I've been thinking about how white london probably has different kinds of physical affection to red and grey, I can't imagine hugging being common among people who are casual friends like it is in a lot of places here (I'm talking from the pov of someone from an area not too far away from real london so i get that this isnt the case everywhere lol) hugging requires a certain trust that the person you are hugging is doing anything nefarious with their hands - like stabbing you in the back for instance... so i like to think that in white london where trust is about as thin on the ground as magic, hugging is a massive declaration of trust in which you may as well tell the other you love them.
on an additional note it makes me wonder about what affections would be commonplace, would a kiss on the cheek be a more common greeting to someone you care for? would people give a short bow as a greeting towards an acquaintance? (both things very common in many places in this world too so not exactly strange?) or are people simply all-or-nothing with their affections, giving all their affection to one or two people who have their absolute trust and not showing any at all otherwise?
when it comes to greeting a stranger i was taught in my martial arts classes to introduce myself with both hands visible and to shake hands with both of my hands as a sign of respect within the culture so i wonder if that kind of action would be common in makt - dont hide your hands when trying to gain someones trust or they will think you are hiding something...
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Different Italian anon, but the thing with Tuscan C is that it's pronounced like a very strong H sound, which is extra weird cuz the letter H makes no sound in Italian, normally. It sounds the way Spanish pronounce the J. We say it's "aspirato". So then people from there will say things like Hoha Hola (coca cola), and it's funny. It's also extremely contagious, I got family in Florence, you spend 3 days with them you start doing it too before you even realize.
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Something I've been thinking about is how Patrick O'Brian manages so skillfully to write characters whose actions contradict their beliefs, which I think is honestly a big part of why his characters feel so real. Mostly with Stephen and Jack—e.g., and perhaps most notably, Stephen has notably leftist sympathies (honestly I have no idea how to characterize his politics in period terms) who nonetheless becomes very comfortable with his rise to the landed gentry, while Jack is a card-carrying Tory who much of the time sympathizes far more with working class sailors and farmers than with the upper classes—but I'm sure he does it to a lesser degree with some of his minor characters (James Dillon, while perhaps not precisely minor, comes to mind), and I love that he's able to do that, especially the way in which he embeds it in the narrative. We see how they're all unreliable narrators of themselves; we understand how they want to be seen and how that does and doesn't coincide with the reality, but most importantly, this isn't presented as something reprehensible, just as a part of their own humanity. They are not their expectations for themselves, but they don't need to be those expectations to be beloved.
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artemis and dahlia are so good. the contrast between the supposed hero drizzt always keeping her at an arm's lenght, preferring the "soft look" she puts on to please him where she acts and looks softer and covers her tattoos and scars, knowing she had a painful past but not bothering to ask or look into it because it would shake his morals and he would rather pretend to not know than to actually confront it or even help dahlia through it. meanwhile the supposedly cold killer artemis with just a few looks saw the pain in her, let her have the kill against herzgo because he realized it was important to her even if he had just as good reasons and he didnt know dahlia's yet, and when they were alone he let dahlia be vulnerable to him, asked her about her pain, and when she was not comfortable to speak about it he just stayed near her and comforted her
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"Penelope has insecurities!" As an excuse for her harming others because of those said insecurities falls very flat when it puts the character's, who live during a time of few options especially if you were a women, at risk. And even with her insecurities, her lashing out and hurting people should be held in the same regard as how some view Cressida, who didn't get the luxury of a view into her home life until s3, unlike Penelope, and while it still has people calling out this behavior, although rightfully so, it often still includes denying that Penelope needs to take accountability as well.
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Hiii I just wanna say that I love your art so frikin much like the way you draw is just so perfect like how??? bro Im stealing your hands so be cautious/j
anywayz
I dunno if your still doing Freenoodles suggestions but here's one if you are cuz Im absolutely obsessed with that ship rn:
so just Tang and Pigsy being relatively gay and someone litterly anyone (maybe MK I dunno) walk in and is so confused because my lil headcannon is they're Relationship is probably closeted if thats even the term idk Im like half asleep idk what Im doing
(Help why is this so long-)
Hihi!! Thank you!!!! You'll have to fight me to get my hands tho >:3c
Here's theyyyymm
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They're all Watching fireworks! Well...some. How nice.
I do have a Version where you Can see The Firework light Illuminating on Them but I'm Not Too sure if I'm gonna Post it.
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in the amelia pond au, amelia’s aunt does still send her to therapy between doctor adventures, but since amelia is now secure in the fact that he’s Definitely Real since both rory and mels have also met him and because she lost a tooth last week from tripping on the stairs of the tardis, she doesn’t bite any therapists this time around. and besides, her therapist is a very funny lady. she reminds amelia of her doctor, with how her voice will flip and jump in volume and accent and tone on a whim, with how she’ll talk to amelia like they’re conspiring together. she keeps the pictures amelia draws of the doctor and their adventures for her, even hangs one or two on the walls. she listens very intently to every detail, which no adults in amelia’s life do save the doctor himself and river song, whenever she’s around. and best of all, whenever she tells amelia’s aunt that amelia is doing just fine, don’t you worry, she’ll grow out of this, she winks at amelia so that amelia will know her therapist is only playing along to wave away her aunt’s suspicion.
it is a little odd, though, that she insists on only being called Missy. but amelia is quite used to odd by now.
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Last night I dreamt that it was my birthday and, along with family and stuff, I invited my mutuals to it... Except they brought with them their AU versions of FHS characters. There were like five Owynns there.
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I always found that sweet how a lot of the time in TLG Med would jump to reassure Khadgar or even apologize after snapping at him
And yet in some ways the cruelest thing Medivh said to Khadgar in my opinion was correcting him when he called Karazhan “Our Tower.” And reminding him he was there at his whim and he could send him away at any time.
And he never did apologize for that one and honestly I don’t really blame Med for that per se? It is his tower and Khadgar can’t tell him who is allowed there. What I mean is going by JUST the power dynamic they have as mentor-apprentice, Khadgar is absolutely out of line there
In some ways could have come off quite spoiled and entitled but the thing is I don’t think that was the case at all.
He’s become so comfortable in Karazhan he’d started thinking of it as his home. Then Medivh has in one conversation reminded him it very much was not his home and he could send him away at anytime if he so wished it
He’d finally found someone who cared about him, respected him and treated him as a person. He found a place where he felt he belonged for once in his life and…
No wonder he was so jealous of Garona for a while after that. He’d been reminded that all of it could be taken from him at any moment and here was someone stealing his Master’s attention.
Just thinking about how that jealousy so obviously comes with feeling like he’s not enough and insecurity about his place in Med’s life.
Just very interesting how I think it could very well have went over Med’s head as not that big of a deal too? One of those things he’d be like huh oh yeah I said that? Meanwhile Khadgar is spiraling about it
He could of also been absolutely aware of how harsh it was because Medivh does lash out like that on occasion (especially towards the end of the book as Sargeras gets harder and harder to fight) he can be a little shit we know this
(Don’t really blame him for that given being possessed by the demon lord Sargeras is probably just a teensy bit tiring /s)
Also seen valid and honestly very possibly canon interpretations where he’s also trying to push Khadgar away cuz he knows what’s coming and what Khadgar is going to have to do.
The more attached to him he is the more difficult it will be for Khadgar to do what needs to be done.
What better way to push someone away then hit them right where it hurts?
And yet even then I think those words hurt Khadgar deeper than he’ll ever know :(
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