#but the actual portraits themselves are done

[alsoanyways]

oh my god it’s done

[faresong]

thoughts on their self-portraits chat

[eddiethebrave]

secret admirer part eleven

922 words

one two three four five six seven eight nine ten

Tuesday and Wednesday go much the same. Steve doesn’t watch Eddie at lunch anymore. 

That’s where Eddie does most of his staring, though. Steve wonders if Eddie felt like this knowing Steve was watching him. He hopes not. He feels like he’s on fire. In a bad way. 

He can’t help himself but go over everything he did, trying to find where he gave himself away, but he comes up blank. Anything he shared about himself in the notes could’ve been from anyone. 

He didn’t hint at it whenever he actually spoke to Eddie, either. 

The only thing he can think of is that he delivered the notes at the same time every day, barring the one time he was late. Eddie must’ve figured it out; saw him one morning. But he thought of that beforehand, too! The only door unlocked then is the gym door because no other sports or clubs meet that early. If Eddie were there, someone would have seen him. 

Then there’s art class. Steve gets whiplash from all the staring at lunch to business as usual in class; Eddie acts like nothing is out of the ordinary. That is to say, they hardly speak to one another, but when they do, they’re friendly. 

Come Thursday. Carol is out sick, so Steve has no distraction from the boy next to him. He can’t even try to convince himself he isn’t tuned into Eddie’s every movement. 

That day, the worst thing that could possibly happen, happens.

“Next to you, you’ll find your partner for this month's project. Go ahead and get acquainted, you’ll be spending a lot of time with one another.” 

The person on Eddie‘s left turns away from him to pair up with the person on their other side and Steve's stomach drops. He waits for Eddie to request a new partner, but he just drums his pencil on the table noncommittally. 

Steve would just put them both out of their misery and ask the teacher if he can wait until Carol returns to school, but he doesn’t want Eddie to think he minds being partnered with him, especially if Eddie isn’t going to be the one to interject. 

Steve has no reason to be upset with Eddie and, loath he is to admit it, he’d take any chance to be around him. Even now that he knows Eddie doesn’t want him in the same way. 

That’s another thing that’s been nagging him. Eddie was fine with H before he knew it was Steve - liked him even. Then the staring happened, and he took off the ring. 

There’s only one explanation: Eddie doesn’t like Steve. 

You’d never guess it, though, not with the way he turns to him and grins. “Well, would ya' look at that.”

Steve smiles hesitantly. “Hey, man.”

The teacher claps her hands to get everyone’s attention. “Alright, alright.” Once everyone has quieted down, she hands each of those in the front row a stack of paper to distribute to their respective columns. 

“This is the project outline. In a moment, I’ll dismiss you to read through it with your partner. After you’ve done that, you’ll notice there is a brainstorm worksheet on the last page. Now, you only need to complete one of these for the both of you…”

Once she’s done giving directions, Eddie turns to Steve. “Do you wanna read or should I? Or separately?”

Steve doesn’t even have to think about the answer. “You.” There’s not really an option there. Not only does he get to hear Eddie’s voice for a prolonged amount of time, but he doesn’t have to stutter his way through reading, or watch as the words seem to evade him? Yeah, Eddie can read, no hesitation.

Eddie nods and clears his throat before starting. Steve reads along on his paper and finds it much easier than if he’d had to read it on his own. 

The concept is pretty straight-forward. They’ll each have to make a portrait of themselves and the other, collaborating orally while not seeing the other’s work. Even when they’re finished, they have to turn in the projects without the other seeing. There will be an exhibit in three weeks before they go on spring break where all of the portraits will be displayed.

When Eddie’s finished, they flip to the worksheet. “Okay,” Steve says, “I’ll write since you read.”

Eddie hums his approval, and they get started. 

At the end of the hour, the teacher tells them to hang onto their packets and take a moment to schedule time outside of school to meet. There will only be one day a week dedicated to the project at school.

Steve clears his throat. “So, I- uh, I’m free most days. When works best for you?”

Eddie tilts his head to the side. “What, no court activities? Responsibilities?”

Steve hesitates. “You mean basketball? I mean, we practice in the mornings and there’s a game next week, but other than that…” Steve trails off once he catches sight of Eddie’s amused look. “What?” He asks, immediately self-conscious.

Eddie waves him off. “Nothing, nothing.” Steve frowns but Eddie keeps talking. “How about Mondays and Wednesdays, right after school?”

Steve chews on his lip before nodding. “Yeah. Where are we meeting?”

Eddie thinks for a moment, drumming his pencil on the desk again. “Uhh, how about we decide that during class those days?”

“Sounds good.” Steve holds up their project outline/brainstorm worksheet. “I’ll just hang onto this.”

Eddie chuckles. “Honestly, man, that’s probably for the best.”

twelve

tag list (closed)

@sofadofax @noodle-shenaniganery @queenie-ofthe-void @friendlyneighborhoodgaycousin @devondespresso

@dreamingtheimpossibe @plutoshelm @jaywhohasthegay @scarlet-malfoy @hotluncheddie

@dreamy-jeans137 @justdrugsformethanks @estrellami-1 @travelingtwentysomething @sleepy-steve

@wheneverfeasible @bisexual-and-broke @lil-gremlin-things @n0-1-important @xxbottlecapx

@tinyplanet95 @dannys-guilt-ridden-cockroach @theohohmoment @corvus-perplexus @hippieg1rl420

@blurryjoji @bookbinderbitch @arthurianace @dragonmama76 @thesuninyaface

@tillystealeaves @p0lybl4nkk @sageclipse @mugloversonly @chameleonhair

@thedragonsaunt @yesdangerpls @sanctumdemunson @slv-333 @loguine-linguine

@resident-gay-bitch @anaibis @moomkin77 @thrashbatx @salchica

@flustratedcas @ajeff855 @nerdyglassescheeseychick @pearynice @imaginary-maggie-waggie

sorry if i missed anyone!!

[bisexualseraphim]

Really not sure why I’ve got so many 19 year olds in my notes going “LMAO KAMALA HARRIS IS NOT A LEFTIST WHAT PLANET DO YOU LIVE ON”

“Leftist” just means “someone with left-wing politics.” Which Kamala Harris overall has. It does not mean “person who prays nightly to a portrait of Stalin and has a prep bunker for overthrowing the government.”

Like I’m sorry to break it to you all but most people in the real world are not as far on the left as basically everyone on this website. I don’t know if being on here has skewed your views of the political spectrum or what but someone can very much be a leftist without openly advocating for all cops to be hung drawn and quartered in the streets.

So no, Kamala Harris is not a centrist just because she has some opinions which you or I may personally find pretty sour. And also saying “she’s not a leftist she’s a liberal” is redundant because in the modern United States liberalism is generally accepted as a left-wing ideology. There’s a reason people on the right love using “liberal” as an insult.*

(And because so many of you apparently love to put words in my mouth and invent things to get mad at, no, I’m not fucking saying I disagree with far left politics and agree with everything Kamala Harris believes. Have a good night)

*Okay, the people who can’t read have found another way to “um actually” me and seem to think I believe liberals are on the left just because those on the right use it as an insult. Um. No.

Essentially, the world “liberal” in the United States often means something different depending on who is using it. Conservatives think liberals are left-wing. Liberals themselves tend to think they’re left-wing. And those further on the left think liberals aren’t left-wing enough and believe they’re centre-right. It also depends on which type of liberalism is being referred to: there is classical liberalism, traditional liberalism, modern liberalism, social liberalism, neoliberalism, economic liberalism, conservative liberalism, etc. Modern and social liberals are, by definition, left-wing, whereas the others tend to fall closer to the centre or somewhere on the right. The one thing uniting all forms of liberalism is the belief in equality.

However, when discussing liberalism as a whole from a definitive standpoint, the form that is widely accepted to be the one that most are referring to when they talk about liberals in the United States today is modern liberalism, which focuses on equality, personal autonomy and social justice. Modern liberals advocate for access to education, welfare and healthcare, as well as voting rights, reproductive rights and rights for LGBTQ people. In terms of economics, beliefs can differ but since the Obama administration, modern liberals generally believe in higher taxes for the wealthy. Additionally, contrary to the beliefs of those further on the left, modern liberals see state and government as essentials to maintain both equality and order, and see it as the state’s obligation to make sure everyone in society has equal opportunities. Classical liberals, however, believe that although the state is necessary and should exist, it should still have minimal involvement and intervention in the individual’s private actions and beliefs of no harm is being done. This belief that some form of state should exist what makes a lot of leftists detest liberals, since those further on the left commonly reject state and government entirely as opposed to the idea of a state with regulation.

If you apply what I have just listed to Kamala Harris, then yes, she is indeed a liberal, and she is also left-wing. She may not be as far left as many would prefer, and may even hold some beliefs many here might associate more with the centre or the right, but overall she is still both liberal and left-wing regardless. Incidentally, she is recently being described in the media as “the most liberal US senator” (whether that’s true is a separate conversation), and this is in the context of her being the most left-wing.

You can argue whether she’s left-wing “enough”, but the reality is she is more left-wing than the vast majority of major US politicians in history, especially when taking into consideration that the Overton window has shifted to mean that basically anything that doesn’t abide by the GOP is seen as liberal/left by many. Some Republicans are now advocating for Kamala Harris, and that doesn’t suddenly mean it’s because she’s become a fascist; they have simply decided that Donald Trump is just way too far right for them, and they are willing to put differences aside and advocate for someone who promises to try to undo at least some of the damage he has done. (Some people on here could learn from that, ironically.)

Anyway TLDR Kamala Harris is a liberal and that isn’t a bad thing when you consider the fact she follows the most left-wing form of liberalism and the normalisation of fascist ideals in the US means that a liberal government remains ideal for social progression. Also yes some things she said at the DNC and in the CNN interview gave me the ick but she’s still worlds above Donald Trump and you still need to vote for her to keep that genocidal maniac white supremacist far away from the White House. I’m going back to bed now

[bloodandoranges]

Through Your Eyes

Astarion x Reader/Tav / short / soft and sweet / Tav draws Astarion, he gushes

Thank you for all the love on my first post! I’m working on some Karlach stuff right now because I noticed that she’s really lacking in fics so obviously that needs to be rectified.

Astarion tapped his foot, leaning back against his hands as he waited…he liked to think he was a patient man, but…he was not.

“Darling, how much longer will this take?” He complained, tilting his head from side to side as if his muscles were aching.

Tav glance over her sketch pad, a soft laugh escaping her. “… Astarion, I’ve been drawing for ten minutes," she spoke, gazing intently at him for a moment… before getting back to work.

He gave a bit of a huff; though it clearly wasn’t genuine annoyance. He actually really appreciated it. She was a wonderful artist. He’d caught her doodling their companions and seeing how well she caught their likeness? He was eager to see himself from her eyes… and well, eager to see himself in general.

Cazador may have been more than happy to splurge on portraits of himself, but his spawn? He wouldn’t even dream of it. He frowned a little at the thought, and Tav gave a soft laugh.

“Stop frowning… I want to draw that beautiful smile.” Of course, she wasn’t to know what was on his mind. Astarion blinked, eyes widening a bit…clearly? He hadn’t noticed he was outwardly expressing his frustration.

He gave a little huff, readjusting and giving her a sly smile. “…You know that’s not what I mean," she spoke, lowering the sketch pad…He caught the slightest glimpse of himself and beamed. “That one!” she laughed, eagerly fumbling to adjust the sketch.

“Oh come now, you’ve got to be done, surely!” he sighed frantically as he crawled over, arms winding around her waist as he nuzzled into her shoulder, gazing over the sketch… His face softened immediately at the sight.

There he was, basking in the sun and settled in front of his tent, an adoring smile on his face. His hair was coiffed, somehow curled around his face perfectly despite the whole no mirror thing… He looked ethereal. There were a couple more sketches on the page too, showcasing his face up close, wrinkles and blemishes and all.

Of course, he knew he was gorgeous; he’d had zero doubts about that. But to see what he truly looked like? Drawn by someone who treasured him so dearly? It almost bought a tear to his eye. Almost.

“Darling, these are simply divine…” he whispered, taking the sketch pad from her to admire them. “We should get them framed.”

“Wh- they’re not /that/ good!” she cried, eyes wide at the suggestion.

“Nonsense! They’re everything to me…” he cooed, setting the sketch pad down to cup her face, gazing at her with so much love.

Tav flushed, hands slowly moving to settle over his. She really didn’t feel like a couple sketches warranted framing, but it was clearly important to him. “…Okay, Astarion. I’ll get them framed,” Tav cooed, kissing lazily at his palms… Which turned into lazy kisses, which turned into Gale loudly scolding the pair from across the camp.

They looked at each other, laughing loudly as they untangled themselves to stand… And just like that, they were off to the city.

[dsknsk]

Limbus Company and its visual portrayal of female characters, an essay

Limbus Company, and by extent, Project Moon has been a great example of how female characters are visually portrayed. In this article, I’ll try to dissect why and how, focusing on Limbus Company as it has by far the largest amount of images I can talk about. Let’s dive in.

Disclaimer: I'm by no means a professional so please, PLEASE don't clown on this i.e mention the summer controversy. I have a personal trauma on that and do not wish to revisit it. I know it's practically impossible to ask from tumblr, but still.

Visually portraying a subject

Where to start? At the very beginning, of course. Portraying a subject visually (not talking about female characters in specific yet) has a number of things attached to it. Perhaps the first question one can ask themselves is this:

Where do I want the focus to be?

Now, you can be short and say ‘the subject, of course’, but even then, that won’t often be precise enough. Let’s say you have a butterfly as your subject. Do you want the focus to be on its beautiful wings? Or its curious multi-faceted eyes, or its roll-up tongue? What do you want the viewer to notice immediately? 

Arguably, even photos of landscapes have at least one point of focus. The pretty waterfall, the vast mountains, the green pastures or the starry sky. Some have the focus split up in two, where both the lake and the mountains are to be spotted immediately.

How focus can be created

There are multiple ways focus can be drawn to a specific part or to a specific subject. 

One way is to simply make everything but your point of focus uninteresting. A common effect used is the Bokeh, which blurs out the background so that it will automatically appear as less interesting and more as a faded bunch of colors that contrasts with the point of focus which is sharply shot in HD. You can also make the background to be a flat color, like black or white. Some pieces of art additionally add colored shapes or lines behind the subject as to accentuate it further.

(an example of Bokeh. In addition, the direction in which another character looks shows what our main subject is, who is actually positioned off-center.)

You can also just…fill the space with the subject, as in a close-up of the thing in question. Following the previous butterfly example, it’s like only showing a small part of its wings, enlarged to comparatively huge proportions. This is also seen in portraits and to a lesser extent, similar art like waist-ups.

The eye is immediately drawn to what we should look at, which is the character who’s front and center in the image. Secondarily the blood. Her hair also uses the next point below: color.

If you’re working with color, then color is an excellent way to bring the focus to a subject. Bright colors and contrasts can be used, like what’s done here:

The bright red forms a direct contrast to the green that dominates the color pallette. It thus leads the eye to the red areas - aka the blood the character is spilling as well as her face, which is technically a tint of red. The red returning in her eyes which have a small trail, and on her bloodied face, as well as the yellow of her tie, further help to bring focus to her face and her expression. (Other than that, this image also has classic cartoon speed lines, which are minor but do help).

Light is also something I should mention. Using the image from above, the character is actually rushing towards the darker areas of the image. The light is coming from where she seemed to come from, judging by the speed lines and the trail of red we just saw in all its glory. The light forms a line around the subject which keeps said subject’s green uniform from blending into the darkness and the green of the image.

There is a specific technique called chiaroscuro (lit. ‘light-dark’) which is totally a real thing that even old masters like Rembrandt have used to bring focus. The gist of it is that the painting has very bright areas which is the subject, surrounded by dark areas, with not much in between. This technique is often used to make scenes more dramatic, and to immediately show us what the artist wants us to see, without any possible doubt. It’s like putting a spotlight on your head in a dark room. Chiaroscuro is also seen in Limbus:

You can’t actually see much of the room our subject is in. The only light is coming from the candles, illuminating the top part of our subject. The other, darker half is much harder to see the details of. This makes it so that the eye is led from either the character towards the source of the light (the candles) or in reverse, both of which are possible and valid because in both cases, we ignore the pitch black part of the artwork.

How to create focus with characters (in specific)

Now, humans and humanoids are fascinating subjects to focus on, because there are so many situations a person can be in, and so much stuff a person can be. Are they the commander of a spaceship? A medieval ruler? An overworked office clerk? There are specific things that more or less pertain to humanoid characters more. I’m going into two aspects, clothing and posing - I’m aware there’s more, but for the sake of making this not longer than it is I’m going into only those two.

1. Clothing

What someone wears makes up a considerable part of how they’re seen and what they are presumed to be. This is also a large part of stereotyping. If you're wearing a t-shirt with pants, sunglasses, and have a camera around your neck, chances are people think you’re a tourist. To them, it likely won’t matter if you are, they will perceive you as one anyway. This is also important here: you might want to pretend you don’t know anything about the portrayed character or show their image to an unknowing friend and see what they think that the character is.

And that brings me to this point that I have seen so many times with female characters: their description/role not directly matching with how they are supposed to look if that were true. I’m talking about the battle-hardened veteran without muscles or scars of both kinds (even if adequate healing/scar removal is available in the setting). I’m talking about the scientist with a leotard under their lab coat. However, I’m not saying they should look a certain way or be the same - that’d be boring - I’m saying that…hey, it might make the viewer not take the character as serious as you want them to be.

The way clothing is built up can also serve as a way to bring focus to a specific aspect. Which will most often be either the boobs or the butt (or both) in the case of female characters. Look at this (non-Project Moon) example.

The woman in the front (obviously the focus due to the place she is standing in being squarely in the middle, and her red hair standing out) is the leader of that squad…as well as the strongest in battle. Without any protection of vital organs. With a shape under her boobs that would stab her fatally in the liver if she does as little as bend over.

The way her clothing is built up also brings the focus to her boobs - not only with how they’re prominently on display, but also with the shape the top and the fabric covering her shoulders makes. In a similar vein, her ‘pants’ and the belt all lead the eye downwards to her crotch as well. Furthermore, her thigh highs look skin-tight, bringing secondary focus to her legs, of course.

And last but not least. The guys behind her are actually properly armored from the neck down, making them somewhat more of a homogenous whole… in theory. The different body types, hair, and colors of the armor of the right and left dude make them stand out slightly more, which in turn only accentuates this ridiculous difference. 

I don’t really have many Project Moon-originating images on hand that are similar to this. Every time we’ve had an ID with a female character being the leader of their group (of which we’ve had surprisingly many, actually - Don has two Section Director IDs to boot) they have usually been posing alone, or well, posing…their full uptie art normally shows a moment when they’re beating their enemy into a pulp instead of posing for the camera like in the above image. This is really consistent with the other half of the playable characters, who are male.

I want to give a special mention to two characters despite that. Faust and Rodion are both known as the more well-endowed characters, but from their IDs and E.G.O it is treated as something that’s there rather than something to be exploited.

The blue glint is the highlight here, illuminating her blood-stained clothing but also finding its equal in her small, blue eyes. I have found eyes like this and expressions like this to be quite rare on female characters. Just look at her and her face. She’s completely lost it, wrapped in twisted and warped euphoria of the moment of ‘purging’ another ‘heretic’ - and from the looks of it, the last one on the scene. She’s not even trying to clean her own clothing or face, or expose her boobs. That’s not what matters to her image, showing any kind of skin doesn’t add to her character. She’s caught in this violent moment, having her victim completely in her literal grip - not even her eyes are looking at the camera. This image showcases the violent and sadistic nature of the character.

I find this art to be a curious thing. The background is actually rather bright, making the inverse true: the character is dressed in dark clothing, so that’s what the focus is on instead. Her coat flared out in such a way it can almost be mistaken for the underside of her long hair, making her seem even larger (something certain animals use when threatened to scare others into leaving). Her actual figure is thus more obscured, it only being a few tones darker. The thing that keeps her from being a dark blob in the foreground is her sword, large enough to be an odachi. Because she’s unsheathing it, the glint that comes from the blade immediately draws attention - arguably away from her partially unbuttoned top. The animation of this in the game supports this: no boob jiggle, just her standing calmly in the moment she’s just about to unsheathe her sword.

Because I’m going to use this example further in this thing, keep this one on hand.

An image that’s again in the middle of the action. Rosespanner Workshop Director Rodion is right now turning an enemy into an unrecognizable stain on the pavement with her huge weapon. The highlight is her weapon again, but this time it actually serves as a secondary source of light, illuminating her face. The yellow coloration of this secondary light source also makes the whole thing more interesting than if it just had the background light that serves a similar purpose as it did in the first image of this post. Even though the image has a heavy pinkish tint, the red that splatters all over the scene is still very much present and they draw the eye back to the yellow light. While her pose is ambiguous, it keeps things vague by not putting any sort of focus on her lower body. In any other piece of media this pose would be viewed from another angle, as to profit from as much of her body’s curves. Not here. Her killing an enemy with visible ease is important. Not her pose. This sounds logical, doesn’t it?

2. Posing

Which brings me to this. The way a character is posed also plays a part in their portrayal. It is possible to accentuate certain body parts with this - like when a character brings their hand to their chin, or the way their legs are posed. No matter the actual scene that’s meant, the way the character is posed is a factor that decides how it’s viewed and where the focus lies. Most often I’ve found this to be when a character is shown wielding a weapon, but their ‘battle pose’ being rather something that accentuates their bare skin, or their little clothing that does the same thing.

Is your character actually showing that they’re dangerous through being shown fighting…or are they just sexily posing with a weapon in their hands to add a sense of ‘danger’? Some can be highly difficult to distinguish. Some CGs can show the middle of the action yet the way the character is posed still brings the focus away from the violence or brings a secondary focus to it. Unfortunately I don’t have examples of those on hand but I know they exist.

A character just posing with a weapon isn’t wrong - I draw that all the time - but when the focus is brought to a character’s boobs and/or butt with the pose the character is in, it will be kind of obvious (even if it isn’t true) that sexualizing those features of the character what the artist is really intending to do instead of showing how dangerous she is with the weapon.

I’m going to use this image from Echocalypse as an example. I regularly take poses like this as a reference point and then attempt to make them more realistic, or, funnily, point out their weirdness by putting a male character in it. Often I do this by using them for a different, more appropriately clothed character. This goes to show that clothing can already decide a lot in posing itself.

This character is posing with a weapon, a…particularly huge odachi in this case (I thought it was a staff at first until I saw the hilt). Which is exactly the same what Rodion is doing up there in the image we already handled. Yet, there are subtle differences between that image and this one, and it’s actually more minor than you think it is (disregarding the thematics of the pieces). Both characters…

are posing with an odachi of similar size (assuming that both characters are of similar height for ease of comparison) as opposed to being locked in battle; theoretically making the focus more on how pretty they look

have long hair (that, minus the bun and the bangs, have a similar cut) that makes their silhouette appear larger than it is

do have a relatively bright and sort-of detailed background going on

have large boobs

are unsheathing their weapon just slightly

However, to get to our first difference, we need to get back to point 1: clothing. Using the same two images, the largest difference is clothing. Kurokumo Rodion is wearing all-black clothing that covers her from the head down except for the unbuttoned top. If I had to describe what the other girl is wearing, I’d say she’s wearing a piece of armor on one of her arms, a flowered collar, thigh highs but no footwear otherwise, and something…obviously lingerie/bikini derived. I’m actually not sure if that’s a tail or part of the clothing.

But to return to our point: posing. The pose of Kurokumo Rodion is actually fairly neutral. She’s just standing there, menacingly! (I should note that their normal character talksprites are also just standing there neutrally) No, literally. Anyone with working legs and arms, can reproduce that. Just give them a sword prop and you’re done. Coat cape optional. The way she is standing does convey some sort of subtle confidence, however, just like the way she is actually looking down (at the viewer). It’s likely you’ll see the sword first for the reasons I mentioned when first discussing the piece above and then look at her from top to bottom as usual.

The way our other girl is posed…is a little harder to replicate in real life to say the least. Not only is this a floating pose (i.e you’d need support), the way her body is bent sharply brings the focus upon her boobs and butt. The human body is actually rather flexible, depending on how you’re built of course, but even so I do doubt whether anyone can do this pose even if they could somehow float in mid-air. Or do this lying down. I (someone with joints that are a little too flexible for my own good) haven’t tried and highkey don’t want to. The thigh and upper leg that is prominently on display, along with the way her body curves leads the eye to her butt or downwards towards her legs and feet.

Her facial expression is neutral, but I get some sort of… ‘dreamy’ vibe from it from the traditional anime-like proportions (huge eyes, tiny nose and mouth). Almost as if she’s doing puppy-eyes to beg for candy or something. It’s, well, what most people call to be a ‘babyface’. Kurokumo Rodion is also in ‘anime-style’ and her facial proportions are still a little bit unrealistic, but I do dare to say they’re more realistic than those of the other girl.

Also, small sidepath. What do you think the second girl is based off? One would judge from her tail that it must be some sort of water creature but whether she’s a shark or any other kind of sea creature isn’t really obvious. Would it surprise you if I told you she’s based on a bake-kujira, a SKELETON-whale (which sounds cool as all hell)? Without any kind of skeleton-parts worked into her design? To be fair, I wouldn’t have guessed it either if it were not for her canonical description.

Also, one last note about that latter image. I think that an odachi of that format would be extremely tricky to unsheathe in such a pose, because of the distance between your arms. Her arm that actually unsheathes the thing is also obviously reaching out, so she’d need more strength to do that than what the look of her arms suggest.

Speaking about arms…

On paper, our Limbus girls would have all the reason to have twig arms. After all, the City allows one to get stronger without visually changing their physique much. One can carry around huge weapons like chainsaws, lances and zweihanders without visible muscles. And yet. And yet.

One of the few times bare arms are seen (most art prefers to cover them up - for Limbus standards, this would be the ultimate fanservice thing), it becomes very clear that they at least have a basic tone. Like, the basicest of basic efforts is done to make them not look malnourished. Even if this girl above is not like, the strongest of the world (for as far as we know...) the muscles she does have are very lovingly shaded and detailed. 

To end this, I’ll showcase something one last time with a funny in-game example: Roseate Desire. Roseate Desire is an E.G.O which wraps the wearer in pink ribbons and is highly implied to especially speak to the sin of Lust (which is the affinity of the attack). In the game, this E.G.O is given to two characters, a girl and a guy. In any other gacha game, it would only be given to girls.

While bent over and with a happy expression, she’s still coming to get you. How can you tell? For one, the huge anchor she has with her is within her hand (i.e opposed to it being tied up next to her or something like that), and the shield that’s tied to her arm. Despite being wrapped up, she does still look as if a portion of her is still in control, and her attack suggests the same. 

Hong Lu wearing it always makes me grin. He does wear clawed gloves and his fingers are arched, that’s true, but the way he’s strung up like a puppet makes it so that he can’t even get you with those. The manner in which he is posed and his head is tilted is highly reminiscent of how one would pose a marionette. And ingame properly he doesn’t even use these claws in close combat! He wraps up the enemy in the pink ribbons with doll-like movement. Even the way he’s covered evokes a sense of powerlessness, like he’s led on by the ribbons instead of controlling them.

I think this example, along with the others, is implicative of how Project Moon’s visual portrayal of female characters is done so well. They’re equally portrayed as the male characters, if not arguably more powerful, and there’s an equal roster of 6 to 6. They’re not overtly sexualized by bare skin or impossible poses while the men are covered up in a sensible pose. These are characters designed for their personality and role first, not with fanservice or money in mind first. Even the female NPCs fit within this rule, even though they have less art to go from. When you have a game which had 97% completion on the story and a mere 64% on the systems (i.e monetization) it would kind of figure that character designs fall in line with the role the character fulfills, is it not?

[yuusishi]

Could I request headcanons of Ace, Malleus and Jamil with reader who enjoys drawing , giving the boys a portrait of them that they painted themselves? And when I say portrait, I mean a life-sized portrait.

. . . MY MUSE

pairings : Ace Trappola , Malleus Draconia , Jamil Viper x gn!reader

genre : fluff

cws/tws : none

Ace Trappola !!

Bro is so ?? Confused ??

He likes it, of course, but a life-sized portrait of him completely out if the blue surprised the hell out of him.

“[Name], where did you even find the time and money for this??” “Shhh and relish in my creation just this once”.

He wants to hang it up somewhere, but since he shares the dorm room with Deuce he can’t really find the space to put it. So the painting is just awkwardly leaning on the wall until graduation.

Bragging about it to his other friends honestly sounds funny, “Yeah, my s/o painted me a life-sized portrait of me” “they WHAT”.

Makes a lot of “Paint me like one of your French girls” jokes or the equivalent of it in Twisted Wonderland.

He gets teased a lot by other Heartslabyul students for having a portrait of himself in his dorm room, and especially when they spot you giving him another, smaller, painting.

More of a “big picture” guy, so half the time he’s standing a little far from the painting to get a good look at the entire thing.

Honestly, he doesn’t know how to react with the way you just casually created an entire portrait of him, he isn’t used to someone doing such big acts of affection. But he isn’t complaining, he loves it.

Malleus Draconia !!

:D

He was so happy because wow you actually took your time to paint him, on such a big canvas no less.

It’s not that obvious but he’s trying very hard to contain his excitement from seeing it.

He’d probably take some time simply observing the painting down to what type of canvas you use to admiring every brushstroke and color.

Another one that’s not used to big acts of affection, he can’t even begin to explain how happy this made him and how happy he is that you love him.

He’d love to put it next to his portrait in his dorm room but the painting’s life-sized. 6”7. I don’t think he has the wall and room space for a painting that big.

So, sadly, he had to bring it to Briar Valley and hang it up there in his room. He probably took a weekend to go back to his hometown to do it, if you went with him he probably took you sightseeing too :)

Jamil Viper !!

???!!!?!?!!?!?! [Live Jamil Reaction]

You know that sprite he has where his arms are outspread a bit and he has a look of pure terror on his face? Yeah that’s his reaction.

He’s probably seen the Asim family have those fancy family portraits painted of them, but it’s not like he’s part of their family so he’s simply been an observer of that tradition.

So having something similar to that done with him, wow!! he’s really not used to it!!

Okay but seriously though, he loves it 100%. He’d take it home and very not discreetly hang it up in his room if he had the time to.

He also likes to just observe the painting for a few seconds a day, catching little details about him every time that even he didn't realize but somehow you caught onto.

[starberry-cupcake]

I don't think I have a lot to update today because life got in the way of me reading as much as I wanted, but if I don't note things down, I'm gonna forget, so here we are. I'm not sure if I'll be able to update tomorrow, but I'll be back as soon as as I can, more for my own peace of mind than anything else.

previously, in harrowlicious the ninth:

this happened

also, I may have or may have not been slightly spoiled about a thing because people in my dash don't use the tags available to us mortals, so I'm gonna have to sprint if I see any semblance of skull make up in my dash

close the tab immediately

close my eyes and cover them for good measure

currently, chapters 12 & 13:

we are training how to...kill planets, I think

basically, I think we're killing a planet and killing the thing that comes out of it when it's killed

this is what the care bears taught me not to do when I was a kid

actually, I think they even made a new one in the new re-design thing specifically to make the point even clearer than in the 90s

this new one

that's the opposite of what these people are doing rn

so harrowbean is training with mercygirl on how to be environmentally unconscious

if I am understanding the dynamics correctly, you kill the planet and then you chase the planet's soul aka beast through the river and kill that too

if the ones they're escaping from are bigger than these, they must have fucked up massively with whatever they destroyed

when I started reading gideon, I thought the houses were like planet-coded

you know, nine houses and all that

the ninth is now a hypothetical mysterious ninth planet

but back when my astrology lesson was sailor moon

the ninth was pluto

and in that mindset, the ninth would be setsuna meiou, which checked out with some of the harrow aesthetics, I mean

a mix between these two looks???

I went on a tangent, anyway

I moved on from that idea later but, in any case, these people must have destroyed some fucking huge thing to make the mess they're in now

so, basically, in order to chase the planet's soul (which they call beast, but I think that's disrespectful), that's where the cavalier comes in

the slurped cav is meant to keep the lyctor running through that process, so that their body doesn't collapse

and it's meant to have their instincts kick in to do the final push and use the sword they were trained to use

if mayonnaise uncle had not done what he did, he would have probably been good at this part

but he was obliterated

by hubris

so, harrow cannot do this

WHICH IS GREAT

for us, at least, because it's more hope for the "gideon isn't gone" theory that keeps us together

I speak in plural, as if you didn't know exactly what's happening, but you get what I mean

in my mind, we're like this, waiting for gideon to come back

so augustine calls harrow "diet lyctor"

he should call her "lyctor lite"

mercygirl gives harrow crap for not being able to sustain herself due to her lack of cavalier-ness

augustine makes fun of her for her lack of cavalier-ness

and I'm here like...you guys are the ones who started this mess?????

it's not up to a teen to save you in a couple months from something you haven't been able to fix in 10k years????

maybe you deserve it????????

what is this, evangelion????

harrow, coming back from the training and planet killing

harrow visits yandere twin in her new designated room

yandere twin has a room with a lot of nudes

"life sized nudes in languorous attitudes, generally in oils, and all of the same two persons. They were enthusiastically executed. The duo posing held a variety of objects both likely and unlikely."

so...which lyctor ordered a ton of nsfw fanart of themselves and their cav or whatever????

I'm assuming it's a portrait of one of them and it's this kind of situation

yandere twin apparently likes the nudes, so they're staying there

harrow doesn't like them

I think it's A Lot tbh, but it's not my lyctor room, so I'm not telling her what to do

who has the room with the ceramics collection? because I call dibs on that

anyway, yandere twin is having a hard time with this too

both of them are having a hard time with doing it, not with the ethical or moral implications of what they're doing or why johnny john john is asking them to do these things

harrow can kill the stuff faster, but she can't be trusted to be able to stay alive after

harrow was never very good at not getting physically damaged at all times

yandere twin has a hard time making chad cooperate

who would have thought

imma assume it's a problem you might encounter when you slurped your cav against their will

which is what we think happened, idk, we found him stabbed in the back so

and also it's chad

chad complained about everything all the time

harrow tells her it's psychological

the mental health care plan of the lyctors looks like this

also, harrow suggests yandere twin to cut her new arm if it bothers her

I mean, that's one solution, I guess

it's a very harrow solution

yandere twin points out that harrow is the emperor's favorite

that sounds like a very bad thing tbh

she also asks harrow to make her own arm grow back again and harrow says no because she's not good at the fleshy bits

"the fleshy bits"sounds like something cursed that comes with cereal in a magnus archives episode

but you get the idea

we end the chapter with harrow appreciating yandere twin's company because, when she found her after she had stabbed not!dulcinea's corpse, she said "wish you'd taken off her arms"

I respect that too

again, no camilla yet

well, this wasn't as long or entertaining but I'll come back whenever I can...life needs to let me read this book

[virtualtadpole]

Thailand's "cute boy" craze: an explainer

Here's another repost from Reddit, originally from 2022. Since Perfect 10 Liners is currently airing with the "cute boy" page as a key plot point, this seems as good a time as any to re-share (remember that the original novel was first released in 2018). Sorry this one is a wall of text, I wasn't sure it'd be a good idea to include example photos involving people who weren't really public figures at the time.

Those of you following Thai BL will probably have come across this concept of "cute boy" social media fan pages, and might have wondered whether they're an actual thing. Or you may have heard of actors being one of their university's cute boys before joining the industry, and wondered what exactly that meant. Here's my attempt at an explanation.

The roots of the phenomenon go back at least to the popular Thai web forums of the 2000s, especially the youth-oriented Dek-D.com, one of Thailand's biggest and oldest web communities (also known as the web fiction platform which launched many BL novels). Dek-D's forums had a picture-sharing section, with a subsection dedicated to photos of cute guys and girls. It was still the early days of digital cameras and camera phones, and these posts were popular among the site's teen users. A few (mostly girls) who became noticed from these posts became Thailand's first "net idols", many of whom went on to join the entertainment industry.

The arrival of social networking sites around 2007 (first Hi5, then Facebook a few years later) helped facilitate these posts, as publicly posted photos became more easily accessible. The issue of privacy wasn't really on most people's minds then, and most of it was done in a light-hearted spirit. Being featured in these posts meant a boost in followers and online popularity, enabling more teens to become recognized as net idols, but it would be a few more years before this really meant anything. On the other hand, the social networking sites themselves would eventually bypass the traditional forums as a central venue for such posts, and an increasing number of Facebook pages (followed by dedicated Instagram and Twitter accounts) would be created to offer a curated experience instead.

The actual trend of "cute boy" pages took off in 2012, around the same time as the explosive growth of Instagram. Teens flocking to the platform (escaping Facebook, which was now full of parents) filled their public profiles with selfies and portraits of themselves, generating a steady stream of material that these pages could pick up to post and promote. This in turn gave the kids likes and followers, a mutually beneficial arrangement for most thanks to the platform's like-seeking culture.

Of course, not all of these proliferating pages featured teen boys. "Cute girl" pages have their share of followers, though they don't seem to be as visible or talked about, perhaps due to a combination of factors including the way society doesn't consider it as creepy for girls to openly ogle after boys compared to the opposite.

As competition grew, these pages diversified into several niches, including those covering specific schools and universities. Most of the school ones aren't that unusual, given that it's quite natural for students to talk about the popular boys and girls at school, and this had been a trend in school forums long before then. Most of them didn't last long though, as page administrators soon graduated and moved on.

However, things were different for certain high-profile schools, particularly the country's four oldest boys' schools, which participate in the biennial Jaturamitr football competition: Suankularb (SK), Debsirin (DS), Assumption (AC) and Bangkok Christian (BCC). The schools had always been well known, but the Instagram era launched an unprecedented wave of interest in their good-looking students, many of whom attracted huge numbers of followers just by being on Instagram. AC especially stands out in this regard, as Instagram allowed outsiders to glimpse into this exclusive boys' world that served as the basis of Love Sick, the source novel of which was begun in 2008.

Not only were cute boy pages created dedicated to these schools (some by outsiders), some of the boys became minor celebrities in their own right, with fans (mostly sao Y (the Thai term for fujoshi), and also some queer folk) meeting up with and photographing them in real life, especially at school events such as AC's Christmas fair and the Jaturamitr competition. And they were serious about it, coming equipped with professional DLSR cameras and huge telephoto lenses. The schools' student bodies leaned into this popularity, having the popular boys promote fundraising events and selling merchandise to their fans.

The relationship between the boys and their fans seemed to be mostly good, the boys appreciating the positive attention and the fans getting to stan someone much more accessible than the mainstream celebrity. And if they later became famous, then there's the pride of having known them before everyone else. These being sao Y, there sometimes is a bit of shipping, though mostly jokingly. Of course, this was not limited to boys from AC and the other Jaturamitr schools, but they were much more prominent.

This was the backdrop against which Love Sick launched its casting calls in 2014, which generated a huge amount of online buzz throughout the cute boy pages and fan Twitter. There's a reason the series featured such a huge cast with so many minor roles - to provide ample opportunity for fans to latch onto the actors and the show.

In some ways, the cute boy label served as a distancing from the previous term net idol, which by 2014 had begun to develop into a negative stereotype of people using their online fame to sell beauty products for easy profit, especially those livestreaming on emerging platforms such as Socialcam and Bigo Live and whose followers tended to be less sophisticated as opposed to the urban middle-class. Which is why most people appearing on cute boy pages tended to come from higher socioeconomic backgrounds, and much more attention was given to those focusing on elite schools and universities.

At the university level, cute boy (or other similarly named) pages associated with the country's top universities became very prominent online and also offline, often collaborating with the universities' student bodies to promote events and sometimes also assisting in the universities' PR for prospective students. Many universities already had a pageant culture in one form or another, with which these pages tied in well. Most prominent among the pages were Chula Cute Boy and TU Sexy Boy of Chulalongkorn and Thammasat, the country's two oldest universities. The two universities have an annual traditional football match, which the Cute Boy and Sexy Boy pages played large parts promoting in recent years, and is another event that attracts many fangirls.

Some have argued that the net idol phenomenon serves as a democratization of the entertainment industry, opening up opportunities for aspirants to directly connect to audiences as opposed to the traditional model where everything depended on one being picked up by an agency. But it benefits the traditional model as well. While in the old days talent scouts would look for teens hanging out at Siam Square, today they only have to scan the cute boy pages. Many BL actors were discovered this way. Inn Sarin was a long-time favourite of Chula Cute Boy, and Up and Mix first became widely known from there as well. Many others have likewise previously been featured in various cute boy pages, and practically all of the younger actors who joined the industry more recently probably had strong followings before their debut.

But the craze might be coming to an end. While there have long been concerns over today's youth's obsession with looks, and the university cute boy pages have from the beginning been criticized for promoting shallow images of their universities at the expense of academic aspects, they didn't really have any effect on the trend. But this began to change in 2020, when a widespread youth protest movement swept through school and university campuses and liberal progressive ideas rose to the fore. The issue of "beauty privilege" became one of many perpetual topics of discussion, and many began calling for an end to university cute boy pages. Thammasat, long regarded as the university with the strongest student activism, saw the TU Sexy Boy page shutting down (though the admin cited personal reasons and it was never confirmed whether this was in response to the criticism). Many people seem to have stopped tweeting cute boy pictures since then.

On top of the political mood, the pandemic's disruption of normal school life also interrupted the cute boy momentum, as many photo opportunities dried up. Long-time page admins and fans outgrowing the topic and losing interest might also be a factor. The Chula Cute Boy page has also been inactive since late 2020, for undisclosed reasons.

The future seems at best unclear for now. There are still many active pages out there, but on the whole, from what I've seen, there does seem to be a loss of interest. If younger netizens are indeed disinclined to craze after them the same way, the era of cute boy pages might very well soon be over.

Or maybe they've just moved onto TikTok, and I haven't found out how.

----

In the above original post, I neglected to go into the phenomenon of real-people shipping, so I'm attaching this comment from later as an addendum:

Regarding real-people shipping, there are probably two lines of origin that influenced the practice. First is the rise of K-pop and the shipping culture that came with it, which led to a proliferation of online fanfiction in dedicated Thai web communities and a shipping culture forming around the reality singing competitions which were the talk-of-the-town entertainment programs in the 2000s. One of the first really famous shipped pairs was Nat and Tol from Academy Fantasia season 4 in 2007. (That is Nat Sakdatorn, whom you may recognize as the uncle from Never Let Me Go, among many other roles.)

The other origin is the rise of "net idols", which followed the arrival of social media sites (in Thailand this was led by Hi5 in 2006). I covered this in more detail in my post on Thailand's "cute boy" craze, but didn't really touch upon the shipping aspect. Indeed, a significant shipping culture did form (a few years later) around net idols/cute boys. At first this focused more on (people who were believed to be) real-life couples, like Both and Newyear, who became famous in 2012. From there, manufactured/imaginary couples naturally followed in hopes of cashing in on the popularity of such shipped pairs.

I'm a bit hazy on when the shipping of actors as couples actually became a regular thing in the BL industry. While the practice of fanservice moments on the promotion circuit go back at least to The Love of Siam, I don't think there was significant shipping of the actors' real-life persona, and the same seemed to be the case with Love Sick, especially after the series ended. The first actor pair to become shipped as such was probably Krist and Singto from SOTUS, and the practice quite definitely became a thing after that.

----

Postscript: Thanks for reading, and sorry the writing in this one isn't as good as the other posts I've shared. If you're interested in further reading on the topic, I can recommend the article The Yaoi Phenomenon in Thailand and Fan/Industry Interaction. (2019). Plaridel, 16(2), 63–89 by Assoc. Prof. Natthanai Prasannam, one of the leading Thai academics on BL/Y culture in Thailand.

[frownyalfred]

damn everyone out here today to cause pain and angst eh?

How would all the bat kids react you think? Like here are these people who are their grandparents but only by virtue of being their Dads parents they've only ever heard of them through memories shared, and the portraits in the house etc but they're more familiar with their memorials than the people themselves; the Martha Wayne charity foundation; the Thomas Wayne wing(s) in the hospital; and the biggest one of all, the reason for Batman existing and thus what has shaped a big portion of their lives. Sure with some of the kids they may have done some form of vigilantism themselves in a world without Batman, but not at the same level and not to the extent that their lives have been shaped by it.

And now these people are real and tangible and not just a memory and idea anymore, and they're technically supposed to be grandma and grandad but they're younger than Dad. Their dad who they can see is pulling himself in tight, restricting and restraining and holding himself back from who he actually is. And no matter how happy Bruce is that they're alive the kids can see how it hurts him. And like it was talked about before w the Clark/Lois stuff would the kids close ranks? Bc despite any interpersonal issues or current fighting the batfamily is fiercely protective of their own, and Martha & Thomas are family, but at the same time they're not truly Family yet (?)

The very first thing I thought of actually was okay they get all the initial shock and reunions and identity verification over with and it's been a very long and taxing experience so everyone is heading to bed and they'll figure out what happen next in the morning. Except. Bruce probably sleeps in the master bedroom, why wouldn't he at this point? And the manor has more than enough rooms for everyone but how do you even go about that discussion? It's Martha and Thomas's room but also it hasn't been for decades. Do you have your newly resurrected parents sleep in their familiar and yet completely unfamiliar room the first night back? If they say a guest room is fine should you as their son insist that they have their room that's been yours for decades now back? Does this cross anyone's minds before they all decide to head to bed and Bruce and T&M all go to the same room?

OOOOOF. Okay yeah, kind of in line with the cheating fic — I kind of want to write a fic now where Martha and Thomas come back and it ISN’T all sunshine and tearful reunions. It’s awkward and defensive and ultimately unsustainable.

Because where do you go from there? With Bruce holding himself back, the batkids closing ranks, and Alfred awkwardly trying to mediate Martha and Thomas who are becoming increasingly suspicious and confused? Maybe they don’t agree with this new Gotham. Maybe they’re even disappointed, something that would probably cripple Bruce even just temporarily.

[sunflowervoltwentyeight]

Happy 28th! Here is my January 2024 fic rec, organized by word count, from longest to shortest. You can view my other fic recs here. Enjoy!

It's Fine To Fake It 'Til You Make It ('Til It's True) by sunflouwerhabit / @sunflouwerhabit (150k)

Harry Styles @HarryStyles_KE hi again! so, i wanted to apologize one more time for the whole “helogogjs good gksdjid” thing, and also say that i didn’t just accidentally open your DM’s when i wasn’t paying attention earlier. i sort of had a question about a tweet you posted yesterday? like. the whole “rent a boyfriend” thing? is that something you were serious about? and if so, how does one come to hire you to be their boyfriend? i’m, um, asking for a friend

*****

Harry dreads an impending visit to his hometown, where he’ll be forced to reunite with a newly engaged ex-boyfriend, a childhood best friend turned near stranger, and a family who never understood just how desperately he needed to leave.

In the midst of it all, a ludicrous Twitter proposition brings him to Louis.

(Almost) Exes-to-Lovers (Series) by nonsensedarling / @absoloutenonsense (93k)

Been Waitin' (After Weekend After Weekend After) (3k) Louis and Harry meet at a laundromat. Part 1 of (Almost) Exes-to-Lovers When the Trouble Comes (89k) The Queens Trafficking case is the biggest one of Louis’ FBI career so far; eleven reported missing girls all disappeared under a similar set of circumstances. Louis has done everything he can to try and solve this case over the last nine months… while also absolutely ruining his marriage. Harry has been co-host of Banter at Breakfast for five years, and finally has the opportunity to create his own radio show with the network. Unfortunately, it comes at a time where Harry’s thoughts are consumed with his impending divorce from his (caring, loving, infuriatingly thoughtful) husband of eight years. Harry and Louis have both been willing to lose themselves in their work… but are they willing to lose each other? * Or a story of (almost) exes-to-lovers. Part 2 of (Almost) Exes-to-Lovers

And Down the Long and Silent Street by whimsicule (86k)

The year is 1881 and if you’re alone in this world you might as well be dead, because starving dogs have no mercy.

Or: Wherein Louis and Harry are on the opposite ends of the social ladder, but their paths still cross on the filthy streets Louis calls his home. The odds are staked against them from the beginning, and even more when Louis' past finally catches up with him.

Baby Steal My Heart Away by Snowy38 (61k)

Louis headed into the hall, seeing the Moses basket right away.

"Wah-wah-wahhh!"

Was that...

Fuck.

It was. It was a baby! A loudly crying, clearly unhappy-actually properly distressed baby. It was already red in the face and--

Why was there a baby?

He looked up and around, palm flattening to his forehead to push his scruffy hair away from his clammy skin, checking he wasn't being punked.

Light Me Up, Put Me on Top by CuckooTrooke / @larrydoinglaundry (24k)

Harry takes Louis back to Northern Europe to experience his first Nordic Christmas in their beloved cabin, surrounded by nothing but peace and snow. So much snow.

Short "spin-off" to 'Love is a word, you gave it a name' universe. Takes place after the second part of the main story, but before the final epilogue.

Part 3 of love is a word, you gave it a name

No One Like You by myownspark (19k)

Dear Niall,

I was glad to have the chance to talk with you again at the AHA conference. Your idea that the Musee D’Orsay Tomlinson painting is in fact not a self-portrait is an intriguing one, and I may have discovered something that will have a bearing on that theory.

Some background: as you may remember, I’ve been researching for a book I’m writing about Harry Styles. I’ve been in communication with Styles’ last living descendant, who is in possession of a trunk that her family believed to have belonged to Styles himself. It held some personal items she presumes to be his, including two unmounted paintings and a small collection of letters.

Upon spending the last few days in Provins studying these items, I believe there to be a connection between Tomlinson and Styles, and I would very much like your opinion.

Are you up for a trip to France?

Sincerely, Liam Payne

Where Liam and Niall are art historians discovering the truth about two nineteenth century painters on opposite sides of an artistic divide.

[that-ari-blogger]

It's Time

Ok, this song. (This post might be a bit heavy)

Usually, near the end of a musical, there is a quiet, reflective number before the bombastic finale. This is often the final straw for a large percentage of the audience, who find themselves brought to tears by the rest of the story, and this just catalyses it.

Stray Gods: The Role-Playing Musical has two of such songs. Adrift Reprise, and It's Time. I have already done some analysis on the former of those, but It's Time, I left for last.

Let me explain.

SPOILERS AHEAD

One of the strengths of Stray Gods is its connection. This is a story about a young adult trying to find her place and her purpose. She is adrift, with so many places to go, and she looks to her elders for advice. Surely, they have their lives figured out. Right? But no. I think Apollo says it best at Aphrodite's party.

"We get older, we have more to forget. We hold grudges longer. But wiser? No, not so far."

Stray Gods pulls on very real emotions in its audience, very few people in the audience know where they are going, or what their life will lead them to. So, the themes of fate and choice in this musical become more pertinent. You cannot know what your future will hold without it feeling like a burden, but you can make choices. Good or bad, you can always choose.

This is what the Adrift Reprise number is all about. But there is another almost universal experience that this story hits you with. An emotion that It's Time centres around. Loss.

The vast majority of humans have lost someone at someone close to them at some point in their lives. As you get older, the chance of this happening only increases. It's an unfortunate fact about being mortal. And here's the thing, in Stray Gods, mortality and immortality are not mutually exclusive.

Everyone in this story is mourning, either the loss of Calliope, or the old Hermes, or Hephestus, or the gods who have gone missing. These idols can live forever, but they can also not. The idols are humans, but more. More powerful, more magical, more experienced, but also more fragile, and more weak, and more weird.

Persephone's relationship with Calliope is subtle at first, but once you notice it, you see it everywhere. From the portrait of Calliope in Persephone's office, to the anger at her murder, to the immediate switch from avenger to protector the second she clocks on to Grace actually being Calliope's chosen successor.

So, when they finally meet in the underworld, this can either be an aha moment or a surprise, and either works.

"So many years of history,

The fights, the highs, the miseries,

I'm so proud of you, but it's time to go."

"I never truly saw before,

how trapped we were, how far from shore,

great at the time, but now it's time to go"

In a single verse, two stanzas, this song summarises what could possibly be a centuries long relationship. Tumultuous, but real. For all of their faults, there is a love there. You can see why the relationship broke down, and you know Persephone and Calliope well enough at this point to infer a few more details about that. But you also know that looking back, the connection is still there.

I also want to point out that nautical metaphor again. It links back to Adrift and gets referenced in just about every other song. But the difference now, is who it is aimed at. Usually, Grace is the one being called out for drowning in choices or something similar, but now its Persephone realising just how far out she is, and looking back on her relationship with Calliope, only now can she see where she went wrong. Maybe, if Calliope was still alive, she and this new Persephone could work things out. Now that Persephone isn't obsessing about that throne and can actually admit fault.

The tragedy is that we will probably never get to find out. Because Calliope is dead, and you can't change that.

But what about something you can change?

@ohnoitstbskyen has a phenomenal video titled Grief In Art, which I highly recommend you check out. In it, he gives the following summary of the emotion:

"Grief comes with anger, with emptiness. It comes with loneliness and exhaustion and a dozen other complex and multifaceted feelings that all intermix and grind against each other. That's part of why it can be so overwhelming."

I am willing to bet that this isn't a foreign concept to a large percentage of Stray Gods' audience.

So, tell me, if you were given the chance to bring back a lost loved one, would you take it? It's a complicated question. But if, right now, I told you I could bring back your mother or brother or friend, would you say yes? What price would be too steep? What is the value of a human life? How much would you give?

Personally, I would say yes. To me, every life is unquantifiable, and I would give anything for just a conversation with certain people.

But what about Grace? And what about Freddie?

There are two ways you can come at It's Time in the musical. Well, three actually, but we'll get there in a moment. You either are following the romance storyline with Freddie, or you are not. And from what I can tell, this song makes no distinction between the two. You bring your own baggage.

"It was quick and so was I,

I was not prepared to die.

But Grace, I choose this,

And I know you'll get by."

Do you bring Freddie back from the dead? It's possible, and you'd get your happy ending. You can, but should you? That much is up to you.

Actions have consequences, that's kind of the thesis of this story. One consequence of Grace's actions was the death of Freddie. You can undo that, if you want.

I have played through this game a fair few times at this point, and at this moment, I have gone through both options. If you were to approach this as a simple, numerical question, the answer would be obvious. There is no physical benefit in the game to either decision, so you should do what Freddie says and let her stay dead. The reason this is such a difficult choice is because of the humanity in it.

You know the right choice, to let Freddie stay dead, to not go against her wishes, to not give her the eidolon. Freddie says she is content with her decision, so you should go with that, right?

But are you strong enough to make that choice? I know I wasn't the first time I played this game.

There is one other element that complicates this, and it's fascinating to me. Because that third approach to this song is retrospect.

What if you have played this game before and brought Freddie back? Then you get Freddie's love confession, and it changes the entire story. It's prophecy, like Apollo warned us about. You know the fate you are trying to achieve, so you take actions against yourself to try and thwart it, essentially locking yourself in that path, whether you like it or not.

Does the promise of a happy ending change your choices here?

Final Thoughts

There is a reason I left this song until last. It's one of those songs in musical theatre that brings a tear to my eye every time I watch it or listen to it. The instruments, the melody, the fact that this is the only time Grace ever says "Farishta". Everything about this song is amazing.

Next week is my final roundup for Stray Gods, and as a quick reminder, I am putting out a request for your analysis, be it musical or artistic or lyrical. Send me a message, or comment, reblog this post, and I will try to include as many as I can (credited to you, naturally) in the final analysis to build a big picture of what everyone thinks of this musical.

So, stick around if that interests you.

Previous - Next

[fuckyeahbaldursgate]

Viconia - Plot Support extraordinaire

Just to preface this as I don't want this to seem like I am hating on BG3 as a diehard fan of the original series because I really do love BG3. I've completed it twice now and think it will absolutely be joining my annual rotation of BG1/SOD/BG2 playthroughs but it has its problems, much in the same way that the originals themselves have problems as well.

So after my Sarevok post I wanted to treat Viconia to the same critical analysis as unfortunately I think she also gets the short end of the evil plot stick. I get it, evil characters can be hard to get right but again similar to Sarevok, in my opinion, her character regresses to evil Shar mook number one rather than actually being Viconia. Worse still she's entirely at the mercy of being wrapped up in ShadowHeart's backstory.

Anyway this is a bit of a deep dive into Viconia's issues in BG3. Spoiler warning for both BG3 and BG2.

1. No Grey DeLise.

Again, similar to Sarevok, another prolific voice actor that has done recent video game work seemingly not approached for the role. I can't help but think that some of this is down to the rushed nature of act three generally and Larian just having to get whoever they could for the job in the time that they needed it. Unlike Jaheria and Minsc there's no attempt to mimic her original VA or get someone who sounded like her so she ends up sounding completely and utterly different.

This version of Viconia sounds haughty and stuck up which while the original Viconia VA has a degree of arrogance, she is also pretty sultry. Haer'dalis even comments that she has 'the throaty voice of the most expensive courtesan' and Viconia deliberately plays on the stereotype of the sensual female drow with certain male party members for her own benefit e.g the male Bhaalspawn, Edwin, Sarevok and even Anomen (I cover this a bit here and here).

2. Her in game design...just isn't great.

Let's be honest, combined with the voice, Viconia's design basically makes her unrecognisable. She looks like a generic old drow lady to the point that I did have 'Is that meant to be Viconia?' moment when I first met her.

Now I appreciate there is minor controversy with Viconia's original BG2 portrait (which is probably the most recognisable image of her) because the artist actually used a famous porn star as the base for it.

For info, this was a common practice at Bioware at the time as they used to use lots of different images as bases for portraits. They finally got into legal trouble for it in NWN where due to various copyright claims they had to change quite a few portraits.

More recently, I think that Beamdog actually did quite a good job of recreating a faithful adaption of her original portrait in Siege of Dragonspear while presumbably navigating the original copyright issue.

In comparison to her BG3 portrayal, my first impression was she looks incredibly old. Now as far as I'm aware we've never been given a canon age for Viconia but we do know she was around for House DeVir being defeated by the Do'Urden house so she has to be at least 100 years old by the time of BG1... but her character level is between 2 and 6 (depending on the party's XP) so a relatively inexperienced cleric. With that in mind I definitely assumed she was on the younger side (maybe 200-300?). Either way 5e elves can live between 750 to 1000 years although there are instances in the Forgotten Realms books of drow living to over 2000. Now tack on the additional 120 years for BG3 in my mind it would definitely put her in the middle aged category but not necessarily anywhere near the end of her life. Critically she would be aging much slower than Jaheria but with those wrinkles she looks WAY older than her. I honestly feel cheated of an interaction between the two about how hagged and old Jaheria looks in comparison to herself.

In terms of her outfit, although initially she wears the Sharite mask and hooded outfit, which is good for concealing her identity, we eventually end up with Viconia in a spider adorned dress. This seems like a strange choice given the spider motif when she literally stopped worshipping Lloth for Shar - maybe she's being ironic? The lack of armour,when she's a cleric that knows there's a good chance she's about to have a fight seems kind of stupid. If you do choose to fight her, she then looks entirely comical in her light dress accompanied by an enormous oversized shield and mace.

For me though this really identifies her design problem: her leather armour was a critical part of her original design. Given that we only see portrait style headshots of BG characters, the decision not to include her leather corset with the three straps and the head band is really what makes her unrecognisable. It would be like removing Minsc's head tattoo or Jaheria's braids or Sarevok's armour (which even with all the problems I talked about in my post, at least he got to keep that).

My hope is that some enterprising modder out there makes a more BG2 accurate version of her in future. Larian, please give my lady her leather armour back or maybe even a justicar outfit!

3. Ignores her BG1/2 alignment, motivations and twists her original epilogue.

Now I do appreciate BG3 deliberately assumes that the events of BG1/BG2 are a little bit fluid, which Jaheria confirms this when she talks about the bards that tell stories of her slaying gods or bedding them depending on which one you listen to. But the game goes onto confirm certain events in Viconia's history that don't really make sense:

A.) The game confirms that Viconia did travel with the Bhaalspawn but not for the entirety of the game. Minsc informs you that after trying to dissect Boo she was expelled from the group. I have to admit this story didn't gel with me at all because it implies Viconia is some sort of chaotic evil idiot (reminder: Viconia is neutral evil with a 16 INT score and 18 WIS score in BG2) who would deliberately provoke a giant raging berserker man by murdering his beloved pet. Like that's the sort of thing I could see Xzar (who is completely and utterly mad) doing but not Viconia. What benefit would she get out of it? Maybe it would be a good tribute for Shar but that would be a pretty short term benefit. In fact in BG2 Viconia offers begrudging respect to Minsc for his effectiveness in battle, she knows he's powerful and she wants to be on the right side of that. Minsc for his part does what he does with many of the female characters, particularly in BG2 and makes her a proxy substitute for Dynaheir offering to protect her. That's not to say she won't insult people (Aerie and Jaheria or characters who she perceives as weak often get the brunt of it) but she's generally smart enough to stay out of an actual fight. Important to note that in any of NPC conflicts that end in a fight in BG1/2 (e.g. Kivan, Ajantis, Keldorn) it's never Viconia that's starts the fight.

B.) The Waterdeep cult.

In Viconia's epilogue, which you only get if you kept her for the end of Throne of Bhaal and you didn't romance her, Viconia goes on to do a few things which you can see below (obviously massive spoilers for BG2) :

So it feels like Larian has taken the first part of this ending but nothing else, which really leaves a lot of questions. We know Shar isn't entirely happy with Viconia based on her diary entries so why is Shar still giving powers to a woman that basically killed a whole bunch of her followers? Why is Viconia still working for a goddess that hates her? Why is she so accepting of Shar's plot to groom Shadowheart as her replacement? Why on earth hasn't Viconia got the fuck out of dodge, which is pretty much what she has been shown to do in the past? And this comes neatly onto my next point.

4. Viconia is just a plot device for Shadowheart.

I love Shadowheart and I love her arc but honestly Viconia being the Mother Superior just felt like a way of inserting her into the game in a way that didn't really fit especially when Viconia's diaries in BG3 show that she knows that Shar intends for Shadowheart to essentially replace her as one of her prominent followers/chosen. The whole plot ignores two critical points about Viconia and her backstory:

Firstly the reason Viconia left the Underdark in the first place was because she refused to sacrifice a child to Lloth and Lloth turning her brother into a drider after he saved her from being sacrificed. Now Viconia is many things, she's self serving, cruel and dedicated to her own survival at the expense of anything and anyone else (quintessential neutral evil through and through) but at the same time she threw away her position, caused the downfall of her house and got most of her family murdered to save a child. You're telling me she would then willingly go along with Shar's plan to deliberate plan to kidnap and repeatedly torture a child for YEARS whilst also training said child to replace her? My girl doesn't have many lines in the sand but harming children definitely seems like one of them. I actually wandered whether Shadowheart not liking to harm children / prefers saving them is not just about her being a secret Selunite but also a potential a hint of Viconia's influence.

Secondly, that plot seems to ignores Viconia's other primary driver, which is to survive: it's why she leaves the Underdark, it's why she travels with the Bhaalspawn, it's why she worships Shar and it's why she murders an entire cabal of Shar's followers after one person betrayed her. Now if we ignore that she has qualms about children, you're telling me that she would instead essentially train her replacement to be an amazing cleric who is 99% likely to murder her? I'm pretty sure Viconia would have tried to kill Shadowheart way before her becoming a justicar or simply skipped town as she has done before.

The alternative?

Personally I would have liked to have seen Viconia ultimately involved in a plot to overthrow the Mother Superior or maybe doing something even crazier like going after Shar herself out of revenge following her fall from grace after the events of the Waterdeep cult. Maybe she works with the Absolute to get her revenge and keep her divine powers - hell who better to help Ketheric with the Nightsong in Shar's temple then an ex priestess of Shar?

If not the Absolute then Shar's got plenty of enemies and Viconia has converted before. Maybe she could have joined the team to achieve a particular goal while giving fans of the original series the opportunity to have one of the original evil characters to join the crew. I would have loved to see the contrast with Minthara who is still fairly fresh from leaving drow society and a complete blunt instrument compared to Viconia's more subtle ways. Maybe Viconia would take the paladin under her wing, maybe introduce her to a new patron god (something I don't think is ever explained is how Minthara still retains her divine powers given neither Lloth or the Absolute are fueling them anymore). Shevarash the elven god of revenge, would be a fantastic fit for both of their back stories (which would also be a nice little throw back to Viconia's heated / sometimes fatal arguments with Kivan in BG1) presuming that Viconia could get over her disdain for the elven pantheon by that point in the timeline. The fireworks with Jaheria of course would be grand while Minsc I feel would be very conflicted given his mind's tendancy, as noted above, to sub in any female magic user as Dynaheir.

[hamliet]

Kinnporsche: The Symbolism

Not really a meta. More a collection of baby meta ideas I have and/or symbolism I noticed watching the series that didn't make it into my review.

Oh How The Tables...

I'm just saying that it's certainly ironic that Kim's first scene in the show is him mocking Big for his unrequited love for Kinn. He asks Big if he should write Big a song about heartbreak, and ends the series writing a song about his own heartbreak and begging Chay to take him back.

Big and Tawan

In general, I think Big and Tawan were the best done minor characters, and the best done characters in the series, if you look at their complete arcs, after Vegas and Pete (Kim and Chay would be next, but their arcs aren't entirely complete and never will be).

The same episode where Tawan concludes "if I can't be happy, then no one can," and commits suicide (intended murder suicide at that), Big sacrifices his life to save Porsche's, not because of Porsche, but because he loves Kinn. He dies assuring Porsche how much Kinn loves him.

In other words, Big reached the opposite conclusion of Tawan: even if it means he can't be happy, he wants Kinn to be happy. However, the story actually takes a nuanced, complex look at it and doesn't code it as Big=good Tawan=bad; Tawan is framed as tragic instead and you're meant to feel sad over his patheticism, not feel gleeful.

Portraits

Tankhun, Kim, and Vegas all have self-portraits in their rooms, and these portraits are all kind of symbolic of how they see themselves--though not necessarily accurate perceptions.

Well, except Tankhun's. Tankhun's just just a neon portrait that fits with his flamboyant decor. It's in the corner near where he watches his series, and is very straightforward because Tankhun, himself, is pretty straightforward. He's not hiding the same way the others are.

Kim's self-portrait is a watercolor of himself, but you can't any discernible features. Of course, this symbolizes how he hides himself behind many masks.

Behind that portrait, though, is his bulletin board of his family and all the players. Because no matter how Kim acts distant and aloof, he's actually always strategizing and planning to thwart any threats to his family.

Vegas's self portrait is in a secret room that can only be entered via a passcode, symbolic of how it's really hard to reach the true Vegas because he keeps his vulnerabilities locked up. But when you do enter that room, you see a portrait of a misshapen man that looks more monster than human. That's how Vegas sees himself.

Kinn notably does not have a portrait (that I saw), but his walls are instead windows that overlook Bangkok, which can be symbolic as well: that he doesn't see himself fully as a person, but instead as someone who's supposed to be controlling and surveying something much, much bigger than himself.

Kinnporsche Sexy Times

The idea for symbolism here wasn't fully developed, but it's there, so.

The first two times Kinn and Porsche have sex mirror the first sexual encounters with others we see them engaging in. The first scene is the Bad Scene, or really, where Kinn basically assaults Porsche since Porsche is way too out of it to consent. But during this scene, Porsche draws attention to the beauty of the city view, which is a callback to how Kinn's hired prostitute remarked that he wanted to see the entire view (and then opened the curtains to find Porsche there, because Kinn's answer to who he is is more adequately found in Porsche than the city).

Of course it's also kind of a comment on how Kinn views himself in terms of the city, which is not entirely a good understanding lol.

The next time they have sex--and the first time it's consensual--is in the backroom of a club, which mirrors where we see Porsche having sex with the two girls in the series. I'd argue this is probably supposed to be seen as Kinn meeting Porsche where he's at, and to a degree vice versa, but also Kinn's is more morally questionable than Porsche's in terms of consent and power.

Kimchay - The Little Mermaid

I talked a little about the fairy tale motif that was never actually explored in the story despite it having a ton of potential in my review, and I'm going to talk more about it now because I can.

Listen, if Vegaspete and Kinnporsche are both loosely based on Beauty and the Beast (Vegaspete more directly a retelling, right down to resurrection), Kimchay is probably based on "The Little Mermaid," the other story that gets a direct shout-out in text. Here, both characters are both mermaid and prince.

Kim wants to live a life as part of a different world, and uses his voice to get there. In the end, just like the mermaid in the original tale, he loves the prince (Chay) too much to risk him coming to harm, even if that means his own doom. However, it's precisely that selflessness that helps him live above a filthy world.

Chay also wants to live in a different world and uses his voice to get there. Only, despite all he risks to get there, it doesn't quite work out. The prince (Kim) doesn't return his feelings... well, except he does, but he sure made Chay feel like he didn't for awhile there.

Succession: Kinnporsche Version

The novel apparently mentions this but I'm not interested in reading it for Reasons, but I did find it intriguing that the mafia family isn't exactly going to continue considering all five of the current generation (Khun, Kinn, Kim, Vegas, and Macau) are all gay. For all the talk about being an heir and succeeding Papa Korn, it's not gonna go for another generation. I actually like this and think it could be a major thematic point if emphasized appropriately, or brought up at all in the series.

Like. The family burdens the kids because of mafia stuff, trying to pit them against one another and using them to solve their grievances... but love can save the day, and also give life, and quite literally stop the cycle--but it's love that isn't traditional, in a sense. It's queer. This also doesn't mean the characters can't have kids, obviously, but symbolically they have to come up with different, nontraditional ways to do so if they do, symbolic of having to like... break from the traditional patriarchal violence of their mafia upbringings.

The ingredients are there! It could have been a thing!

Namphueng: The King

Namphueng's room has a chessboard pattern on the floor, which ties into the chess motif that Korn was always messing around with. While the audience was led to believe the queen was Porsche in all Korn's playing scenes--and they were right--they were also led to believe the king was either Kinn or Korn. Incorrect. The king was Namphueng, not Kinn or Korn.

The king, after all, isn't really free to move. It theoretically can move in any direction, but only one space at a time. It's quite limited.

I do wonder--not that this will ever be answered--if Namphueng's story is intended a lot more important than just "foster sister." Like maybe her family was wiped out because she was the heir of a far more important family or something.

The Victor Writes History

Or so Korn said. Again, not that we'll ever get it cleared up, and I personally like the ambiguity wherein we don't know precisely what happened between Namphueng, her husband, Korn, and Gun. I wouldn't actually have wanted it perfectly cleared up. Thematic! Complexity!

Gun's memories match better with Porsche's than Korn's do--the cabinet where Porsche hid is open in Gun's memories, but not in Korn's, and Porsche remembers Korn standing while Gun sits, which is what happens in Gun's version. However, whenever there are multiple versions of a story, the truth is probably in the middle, and it's hard to believe Gun, of all people, had purely selfless motives.

My personal guess is Korn did kill Namphueng's husband, but it was less about "how dare you not come back!" cruelty and more a long-game plan to get his and Gun's father to spare Namphueng and fake her death to protect her. I think this fits best thematically with the story and the characters as present in the series, in that Korn's motives can be both caring and selfish and power-seeking at the same time. It's also tragic, because killing someone loved by someone to protect them actually has a way of killing them even if you didn't plan on it. Someone can still be alive but have lost everything, a statement that multiple characters made in the show.

It would also fit that Korn misunderstood the power of love, because he definitely doesn't get it. But he didn't ruin every love story, because Kinn and Porsche end up together.

Whose Handprints?

I am annoyed i never got the answer to whose finger paintings Korn had in his desk drawer (the ones Kim found). I presume it's Porsche and Chay's given that there are two handprints, not three, and one is far larger than the other (plus the emphasis on Namphueng and art) but who knows.

[majoresca]

Rewiew: The Amulet & The Anthem.

I confess that the lesson she needed to learn was important. However, the idea for the episode was not so well executed.

And you know that roulette of drawn names who would sing the Enchancia anthem? FRAUD! FRAUDED FOR SURE!

The guy who chose the name? He seemed very suspicious to me, not malicious in particular, but something tells me he already knew that the princess would be chosen...

( For some reason he reminded me of Sarousch from the second Hunchback of Notre Dame film? I don't know why, I think it's because he's a presenter,and he was very excited about having Princess Sofia perform at the festival. Trying to impress her with all the things she would receive if she sang. I don't know, his insistence seemed very suspicious to me. Like when a salesperson gives you a lot of compliments to make you buy a product from the store, that vibe.)

Don't you think that's too much of a coincidence that they chose the king's new stepdaughter, who was a commoner, to sing the Enchancia anthem in public?

It could have been for good, or for bad.

If someone had done it with good intentions, they would be trying to show how far a little peasant girl has come in life.

A simple peasant girl who became a princess, singing the anthem of the kingdom in which she was born and which now stands next to the throne, would show that Enchancia really is the kingdom where dreams come true.

So making her sing the anthem would be something very symbolic, encouraging unity and hope among the people of Enchancia.

If someone had done this with bad intentions, it would have been to cause some embarrassment to Princess Sofia. Or, even prove that Princess Sofia would become a "diva" like her stepsister, the moment she was at the center of the stage.

Even more so, with the number of portrait painters and interviewers around the princess. If she got angry, if she seemed spoiled, or anything less acceptable coming from a new princess, they would definitely end up reporting it.

Maybe this was actually a test for Sofia. Even coming from her own parents, to test whether his behavior would change if she received more attention.

Only instead of the accidental and sudden attention she received from being part of a new family, which would naturally make her very nervous and insecure. It would now be an intentional attention, for something she would have agreed to do on her own merit.

Honestly, I don't think Sofia was so rude to be cursed. If she had acted like James at the picnic of the three kingdoms, then I would agree that she messed up.

She was just excited to do something cool, she was going to sing her kingdom's anthem for her own people at a festival.

If you think that's bragging, then you certainly live with the most humble and sensible people in the world. Because that wasn't even close to being something arrogant, not even annoying enough I would say.

I think there's a reason: certainly the parents of the children who watched the show wanted it to be more "moralistic" to teach children better.

But an empty moral lesson is even worse than no morals at all. Because it discredits the morals themselves!

If you teach that morals are unfair and that's the way it is, children will be even less willing to follow them.

Who would enjoy playing a game if you find out that the rules are unfair? Nobody!

The same happens with empty morals.

I found it very funny how Cedric had almost no shame on his face of just turning the pages of the book in Sofia's face, and saying that he "looked" and couldn't find any spell to help her. She's not a fool Cedric, she's just innocent and has a good enough heart so as not to snitch his ill will to the king.

Even more so, him pretending that he was "worried" about her curse, and with a huge smile when he saw that she still hadn't broken the curse.

[celestemagnoliathewriter]

Catholic Worldbuilding and the Wizarding World - Headcanons and More

If you've read All That Remains, my Regulus-Black centric work, you'll know I've incorporated Catholicism into my fics since then. The inspiration to incorporate Catholicism came from both @artemisia-black's Lacrimosa and Fiat justitia and her world building in D&D and Pietas, and @green-and-grey-kenaz's And he Drank.

Some caveats before I go on:

These are just headcanons of mine and things I've put into my fics. They work with the world but you don't need to accept them as canon or canon-compliant. Nor am I asking you to do so. I'm just excited to have this list put together of what I've done and the research that went into it.

There are other religions and faiths in the wizarding world. As Britain became more multicultural and diverse, it meant the purebloods and wizarding population did too.

This list is specifically for certain old-school Catholic families, particularly ones like the Blacks.

Catholic HCs and world building in my works:

Old-world pureblood families were Catholic. As the Roman Empire spread, witches and wizards from other areas hopped into Britain and converted Muggles and purebloods alike from paganism to Christianity. Wizarding world Jesus was a wizard; the Resurrection can still hold up as a miracle because no magic can reverse death.

When Hogwarts was founded in about 1000 AD, a chapel was installed inside the school. In my Regulus Black-centric work, I have the chapel and its tabernacle being a personal gift from Pope John XV to Salazar Slytherin in honor of the new school being built. 

Magical Catholic Mass isn’t terribly different from Muggle Catholic Mass. The key difference is that since purebloods/wizarding society tends to be more old-school than Muggles, purebloods never bothered to implement the vernacular changes of Vatican II. They still celebrate Mass in Latin. 

The Pope is always aware of magical Catholics, not unlike the Prime Minister knowing about wizards. There are wizarding bishops and cardinals buried in the catacombs in the Vatican.

Magical Catholics have their own dioceses; they’re bigger, geographically speaking, because there’s a much smaller wizarding population than the general population. 

Pureblood Squibs are sent to monasteries or convents. 

I’ve created several locations like St. Mungo’s to accommodate various parts of wizarding society. St. Mungo was a real Britonnic saint, so all these saints below are also Anglo-Saxon/British and I’ve incorporated them into my worldbuilding, particularly in my current longfic, Supernova. Again, these are all my creations - not actual canon. 

There is a privately-funded pureblood hospital called St. Teilo’s. It’s where purebloods go to avoid being treated by Muggleborn Healers or associating with Muggleborns in general. St. Teilo’s bio page.

I created a day school for pureblood girls called St. Leoba’s. In the context of my fic, Supernova, it’s where a lot of pureblood girls go to school before they go to Hogwarts, whose parents aren’t keen to educate them themselves. St. Leoba’s bio page. 

There is a long-term care home called St. Hugh’s Home for Hopeless Cases. It’s a poorly funded Ministry facility for wizards with long-term illnesses and inmates from Azkaban who have been Kissed. St. Hugh of Lincoln’s bio page.

Purebloods worship at St. Aelred’s Cathedral. St. Aelred of Rievaulx was a real monastic whose abbey is now in ruins in Northumbria. I weave that into my stories by having Muggles see the abbey in ruins, but purebloods can see a proper cathedral and that’s where they have Mass. St. Aelred’s bio page. 

St. Aelred also has an extensive graveyard, complete with private mausoleums for individual families. The Blacks have one of the grandest mausoleums. 

The stained glass windows and art in St. Aelred’s move like photographs and portraits. The crucifix appears to be ‘living’ with blood shining on Christ’s wounds. Purebloods think it’s neat.  

The Statute of Secrecy and the creation of the Church of England were tied together. The CoE was founded in the early 1500s. The Statute of Secrecy went into effect in the late 1600s. The rise in persecution against witches and wizards, particularly from Muggles associating Catholic practices with witchcraft in general, was one of the reasons why the Statute went into effect. As a result, this is one of the other reasons why purebloods are so resentful towards Muggles and Muggleborns, as most of them are Anglicans.

Most pureblood families aren’t necessarily devout. Cultural Christianity/Catholicism is fairly common, but even when it’s cultural, it’s still very much a way for purebloods to wield power, influence, and control. 

Like many Catholics, old-school purebloods really like their relics and/or more ‘gory’ mementos. You may be aware that Catholics venerate (not worship, not adore, more like honoring) relics of dead saints, such as fragments of bone, skin, blood, etc. Given the Black family’s cool collection of blood and other unusual items, it makes sense to me that pureblood Catholics are fully on board with collecting pieces of dead bodies and having their own reliquaries at home. 

The splitting of one’s soul is an act of violence against the sacred. I wrote a meta on Horcruxes and Soul-Splitting; I imagine that the most zealous purebloods would find horcruxes to be outright offensive, not because of the murders involved, but because of the disintegration of the soul. I would also like to highlight this meta written by @artemisia-black and @ashesandhackles, the Importance of the Soul.