#but that penguin? fucking terrible

[oddballcobblebot]

my biggest flaw is the fact that i hate the burtonverse rogues

explanations in tags i guess....

[garianna]

this DJ3K concept art is going to make me throw up from laughing

[taintandviolent]

Regular ; Oz Cobb x Reader

summary: You live in Gotham City and are a waitress at a little hole-in-the-wall Italian restaurant. Oz is a regular and you've developed quite the crush on him.

word count & w a r n i n g s: 6.4K | older man/younger woman, semi-established history, making out, cockwarming, semi-public sex, unprotected sex, fingering (female receiving, dirty talk, smut with a teensy bit of plot (but not really).

a/n: to the 99.9999% of my followers... I'm so sorry but I am begging you guys to hear me out about him!!!! I thoroughly expect this to flop, but I needed to write it for my own sanity. absolutely massive thank you to @redravenblogs for beta-reading! banner by @/strangergraphics!

↓ full fic under cut! ↓ / playlist here / ao3 link here! / I don’t have a taglist anymore, but please turn on post notifications if you’d like to be notified of future fics!

Ah, Tuesday night. 

In Gotham City, every night is a good night for an Italian restaurant. Especially one that’s been in business since 1964 and acquired a hefty lot of aging locals that know the food is good, and a possibly even longer list of trendy, younger foodies that have heard that food is good because of the aging locals. 

There’s also the… criminal side of the patrons. Have a place with delicious food and wine, and Gotham’s elite underground is sure to follow. You’ve seen your fair share of men who look like they’re here to discuss a deal over a good meal, and a number of elected officials with them. You know better than to meddle, though. You just do your job, and hope for a good tip. Usually, you get one. 

Tonight, it’s raining. Heavily. Surprise, surprise. People flock in from the street as an escape from the deluge outside and the restaurant is filling up quickly. Your section is about three quarters of the way full, and you’re busy. You hear the door open again, followed by the momentary rush of the sound of tires on wet pavement outside. You straighten up, throwing your glance in the way of the entrance. 

There he is. A warm smile spreads across your face as you watch him amble in, shaking the rain from his leather coat. Though his appearances aren’t regular, his habits are. He always sits at the same table in your section, towards the back and next to the corner window. Once he figured out it was in an area you attended to, he never sat anywhere else. 

You only know him as Oz, the big sweetheart of a man who comes in and always orders the chicken parmigiana. Says it’s the best in town. After seeing him a few times, and sneakily taking note of his last name, you took it upon yourself to do a little digging and found out that he’s known for running with Falcone’s gang and that he’s also the owner of the elite Iceberg Lounge. You never bring those things up to him in fear of starting a conversation he doesn’t want to finish. It’s really none of your business, anyway. You give him a moment to settle into the booth, but once he does – you’re immediately headed that way. 

“There she is,” he starts with a smile, watching you as you make your way over to the table, pulling your order notebook from your apron pocket. “There’s my girl.” 

A blush hits your cheek – it does every time. From day one, he flirted with you, harmlessly and has continued it ever since. You’re used to patrons being a little flirtatious, but something about the way Oz does it makes your stomach tighten. 

“Buonasera, Oz…” you say, your lips curling into a warm smile. In the year you’ve worked here, you’ve picked up a little Italian, but the appropriate greetings are mandated by management. “How you doin’?” 

“Better now.” 

You smile again and dip your chin to your chest shyly. He’s always so affectionate, so warm. For being a guy who meddles in Gotham’s seedy underbelly, he’s one of the nicest guys you’ve ever met.

“The usual?” 

He nods. “The usual, sweetheart. But gimme’ a side of fettuccine tonight, huh?” 

You scribble the order down, and snap your book shut. “You got it.”

“What time you off tonight, doll?” 

“Same as every night, Oz. In about an hour.”

“They keepin’ you late every night, huh?” 

“Yeah, but a girl’s gotta’ eat.” 

He scoffs, shaking his head and shifts in the booth before looking up at you. “I keep tellin’ ya, I could take care uh ya, baby.”

The running joke, but sometimes you wonder if he’s serious. He always tips you generously, alarmingly so, and it’s always put directly in your hand, as though he doesn’t want anyone else knowing that he takes care of your groceries for the week.

“And I keep sayin’ I couldn’t do that to you.” 

“Ahh–!” He jerks his head to the side, dismissing those words. 

You reach forward to touch his broad shoulder, giving it a little squeeze. “Let me put your order in, honey. I’ll be right back with your wine.” 

With that, you walk proudly off towards the back, swaying your hips. You can feel Oz’s eyes on you as you go and maybe the way you move is intentional, because you know he’s watching. So, what if it was? Can you really blame a girl for liking the attention?

As you round the corner to the kitchen, you clear your throat and call out to the cooks. Angelo is working tonight, and he’s one of the few guys who knows about your little affinity for Oz. As soon as you pin the ticket, Angelo spins the wheel around, looking at the order. He recognizes it, and gives you a knowing smile. 

“Oh, look who’s back, eh?” 

“Quiet,” you hush, looking back towards the table. You can’t see it from this angle, but you know he’s there, sitting, probably on his phone, or tapping his big knuckles on the wood of the table. 

He looks at the sheet again, noticing the addition, and raises an eyebrow. “Boyfriend’s hungry tonight.” 

“Angelo, will you quit it? He’s not my boyfriend.” 

“Sugar daddy then, eh?” 

You scoff, giving him the finger before reaching for one of the bottles of wine – Oz’s favorite.

You return to his table with a skip in your step. It’s been about a week since you’ve seen him, and you can’t help the giddiness in your gait. As you bump your plush hip into the corner of the table, Oz grins crookedly at you, his gold teeth glinting in the low lighting of the restaurant. You reach into your apron, pulling out a corkscrew. 

“So, whatcha’ been up to, Oz?” You say, as you twist the prong into the cork. “Haven’t seen you in a while.” 

“Ah, y’know… business as usual.”

He usually gives you an answer like that – something that doesn’t reveal too much about what he does. You wonder if he knows that you’ve looked into him. You suddenly furrow your brow at the cork – it’s being stubborn – and quickly situate the bottle between your legs, squeezing it tight between your thighs. This action isn’t lost on Oz, who watches you with a deeply interested grin, watching how your skirt rides up just slightly at the front, not enough to reveal anything aside from some of your creamy soft thigh flesh. Everything you do is done with such innocence, but there’s no way you don’t know what you’re doing to him, he thinks. After a moment of yanking, the cork finally gives way with a hollow POP and you grip the bottle, bringing it up to the table. You mutter a quiet apology and fill the glass, pulling the bottle back to wipe the edge on your apron.

“Well, it’s good to see you. Always is.” 

Someone calls your name from behind you, and it’s one of the other tables, looking for refills. You offer Oz an apologetic smile, and head in that direction. Sadly, you don’t return until his food is ready.  He’s extra present tonight; your eyes meet every time you look in his direction, giving him a timid smile and going about your tasks, but your heart flutters with an adoration for the older man. You’re attentive too, and go over to his table a million and a half times to ask how the food is, if he needs anything else. 

“Only you, doll.” 

You swat playfully at his shoulder, though the little quip has heat pooling in your core. You’d be lying if you hadn’t thought about him taking you over the table a handful of times; lustfully imagining what his hips would feel like rutting against your ass as he sunk himself inside of you. You constantly wondered what his cock looked like. He was a big man, and you assumed that rang true for all parts of him – but the hunger to find out was terrible.  

He’s one of the last ones to leave, lingering as long as he can before it’s considered rude. Tonight, something’s different about him, like something is on his mind, something he wants to say. Each time you’re at his table, he looks like he’s about to ask, but never does. Finally, as you return to clear his table, reaching for the empty plates on his table, he downs the rest of his wine and clears his throat. 

“Listen, sweetheart,” he says, pivoting slightly in the booth with some effort. “You uh, you busy after work?” 

“N-no.” Your heart is pounding in your chest. You straighten up, holding the stacked plates with one flattened palm.

“Why don’t you come down to the Iceberg Lounge? Unwind a little.”

“Oh, Oz, I’m not much of a clubbing girl.” 

There’s a glimmer of disappointment in those dark eyes of his, but he sets his jaw, and gets to his feet. This puts him in your proximity, and you can feel the heat rolling off his large body. Your stomach aches to lean into him, press yourself into his gut, and lace your arms around his neck.

“Just think ‘bout it.” He reaches in his pocket. 

The tip he gives you tonight almost makes your knees give way. It feels thicker than usual in your left hand and when your fingers close around the bills, you swallow down the protests. You don’t dare count it, not in front of him or anyone else. You’ve stopped telling him no, or that he doesn’t have to, because it’s almost like it offends him. He always hushes you, and acts like it’s the most normal thing in the world. You tuck it in the pocket of your apron, and swallow hard again. 

He smiles and steps around you. Your eyes are glued to the visual of him leaving, watching him through the windows as he limps down the sidewalk. God, you want him. It’s a lethal hunger, something that claws and rips at your insides. 

Once the restaurant is empty, you and the rest of the crew make quick work of cleaning up and closing up shop. It’s about forty-five minutes later when you’re slipping your arms into the sleeves of your black, wool overcoat and heading through the door. The rain hasn’t stopped. If anything, it’s gotten worse. You heave a sigh. You’ve got a walk ahead of you, but it’s something you’re used to. 

“Doll!” 

You stop walking, poised just at the end of the sidewalk. You hoist your bag up on your shoulder and pull your jacket right around your neck, squinting into the rain. 

“Oz? That you?” You take a step in that direction, knowing full well it is. Your casual act is embarrassing to you, but you persist, pretending you’re surprised to see him getting out of his car. It’s a nice one, too… a Maserati. Was he… waiting for you?

“Yeah,” he grumbles. “You ain’t walkin’ home in this, are ya?”

“Just to the station,” You defend. 

“Nah. C’mon.” He limps around the front of his car, rain splattering against his leather coat. “Lemme’ give ya’ a ride.” 

He doesn’t have to ask you twice. What’s the worst thing that could happen? Really. The rain is brutal and you’re cold, a chill settling into your bones. You hurry towards the plum-coloured car, your high heels clacking against the wet pavement as you do. Oz opens and holds the door for you, waiting patiently for you to make your way over. You get in the car gracefully, making sure not to flash him, though, you doubt he’d mind if you did. It’s warm inside, the heat is on, and the leather interior has absorbed some of that heat. You snuggle into the seat, watching in the rearview as Oz makes his way back around the car, and for a moment you’re surrounded by nothing but the sound of rain on the roof and the shlick of the wiper blades as they whisk the droplets off the windshield. The driver’s side door opens, and he tucks himself in. Droplets of rain decorate his shoulders, and he smears his hand over his hair. 

“Where to, sweetheart?” He asks, a familiarity in his voice. He’s used to driving people around, but he’d drive you around the whole city if you asked. 

“The complex on the corner of 7th and Onyx…” you say, almost sheepishly. Sure, it’s not the best part of town, but your little apartment is cozy, overlooking the city. You imagine he’s used to much nicer, and is probably silently judging the location. 

“Oz,” you start, looking at the girth of his fingers as they wrap around the steering wheel. Your mind starts to wander, but you quickly reign it in with a hard blink and an inhalation of breath. “Can I ask you something?” 

“Sure, doll. Anything you want.” 

“Were you waiting for me to get off work?”

 “Gotta’ look out for my favorite girl, y’know?” 

It’s an indirect answer, but an answer all the same. You smile to yourself as he eases his foot into the gas pedal, the car moving forward. His right hand departs from the steering wheel to turn on the radio. Frank Sinatra’s crooning voice fills the inside, and for the rest of the drive, you’re silent, occasionally stealing looks at Oz as he drives. He handles the car beautifully, and you wonder if he handles a woman as well. 

Oz is sweet. You know this. Despite his constant heavy flirting at the restaurant, he’s sweet, charming and at times, awkward. Endearingly so. But you aren’t taking pity on him. Your interest in him is purely selfish, driven by your lust for older, dangerous men. You inhale a deep breath and turn your attention to the road. You’re close to home. A few minutes later, he pulls up next to your building and puts the car in park. 

You reposition yourself to face him, shifting your feet underneath you. He’s watching you, those smoldering, dark eyes following your every move. Carefully, you lean over the center console, enough to close in the distance between you two and press your lips against his warm, scarred cheek. His aftershave wafts into your nose, and you take a deep breath of it, remembering it. You think you hear his breath hitching. 

“That’s for the ride, Oz.” 

“Shit, I oughta’ drive you ‘round more often if that’s what it gets me, huh?” 

You hesitate a moment, looking into his eyes. There’s that look again –  like he wants to ask something. You fill the void with another question. 

“Is our chicken parm really the best, or do you just come for me?” 

Oz’s thick brows flick up on his forehead and he lets out a throaty chuckle. “Sweetheart...” 

“Do you come for me?” 

Now he’s really looking at you, squinting at you. Hearing that question repeated has him twitching in his goddamn slacks. He looks out to the rain, then back to you and you’re still staring at him, waiting for an answer. 

“If you only fuckin’ knew,” he chokes out.

“Well.. what if I wanna’ know?” 

“Doll,” he grins and laughs, almost nervously. It’s loveable and you can’t help but smile, your gaze fixated on his scarred mouth as he speaks. You aren’t staring negatively, quite the contrary. Like everything else unusual about him, you find his scars sexy. 

“You don’t gotta’... y’know, do that.”

You smile again, letting your lids close slightly. He thinks you’re doing this because you’re what? Paying him back for all the tips? Treating him like a charity case? Hysterical. If he only knew.

“Answer my question, Oz. What if I wanna’ know?”

He shifts in his seat. Uncomfortable? You can’t tell. 

“Then uh… I ain’t gonna’ deny you that. Find out.”

You lean back over, and instead of kissing his cheek, you tilt your head and go for his mouth, your soft, plush lips pressing against his. He doesn’t respond… not right away, at least. He’s stunned, but also trying not to devour you like some goddamned hungry animal. Finally, his lips twitch to life, pressing back against yours. 

He ain’t used to this. But, fuck, it feels good. 

As his mouth opens, his large hand comes up to the side of your face, holding you where you’re at. The cool chill of the band of his ring is a stark contrast against the warmth of his digits. His fingertips graze the edge of your hairline, massaging gently. The taste of his tongue in your mouth is intoxicating, the wine lingering on his breath mingles with his own personal notes. You let an open-mouthed moan fall from your throat, into his, and he reciprocates, moving his body slightly towards you. Your tongue slips along his bottom lip, pausing to nibble at it softly. He groans deep, his eyes rolling back in his head. You’re getting him stiff, worked up and all you’re fuckin’ doin’ is kissin’ him.   

This is getting heavy. You feel your own arousal burning between your legs, a fiery, throbbing heartbeat that gets more incessant the longer his tongue is in your mouth, tasting you. Oz is practically taking you in mouthfuls, and your hand crawls over the center console, just far enough that your fingernails scrape against the fabric of his slacks, over his thigh. A desperate attempt to get closer to him without just straddling him in his front seat. 

A deep rumble of thunder and a crack of lightning pulls you two from each other. You lurch away, panting, and look out through the front windshield. The rain comes down harder, and you can hardly make out the outlines of the buildings in front of you. 

“I should… probably go inside before this gets any worse.”

You aren’t sure if you’re talking about the rain or the mutual arousal. Maybe both. He clears his throat in response; he wants to tell you that you’re a cruel woman, leaving him like this, but with the taste of you still on his tongue, he ain’t about to push his luck and get greedy. He unlocks the doors from the panel on his left. You open the door and get out, dragging your bag with you. You lean back inside, looking at him with dreamy, half-lidded eyes. 

“I’ll see you, Oz. Thanks for the ride.” 

But not the kiss? You cringe at your words. There’s that look again – but this time, you know he wants to ask you if you’re coming down to the Lounge later. You know it, and you’ve already made up your mind. 

Instead, he shrugs with both of his shoulders. “Sure, sweetheart. Any time. I mean that.” 

With butterflies in your stomach, you exit the car, and shut the door, careful not to slam it. You hold your purse above your head as you run to the front door and you hear the roar of Oz’s engine as he speeds off. The second you’re inside, you kick off your heels at the door and hurry to the back of the apartment. You flip the lightswitch, illuminating the modest bedroom. You pull the dress from the back of your closet, half expecting a cloud of dust to come with it.  

Thank god it still fits. 

You catch a cab downtown, which is much less luxurious than your previous ride. It drops you off in front, and the line to get in stretches down the length of the building. You knew it was a popular place, but you hadn’t expected this. The rain, nor the fact that it’s a Tuesday evening, deters these patrons – whatever’s inside must really be something. You pull your dress down your thighs, and walk carefully up onto the sidewalk. Deciding to try your luck with the bouncers, you bypass the line, trying not to look at anyone to your right. If you stand in line, you won’t be inside for hours. 

Two men – identical twins – stand in front of the door.

“Can we help you?” One of them asks, sternly. You don’t take offense, they’re only doing their job. 

“Um…” You blurt out your name, adding, “Oz asked me to come.” 

One of the men speaks into a small mic attached to the lapel of his jacket, covering it with his hand. It’s only a moment before one of them opens the door and the music goes from muffled to booming, vibrating your bones. You mutter a quick thanks, and step inside, feeling like you’ve just cheated the system. The visual that meets you truly overwhelms you at first, and you hesitate. 

It’s a staggeringly massive venue, filled with undulating bodies. The building itself is industrial in nature, all steel and flashing red lights. The dance floor stretches as far as your eyes can see, a literal sea of human beings, all grinding against each other, feeling the music in their veins. You stand, stunned at the start of the crowd, unsure of where to go.

After a moment, you lift your gaze and your eyes meet for the hundredth time that night. Oz stands on the second floor, on almost a catwalk above the crowds. He looks like he did at the restaurant, save for the leather jacket which was replaced by a white suit jacket; he’s wearing the same purple shirt and black slacks. Your shoulders relax, knowing that whatever happens next will be something you remember for the rest of your life.

He doesn’t make it a secret of how he’s checking you out, a devilish sneer on his face. He’s only ever seen you in your waitress outfit, which let it be known, is sexy enough on its own, but this plunging number that gives him a peek at your cleavage, and hugs your hips in ways he could only dream of… He deepens his grin and jerks his head to the side, urging you up. You follow his gaze and clock the staircase to your left. You make a beeline for it, holding the chain of your purse in a fist and climb the steel staircase carefully, until you get to the platform that Oz is standing on. 

“Hi!” You shout over the pulsing music. You’re giddy, like a schoolgirl. It’s embarrassing, really. 

“I gotta’ be honest, doll, I didn’t think I’d see you.” he confesses, leaning into your ear. His voice is rough, but enticing. He pulls back, gauging your reaction. You stare at him for a moment, saying nothing, prolonging the moment and torturing him. His tongue darts out to wet his lips, and your eyes flick down to watch. Something he does a lot, you notice. 

“What?” you ask, leaning into him. “After what happened in the car?” 

When you pull back to look at him, there’s a bemused smile on your face. Confident. Cocky. Like there was an unspoken contest of who would mention it first and you won. He shrugs lightly, huffing out a laugh. You reach for his cheek, palming it softly. Oz keeps his composure, even though inside, he wants to lean into it and whimper like a dog. He’s glad he doesn’t though. 

“I’m the one who kissed you, remember? It’s not like you did anything to offend me, Oz.” you coo.

“I ‘spose not, huh?” 

You nod, slowly, coyly. 

“The chicken parm,” he says suddenly, shrugging with his hands. “It ain’t bad. But I guess you’ve figured out the real reason why I come there, huh?”  

You laugh brightly, looking over the railing at the throngs of people below you, neon red lights washing over them in time with the music. You smile softly, feeling special. It’s not every day that you get private access to an elite club in Gotham City and get to schmooze with the owner. 

“Come upstairs with me.” Feeling like your attention is drifting from him, Oz takes your hand, guiding you in the direction of yet another flight of stairs. Your eyes trail up the steps; they lead to a loft, glass windows on every side. 

You’re stone cold sober, so you can’t blame the alcohol, but the second you’re in his office, above the crowds, above it all, you’re on him like a bear on honey. Your hands smear over his chest, fingers grazing through the hair that peeks out from his open shirt. He smells like cigars and an expensive cologne that you take lungfuls of. 

“You're an eager girl, aren’t ya?” 

“Yeah, Oz… I am.” You reply breathlessly, kissing a path along his bottom lip and chin. 

“How long have you felt this way, huh?” 

You finally pull back, and lick your lips, watching him intently. You knew he was a talker from the restaurant, always chatting. But right now, you wanted nothing more than to kiss him. “Uhm…” Your chest heaves visibly, and Oz has to fight to keep his eyes on yours. “The first or second time you came into Bellini…” 

“Ah, c’moooon!” he says, incredulously. 

“No, I’m serious!” You laugh a little, moving your head to try and keep Oz’s gaze. He looks off behind you for a moment, and when he returns his attention to you, his expression is serious.

“Chicks like you don’t go after guys like me –”

You bristle and take his face in your hands. “Chicks like me? What do you know about chicks like me, Oz? You think you’ve got it all figured out, huh?” 

He sidesteps that with another question. “What, you like older guys or somethin’?” 

“They’re better…” You say in between tiny kisses. “They know better. They’re more experienced. Guys my age…” You pause to run a finger along his lip. “They don’t know how to take care of women.”

Oz smiles. It’s a dirty, devious smile, and it sends a pulse to your core. There’s a mischievous glimmer in his eyes, and he brings his hand up to the curve of your shoulder. “You want me to take care of ya, baby? Is that what you’re sayin’?” 

You nod. A little too enthusiastically, maybe. 

“It’s a busy club, sweetheart.” He says, almost nonchalantly, as though his slacks aren’t tenting in between both of you. 

But… he has a point. You hum quietly. 

“Later, then? Give me a tour of the club and – “ Your voice trails off because Oz looks like he’s just gotten an idea. He smirks, and his hand grips your hip, pulling you close to his gut. “What?” 

“How’s about you sit on it, huh?” 

Your head turns, gaze heavily resting on the room across the way. You assume it’s for the dancers of the club. Whatever it is – it’s right there. You glance at it nervously, and your expression reads strong, apparently, because Oz chuckles next to you, and brings his hand to your jaw, forcing it back in his direction. 

“Hey, hey, hey. Look at me. It’s okay. They ain’t gonna’ know a thing.” 

His hand drops from your jaw to your waist, where his thumb swipes circles over your dress. His hand sweeps around to the back, where your skin is exposed, and begins stroking patterns over the skin, igniting tiny fires wherever he touches. You lean forward, pressing your mouth against his again, hungry for his taste again. After a few minutes, Oz pulls away, ending the foreplay. He turns and ambles to the leather sofa angled in front of the window and you follow, taking slow, careful steps. One foot in front of the other. 

Once he’s seated, you lift your dress just enough to grip the delicately stretchy lace of your panties on either side, and carefully pull them down the curve of your ass. Oz is watching, his brown eyes locked on the tantalizing visual in front of him. You discard them on the sofa cushion, not thinking about where they land. Oz watches though, and his large hand snakes out, fisting them and discreetly tucking them into the pocket of his slacks. If you asked, he would’ve told you that he didn’t want anyone fuckin’ seein’ ‘em. The reality was that his perversions were too loud, and he was going to take a token of this dream he was experiencing.  

Oz reaches down, unlatching his slacks, and pulling the zip down just enough to reach in and pull his aching cock free. As you lower yourself, he lines it up, watching intently. You whimper his name, feeling the cockhead nudge your entrance. 

“Easy, sweetheart, easy. That’s it, nice n’ slow.” He licks his lips. 

At first, you nestle yourself down onto his thick cock gradually. The fat, leaking head pops in first, sending a shockwave through your core. Your breath hitches in your throat, and instead of sliding yourself down his shaft slowly, with a huff, you slam your ass down hard. You’re sitting all the way down on Oz’s wide lap, stuffing the rest of him in. He’s thicker than he is long, but god, it’s everything you thought it would be. He vocalizes, surprised at your determination. You still, letting your walls accommodate the girth of the man beneath you. 

“Hoo, baby...” 

The tiniest little movements have him clenching his jaw, hissing through his teeth. And then… with his hand casually holding onto your hip, Oz starts to rut his hips up into you. It’s just enough to rock your body up and down and move his cock inside you. 

He grunts underneath you, his grasp tightening on the satin of your dress. He craves skin, and his hand slides into the space between your dress and your back. You can’t help but let out the tiniest of whimpers at the feeling of being so full – you don’t remember the last time you were stretched like that. Your dress pools, hanging heavy between your legs and concealing your leaking core. 

Abruptly, the collective sound of high heels approaches, and your eyes snap up to the glass windows. A group of girls crowds the room parallel, and the second one of them spots you two, they’re heading your way. Oz stops moving. 

“Alright… quiet, doll.” He slaps your hip a few times. It’s a warning, and one you immediately heed, straightening up, tucking your hips into a more natural sitting position. His cock twitches inside you, and you swallow back the noise that bubbles up your throat. 

“Ozzy,” the girls coo in unison. One of them has a martini in her hand and asks who you are. God, they’re all so beautiful, you think. Insecurity threatens, but the stretching between your legs calms it.

Leaning to the side to meet their gaze, he tells them your name, proudly – the bastard – and you wave, sheepishly, trying not to allude to the fact that Oz’s girthy cock is buried inside you. Maybe they know. Maybe he’s done this before. You swallow hard, reaching up to tuck a stray strand of hair behind your ear. 

“We was just havin’ a meeting. She’s thinkin’ of workin’ here.” A bold faced lie, but it distracts the women from looking too hard at the scene in front of them. They all titter excitedly, delighted by the prospect of having another friend to play with.  

“Oz takes real good care of us,” one of them chimes in, earnestly. “You’d love it here.” 

You clench around his cock as hard as you can, your internal muscles squeezing him in a vice. You smile as naturally as you can at the girls as Oz continues speaking casually. The man’s poker face must be insane because he doesn’t flinch, doesn’t give away a single thing. 

“Alright, alright. Girls, what am I payin’ ya for, huh? Get down there.” 

In a flurry of nods and apologies, the women disperse, heading back down to the throbbing club below them. The sound of their high heels clicking down the stairs fades away, replaced by the dull, muffled thrumming of the music below. As soon as you two are alone again, Oz bucks his hips up into you hard, almost painfully, pulling a low groan from your throat.

“Tell me how good that feels, sweetheart. Tell me.” The roughness of his voice, the harshness of his accent makes everything sound intense, but the desperation in which he asks that isn’t lost on you. He’s practically begging you to tell him, revealing a deep-rooted hunger for praise. You wet your throat, and lean your head back onto his shoulder, bringing your hand up around to the back of his wide neck; the flesh is warm and damp with sweat.

“It feels so good.” 

“Yeah?” 

“Y-yeah…” You close your eyes, wincing slightly at the way his cock bullies you and stretches you open. “So good, Oz. I’ve thought about this… so many times.”

His hips rut up into you, finding a hungry, incessant rhythm and your slick walls clench around him. The action brings a choking grunt from his mouth, and your ego swells with the control. An idea blossoms. You straighten up; setting your hips and grinding them back and forth on his lap. Beneath you, Oz moans, his grip on you tightening. You feel his large body shudder, and a cocky smile curls its way around your lips. 

“You like that, Oz? You like me fucking you like that?” 

He nods, breathlessly, reaching up to palm the sweat that drips into his brow. 

“Tell me,” you whisper, arching your body against his. 

“I l-like the way you’re fuckin’ me. It feels real fuckin’ good… ” He grumbles, pleased. “Feelin’ that tight pussy uh yours… like heaven, doll.” 

You whine at that, loving the way it sounds coming from his mouth. Your hips gyrate, continuing their ruthless pattern on his cock. His hand strays from your hip and juts between your legs, finding your cunt. His thick fingers slip between your folds, stroking you just enough to drive your orgasm closer to the edge. You whimper, tossing your head back. 

Oz’s gaze drops from your back to your ass, watching as the flesh swells when you push back against him. God damn. It’s a perfect fuckin’ view, and he sucks in a deep breath. Every muscle in his body tightens, even if he ain’t ready for that.  

“Aw, fuck–” he grunts, low. Deep in his stomach, his muscles clench, trying hard to stave off the oncoming orgasm. His eyes open, focusing on the ceiling, the sound of the music, anything except for the way you’re ridin’ him. It ain’t workin’, because he feels his whole body tense up. Fuck. 

His hand goes slack between your legs and you grit your teeth, bringing your brows together in a pained expression. The dual stimulation was nice, but the way his cock massages your walls, stretching them out and filling you in a way that has you gasping is enough to drive you mad. You’re thankful that the music is so loud beneath you, because your desperate mewls and whines are getting higher and higher in pitch. Oz mutters something, something filthy about filling you and you drive your hips back against him. And with that, he loses it. He thrusts his hips up into you a few times, with a frenzied sort of desperation. You feel the heat painting your insides, coating your walls in his ecstasy. Underneath you, Oz’s thrusts have turned languid and lazy. He’s silently justifying the too-quick orgasm with the fact that he had to; anyone could’ve walked in at any time. It had nothing to do with the fact that he’s been like a slobbering dog for you for months. 

Chest heaving, your hips continue rutting back and forth, and Oz shifts underneath you, still panting heavily. It’s tender, but he doesn’t complain. His thrusts continue to slow and you desperately reach between your legs, tapping his hand back to life. “D-don’t stop Oz, please… don’t stop…” 

Behind you, Oz chuckles under his breath and straightens up, having sunk back into the sofa a little too far when he lost it. His thick index finger strokes your clit upwards, and a shiver rips through your body. The coil in your stomach winds tighter as you settle into the oncoming feeling. Still full of him, your slick walls shudder around his cock as the first wave hits. The coil snaps, your thighs clamp shut around his hand, and you look down, sighing loud as he continues flicking between your folds. One of your hands is situated on his thigh, and the other comes to grip his wrist, feeling the cuban link chain beneath your palm.

“That’s it, sweetheart… that’s it…” As you ride it out, bucking your hips against his groin, he coaxes you through your orgasm, both vocally and with the way he massages your clit, the pad of his index finger pressing into it. You can hear the pride in his voice, it’s absolutely dripping with it. “Atta’ girl. Feels fuckin’ good, don’t it?”

You try to speak, but nothing comes out. You furiously nod your head as your legs begin to tremble. He doesn’t stop, and your immediate reaction is to dig your nails into the flesh of his hand, silently begging. 

“You good, doll?” 

“Y-yeah. I’m… wow.” 

Oz removes his hand from between your legs, and strokes the side of your thigh, gently. Tenderly. For a moment, you stay like that, just enjoying all of the post-coital sensations. Eventually, you get to your feet, curious about how the patrons downstairs are faring. Speaking of dripping… You swallow hard, and press your thighs together. 

While still in front of Oz, you straighten yourself out, pulling your dress back down over your hips. Now, you’re suddenly aware of the throbbing beat beneath your feet and make your way over to the window. 

“How about that tour?” You ask, running a nail along the glass that overlooks the dancefloor below you. After a few moments, you feel Oz’s presence behind you, his stomach pressing into the curve of your back. 

“I thought you weren’t a clubbin’ girl…” he murmurs throatily, in between kisses to your neck. You tilt your head, allowing more space for him to smother. 

“Well,” you confess, honesty tinging your voice. “I’m not. But it’s not every day you get invited to the most elite nightclub in Gotham City.” You shrug. “Might as well.”

[the-fyre-flie]

This is a Firefly Simp account/Phosphorus Hate account!

Look at my pookie!!!! (ignore the horrible writing decision next to him!)

[coffee-at-annies]

Yeah idk

DKSportsPittsburgh Feed Link (gotta scroll cause practice is gonna bury it)

[lowkeiloki]

my confession after rewatching tpom movie

[nyansequitur]

Finished crafting my long-term build plan, besides skill books. Honestly don't know where to go from here. Probably giving each operator a module? In any case, more detailed info about what exactly I farmed below the cut. CN spoilers, photos, and a lot of talking below.

I suppose let's start with the goal.

Module 1/2/3: J/essicat Alter, L/iskarm

E1/E2/SL7: C/ivlight Eterna, A/sh, E/la

S1M1/M2/M3: P/allas, V/igil, M/izuki, C/ement

S2M1/M2/M3: S/hining, I/nsider, C/ivlight Eterna, A/miya (Medic), A/sh, H/oshiguma, S/hamare, F/iametta, I/frit, C/eobe, S/ilence Alter, S/wire Alter, A/miya (Guard), C/eylon, P/roviso, I/nes, S/iege, S/kadi, B/laze, B/lemishine, M/udrock

S3M1/M2/M3 T/horns, S/hu, S/hining, F/artooth, E/xecutor Alter, M/agallan, C/arnelian, D/egenbrecher, L/ee, S/uzuran, N/earlter, M/lynar, V/iviana, L/essing, V/irtuosa, H/oederer, E/la, B/agpipe, P/ozemka, R/osa, E/yja, P/assenger, H/o'olheyak, L/in, K/al'tsit, N/ightingale, L/umen, S/tainless, A/ak, G/ladiia, D/orothy, A/miya (Caster), S/aga, F/lametail, M/uelsyse, S/urtr, Q/iubai, C/hongyue, H/orn, E/unectes, E/xusiai, C/h'en

broke up names so I (hopefully) don't appear when searching for any operator ever lol

Before I start mastering skills, this is the stage of my depot.

Which should hopefully put into context why I have no base morale at the moment

Why didn't I start crafting earlier? Because I didn't know when I was going to be hitting the finishing point and didn't want to overcraft expensive materials that I would be getting as gameplay rewards. (Pick your poison really, if you start crafting early you can make good use of byproducts but poor use of event mats, and vice versa.)

The krooster planner I used looks like this

If I reset the stock to zero, penguin stats estimates it @ 277.5k sanity, although it doesn't account for event rewards or farming rate ups, so the real number is significantly less. It also doesn't calculate chips/skill books however, so forces going both ways on the estimate.

Upper number is how many I need, lower number is how many I have. Ignore the green book count, that's how many green books I would need if I got no more blue ones.

Blue books are what I'm farming at the moment, and the chips will be farmed once the CN operators are closer to release. I think (I hope) natural sanity and events will be enough given my backlog, but only time will tell. I don't want to do more sanity math please.

This took me, uh. About since my last build plan was completed at the end of February, so. Just over five months-ish? Unfortunately there is no satisfying payoff like the last build plan

due to masteries taking forever to complete. Near all earned OP since then was converted into sanity refreshes minus some skins. Don't have a good estimate on how much OP I bought for sanity at the moment, but it did definitely happen.

Why did I do this? A desire for maximum sanity efficiency, at first, although mostly it was a goal I set for myself about not leaving built ops or 6*s behind. (This can also be observed in how I level my operators, besides the CC12 crew, fwiplord exam crew, and some early game ops/favorites, most of my e2s are between levels 35 and 45 because I level the weakest e2 first.)

Anyways, I like having a goal to work towards in regards to building ops that can remain constant for months. Watching as the Penguin Stats sanity estimate slowly crept down (or went up when I pulled a new 6*.)

I might do a smaller build queue of 4-5* operators actually. If you made it this far, send me unbuilt ops you consider 'bad' or never see usage of (or just like) I guess.

[notruevampire]

[eternalmoonlight18]

Please Please Please (Don't Prove Em Right)

Trafalgar Law x afab Female!Reader

Next Chapter

Summary:

You are the Heart Pirates' beloved cook and sniper. However, you were also an insufferable troublemaker who always seemed to get on Law's nerves. He swears he's going to get rid of you one day, but as much as he hates it, why does he find you fascinating? Was it because you reminded him of someone he was greatly fond of?

As your relationship with Law grows, he only hopes you don't fucking embarrass him. After all, he has an image to uphold as one of the Seven Warlords of the Sea.

This story starts off as short stories between (Y/N), Law and the Heart Pirates, then picks up into the One Piece canon timeline, starting from Punk Hazard. This is a slow-burn Law x Female Reader story!

Updates every Sunday!

Cross-posted in Ao3: https://archiveofourown.org/works/57651295/chapters/146705491

Notes: This is my very first fanfiction!

As you would have guessed, the title is based on the song Please Please Please by Sabrina Carpenter. It's like a more lighthearted reimagining of the song!

I'm mostly writing this for self-indulgence but I hope you guys like it as well :)

Chapter 1: Ice Water Poker

Chapter summary: you thought playing Ice Water Poker was a great idea until you injured yourself and almost damaged the Polar Tang. Law decides that he's almost had enough of your shenanigans.

You hated the infirmary.

The bleak walls, the soft crinkle of the paper on top of the infirmary bed, and the fact that all of the medical equipment was just lying out in the open made it uncomfortable to be in the room.

You hated the infirmary, but you were there every day because of your endless carelessness and schemes against the Heart Pirates.

But you weren't an enemy to them, you in fact, were their beloved cook. You became the Heart Pirate’s cook just over a year ago, and it wasn’t because they loved your cooking. It’s because none of them can cook for shit and you felt bad for them. When you first met them, they were eating overcooked rice and burnt fish. You soon learned that those were Law’s favourite foods, but by great Neptune's Beard, it tasted terrible. So you decided (forcibly) to join the crew out of pity, out of Law's dismay.

However, you weren't new to the pirate life. You were a pirate before you met them, as you used to be in Kidd’s crew as their cook. But things got complicated so you ditched them. And by complicated, it meant that you accidentally food-poisoned Kidd and he was going to kill you the next time he saw you.

And so a year later, you were with the Heart Pirates. You loved it. You had a great kitchen to work with, and the crew loved every meal you made. Law was a great captain and you greatly respected him. You eventually gained his respect since you always cooked what he requested. And not only you were a cook, but you were also a decent fighter. You specialized as a sniper, which Law saw as a great asset to the crew.

You were a great cook, and you loved what you did, and you wouldn't trade it for anything else. 

But the only issue was that you got bored when you were not cooking. And so, you cured that boredom by doing what you do second best: being a gremlin.

At least that’s what Law called you. You would say it’s more like being the only sole entertainer in this damn submarine. The Polar Tang was so boring sometimes and you decided that a little fun might cheer things about around the crew. But as often as you did ridiculous stunts in the submarine, you also often found yourself sitting in the infirmary bed with your captain tending to your injuries.

And that’s how you found yourself in the infirmary for the 5th time in a week. And Law was not amused at all.

“So tell me,” Law said while he calmly walked in front of you as you were sitting on the bed. He stopped to face you. “Why the FUCK do you, Penguin and Shachi all have large gashes on the forehead?!” he yelled. He glared looked at you, then whipped his head to glare at the two men beside the bed. 

The scab on your palms suddenly became very interesting so you decided to stare and pick at it. To your left were Penguin and Shachi standing nervously next to the bed and both faced opposite ways, away from the doctor.

Law started to get irritated. “I asked you a question (Y/n)-ya,” he instructed.

You let out a small nervous laugh and looked up at the doctor. Penguin and Shachi also laughed.

“Well you see captain, we were all playing strip poker.” Penguin started. Law’s eyes narrowed at the man. Shachi continued after Penguin, “B-but instead of stripping, we had to dump a bucket of ice water whenever we placed the wrong bet. But then (Y/n) got mad because she was losing and filled up two buckets of ice water to dump on us, but she ended up slipping and hit both Penguin and me on the forehead with the bucket as she fell.”

You suddenly froze and realized you just got snitched on. You glared at the two men who for some reason also suddenly realized that they snitched, and they both quickly looked away from you.

“You fucking snitches!” you exclaimed. “You are so getting burnt food tonight.”

"But that's not fair..." Penguin and Shachi both mumbled. 

Law sighed heavily. He rubbed his temples with his tattooed fingers, most likely out of annoyance. “Shut up, all of you. So let me get this straight, all three of you decided that it was a good idea to dump water onto my submarine’s floors because of a card game. And I don’t care that you idiots are injured; have you considered the fact that the water can leak into the boiler room?!”

And as if on cue, the Polar Tang started to make a strange groaning noise. The four of you in the infirmary froze. A vein popped on Law's head as he suddenly began to shake in anger.

Seeing your captain angry, Penguin, Shachi and you all looked at each other. You were all thinking of the same thing. You all made a run for it. All three of you dashed for the door and ran out of the infirmary.

"Hey!! You bastards better come back here!!" Law shouted as he realized his troublesome crew left.

“Oh, we’re so dead! Captain is going to kill us!” Penguin exclaimed as he ran.

"Forget captain, I think the Tang is going to explode and kill us!" Shachi argued.

"Both of you shut up!" You shouted. "Let's hide before-" You were cut off because you and the two men were suddenly transported into the infirmary. A large thud was heard when you three landed on your asses on the feet of a very angry sea captain. All three of you groaned in pain from the impact. You slowly looked up and saw the death glare of your captain, staring down at you. You felt uneasy shivers down your spine and heard the two men gulp behind you.

"You all had the stomach to run away from me huh?" He darkly chuckled.

The three of you started to shake with fear. For the first time, you genuinely pissed the man off and you instantly regretted it.

"Hey captain, don't worry! We'll fix the boiler room right now!" you said shakily.

The raven-haired man raised his eyebrows at the comment. "Oh? And how can you do that with your current state?" he questioned you.

You were wondering why he gave you a strange look until you felt something wet and cold on your forehead. You instantly brought up your left hand to touch it and saw that you started bleeding from the gash. Then you blacked out. The last thing you heard was Penguin's unusually high-pitched scream before your head hit the floor.

---------------------------------------------------------------------------------------------

You woke up to the smell of black tea. You slowly opened up your eyes and felt disoriented and cold. When you fully opened your eyes, you found yourself staring at the mute grey ceiling above you. You were still in the infirmary.

"Fuck." you thought. "This might be the worst day of my life."

You slowly got up to sit. You groaned in pain as you felt a sharp pain on the side of your head. You glanced at the table in front of you and looked at the steaming mug of hot tea. Then as you turned to let your legs down on the side of the bed, you glanced to the right of the bed and saw your captain sitting in his examiner chair with his legs crossed. While he looked at you with a neutral face, his eyes were unreadable.

"So you finally decided to wake up (Y/n)-ya. I was starting to think that we needed to find another cook," he said, dripped with sarcasm.

You squinted your eyes at him. "As if you could find one, I'm sure no one wants to cook for your shitty crew." you retorted.

Law ignored your comment and got up from his chair to walk towards you. You noticed that he was getting closer so you scooted back further into the wall behind you. The doctor placed both of his tattooed hands on the bed, trapping you in the box of his arms. Never breaking eye contact, he leaned his face into yours and stared at you with an annoyed smirk. "I usually don't mind your antics on my submarine but you have gone too far this time." he lowly said.

You ignored his words. Instead, you scrunched your nose. "Your breath smells like grilled fish captain," you said.

Law was suddenly taken aback by your random comment, his face twisting into an irritated scowl.

"The next time you pull another stunt like this, I'm throwing you overboard. I don't care if we're eating rocks for weeks."

"But I don't know how to swim."

"I don't care. Why are you out at sea then if you don't know how to swim?"

"But you can't even swim either captain, you'd sink like a rock if you fell in. I wouldn't talk if I were you."

Law scoffed. He couldn't argue with that comment. You were pushing his buttons and he didn't know whether to laugh or throw you out of the submarine.

Law kept staring into you and you kept staring back. This was the first time seeing his face up close and you saw how handsome he was for the first time. His small sweep of bangs along with his sideburns perfectly shape his rugged face. But what caught your attention was his grey eyes. You observed how tired his eyes looked, but your intuition told you that it was more than physical tiredness that was getting to him. You could feel the unknown emotional battles he was facing through his stormy grey eyes as if he was looking for answers he could not find. You found them unusually beautiful.

You broke the silence and suddenly blurted out;

"You have very pretty eyes, captain."

This time he was completely bewildered by your comment. Law blinked at you and his eyebrows slowly relaxed. His eyes slightly widened and he took a small step back. His mouth suddenly gaped slightly open and he felt his ears heat up.

"What are you talking about (Y/n)-ya?" he coughed. He completely broke out of his stern and facade and turned into a flustered mess.

However, you remained oblivious to the consequences of your words. You tilted your head to the left curiously.

"Why are your ears red? Are you getting a fever?" you questioned. The doctor stepped back even more but straightened up his composure. He was the captain of this crew and a feared pirate in the seas. He was not about to lose his image over his subordinate. Realizing that he was flustered, he quickly became angry again.

You'd think that a 25-year-old man would know how to properly regulate his feelings, but Law's display of emotional confusion would prove otherwise.

He finally blew up. "Enough! You caused too much chaos today. I'm punishing you for being reckless again." Law ordered.

While his tone of voice was stern, his face said otherwise. "Are you going to throw me overboard?" you teased. "Or are you going to make me fix the boiler room with Penguin and Shachi?"

You snickered and started to grin. You didn't care at all because you always got out of trouble. Penguin and Shachi said it's because the captain had a soft spot for you, but you think that Law accepts the fact that he has no choice but to keep you if he wants to eat edible good food.

Law placed two fingers on his chin and put some thought into the question. Then he smirked mischievously. "No. I got something worse."

There was a pregnant pause. Then he spoke again; "You're going to make me a week's batch of rice balls for me." he proclaimed.

The colour drained from your face. You hated making rice balls. It may be the captain's favourite, but it took forever to prepare and make. Now he wants you to make a week's batch worth of it? You understood that he was mad but he was taking his anger too far.

"I'd rather jump out and drown!" you protested.

"I'd like to see you try." Law retorted. "That's what you get for damaging my submarine!"

The man did have a point. You admit that sometimes your escapades can be too. much.

You pouted in defeat. "Fine. I'll do it," you said. You hopped off the medical bed and proceeded to walk out of the infirmary. You were in a bad mood, and you were going to beat the living hell out of Penguin and Shachi for snitching on you.

"I'm going to put flour and bread in those rice balls," you mumbled as you walked out the door.

"What was that?" Law asked. "Nothing!" you said out of fake cheer. You stomped away and headed to the kitchen. The captain extinguished your playful spirit in the meanwhile, but you'd be back.

----------------------------------------------------------------------------------------------

Back at the infirmary, Law sighed. He took off his hat and placed it on the bed, then sat down in his chair. He brought his left hand and combed through his hair as he leaned back and looked up at the ceiling. Today's set of events was just too much for him.

As he closed his eyes, your previous words rang in his ears.

"You have very pretty eyes, captain."

The tattooed doctor's ears turned red again. "What am I going to do with you (Y/n)-ya?" He sighed.

-------------------------------------------------------------------------------------------

EXTRA SCENE

It was midnight in the Polar Tang. Everyone went to bed. It was one of those few moments when the submarine was quiet enough to hear the hum of the sub's engine.

While everyone was asleep, the captain was in his quarters, wide awake. He was finishing up his crew's recent medical reports and your medical file. He was always stressed about updating it because you were getting injured every single day.

Law stacked up the final pages of the report and set them aside. He got up from his desk and stretched. He let out a big groan, a signal of his tiredness. Then he remembered that you were making his favourite food, rice balls, as a punishment and grinned. He was looking forward to eating a good snack before he headed to bed.

He carefully and quietly made his way to the submarine's kitchen. As he entered the room, he saw that you laid out a plate of 3 rice balls on the dining table. The doctor excitedly walked up and grabbed one of the rice balls. He eyed it for a second, like it was the last meal he was ever going to take, then took a big bite of the food you prepared, expecting to be thrown into a world of indulgence.

However, he instantly regretted his actions. He turned blue, spat out the food and coughed like he had the flu. He should've known better than to take a very inviting plate of rice balls in the kitchen that you prepared. It was like luring a fish with bait and the great Surgeon of Death, Trafalgar Law, fell for it.

He was so going to throw you out to the sea in the morning.

[tgcg]

ill break your shit adam

warning for adult lang

fuck you adam sandler

youre lucky karkat likes you

stupid fuck sees an amnesiac girl

and asks her can i marry you

that lady got issues mentally

you still down to do shit anally

deplorable zit on the ass of romanza

karkat told me to put that shit in this stanza

do raps even count as having stanzas

slam poetry tyke at preschool im no manza

youd probably jack it to a log with holes if they were wet ones

sitting on that stupid dock with her papa cracking cold ones

piece of shit id push you off that dock and watch you bubbling

kick your ass like her shitty bro failed when you were troubling

penguins dont quack like fucking ducks you dumbass

thats not part of the rap i just think that youre a dumbass

back to the rap sandler i bet you couldnt drop a single bar

too busy picking up stupid women at the stupid women bar

who even let you into hawaii

also did i say karkat liked you i was kidding he wants to kick your heinie

seriously watching that shit again made him start slamming his head into the cushions and screaming i had to pry them out his hands and he almost bit me

sorry i forgot i was rapping again

piece of shit forgot that you can like women while dating other men

still not over that chuck and larry shit adam

if you just said to the gov you were bi you coulda had em

firefighter of the year? well try putting out this heat

karkats gonna beat your ass like you do every night to your meat

gotta ask is this shit wish fulfilment for you

gotta say larry deserved better than you

i could treat him way better than you not in a gay way though

i just mean youre a massive sleaze basically the worlds shittiest bro

back to 50 first dates man sandler your shit is a bore

the stupid bits with schneider got my ass addicted to snore

if i was that stupid walrus id tear your ass to shreds

if i was that penguin i would also tear your ass to shreds

itd be harder but id still do it

bro fuck adam sandler im through it

===

TT: Wow. Bravo, Dave. You've outdone yourself.

TG: i wrote this one exceptionally fucking terrible to represent my inner darkness

TG: i can never unwatch those cinematic fossilized turds theyre like time capsules devoted to everything wrong with america

TG: you dont even understand how egregious that was

TT: I can sense the utter malaise and contempt in every word. It's beautiful.

TT: One particularly interesting point I'd like to make is the fact that you managed to refer to butts in a song about a male target, 10 times in the span of 37 lines. It's not an exorbitant amount, but it appears to be a running theme in your works. Very interesting, if you ask me --

TG: nooooo

TG: nope no

TG: not this shit again

TG: listen one of them is karkats fault

===

CG: ROSE, YOU JUST DON'T FUCKING UNDERSTAND WHAT HE'S DOING HERE AT ALL.

TT: No? Please, enlighten me Karkat.

CG: GLADLY.

CG: HE STARTS OUT WITH THE FRIGGIN WORD "ANAL" PRECEDING ALL OF THE OTHER MENTIONS, OF COURSE IT'S ON PURPOSE. IT INSTILLS THAT IMAGERY IN YOUR NUGBONE THROUGHOUT THE TRACK.

CG: AND YOU MAY HAVE NOTICED A RECURRING USE OF THE WORD "SHIT", IN TANDEM. BOG-STANDARD FOR DAVE, RIGHT? NO! IT'S PART OF THE EFFECT!

CG: MY THESIS: ADAM SANDLER MOVIES ARE PIECES OF ABSOLUTE SHIT AND THE REFERENCES TO WORDS LIKE "LOG" AND "SHIT" AND "ASS" ARE TO INVOKE THE SENSE OF TAKING A MASSIVE DUMP THROUGHOUT THE SPAN OF THE RAP, WHICH BY ALL MEANS WOULD BE AN EQUAL OR GREATER USE OF YOUR TIME THAN WATCHING THOSE MOVIES.

CG: RIGHT, DAVE?

TG: … yeah

TT: Okay, I'm willing to concede to that. On this subject matter, as an avid terrible movie enjoyer, you admittedly know better than myself.

CG: SHOULD KNOW BETTER.

TT: And you love them anyways.

CG: YEAH.

TG: hes right

TG: you hear that shit hes right

TG: fuck death of the author im verifying that interpretation

[bruciemilf]

I will say, it is so fun thinking about the Waynes and their relationship with food. But specifically Bruce.

We get such little light shed on the Waynes before the Big Terrible happened. Like. How were Wayne dinners like?

Were they terribly posh and quiet with small moments of fun thrown in? Was Alfred scolding Thomas for telling a star eyed Bruce unnecessarily gory details from a surgery?

Did Martha help Bruce break into the cookie jar? Was there a lovely, playful gossip about Bruce's loud classmates and his adorable crush on Gray Ghost?

Because I like that! But I'd also like it to be a complete juxtaposition.

I want Bruce to talk about his family, to his children, with a smile that could melt the sun. I want him to tell them about the noise.

How the Wayne manor was permanently flooded with a noise and boister that could rival a packed 5 star kitchen.

How Thomas always cooked with a dry cigarette in his mouth, arguing with uncle Jacob about forks of all things.

Why were they smudged, why were they placed randomly and not organised with militaristic precision, while Martha watched with the fondest annoyance.

How Thomas would cuss filthy in Italian only when Bruce was around and only Oz could understand him, long before he was the Penguin, long before Bruce was Batman.

"It's about culture. Not that you'd understand, Jakey."

And uncle Jacob never entertained his father for long. He'd throw a dirty look, his obsidian eyes sharp as a switchblade, and mutter a 'bitch' in Russian, while Alfred sat there judging them both.

The Waynes were chaos with heartbeats. And Bruce's favorite event at these diners? The food fights. It's always uncle Philip who started them.

"Wow, Jay eating steak. Never thought I'd see this day."

" It's venison."

" Vinison?" Thomas would finally take a break from his unlit cigarette, holding Bruce in his lap like a king would a prized cat.

A collective sigh rang among the table. They knew what was coming. " What are you, fuckin' crazy? That's fuckin' cannoli, dipshit."

"With vinison."

"Jacob."

" Tom."

"Martha."

" Honey."

" You come into my house, not knowing what a goddam cannoli is? Fuck are you gonna tell me next, you don't put garlic in your Carbonara? I mean."

" Garlic is disgusting."

And Thomas would cover Bruce's ears like that's the most offensive thing uncle Jacob could utter at Thomas Wayne's table. And Uncle Oz agreed. Their favorite pastime was ganging up on Martha's oldest brother.

And it starts off as something minuscule and petty and mutates in something loud and ugly and breathtaking.

Bruce would watch with an open mouth in Alfred's lap, as his father's neck popped with veins, and uncle Jacobs pale complexion would blush something angry as the skin of his throat thinned from yelling.

"FUCK YOU, FUCK YOU, YOUR PRESIDENT IS A VODKA DRINKING, BALDING, COMMIE PIECE OF SHIT."

"YOU'RE AMERICAN. "

" I CANT HELP THAT, I WAS BORN LIKE THAT!"

And it wasn't a true Saturday dinner unless Thomas didn't leap across the table, running over all the food to smash whatever dish into Jacobs face.

But truly, the best part, was watching them go from fight dogs to eating outside in time-out. As different as his father and uncle were, they could always find agreement on one topic:

Defying Martha Wayne was painfully stupid.

They'd share a cigarette and eat in silence, which was as friendly as they'd ever get. But he loved it. Bruce loved Saturday dinner.

And when the batkids start the fighting tradition on Saturdays, Bruce thinks they do, too.

[yes-i-write-fanfiction]

Reasons as to why I think it would be funny below:

-Cyclonus and Tailgate have been mentioned before but come on, it would be so funny. Here's Cyclonus that looks like a full on rogue even in his holoform and then there's his sunshine husband Tailgate that decides that he wants to be a hero. Cyclonus decides that sure, he'll go along with it if only to make his conjux happy. Too bad everyone thinks Cyclonus is the hero and Tailgate the sidekick.

-Ratchet has also already been mentioned but it would just be hilarious to see him try to tackle Gotham and all the shenanigans that comes with living in the city. I can also see him picking up Robin like a kitten.

-I just think Arcee and Damian would get along. Arcee is an ancient warrior that wields swords and Damian would take one look at her and go "I want to be like her when I grow up". Killer robot grandma and her little killer kid vigilante grandchild.

-Jazz would open a club and it would become the most popular place in Gotham. Fuck the Iceberg Lounge, Jazz's club is the place to be! Becomes the next Gotham celebrity, his himbo playboy persona on par with Brucie Wayne.

-Listen, Bumblebee is old. Old and tired and filled with rage. But he takes one look at the chaos that is Gotham, sees the homeless people and the struggling kids and decides that he has to do something to help. And if that means dropkicking Black Mask then by Primus-!

-Vigilante Drift. That's it. Gotham is so similar to Dead End and Drift knows that he could help people. So, he does. Mainly busts drug rings and protects the homeless population. Might accidentally become a gang leader.

-Riptide would 100% accidentally become a crime lord. He just stumbles into it. His goons know this but they just like him so much. He's nice to them, doesn't make them to terrible stuff and the pay is good. Riptide doesn't even know he's a crime lord, he thinks he's just in some kind of club.

-Accidental rogue/antihero Nautica. In her attempts to find a way back home to her own universe, she commits several crimes, breaks into Wayne Enterprise, leads the batfam on a 3 hour chase, starts a revolution and befriends Harley Quinn and Poison Ivy.

-Fortress Maximus to damn big for this damn city. Accidentally steps on the batmobile. Accidentally kidnaps Nightwing? Nightwing in turn listens to this 52 feet tall robot have an anxiety attack and calms him down. Now they are friends.

-Swerve living life in Gotham. He loves it. Yeah, it's chaos and people are a bit weird but it's also so exciting! The heroes and villains are so cool! He's got various fan blogs. Opens his own (human) bar and it becomes a hangout for rogue goons.

-Blurr starts working in the Iceberg Lounge as a bartender. His holoform is hot so he gets hit on a lot. He loves the attention. Penguin loves the revenue he brings in and promotes him to the poster boy of the place. Batman, as Bruce Wayne, decides to seduce Blurr to get some info on the Penguin. Shenanigans ensue.

-Little sad meow meow Waspinator gets found in the dumpsters by Damian and is subsequently adopted. Alfred takes one look at this pathetic bot and his heart breaks. Bruce returns home to find Waspinator in his living room, snuggled up in a blanket and asleep. Damian threatens to disown him if he makes Waspinator leave.

[paleshroom]

Facts and Parallels in the Latest Helluva Shorts: Mission Antarctica *SPOILERS*

From this 4-minute animation, we learn the following:

- Work as usual is happening post-Apology Tour and Blitz is bad at portals. (This makes me so especially fucking giddy because it gives more canon-compliance to that speculative fic I wrote before Apology Tour came out).

- Loona is conspicuously absent, even from the office when they’re going in and out of the portal.

- More evidence of Blitz’s dyslexia, struggling with the order of the alphabet and so on. I love the added detail of Blitz dictating things to Moxxie for him to type out.

- More (?) evidence that Blitz is exceptionally terrible at math and likely has the wombo combo of both dyslexia AND dyscalculia. Yowza.

- [edit: After seeing some discussion, I don’t think he’s necessarily bad at oral overall, but there’s a lot he does with Stolas that he certainly did not do for Ver or anyone else, and again cunnilingus is VERY different from rimming.] Blitz has terrible head game, throwing back to when Verosika accused him of not reciprocating. Or, at least, he’s bad with cunnilingus. We can only assume his rim game is better, given the coughed up feathers (Harvest Moon Festival) and the implication of a request to “[face]plant that feathered ass” (Loo Loo Land).

- Blitz considers himself a top.*

- Moxxie has good head game thanks to Millie and being a good partner.

- Blitz still has the Moxxie and Millie minis from the “let’s three-way” scene right before Stolas calls him in Loo Loo Land.

- Millie echoes Asmodeus’s sentiment that lust is not about “brute force.”

- Blitz panics at the idea of treating the crystal “gently” like a lover. He doesn’t do gentle caresses. That’s gay, and the night before (or a few nights ago?) was gay enough.*

- Penguins have multiple xenophobic slurs.

Feel free to add on here!

*Headcanon below the cut.

*HC: this motherfucker is a service top but there have been hints (ie: the strapon in Full Moon) that he and Stolas have likely switched a few times. I think he glosses over this and doesn’t tell anyone about it because he’s told himself he’s fulfilling Stolas’s fantasy, but really this motherfucker wants to put his trust in someone too. If apologies are “for pussies and no one fucking deserves them anyway” but Stolas is the exception, what does that mean for being vulnerable gentle in sex? Actual intimacy? The kind where that person shares the same desire for connection that you do? It’s fucking TERRIFYING. It’s easy to shift glances, sneakily take a picture when the other person doesn’t know, look at it on your phone and dream a hopeless dream in private, reminding yourself that it’s only a dream, that you won’t have it, don’t deserve to have it, and will only end up hurting yourself and everyone around you if you even dare to chase that dream of loving and being loved by another.

I love him so much he’s such a fucking mess.

[deadsetobsessions]

Bestie sent me a tiktok by @craycrayglitterbug. Thanks for driving all this way to visit me~

——

It was the beginning of Gotham’s Summer seasonal aggression week, which was the city’s own version of seasonal depression limited to one week where instead of getting depressed, Gothamites got pissed off.

They had one for each season. Spring’s seasonal aggression week coincided with the first release of pollen from the surrounding plants, aggravated by Ivy’s proclivity towards increasing plant growth in her forest. Since most people weren’t actually pissed off enough to bring smoke to a Rogue (Ivy got strongly worded mail though), they took it out on each other. The Bats broke off more street brawls and knife fights during this season, all the while handing out tissues and anti-allergy medicine to red-nosed, puffy eyed people.

Fall… well, that week was Halloween. Enough said. Scarecrow, committed to his bit, was the most active this season. In the same vein, Spoiler and Red Robin were on the scene more often than not during this season. Gas masks and a bat were popular accessories during this season.

Winter meant Penguin and Mr. Freeze became more active, having a natural advantage in Winter. Like Pokémon, but instead of being cute, they’re busy being menaces to society and Gotham’s already fraying threads of sanity.

The Joker is terrible all year round. Fish fear him, insurance policies want him, and Red Hood tries to go for his throat every time he makes an appearance. Such were the unchangeable facts of Gotham’s hellish landscape.

Summer, though. Summer was the worst of the four seasons for seasonal aggression. The other three could generally be avoided with a modicum of luck, but Summer’s heat was unavoidable. Normally, stone architecture such as those that Gotham sported would aid in the ventilation of the city. It was not so for the normally clouded over metropolis. Instead, the curse that Gotham was built upon had adapted to modernity. Now, for exactly one week, the city had sweltering heat at night and day, inside or outside. The pavement could cook eggs, and the marble inside banks sometimes were so hot that people had to flood it with water to avoid burning their fingertips. Some of the buildings had cutting edge AC, thank you Wayne Enterprises, that the curse had yet to adapt to. They were popular spots and silently agreed upon to be protected from the usual shenanigans and robberies.

At night, the heat cools enough to be a natural irritant instead of miserably bringing people to heat exhaustion.

This is where we find two of the more active members of the vigilante scenes during this season:

The Red Hood, and the Batman.

To be fair, Batman is active all season, but summer called for more reinforcements than normal.

Red Hood made sure his Alley had access to clean water, shade, and handed out relief to the less fortunate inhabitants. He also cracked down on the fools that tried his rules, not killing them because the Seasonal Aggression led to seasonal stupidity more often than not and he couldn’t exactly blame criminals for doing crime. He can, however, blame them for breaking his rules while doing said crimes.

Batman covered the city, helping irritated children find their way back to equally irritated but worried mothers walking him at night, taking down rogues, and disarming the numerous pipe bombs people built out of aggravation.

Though the vigilantes had thermoregulated suits, they were not immune to seasonal aggression.

“What the fuck, old man?!” Jason shouted through his helmet as Bruce took down the goon Jason was gunning for.

“Hm,” Bruce grunted back, ducking low to kick another goon in the chest.

Jason shot the last one in the foot and slammed his fist into their face as they dropped in pain.

“What the hell are you doing in my territory?!”

Bruce, unable to say he missed Jason and unwilling to get shot should he even hint at telling his son that he swung by to check on him, simply grunted.

“Oh, well fuck you too, you overgrown rat!” Jason scowled, holstering his guns. He knew how riled up he could get on a regular patrol. A patrol on hell week stood no chance of ever ending peacefully. He’d better stow away his guns so Bruce doesn’t walk home with a couple of noticeable dents in his Kevlar. Alfred would be upset if that happened. “You want to start shit? Fuck you, I’ll start shit first!”

Batman opened his mouth- whether to reprimand him or deny the accusations, the world will never know- but Jason cut him off.

“Okay, your suit? Whack. Your parenting skills? Whack,” Jason quickly spat out, the built in voice changer changing it to sound even more growly. “Your taste in literature? Abysmal. Don’t even get me started on your hypocrisy!”

“Hood-”

“You know what? I will get started on your hypocrisy! The Joker straight up murdered one of your kids! I was your kid! You said- you said that you loved me!”

Jason, who had thought he had moved past this despite not putting in the work to do so and refused to work through his emotions in anyway that wasn’t murdering someone or crying on Jane Austen novels, had in fact not moved past this. Unsurprisingly, Bruce wasn’t the best model for self care and healthy coping mechanisms. And despite Jason’s vehement objections to being compared to Bruce in anyway, being like Bruce in anyway, the fact of the matter is that eventually, all of Bruce’s kids will inevitably have a facet of themselves turn out like him.

“I do!” Bruce objected, the heat getting to his head and making it easier to actually express any form of emotion that was not mildly related to Justice.

A goon groaned, but Jason knocked him out again with a swift blow to the head before turning and pointing an accusing finger at Batman.

“If you loved me, why didn’t you kill the Joker?!” Jason screamed, punting the unconscious body of a goon against the HVAC. He took off his helmet and hurled it at Batman. Jason jabbed a thumb at his masked face, pointing out the myriad of raised scars on his face. “Look at me! I’m- I have scars! And they never stop hurting! I had to fucking dig myself out of my grave because he killed me and I was unfortunate enough to be dragged back!”

“Jaylad-”

Jason snarled, stalking closer and shoving Bruce back. Bruce allowed it, his head pounding with the heat.

“You couldn’t save me, fine! But fuck, you let Gotham pay the price for letting him live! This is the third Joker group we’ve downed this week! People died, B! Good, innocent people and scumbags! You could have killed him! You could have stopped him! All of this,” Jason gestured angrily at the downed goons and the blood splattered on top of the roof, jaw clenched and eyes more fiery than the summer day Gotham had been subjected you. “Just because of your no-kill rule!”

Bruce drew his shoulders back like he was about o admit something shameful. “That’s not why I didn’t kill the Joker. I tried to kill him, but Superman stopped me.”

Jason’s next shout died in his throat, the anti-hero looking floored as he stared at his father figure, frozen in place with his mouth agape. Bruce continued, now that he could speak, the words rushing out of him like a dam that could not be stopped from breaking. “What?” Jason breathed out. Bruce barreled on.

“I know. I know I’m a hypocrite. But if I tried to kill him, I wouldn’t stop at just him.”

“No, wait, Superman what?”

“He stopped me.”

Three beats of silence.

“Then, why… why didn’t you try again?” Jason asked, voice strangled and thrown helmet all but forgotten in this new piece of information.

“Because… it was an attempt to kill myself too. After that, I didn’t have the will to do anything but to cling onto the Mission,” Bruce said, voice softening to that which he used for children because despite everything, Jason’s was still his son. “And… I didn’t think I deserved to take the easy way out, not when you had the opportunity to live taken away from you like that.”

Jason swallowed. “Why the fuck couldn’t you have told me this earlier?”

“You were angry at me. I deserved it.”

“Fuck you and your stupid martyr bullshit,” Jason rebuked. He went to collect his helmet. Jason paused when he passed Bruce, a split second of understanding running between them that wasn’t there before. Jason picked up his helmet roughly as Batman stood stock still- akin to someone standing still when their cat purrs on them, afraid to move and provoke an unfavorable connection- and huffed.

“I’m gonna beat up the Boy Scout.”

“No.” Bruce paused. “I can’t condone that… but I can tell you that there might be security lapse in the kryptonite safe tonight.”

“I still don’t like you.”

“But you know you’re my son… right?”

“I’ll think about it,” Jason muttered. He pulled out his gun and shoots a guy in the foot. The unconscious goon twitches.

“Hood!” Bruce’s tone changed to scolding.

“There we go. And we’re back.”

“That’s great,” Oracle said in their ears. “Next time, remember to shut off your comms.”

Jason’s face burned. “Oh fuck.”

“Little wing… I didn’t know you felt that way.” Dick said, voice watery as he audibly beat thugs over the head with his baton.

“Hey, Harley’s scheduled to break out of Arkham like tomorrow if you wanted to beat up Superman with her.”

“Sure, Red. Now fuck off!”

Jason shut off his comms, zipped down to the street and stomped angrily to his motorcycle.

Batman turned to gather up the goons, pettily deciding not to warn Superman. Hey, hell week affected him too.

[maxwell-grant]

The Penguin: Episode 8 "Great or Little Thing" Series Finale Breakdown

So first and foremost I need to give a shout-out to everyone who's been following this with me and helped me week after week process and articulate this show, this brilliant Penguin Braintrust without which I would be incredibly lost on how to even begin breaking this thing down this way: @davidmann95, @wil4x, @book--wyrm and my friend Lucas who is not on Tumblr.

And so we're here at last, in the end of the show. This took forever. I need a goddamn break. This isn't enough and will never be enough but it'll have to do. So let's get to the episode that has had the world joining hands in the unanimous urge to see the absolute shit kicked out of Oswald, and has made the character at last earn this:

(Episode 1) (Episode 2) (Episode 3) (Episode 4) (Episode 5) (Episode 6) (Episode 7)

So who would have guessed that cartoon dirtbag Rex Calabrese was still gonna turn out to be less of a cartoon dirtbag than Oz the moment we stop seeing him through Oz's eyes. Still a terrible person by every metric, but terrible in the same way a lot of Sopranos characters are terrible: this is, at the end of the day, a job, and you can talk to them, you can sit at a table to get down to business with them, and you probably know people in your life like them, and maybe you can even count of them to get real and even help you when the chips are down, even if it doesn't mitigate everything else that they are or do. At the very end, he was neither the benevolent god-king that Oz saw him as, nor was he the absurd dirtbag gangster we had him pegged as - there was never anything exceptional about Rex Calabrese, he's just a real criminal. Maybe the realest in the show.

I said in the last post that Francis burned with hate at everyone in the world except the person who most ruined her life and haha WOW was I wrong, because it turns she's known the entire goddamn time, and quite possibly no one has ever hated him more than Francis.

Most people in the show who hate Oz do so because he's a destructive bastard who craps on their lives directly, or because he's a lying sneaky fuck who does nothing while their lives are ruined, and Francis has had to deal with both longer than anyone else. I can't possibly count every single way this wildly recontextualizes every single interaction, every moment, everything that Francis has shown us and done since the first episode, because I'd have to recap EVERY scene and line of dialogue she has and we still have so much else to get through.

Why was Francis was so effectively able to withhold affection and hold his feet to the fire and give him that bottomless pit of yearning in his stomach that's driven him to move mountains in pursuit of it? Because Francis wouldn't have loved him even if he gave her the entire world at age 12. She never had any affection or love left for him. Oz was always chasing nothing.

And all along it was Rex who shaped the entire course of Oswald's life, as well as prefiguring his dynamic with Victor, with a single conversation. Oswald spend his childhood wanting for Rex Calabrese to notice and like him and be his friend, and he has no idea how much Rex actually affected his life.

That fateful night at Monroe's was never the feel-good story about his Ma summoning the willpower to live by dancing away the grief, and it was never even just the night of the eternal promise that Oz thinks back to, it was a fucking trap to kill Oz. Nothing he has in his life is real, nothing he says is true, he has never not lived in complete total delusion.

The sheer disgust in Deirdre O'Connell's face at the "I do too". How much of her personality we completely understand was born from this absolute resentment she's nursed for decades towards Oz.

And this rotten little turd comes at her with a perfect speech that hits her every insecurity and bitterness and spite and situation and convinces her to give him another chance. The nature versus nurture thing again - Oswald was shaped by hardship, by decades of hard work and neglect, by the total absence of his mother's love while in turn being forced to live in stunted childhood dedicating himself to always taking care of her, and maybe what we're seeing here is heavily distorted by Francis's POV - or maybe he was always a little monster, because this guy talking to her is The Penguin, the same guy doing the same things in the same way, either way it doesn't matter. Again, born fucking ready.

So now we see our three major supporting characters - Sofia, Victor and Francis - all of them have shown that they had a chance to walk away from Oz, to not let him ruin their lives further. All of them could have left Oswald behind, and all of them should have left Oswald behind, but they had to come back and justify the choice to do so, they had to get satisfaction, it couldn't have been for nothing. Victor had his car and a girlfriend in a bus waiting for him, Sofia had a jet to take her to Italy, and Francis had Rex Calabrese ready and waiting to put him down without a word. All of them had a chance to get out of the show and never look back, but like Oz, they had to rectify and overcorrect for an insult.

Sofia can't walk away from Gotham without punishing Oz for turning her in, for killing Alberto and further lying to her, she can't accept that this man, this embodiment of Carmine's legacy and hold over her, is still out there unpunished getting away with what he's done. Victor can't walk away from Gotham knowing that his parents did everything right and still died for nothing, that every hurtful thing Oz said was right, he can't let "They don't give out awards for dying in the projects" be the last word in his and their lives. And Francis can't walk away from Oz, who killed her two sons and keeps lying about it, who ruined her life and now keeps promising he will take care of her and acting like everything will be fine, she can't let this pass even if she can't kill him either, and so she'll make him give her the world and die trying.

The tragedy of what happened is what hurt/broke them - the added insult of what Oz said or did is what they just can't live with. It can't be for nothing.

Goddamnit it, it was really just too telegraphed for it to not happen the way it did.

I fucking knew it the moment the episode started and we got the grungy boss orchestral take on the funny Penguin chords that we were in for some calamitous shit.

We see at first that, in spite of seemingly failing, Vic has graduated to the point he can give his own speeches, gain his own allies, run his own cons - he's not just Oz's proxy, but will manage to convince the others to become such as well, and he's coming at this from a place of complete sincere belief in everything that Oz says, all of the man of the people rhetoric he will so thoroughly pervert and then sell to the people actually responsible for everything he told Victor he was fighting against.

Zeke walks up to him nearly crying about how Sofia blew it all up and Vic instantly asks back where's Oz - not because he doesn't care about Crown Point, but he's already processed it and has already learned with Oz how to just barrel forward regardless, now it's time to get to work. Victor who so readily throws himself into rescuing Oz again and again. Victor who's lost everything - he doesn't have his family, he doesn't have Graciela, he doesn't have the other mobs backing him up, and right now he doesn't even have Crown Point anymore, all he has is Oz.

The man in red who reads the Law Gave him three weeks of life, Three little weeks in which to heal His soul of his soul's strife, And cleanse from every blot of blood The hand that held the knife - The Ballad of Reading Gaol

Sofia dressed in two thematically appropriate outfits - the red scarf echoing both the first outfit we see her in, back to covering her neck but in control of her own collar, and the outfit we see her the farthest back in time with at the start of Episode 4, and with her final crimson fur coat outfit accompanying her final greatest triumph and ultimate defeat in the show. Not only that, but in this episode she also gets to perform characteristically appropriate stylized torture - holding a family intervention and therapy session with mafioso torture tactics to try and wrench the truth out of her victimizer, enacting calculated sadistic yet righteous justice via psychological breakdown, and ultimately allowing the woman he victimized and wronged to take her killshot at him.

See, it's not just that Sofia Gigante is a Batman Villain, or that she's well passed the threshold of supervillain. Cristin Milioti doesn't play Sofia like she's a new character, which she basically is, and she isn't just playing a tortured gangster lady protagonist dipping into camp villain territory, which she also is - she plays Sofia Gigante like she's been a Batman Rogues headliner for decades now stepping into the spotlight once again, like she's the dark modern revamp of someone Adam West would have thought and she's just always been around showing up in stuff along with The Penguin, like she's only not fighting or teaming up with Two-Face in this because he's not here yet. It is crucially important that Sofia passes every standard of Batman Villain imaginable with flying colors, in part because it helps to reinforce that The Penguin is a monster all his own.

Even here, with as much power as she's ever possibly held over him, reduced him to a whimpering begging mess to be killed off in a second, she is so shocked at the sheer brazen selfishness and delusion and level of bullshit on display, that even now he won't break character and think about his actions and admit to what he's done not even to save his own mother from mutilation, that she just loses the script entirely. Her entire show of power collapses and she physically recoils from sheer disgust at just how low Oswald is, at just how much he lacks the ability to even suffer for what he's done. Realizing that there is simply not enough of a soul in this filthy beast to even torture, and that however much she hates Oswald for ruining her life, someone had a prior claim all along.

Eve - Sofia - Francis in the end united in, however much they may dislike each other, however different their circumstances may be, there is nothing they could possibly do to each other that would be worse than what Oswald has done to all of them, joined in silent agreement that their rage ultimately belongs in a bullet fired at Oz's head and that they deserve their kill shot at this man.

"I had enough to give, Oswald".

This really is gonna be the high point of Francis's life from this point on.

Aw man, I liked Sofia's scruffy dirtbag detective, I wanted him to stick around as one of the reocurring characters like the movie cops

Oh Victor, sweet kind Victor, you couldn't possibly ask for anything worse in the entire world.

Oz feebly already beginning to lie and spin his new version of the events, that Sofia stabbed him and fucked up with Ma, and here comes Victor with the reversal of their dynamic, seeing this guy who's been brought low by the oppressive force looming over his life that he must defeat (because all that Victor knows about Sofia at this point is that she used to be Oz's boss and is now out to kill them, that she is scary as hell, and regardless of whether or not she was the Hangman, she just bombed his fucking neighborhood) and reaching out to him with a speech about solidarity and dignity and self-worth and picking yourself up by your fucking bootstraps to save the day. And Oz responds by coaching him on how to be a better bullshitter. Because to Oz, he knows the playbook by heart, but Victor meant it all.

Victor rebuilds Oz from basically nothing by providing him with the validation that he so desperately always craved and never got, saying all the things he always wanted to hear, poised so they can finish this together, poised to give him not only the army he asked for, but a full-blown revolution, and he never once asks for anything in return. Just, goddamnit this isn't hurting any less.

"She, sh-she'll never look at me again, all right?....unless I get this done. Got a promise to keep." Maybe the one and only time his mask ever fully cracks. For a second. He rebuilds it right back up and gets to work, but it cracked. He knows what he's doing, up until the moment he doesn't. It's that simple.

A lot of what drives Oz is acceptance, and a lot of what drives him is his desire to be accepted in worlds that have been declared, by how they run themselves and by the people that inhabit these worlds, as worlds that he was never going to be included in. And one of those worlds is the hierarchy and the hoi polloi of the political realm and the power within the political realm because he understands that all politics are corrupt essentially, and the damage that he could do then in being part of a political infrastructure of Gotham interests him. I thought it would be nice if, in that time jump, he had been invited to maybe a gala or two, you know what I mean? It'd be awkward. He'd be slurping out of the fucking teacup, there'd be stains on the table, he wouldn't really fit in, but he’d fucking love being there. - Colin Farrell

Mirroring the scene in Episode 01 where he adjusts himself next to the car, scuffing himself up to look like the sleazy funnyman the Falcones keep around for kicks, now he's dressing up as much as he can and asking Victor for input, because he truly values what the kid thinks and, goddamnit.

"C'mahn, I don't bite", pfft yeah, not in this movie universe anyway. And to the same guy you did the nose-gushing-blood bit to, even.

Minutes inside of City Hall and he already parks his ass right on Bella Real's seat - not as any kind of intentional slight against her, it's just naturally where he goes to, even before the scene ends and we see his new plans start to come to fruition.

Guy who takes offense at Viti calling Sofia a psycho and then goes up to Councilman Hady talking about the unhinged loony bin broad who went "full psycho" that he's handing to him on a platter, pointedly calling her Falcone.

At first I thought it was funny that Sal Maroni was getting blamed here for Bliss and the underground lab, but then I remembered that he was actually the one who introduced Drops to Gotham and the whole epidemic that became, so if anything it is an extremely easy part of the story to sell, even without his body being down there and all.

"You're gonna have some trouble, Oz" - pointedly smiling and calling him Oz instead of Oswald as he had up to this point, because by that point he's already a crony and already willing to work with this guy handing him all these miracles.

"You wanna be welcome? You gotta look, clean" Yes Father Pal, I Shall Become A Capitalist Caricature

You can see in the walk around, in his look at Bella Real and the mayor's office high up above and the steps, how little Ozzie's gears turn once again and rebuild his life after losing the streets and everything that happened with Ma - This is the next nest, this is the next throne, this is next schmuck I gotta cozy up to, this is the next boss looking down on me that I gotta destroy, there's the reward waiting for me if I do. This is the one that matters, I did everything in the shit and now I'm gonna get me sum goddamn respeck, Feh Ma of course.

And before all of this we see Sofia's next move, showing the ways in which she is good at this, the ways in which she truly is something outside of the worldview of what these gangsters are used to, and why she is going to lose. "Because I can". She is good at commanding a room and promising rewards beyond the wildest dreams of these street crimelords because she can offer everything they want and lose nothing she cares about for it, she will hand them everything and dip because she can, and she is going to lose because she can lose. Because she still thinks there is an end in sight for her, she thinks she will get to walk away from this universe and go meet a happy ending at a cafe in Florence.

It's not just that Sofia was born into privilege and never really lived in Gotham and could just hop onto a plane out of here anytime, it's also that she has room in her life for introspection, self-awareness, consideration towards others, and all those things that come easier when you're "born full", and not when you're the starving hustler for whom leaving the city was never an option even if he had all the money in the world, the hungry animal who wants this, wants everything, harder than anyone has ever wanted anything. The guy who has no room for anything else in his brain other than a perpetual bullshit generator set to a 24/7 chorus of "I GOTTA WIIIIIIN"

Another element to her that I really love is, she's good at this. She knows she's good at this, she was supposed to take over the family. She may not know the ins and outs of the game as it currently stands, but she is good at this. Some of it is, I think that's the only world she knows, and some of it is there's something in there, that's always been there, and she believes it is rightfully hers. There's an element of, "I need to have made it worth it for something", and if that means power, then okay. - Cristin Milioti

There’s a level for both of them that they enjoy each other’s suffering, and that sort of leads to Sofia’s downfall. If she didn’t need to see Oz suffer she might have been free. And she really gets in her own way in that regard and largely because Oz is this crutch that she just cannot let go of. - Lauren LeFranc

And here we get to the end of season 1 of HBO's The Sofia Show, the bittersweet in hindsight but extremely cathartic torching of the set as a last hard-earned spiritual victory by our hard-done-by lady protagonist. All of her family is dead, the city is out for her blood, she gathered all the remaining criminals for One Last Job with everything on the line, and she is having a very fun time with her montage destroying her home and family name beyond recovery. She is going to finish her character arc, get to finally kill her former comedy sidekick turned mortal nemesis, and hop on a plane to The White Lotus resort straight away into greener (if only marginally less fucked up) genre territory away from this ugly nightmare city. Alas, this is not The Sofia Show, and it's time for her theme suite to catch up to her once again and tell us of how very badly this is all going to go for her.

And she can't even be that shocked, when the high of burning it all down goes away, when she sees that old Ozzie Cobb wriggled his way out of this jam regardless and is now coming at her with a speech, she can't even react to it. Deep down she knows how the rest of the night is going to go. She may not have expected Arkham outright, but she was braced for a loathsome fate.

It rules so much they give him a big fat fight the power speech with a bloody revolution montage, and we can only sit there aghast with Sofia at the sheer audacity of him to act like this, like a man of the people, thinking he truly has the right to be talking like this and to her of all people.

And now we see how Oz won the gang war, and the next domino to fall on the downfall of Gotham City, and the first effect of his own rise to power: like The Riddler, he has toppled the order of things and he has turned people into extensions of himself, Victor being the first and the one who gave him this revolution, of all the little mini Penguins out there devouring the social structure of Gotham crime forever. You kill the boss, you become the boss now. Everyone can bleed and everyone can be killed and everyone must be killed in the quest to the top, no handrails or codes, they wouldn't invite him and so he crashed. After he unified the criminal underdogs, Victor rallied the underdogs beneath the underdogs, and now the streets are a jungle where there will never be an end to the wars over who gets to be atop the food chain, because they are all fighting to see who gets to be the next Penguin.

For decades people have written Oswald Cobblepot as a creep and a sleaze and an incel who hurts/kills women for rejecting him, or who is chronically insecure about them and I can very confidently say nobody ever did anything half as horrible and half as truthful and half as meaningful as LeFranc did here. We see the other reason why it was so imperative to her that Oswald not be a misogynist, and it has nothing to do with just making him more likeable or sympathetic or honorable. We get in this episode the pay off to the thoughtline: okay, he's actually a gangster who respects women, he does not act like every other prestige drama gangster who ever lived, we are going to center women in this show and he will treat them with respect - now let's watch how he HORRIBLY screws them over in the name of this respectful gentleman persona he lives by, let's watch how he betrays them in the ways that matter most, how he even makes them wish they were dead without personally ever lifting a finger to harm them, let's do some grown-up feminist commentary in Batman for a change and highlight the ways in which men profit from belittling and oppressing and destroying women even when they're pointedly not misogynistic and even self-professed genuine allies to them.

And so it is that the only Falcone mobster who isn't misogynistic towards Sofia is the one who screws her the most horribly. He will murder every man he comes across, he will murder every man he could have been and every man who is even marginally better than him in any way, he will push all of his brothers out of the nest and not tolerate any other big shot in town bigger than him and not even the only man, the only person, in town who loves him will be spared. But he is a gentleman, so he leaves the women alive (well, except for Nadia Maroni, but she was a rival big shot and worse, his boss for a day or two, so she obviously had to go eventually).

I thought about his greatest fear, and it made a lot of sense to me that his greatest fear would be that love is transactional. That if he does not achieve a level of power and give Francis certain types of things that he’s promised her she might not love him. And that informs every relationship he has on the show It was always important to me, and this was always part of my initial pitch, that if Oz was to achieve a level of power—and that is something that was not up for discussion, that was my job that I was tasked with for the season—that he has to lose something emotionally. It can’t come without a cost. - Lauren LeFranc

"the crooked politics that have allowed wealthy elites like Sofia Falcone to wreak havoc". Oz has weaponized the status quo against her so throughly that she is going away under the exact same image that she did it the first time, as a privileged serial killer and Falcone. She doesn't even get to have her new name anymore, and the rest of Gotham does not see her as the new and strange and horrific new threat that she embodied in Oz's life - she is going away as just another upper-class monster like her dad.

The triumph that Oswald has fought his entire life for, the Big One that he's scraped and fought and hoped his entire life would happen and he'd get to show his Ma at the end, the thing that he's going to throw a party for at this moment, is just a politician on tv saying things that Oswald claims he told him to say.

All of our 3 major supporting characters will thus reach the high point of their lives, on the moment before it is ripped away and they are destroyed forever. Francis gets to finally spit all of her hatred back to Oz and take her revenge on him, and her babies appear before her alive and unharmed. Sofia gets to burn down her father and his legacy once and for all, and is on her way to kill her nemesis and finally be free of it all. Victor succeeds in helping Oz win, they have revolutionized the gangs and defeated the big bad Falcone and he's done right by his new family what he couldn't do with his old one.

And of course, Oswald finally wins - he is the last man standing, he's defeated his greatest enemy, he is the big shot of Gotham and his victory is, so he claims, right there on the tv for his Ma to see, he can finally get what he's always wanted now - and then he doesn't, and then his soul crumbles, before he finishes the job by murdering his heart.

Oz didn’t need to do that, like it wasn’t actually necessary. In that moment, Victor did not betray him. He did nothing wrong. In fact, the thing that he did “wrong” in Oz’s eyes is that he loves him and that he cares about him and Oz actually cares about Victor. I think by the end Oz sees that as a really big problem because he loves his mother so deeply and Sofia took advantage of that love, and then it became sort of a weakness in his eyes. Victor saw him at his most vulnerable and for Oz to achieve the power that he thinks he needs, he can’t have that level of humanity. He can’t have that heart with him anymore. So he stifles his own heart. He kills it. - Lauren LeFranc

When he said to Vic in the sewer, “They'll tell stories about us one day, kid,” he meant it. At that stage, he actually saw that he could rise and Vic could come with him. It's only when the vulnerability and the shock of his mother being taken from him, and the place of vulnerability and danger that puts him in, that he realizes there's no more love, there's no more affection, there's no one else I'm going to have in my life that can lead me to such vulnerability as my mother has led me to or as this kid could potentially lead me to. - Colin Farrell

He's not relishing being horrible. When he realizes, "Oh God, Victor makes me vulnerable. I can't have that shit anymore." The way that Lauren wrote it, and the way Colin played, there's such sadness under the horror. You're like, oh my God, how fucked up do you have to be that the one person who you feel you have any connection with now, you have to snuff out because it makes you weak. What happened to you? - Matt Reeves

"You think she forgives me?" Once again, the mask cracks. Only around Victor. Only because of Victor. And he can't have that again.

And thus we get to the final parallel between our 3 side characters - that in the end, all they did was serve Oz's own rise to power, and hand him the world in exchange for their lives. All they were to him were additional steps in the ladder that began with his brothers. Francis gave him his life, his drive, his motivation and eternal justification, the insatiable pit in his gut driving him to do this forever. Sofia got him his promotion to Falcone lackey, and then she got him another promotion by handing him the tools with which he could become an underground boss and rally them, and then she got him another promotion by handing him the keys to his political career on a silver platter. And Victor saved his life, more than once. He helped him, provided the justification he has craved for a lifetime, rebuilt him, gave him his revolution, gave him the streets, and showed him the last thing he needed to kill to make it to the top.

Wow man let me tell my good friend, The Family Butcherer, who butchers every family he gets his hands on whether a crime family or a literal one, how much I think of him as family.

"They don't give out awards for dying in the projects"

Just like with Squid, Vic's emotional intelligence dooms him. He sees this man whom is like family to him brought to his lowest point, crushed beyond measure, in what he assumes was just a phenomenally terrible stroke of fate and not something he had any blame whatsoever for, and reaches out to pat him in the back, emotionally reassure him that it wasn't all for nothing, that his family would surely be proud of him, and that there's things to look forward to.

Vic threw away his chance to walk away into the sunset with Graciela and he just had to come back to save Oz (AND Sofia, the one who'd bomb his neighborhood) from the Maronis, the least of all possible evils in his life and his city and who never even noticed him. Victor only narrowly missed out in 2 situations that Oz would have absolutely left him to die in, so there just had to be a third where he'd die in the absolute worst way possible. Not with Sofia's gunshot to the head, not bombed to rubble along with his neighborhood, no, Mr. Carmine 2 had to make it as painful and intimate as possible.

Vic the only Number Two in town who couldn't kill his boss and in fact never even considered doing so, and so he dies - there is just no room for him anymore, not in Oz's life, nor in the new Gotham that the two built together.

LEFRANC: "You see Oz become this next level monster, I remember the take too. Jennifer and I look at each other, Colin transforms his face in this really remarkable way, that I don't think any of us fully anticipated could be achieved in that way." - The Penguin Podcast Episode 8

I knew that the general sentiment was that, by the end, they kind of wanted to, in a way, kill the Oz that we met in the film. I felt that there was a sense of creative responsibility that leaned towards, “We cannot have this man as a likable character,” which is hard I think they wanted that in the earth by the end of the eight hours. They wanted that RIP. That's gone. I hated that scene. I really did. I was fucking so pissed off. It felt in performing it as — guess what? — you would like it to feel in viewing it. It felt gross, it felt cruel, it felt absolutely insane, and it felt like Oz was reaching a point of no return. - Colin Farrell

So the day after I watched this episode, my friend Lucas messaged me in the afternoon sending me audio messages, "Son of a bitch! Son of a bitch! He stole his identity, he didn't even die with his fucking name! They'll never find him! Fuck, goddamnit!" "ELE MORREU COMO INDIGENTE, PORRA" and, yeah. Yeah. That gets to the heart of it.

If Vic was just a guy taking his money, if Vic was purely transactional, if he was just another Link, he'd have made it. Oz wouldn't have given a shit about him, Oz would have died on the sidewalk when the Maronis hit at minimum. All this piece of shit wants is love, and when he gets it, when it's finally non-transactional, from the ONLY person in the entire show who loved him, he has to kill it, he doesn't know how to deal with it, he has to smother his heart.

He has to become Carmine Falcone 2, strangling the poor and vulnerable of Gotham while pinning all of his crimes on Sofia.

Vic just wanted his family back, man. He just wanted a family again, to at least show his family that they didn't die for nothing. The thing that Oz spits in his face as he dies. It wasn't for nothin.

This show has so many dozen little variations of Penguin getting his heart broken and retaliating cruelly, but this one hurts the most partially because it has no basis whatsoever on any pre-existing insult or cruelty, there was nothing that warranted this, and you still get why Oz felt that he had to do it. The lowest, weakest moment of his life, and he can never permit anything like it ever again.

Victor was his heart, and The Penguin remembered that his heart only exists to be broken.

Victor punctures the illusion, and he cannot have that. Everything about The Penguin hinges on that singular fact of his life: he cannot and will not break character. He cannot break character, otherwise he dies, otherwise Gotham City will eat him alive, otherwise he has done it all for nothing. That is the ultimate threat Sofia posed to him, and why his ultimate victory comes only from creating a perfect delusion and spinning everything that happened in service of it. Because all those things said at Monroe's? They weren't true - his Ma, y'know, it was just her disease acting up, that psycho did something to her, she wasn't thinkin straight, and it was really Sofia that stabbed him and did all that fucked up shit, and his Ma is really happy that she got the penthouse in the end and that he didn't put her down, look, she's crying tears of joy even, I gotta keep doing everything for her.

Everything and everyone in his life, he can spin in service of the delusion, they can all play dress-up with him forever, except Victor. Victor may not have the slightest clue as to what Oz actually did, but he's seen too much, he knows he has vulnerabilities, he knows the thing that Oz needs to bury far, far more than all the horrible things he's done. Killing Victor is maybe the one thing that he absolutely cannot in the slightest spin a decent delusion out of, that he did it for him or did it for noble reasons or anything other than out of disgusting self-serving weakness.

But who's Victor? Some kid who died in the projects and didn't even have a name? Someone with nobody left to mourn him, not even a street to get back to, nothing but a guy who's already forgot him?

That Victor Aguilar? Never heard of him

“I will never think my mother doesn't love me. She was having a bad day when she stuck that bottle in me. She was under a lot of pressure. She nearly lost her finger. She stuck a bottle in my belly. It was a bad day. She didn't get a good night's sleep the night before.” It's that kind of thing. He'll make up fucking whatever. He's already lying when he goes, and he's stitching up his belly, and Vic says, “What happened?” And he says, “Sofia, she stuck me with a bottle.” He's already beginning to bury the truth. - Colin Farrell

He needed your love, and then you didn't give it to him, and you didn't obey, and you didn't do those things that he needed, and then you mentally aren't there for him in the way that he needs, but he's got to physically keep you around because he's too weak to not do that. He can't give you the gift that he promised you in Episode Six, he's too weak of a man to do that. And so he needs to hold onto you, but under his terms. - Lauren LeFranc

There's a thing that happened on that last day that made my blood run cold, which was I felt Oz not love me anymore. I felt his coldness, and I think that Francis felt it too, and she always had so much of his attention and so much of his love. I don't even think she realized how much she had until he withdrew it. And when he withdrew it, it was utter and… slightly terrified. I was just lying in that bed, I just felt the love leave the room. It's a real thing, and it's gone, yeah, and I think Francis feels it, too. - Deirdre O'Connell

He's this man who is clawing his way to the top, and I knew he wanted power, but what what does that mean for him? That's where I started to conceive of like, he wants his mother's love, and he wants people's affection. He wants to be revered. That was like the main thrust for me of what defines power for Oz, and then by the end you realize that, when he doesn't get those things, he doesn't get his mother's acceptance, he still gets it. He makes sure he gets it. - Lauren LeFranc

So bowled over and miserable I was that I didn't even notice until later that he was wearing a version of the classic Bronze Age/Triumphant get-up.

If the pattern of his life is unjustifiably cruel retribution for slights and insults, perceived or not, by the end Francis had done it to him as well. That she never loved him and in fact always hated him more than anything and anyone else is the biggest insult of all, and so he punishes her the most cruelly, knowingly or not.

"You are who you are, and you couldn't change if you tried."

He will never stop telling Rex Calabrese stories, he will never stop bringing up his brothers and mom as a sympathy ploy, and even if he will never truly love her again, he will never stop ruining the world in her name, he will never stop, he will never stop, he will never stop.

You had to sit through 8 hours chipping away at all of his fun and charm and wacko comedy antics and motivations and all the scruples and principles that he turns out to have less and less of, until he butchers them all in the very end along with the heart of the show. Penguin burning through all of his lovable quirks and charm, everything that we loved about him in the movie, until he comes through as a black-hearted bastard of unlimited malice who will never stop growing and getting worse and putting more lives in danger. Not only as much of a lowlife backstabber as we initially assumed him to be in the movie, but far worse than what we could have imagined.

I said as much that the first episode marks the transition from The Batman to The Penguin with the titlecard, and this brings it back around. The show dies with Victor, we get Sofia's post-credits Nick Fury Tease with Selina's letter and with Selina's theme playing and a final grace note of hope for Sofia, and thus the only character in the show to end with anything resembling positive, and then we get the first scene of The Batman Part 2. showing us the horrible thing in this world that Batman will have to defeat for us.

RIP Bella Real, we all know this asshole is gonna become mayor, and he's not waiting for the next election.

Credit to @book--wyrm for pointing out one more horrible fucking thing, that at the final dance, his hands are covered in scratches, much like the hands of Carmine Falcone when he comforted Sofia.

“One of the very early things that Lauren pitched was that ending with Eve where she looks like Francis,” said Reeves. “He can’t get what he needed from his mother because she’s no longer in that state because of the dark events and what he’s done, so he recreates it in this other way with Eve, and it’s very disturbing,” said Reeves. “That was something we thought was a great idea and was so emblematic of this guy’s internal state. It’s like, even as he now seems to have gotten that first major step toward being the kingpin, you know that some part of him will never be filled. - Matt Reeves

When I read that, I was like, “Oh my god, we're going full Bates Motel here.” But again, it speaks to what has become a pathological inability to accept the world that he has played such a heavy hand in creating. As far as he's concerned, he's just doing what he needs to do to live the life of a good son. And look, his mother can't talk anymore, so he needs a surrogate. I mean, it would be kept out of the sexual realm — it wasn't about that. It was about the intimacy and the tenderness and the pride that Oz always so deeply needed to feel his mother had for him, and pride in him, that he never really got from her. The one time when he finally can say to her, can go to her bedside and say, “It's done. Everything you said that I was capable of, everything you said that I should aspire to, it's done. I am now the boss. I took it from everyone else.” And he gets nothing back. His mother's already gone. That's just too horrific for him, so he needs a surrogate. He would say to Eve, “Look, I'm grieving. I'm finding it hard to deal with the fact that my mother's alive, but she's not here. She's gone, but she's fully present at the same time, physically, but she's nowhere there. She doesn't recognize me. I don't recognize the woman she's become. Do me a favor. We used to dance together and talk at the end of the night. Would you put on her dress and just let me pretend?” But it was twisted. It was twisted, but I dug it. He needs it from his mom so much. And again, his imagination is so potent that he just cast her as that figure, that most prominent and most powerful figurehead in his life, which has always been his mother. She's got to stay alive. He's got to hear that he did well from her. He's got to hear that she's proud. Look, by the end, he's bananas, as they say in the film. Good cop, batshit cop. At the end, he's batshit. - Colin Farrell

Remember when this show had fun Dolly Parton end credits, remember when this almost looked like it was gonna be fun and light-hearted compared to the movie and The Riddler: Year One

So turns out all along they actually had something real twisted planned with the name Karlo, and the Clayface concept that evokes. Asking his prostitute girlfriend to shapeshift into his crying comatose mom in the room upstairs so he can finally get the dance with her atop the world that he craved his entire life and have her tell him how proud she is that he ruined everything forever.

It is not a good ending, but it is his happy ending. He achieved everything he wanted in the smallest possible amount and at the highest cost imaginable, and thus he burns more than ever to take more and more in the name of a satisfaction he will never, ever have. He ended his arch-nemesis, and he didn't have to kill her, that's not what a gentleman does. He got the streets, and he's poised to take political power, and there is nobody left to care about, nobody except the only person who's ever mattered. He can still keep taking care of Ma as a justification for all the shit he will do now and forever, but he doesn't actually have to take care of her anymore, he doesn't even have to love her or grovel her for validation anymore: He has a Ma who will tell him everything he wants to hear, forever.

Of course, he may not have his three dance partners anymore - his Ma is in a vegetative state, Sofia has been locked away once again, and that kid, what was his name again, ain't around. But then, he will simply move on to new ones: He didn't actually lose his first dance partner, his Ma is fine, look at her telling him how proud she is of him and everything he's done and how unstoppable he is now. And he has a new partner in City Hall who is all too eager to play along to everything he says and does, who will receive and spit back his rhetoric just as Vic did to the streets of Gotham. And if he's defeated his nemesis and dance partner, well, not for long. There's a new one waiting for him. He never wins without losing. He will never again live without his next dance partner there to hound and foil him at every turn. There will always be something in the way.

It was exciting to me, the idea that we’re going to meet Oz as a mobster, and to play him as just a man. There’s nothing fantastical about him. There’s so many people like Oz in our world who hold a lot of power, who also connect with people because they speak, on some level, the truth. They can be charming and engaging, but also really terrifying and calculated, and not necessarily doing what they say that they will do or caring for people in the way that they say that they will. It felt so timely and so important to really engage with a guy like Oz and not turn away from him, but actually turn towards him so we can start to unpack, in our own society, what makes a man like Oz so appealing, and what makes him equally appalling. - Lauren LeFranc

I think Oz has always been someone who believes that everything he’s saying in the moment is true, and he creates worlds and illusions for himself to merit his actions. He does it sometimes very briefly in impulsive moments, and then sometimes more methodically, and in the end the fact that he didn’t get from his mother what he’s always desired isn’t good enough for him. So he has to create this strange fantasy live in this delusion of his own making, and pay Eve to dress as his mother and force her to tell him he she’s proud of him. So mentally, emotionally, Oz is embracing his own delusion. I think, for the audience, I hope they more deeply understand him psychologically and realize that there is a deeply broken man inside. He is violent and problematic and and very emotional. And that’s really the man that will carry into the next film. - Lauren LeFranc

And it has to end in a total reversal of the movie ending - The Batman ends with showing there is a light in the darkness, that this tortured broken man can fix his mistakes and lead us into something better. The Penguin ends by grabbing your face and desperately yelling at you SOMEBODY FUCKING SAVE US, HE WILL ONLY GET WORSE. The Batman ends with telling us Batman can save us all, and The Penguin ends with telling us Penguin will kill every last one of us in real life if he hasn't already, if nobody stops him.

And so I'll leave these last partings words to the Penguin Braintrust as we close off this series - see you all in therapy and in theaters when The Batman: Part 2 drives us all completely insane once more.

@wil4x

I don't think this Penguin is someone Batman can tolerate, I don't think Bruce can ever save Gotham's soul with a force of corruption as big as Penguin taking root in the seats of power. No amount of informant work can justify letting a monster like Penguin stay "King of Gotham". I think there's an argument to be made that Oz is a bigger threat to Batman's overall long-term mission than guys like Joker or Riddler. Those are huge immediate threats, but Penguin does a lot more long-term damage to the very soul of Gotham and its people. As long as The Penguin is on top, there's no hope, Gotham will never not be the most corrupt and nightmarish place on earth with him in charge

@book--wyrm

He will truly climb anything no loss so great it can't be flipped into an asseet A nuke Francis armed out of pain and grief and desperation and despair And poor vic Only wanting to do good And instead he saves gotham’s own typhoid mary of misery

@davidmann95

so the thing is Oz kills hope for Gotham forever in this

he's replacing the mayor who stands for hope at the end of The Batman with a corrupt comics rando built on a lie so he can install himself as the power behind the power forever Batman can't be alluded to in the slightest until the very end because it can't be until there's no lingering 'aw, I don't want my boy to get Batman'ed' it can't be until we understand truly and completely why this man proves the necessity of someone out there to stop him

The other stabs at this with Oswald, from what I’ve seen, are trying to make him low-down and dirty and vile enough to be a ‘proper’ Batman villain. But this already made him low-down and dirty and vile. And made us love him for it. This isn’t about ‘fixing him’, this is about taking him all the way to the top He’d accept no less

This is about making him operatically nightmarish enough to be a guy Batman is going to fight forever

Lucas

VENGEANCE, GET OUT RIGHT FUCKING NOW.

[sen-ya]

part 4/7

the lil law bein held by luffy is v important to me

[op comic masterpost]

[pg1] Panel 1: Law: ...

Panel 2: Law: ...Bepo knows. Luffy: Penguin and Shachi too I assume? Law: They better not. I swore Bepo to secrecy. He only knows cuz he's the one who figured it out. Luffy: Got it

Panel 3: Luffy: So you wanna start with the pros or cons? Law: Pfft, you know. Luffy: Okay. I don't think it would make you feel very good. Law: I'm already sick all the damn time. Luffy: You know what I mean Law [talking over Luffy]: I know what you mean.

Panel 4: Luffy: We sail on different ships Law: I don't know obstetrics Luffy: My family doesn't have a great dad track record Law: Most of my crew doesn't know that I'm trans, so I'd have to come out Law: We're pirates Luffy: You can't count that, there's already kids on my ship Law: Fine Law: We can't make our crews stay together just because we want to. Law: People might think my crew is under yours and that would not go well. Luffy: So if we wanted to stay together we'd probably have to leave for awhile like Usopp did. Law: What if she's got white lead disease?

Panel 5: Luffy: You already cured tha-- wait did you say she? Law: Oops. Luffy: Oops? Why oops? Law: Listen, I needed all of the available information. Luffy: Any more to share? Law: Um. It's been about 12 weeks. Luffy: Since what? Law: Okay nevermind I have no more information that will mean anything to you.

Panel 6: Luffy: ...Why does that make it different? Law: ...I don't know, but it happened to me too. Not that it means it's a girl. But assigning a pronoun...I think I've gone soft. Wouldn't have meant anything a decade ago.

[pg2] Panel 7: Luffy: Me too. I think this'll be easier if we just say 'it.' Law: You're right. But I tried. And even when I do, when I close my eyes I just see this kid that looks like you.

Panel 8: Luffy & Law: ...

Panel 9: Luffy: Fuck Law: I know Luffy: You can't just say shit like that. Law: I'm sorry.

Panel 10: Luffy: Well now we know it's an option. We could always plan for it later. Law: But it also could be a fluke. Honestly with all the shit I do to my body it's a wonder she made it so far without me knowing. Luffy: It's cuz she's mine.

Panel 11: Law: Fuck Luffy: That was supposed to be an inside thought Law: You don't have those. This is a terrible idea. Luffy: I agree Law: So we agree we shouldn't do this.

Panel 12: Law & Luffy: ...

[pg3] Panel 13: Luffy: Everyone expects us to be docked here for a week. So I don't think we have to decide right now.

Panel 14: Law: Yeah. Yeah good point. Law: And if I can just use the Sunny's library...I'm sure Kaya's got some books in there that would...offer perspective.

Panel 15: Luffy: And we can keep thinking of pros and cons!

Panel 16: Law: And at the end of the week we can both write down what we think we should do Law: and we can compare answers.

Panel 17: Luffy: It's a plan! Law: It's a plan.