#but the feeling itself isnt going to be able to explain why you feel that way or what about the art is working or isnt working—
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Some Fanart for https://archiveofourown.org/works/61679998 (which is so awesome sauce go read it) @kenshin1340 (not to sure how to tag people tbh but idk how else u would find this😭)
https://archiveofourown.org/works/61679998
There’s some symbolism which I will explain down below, and perchance a rant about how I adore how Lux is written and the idea of freedom that this fic is exploring
Also the speed paint with the song
ANYWAYS, symbolism time!!
this piece was inspired by Eleanor Rigby, so the “church” Lux is buried in is the lecture room, bc this is Luxs place of sanctuary. Her freedom, though “nobody came” bc she feels so isolated from others, following things she doesn’t particularly like bc she knows she’ll never get that in the future. We see this in the party scene where she wins, but her smile doesn’t reach her eyes. She feels alone.
Than herself, she’s yellow, a color of happiness and freedom and light, like her name itself, but ironically, she is trapped, as is why her dress is so tight. She lays under a spotlight, the same way her family always has its eyes in her. And a incomplete halo of sorts of blood, she is so close to being free, but she can’t nor will be. The blood comes from what I had assumed to be a blunt force trauma injury, but I’m starting to believe it was a contraption and not a injury that left the scar.
Silco is the priest, alone as well, like Lux, he appears to be some sort of parallel (he was what she is) he sees her injury, as is shown with the red eye, and (most likely) sees it in himself(This is a prediction). He is difficult to see, blending into the background as unable to help. As for Lux to be free, she must figure out who will be free first, and allow herself TO be free (see rant).
Than Luxs name is wiped away, and Luxanna written in top. This is because “Lux” is the free version of “Luxanna” and Lux will die if she goes back, as with Pascal, who is also being wiped away. (Pascal would have worked better with the metaphor, however, having a variation of her name being wiped away and her full name ontop works better thematically)
And than Jinx’s signature at the bottom left, a reference to when she drew Lux in the first place. She’s drawing this because, like her father, she is observant (the both of them noticed her scar). Also, this was an accident, but to make a metaphor of it, her name is written like Roman numerals, similar to how VI’s name is. Which could be used as a sorta parallel between Garen and Vi (in some way?? I feel like Vi and Garen are going to be foils or parallels in some capacity)
Anyways, rant time:
The way this fic has handled the idea of freedom is AMAZING. Usually in Lux fics, Lux can’t be free due to external forces, which sometimes have become internal, and to fix the internal, she must fix the external. But here, the external forces are gone, she’s the one who controls her freedom. And despite having freedom, she truly, has none. Because freedom with a end is not freedom.
So to make up for the fact she will no longer have freedom, she does stuff to try to make up for it: for example, the tree fairy costume I don’t remember exactly what it was called (also like drinking and smoking weed). Stuff she knows she won’t be able to do later. But the thing is, she doesn’t like this stuff, in trying to be free, she’s trapped herself. And now she’s trapped in 2 ways, of her attempts to be free, and what’s been instilled inside her.
We see she never truly lets her guard drop (other than 1 time, but that was when she was with Jinx), she always has a set smile for everything, everything is planned out. Just as how she sees her life. Because of this, she can’t let herself be free, because she doesn’t even really know who SHE is. There’s Luxanna, her parents child. There’s Pascal, the free, but her name ISNT Pascal, it’s Lux(Luxanna as well). Pascal is free, but she isn’t really Pascal. She’s Lux, and Lux needs to be free. But who IS Lux?
And WOULDNT YOU KNOW IT?? that’s what Silcos speech WAS ABOUT. It was about how his class with allow his students to find themselves. AUGH ITS SO GOOD. And the fact that Luxs guard WENT DOWN when around Jinx, if just for a second, if just for a accident, and Jinx CAN AND DOES SEE IT. Oh my golly gee I love it when you can see the arc, this is so good,
#art#speedpaint#league of legends#arcane#Lux#luxanna crownguard#jinx arcane#jinx league of legends#silco#arcane silco#fanfic#fanart#rant#pos rant#eleanor rigby#the beetles#inspired by a song#jinx x lux#lightcannon
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I can never get enough of using these templates HDEJDHSKD [creds here]
They all have widely different dynamics :>c you can probably tell who im most fond of tbh 😭
Leshylamb are probably the most friendly towards eachother, they're in a qpr fun fact!! They bond the most easily but it's quite rare for them to catch up? Leshy is busy on missionary parties and then catching rest for a day, while Allure has to keep up with cult maintenance and usually their own personal crusades- but that explains these two deciding to go on a personal crusade with eachother. 😭 its really funny cuz leshy could be tossing allure up in the air and hes shouting at them like "SO HOW HAVE YOU BEEN DUDE!!!!!!" And allure casually swings a heretic head off and looks back at leshy like "OH IVE BEEN DOING RATHER DANDY!!!!!!!!!"
Lambket is ,, sorta uncommunicative...? Heket doesn't really have a clue on why Lamb likes her so much 😭🙏 theyre too afraid to tell her anything beyond that but thats just their brain still believing shes gonna get angry at anything they say. As much as she is a hothead (she has the hothead trait anyways), it's not like Allure is th subject of that nearly as much-- she's grown fond of Allure like how fond she is of Shamura, nothing can quite compare to that fondness of hers. They both feel like they need to walk on eggshells around eachother, but it's far from that verbatim, the relationship definitely needs more communication LAMFOSFJSL
Kallalamb... ouh. Oh Boy. Oh Man. The real times they "spend" time together are either,, COUGH, apparent Accidental Intimacy, or actually just bullying eachother 💀🙏 allure almost killed kallamar one time during sparring too and it left the two to not talk for what, like, WEEKS? Allure apologized for giving kallamar The Almost Casual Beheading and shi was like "im not fucking forgiving you" (shi proceeds to giggle and kick hir legs when they leave the tailor parlor because shi finds it funny whenever they apologize for something). Buut yeah,, Definitely Enemies,, with. With No Homosexual Intent (BRO ALLURE CAN READ YOUR THOUGHTS !!!!! THEY KNOW YOU'RE GAY !!!!!!)
Lambmura is domestic and theyre literally just like an old married couple- either getting on eachothers nerves (on purpose usually) or spending too much alone time together. Allure frequently asks to sleepover at Shamuras shelter because they like to sleep next to their spouse ,, shamura doesn't rlly like sleeping over at allures leader tent? So ? Theyre so domesticated and silly but Shamuras memory usually gets in the way and they feel like allure is dead if they dont see them for too long. Thats what usually triggers an episode within Shamura ,, so ,, Allures clinginess is a little Worsened because of that- trying to reassure Shamura theyre alive- shamura is the calm and collected one after all ,, they dont like seeing shamura genuinely upset
Narilamb is complex in itself. Narinder is the more or so clingy one, but its a little toxic...? Because hes a bit *too* codependent on them...? The main reason anyways is because narinder doesnt wanna experience death for a second time, he still recalls his original death already being,,, Brutal. ??? SO . HE KINDA HAS THAT RIGHT TO BE AFRAID . but thats the toxicity, because its not like Allure would want to kill narinder ever again?? He has high expectations for them and hes a mortal now. Allure is aware of these high expectations and just shrugs them off, cuz, well, what else are they meant to do in fixing Narinders issues if he isnt able to better himself? Narinder /eventually/ does get better mentally but even so its tough to describe their relationship without it being pretty toxic in the first place
,,, Annd with that , basically narilamb and leshylamb are in qprs! Kallalamb is more of. Like. A situationship? At that? Kallalamb usually has their private moments and theyre well aware of this, and yet they *still* choose to hate eachother LMAOOAOA theyre clearly able to stop putting up this act but at this point it feels Natural to continue this hate phase
But yeah!! They all have complexities, even if it doesnt seem too like it!! Very fun to build these pairings up :>c
#sydneys doodles#lambket was the first template i did if that wasnt obvious lol-#I wanted to make a difference between snapshots cuz heket is completely mute So \^o^/#Lambmura sweep that one was my favorite to do </3#cotl#cult of the lamb#mystic pursuit#lamb#the lamb#leshy#heket#kallamar#shamura#narinder#leshylamb#lambket#kallalamb#lambmura#narilamb#YIPPPEEEEEE🎉🎉🎉Im gonna get lunch now masalama 🚶#DAMN ??? TOOK ME AN HOUR TO WRITE ???? Well no it makes sense i had to keep fixing some mistakes. Also theyre all lesbian sorry💔#I barely see anyone have lesbian hcs of the bishops so dont smite me i am just a wee little lesbian your honor
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theres something so special about charles and edwins Songᵗᵐ being welcome to the black parade because it just feels so distinctly them. like dead boy detectives and the black parade have similar thesis statements so its not super surprising but man do they go together well.
the song starts with a simple, elegant, and recognisable piano melody all on its own with relatively untouched vocals. that piano stays the prominent focus of the first half of the intros instrumental but is soon joined soon with the more parade-like rythyms, almost militant sounding drums and the piano (likely) mimicking a xylophone.
the use of these much more classical feels like it should juxtapose with the gradually crescendoing drums and the focus shifting from the piano melody being the most prominent to the electric guitar, a much modern instrument then the piano during the reprise of the first stanza of the song into the latter half, but the drums (representing the parade of death) keep the melody grounded together.
and the thing is somehow that combination of the piano into the guitar works it sounds awesome. the transition from gerards relatively gentle singing over the piano into the belting over the much more traditionally “rock emo” sound. the album is a rock opera which in itself should be an oxymoron but somehow WORKS.
and isnt that just such a perfect parallel to the prim and proper shy edwardian boy who died in 1916 (and missed 70 years of earth history) and the boy from the 80s who wears punk patches, and jewelery who is self declared “aces with other people.”
and that just the insturmentals, don’t even get me started on the lyrics like holy guacamole !!!!!!!!! there’s just such an inherint teenage angst to it that you can just get why it’s resonated with so many young people.
He said, "Son, when you grow up, would you be, the savior of the broken, the beaten, and the damned?"
though the boys never did get to grow up, they spend their time helping other ghosts with unfinished business be able to move on to their afterlives, helping the broken, the beaten, and ocassionally, the damned. that’s a basic breakdown of the show!!!! and the bridge omg…
Do or die, you'll never make me, Because the world will never take my heart Go and try, you'll never break me We want it all, we wanna play this part I won't explain or say I'm sorry I'm unashamed, I'm gonna show my scar And give a cheer for all the broken Listen here, because it's who we are Just a man, I'm not a hero Just a boy who had to sing this song Just a man, I'm not a hero I don’t care
charles and edwin never wanted to be “the dead boy heros” thats a horrible name. they just wanted to be detectives and to solve mysteries that no one else would. and they do it in exchange for top hats, and taffy, and cursed objects from people who needed help.
two boys who were both hatecrimed, whos deaths got covered up, who saw humanity at its absolute lowest, still choose to believe there is good in the world and want to help others. and they’re gonna be themselves while doing it! they’re gonna be bitchy, and loud, and forget things, and act like teenage boys, and if you don’t like that then go find other detectives.
when talking about the song gerard way spoke about how he liked that “a parade could either be for a funeral or for a celebration.” and for the album, and for the show, it’s both. and i’m very glad he and the rest of the band let them use the song in the trailer. because though the boys are dead and gone, but that doesn’t change the fact that they will carry on.
youtube
#dead boy detectives#edwin payne#charles rowland#payneland#dbda#dead boy detectives analysis#my chemical romance#gerard way#welcome to the black parade#the black parade#youtube#netflix#i might have explained this horribly but it makes sense in my head
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ben wants me to have a tina sesh before we go to berlin bc i dont think he thinks im coping or w/e you want to call it... i think i am JUST coping but this in itself is probably not a great argument of like, "Im fine actually bc im not actively sobbing 24/7"
i think im just finding everything a big bag of dicks atm
i offered ben two meals out in berlin but he is hoping for more. i felt like a bit frustrated and demoralised by this bc to me im like - are you fucking with me? im GOING TO BERLIN WITH YOU like why the fuck does everything have to be about food????? our first trip EVER in 12y out of the UK - why is the food aspect so important like i want to go to the fucking zoo. why is that not enough why do i also have to do like meals out for no fucking reason!!!! ALSO ITS PRIMARILY A WORK TRIP
not to mention the fact that ive literally been at home with him the entire time he's been ill this week like ive been trying really hard on so many different fronts and at some point im gonna need to be like - actually no i cant do any more sorry this is what you are getting!!!! ive been spending so much of the last year trying to be a good partner to him bc of him suddenly developing social anxiety too and i think i have neglected my own self growth a lot(he is very keen on teh idea i spend more time on myself ftr, he wants me to do more stuff for me and worry about him less - it's me that finds that very difficult to do)
literally like a few years ago like chat could we even fucking conceive of the idea that i would be able to go to berlin on a work trip? obviously no. im still a bit frustrated about the fact that im not being showered with praise everywhere i go by everyone for making such a huge effort in my life to see and do new things and i feel like the focus is always on what i still cant (or wont, ig) do. Fuuuucks sake. i will accept either anon or named asks telling me how impressed they are with everything im doing bc honestly fucking hell i am trying so hard and i FEEL that it isnt appreciated much right now!!!!
im also feeling a bit cross generally bc ben gave me his cold which is just another added irritation
he was trying to soothe me and explaining it's not that he's not proud of me he would just like to do stuff with his wife. which i get but it's hard not to feel personally like a failure for not being able to give him what he wants all the time. and no he has never said anything close to this and i would hope that's obvious. i just feel really frustrated and on edge about this upcoming trip. i guess that was always going to happen tbh
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Hazbin Hotel Theory's
I am pretty sure some people had the same thoughts before me but i still want to write about it.
1.
The Angel was probably killed by the power of love / divine power
I think if you fight for someone else and not for your own gain, you unleash good power which is the only thing able to hurt an Angel.
Season 1 will propably end with the Main cast all protecting each other from the angel attack ( they start the extermination at the hotel ) and figuring this out mid fight. Scaring the angels into quitting the attack and Proving all sinners that the hotel works.
Season 2 could than start with everyone wanting to stay at the hotel and some angels hating the idea of sinners going into heaven, planning one big attack. Giving more Focus to an all out battle than we have left. Season one is only 8 episodes so i think this war will only be a set up for next season. With the first beeing more about the forming bonds and proving the dream.
2.
Alastor made a deal with lilith
They were both gone for 7 years.
Also Alastor doesnt seem interested in the cause itself, nor does he Sabotage it. He doesnt try to make a deal with Charlie and is a good supporting guy to the group ( does what he is been told ).
But he isnt a good guy and he hints that he gets something out of this.
Since he holds his end of the deal, it could be that he is currently fullfilling a deal, which includes protecting charlie and supporting her.
Lucifer doesnt know him, so it could only be lilith who made the deal with him.
The 7 years was alastor helping lilith with things so he could gain her trust ( showing that he does keep his end of the deal and is responsible with the task given - no creep towards charlie, etc ) and that the souls under his care are not completly abused like angel = lilith does care about her people. And that he is a charming, calm fellow who can be trusted not to abuse his power. ( the overlord takeout an exclusion, maybe we get more Infos later / there are still old overlords around who like him and he didnt Kill husk to take his Position )
The deal would not be her soul but the souls she has under her. Or otherwise gaining more power through her.
This makes him not a nice guy but not bad either since his goal would only be power for power sake ( he realised he cant keep climbing the letter so the royals where the best think to fix the Problem).
He just seems like a guy who is civil and respectful towards Others but needs confidents in his own powers and feels he needs to improve more. ( those guys who always desire more power for impruvement sake only ). Not to defeat Others but for his own well beeing / calm of mind. To get attention.
So this can be an ending where the power increase would not change his character Behavior. Only explain why he did what he did. Him getting stronger by helping charlie is not really a bad ending, it keeps him selfish enough to never be redeemed but nice enough to still be a Main character.
After all i dont want him to backstab the others or turn into the villain. But i also cant see him not beeing up to anything, for that there are to many hints.
Doing something good for his own sake only but having fun while doing it is a nice compromise between good and evil.
Also lilith would prove that she cares about charlie.
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Hi! Is it ok if you elaborate and/or explain how disabled characters within Wings of Fire aren’t treated well and/or written well within the series (and/or that Wings of Fire is very weird about disabled characters) please?
sorry it took me a bit anon, but i needed to gather my thoughts.
But basically; while there is alot i could focus on, that even with disabled characters that are good, their disabilty isn't really all that researched (both starflight and tamarin for example, but i don't know enough to make a whole post about them), or how narrative often treats them as disposable or not as important as rest of the characters (ospery literally exist just to be killed. and yes alot of characters die in wof, but he is one book and then is killed off for other characters progression) (also whiteout. but i will make analysis of her another time). or whatever stonemover had going on.
and even with jerboa iii / boa, she hides her missing talons out of shame in her story, but it almost seems like its so the auhtor is more comofrtable with her, and idunno maybe she stops doing that later but it does feel gross to me. < and yes i am aware that loss of her talons was in a traumatic way but it doesn't really justify it, especially with how other disabled characters are written.
and even fucking Scarlet, who is disabled as a punishment (in the narrative, not the story itself. also she hides her scar in some instances with animus magic, and yes im especially including her).
clay's disability is mostly forgotten both by books and fandom, and much more.
but i do think one of the things that angers me the most is chameleon, and how you can't really fix that without literally not making him a villain. HIS WHOLE MOTIVATION is that is he is disabled, angry at the ableism, and changing himself due to that. and greed too i guess, but you can't really ingore the disability part, and i just look at how he is written. HE IS LITERALLY EVIL BECAUSE HE IS DISABLED... in text he has a facial difference (even if he is rarley drawn with it), a sleeping disorder, and of course, not being able to change his scales. its the most visible one in fact. he is kicked out from his kingdom literally because he is disabled, and he is angry, and finds the scroll, and does evil things or whatever. (and also has peril and is a questionable father).
I can't really describe how angry i am at his character existing. And you can't fix him! At best you could have rainwings with his disability who aren't evil, but even then, his motivation is that he is disabled, and its his primary motivation. It fuels his anger, its why he takes on multiple forms, its why he attacks Kinkajou, its probably why he tries to change Peril. < also greed, but im ignoring this on purpouse because it isnt relevant to the discussion and it doesn't erase the fact that his main motivation is that he is angry because he is disabled and how he changes himself into different dragons, and how he has distain for other rainwings, all that.
Why is it a problem? Well because it implies disability can make you evil and also even if we are symphatetic to Chameleon, there is no solution for his anger. The problems aren't fixed. And we never get another Rainwing character who can't change their scales. His evilness is tied to his disability, both of them connected. If one was to fix that, you would need to redeem him or not make him a villain in the first place, but then what is the point of his character. Its not just lack of reaserch or few things in poor taste, ITS HIS WHOLE CHARACTER!
And for the record, im not calling tui an evil horrible bigot, but she is not immune to bias. Its not just ableism of course, series has other issues, but its really really glaring.
Coming back to some characters; how Boa hides her disabilty, its of course of internalized ableism, but characters do not exist in a vaccum. Blind characters are commonly potrayed with cataracts (clody, foggy eyes), regardless of their actual type of blindess, or with something covering their eyes (like a blindfold). disabled characters are often killed off or not important to the narrative. While we do have few disabled protagonist, its after their pov, so we don't get a point of view of a character who is disabled.
Im probably missing something, but i think its enough things to say hey. Wings of Fire has ableism problem.
*also i didnt read book 15 or the guide so if im missing something else important im sorry i didnt really know
and i apologize if its written messy and has grammar and spelling mistakes and if i got something wrong but my point still stands even if i missed something or didnt explore somethings nuance entirely or got something wrong.
ok thats all . i think.
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Ramble about my Unraveled AU part 2
Soo i said that unraveled AU has this diffrence of how star power works, that the multiverse and dimensions have something unique in my opinion and that there are souls that play a part in it
So you see out celestial family isnt really animatronic in this case, they are what is called a Luminex practically having a human like body yet functions like a robot and has a sorta blood thingie that we'll just call it Essentia the body of a luminex has a core in their chest kinda representing a heart that a human would have in a way-
Now the thing is luminex are build by humans to just do their work and stuff but in some cases due to experience that this luminex gets they devolep a personality
Since luminex are kinda meant to be robots they dont come to life with a soul like humans do, they devolpe it over time and only if the luminex has enough experience with emotions and thinking then this soul can be devoloped.
I'll see if im able to make a sort of drawing to explain the body of luminex (specifically the core) a bit better idk-
As for the star power i was thinking of changing its name or something but idk yet
So basically in unravled AU
Positive star power = creation and just life
Negative star Power = destruction and insanity
Positive star power just floats everywhere in the dimension wich makes it a dimension, if something is created cause the dimension needs it it creates it like everything that the dimension needs for canon stuff inside of it is created. Positive star power can only be controlled if the person that controlls it isnt emotional (as we see with the astrals, they can mimic emotions but they dont feel them as much as mortals do and if they do start feeling it then there would be a disaster)
As for the newton star, moon dosent build it he FOUND it. The newton star in every dimension in unraveled is made by the dimension itself usally protected by the astrals but y'know something happened and it slipped from their sight.
Negative star power is destruction wich is connected to the wither storm, since its the opposite of positive sp its not gonna be floating around randomly. Whoever just touches negative star power it will just attach itself on their soul slowly wich is also why they start going through insanity after a long time. Negative star power is driven by emotions wich makes it dangerous cause since positive star power creates negatice star power destroys and with unmanaged emotional people they could accidentaly make a small rift in the universe making the dimension damaged (the dimension can also be damaged by other things that i'll explain in a diffrent post) wich then leads to other consequences (again will be explained in another post)
Thats all i got for ya in this post TvT i'll try to explain the multiverse thing and Essentia maybe sometime else im exhausted rn
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if you’re wondering why I’m having to repost this, or why you were perhaps previously following me but no longer are, please refer to this post. I was able to retrieve this thanks to the very lovely friends who have relentlessly sifted through tumblr archives to recover them, thank you all so much!! ♡
WARNING: spoilers for end of Deathly Hallows Part II, and also some HEAVY angst in this one
Glass Heart
George’s tired eyes turn to the window, finally seeing the sunlight he had restlessly been waiting for. Sitting up and bed and swinging his legs over the side, George sighs, hanging his head and closing his eyes. He wishes more than anything that he could allow himself to sleep, but he knows what will greet him if he does, and he cant face it, not yet.
Strolling down the hallway, George’s footsteps echo down the eerily quiet flat, setting his teeth on edge. He catches sight of the envelope that he left on the table yesterday. He recognises the handwriting on the front as that of his mother’s, and he knows that it’s a Howler of some kind. Judging by the fact it hasnt exploded, it isnt an angry one, which disappoints George a little. All night he was waiting for that explosion of his mother’s voice, the anger that he would love to hear in response to the pranks that filled his childhood. He’d choose to hear that over his mother’s sadness any day, and due to this Howler not revealing itself as Howler’s typically do, George worries that his mother’s sadness is exactly what is concealed in the envelope.
Unfortunately for George, his selfless love for his family gets the better of him, overtaking his own grief and anguish in order to hear his mother’s words and try to help in whatever way he can. Popping open the seal, George drops the envelope back on the table and leans against the wall, knowing there’s no way he can prepare himself for whatever he’s about to hear.
“Hello George, dear.”
The gaping hole in his heart aches at the softness in his mother’s voice, tears already stinging his eyes.
“I worry about you, up in that flat. Will you come home soon? We miss you terribly, your father and I…it isnt easy, for any of us, but with you not here, it almost feels like-“
His mother is too broken to utter the words that George knows she wants to say. With him not there, it feels like she’s lost both him and Fred.
“(Y/N) misses you terribly, too, you know.”
She changes the subject, the mention of you lifting her spirits even now. You were still back at the Burrow, where you had spent most of your life thus far. That first year at the train station, your muggle parents happened to ask the Weasley’s for help crossing onto the platform that they’d previously denied the mere existence of. Your parents both worked overseas, so even if you hadnt ended up as a witch, you would have been sent to a boarding school of some kind. When the Weasley twins returned home from their first year at Hogwarts to tell their parents all about what a wonderful friend you were to them, and explained that you wouldnt really have a home to go to, they were more than happy to have you stay with them, and you did. On occasion, your parents were home long enough to spend a few days with you, but for the most part, you were the Weasley’s plus one, and you couldnt have been happier.
“Ever since you moved out, she’s been quieter. She wears that old jumper of yours everyday, I have to sneak into her room just to clean it when she’s not home!”
George’s mother laughs, and the sound brings a smile to his face, despite the tears rolling down his cheeks. He didnt know you were still wearing that jumper he gave you after your fourth year. Well, technically he didnt give it to you; Molly accidentally placed it in your laundry pile and when you tried it on, George told you to keep it because it looked better on you anyway.
He last saw you on the worst day of his life, but before that, it had been months since he’d laid eyes on you. Having already moved out of his family home by the time the whole world started to change, he only heard about what had happened to you through what his family told him. Apparently, you’d gone into hiding with your muggle parents, because they were always travelling from place to place and with their absence in your life, nobody working for the dark lord would ever think to look for them. Still, you sent coded letters to the Weasley family by owl whenever you could, wishing them all safety and telling them not to worry about you.
Seeing you that day, running straight for him and stupifying anyone who got in your way, George remembers the feeling of his heart getting caught in his throat. Wrapping his arms around your waist and lifting you off the ground, clinging to each other like it was the last chance you’d ever get to do so, because you didnt know if it would be. Neither of you spoke a word, there wasnt time, in seconds you were placed on the ground and standing back to back, fighting evil from two fronts. He remembers his heart pounding in his chest in the aftermath of holding you close, feeling like he could win the battle singlehandedly because he knew you were safe. That heart is long gone now.
“She’s quieter now…we all are. Your father and I arent sleeping well, and so many nights I’ve walked by her door, hearing her crying, and when I go to check on her, she’s sleeping.”
Fresh, invisible wounds tear through George as he relives all the times he’s heard you cry. In your first year, when you found out your parents wouldnt be able to afford taking time off for Christmas, and Fred and George had to beg their mother to let them stay at Hogwarts with you while they went away to Romania. In your second year, when you were scared that your muggle blood would get you killed in the Chamber of Secrets, and George kept you safe. In your fourth year, when you came up with a cover story to get Fred and George out of trouble and Umbridge forced you to write with a quill that carved the words “I must not lie and think it is brave”, and George very nearly stormed into Umbridge’s office to destroy her, but you clinging to him as you cried held him back. In your seventh year, when Fred and George left Hogwarts to open their shop, and moved out of their family home to live in the flat above it; you cried your eyes out and told George that you loved him, but there wasnt time to explain what that meant. And finally, on the worst day of his life, when you screamed and sobbed beside what was left of Fred.
“She dreams about what we’re afraid to dream about, dear, and she needs you, just as much as you need her.”
If his mother had said such a thing at any other time, George would have disagreed. Before, there was never time to explore whatever it was between you and him. The twins were always off planning new pranks and inventions, and while sometimes you were their accomplice, there was never a moment long enough for you and George to just talk. Every time the twins were around, it was like you were living life at a higher speed, everything happened so fast and it only slowed down when they were gone. They were a force to be reckoned with, and you adored them for that. It was only when George told you about their plans to leave Hogwarts that things really set in for you. Like the Hogwarts train had hit you at full speed, you realised that you had wasted every moment with him, and although those moments had been fun, they could have been so much more, and then he was gone, just like that.
Before, George would have agreed that he was always too busy, too excited about whatever was coming next for him and Fred. His world had slowed down to a speed he didnt like, ever since his other half had gone, just like that.
“I think it would be good for both of you if (Y/N) came to live with you, she’d liven up the flat a bit. Maybe she could even help out with the shop someday! You need her, George.”
He can tell by her voice that Molly Weasley has never been more sure of anything in her life, and George isnt in any position to challenge her on that. Soon enough, he finds himself showered, dressed, and lifting his wand. By no means does he think he’s ready to accept help from anyone, but he will do anything to get out of that flat, and regardless of what his mother really means, he knows that she’s right. He needs you.
Apparating outside the Burrow, George feels miserable. His family home is still in the process of being rebuilt after the war, and seeing it barely standing is almost enough to make him want to turn back, until he hears laughter. From the other side of the front door, George can hear his mother and father actually laughing. It has been months since he’s visited home, and that sound was a forgotten memory even then. Gently pushing the door open so as to cause as little disruption as possible, George steps into his family home. He’s immediately greeted by the sight of you teaching his mother a silly dance in the kitchen, while his father watches, and all of you laugh together. You’re wearing an apron over the jumper George gave you, and splatters of countless ingredients cover it, as well as stain your face in places, but George swears you have never looked more beautiful. The sound of the door closing brings three pairs of eyes to him, and the laughter stops quite suddenly.
Before he even has time to register what’s happening, George is in the arms of his mother, who still manages to hold him even when he’s so much taller than her. His father hugs him next, as tearful as his mother as they embrace the son they were beginning to worry they would lose to grief. Neither of them say anything, they’re too shocked to speak, and they move to stand either side of George so that he can see you.
With Ron living with Hermione, and Ginny living with Harry, it would make sense for you to go and find a place of your own, fly the nest like the rest of them. But you stayed, to care for the people that had cared for you when you needed them, to help them feel a little less lonely.
And there you stand, your hands covering your mouth as tears blur the perfect image of George Weasley standing before you. The first genuine smile he has felt in months wobbles on his face as he stares at you, and unlike the last time you saw him, you dont run at him. You take one careful, unsteady step, and then he strides over to you, wrapping his arms around you and pulling you into his chest.
“Missed you, Georgie.” Your shaky voice reaches his ears, and he feels the shattered fragments of his heart tremble, the fight to bring themselves back together reigniting.
“Missed you too, sweetheart.” George sniffles, and you feel your own fractured heart clench at his words.
Sweetheart, that was something he first called you in your second year, when you were crying in fear of being killed for being muggle born. George had pulled you into his arms and told you “I wont let anything happen to you, sweetheart, promise”, and ever since, he has been your safe place. Every single time he was there when you needed him after that, that is what he would call you.
“What are you doing here?” You question, pulling away from him to wipe your eyes.
Obviously, you’re ecstatic to see him, but if he’s just dropping by to pick something up and leave again, you dont want to get your hopes up.
“I was wondering if you’d like to…move in, with me. Maybe help with the shop, if you’re up to it. Supposed to be a two-person place, after all.” George had planned to chuckle as he said that, but the weight of his own words cause a lump to form in his throat instead, and he can no longer hold your gaze.
He doesnt see the way you cast a worried glance to Molly and Arthur, who both shake their heads and smile at you encouragingly, assuring you they’ll be fine if you choose to go. And he doesnt see the way you look up at him, staring into the anguish that sits deep behind his sad, sad eyes, that are too scared to meet yours.
“It would be my honour, Georgie.” You tell him, causing his head to snap back down to read your face, checking for any sign of doubt, and when he cant find any, he smiles, and you smile right back.
“But first, have you had breakfast? I was just making some.” You gesture to your dirty apron, which has consequently smeared George’s clothes with some stains as a result of the hug you shared.
“I havent eaten, no.” He admits sheepishly, knowing before he’s even finished his sentence that you’re going to give him a disapproving look, and you dont disappoint.
“Well, that’s one thing we’re gonna have to sort out when I go back with you: regular meal times! Routines are important-“ You begin, but George cuts you off by rolling his eyes playfully.
“-because they help make everything feel more manageable, I know.” He finishes your sentence, having heard that phrase from you a thousand times. Glancing at his parents, George knows for a fact that if it hadnt been for you, the two of them would have fallen into the same irregular schedule, ruled over by grief. You saved his parents from that, and in turn, their company saved you. Well, as much as their company could. You were always a little lonely whenever George wasnt around.
Molly and Arthur choose to go and sit outside while George follows you into the kitchen. He leans against the counter, watching as you busy yourself with cooking spells.
“I’ve heard that you’ve formed quite the attachment to that jumper.” He cant help commenting, a cheeky smile on his face as he effortlessly slips back into the flirty banter that the two of you have always had, but something about you doesnt quite feel right.
Looking over your shoulder at George, you sigh dramatically. “Guess you could call me the clingiest witch in the west.”
George chuckles at that, shaking his head. “Nah, not clingy. Utterly adorable, but not clingy.”
You raise an eyebrow. “Oh, utterly adorable, am I?”
George smirks. “Definitely.”
Silence ensues, throwing you both into the sickening realisation that at this point in your flirting, Fred would usually interrupt. Sadness casts her cloak over the two of you, shrouding you in a grey, slow haze.
“Im sorry I didnt save him.”
And there it is. Your words cut through the air like a knife, straight to George’s heart, or rather, the place where it would have been. By no means was your happiness an act, but it was something you exaggerated to help heal his family, it was only a matter of time before its permanence wavered in his presence. George has always been able to see right through you.
“What are you talking about?” He questions carefully, very worried about what you’re going to say next as you fix your gaze on the dishes you’re washing with your bare hands rather than a spell. In the background, your spells continue to cook whatever wondrous breakfast you have planned. Washing up is your chosen distraction, or subtle punishment.
“If I hadnt stayed with you, if I’d gone to find him, I could have- he could still- even if it meant…” You close your eyes, tears slipping down your cheeks and you squeeze your lips inside your mouth to hold back a sob.
“Dont even think that, not for a second.” George’s voice is low, firm, and deadly serious.
You shake your head, eyes opening wide as you stare at him. “I cant stop thinking it, George. I have seen this family in so much pain, people I adore living through such agony every single day, and you disappeared completely! If I’d been with him, if I saved him, if it had been me, none of this would have happened! All of you would have been better off.” You look away from him again, and George takes the single stride necessary to reach you, gently lifting your hands out of the soapy water and grabbing a towel to dry your raw fingers that have been scrubbing through your anxiety-fuelled vent.
“Listen to me, (Y/N). There wont be a day that goes by where I dont miss Freddie.” That’s the first time he’s said his name since that day, it chokes him up immediately. “But I would never, ever want you to trade places with him, to have you gone instead of him. If you had gone, none of us would have been able to hold the rest of us together like you have, like you’ve always done. You are everything, (Y/N), and I wouldnt trade your life for anything, or anyone. I cant even think about a world without you in it-“ George shakes the thought out of his head, tears stinging his eyes as he’s briefly sent to kneeling at your side and holding your cold hand, sobbing and begging you to just open your eyes.
Your warm hands on his face bring him back to the present, your bright eyes staring up into his.
“Im sorry George, I cant imagine a world without you, either.”
Holding your hands against his face, George sniffles. “You’ll never need to.”
A small smile curls in the corner of your mouth, and he cant help mirroring it.
“You and me, we’re gonna get through this, you hear me?” You raise an eyebrow playfully, making George chuckle through his tears.
“Loud and clear, sweetheart, loud and clear.”
And as if by magic, he feels the first shattered piece of his heart slowly slot back into place.
#george weasley#george weasly x reader#george weasley imagine#x reader#harry potter#imagine#imagines#fanfic#fanfiction
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sorry for barging into your inbox for the second time today but c. 131 unlocked the brain worms sjsksks
what really gets me is the difference between kyun's view in viewpoint b and takamine's (assuming shes 45510 narrator)
like you said, takamine saw and still sees ai as the perfect idol, a fan striving to keep her perfect image (kind of paralleling akane and kana's fan-actor situation where akane hates but also adores kana as an actor but where takamine bought into ai's façade despite knowing her backstory and the clear evidence that ai tried to be as honest as possible yet still labelling her as a liar/perfection and refusing to see her as anything else, akane strove to understand kana and her situation instead) and her own words put ai up on a pedestal and in the process characterizes ai only in relation to that pedestal and refusing to look any further, thus sending the chance for any connection down the drain
in contrast, as i was rereading viewpoint b, kyun struck me as having a sort of? awareness? about ai and her own perception of her because kyun actually reflects about the "idea of ai", considering that that "perfect woman" was actually a mirage from memory. she doesn't actually break out of the mirage, but she's honest with herself in a way takamine isnt, in that she knows her view of ai as inhuman is probably a falsehood, but she had decided to take that view anyway
conversely thats what allows kyun to actually connect with ai, even if she misses the mark sometimes, rather than getting caught up in the façade and clam up like kanan does earlier, kyun instead opens up, confirmed in the story itself as kyun even says that her choosing to view ai this way is what allows her to be able to tell ai things she wouldn't tell anyone else
and its because of that very mindset along with the fact that she markedly makes the effort to try and understand ai where everyone else didn't that she manages to see ai's suffering and chooses the lyrics to match what she was able to see
i think this is why ai felt that kyun was the member she was closest to, because kyun opening up allowed the way for ai to open up and the song that was a joint effort made between them, of true feelings they both expressed to each other
"from miserable me, to miserable you" a summation of that conversation between ai and kyun
[img. id in alt text]
uh. hope you enjoyed this mess of an analysis? bye!
OH NO.... ONE OF MY OSHI NO MOOTS ANALYZING MY FAVE SIDE STORY IN MY INBOX.... WHATEVER WILL I DO.... 🥺
Joking aside, I think this is a pretty spot on analysis of Kyun and her relationship w/Ai in Viewpoint B. Honestly, what I found really fascinating while going through the process of translating them both is just what a study in contrast they were. Kyun starts off Viewpoint B talking about how angry she is but what came out to me much stronger was this persistent melancholy, a sort of soft nostalgic sadness. By contrast, 45510 is incredibly angry and hostile, to the point where it can honestly be a little uncomfortable to read!
The main difference is, as you said, that sense of self awareness – both Kyun and the 45510 narrator take part in dehumanizing Ai but while the 45510 narrator either isn't aware or willing to admit what she's doing, Kyun not only freely admits to it but is able to identify and explain pretty clearly why she feels she has to do it and, notably, does not blame Ai for this -- as she herself puts it, it's an issue of her own jealousy and her own feelings and so while it's maybe not the healthiest way to do it, there's something oddly considerate about her doing her best not to resent Ai for something that's so out of her control.
The real point of contrast comes when both of them are unavoidably confronted with Ai's humanity in ways that threaten their perception of her. The 45510 narrator responds with not just hostility but revulsion and goes out of her way to irrevocably destroy this trace of the real Ai, so the eternal idol can survive in her mind, untarnished.
Kyun responds much differently – she accepts this challenge to her worldview and to an extent, she accepts Ai as well. It's kind of heartbreaking that the thing Ai wanted most of all, to have someone see her for who she really was and accept her, was so close by and the two of them just sort of... missed each other. I've said this before, but I wonder so often just how many things could have changed if Ai and Kyun's friendship had stuck and given Ai the support within B-Komachi she so desperately needed.
Something I found myself wondering as I was mulling over all this is maybe it's a matter of age and perspective?
Kyun is around 18 at the time Viewpoint B takes place, which puts her at around 3 or 4 years older than Ai while the 45510 narrator's age is never given but she confirms she was a middle schooler like the rest of the founding members, which would make her roughly the same age as Ai, so probably around twelve or so when they debuted.
Kyun also didn't have a ton of prior brain poisoning from the entertainment industry; as she puts it, she was primarily a musician who only gravitated towards being an idol as a way of being able to make music her career in any way she could. The 45510 narrator, by contrast, seems to have been inducted into the industry and its standards at a relatively young age which gave them plenty of time to fry her brain.
I hope we get more deets about the B-Komachi girls soon........................ I'm really hopeful that the Spica novel's Ai story will have at least a few tidbits about the founding members since it focuses at least partially on Ai's early time there. Mr Akasaka, please.... my crops, they're withering.....!!!!!
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Why do you not like neuvifuri? I'm just curious :0
crack open a cold one with me anon this is gonna be a bit of reading...
first off if you ship it (anyone who reads this) im so happy for you just tag it and we'll be fine i'm not going to hunt people down or whatever anyways if you love it DONT CLICK THE READ MORE!!!!!!
ok so like. i just think their dynamic isnt as wholesome/lovely as a lot of shippers make them out to be especially on furina's side. i believe they both care for each other BUT they don't understand each other.
neuvillette wishes her well and respects her BUT until focalors explained her master plan to him he didn't fully understand the depths of her stress and trauma. remember how in 4.1 furina was nervous about meeting arlecchino by herself and at first neuvillette thought she was just being dramatic? yeah. also he respects her and knows she's more than her public dramatic persona but he also doesn't like being seen as The Same as her (him telling traveler and paimon he doesn't agree with her on everything when they didn't even mention her) and publicly he even praises nahida more than her praises her, since he usually plays the "role" of being the Actual Responsible Man vs. furina.
and while furina does respect neuvillette and tries to rely on him (as like the aforementioned arlecchino meeting) she also finds it incredibly hard to open up to him and thinks he might hold some anger towards her post-4.2 AQ. and im not just talking about furina not being able to tell neuvillette about her whole masquerade. she doesn't even tell him about arlecchino's assault, leaving him to at first assume she just didn't want to go to the meeting by herself, and then eventually coming up with his own conclusion after the meeting. and after seeing furina's whole deal i think it's safe to assume she didn't tell him because she didn't want to be seen as weak or have any doubts cast on her which is like. really fucking sad.
it's like... frustrating as both a neuvillette AND furina fan (but especially as a furina fan) to see people gloss over the complexity of their relationship and just shove them into a feel-good "archon and her loyal dragon!" dynamic when canon pretty much beats us over the head with "yeah these two work together and trust each other but they don't really KNOW each other." maybe if they had more of the actual dynamic in the ship i wouldn't dislike it so much but anyways.
there's... a lot more stuff i could complain about re: most shippers talking points (conflating focalors with furina, saying she's the only/main one who helped him understand humanity) BUT that's on them and not the canon dynamic itself lol. and also we would be here All Day.
in summary i really don't like it when complex, close relationships are just grossly oversimplified or straight up ignored for an easier time with shipping to the point where they become a common or at least noticeably significant fanon interpretation. especially since a lot of it in this ship (imo) ignores a lot of furina's feelings and her own insecurities and view of neuvillette and how she thinks he feels about her.
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Do you recommend any type of therapy for autistic children that’s not Aba? Other than occupational and speech. A way to help them learn that you don’t find abusive? Like floor time therapy? Or early start Denver model? Im new to all of this and want to help my child so he can one day be self sufficient and live on his own and such. I want to help his development. Of course I was told aba was the way to go but many disapprove. So what is a good alternative?
(TW: ABA, OTHER ABUSIVE THERAPY, GENERAL ABUSE, TRAUMA, MASKING)
I'm sorry, this is probably not going to help much, but honestly, no.
I will never be able to live alone, I will never be able to do most things the way nondisabled people will. And that is okay! And I understand wanting your son to be more independent, but he is in fact disabled, and he will be as independent as he can be, but there is no way to make him "less disabled".
I do want to thank you though, because you actually listened to autistic people, and a lot of parents don't do that. ABA is always abusive, speaking from first hand experience, and I am very glad we could change your mind on putting him in it. You mentioned floor time and early start Denver model, and I honestly wouldn't recommend those either. Floor time is essentially an alternative to ABA that is less harsh, but it's the same thing with the same goals, that in the end being to make us appear "less autistic". It also tends to refer to the way we naturally experience our emotions as "deficits". And Early Start Denver Model is directly based on ABA. So I shouldn't really have to explain why that's not good, if you know why ABA isnt good.
Honestly, as a MSN-HSN autistic, I really just wish the world let me exist as I am when I was younger, instead of trying to intervene to "help", because it didnt help, and now I have severe trauma surrounding people I dont know coming into my house, going to certain locations, and school. It didnt help, and it never does. Even if it seems like it helps on the outside, it doesnt. It just makes us mask, which is traumatic and unhealthy itself.
I apologize if that didn't help or if I seemed rude, I just really really wanted to express my actual feelings on it all.
#tw aba#tw abuse#tw trauma#tw floor time#tw early start denver model#aba#anti aba#actually autistic#neurodivergent#aac user#nonspeaking autistic#autism#nonspeaking#aac device#aac users#situationally nonspeaking#disabled#early start denver model#floor time therapy#aba is abuse#autistic trauma#traumagenic system#traumatized autistic#tw#trigger warning#nothing about us without us#listen to autistic people#listen to autistics
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Hi hi im starting to question if i have depersonalization disorder? My body feels present but my mind isnt? Idk how to explain my mind is always fuzzy and i have bad memory it also feels like im not myself but i get random snaps of reality? Idk im not sure its starting to mess w me and idk who to ask bc i dont have a therapist
I just i get some shed of light^^ thank u for reading!
Hi hello! :33
Well, we understand depersonalization as a symptom which can be an aspect of a bunch of different mental illnesses! We don’t really know about specifically depersonalization disorder… do you mean maybe DPDR (depersonalization/derealization) disorder?
Depersonalization can be a symptom in a lot of different illnesses. Um, we can’t diagnose you and we won’t ever claim to! But we can pass along some info and resources on DPDR disorder and depersonalization specifically so you can do your own research!!
(Gonna plug our own infographic on depersonalization vs. derealization!)
Um, as far as we understand, having a bad memory isn’t necessarily a sign of depersonalization in and of itself. There’s a bunch of reasons why someone might feel foggy, hazy, and fuzzy and have poor memory or lots of memory issues! >w<
We know you said you currently don’t have a therapist, but if your symptoms are starting to cause you distress, it may be time to look into finding one! Let us know if you need help, and if you tell us the country you live in, we can try to help you find links to therapy resources in your area!! Therapy is really really important for folks struggling with all sorts of mental illnesses. We’re not saying therapy works for everyone 100% of the time, but if you haven’t already brought your concerns up to a therapist, it may be a good idea to do so! :3
Good luck with everything! We personally know how scary it can be to grapple with symptoms of mental illness without support or answers as to what you’re going through >_<” but we hope you’re able to find the support you need very soon!
💚 Ralsei and 🌸 Margo
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after the rain episode 6: some thoughts! <3
silence in slice of life/iyashikei, friendship in a romance-prioritized world, and aquariums and oceans; perspective and priority
quick rundown! tachibana akira is a highschooler no longer being able to participate in track due to a leg injury. Koi wa Ameagari no Yō ni, aka "After the Rain", is about her falling in love with a vastly older man named Kondou Masami and navigating those feelings.
this episode is a window into akira's friendship Kyan Haruka, as well as a chance meeting in the library by akira with masami !
silence in slice of life/iyashikei !
there are many moments where the show demands a silent attention from the audience. theres a scene this episode where it simply is akira walking through the streets, eventually reaching a train station overlooking the scenery. and it just... took my breath away. she just enjoys the view... and then the moment is over when her phone pings a notif lol. and like that, it's over and we move on with the rest of the show.
it made me think about how many shows run today demanding a quick pace--actions, fights, conflict, tension. it made me think about how many people could even appreciate this show--how many people probably thought it was boring without something to fill empty space. how many people couldn't tolerate a scene thats trying to teach you slow down and wait, because you don't have to instantly find what you need. sometimes i wonder if we are losing the capacity watch slower media, when all today's media is to scroll and consume information as fast as possible.... teehee.
i honestly think the silence is the game changer for the show's emotional maturity--it's why i highkey think this show would be categorized as josei (older female audience) rather than shoujo (younger female audience). you dont need akira's thoughts for it to be spelled out. you dont need to hear her gush over masami, or say she's in love, or anything. you see it all by how she acts and how the show carries itself.
there's a trust in the audience that they will understand what's going on. the show knows its trying to draw upon common experiences of what its like to be in love/have a crush--and thus, expects the audience to follow along without having to take away from any of the immersion to explain! <333
friendship in a romance-prioritized world !
i really like how estranged haruka felt from akira. it feels very real--to have a longstanding relationship waver. and to wonder why your dynamic has now changed. like i felt my heart get stabbed when she saw akira with her coworker/new friend, and despite her not distinctly saying anything, i could so clearly hear her wonder:
'what had changed for everything to be so different now?'
i love that, despire akira attempting to gacha a specfic keychain over a love charm rumor--it was haruka who gives her the one she wants. this show has always put the question in the air--why does akira need to have a crush on masami? and an answer is that she feels lacking in her connections, especially in context her isolation from her track group.
anyway, the resolution that haruka re-affirms their friendship is super sweet. it stands outside of the interests that once brought them together (track). and most importantly, it withstands their changing circumstances and needs (no longer spending tons of time together).
it is so important that haruka is the one to give akira that keychain--like i cannot express how much it means. the moment its given to her is the moment the keychain is no longer about masami--it begins to break away this hyper-focus on everything masami. this show isnt just about romance. it never was..!!!
it begins to ground akira back into a world where connections of all kinds matter, and she has to acknowledge the one waiting for her all along.
idk about you but i live in a world where romance gets put on a pedastal. essential. necessary. required. if you dont experience it, youre being left out. its the end goal--its common. its not a bad thing at all, but it does reflect in media! romance...!! and thats why when i get to see the nuance of friendship and a one-sided romance that is explored (why akira is in love, rather than centered on the progression of the romance itself), its very exciting!
experiencing media about romance is thrilling--it always is <3 but experiencing the heartache of friendship is few and far between, which makes it a certain type of special.
romance doesnt beat friendship. and friendship doesnt beat romance. they just have different places in life~!
i do believe however, that because we are entrenched in a romantic society, we see more accurate representations of romance, and less so of friendship--just by margin of portrayal. just an observation!
aquariums and oceans; perspective and priority
when akira tries to seek a common ground by gauging out masami's interest in recommending her "books "pure literature" books, masami gently re-orients her. he calls the library a "sea", but then the entire library becomes an aquarium in akira's eyes.
it kinda kills me with how pretty it is <3 perspective, perspective, perspective!!! whenever we are with akira, its such a hopeful, bright youthfulness. the romanticization of an aquarium--the association of a date, maybe a place where she gets to observe masami as she wishes, and just overall vibrancy is so cute.
but as soon as we move to masami's inner thoughts, everything returns to as it is--he does not see her in the same way she does. whats more, she comes out with two books--one she wants to read because it interests her, and one about track.
i love this scene because it really puts out a question: right now in her life, what is akira's priority?
for her, having a new environment, new relationships, and a new crush to indulge in was necessary. she needed time. she needed a community to feel grounded in. she needed space away from the environment that she feels lost in.
but then, masami (unconsciously) poses the question again, and i really love that. right now, now that shes reconnected with haruka, what is akira's priority?
its a really big scawy question to ask. and its one everyone has to ask themselves periodically. what do i need right now? what is my priority? its cool that the show poses it--and forces the audience to reflect for themselves on that as well <3
this episode def feels like an almost-turning point for akira, especially as we begin to hint that we will soon dig into masami's past and why he is the way he is. she is beginning to acknowledge what she needs--her discomfort, her hopes, her frustrations.
i love her so much because she is relatable--it is so easy to rebound. to move on without finding resolution, and to cope with difficult things with fantasy or romance. and the show doesnt portray it as a negative thing--its very, very natural. its normal. its okay, and akira is beginning to ease her way to that conclusion as well.
ok fin~
#after the rain#koi wa ameagari no you ni#floofymeow writes#my word vomit <3#couldnt b bothered to capitalize#sorry :3#to the tumblr void this goes!#ew who wants to read someones THOUGHTS and OPINIONS on something#literally have to vomit this down so that it leaves my brani#i rlly like this show so far its super good
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i have npd or something like it but i really have trouble with the notion that narcissism is something that you can like, normalize in the way some other mental health things can be normalized or accepted. i just dont understand the thinking behind trying to get people to be more accepting of npd when the main symptom of it is treating other people badly. it feels pretty natural to avoid or dislike people you know have been diagnosed with a thought disorder that, intrinsically by definition, means you tend to treat other people with disregard or worse. i wouldnt expect anyone i told about my diagnosis to stick with me.
THERE IS SO MUCH TO UNPACK HERE. I COULDN'T EVEN KEEP MY SEMI-FORMAL MANNER OF SPEECH THE ENTIRE TIME. ANON IM WARNING YOU AHEAD OF TIME I AM NOT NICE IN THIS RESPONSE <3 IM SICK OF ABLEISM
the notion that someone having NPD instantly means they're going to treat others poorly by default is in and of itself ableist. that is an ableist stereotype. i literally know people with NPD who are explicitly nice and helpful on purpose because they want people to like them and think highly of them. treating others poorly is not "the main symptom" of NPD, at best the "main symptom" or core of NPD seems to be self-esteem dysregulation.
anyways read this post it basically explains in detail what i don't have the time or energy to type out.
btw, if you have NPD or something similar and your personal experience has been that you treated others poorly. erm. L? i don't know why you're projecting that on every single other person with NPD💀 your experience isn't universal at all?? the most helpful and kind person i know has NPD????? like yes it's true people with NPD usually struggle with relationships but struggling isnt automatically equivalent to being toxic or abusive nor is that struggle exclusive to NPD
also NPD isn't a thought disorder???? NPD is a personality disorder, thought disorder is "a disorganized way of thinking that leads to unusual speech and writing." what are you defining a thought disorder as? when someone has thoughts that aren't perfect pure and moral? why do you think thoughts automatically equal actions? i have plenty of severely fucked up thoughts because of my disorders that i don't act on
like i dont mean to doubt you but are you fucking sure you have NPD or anything actually like it? because honestly you dont seem to have an idea what the disorder actually is?? like genuine question were you just diagnosed and then they didnt explain at all what that meant? or did they diagnose you based on really fucking ableist ideas???
im sorry this response isnt nice im just so sick of having to over and over again convince people i am not an abusive heartless monster to every fucking person i meet. i do not abuse my loved ones. i am not always the nicest or easiest person to be around but because i have people who actually understand my disorder and want to communicate, we're able to work through it.
"i wouldnt expect anyone i told about my diagnosis to stick with me." please work through your internalized ableism. do not come into my ask box and imply the people i love would have the right to abandon me just because of a disorder i got from severe nonstop childhood abuse and neglect that i have zero control over because you think it automatically makes me an abusive nightmare. good day.
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PLEASE go into detail about why Kane and River broke up. I need to know more about both of them and their disastrous relationship
hfdfhdsaj, i dont know if i would classify it as disastrous, but it was definitely for the best that they broke up!
for extra context, before river, kane dated two others, aria and chloe. ive talked about them briefly before and those two plus river can be seen together in my heaven says video!
being the last aera alive, there is a LOT of unspoken pressure on kane to keep his family bloodline going. feli is sort of the main authority figure who is urging kane to take a suitress. kane's relationships with aria and chloe were both sort of already set up by feli, and while kane genuinely gave those relationships a shot it just felt... wrong. obviously the main reason that it felt wrong is because, well, kane is gay! and wasnt physically or romantically attracted to either aria or chloe. but because kane was completely clueless, he assumed that the reason behind why it felt wrong was because the relationships were set up by feli rather than happened naturally. (which definitely was apart of it, but obviously the main reason is that he isnt attracted to women LMAO) so when kane broke up with aria, and later chloe, he was able to be honest with them that it just didnt feel right! so those break ups were much less messy.
river was already friends with him and his friend group at this point, and she was starting to get some feelings for kane. kane always regarded river as a really good friend but never considered her as a partner. and because he never had gotten romantic feelings for anyone at that point (other than having a crush on jay- but he was a child at the time and no one told him what his feelings meant so he completely disregarded it) he didn't even know what love was supposed to feel like!
so when river pulled him aside one day and confessed her feelings for him, he sorta short-circuited and thought "oh. well she is a really good friend and i like being around her and this is happening naturally rather than being set up so that means this is what True Love feels like" so in a super unfortunate case of misunderstanding, kane completely mixed up platonic and romantic attraction and told river that he felt the same way. and soon enough they became a couple.
well things start to get a bit rocky for them when river notices that kane never really. treats her like a partner. like he'd just treat her like she was his buddy. like if they were on a date he'd view it as just two pals hanging out rather than a loving bonding moment between partners. that isn't necessarily a bad thing by itself but river communicated to him that she wants to feel loved by him and points out that he doesnt really say "i love you" to her that much or even at all. and that she wanted to receive physical affection like nose touches or cuddles and stuff. kane of course is receptive to that and explains that it just didnt cross his mind that he should be doing that. well if your partner says that to you that definitely wouldn't make you feel very desired by them :,) (obviously that wasnt kane's intention at all. he's just. clueless)
kane of course wants to make river happy so he tries to do what she asks of him! but soon he would find that every time he cuddled her or told her that he loved her- uh oh. that wrong feeling came back, and it was worse than ever. kane thought that he did everything right this time, so why did he feel nothing whenever river said "i love you" to him? why did he feel so uncomfortable when her fur was pressed against his? why did thinking of river as anything more than a good friend feel so bad?
well, kane pulled into himself a lot during this time. confused and lost as to why he's feeling the way he is. well, river definitely noticed the way he tensed up whenever she pressed against him. how he pursed his lips and said nothing every time she said an affectionate phrase. and river is the type to want to deal with issues, so she brought it up- in a bit of a confrontational way.
it wasn't a full-blown fight between the two, it was just river desperately trying to get some sort of reassurance that she is loved by her partner, with kane desperately not wanting to admit that he doesn't.
but since she was sick of beating around the bush, river just asked "do you love me? did you ever love me?" kane didnt say anything, which answered everything.
to say river was distraught is an understatement, and in a fit of anger and sorrow she broke up with him on the spot and left. she had known kane for so long, both as a friend and a boyfriend, and to be indirectly told that she was never even loved by him was soul-crushing. since kane isnt the best at explaining himself, she views the relationship as kane just stringing her along, constantly lying to her to pardon his own feelings. and as a result, river feels extremely betrayed. kane recognizes that he's hurt her and he does feel really really guilty, but he also feels lost and broken because he doesn't know why this keeps happening.
#here comes forrest with another essay#sorry for talking too much about my character's relationship issues. it will happen again#ask#anon#backstory lore#ch: kane#ch: river
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What makes Sonic Adventure 1&2 your favorite?
i learned my lesson that im too wordy for tumblr and had copy pasted almost everything to word pad.
grew up with them and they have things that touched and/or surprised me as a kid
i have a lot of feelings for e 102 gamma, and sonic adventure 1 itself has a really… specific "exploration" feel to me that stemmed a lot from not really understanding that game devs dont always develop a bunch of extra stuff? this is hard to explain but i didnt treat the world as like… "it makes sense that they made this portion because it has this use mechanically or storywise" it felt more like trying to find secrets in a world where there would (in my mind) be entire swathes of things behind a closed door or something
i think it also helped that sa1 as a game is kind of … disconnected in some ways the flow of progression on where to go and why isnt always the most intuitive (hence little hint orbs around if you get lost)
i didn't really understand in a way that made the game really fascinating also, it helps that i did find weird glitches, like i clipped into the sonic version of a level as knuckles i love the music, i do like the story a lot too, the base concept (replaying levels and stories in ways that focus on different characters (with some contradictions like who won where)) was cool to me
i gravitated a lot as a kid to things that felt like they had logic to them, i just couldnt see what it was just yet i think with sa1 it was easy for me to feel that feeling because sonic was basically a cartoon (what i spent all day watching since my parents were busy) that i could play
theres a solemness to some aspects of sa1 i also really appreciate like… idk… knuckles gives me feelings he's tricked but also he's… alone and just very focused on his goals i don't know there's a lot of breathing room in some ways also the way eggman's voice lines when you play as tails is so much more… like… Negative or scary is a good touch tail's theme can make me cry sometimes
e 102 gamma makes me cry too
i dont know, theres such a particular feeling to the whole game for me that i love
sonic adventure 2 doesnt have hub world exploration and the music is different but i still really liked the story and music i worked really hard to get all 180 emblems in the game (i never managed to get all the emblems in sa1 i think…) i wrote the date i got all the emblems down somewhere
i felt like… when i was a kid it was really hard for me to "understand" story beats? like i watched aladdin so much as a kid that the vhs tape broke, but i didn't really "understand" everything was connected
i think sa2 was something where it actually truly connected for me and i was shocked at the characterization of shadow i really really liked him there is such a huge feeling in… seeing a character do something because they care about someone else and their words… and when shadow realizes he had been misremembering maria's words and wishes, he changes so the care felt real it didn't feel like using maria, it didn't feel like shadow just solely used maria to fuel his own hatred once he understood maria didnt feel the way he thought, he changed how he felt because he genuinely did want to care about what maria felt
it was something that would have touched me as a child a lot, because i was around people who claimed to care but… didn't it felt like i could feel "this is care in a way i would want to experience" or something like that
i cried so much at the end
truthfully i just really appreciate when things are taken seriously but also like… in this way that is not Gritty Realism
i think chuck jones (one of the classic looney tunes director) said something about… cartoons don't have to be realistic, they just have to feel believable the logic needs to be able to be felt and followed, even if its not realistic like, https://www.youtube.com/watch?v=IyxjkblA6Ok
okay this video is funny but its the first thing i thought of when he says "alright 1 second" and he leaves and INSTANTLY is back… thats not realistic, but its communicating a feeling AND being economical in what is shown? you dont have to see him make the whole cup of hot chocolate (And actually that would break the entire thing if you did see that)
its moving through what is "important" for what is trying to be communicated, wherein something is "believable" to the action you're trying to show
https://youtu.be/yz1iScOFJmM?t=69 heres another example, this time a carton directed by chuck jones, haredevil hare, which is marvin the martian's first appearance it should start 1 minute and 9 seconds in
the dog rockets over to bugs, knocks into him, and theyre entangled
bugs bunny instantly plays with the situation by pretending theyre locked in a romantic embrace this isnt "realistic" but bugs bunny is making it believable! he's playing wit hthe emotional logic of the scene in a moment where the dog would be in a transitional state (confused from knocking into bugs) but bugs doesn't forget the actual stakes, and instantly scrams the moment he sees marvin the martian approach (while the dog reaches for bugs bunny, completely believing the emotional logic bugs had set up earlier)
while marvin is angry at the dog, bugs is able to use this to trick marvin too, wherein marvin's emotional attention is on the dog, so he's not really… checking what happens very thoroughly bugs knows marvin wants to blow up the earth so gives him a special delivery that would work with what marvin wants
he's just… constantly using emotional states and understanding to change the flow of what others do in relation to him (or in this case, earth)
its not "realistic", its "believable" for the character in question (the dog or marvin)
so i feel like… sonic adventure 2 had levels of… unrealism but "believable" for me especially as a kid the emotions felt like things i could understand and follow (like the cartoon characters following bugs bunny's emotional cues) even if they were a bit disjointed at times or outlandish (somethings in the story are definitely. outlandish, moreso if you're someone who wants really particular realism in your stories so something like cartoon animals interacting with the president of the united states is already pushing it)
also chao i love chao
i got a weird glitchy chao by transferring a chao between games on the dreamcast and he had S ranks in everything i loved him … then my game froze
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