#but she is very very obviously traumatized

[gay-furry-poseidon-lover]

"dont pick and choose" where is this enthusiasm for any other crimes that are blantly stated as happening in the musical?

Epic the Musical isnt meant to be perfectly accurate to the original poems. In Epic, we get "seven years shes kept you trapped out of your control, time can take a heavy toll." And then Calypsos songs from her perspective. They are emotional songs, thats like... what musicals are supposed to do, make you feel stuff. Lots of people dont interpret Epic Calypso as a rapist, because its not explicitly written to send that message.

Are we gonna talk about The Odyssey or are we gonna talk about Epic the musical. They are different. "people like Circe," In the Odyssey, Odysseus did not have a choice to sleep with her. He had to. Its not that people just suddenly dont care that she assaulted him, its that Epic is showing us a different version. And Epic's Calypso is shown differently as well.

"I spent my whole life here, was cast away when i was young, alone for a hundred years, i had no friends but the sky and sun," This is what we get about Epic's Calypso's back story. That is different from versions of the myth where Calypso just goes and lives on an island.

However you feel about her is fine, youre allowed to not like her, to hate her even. But this is a fictional character based on a fictional character in a poem from a very long time ago. These arent real people. Odysseus is not on the internet, hes not reading posts about people analizing Calypsos character in a musical and feeling victim blamed or retraumatized. And if you relate a lot to Odysseus and that makes you hate Calypso thats fine. Not everyone sees her in your same context though, and thats not an attack on you. If this is something that is so distressing to you, block people who post about her, hit not interested, stop engaging with it. Take care of yourself. But you don't get to just decide that nobody can like this character ever, and that if they do they're a bad person who thinks rape is okay.

Works of fiction aren't real. Obviously I think that killing a baby is horrible, whether the gods told you too or not. But I still love Ody. That doesnt mean I dont care if people kill babies. I enjoy Zeus's character and songs even though he forces Odysseus to choose between the life of his crew or his own, which is like definitely immensely traumatizing. Enjoying his part in the musical doesnt mean i think thats good?

A lot of characters from greek myth have raped people. But we have the understand that obviously that is bad and wrong, and we would never be fans or sympathize with abusers in real life. At least I do. I havent seen a bit of discourse about Zeus (one of the most famous aggressors) or about any other gods. People enjoy them freely, and thats generally fine.

Why is Calypso treated so differently. Like i don't think anyone is literally arguing that rape is good and its okay that Homer's Calypso did that, nor are they saying that to any victims in their life. And if they are, obviously thats bad. But people just enjoying this character isn't.

May I just point out that calypso is apologising (no matter how backwards it comes off ) only when Odysseus was finally freed by someone else from her.

And that until then she was still actively pushing Odysseus’ Boundaries??

Lighter mot or no she kept this man against his will for seven years. And she didn’t GROW UP on that island. She had a life before that— that led her to be trapped by the gods.

Like she IS a sympathetic and tragic character but let’s not act like she’s innocent.

“for seven years she kept you against your will”

THIS DAMN LINE. LISTEN. BLOODY LISTEN TO IT ALL. DONT PICK WHAT YOU CHOOSE.

There’s a REASON people don’t have an issue with Circe. Are happy to see her as a FRIEND to Odysseus. CALYPSO IS NOT THE SAME CASE.

[ineed-to-sleep]

It honestly baffles me that some people are so casually dismissive of animals' feelings. Istg some ppl only see pets like toys and are barely able to hide it

[pzychojinx]

so, jinx in act one of season two. see, for three years i expected a full on descent into chaos and madness beyond any repair. i'd made peace with that, too. so i'm surprised - pleasantly, joyfully surprised.

very long analysis ahead on where they're taking her and how it speaks to me.

we first meet her again during silco's eulogy sequence - a beautiful sequence, halfway between dreamlike and real. "just like when vander shoved off", she says about his death. except it's not. after vander's death, after vi's perceived abandonment, everything jinx could feel was self-centered. she would say "she's not my sister anymore". she would devalue these people entirely. in fact, every single reaction to any action done by her loved ones would be self-centered and extreme. that is very much how her mental process works, how her trauma caused her to work. and more so: when silco would ask of her any work, any mission, she'd do the job purely for his sake, his affection, his approval, never caring about the cause.

in short, she was never able to get out of her own head for as much as a single minute. now, she starts the funeral off with "chembarons warring for control of the lanes. wannabe street thugs squabbling over scraps. just like when vander shoved off." and it's not about her abandonment anymore. it's not about being left alone. it's not about her. she's talking to silco about his city, his legacy, his world, his chembarons, his lanes. she's out of her own head, and it's the first time we ever see it.

"because someone put all those holes in you", she says then. and this is so interesting because there's obviously a dissociation here, as well as a very intense grief and sadness. we are obviously still dealing with someone who's deeply traumatized and unstable, but let's compare this with powder after the deaths of vander, mylo and claggor. powder had a full breakdown, both turned into a complete de-evaluation of vi as i was mentioning earlier and full desperation. "i only wanted to help, i only wanted to help, i only wanted to help".

this chaotic desperation is something jinx kept within herself throughout the entirety of s1 up until - the tea party. which i'm getting at, in a minute. point being, for now, that the jinx we see during silco's eulogy is grieving and lost and rootless and asking herself "what am i supposed to do with that?", but she lacks the chaotic full-on desperation that would lead her to acts of explosive destruction and/or self-destruction in s1. in fact, she's incredibly quieter. she's more grounded, more present in her movements, in the way she fights, in the way she talks.

in retrospect even her final action in s1, the infamous missile, already had the energy we're seeing now. it wasn't instinctive, driven by hallucinations or trauma or rage or an unrestrained trigger; it was silco's legacy and it was calculated. silco's death, i think now, left jinx as rootless as she's ever been, but it also left her with an acceptance of who she is. "don't cry, you're perfect". the tea party ends with her 'choosing' jinx and if you'd asked me before season two, i would have said with full certainty it meant she'd be going to be a loose cannon. entirely and with no possibility of ever being anything else. that's not what i think now.

i think she came to terms with who she is. i think now that the seat at the tea party wasn't a symbol of complete derailing, it was in a way a symbol of acceptance. "here's to the new us". she's fought her fight between powder and jinx and the tea party has permitted her to gain, in some way, a sense of closure. very importantly, having lost what she perceived as vi's acceptance, and having lost a father, she has also been able to shed the constant and desperate need to be in their favor.

during the 'sucker' sequence, we see her going through the lanes with a hood on her hair, very low-key. loose cannon jinx would have never, ever done that. loose cannon jinx would, quite simply, not have cared. she would have been extra, and explosive, and in everyone's faces. she's preserving herself not to be found, and that's new. again, i think she's still lost and rootless and grieving and really asking herself what she's supposed to do now that she's entirely autonomous and i also think there's definitely still a lot of bitterness and rage when it comes to vi which we obviously get to see during their fight and in no way is she magically ~healthy or anything like that - however.

she is still walking those streets in a way that indicates self-preservation. it would have been very, very easy for jinx to be captured by any of those goons and/or got herself killed. and for some reason, whether that be an apathetic, mourning state or mind, or whether that be some gained peace in who she is, or both - she didn't.

given all this, the new element that season two act one has introduced for her that truly moved me and made me feel... healed in a sort of way, is the introduction of human bonds for jinx that defy her historical, co-dependent mechanism of idolization and de-evaluation. ergo, sevika and isha. this is incredible for her and most of all, it's realistic. it's a chance at something, but it doesn't feel forced, nor fairytale-esque, nor does it resemble your usual ~redemption arc.

sevika and isha function as people who she's building some bond with, and since she's a little bit less in her own fucking head, and since she's not clinging to them as idealized protectors / saviours and neither is she refusing them as betrayers, and since she's not constantly fighting between what she perceives as her double identity anymore, she finally has the possibility to experience healthier bonds. sevika functions as somebody who still ties her to silco, possibly the closest thing she has right now to any root she might have left, and it works: reminiscing silco with her, gifting her the arm, doesn't leave her utterly alone but neither does it let her fall into the trap of clinging onto yet another figure from whom to fully depend.

and isha, very obviously, functions as the possibility of healing her inner child which is a goldmine for her storyline. her bond with isha could clearly have a narrative tie to jinx & silco, to jinx & vi, and most importantly to jinx and powder herself - this is all quite obvious but again, it's not executed in a way that feels like a forced 'redemption arc' or whatnot. the idea of this little street kid who just imprints on her like a lost little duckling, which is in no way jinx's decision, simply feels natural and heartwarming. does this mean i presume such healing of her inner child is going to come easy to her? no. but it's something. it's something very different from anything she's ever experienced before.

even through the loss, the rootlessness, the grief and confusion, the panic attack we see her experiencing through the lanes as a consequence of the moment she sees vi and caitlyn's enforcer squad, even through the brutality of the fight with vi, - and this is all to say, she's still a very traumatized individual, which is important because it would have just been senseless to have jinx somehow get fully stable like a switch had been flipped - we're seeing something new for jinx here. i've seen many posts related to "i'm glad it's you", and i might be unpopular here but while i do think jinx still has an element of suicidality, i also think she was at least half bluffing there. comparing her micro-expressions with the ones back on the bridge fight with ekko, i'm under the impression she was testing vi, at the very least partially. "poisoning us with gas?" is also an interesting line because even in her attack at her sister, she's less focused on her own trauma and more on something that we've hardly seen from her before - belonging to the lanes.

all of this to say, i'm loving the path they're taking for her. it's still very much jinx. it feels like jinx. but she's not just about to wreak senseless and desperate havoc in order to be seen by either her sister or her father, because there's no one to be seen by anymore. she's not fighting a desperate battle between her identities either, because she's accepted her place. she's not loud and erratic, she's quieter and coming to terms with herself. closure is truly the word that comes to mind, for me, in how i see her arc right now. closure, and unexpectedly, possibility.

[sgt-tombstone]

y’all don’t mind if I ramble about a fic idea that’s been knocking around in my head for a while but will never get written, do you?

cool

it’s a grumpy-and-sunshine-professor AU where Simon is a history professor studying the history of death and Johnny is a professor of chemistry studying pyrotechnics. They both have fierce reputations within their departments; Johnny for being a lenient grader and an excellent teacher, and Simon for being a complete hardass

They’re secretly married to each other, but no one ever takes classes with both of them, so there hasn’t ever been a student that has found out. Johnny talks about his husband constantly, never by name, but his computer background is a picture of two unmistakably masculine hands with matching rings, obviously a wedding photo, and he usually starts class with a little story about something funny that his husband did the day/night before. It’s well-known that his husband is blond, massive, and an utter sweetheart. They obviously adore each other, if the weekend date stories that he tells are any indication (always innocent, of course)

Simon, on the other hand, never talks about his personal life at all. He starts class on the dot, getting straight to the point without any fanfare or chitchat. He’s a man of few words, and he uses them well and efficiently. He wears a ring on a necklace, and it sometimes slips out of his shirt during lecture, but no one dares ask (stories are told of the one student who did, and got a glare so acidic that he had dropped the class on the spot)

Then along comes (insert OC’s name here), who is a biology student focusing on infectious diseases. Johnny is her advisor and she adores him (not in that way, she’s a lesbian and he’s obviously besotted with his husband). She had him for her introductory chemistry classes and he was the only reason she passed; she’s trusted his judgment and advice implicitly ever since. So when she asks what class she should take for her required history elective, he recommends a class called The History and Impacts of the Black Death, and it sounds right up her alley but the professor listed gives her pause. She’s heard of Dr. Riley, of course; nearly everyone on campus has heard the stories of traumatized history majors avoiding Dr. Riley’s classes (ironically) like the plague. But she trusts Dr. MacTavish, so she registers anyway.

The class is tough. In her opinion, it’s way too difficult for an elective class, especially on top of her other upper level science classes, but she hasn’t gotten this far without knowing how to step up to a challenge, and Dr. Riley’s scathing feedback on her first assignment has her digging her heels in instead of throwing in the towel. The topic is interesting; she’d never really looked into the history of infectious diseases, and the Black Death is morbidly fascinating. She struggles a bit with the historical aspects of the class at first, especially when Dr. Riley expects his students to already have a firm grasp on Medieval history and she very much does not, but she’ll never pass up an opportunity to do some external research to catch up to where the rest of the class—populated mostly by history majors—is in their studies.

Towards the end of the semester, close to the end of November, the student’s mother finds out about her girlfriend and kicks her out late at night. With nowhere else to go, she remembers that Dr. MacTavish is both openly gay and has invited groups of students to his house for club meetings and field trips. It’s a little awkward, but she doesn’t have anywhere else to go, so she walks to his house in the rain. When she knocks on the door, Dr. MacTavish answers with clear concern, and he waves her inside quickly. She explains her situation, panicking about the entire thing because she’s standing in her advisor’s house at 10pm, her parents have just cut her off, and she’s scared and wet. Dr. MacTavish calls into the other room, presumably to his husband, asking for a towel.

The last person she expects to round the corner is Dr. Riley, holding a fluffy towel and an expression equally as concerned as Dr. MacTavish’s. His husband.

She has to sit down.

They sit and talk as she dries off and warms up. Johnny makes her a cup of hot chocolate while Dr. Riley—Simon—builds a fire in the fireplace. She huddles close to it as they talk, and she eventually ekes the story out of them; how they met, how they hated each other at first, how they fell in love. Simon is talkative and animated, drawing energy from the man sitting beside him, and the student finds herself enchanted by the two of them, the side of her professors that she never gets to see. It should feel like a breach of privacy, a line crossed, but it feels like staying up late with her uncles. They make up the guest bedroom for her and all go to bed, reminded that they all have class tomorrow.

The student ends up staying with some friends, couch-surfing in their apartment until she can get her feet back under her, but she spends several nights a week at the Riley-MacTavish household, delving into the intricacies of infectious diseases and their connection to society with Simon. She enjoys the friendly arguments the two professors get into and often chooses sides arbitrarily to keep them on their toes. She switches her advisor from Johnny to Simon (Johnny pretends to be upset, but he’s secretly overjoyed that Simon is connecting so well with a student), and ends up writing a thesis paper under his tutelage.

Idk how it’s gonna end yet, maybe with a far future scene where she sees the two of them at a conference and throws herself at them, wrapping them both in massive hugs. It earns her several very odd stares, especially from those who know Dr. Riley’s reputation, but she doesn’t care. They were there for her in the darkest night of her life, and she’ll always have a soft spot for both of them

[requiemism]

maybe its just because jinx is bpd (or, at least, HEAVILY coded as such) and i have a mood disorder but i truly cannot help but be bewildered by the lack of understanding and empathy towards her character both in the show and in the fandom. shes essentially a broken, manipulated, desperate child- even if shes "grown" now, shes so severely traumatized i sincerely doubt her brain developed properly and she certainly didnt and doesnt have the help required to become a well adjusted stable individual. i dont say this to take away her agency or infantilize her- her actions ARE her choice, and she DOES understand what she is doing. however, despite this, a majority of what shes done has NEVER been in a moment of rational thinking. she only did what she did as powder due to desperation; she threw the bag in the water because she was cornered, she accidentally caused the deaths she did because she didnt understand the tech she had and she was desperate to save her family. everything she does after as jinx is largely due to silcos manipulation, being severely disordered, traumatized, and abandoned, and literally every single person in her life telling her all shes good for is destruction and causing pain. she spends almost her ENTIRE life being told by EVERYONE but the person actively manipulating her that she is incompetent, annoying, destructive and batshit. OBVIOUSLY SHES NOT GOING TO BE NORMAL. OBVIOUSLY SHES GOING TO LOSE IT WHEN THE O N E PERSON SHE HAS LEFT FUCKING DIES BECAUSE SHE ACCIDENTALLY SHOT HIM DURING A PTSD DRIVEN BREAKDOWN CAUSED BY HER GODDAMN SISTER. O B V I O U S L Y SHES GOING TO DO SOMETHING RASH AND IMPULSIVE IN HER MANIC, BROKEN STATE. because now, she has nothing left. she has nothing to lose. shes a jinx, and she ruins everything that she touches, and maybe, just maybe, she can use that to honor her fathers lifelong goal. obviously this goes horribly and backfires on everyone, putting a target on the entire undercitys back, but she ABSOLUTELY wasnt thinking about that when she bombed the goddamn capitol mid breakdown. in season 2, after making this impulsive (and frankly idiotic but thats neither here nor there) decision she lays low, avoiding causing any damage unless necessary (although it IS overkill whenever she does harm people, thats what shes been taught is normal. she literally grew up in the undercity where people are murdered and mugged on a daily basis.) and using every opportunity to scourge her own existence. she VERY clearly hates herself for what shes done, and she certainly doesnt seem to be proud of any of it. i think this is best displayed in the discussion she has with isha when they first meet. when vi and the enforcer squad come after her, shes literally minding her business, making a GIFT for the woman who has repeatedly hurt her because "it was something (she) could fix." she cant even shoot vi when shes actively gassing her, literally CRYING at the thought. the only reason she actively begins attempting to kill her and caitlyn is because THEY'RE DOING THE SAME DAMN THING, and once again she very clearly cant bring herself to do so to vi. even in s1, during the tea party scene, its pretty evident that she doesnt intend to kill vi in my opinion? to make matters worse, when vi tries to kill HER, she practically BEGS her to do it.

i understand that jinx is objectively NOT a good person!!! she has literally killed tens of maybe hundreds of people and yes, she did kill caitlyns mom (although very honestly i could care less about that ngl caitlyn is absolutely a good character but i dont like her as a person for reasons largely unrelated to jinx 😓). she literally builds bombs and guns and whatever the fuck for fun. she enjoys watching people be beaten and killed. but i think the absolute lack of any empathy or understanding towards her a lot of people exhibit is a little ridiculous and it infuriates me to no end 😭 thank you for coming to my autistic ted talk!!!!

[selfproclaimedunicorn]

Aha I’m back for the oc ask game! This time around, mayhaps any of these?: Kaleb x Taryne, Sarra x Yorick, Aldreda + Brandon, and Kaleb + Cassana?

Can I hear a round of applause for world class slut & professional other man for Lord Kaleb Dormaire?

We have already established with the Aldreda ship that this man is willing to bottom, but I really think Taryne would push that limit. Does he love a strong woman? Yes. Will he take the strap like a champ? I fully believe in his ability to do so. Can he exclusively be a sub? Honestly, I don't know if he's got it in him & Taryne will not give up control in the thing she's doing Just For Herself. That said, I don't think they wouldn't not work. I feel in my bones that Kaleb & Taryne would be more a "friends with benefits" type thing than whatever exactly she has going on with Gwayne.

It'd probably start out in a similar way of "I have a pre-established relationship with Alicent, & when I came back to King's Landing to see her here is some rando she's made part of her household since Lyonel Strong's promotion/Jasper Wylde got a job. Things have now spiraled a little out of control a little bit." Kaleb would definitely have more tact than Gwayne upon first contact, but he'd wind up in a similar situation of picking up the queues of how awful & traumatizing Taryne's marriage is, & once some level of comfort was there between them he'd offer some form of companionship at the very least just to give her some moments away from her husband, & from there it just kind of builds until they act on whatever attraction is there. They'd both definitely be having a nice time, & letting Taryne be in charge on occasion is probably nice, but bestie I am looking at this man's amount of kids & his pullout game is not good enough for Taryne to have him be her regular Other Man unless he's willing to never put it in. Kaleb, I see your breeding kink. You can't hide it from me. My son, Yorick, is the same fucking way, I perceive you whether you like it or not. Taryne's definitely fond of him though! He's an actual good, genuine man who won't hurt her, & that really goes most of the way for her. Not a long way, like 90% of it. The bar is on the ground.

They've definitely got "judging & side-eyeing people at the function, & maybe they hookup after it" vibes.

Yorick & Sarra sounded familiar, so I did hunt through the tag & I have ruminated on this before actually! So linking

Oh, you mean her step-son by way of fucking both his parents?

Gonna be real, she looks at him & just sees her youngest brothers, because some of them died young enough that temporarily being heir to Lonely Light or the expectations of their dad or Ironborn (specifically at Lonely Light) never had a chance to super get to them. So Brandon is kind of a What If scenario for her. "Would any of my brothers have been like him? Would they have been friends?" That type of thing

I think he'd be interested in Aldreda as a person regardless of what canon we're going with (Alicent alive at Lonely Light with Aldreda or her canon fate) just because she's important to his parents & "she's a cool warrior woman who let me have a knife!" And that would obviously evolve as he gets older to probably seeing her as some sort of extra parent or aunt or something--how that plays out I think would just really depend on what happens with Alicent (& by extension probably where he winds up going)

Honestly though, Aldreda would probably waffle a lot on if she wanted to be around him when he's younger. She'd never be outright cruel to him or send him away, it'd be more a "do I have the mental capacity to be around a child?" Part of it is her having never thought about her own ability to have kids & the subsequent having of them/motherhood & being at least a little confronted with it by now kind of being his step-mom, & part of it is the weird "my younger brothers were all this age once" that turns into "he's older than [brother x] ever got to be." It's, like, "am I mentally okay to be around the happy, optimistic child? If yes go be near the child. If no, decide if you want to do emotional self harm or not & proceed from there." (I never said Aldreda was the healthiest person out there). She'd definitely be encouraging of him & would probably give him pointers for training, but she'd also be rolling her eyes at the knight thing, I cannot lie. But you can't totally blame her, there's no knighthood culture on the islands! She wouldn't discourage him though, she'd just privately think that there's better things to dream of. Also, she's definitely taking him out on her longship at some point because "every boy needs to go out on the ocean. It puts hair on their chest." Did she tell Alicent or Kaleb beforehand? Maybe.

I think they'd be at least casual friends, with varying closeness depending on if it's SOTF or TRP. Because, like, they were both growing up in The Red Keep, but she was also never really a part of Rhaenyra's friend group until they were both a little older.

In SOTF, it'd definitely be a case of "this is my husband's cousin's boy (aside from Laenor, of course) that I also know & have a positive opinion of. Of course I am going to be kind & welcoming to him!" Because Cassana Strong is, first & foremost, a big sweetie pie. She's a little insecure, but she's a sweetie pie & she will never make someone feel unwelcome unless they've given her a reason to. She'd maybe be a little judgey about him having so many bastards (because she's even judgey about her brother in that regard), but she wouldn't say anything to him about it. Because that's rude & also it's kind of just expected in Westeros. Not stopping her from being gossipy as hell though.

In the TRP crossover AU though, they're definitely closer since he's married to Her Girl. Like "that's Daenys's man, your honor. I have to giggle about him with her, that's girl code." Also, like Rhaenyra, she's definitely encouraging them & probably helping to set them up, because she's watching Daenys moon over him too! Her insecurity would make a bigger impact, temporarily at least, on their relationship here though. I'm not going to go into too much detail, because that's spoilers for her arc in that fic, but there would be a rough patch where she kind of ices him out & is kinda harsh towards him for a couple months. Yes, it would be a bitterness thing & she is butting heads with at least Daenys & maybe even him depending on how much he's willing to try to pus that due to her very sudden 180 on how warm & friendly she normally is. It's not beyond repair, & she gets over it, & I also think she'd be willing to tell Kaleb what was going on more than she probably is Tyland in noncrossover TRP since, like, she's known him since he was a kid.

Overall, I think Kaleb & Cass would have a very nice friendship. Maybe not a best friendship, but a comfortable one.

[notsocooljess]

i know haymitch lied to katniss and peeta about their role in the rebellion, but throughout the entire series, i think the single worst thing he does is the “more boy trouble?” comment near the end of mockingjay.

she was literally just a tribute in two games and the face of the rebellion, none of which by choice. she lost her home. lost her sister. and he reduces it to boy trouble. what an infuriating comment from an older male mentor.

[nonbinarykai]

My hot take is that I think Kai did raise nya but he was an objectively bad and lacking parental figure (because he was like 7) who wasn’t able to properly fulfill Nya emotional needs and as a result (as well as the general stress of the situation) nya is as heavily traumatized as Kai.

[thegirlwholivesin-delusion]

I have never been to psych ward in my life (touchwood) but the fortnight mv (especially the starting part) triggered me.

So imagine the people who have actually been to one... How triggered must they be by the mv?

[warderfromtheborder]

Destiny: the year of Very Well Structured Things In Sets of 2

Defiance+Wish: The Sovs Mara and Crow, the Eliksni Misraaks and Eramis, and the Regular Ass Humans Devrim and Petra(PV counts as a regular-ass human she isn't a figure of prophecy or royalty in the reef she's a cop who's been promoted too much out of necessity)

Deep+Witch: The Truncated Heros Sloane and Eris, the Osmium OGs Xivu and Savathun, the Concerned Boss-Parents Zavala and Ikora, and the Wriggly Enablers Ahsa and Drifter (okay you got me) I mean the Nonhuman Guides Ahsa and Immaru

Lightfall: Osiris with no Sagira and Nimbus with no Rohan and Caiatl with no Recognizable Dad and the Witness with no Disciples and Chioma with no Maya and the Vex with no Chill the Living People of Neomuna with no Meatspace to live in. (The dreaming city curse will never end and the people on Neptune will never get to leave the matrix Im sorry but that's the way it is)

The story and themes for this year of Destiny are SO GOOD the writers have done SUCH A GOOD JOB. If making a tighter relationship between the expansion narrative and the seasonal narratives was one of the goals this year they fucking knocked it out of the park, I can't put any of these arcs into its own box because they have been knit together so sturdily. It's all one great narrative, one Very Big narrative, they haven't done it like this before!

(And Im so mad people couldnt stop shitting on Lightfall they are stoping themselves from seeing how good the WHOLE NARRATIVE IS they are probably gonna say come march/near TFS launch "uhh yeah the seasons were good i guees but maybe they shoulda worked harder on Lightfall I mean who even likes Nimbus" and for their Ignorance and Haterism I am sentencing them to reading part two of The Two Towers while they get attacked by Paper-Tube Ninjas and a broadcast system shouts at them 'YOU CANNOT HAVE THE VICTORIES IN RETURN OF THE KING IF FRODO AND SAM DIDNT KEEP WALKING ALL THE WAY TO MORDOR' for 100 hundred years.) (The link there is I didn't get the Point of that part of Two Towers when I first read it and assumed the whole would have been better without it. Obviously...I was wrong, and so are these clowns who think Lightfall has a bad story)

The name of the game this year is Resolution, Catharsis, Armistice, Acceptance. The structuring is so simple and so elegant and so well executed, the 2s, the 3s, the mirroring and the inverting and the unfathomable gloriousness of the victories personal and community and galaxy wide. There is no way to overstate the bitterness of Amanda's death, the relief of exhalation when Sloane retreats, the VINDICATION of Eris's vengeance.

You remember when Zavala 'discovered' Crow's former identity? How that was the crowning on-screen narrative jewel in destiny up to that point? What I am saying is EVERY ARC THIS YEAR IS AS GOOD OR BETTER THAN THAT BEAT AND DESERVES AS MUCH RECOGNITION FOR THE ARTISTIC ACHIEVEMENT OF SO MANY COMPLEMENTARY COMBOS PACKED INTO ONE EXPANSION STORY.

If Shadowkeep was the first sign of symptoms, if Beyond Light was trying to irradiate the disease, if Witch Queen was a tug of war with scar tissue, then Lightfall is the world after recovery and making peace with what will Never Be The Same, and the home and family that has been changed forever but is still Your Home and Your Family. We don't stop fighting but we also don't stop loving and growing and caring.

One last thing for my fellow Sjur copium addicts out there: Sloane's retreat was mirrored and inverted by Eris's victory, so for the complementary-ness of the story to continue, Amanda's death and Crow's subsequent emotional anguish over losing the person he fought with but who also saw him for who he really is will need to be mirrored and inverted by SOMEONE who Mara fought with but who also saw her for who she really is and I expect you will agree this is SCIENTIFICALLY ACCURATE reasoning that Sjur's comin back home.

[atopvisenyashill]

any thoughts about how could it be the dynamic between viserys-naerys- daeron ii in fire & blood 2?

okay so straight up the dynamic i’m MOST interested in learning about in f&b2 is the viserys-naerys-daeron ii dynamic. first of all, those first two are just UNGODLY DISTURBINGLY YOUNG when they have children. viserys has naerys, his YOUNGEST child when he is sixteen. naerys has daeron when she is fifteen. viserys is a grandfather before he is 32 years old. it is truly babies raising babies out here!! i mean fuck, daeron has baelor under significantly less traumatic circumstances but he’s still only 17 by the time he starts having kids! that’s all just wildly interesting and disturbing to me. like, that alone, how close in age they all are because they all married & started having kids at crazy young ages, explains so much about why this period has always felt particularly deranged to me (“this period” being post dance where we get this incredible string of deranged freaks from aegon iii to aegon iv that ebbs into this vaguely “we’re having a targ renaissance yay” era that erupts into civil war anyways! i LOVE this conceptually i’m so ready to be annoyed when f&b2 comes out and i’ve hyped this all up for some more dumb sex stories from another court fool ajsjs).

but then secondly, okay, when you look at the timeline- daeron is born in 153 and the birth nearly kills naerys 15/16 year old naerys. aegon iii is still king for four more years. that last year, aegon iv spends his time (and the next two years after that) shacked up with megette. then aegon spends a few years shacked up/probably raping casella vaith the hostage, before running off to war. then he spends more time raping naerys, wherein she has a miscarriage, and aegon is sent away so he doesn’t rape her to death. daeron marries myriah, has a child with her. but before that child is two, in quick succession, his father comes back home & immediately starts raping his mother again, his mother nearly dies having twins & now he has a sister younger than his son, and daena unveils her new bastard who everyone thinks is aegon’s, and baelor is so distraught by all this he fasts himself to death. viserys is king, and likely dead before daeron’s second son is born and before daeron turns twenty. suddenly the person responsible for making sure aegon doesn’t rape naerys to death are daeron & aemon, who have NO authority over aegon. this man has the audacity to stay alive for twelve more years.

that shit is insane. daeron’s father is only around when he’s raping his mom. the closest things daeron has to a father figure are his uncle who wants to fuck his mom, his grandfather who is probably busy constantly (and also only in his thirties 😭), and his batshit insane cousin baelor. his childhood is marked by almost constant instability until it stabilizes for the worse when his cousins all get locked in the maidenvault, then gets thrown into upheaval once again as baelor & viserys die and now his dad who is only around when he’s raping his mom is suddenly back in town and has total control.

and naerys. she’s like if aemma lived long enough to parent her kids, but worse bc you could argue there was fondness of a sort between aemma & viserys. aegon and naerys hate each other. she is constantly pregnant and on death’s door from the age of fifteen (three years older than her father!) until the day she dies, in her early 40s. it sounds like worse than hell to me. it is a lifetime where the only source of comfort you have is the son you birthed at fifteen, because maybe your life is a nightmare but if you raise him to be marginally less evil, he won’t destroy the innocent little girl you know is going to be sent to court to be his wife. everyone else is actively holding you hostage and applauding you for taking the abuse so well. your whole life is screaming for help and all you get is tears telling you you’re so dutiful and brave.

and viserys just. watches it all happen. of course he does! his kids are simply ungrateful! he had to get married at twelve and his wife wasn’t born in westeros so they had nothing in common and at least they have a living father, they have no idea how lucky they are. why should daeron and naerys blame him when he gave them everything because he had nothing? it’s a shame it wasn’t naerys that offed this man. i do think she was his favorite kid tho and i bet he’s not subtle about it at all.

[thesmokinpossum]

It's honestly kinda insane to me that Vito trusts and respects Fredo so little that even with his strict catholic moral he literally trusts the reports of his late son's ex-mistress more than anything his actual son has to say like wow, you're not even pretending to care for this man at this point 😬

[ciderjacks]

why are these the same couple

[wheelercore]

Constantly thinking abour karen wheeler btw but in a way that makes everyone here super madsies

[please-picturemeintheweeds]

tw: abuse discussion, intimate partner violence, grooming discussion, power and control. Trying to be vague here and not fly too close to the muse Sun

Re: red tv and the manuscript discourse, I wonder if people realize that it is actually possible to have abusive/toxic/harmful relationships with people your own age, too? Like even if Taylor and jg were 2 years apart, harm still could’ve occurred….? Like it was obviously not grooming bc that is a very specific set of experiences usually involving a child and a person in a position of trust/power like a parent or teacher or coach etc (I know this bc I lived it!!!). But like… that is not the only kind of harm that can happen to young people???? Her youth/naivety was definitely a factor in how fucked up the situation was but it was not the only element. Power dynamics do not begin and end at age. Adults can fuck each other up, too…

[beechicory]

Oh my Godddddddd, another day, another confirmation that, in terms of parent quality in terms of my young relative it goes:

Me

our cat (look, she thinks she's responsible for us, and she does a good job!)

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the other potential parental figures, including their actual biological parents and their legal guardian

Just...fucking absolute ghouls. Levels of selfishness that go beyond comprehension. Sickening cruelty. I want to tar and feather them. Jesus Christ.