not running", you said confidently as you leaned back a little to look at him properly. His fingers were still dancing over your back and your body responded with goosebumps.

"Are you not?", he asked, his accent almost thicker as it usually was, "why are you doing this then? Manipulating so many dreams?"

You weren't sure what the answer to his question was. Why did you do it? Maybe you did seek a little power from time to time...

You shrugged your shoulders, tired of talking about your powers when there was a handsome man right in front of you to kiss. Your fingers toyed with the hair in his neck as he mustered you intensely. Then he kissed you again, this time, more forcefully. He grabbed your hips pulling you forward to meet his own hips. A moan escaped your mouth and Charles grunted. If it hadn't already been a dream, you would have thought it was one.

In this shared dream, the boundaries between control and surrender, power and vulnerability dissolved into a shared, heated connection. What began as a struggle for dominance had become a dance of passion and desire, where every touch, every whisper, spoke of a deeper, unspoken bond between you