#but still missing the last thing

[crabussy]

the psychological horror created by Hasbro’s desire to sell more toys rather than honour the desires of the original creator resulting in an immortal alicorn princess of friendship doomed to watch her friends grow old and die without her is so interesting to me. by trying to cater to children more you have accidentally created a reality in which death of the main characters friends as she lives on for centuries is not just implied but confirmed. idk it’s fascinating to think about

[myokk]

my first attempt at digital art (never again🥲) for mctober💘

Eloise Babbit✨

slytherin

5th year

favorite subjects: arithmancy & ancient runes

least favorite subject: beasts (animals make her nervous🥲)

hobbies: reading & thinking (IT’S A HOBBY OKAY??)

[casualavocados]

"Who is Ai Di to you?"

Nat Chen as CHEN YI KISEKI: DEAR TO ME (2023)

[poorly-drawn-mdzs]

Vine_Boom.mp3

[First] Prev <–-> Next

[dykedvonte]

I also just realized that we really only get the 7 days before the crash to really see the people Curly and Anya were before the crash. It's not even the full seven days. We get the first two and the last two with a gap in the time for what could have gone down.

I just realized how vague it was and how quickly it all happened. They are such small moments and such short glimpses. She's only just told Curly two days before the crash. The next she told Jimmy and Curly had to confront him. It's further implied right after that conversation, Curly goes to collect himself and figure things out and Jimmy immediately crashes the ship, once he's far enough to not stop him, cause he knows Curly would never truly allow it to happen.

But he takes that as the okay to go ahead, because in the long time he's known Curly, that's always been the okay.

The difference in the gaps in the timeline really just paint a bigger less explained but more obvious picture.

[skunkes]

[danwhobrowses]

I'm not sure how much good this vent will do, I'm not even sure I want to post this vent after my last one, but I'm writing it just so it's out of my head and into words because it seems once again fandom has chosen to send vitriol Ashton Greymoore's way.

What for? They talked to a 'specter' of the primordial titan within them, through their connection to the earth, the natural flow of creation and destruction. They ask what will happen to the world, it responds that it'll endure, they ask what of the people, it responds that the strong will survive and the weak will be remade into something stronger, to which Ashton replies they think they understand. To fandom this means that Ashton is becoming a fascist, that they have a 'Make Exandria Great Again' attitude for wanting the Primordials back, that they need to be beaten up or 'get what's coming to them' in order to change their mind, and I can only sit here and stew and wonder if this hate is really well-founded? Ashton is among my favourite characters in C3, I get frustrated by them at times too but if I think about it a big percentage of my frustrations is more towards people disliking them than me disliking things they do, or Matt setting up scenarios that doesn't do them any favours towards the fandom that hates them. Some of these are knee-jerk reactions of course, but for others it does feel like they have it out for Ashton, and I don't wanna engage with that, which makes it quite lonely when most of the fandom hones in on it.

For the most part I can understand how the whole 'the weak will be remade' bit can be taken badly; it's definitely iffy, but every other plan we have is also very iffy. The Release Predathos option literally involves unleashing an entity that wants to genocide the gods, the Maintain Status Quo option ('option' the status quo imo is impossible, in my mind the Gods can stay but the dynamic will still have to change) maintains a relationship where the gods pick and choose who they feel deserves help, using their power to covet more power, strongarm and demand loyalty, and overall choose fellow gods over mortals when the chips are down and not owning up to it. We should also remember that entities can speak in riddles, 'remade into something stronger' doesn't necessarily mean death; it could mean to adapt and grow, to become strong enough to bear and overcome it as many of the PCs of Critical Role have done with their hardships and trauma. It's worth reminding that the sad truth is that people will die whatever outcome happens - the aim is always to lessen the amount but if the Gods leave it's a power vacuum, if we linger too long it's a Calamity, and if the Gods stay it's a holy war on a more wild and less organized scale - and that Ashton isn't saying they approve of such death, merely that they think they understand. The commune doesn't tell Ashton which way to go; it only tells them that the world will endure, there will be change and it will change people, trees will still grow, the wind will still blow, the waves will still flow along the coasts of the sea, and people will survive. I know the interpretation can differ from people thanks to Matt's patented vague or riddle-mounted choices in phrase, but I also think if it was the Wildmother who told Orym or some other follower that 'nature is a cycle, everything must adapt to change or else it'll die - this world will change, but it will also survive' nobody would be calling Orym a fascist, people would accept it because the Wildmother's domain is nature, and nature is not always kind.

While we're mentioning Orym - and because this is gonna come off as critical I must preface that I like and enjoy All of the Hells, that's not changed - I also gotta call it out here because it does very much feel like the people who hate Ashton hate them for the reasons they love Orym. Both are stubborn, they're diligent in their personal code, they care deeply for their friends and would give their whole being just to keep them safe, they believe in the Hells' power and greatness more than each member does and more than they believe in their own, but Ashton gets the hate mainly because these fans agree more with Orym on the god stuff. What confuses me though is how these same haters can despise Ashton for being consistent but love Braius, the literal Devil Worshipper who secretly is on board with the Chase Away plan only so he can help the Devil rule the world, the compulsive liar. Where's Braius' scrutiny? A world under Asmodeus will be a far worse 'survival of the fittest' scenario, why does Braius get a pass in all this stuff huh? Because he's funny? Seems people ignore the whole morality talk when they're discussing Braius' dedication to Exandrian Satan.

I find it irksome too that even the group seem to criticize Ashton reaching out to Primordials too - as if that wasn't what we wanted them and Fearne to do anyway. They don't dislike the gods simply because they're a 'great entity', it's because they're a great entity that holds power and doesn't use it equally or fairly; they pick and choose who to help, a lot of the time in Ashton's experience for their own self-service, but they won't prioritize mortals over another god no matter who cruel or heinous the god is being, and the following of these gods are so intertwined with politics that most religious motivation also ends up being political. Ashton has no connection to the gods, they reached out and got nothing, an Angel looked at them and made them feel like nothing, but they do have a connection to the Primordials; from the Earth Golem to the Titan Empress they're literally a vessel of, they experienced something significant in their connection to the Earth, so I don't like how that they're almost mocked for having it. In addition, Ashton's behaviour during this commune differs because of that connection, but also because the titans are a natural flow; they don't demand or test or politic or prejudice, and despite being a Great Entity in its own right it never made sure Ashton felt small for their own satisfaction, they asked a question and got an answer, it's the same reason Ashton has disdain for most political leaders but likes and respects Keyleth, Allura, Kima, Pike, and (eventually) Percy despite also being people in power. To call on Orym and the Wildmother as an example again; Orym's an Air Ashari, the Ashari are guardians of the Elemental Planes - made from the Primordials - not tied to a god, but nobody criticizes his connection to the Wildmother despite both not being a follower and his culture being more tethered to Primordials and their descendants. I'm not saying it's all correct for Ashton to want things to go back to how Primordials ruled, but we must remind ourselves also that we only know a story written by victors when it comes to the Schism - a story which could very easily have been altered and edited to make it feel more justified for the Primes and mortals to actively genocide all the Primordials, the native species and creators of this world, and desecrate their remains to make weapons, soul anchors, and cities - the specter didn't say 'fuck em, all mortals should die' after all, if they believe mortals would survive then they must be at the least tolerant of mortal existence. Why is it okay for god followers to say they wanna keep the world with the gods they have a connection to (and I'm not saying they aren't) but Ashton is out of line for wanting to have a world which has something active that they also have a connection to? It seems rather unfair to allow one side to have and the other to have not, picking and choosing because our audience's bias has spent more time with the gods, Ashton wanting something they can connect to doesn't feel all wrong either, the Eidolons still exist with faint worship hiding away so they're not smited by the gods, why can't faith exist so they're not in hiding? I sincerely doubt the Punk Rock that is Ashton is asking for the Primordials to fill the Gods' roles the same way the Gods have been running things either, they want to break the throne remember? There needs to be a balance in ideals and practice of course, and in an ideal world there could even be a more fluid and all-inclusive Exandria where gods and Eidolons live harmoniously with mortals without hierarchy and class systems, I think Ashton could happily live with something like that, they did say the world needs 'a little chaos' to call back to Matt hinting that the current world doesn't have enough.

Which leads us to those wishing violence upon Ashton - and I really don't like that. People who say 'hitting them over the head is the only language they understand' seem to misinterpret Ashton as if everyone around them have been on their hands and knees begging Ashton to reconsider and them ignoring valid points and pulling a Leroy Jenkins. In reality, nobody is actually talking to Ashton about it, a lot of the frustration with Bells Hells right now is that they aren't talking to each other, even about the end goal! Ashton has valid reasons for their thinking, so being violent isn't gonna change their mind; undermining, dehumanizing and trying to effectively bully anyone let alone someone with chronic pain and low self worth will never truly convince them to your way of thinking. All people understand the language of violence, but that language is not used justly, those who truly wish violence upon Ashton don't want it in hopes it'll force Ashton to change their mind, they want it for their own satisfaction of seeing them in pain; so they can further push them away from the rest of the group and go 'that guy's not one of us', make it so the people Ashton calls family after a lifetime of loneliness, confusion and abandonment - the people they promised they won't abandon, and have kept true on that promise even at their lowest - make them feel small and worthless, and force them into box where they can't be themselves, and I hate that people would want to treat them that way. Ashton IS capable of listening; they've stepped back and trusted the other Hells to do their own thing even when it's ridiculous like staging a play where they pretend to be Ludinus to trick Unseelie emissaries into thinking that he attacked them, they listened to the gods even when they didn't have to like they promised they would and despite it being very personal they held themselves back for the benefit of the group, and if the group talked to them calmly where they were all allowed to healthily discuss the pros and cons, the ideals and compromises, and the risk and reward of all plans that have been proposed then they would listen, and they would try - you don't need to slice bread with a broadsword.

Will Ashton 'get what's coming to them'? Maybe, but what is that exactly? We only assume to know the full vision of what Ashton wants to act on. All of Bells Hells are gonna face the consequences of the choice they make on Ruidus - when they finally make one that is - in and out of the world they live in, so won't that apply to everyone? So what for Ashton? do people want Fractures 2.0? Does everything Ashton wants in life have to blow up violently in their face? Family, Closure, their best friend's safety, why does 'what's coming to them' have to be something aggressive and harmful? People change through positive reinforcement and good experiences too! Caduceus Clay would remind you that it's love that makes people. Don't mistake this rant as me wanting Ashton to be exactly as they are now, I too want to see growth from Ashton and we ARE seeing it happen; I see it in small instances where they think twice about rash actions and try not to fly off the handle, when they sit just to listen or understand or to defuse tension, and that when they're going somewhere or doing something they let the group know in advance, those who think Ashton hasn't changed since ep. 1 aren't paying close attention, but that doesn't mean that they don't still have more ground to cover. I believe that Ashton grows the most through kindness; when they're treated like a person and not a blunt instrument or a nuisance, and I hope what's 'coming' for Ashton isn't rejection, bitterness, and isolation, but acceptance, empathy, and for someone - if you know me you'd know who I'd want it to be - to convince them that they are worthy of living, that they're special not because of their powers or blood or because they have died and been put back together again (honestly, it does irk me a little that both Keyleth and Imogen chose that for titles and to brag to the Matron, I know it isn't intended this way but sometimes it feels like saying 'your best defining quality is that you've died a lot') but because while they have every reason to hate everything they still chose to be kind to those who deserve kindness, they have a good heart and they mean well. Are they perfect? No! They're in their 20s very few people irl have their lives together at even twice that age, but I want them to have good things in their life; things that help them feel happy and safe and like they can still feel comfortable in their own skin without having to appear more 'palatable' for people who've already decided that they don't like them. I want them to know that they've always deserved to live and they still deserve it now, I want that not just for Ashton but for all the Hells, and hopefully they'll all live to have it.

And most of all I want the people who hate them to be wrong about Ashton Greymoore, and I want Taliesin to prove them wrong.

[whatsjulietslastname]

DO NOT READ THIS IF YOU DON’T WANT TO READ LIFE IS STRANGE DOUBLE EXPOSURE SPOILERS STOP READING THIS JUST SCROLL DO NOT READ THIS CMON YOU KNOW YOU WANT TO PLAY THE GAME AND FIND OUT WHAT HAPPENS ON YOUR OWN SCROLL RIGHT NOW

so um. i am NOT buying this game. from the little i saw i can already tell how much of an out-of-character cash grab it is. also, pricefield broke up. i am SO done with this shit. they really should’ve left Max and Chloe’s story (because it’s THEIR story dude this whole thing is so dumb) alone. this is not respecting both endings. r.i.p. Chloe Price you would’ve hated this

[meamiki]

vtuber loop !!!

[reverse entry au? the reverse isekai part of it? tangentially related to this post here, and also the last part of this post too]

[uhbasicallyjustmilex]

me stubbornly forcing myself to drink green tea and rest from my THIRD COLD THIS MONTH

[the-sunlit-earth]

a lot of clipping to fix, but hey I got it moving at least! I'll get the Telvanni robe properly physic'd if it's the last thing I do >:0

[phoenixcatch7]

Loz fandom stop being angsty and give the daydreaming kids on big fun adventures with a cool glowing sword some actual whimsy and joy challenge

[windydrawallday]

WHAT?! Is the anniversary of Bionicle?

And here I am, without much to share visually AAAAAA BUT HEY! I decided to compile my fav bunch of art I did during those years of the Reboot/G2 that made me rediscover such a cool franchise (and the last artworks are two of the most modern ones).

Plus, I can really say that without these art experimentations, I wouldn't have developed so many of my modern rendering techniques!

So, cheers to it and everyone that keeps enjoying it and/or found a muse in it like I did x)

This brand too has the privilege of being my true first robot hell bahaha

[scoots-canoe]

DB doodles dump heehee

[blueskittlesart]

cold fruit in a hot kitchen (so i had this great watermelon last weekend)

[feroluce]

Lucid Dreamer (2/2)

part 1

Gepard stalls almost a week before he finally goes out to the safehouse, and it takes him a couple days to find it because Sampo didn't have the time left to be wasn't super specific about the location. But he does find it.

It's pretty bare bones, really. Gepard knows that was probably to be expected, but… It feels crushing, when he realizes there are so few personal things here. It's nothing specific to Sampo. Just some food, some medical supplies. A cot and a heater and a lot of mismatched blankets. Nothing to remember someone by.

But he does find the letters, in a metal box stashed away under the bed.

There are two for him. Three for Natasha, and two for Seele. One for Hook, one for Serval, one for Pela, one for Bronya.

Bronya's is mostly business. They knew each other from the whole Stellaron incident, but not much beyond that, and the incoming catastrophe is a more pressing matter. Seele's is actually two copies of the same letter, and Gepard realizes why when Seele is so angry she rips the first one up without reading it. He gives her the copy a couple days later, and she slinks off without a word.

Pela seems completely normal after hers is delivered, but Gepard knows better than to trust that. The next day, he finds her asleep in bed with Serval, bottles abandoned on the floor, both their eye makeup smeared and running and Pela's glasses horribly smudged and crooked on her face. Serval doesn't read hers in front of him, but she's clingy with Gepard, Pela, and Lynx for quite a while after. She throws herself into her work a lot. She insists the heater from the safehouse is busted and she needs to keep it. It's too dangerous for use by someone who's not an engineer. Might burn their house down or something. Gepard doesn't argue.

Hook's letter is short, with easy to read words. The rest of it is actually a treasure map, and she and the moles spend the next several days running through the Underground, finding hidden candy and toys. Hook asks them when Sampo is coming back, because one of the marbles she found from his map looks green, just like his eyes, and she wants to give it to him. Natasha shoos Gepard out of the clinic before he can even begin to think of an answer.

Natasha refuses to let him see what's in her letters, which ok, fine, he'll respect that. He hears from Bronya who heard from Seele who heard from Natasha herself though that one of the letters was a map and the other a catalogue, with all of Sampo's hidden "warehouses." Gepard promptly marches himself back out to the frontlines, where he can turn a blind eye. If a ton of stolen goods suddenly enters the black market, and if the orphanage and the clinic suddenly have new supplies, well, technically that's none of his business.

Gepard goes to bed, curls up under mismatched blankets and closes his eyes.

He doesn't dream.

One of Gepard's letters was also business, like Bronya's and Natasha's. He and Bronya follow everything meticulously, down to the letter, because there has to be some good to get out of all this, there has to be. Gepard can't let it all be for nothing, it would bury him.

And so the catastrophe passes. Not without casualties, and not without a lot of damage and destruction. But Belobog survives.

And after that, time just kind of…goes on. Gepard has been a part of the Silvermanes since he was old enough to enlist. The Fragmentum had gotten so much worse in the years before Welt sealed the Stellaron. He knows the statistics, it is literally his and Pela's jobs to keep track. He knows when he sees a face everyday in the camps and then it's suddenly gone. He's not unfamiliar with things like grief and loss.

He still catches himself checking the trashcans and the supply crates and soldiers' footprints sometimes, though.

But there comes a night where Gepard goes to bed, holding the mismatched blankets to his face, and he dreams. And it's strange, it's off, it sticks with him. Sampo doesn't look the same. He's thinner. His muscles have atrophied. He looks like how Gepard has seen soldiers after months in the hospital.

The most unsettling difference is there's a scar across the left side of his head, Gepard can see it over his ear, peeking out past his hairline, carving towards his cheek. Sampo is always careful about his face. Gepard once saw him dodge a Fragmentum monster and literally let it cut across his neck just to keep his face clear. He wouldn't let that happen for nothing.

Their actions in the dream itself aren't new. Sampo seems tired, run down and worn out, but he announces his presence with aplomb by lobbing a bunch of smoke bombs off the rooftops and sending his soldiers scrambling. Same shit, different day.

The new part is what he says when Gepard chases him out to the edges of the camp, tackles him into the snow. Gepard pins him to the frozen ground to detain him and Sampo doesn't even fight it, just looks up at him like he's seeing sunrise for the first time in months.

"I'll be home in one week."