bubudrc

[welcometogrouchland]

Disgustingly messy and crusty sketch dump but I couldn't get my own terrible theory out of my head and ended up making a bunch of sketches about it. Also at the end a bonus dickbats and Damian doodle bc I was reading an issue of their Batman and Robin run (IDs in Alt)

[lotus-pear]

regret

[nohomie]

I owe you guys an apology for letting you all wait for so long only to receive silence. It may not be a big deal for some, but I believe I should at least give an explanation. I haven't been drawing as much welcome home as I used to because as time went on it started feeling more like a chore to draw. It probably didn't help that I was going through a major burnout not long ago and it's been reoccurring every now and then. It got bad enough that at times the quality of my art would just get lower the more I push myself. Then other things came to light that I had to put to priority and eventually I just kept pushing this Hunter vs Hunted AU so far back that it's almost abandoned for long periods of time.

While I still love Welcome Home and would want to keep drawing every now and then, I'm not confident that I can be consistent, much less do a series with the state that I am right now.

So what happens next? I'm not entirely sure. I won't say that the AU is discontinued only that it won't be in comic format anymore. It's a huge downgrade ik but it's for the best if I wanna keep drawing more WH art without the risk of ruining the quality.

I can't thank you enough for the people who stuck around, when all I've given for the most part is silence and worry. I hope to make it up to you all

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[tea-cat-arts]

Wei Wuxian is 35ish. Fight me

And its not like wwx has to be mentally younger/ less mature than his peers for his situation to still be incredibly tragic. It's just less a "man out of time" brand of tragedy and more the kind of tragedy that comes from being away from your hometown for awhile (in wwx's case, away because he was in metaphysical jail) and then you come back and everything's changed and your favorite store closed and your childhood best friend has a baby you had no idea about

[kateis-cakeis]

I think what really gets to me with the finale is that Merlin was so close to getting Arthur to the lake. Yet, there was no plan beyond that. It's like even if they did get there, who knows if anything would have happened.

The idea that there was still more tragedy awaiting even if they made it, that yeah despite all of Merlin’s magic, he couldn't save Arthur's life.

It was always the possibility of the Sidhe, but there was no guarantee. It was all hope from the start, endless hope that failed them in the end.

Because well, it was always supposed to happen like this anyway... Arthur was meant to die so he could rise again, there was no alternative

[sukibenders]

Anthony doesn't get enough flack from this fandom if I'm being honest, like most of it is pushed onto other female characters while he gets the "he was struggling," excuse. And while he was struggling, there's definitely validity to that, he also should not have his actions (eg. playing with Kate's feelings, putting her and Edwina in a difficult situation, etc) excused because of that.

[arrimorr-otgw-spam-blog]

I'm so sorry

[sutherlins]

♡ DOWN IN THE HEART ♡ ↝ SydCarmy | Rated: E mdni | Complete | Word Count: 170K+ | [READ HERE]

Summary: Post S3 Finale. After almost losing Sydney to Shapiro, Carmy is determined to make a change. Eager to rebuild their friendship, they decide to spend the day together at Carmy's doing some recipe development but an accidental peek inside Carmy's notebook changes everything for them. In the midst of navigating trauma, therapy, grief, and their new relationship, they try to keep their thing a secret from everyone else at The Bear for six months.

♡ any reblogs/kudos/comments are all so appreciated!! ♡

[seven-stars-in-his-palm]

the thing i love about bill cipher is that even after i've learned all of this stuff about him, seen him at the most vulnerable he'll ever get, seen him at his most innocent, i still can't give a flying fuck about trying to justify his actions. yes he's traumatized, yes he was twisted into what we know today, and while it gives a semblance of context to why he did what he did, it doesn't matter. he still ruined ford's life. he still drove and baited multiple humans to suicide. he still tormented every human he saw as his ticket out of the consequences of his own actions. he still took delight in his actions. he was willing to commit genocide for fuck's sake!!! (freezing all of the humans into statues). trying to explain away what he did does not get rid of what he did, but it certainly puts it in perspective. you won't be catching me being a bill apologist any time soon <3

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[hypervoxel]

Oh, so, like, the entire first season's establishment of the characters and their interactions don't actually matter in Helluva Boss. Okay, cool.

Like, I get that characterization develops over time and the writers come up with new ideas and places they want to take the story, but. So much of the Stolas/Blitzø stuff recently isn't character development: it's retconning.

[local-limebug]

jason todd has so many underrated canon love interests. essence, isabel, artemis, and rose are all characters i love with him. like those are good ships. why is everyone ignoring them?

[666writingcafe]

Greed (Part Two)

Lucifer

"Well, hello MC," Solomon merrily greets when he opens the front door of the cabin. As soon as he sees me, however, his expression grows more serious. "Lucifer, is everything alright?"

"I'm afraid not," I reply. "There's been an incident, and--"

"Tie me up," MC abruptly interrupts, their voice slightly strained. Solomon looks between the two of us, clearly confused.

"I'd do what they say," I suggest. He's still unsure, but he nevertheless lets us in and pulls out a chair from the kitchen for MC to sit in. He utters a spell that causes ropes to magically appear and wrap around them, effectively keeping them in place.

"There'd better be a good explanation for this," he warns, turning his attention back to me. "I'm not about to hurt my apprentice--" My phone suddenly rings, and I quickly excuse myself to another room to answer it.

"What happened?" I ask once I've answered the call.

"Mammon's lost the coin," Satan quietly responds on the other end. "The dumbass kept tossing it in the air, and it ended up rolling off somewhere."

"So you've haven't made it back to the House yet?" Satan sighs.

"No. We're still in the forest. He's making us look for the stupid thing."

"Asmo, I don't care about your fucking nails! We're not leaving until my lucky coin is back in my hands!" I've never heard Mammon scream that loud, and he's one of the more noisy ones in the bunch when he's arguing with someone.

"We're literally on our hands and knees, combing through every single thing on the ground. It's fucking ridiculous, if you ask me." I sigh.

"This is probably going to be a stupid question on my part, but has anyone tried to tell him to let the coin go so that you can get home safely?"

"Belphie." He pauses. "His statement caused Mammon to go berserk, and somehow he used magic to force us to the ground. If we even try to stand up, he makes the most excruciating pain shoot down our bodies." A faint whipping sound cuts through the air on his end. "And that would be due to him spotting someone taking a rest." This isn't good. Not at all.

"I'm assuming you've found a place to hide?"

"Yes, but I'll have to move soon. I hear him getting closer." Something suddenly starts rattling loudly, followed by various objects shattering on the ground.

"Lucifer, I think that's coming from your end," Satan nervously observes. "Did you at least make it to the cabin?"

"We did. Listen, I'm giving you permission to use whatever means necessary to knock Mammon out. Just make sure it's not fatal. Call me when you've done that." I quickly end the call and rush back to Solomon and MC, only to find the room they're in to be an absolute wreck.

"Let me go!" MC yells. Solomon looks like he's walked through a minefield with his hair in disarray and his clothes torn.

"As I keep telling you, I can't do that--"

"Whose side are you on, Solomon?! His?!"

"Look, I think it's unfair that he stole the coin from you, but--"

"But what?! You don't think he deserves to get punished?!"

"That isn't what I'm saying--"

"MC." They snap their head, focusing their attention on me. "Pull yourself together. You're being unreasonable." The air around them begins glowing.

"How dare you!" MC screams.

"Great, Lucifer," Solomon complains. "I was trying to calm them down, not provoke them even further."

"And how well is that turning out for you?" Silence. He may know MC better than I do, but I've dealt with Satan on the warpath many times before. Explanations mean nothing when someone is in this state, so the best thing to do is to be simply firm and wait for them to tire out on their own.

"Let me at him!"

"No."

"It's my coin, and I want it back!"

"No." Is it my imagination, or are the ropes starting to break?

"Of course you would side with Mammon."

"I will deal with him accordingly."

"Then why are you still here?!" In a nearly blinding flash, the ropes fly off MC, and they lunge themselves at me, knocking me down to the ground. I quickly spin us around so that I'm able to pin them down. They're thrashing about, but that's to be expected.

"Sleep." Their body quickly goes limp as the magic behind the command takes over them. I stand up and dust myself off. I don't have to look at Solomon to know that he's glaring at me.

"They'll be fine," I tell him. "It'll just be a few hours before they're awake again. Help me get them in bed." He's still seething, but he at least comes over and assists me. It's not until we've gotten MC tucked in and leaving their room that he reacts by slamming me against the wall.

"What the fuck is going on?" he whispers threateningly.

While I certainly have enough strength to throw him off me, I'm not about to get into another fight. Plus, I do understand why he's upset at me. In his eyes, I'm currently a threat to his loved one's safety. He has every right to protect them.

Especially since I'm trying to do the same thing. It'd be hypocritical of me to hold his feelings against him while experiencing them myself.

"Growing pains." If I gave that answer to someone else, they'd probably demand a more detailed explanation after chastising me for being so vague.

Thankfully, Solomon's smart enough to read between the lines of my short answer.

"They're affecting MC."

"Yes." The fact that he doesn't pose that as a question makes me suspect that he knows something that I don't. Then again, he did know MC back when they were human, so perhaps it makes some degree of sense.

Solomon steps away from me, allowing me to move freely.

"How much time do you have?" he asks.

"Enough."

"Good. Fancy a trip back to the castle?"

Taglist: @lost-in-time-wanderer, @fuzztacular, @dianedancer18, @sweetbrier2908, @flare-love, @completelyshatteredbrokenmschf, @thunderlightning351, @l3v1chan, @anxious-chick, @5mary5, @expressionless-fr, @tenkobitch, @budbuddnbuddy

[kacievvbbbb]

Maybe it's just me and I just don't understand the arc. Or maybe this arc will get some grand conclusion I'm really starting to doubt. But like I'm sick and tired of Tashigi being used as Zoro's misogyny proxy. Like the "a woman swordsman could never beat a man" belief and trauma made sense for both Kuina and Tashigi and was a very valid fear way back in the East Blue when they were still fighting relatively normal people and had no scope of how big the world is

but at this point where there are literally 20 feet tall dudes and people can blow up a whole city with just Haki the only reason Tashigi is still weak is because she is being written that way. Which is really hard to understand because it seems now more than ever One Piece has been getting more and more strong female characters so I don't know why every time Tashigi is on screen with Zoro we have to rehash this. It's even worse cause all she does in the scene is prove Zoro right by getting in a fight that she can't handle and needing saving. It's such a confusing message and honestly doesn't really apply or come up anywhere but with Tashigi and Zoro (outside of that one time where Zoro yells at enel for blasting Robin because she's a woman which was weird because Robin's been in a lot of fights before but seemed there just so enel could point out just how ruthless it is.)

Hell with the exception of the G5 all being in love with her. She is treated like a regular character and not just "the woman"

It honestly feels like both Tashigi and Smoker got lost in the narrative and Oda just doesn't know where to put their arcs. It feels like she was being written to help Zoro overcome whatever mental block Kuina's death instilled in him about facing female opponents with his sword. But she is just sooooo far behind him it renders the point moot and strengthens his convictions (it's weird that he will literally crush a woman's face rather than use his sword and is the only reason I won't say he doesn't fight women he does he just seems to have a mental block about cutting them down especially if they fight with anything blade like) but also we've only ever seen him face female character he knows can't challenge him it would have been interesting to see what he'd do in a fight against someone like big mom, tsuru or smoothie doubt that will happen though. But here's to hoping for Tashigi to have an actual arc.

[thevaelguard]

Ignoring strange items, Sebastian's room in Knight Errant feels so. depressing, even ignoring he might be spending the royal coffers on other things than himself.

This is the room of the Prince of Starkhaven? What is said to be the richest, most powerful city-state in the Free Marches? I can't see his father or the Princes before him sleeping in such a tiny room, it's around the same size of the front area of Gamlen's home!

It makes me wonder if this was Sebastian's room before he was forcibly shipped off to Kirkwall, seen so unneeded and worthless by his family he got what could have been once a guest room and not a proper room for family members.

And the kicker is he still chooses to sleep there, in the Undesirable room, barely decorating it that it doesn't feel like a prince lives there. The only unique item is a tapestry of Maferath mercy killing Andraste on the pyre, possibly showing that the one thing he still finds comfort in is Andrastianism, in the Chantry, in the one place he was made to feel wanted.

Mr. Sebastian Vael are you doing well...