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qqueenofhades · 4 years ago

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Hi. I’m curious. What did you mean by “women who read fiction might get Bad Ideas!!!” has just reached its latest and stupidest form via tumblr purity culture.? I haven’t seen any of this but I’m new to tumblr.

Oh man. You really want to get me into trouble on, like, my first day back, don’t you?

Pretty much all of this has been explained elsewhere by people much smarter than me, so this isn’t necessarily going to say anything new, but I’ll do my best to synthesize and summarize it. As ever, it comes with the caveat that it is my personal interpretation, and is not intended as the be-all, end-all. You’ll definitely run across it if you spend any time on Tumblr (or social media in general, including Twitter, and any other fandom-related spaces). This will get long.

In short: in the nineteenth century, when Gothic/romantic literature became popular and women were increasingly able to read these kinds of novels for fun, there was an attendant moral panic over whether they, with their weak female brains, would be able to distinguish fiction from reality, and that they might start making immoral or inappropriate choices in their real life as a result. Obviously, there was a huge sexist and misogynistic component to this, and it would be nice to write it off entirely as just hysterical Victorian pearl-clutching, but that feeds into the “lol people in the past were all much stupider than we are today” kind of historical fallacy that I often and vigorously shut down. (Honestly, I’m not sure how anyone can ever write the “omg medieval people believed such weird things about medicine!” nonsense again after what we’ve gone through with COVID, but that is a whole other rant.) The thinking ran that women shouldn’t read novels for fear of corrupting their impressionable brains, or if they had to read novels at all, they should only be the Right Ones: i.e., those that came with a side of heavy-handed and explicit moralizing so that they wouldn’t be tempted to transgress. Of course, books trying to hammer their readers over the head with their Moral Point aren’t often much fun to read, and that’s not the point of fiction anyway. Or at least, it shouldn’t be.

Fast-forward to today, and the entire generation of young, otherwise well-meaning people who have come to believe that being a moral person involves only consuming the “right” kind of fictional content, and being outrageously mean to strangers on the internet who do not agree with that choice. There are a lot of factors contributing to this. First, the advent of social media and being subject to the judgment of people across the world at all times has made it imperative that you demonstrate the “right” opinions to fit in with your peer-group, and on fandom websites, that often falls into a twisted, hyper-critical, so-called “progressivism” that diligently knows all the social justice buzzwords, but has trouble applying them in nuance, context, and complicated real life. To some extent, this obviously is not a bad thing. People need to be critical of the media they engage with, to know what narratives the creator(s) are promoting, the tropes they are using, the conclusions that they are supporting, and to be able to recognize and push back against genuinely harmful content when it is produced – and this distinction is critical – by professional mainstream creators. Amateur, individual fan content is another kettle of fish. There is a difference between critiquing a professional creator (though social media has also made it incredibly easy to atrociously abuse them) and attacking your fellow fan and peer, who is on the exact same footing as you as a consumer of that content.

Obviously, again, this doesn’t mean that you can’t call out people who are engaging in actually toxic or abusive behavior, fans or otherwise. But certain segments of Tumblr culture have drained both those words (along with “gaslighting”) of almost all critical meaning, until they’re applied indiscriminately to “any fictional content that I don’t like, don’t agree with, or which doesn’t seem to model healthy behavior in real life” and “anyone who likes or engages with this content.” Somewhere along the line, a reactionary mindset has been formed in which the only fictional narratives or relationships are those which would be “acceptable” in real life, to which I say…. what? If I only wanted real life, I would watch the news and only read non-fiction. Once again, the underlying fear, even if it’s framed in different terms, is that the people (often women) enjoying this content can’t be trusted to tell the difference between fiction and reality, and if they like “problematic” fictional content, they will proceed to seek it out in their real life and personal relationships. And this is just… not true.

As I said above, critical media studies and thoughtful consumption of entertainment are both great things! There have been some great metas written on, say, the Marvel Cinematic Universe and how it is increasingly relying on villains who have outwardly admirable motives (see: the Flag Smashers in The Falcon and the Winter Soldier) who are then stigmatized by their anti-social, violent behavior and attacks on innocent people, which is bad even as the heroes also rely on violence to achieve their ends. This is a clever way to acknowledge social anxieties – to say that people who identify with the Flag Smashers are right, to an extent, but then the instant they cross the line into violence, they’re upsetting the status quo and need to be put down by the heroes. I watched TFATWS and obviously enjoyed it. I have gone on a Marvel re-watching binge recently as well. I like the MCU! I like the characters and the madcap sci-fi adventures! But I can also recognize it as a flawed piece of media that I don’t have to accept whole-cloth, and to be able to criticize some of the ancillary messages that come with it. It doesn’t have to be black and white.

When it comes to shipping, moreover, the toxic culture of “my ship is better than your ship because it’s Better in Real Life” ™ is both well-known and in my opinion, exhausting and pointless. As also noted, the whole point of fiction is that it allows us to create and experience realities that we don’t always want in real life. I certainly enjoy plenty of things in fiction that I would definitely not want in reality: apocalyptic space operas, violent adventures, and yes, garbage men. A large number of my ships over the years have been labeled “unhealthy” for one reason or another, presumably because they don’t adhere to the stereotype of the coffee-shop AU where there’s no tension and nobody ever makes mistakes or is allowed to have serious flaws. And I’m not even bagging on coffee-shop AUs! Some people want to remove characters from a violent situation and give them that fluff and release from the nonstop trauma that TV writers merrily inflict on them without ever thinking about the consequences. Fanfiction often focuses on the psychology and healing of characters who have been through too much, and since that’s something we can all relate to right now, it’s a very powerful exercise. As a transformative and interpretive tool, fanfic is pretty awesome.

The problem, again, comes when people think that fic/fandom can only be used in this way, and that going the other direction, and exploring darker or complicated or messy dynamics and relationships, is morally bad. As has been said before: shipping is not activism. You don’t get brownie points for only having “healthy” ships (and just my personal opinion as a queer person, these often tend to be heterosexual white ships engaging in notably heteronormative behavior) and only supporting behavior in fiction that you think is acceptable in real life. As we’ve said, there is a systematic problem in identifying what that is. Ironically, for people worried about Women Getting Ideas by confusing fiction and reality, they’re doing the same thing, and treating fiction like reality. Fiction is fiction. Nobody actually dies. Nobody actually gets hurt. These people are not real. We need to normalize the idea of characters as figments of a creator’s imagination, not actual people with their own agency. They exist as they are written, and by the choice of people whose motives can be scrutinized and questioned, but they themselves are not real. Nor do characters reflect the author’s personal views. Period.

This feeds into the fact that the internet, and fandom culture, is not intended as a “safe space” in the sense that no questionable or triggering content can ever be posted. Archive of Our Own, with its reams of scrupulous tagging and requests for you to explicitly click and confirm that you are of age to see M or E-rated content, is a constant target of the purity cultists for hosting fictional material that they see as “immoral.” But it repeatedly, unmistakably, directly asks you for your consent to see this material, and if you then act unfairly victimized, well… that’s on you. You agreed to look at this, and there are very few cases where you didn’t know what it entailed. Fandom involves adults creating contents for adults, and while teenagers and younger people can and do participate, they need to understand this fact, rather than expecting everything to be a PG Disney movie.

When I do write my “dark” ships with garbage men, moreover, they always involve a lot of the man being an idiot, being bluntly called out for an idiot, and learning healthier patterns of behavior, which is one of the fundamental patterns of romance novels. But they also involve an element of the woman realizing that societal standards are, in fact, bullshit, and she can go feral every so often, as a treat. But even if I wrote them another way, that would still be okay! There are plenty of ships and dynamics that I don’t care for and don’t express in my fic and fandom writing, but that doesn’t mean I seek out the people who do like them and reprimand them for it. I know plenty of people who use fiction, including dark fiction, in a cathartic way to process real-life trauma, and that’s exactly the role – one of them, at least – that fiction needs to be able to fulfill. It would be terribly boring and limited if we were only ever allowed to write about Real Life and nothing else. It needs to be complicated, dark, escapist, unreal, twisted, and whatever else. This means absolutely zilch about what the consumers of this fiction believe, act, or do in their real lives.

Once more, I do note the misogyny underlying this. Nobody, after all, seems to care what kind of books or fictional narratives men read, and there’s no reflection on whether this is teaching them unhealthy patterns of behavior, or whether it predicts how they’ll act in real life. (There was some of that with the “do video games cause mass shootings?”, but it was a straw man to distract from the actual issues of toxic masculinity and gun culture.) Certain kinds of fiction, especially historical fiction, romance novels, and fanfic, are intensely gendered and viewed as being “women’s fiction” and therefore hyper-criticized, while nobody’s asking if all the macho-man potboiler military-intrigue tough-guy stereotypical “men’s fiction” is teaching them bad things. So the panic about whether your average woman on the internet is reading dark fanfic with an Unhealthy Ship (zomgz) is, in my opinion, misguided at best, and actively destructive at worst.

#long post #anonymous #ask

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96thdayofrage · 3 years ago

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Racism is like cancer, ignore it long enough and it will corrupt everything around you including the minds of those it was intended to discriminate against.

A growing number of U.S Latinos are buying into the far-right, white nationalist narrative that’s seeped in hate and contradicts many aspects of their own culture.

One example of this is Proud Boy leader Enrique Tarrio. He is of Cuban-American and Afro-Cuban background and has for years spread neo-fascist, right-wing ideologies and promoted political violence in the U.S.

He was arrested March 8 on a conspiracy charge for his alleged role in plotting the Jan. 6, 2021, riot at the U.S. Capitol.

Before his latest arrest Tarrio was given a five-month sentence for lynching a Black Lives Matter banner that was taken from a Black church in Washington, D.C. Last November.

Tarrio isn’t the only confused Latino American serving a cause that is against the best interest of people who look like him.

On Feb 23 a Texas man named Jose Gomez III pleaded guilty to three counts of committing a hate crime after he attacked an Asian family because he believed them to be at fault for the COVID-19 pandemic.

But why are these minorities following the agendas of racist white men?

Just like any other nationality, Latino Americans do not all think the same. How many of them perceive themselves is directly corollated to their unique American experience. Most Americans understand when it comes to advancement in the U.S., white usually wins. This concept affects the self-perceptions of minority Americans. If ‘white’ is the winning way, why not call yourself white (if you can pass).

According to Pew Research Center, more than half of Hispanics surveyed identified their race as White (58%), with the next largest share selecting the “some other race” category (27%).

Many Hispanics in the U.S. are identifying as white. This means it’s easier to understand why some of them find solace in right-wing ideologies.

If you don’t relate to the plight of the people who look like you, but instead relate more to the oppressor, you can be convinced that hurting your people is in your best interest.

Nick Fuentes, the leader of a Christian-based extremist white nationalist group is half Mexican American, he identifies as a white supremacist. He’s constantly peddling hate and even promoting violence against immigrants, some of which could even be his distant relatives. But he doesn’t believe he’s Hispanic, when he looks in the mirror he sees a white man, regardless of his last name.

Other experts point to fake news as a catalyst to Latino Americans embracing white nationalism. According to a report by Nielsen, 28% of news websites where Latinos make up 20% of the audience contained content flagged as mixed, biased, extremely biased, conspiracy, or pseudoscience.

Because young people spend so much time on the internet, they can become indoctrinated into right-wing ideas with no oversight or buffer to the truth. Social media sites help amplify untruths that if you are already feeling disenfranchised can easily grab a hold of you.

Misinformation is geared to steer you in whatever direction its creator intended. If that direction is racism it is not inconceivable to have Latino Americans with right-wing ideologies.

Latino Americans have also had a history of anti-Blackness. Black Honduran author Saraciea J. Fennell admits being taught as a young girl that light skin was better than dark skin. During an interview with CNN, she spoke about watching her siblings use bleach cream on their skin because they believed they were too dark.

“Once I got older, I realized it was an anti-Black practice because I was not being allowed to love the skin that I’m in,” she said during the interview. “We don’t tend to see stories publicly shared by those from the diaspora, it makes it seem as though we don’t exist.”

Minorities in America do not need to be on the opposite side of America’s fight for the soul of the country. White nationalists will try to convince anyone they are on the right side of history. Don’t fall for their malarkey to the point where you despise the people who look like you. If you have a voice to be a leader in the Latino community, don’t be bamboozled into fighting for the racists. Your people need you way more than they do.

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potteresque-ire · 4 years ago

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Can you talk more about the usage of the word "wife" to talk about men in the BL context? I've noticed it in BJYX (particularly with GG), in the (English translations) of MDZS, and then it came up in your recent posts about Danmei-101 (which were super helpful btw) with articles connecting the "little fresh meat" type to fans calling an actor "wife." My initial reaction as a westerner is like "this is very problematic," but I think I'm missing a lot of language/cultural context. Any thoughts?

Hello! First of all, for those who’re interested, here’s a link to the referred posts. Under the cut is arguably the 4th post of the series. As usual, I apologise for the length!

(Topics: seme and uke; more about “leftover women”; roster of feminisation terms; Daji, Bao Si & the origin of BJYX; roster of beautiful, ancient Chinese men; Chairman Mao (not part of the roster) ...)

[TW: feminisation of men]

In the traditional BL characterisation, the M/M (double male) lead pairing is essentially a cis-het relationship in disguise, in which one of the M leads is viewed as the “wife” by the creator and audience. This lead often possesses some of the features of the traditional, stereotypical female, but retaining his male appearance.

In BL terms, the “wife” is the “uke”. “Seme” and “uke” are the respective roles taken by the two male leads, and designated by the creator of the material. Literally, “seme” (攻め) means the dominant, the attacking / aggressive partner in the relationship and “uke” (受け), the passive / recipient (of actions) partner who tends to follow the seme’s lead. The terms themselves do not have any sexual / gender context. However, as male and female are viewed as aggressive and passive by their traditional social roles, and the attacker and recipient by their traditional sexual roles respectively, BL fandoms have long assigned uke, the passive, sexual “bottom”, as the “woman”, the “wife”.

Danmei has kept this “semi” and uke” tradition from BL, taking the kanji of the Japanese terms for designation ~ 攻 (”attack” is therefore the “husband”, and 受 (”receive”), the “wife”. The designations are often specified in the introduction / summary of Danmei works as warning / enticement. For MDZS, for example, MXTX wrote:

高貴冷豔悶騷攻 × 邪魅狂狷風騷受

高貴冷豔悶騷攻 = noble, coolly beautiful and boring seme (referring to LWJ) 邪魅狂狷風騷受 = devilishly charming, wild, and flirty uke (referring to WWX)

The traditional, stereotypical female traits given to the “uke”, the “wife” in Danmei and their associated fanworks range from their personality to behaviour to even biological functions. Those who have read the sex scenes in MDZS may be aware of their lack of mention of lube, while WWX was written as getting (very) wet from fluids from his colon (腸道) ~ implying that his colon, much like a vagina, was supplying the necessarily lubrication for sex. This is obviously biologically inaccurate; however, Danmei is exempt from having to be realistic by its original Tanbi definition. The genre’s primary audience is cishet females, and sex scenes such as this one aren’t aiming for realism. Rather, the primary goal of these sex scenes is to generate fantasy, and the purpose of the biologically female functions in one of the leads (WWX) is to ease the readers into imagining themselves as the one engaging in the sex.

Indeed, these practices of assigning as males and female the M/M sexual top and bottom, of emphasising of who is the top and who is the bottom, have been falling out of favour in Western slash fandoms ~ I joined fandom about 15 years ago, and top and bottom designations in slash pairings (and fights about them) were much more common than it is now. The generally more open, more progressive environments in which Western fandomers are immersed in probably have something to do with it: they transfer their RL knowledge, their views on biology, on different social into their fandom works and discourses.

I’d venture to say this: in the English-speaking fandoms, fandom values and mainstream values are converging. “Cancel culture” reflects an attempt to enforce RL values in the fictional worlds in fandom. Fandom culture is slowly, but surely, leaving its subculture status and becoming part of mainstream culture.

I’d hesitate to call c-Danmei fandoms backward compared to Western slash for this reason. There’s little hope for Danmei to converge with China’s mainstream culture in the short term ~ the necessity of replacing Danmei with Dangai in visual media already reflects that. Danmei is and will likely remain subculture in the foreseeable future, and subcultures, at heart, are protests against the mainstream. Unless China and the West define “mainstream” very similarly (and they don’t), it is difficult to compare the “progressiveness”—and its dark side, the “problematic-ness”—of the protests, which are shaped by what they’re protesting against. The “shaper” in this scenario, the mainstream values and culture, are also far more forceful under China’s authoritarian government than they are in the free(-er) world.

Danmei, therefore, necessarily takes on a different form in China than BL or slash outside China. As a creative pursuit, it serves to fulfil psychological needs that are reflective of its surrounding culture and sociopolitical environment. The genre’s “problematic” / out of place aspects in the eyes of Western fandoms are therefore, like all other aspects of the genre, tailor-made by its millions of fans to be comforting / cathartic for the unique culture and sociopolitical background it and they find themselves in.

I briefly detoured to talk about the Chinese government’s campaign to pressure young, educated Chinese women into matrimony and motherhood in the post for this reason, as it is an example of how, despite Western fandoms’ progressiveness, they may be inadequate, distant for c-Danmei fans. Again, this article is a short and a ... morbidly-entertaining read on what has been said about China’s “leftover women” (剩女) — women who are unmarried and over 27-years-old). I talked about it, because “Women should enter marriage and parenthood in their late 20s” may no longer a mainstream value in many Western societies, but where it still is, it exerts a strong influence on how women view romance, and by extension, how they interact with romantic fiction, including Danmei.

In China, this influence is made even stronger by the fact that Chinese tradition places a strong emphasis on education and holds a conservative attitude towards romance and sex. Dating while studying therefore remains discouraged in many Chinese families. University-educated Chinese women therefore have an extremely short time frame — between graduation (~23 years old) and their 27th birthday — to find “the right one” and get married, before they are labelled as “leftovers” and deemed undesirable. (Saving) face being an important aspect in Chinese culture introduces yet another layer of pressure: traditionally, women who don’t get married by the age agreed by social norms have been viewed as failures of upbringing, in that the unmarried women’s parents not having taught/trained their daughters well. Filial, unmarried women therefore try to get married “on time” just to avoid bringing shame to their family.

The outcome is this: despite the strong women characters we may see in Chinese visual media, many young Chinese women nowadays do not expect themselves to be able to marry for love. Below, I offer a “book jacket summary” of a popular internet novel in China, which shows how the associated despair also affects cis-het fictional romance. Book reviews praise this novel for being “boring”: the man and woman leads are both common working class people, the “you-and-I”’s; the mundaneness of them trying build their careers and their love life is lit by one shining light: he loves her and she loves him.

Written in her POV, this summary reflects, perhaps, the disquiet felt by many contemporary Chinese women university graduates:

曾經以為，自己這輩子都等不到了—— 世界這麼大，我又走得這麼慢，要是遇不到良人要怎麼辦？早過了「全球三十幾億男人，中國七億男人，天涯何處無芳草」的猖狂歲月，越來越清楚，循規蹈矩的生活中，我們能熟悉進而深交的異性實在太有限了，有限到我都做好了「接受他人的牽線，找個適合的男人慢慢煨熟，再平淡無奇地進入婚姻」的準備，卻在生命意外的拐彎處迎來自己的另一半。

I once thought, my wait will never come to fruition for the rest of my life — the world is so big, I’m so slow in treading it, what if I’ll never meet the one? I’ve long passed the wild days of thinking “3 billion men exist on Earth, 0.7 of which are Chinese. There is plenty more fish in the sea.” I’m seeing, with increasing clarity, that in our disciplined lives, the number of opposite-sex we can get to know, and get to know well, is so limited. It’s so limited that I’m prepared to accept someone’s matchmaking, find a suitable man and slowly, slowly, warm up to him, and then, to enter marriage with without excitement, without wonder. But then, an accidental turn in my life welcomes in my other half.

— Oath of Love (餘生，請多指教) (Yes, this is the novel Gg’d upcoming drama is based on.)

Heteronormativity is, of course, very real in China. However, that hasn’t exempted Chinese women, even its large cis-het population, from having their freedom to pursue their true love taken away from them. Even for cis-het relationships, being able to marry for love has become a fantasy —a fantasy scorned by the state. Remember this quote from Article O3 in the original post?

耽改故事大多远离现实，有些年轻受众却将其与生活混为一谈，产生不以结婚和繁衍为目的才是真爱之类的偏颇认知。

Most Dangai stories are far removed from reality; some young audience nonetheless mix them up with real life, develop biased understanding such as “only love that doesn’t treat matrimony and reproduction as destinations is true love”.

I didn’t focus on it in the previous posts, in an effort to keep the discussion on topic. But why did the op-ed piece pick this as an example of fantasy-that-shouldn’t-be-mixed-up-with-real-life, in the middle of a discussion about perceived femininity of men that actually has little to do with matrimony and reproduction?

Because the whole point behind the state’s “leftover women” campaign is precisely to get women to treat matrimony and reproduction as destinations, not beautiful sceneries that happen along the way. And they’re the state’s destination as more children = higher birth rate that leads to higher future productivity. The article is therefore calling out Danmei for challenging this “mainstream value”.

Therefore, while the statement True love doesn’t treat matrimony and reproduction as destinations may be trite for many of us while it may be a point few, if any, English-speaking fandoms may pay attention to, to the mainstream culture Danmei lives in, to the mainstream values dictated by the state, it is borderline subversive.

As much as Danmei may appear “tame” for its emphasis on beauty and romance, for it to have stood for so long, so firmly against China’s (very) forceful mainstream culture, the genre is also fundamentally rebellious. Remember: Danmei has little hope of converging with China’s mainstream unless it “sells its soul” and removes its homoerotic elements.

With rebelliousness, too, comes a bit of tongue-in-cheek.

And so, when c-Danmei fans, most of whom being cishet women who interact with the genre by its traditional BL definition, call one of the leads 老婆 (wife), it can and often take on a different flavour. As said before, it can be less about feminizing the lead than about identifying with the lead. The nickname 老婆 (wife) can be less about being disrespectful and more about humorously expressing an aspiration—the aspiration to have a husband who truly loves them, who they do want to get married and have babies with but out of freedom and not obligation.

Admittedly, I had been confused, and bothered by these “can-be”s myself. Just because there are alternate reasons for the feminisation to happen doesn’t mean the feminisation itself is excusable. But why the feminisation of M/M leads doesn’t sound as awful to me in Chinese as in English? How can calling a self-identified man 老婆 (wife) get away with not sounding being predominantly disrespectful to my ears, when I would’ve frowned at the same thing said in my vicinity in English?

I had an old hypothesis: when I was little, it was common to hear people calling acquaintances in Chinese by their unflattering traits: “Deaf-Eared Chan” (Mr Chan, who’s deaf), “Fat Old Woman Lan” (Ah-Lan, who’s an overweight woman) etc—and the acquaintances were perfectly at ease with such identifications, even introducing themselves to strangers that way. Comparatively speaking then, 老婆 (wife) is harmless, even endearing.

老婆, which literally means “old old-lady” (implying wife = the woman one gets old with), first became popularised as a colloquial, casual way of calling “wife” in Hong Kong and its Cantonese dialect, despite the term itself being about 1,500 years old. As older generations of Chinese were usually very shy about talking about their love lives, those who couldn’t help themselves and regularly spoke of their 老婆 tended to be those who loved their wives in my memory. 老婆, as a term, probably became endearing to me that way.

Maybe this is why the feminisation of M/M leads didn’t sound so bad to me?

This hypothesis was inadequate, however. This custom of identifying people by their (unflattering) traits has been diminishing in Hong Kong and China, for similar reasons it has been considered inappropriate in the West.

Also, 老婆 (wife) is not the only term used for / associated with feminisation. I’ve tried to limit the discussion to Danmei, the fictional genre; now, I’ll jump to its associated RPS genre, and specifically, the YiZhan fandoms. The purpose of this jump: with real people involved, feminisation’s effect is potentially more harmful, more acute. Easier to feel.

YiZhan fans predominantly entered the fandoms through The Untamed, and they’ve also transferred Danmei’s “seme”/“uke” customs into YiZhan. There are, therefore, three c-YiZhan fandoms:

博君一肖 (BJYX): seme Dd, uke Gg 戰山為王 (ZSWW): seme Gg, uke Dd 連瑣反應 (LSFY): riba Gg and Dd. Riba = “reversible”, and unlike “seme” and “uke”, is a frequently-used term in the Japanese gay community.

BJYX is by far the largest of the three, likely due to Gg having played WWX, the “uke” in MDZS / TU. I’ll therefore focus on this fandom, ie. Gg is the “uke”, the “wife”.

For Gg alone, I’ve seen him being also referred to by YiZhan fans as (and this is far from a complete list):

* 姐姐 (sister) * 嫂子 (wife of elder brother; Dd being the elder brother implied) * 妃妃 (based on the very first YiZhan CP name, 太妃糖 Toffee Candy, a portmanteau of sorts from Dd being the 太子 “prince” of his management company and Gg being the prince’s wife, 太子妃. 糖 = “candy”. 太妃 sounds like toffee in English and has been used as the latter’s Chinese translation.) * 美人 (beauty, as in 肖美人 “Beauty Xiao”) * Daji 妲己 (as in 肖妲己, “Daji Xiao”).

The last one needs historical context, which will also become important for explaining the new hypothesis I have.

Daji was a consort who lived three thousand years ago, whose beauty was blamed for the fall of the Shang dynasty. Gg (and men sharing similar traits, who are exceptionally rare) has been compared to Daji 妲己 for his alternatively innocent, alternatively seductive beauty ~ the kind of beauty that, in Chinese historical texts and folk lores, lead to the fall of kingdoms when possessed by the king’s beloved woman. This kind of “I-get-to-ruin-her-virginity”, “she’s a slut in MY bedroom” beauty is, of course, a stereotypical fantasy for many (cis-het) men, which included the authors of these historical texts and folklores. However, it also contained some truth: the purity / innocence, the image of a virgin, was required for an ancient woman to be chosen as a consort; the seduction, meanwhile, helped her to become the top consort, and monopolise the attention of kings and emperors who often had hundreds of wives ~ wives who often put each other in danger to eliminate competition.

Nowadays, women of tremendous beauty are still referred to by the Chinese idiom 傾國傾城, literally, ”falling countries, falling cities”. The beauty is also implied to be natural, expressed in a can’t-help-itself way, perhaps reflecting the fact that the ancient beauties on which this idiom has been used couldn’t possibly have plastic surgeries, and most of them didn’t meet a good end ~ that they had to pay a price for their beauty, and often, with their lowly status as women, as consorts, they didn’t get to choose whether they wanted to pay this price or not. This adjective is considered to be very flattering. Gg’s famous smile from the Thailand Fanmeet has been described, praised as 傾城一笑: “a smile that topples a city”.

I’m explaining Daji and 傾國傾城 because the Chinese idiom 博君一笑 “doing anything to get a smile from you”, from which the ship’s name BJYX 博君一肖 was derived (笑 and 肖 are both pronounced “xiao”), is connected to yet another of such dynasty-falling beauty, Bao Si 褒姒. Like Daji before her, Bao Si was blamed for the end of the Zhou Dynasty in 771 BC.

The legend went like this: Bao Si was melancholic, and to get her to smile, her king lit warning beacons and got his nobles to rush in from the nearby vassal states with their armies to come and rescue him, despite not being in actual danger. The nobles, in their haste, looked so frantic and dishevelled that Bao Si found it funny and smiled. Longing to see more of the smile of his favourite woman, the king would fool his nobles again and again, until his nobles no longer heeded the warning beacons when an actual rebellion came.

What the king did has been described as 博紅顏一笑, with 紅顏 (”red/flushed face”) meaning a beautiful woman, referring to Bao Si. Replace 紅顏 with the respectful “you”, 君, we get 博君一笑. If one searches the origin of the phrase 博 [fill_in_the_blank]一笑 online, Bao Si’s story shows up.

The “anything” in ”doing anything to get a smile from you” in 博君一笑, therefore, is not any favour, but something as momentous as giving away one’s own kingdom. c-turtles have remarked, to their amusement and admittedly mine, that “king”, in Chinese, is written as 王, which is Dd’s surname, and very occasionally, they jokingly compare him to the hopeless kings who’d give away everything for their love. Much like 傾國傾城 has become a flattering idiom despite the negative reputations of Daji and Bao Si for their “men-ruining ways”, 博君一笑 has become a flattering phrase, emphasising on the devotion and love rather than the ... stupidity behind the smile-inducing acts.

(Bao Si’s story, BTW, was a lie made up by historians who also lived later but also thousands of years ago, to absolve the uselessness of the king. Warning beacons didn’t exist at her time.)

Gg is arguably feminized even in his CP’s name. Gg’s feminisation is everywhere.

And here comes my confession time ~ I’ve been amused by most of the feminisation terms above. 肖妲己 (”Daji Xiao”) captures my imagination, and I remain quite partial to the CP name BJYX. Somehow, there’s something ... somewhat forgivable when the feminisation is based on Gg’s beauty, especially in the context of the historical Danmei / Dangai setting of MDZS/TU ~ something that, while doesn’t cancel, dampens the “problematic-ness” of the gender mis-identification.

What, exactly, is this something?

Here’s my new hypothesis, and hopefully I’ll manage to explain it well ~

The hypothesis is this: the unisex beauty standard for historical Chinese men and women, which is also breathtakingly similar to the modern beauty standard for Chinese women, makes feminisation in the context of Danmei (especially historical Danmei) flattering, and easier to accept.

What defined beauty in historical Chinese men? If I am to create a classically beautiful Chinese man for my new historical Danmei, how would I describe him based on what I’ve read, my cultural knowledge?

Here’s a list:

* Skin fair and smooth as white jade * Thin, even frail; narrow/slanted shoulders; tall * Dark irises and bright, starry eyes * Not too dense, neat eyebrows that are shaped like swords ~ pointed slightly upwards from the center towards the sides of the face * Depending on the dynasty, nice makeup.

Imagine these traits. How “macho” are they? How much do they fit the ideal Chinese masculine beauty advertised by Chinese government, which looks like below?

Propaganda poster, 1969. The caption says “Defeat Imperialist US! Defeat Social Imperialism!” The book’s name is “Quotations from Mao Zedong”. (Source)

Where did that list of traits I’ve written com from? Fair like jade, frail ... why are they so far from the ... “macho”ness of the men in the poster?

What has Chinese history said about its beautiful men?

Wei Jie (衛玠 286-312 BCE), one of the four most beautiful ancient Chinese men (古代四大美男) recorded in Chinese history famously passed away when fans of his beauty gathered and formed a wall around him, blocking his way. History recorded Wei as being frail with chronic illness, and was only 27 years old when he died. Arguably the first historical account of “crazy fans killing their idol”, this incident left the idiom 看殺衛玠 ~ “Wei Jie being watched to death.” ~ a not very “macho” way to die at all.

潘安 (Pan An; 247-300 BCE), another one of the four most beautiful ancient Chinese men, also had hoards of fangirls, who threw fruits and flowers at him whenever he ventured outside. The Chinese idiom 擲果盈車 “thrown fruit filling a cart” was based on Pan and ... his fandom, and denotes such scenarios of men being so beautiful that women openly displayed their affections for them.

Meanwhile, when Pan went out with his equally beautiful male friend, 夏侯湛 Xiahou Zhan, folks around them called them 連璧 ~ two connected pieces of perfect jade. Chinese Jade is white, smooth, faintly glowing in light, so delicate that it gives the impression of being somewhat transparent.

Aren’t Wei Jie and Pan An reminiscent of modern day Chinese idols, the “effeminate” “Little Fresh Meat”s (小鲜肉) so panned by Article O3? Their stories, BTW, also elucidated the historical reference in LWJ’s description of being jade-like in MDZS, and in WWX and LWJ being thrown pippas along the Gusu river bank.

Danmei, therefore, didn’t create a trend of androgynous beauty in men as much as it has borrowed the ancient, traditional definition of masculine Chinese beauty ~ the beauty that was more feminine than masculine by modern standards.

[Perhaps, CPs should be renamed 連璧 (”two connected pieces of perfect jade”) as a reminder of the aesthetics’ historical roots.]

Someone may exclaim now: But. But!! Yet another one of the four most beautiful ancient Chinese men, 高長恭 (Gao Changgong, 541-573 BCE), far better known by his title, 蘭陵王 (”the Prince of Lanling”), was a famous general. He had to be “macho”, right?

... As it turns out, not at all. Historical texts have described Gao as “貌柔心壮，音容兼美” (”soft in looks and strong at heart, beautiful face and voice”), “白美類婦人” (”fair and beautiful as a woman”), “貌若婦人” (”face like a woman”). Legends have it that The Prince of Lanling’s beauty was so soft, so lacking in authority that he had to wear a savage mask to get his soldiers to listen to his command (and win) on the battlefield (《樂府��錄》: 以其顏貌無威，每入陣即著面具，後乃百戰百勝).

This should be emphasised: Gao’s explicitly feminine descriptions were recorded in historical texts as arguments *for* his beauty. Authors of these texts, therefore, didn’t view the feminisation as insult. In fact, they used the feminisation to drive the point home, to convince their readers that men like the Prince of Lanling were truly, absolutely good looking.

Being beautiful like a women was therefore high praise for men in, at least, significant periods in Chinese history ~ periods long and important enough for these records to survive until today. Beauty, and so it goes, had once been largely free of distinctions between the masculine and feminine.

One more example of an image of an ancient Chinese male beauty being similar to its female counterpart, because the history nerd in me finds this fun.

何晏 (He Yan, ?-249 BCE) lived in the Wei Jin era (between 2nd to 4th century), during which makeup was really en vogue. Known for his beauty, he was also famous for his love of grooming himself. The emperor, convinced that He Yan’s very fair skin was from the powder he was wearing, gave He Yan some very hot foods to eat in the middle of the summer. He Yan began to sweat, had to wipe himself with his sleeves and in the process, revealed to the emperor that his fair beauty was 100% natural ~ his skin glowed even more with the cosmetics removed (《世說新語·容止第十四》: 何平叔美姿儀，面至白。魏明帝疑其傅粉，正夏月，與熱湯餅。既啖，大汗出，以朱衣自拭，色轉皎然). His kick-cosmetics’-ass fairness won him the nickname 傅粉何郎 (”powder-wearing Mr He”).

Not only would He Yan very likely be mistaken as a woman if this scene is transferred to a modern setting, but this scene can very well fit inside a Danmei story of the 21st century and is very, very likely to get axed by the Chinese censorship board for its visualisation.

[Important observation from this anecdote: the emperor was totally into this trend too.]

The adjectives and phrases used above to describe these beautiful ancient Chinese men ~ 貌柔, 音容兼美, 白美, 美姿儀, 皎然 ~ have all become pretty much reserved for describing beauty in women nowadays. Beauty standards in ancient China were, as mentioned before, had gone through significantly long periods in which they were largely genderless. The character for beauty 美 (also in Danmei, 耽美) used to have little to no gender association. Free of gender associations as well were the names of many flowers. The characters for orchid (蘭) and lotus (蓮), for example, were commonly found in men’s names as late as the Republican era (early 20th century), but are now almost exclusively found in women’s names. Both orchid and lotus have historically been used to indicate 君子 (junzi, roughly, “gentlemen”), which have always been men. MDZS also has an example of a man named after a flower: Jin Ling’s courtesy name, given to him by WWX, was 如蘭 (”like an orchid”).

A related question may be this: why does ancient China associate beauty with fairness, with softness, with frailty? Likely, because Confucianist philosophy and customs put a heavy emphasis on scholarship ~ and scholars have mostly consisted of soft-spoken, not muscular, not working-under-the-sun type of men. More importantly, Confucianist scholars also occupied powerful government positions. Being, and looking like a Confucianist scholar was therefore associated with status. Indeed, it’s very difficult to look like jade when one was a farmer or a soldier, for example, who constantly had to toil under the sun, whose skin was constantly being dried and roughened by the elements. Having what are viewed as “macho” beauty traits as in the poster above ~ tanned skin, bulging muscles, bony structures (which also take away the jade’s smoothness) ~ were associated with hard labour, poverty and famine.

Along that line, 手無縛雞之力 (“hands without the strength to restrain a chicken”) has long been a phrase used to describe ancient scholars and students, and without scorn or derision. Love stories of old, which often centred around scholars were, accordingly, largely devoid of the plot lines of husbands physically protecting the wives, performing the equivalent of climbing up castle walls and fighting dragons etc. Instead, the faithful husbands wrote poems, combed their wife’s hair, traced their wife’s eyebrows with cosmetics (畫眉)...all activities that didn’t require much physical strength, and many of which are considered “feminine” nowadays.

Were there periods in Chinese history in which more ... sporty men and women were appreciated? Yes. the Tang dynasty, for example, and the Yuan and Qing dynasties. The Tang dynasty, as a very powerful, very open era in Chinese history, was known for its relations to the West (via the Silk Road). The Yuan and Qing dynasties, meanwhile, were established by Mongolians and Manchus respectively, who, as non-Han people, had not been under the influence of Confucian culture and grew up on horsebacks, rather than in schools.

The idea that beautiful Chinese men should have “macho” attributes was, therefore, largely a consequence of non-Han-Chinese influence, especially after early 20th century. That was when the characters for beauty (美), orchid (蘭), lotus (蓮) etc began their ... feminisation. The Chinese Communist Party (CCP), which started its reign of the country starting 1949, also has foreign roots, being a derivative of the Soviets, and its portrayal of ideal men has been based on the party’s ideology, painting them as members of the People’s Liberation Army (Chinese army) and its two major proletariat classes, farmers and industrial workers ~ all occupations that are “macho” in their aesthetics, but held at very poor esteem in ancient Chinese societies. All occupations that, to this day, may be hailed as noble by Chinese women, but not really deemed attractive by them.

Beauty, being an instinct, is perhaps much more resistant to propaganda.

If anything, the three terms Article O3 used to describe “effeminate” men ~ 奶油小生 “cream young men” (popularised in 1980s) , 花美男 “flowery beautiful men” (early 2000s), 小鲜肉 “little fresh meat” (coined in 2014 and still popular now) ~ only informs me how incredibly consistent the modern Chinese women’s view of ideal male beauty has been. It’s the same beauty the Chinese Communist Party has called feminine. It’s the same beauty found in Danmei. It’s the same beauty that, when witnessed in men in ancient China, was so revered that historians recorded it for their descendants to remember. It doesn’t mean there aren’t any women who appreciate the "macho” type ~ it’s just that, the appreciation for the non-macho type has never really gone out of fashion, never really changed. The only thing that is really changing is the name of the type, the name’s positive or negative connotations.

(Personally, I’m far more uncomfortable with the name “Little fresh meat” (小鲜肉) than 老婆 (wife). I find it much more insulting.)

Anyway, what I’d like to say is this: feminisation in Danmei ~ a genre that, by definition, is hyper-focused on aesthetics ~ may not be as "problematic” in Chinese as it is in English, because the Chinese tradition didn’t make that much of a differentiation between masculine and feminine beauty. Once again, this isn’t to say such mis-gendering isn’t disrespectful; it’s just that, perhaps, it is less disrespectful because Chinese still retains a cultural memory in which equating a beautiful man to a beautiful woman was the utmost flattery.

I must put a disclaimer here: I cannot vouch for this being true for the general Chinese population. This is something that is buried deep enough inside me that it took a lot of thought for me to tease out, to articulate. More importantly, while I grow up in a Chinese-speaking environment, I’ve never lived inside China. My history knowledge, while isn’t shabby, hasn’t been filtered through the state education system.

I’d also like to point out as well, along this line of thought, that in *certain* (definitely not all) aspects, Chinese society isn’t as sexist as the West. While historically, China has periods of extreme sexism against women, with the final dynasties of Ming and Qing being examples, I must (reluctantly) acknowledge Chairman Mao for significantly lifting the status of women during his rule. Here’s a famous quote of his from 1955:

婦女能頂半邊天 Women can lift half the skies

The first marriage code, passed in 1950, outlawed forced marriages, polygamy, and ensured equal rights between husband and wife. For the first time in centuries, women were encouraged to go outside of their homes and work. Men resisted at first, wanting to keep their wives at home; women who did work were judged poorly for their performance and given less than 50% of men’s wage, which further fuelled the men’s resistance. Mao said the above quote after a commune in Guizhou introduced the “same-work-same-wage” system to increase its productivity, and he asked for the same system to to be replicated across the country. (Source)

When Chairman Mao wanted something, it happened. Today, Chinese women’s contribution to the country’s GDP remains among the highest in the world. They make up more than half of the country’s top-scoring students. They’re the dominant gender in universities, in the ranks of local employees of international corporations in the Shanghai and Beijing central business districts—among the most sought after jobs in the country. While the inequality between men and women in the workplace is no where near wiped out — stories about women having to sleep with higher-ups to climb the career ladder, or even get their PhDs are not unheard of, and the central rulership of the Chinese Communist Party has been famously short of women — the leap in women’s rights has been significant over the past century, perhaps because of how little rights there had been before ~ at the start of the 20th century, most Chinese women from relatively well-to-do families still practised foot-binding, in which their feet were literally crushed during childhood in the name of beauty, of status symbol. They couldn’t even walk properly.

Perhaps, the contemporary Chinese women’s economic contribution makes the sexism they encounter in their lives, from the lack of reproductive rights to the “leftover women” label, even harder to swallow. It makes their fantasies fly to even higher, more defiant heights. The popularity of Dangai right now is pretty much driven by women, as acknowledged by Article O3. Young women, especially, female fans who people have dismissed as “immature”, “crazy”, are responsible for the threat the Chinese government is feeling now by the genre.

This is no small feat. While the Chinese government complains about the “effeminate” men from Danmei / Dangai, its propaganda has been heavily reliant on stars who have risen to popularity to these genres. The film Dd is currently shooting, Chinese Peacekeeping Force (維和部隊), also stars Huang Jingyu (黄景瑜), and Zhang Zhehan (張哲瀚) ~ the three actors having shot to fame from The Untamed (Dangai), Addicted (Danmei), and Word of Honour (Dangai) respectively. Zhang, in particular, played the “uke” role in Word of Honour and has also been called 老婆 (wife) by his fans. The quote in Article O3, “Ten years as a tough man known by none; one day as a beauty known by all” was also implicitly referring to him.

Perhaps, the government will eventually realise that millennia-old standards of beauty are difficult to bend, and by extension, what is considered appropriate gender expression of Chinese men and women.

In the metas I’ve posted, therefore, I’ve hesitated in using terms such as homophobia, sexism, and ageism etc, opting instead to make long-winded explanations that essentially amount to these terms (thank you everyone who’s reading for your patience!). Because while the consequence is similar—certain fraction of the populations are subjected to systemic discrimination, abuse, given less rights, treated as inferior etc—these words, in English, also come with their own context, their own assumptions that may not apply to the situation. It reminds me of what Leo Tolstoy wrote in Anna Karenina,

“All happy families are alike; each unhappy family is unhappy in its own way.”

Discrimination in each country, each culture is humiliating, unhappy in its own way. Both sexism and homophobia are rampant in China, but as their roots are different from those of the West, the ways they manifest are different, and so must the paths to their dissolution. I’ve also hesitated on calling out individual behaviours or confronting individuals for this reason. i-Danmei fandoms are where i-fans and c-fans meet, where English-speaking doesn’t guarantee a non-Chinese sociopolitical background (there may be students from China, for example; I’m also ... not entirely Western), and I find it difficult to articulate appropriate, convincing arguments without knowing individual backgrounds.

Frankly, I’m not sure if I’ve done the right thing. Because I do hope feminisation will soon fade into extinction, especially in i-Danmei fandoms that, if they continue to prosper on international platforms, may eventually split from c-Danmei fandoms along the cultural (not language) line due to the vast differences in environmental constraints. My hope is especially true when real people are involved, and c-fandoms, I’d like to note, are not unaware of the issues surrounding feminisation ~ it has already been explicitly forbidden in BJYX’s supertopic on Weibo.

At the same time, I’ve spent so many words above to try to explain why beauty can *sometimes* lurk behind such feminisations. Please allow me to end this post with one example of feminisation that I deeply dislike—and I’ve seen it used by fans on Gg as well—is 綠茶 (”green tea”), from 綠茶婊 (”green tea whore”) that means women who look pure / innocent but are, deep down, promiscuous / lustful. In some ways, its meaning isn’t so different from Daji 妲己, the consort blamed for the fall of the Shang dynasty. However, to me at least, the flattery in the feminisation is gone, perhaps because of the character “whore” (婊), because the term originated in 2013 from a notorious sex party rather than from a legendary beauty so maligned that The Investiture of the Gods (封神演義), the seminal Chinese fiction written ~2,600 years after Daji’s death, re-imagined her as a malevolent fox spirit (狐狸精) that many still remembers her as today.

Ah, to be caught between two cultures. :)

#tell-me-everything #pie metas #yizhan #bjyx

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silentfcknhill · 4 years ago

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FAVORITE SHOWS IN POSTERS

Well, we’re back for another installment of this tagged meme, this time for TV shows! I also stole this from/was indirectly tagged by @jcmorrigan. My taste in shows also differs a bit from my taste in movies, as I tend to like a lot of comedy shows with not as many horror ones. I’m not into shows as much as movies overall, but there are some that I am very passionate about so I picked twenty again. So, here we go for part 2, in order:

1. Avatar: The Last Airbender/The Legend Of Korra (2005-2014)

I'm including these as one show since they take place in the same universe and tell a continuation of the same overall plot. Altogether this is probably the best piece of media to ever exist, including movies. It has so many great characters and villains especially and some of the most epic sequences, charming humor and heartwarming moments ever. I've never met a person who didn't like these shows, even people who normally don't like cartoons. My dad, who is biased against animation? He loved it. My mother? She loved it, watched it with her multiple times. My grandmother? Loved it. My ex-boyfriend? Loved it. My best friend? Loved it. I dare anyone not to, and I'm so glad it's making a resurgence since it's on Netflix for a new generation to enjoy.

2. Black Butler (2008-2014)

I never was big into anime growing up and only really started watching anime when I was like 16 and above, but this is one of the exceptions because holy shit is it ever dark and epic. I'm not sure I'd really recommend it for kids, it's more of a teens and young adults kind of anime and that's probably why it's so good, because it isn't afraid to explore dark and mature topics and do it with all of the intensity and gravitas required to do said topics justice. It has lots of great characters, and the story of demons who make deals with children who have a dark side is fun to watch play out.

3. Seinfeld (1989-1998)

My dad was a huge fan of this show so I watched it growing up since I was a toddler and it became a classic for me. I've watched thw hole show through at least 8 times, and I'll never stop because it never gets old or boring. It's also my only comfort show when I'm having a panic attack because of one time a few years ago when I was having a drug-induced psychosis episode and watching it calmed me down, so now it's like the opposite of a trigger and whenever I'm having an episode or something I watch it to bring me back to reality. For that reason it's more than a show to me, it's a medical treatment and I'm forever grateful to it.

4. The Good Place (2016-2020)

The big four shows made my Michael Schur all made it on this post (The Good Place, Brooklyn Nine-Nine, The Office and Parks And Recreation), either in the main list of the honorable mentions, but this is my personal favorite of the four. It's so funny, quirky, relatable and basically tailor-made to suit my interests. Not only is it an entertaining and wholesome show, but I think watching it helped me come to terms with a lot of things like mortality, ethics, philosophy, religion and my relationships with other people. It gets alot of different viewpoints across and if you're a very analytical and philosophical person like me you'll probably enjoy seeing it all play out. Not to mention, every single character is 'favorite character' material. It's rare you find a show with no filler characters in the main cast, but I genuinely can't choose who is best.

5. Brooklyn Nine-Nine (2013-?)

Another of Michael Schur's shows, this one is just barely under The Good Place and to be honest it was tough to pick my favorite between the two because they're both equally funny. I know it's kind of controversial right now because of the whole law enforcement thing, but I actually think they do a good job of handling social issues in the show and remaining respectful of real-life systemic problems. As for the characters, this is another one of those shows where every single character is gold and I think that tends to be a trend among Schur's shows in general. He produces damn good comedy, and damn good characters. I can't wait to see what they bring next.

6. Rick And Morty (2013-?)

This is unfortunately one of those cases of 'great show, horrible fandom' and for that reason I don't get involved in the fandom even though I love the show. It's a shame because it really is a great show, so funny and, again, such good characters. I think it's a lot more accessible than the fandom likes to claim, so I'm hoping more people will give it a chance and not get put off by the intellectual elitism of the fandom because it does have some of the most entertaining and batshit crazy episodes ever, poking fun of some of the staples of science fiction in media while also poking fun of itself the whole time. Unlike the fandom, the show doesn't take itself seriously and that's enjoyable nowadays.

7. Orange Is The New Black (2013-2019)

While this show is a comedy, it is also a lot of other things and it's probably made me ugly-cry just as many times as it's made me laugh. Well, maybe not as often, but those few scenes (if you've watched the show then you know the ones I'm talking about) made me hysterically sob hard enough to be worth like fifty minor sads. But I didn't even mind because the show is just that good, and it makes you /feel/ something in a real way. Probably because of just how real it gets in terms of telling stories that happen all the time in the real world, sometimes with inevitably tragic endings. But these things do happen every day, and it's important to shine a light on that. It's not just representation for LGBTQ+ but also for POC, the neurodiverse, the poor, and many more. Give it a watch to broaden your perspective!

8. Big Mouth (2017-?)

This is probably the grossest show I've ever seen but by god is it ever funny. Maybe it's because I have an immature sense of humor or something, but I love this show. It definitely won't be everyone's cup of tea and I don't recommend you watch this show with anyone else around because it will get awkward. I think part of its appeal to me is that everyone I talk to who likes it considers it so relatable to their lives growing up but for someone like me who grew up on the autism and asexual spectrum and who was physically an early-bloomer by years, nothing about this show is relatable to me in any way so it makes it all the more crazy and bizarre watching how the people around me must have experienced things. Did y'all really have these experiences with puberty in middle school???

9. Dexter (2006-2013)

I recently heard that this show is coming back for a reboot soon and I'm so excited because this is my absolute favorite drama/thriller show, as evidenced by the fact that it's the highest one on the list so far that isn't a comedy. I love the idea of having a protagonist who is sort of a villain (or at least morally dubious), and the idea of a serial killer who only kills bad people is particularly satisfying for some reason. Maybe because he's the vigilante we all deserve and want in this unjust and evil world of modern times? Idk but the very premise of this show set it up for big things and aside from the ending I think it delivered consistently.

10. Once Upon A Time (2011-2018)

This show took us on some journeys, and you can't deny that. Sure, maybe it didn't always finish what it started and didn't always end in the most satisfying way, but part of its charm is that you didn't care because the experience was just so much fun. They took characters and stories that have been told to death and somehow managed to put a unique and unexpected twist on them, and that alone is admirable. Good twists, good villains, and pretty much every cliffhanger known to man will keep you hooked on binge-watching every episode.

11. RuPaul's Drag Race (2009-?)

A bit different than the other entries on my list in that it's not fiction but a reality competition show, but I couldn't leave Drag Race out because it's just so fucking iconic and perfect. Even when you disagree with the judges or can't stand a certain contestant you'll still be having a good time. It's got the personalities you love to love, the ones you love to hate, and the comedy that's completely meme-able. I mean just how much has this show contributed to pop culture and the internet? More than most of us, henny. I've watched every single season, even the international ones and all of the spinoffs. This show will probably be on for another thirty years when Ru is throwing shade from a hospital bed and I'll still be watching.

12. House (2004-2012)

Some people hate on this show, and I don't get it. I love House. Yes, he's an ass. That's the point. He's supposed to be unlikeable, and that's why I like him. Maybe because I always love the rude, sarcastic, misanthropic jerkass-genius characters for some reason. And I also love procedural shows, so it's a win-win. I also work in the healthcare field so it appeals to me for that reason too, because obviously the whole premise is outlandish which is what makes it funny. Of course it's not realistic for a hospital, so just enjoy the absurdity and don't get too hung up on the details of medical accuracy and professional ethics and you'll be fine.

13. The Office (2005-2013)

The third of Michael Schur's show and the last one that made the main list (sorry Parks And Rec, I love you too but there was just so many good shows to choose from and I saw you last so the nostalgia isn't as strong!) I don't think I need to hype this show up any, it's already a classic and you can't even turn around online without getting hit in the face by a dozen Office memes. You'll have to pry this show and it's relatable characters (especially Michael Scott) from my cold, dead hands.

14. All Hail King Julien/The Penguins Of Madagascar (2008-2017)

Like Avatar/Korra, I also consider this as one show for the sake of this list because it also takes place in the same universe (Madagascar, specifically) and I just couldn't choose one over the other because they're both so perfect. They're funny and I love all the characters (it cut out the weaker links of the Madagascar film series and just focuses on expanding the standout side-characters like King Julien and the penguins). It also delved into some lore, particularly the first show, and even though I didn't also agree with the directions it took (you may have seen me get salty about the ending because I cared too much), I can't deny how much I love it.

15. Bones (2005-2017)

One of the other scarce non-comedy shows on this list, it still has it's funny moments. It's also, like House, another procedural show that involves some medical stuff, but this time on a more scientific and forensic level which is even more interesting. It's nice to see a lead female with Asperger's, too. There's a lot of cop/law enforcement shows where they try to solve crimes, but this one is the best, and I'm saying that as a fan of CSI as well. Don't fight me on this, I'm right. Oh yes, it's corny, it's campy, it's cheesy, but I love every minute of it. Don't watch if you have a weak stomach though.

16. The Simpsons (1989-?)

We all grew up with this show, don't lie. It's been around longer than most people on tumblr have even been alive. Should it have ended seasons ago? Hell yes. But that doesn't take away what the first like 20 or so seasons gave us (there's a lot of argument about when the show jumped the shark, for me it wasn't until much later than the popular consensus). The characters are amazing, but the secret to the show's longevity is that they always return to status quo and there's comfort and nostalgia in that. Bart will still be in 4th grade when you're out there pushing 90. This show is persistent. This show is eternal. This show will outlive us all.

17. Ash Vs. Evil Dead (2015-2018)

Sorely underrated. This show is hilarious, gruesome and campy as hell and I love it. I don't think you necessarily have to watch the Evil Dead movies beforehand in order to get the plot of the show, although it would probably help. In my opinion this show ended way too soon and I'm hoping someday we'll get a comeback because Ash is the reluctant, self-absorbed hero we all need and it's 2020 so at this point there really might actually be a demon-zombie apocalypse and who's gonna save us then if not for the impulsive womanizer with a chainsaw for a hand?

18. Malcolm In The Middle (2000-2006)

Another show I grew up with, I don't think it gets as much credit as it deserves. It has some damn funny episodes and great characters, and it did a lot of the popular sitcom tropes before they were 'cool'. Some other great sitcoms, The Middle in particular, took a lot of influence from this show and it helped pave the way for the future of sitcoms at a time when they were about to make a comeback. If you want a good show about the real experiences of growing up, this is a much more accurate representation of the highs and lows of being an awkward tween from a dysfunctional home.

19. A Series Of Unfortunate Events (2017-2019)

Unlike most people I actually liked the movie version from the early 2000's, and I read the books growing up so I was excited when I saw there was a live action television adaptation of it on Netflix because I felt like they cancelled the movie franchise too soon. I was interested to see how new actors would handle the roles, and I was not disappointed. I wouldn't say I liked either portrayal of the characters better or worse, they both added their own twist to it and this show is a great and loyal adaptation to the books, probably because the author was so heavily involved. He knew just when to stick to the books and when to improve upon what he had done with the benefit of hindsight. This show is basically the books, but remastered.

20. Winx Club (2004-?)

Sort of an odd one out on this list, but I really love this show even as an adult and it may surprise you to learn it is still going on and the most recent season came out last year. They take big breaks sometimes in between seasons, but it's still going strong and in multiple countries. The only thing I don't like about watching this show is all the different and inconsistent dubs since the original show is Italian and each dub only goes for a couple seasons so by the time you get used to one set of voices/names for the characters oyu have to abruptly switch to another, but it's still worth it for the beautiful animation and cool characters (especially the villains!)

Honorable Mentions:

13 Reasons Why, America's Next Top Model, American Horror Story, Arrested Development, Bates Motel, Battlestar Galactica, Black Mirror, Care Bears, Chernobyl, Courage The Cowardly Dog, Criminal, CSI, Duck Dodgers, Goosebumps, Kenny Vs. Spenny, Kim Possible, Kingdom Hospital, Lazytown, Lost, Making A Murderer, Mayday, Mindhunter, Modern Family, Monster High, Obsession: Dark Desires, Parks And Recreation, Prison Break, Project Runway, Queer As Folk, Queer Eye, Salem, Schitt's Creek, SCTV, Spongebob Squarepants, The Emperor's New School, The Good Doctor, The Haunting Of Hill House/Bly Manor, The Middle, The Pretender, The Walking Dead, The X-Files, Through The Wormhole, Unbreakable Kimmy Schmidt, Unsolved Mysteries, Yugioh

Tagging: @bullet-farmer and anyone else who wants to!

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myhauntedsalem · 3 years ago

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13 True Horror Stories from the Psychiatric Ward that Will Give You the Creeps

Death, illness and tragedy have long been part of the history of insane asylums, and for as long as they have existed, so too have the scary stories associated with them. From haunted hospitals to sadistic doctors and nurses, psychiatric wards have been the inspiration for many of our favorite horror movies and books. Yet, the true stories told by the psych ward workers below far surpass any horrors that we might have seen at the cinema or read in a book.

Without further ado, here are thirteen of some of the creepiest psych ward stories on the internet that have been shared by health care professionals.

1. Holding her own Eyes

My mom told me this story from her time at a neuropsychiatric ward while she was in grad school. She was making her routine room checks and happened upon the most horrific scene I’ve ever heard.

This was during the night shift, and generally, all the patients’ bedroom doors should be closed. So my mom turned a corner and noticed an open door. She saw a staff member’s legs on the floor, halfway out the doorway.

When she looked into the room, she saw the patient, a woman with a severe postpartum psychiatric disorder, who had just gouged both of her own eyes out with her bare hands. She was sitting cross-legged on the floor, holding her eyes in her hands.

The first staff member to witness the scene, who was now lying face down on the floor, had a heart attack when he first witnessed the woman while he was making his rounds.

My mom screamed for help and frantically tried to perform CPR on the staff member. All the while, the woman just sat rather calmly, holding her own eyes.

2. The Saw

I work as a psychotherapist in a hospital system. My definition of creepy is probably quite a bit different from other medical professionals.

The one that got to me the most was a patient who came to us after attempting suicide by sawing both his arms off at the forearm with a table saw. His arms were reattached, fairly successfully too, with only limited impairments in mobility. All I could think was how bad it would have to be to live in his head that sawing his arms off seemed better than that.

He has since completed suicide.

3. Jane?

We had a young lady in our custody with quite a few issues. We’ll call her Jane. Jane’s first night at our facility staff doing a bed check found Jane in a puddle of blood. Turns out Jane had been slicing the skin around her shin with her finger nails and was pulling her skin up her leg, essentially de-gloving her calf.

Jane also had a ritual she performed every night before bed. While in her room she would run between walls in her room touching them in a crucifix pattern. After doing this for a few hours she would sit on her bed and go to sleep. This particular night Jane was frantic in her pace, practically running between walls. Our night staff observed the entire interaction and reported Jane screaming late into the night. When the staff went to check on Jane she reported Jane standing in the doorway smiling. The staff asked what was wrong and Jane replied, “what makes you think you are speaking to Jane?”

4. The Vampire

My mom worked in mental institutions in her younger years (and actually worked at a large, well-known asylum before it was shut down.)

There was one woman there that thought she was a vampire of sorts. She was only allowed out one hour a day, and they had to use safety precautions. She had already attacked and killed at least one hospital worker before these were enacted.

When my Mom asked about her, it was revealed that she had killed at least two of her children, wounded another as well as her husband because she had some sort of physical condition called Porphyria, which apparently made her crave blood.

By the time that they discovered there was something physically wrong with her, she already had lost her mind from guilt and grief.

5. The Spitter

I’m not a psychologist but my friend is. She told me about a patient of hers who was HIV positive and a paranoid schizophrenic. He thought that the nurses who worked at the hospital he was in were trying to kill him, so he would frequently bite his tongue, and spit HIV positive blood into their faces/mouths. When they had to come into contact with him, they were required to wear full masks and gloves.

6. The Only One

I once knew a woman who had spent part of her residency at a psychiatric hospital for people with severe mental conditions. Apparently, the grounds had a lovely, enclosed greenhouse. One day, one of their schizophrenic patients was sitting on a bench, smoking a cigarette, as a heron frantically flew around. It had found its way in and, not being able to escape, it was smashing into the large panes of glass. The man just sat there watching.

Finally, my counselor asked him if the bird was bothering him and he kind of sighed and said, “Thank god, I thought I was the only one seeing that.”

7. Family Photographs

My sister is the director of a psychiatric hospital. There was recently a lady there who would cut her arms, legs and torso open and place photographs of her family under her skin.

8. Under the Bed

Once, a fellow female patient told me she found writings under her bed. They were just old, small wooden bed frames with hard mattresses that would make all kinds of noises when you rolled over, but I still wondered what exactly she was doing lying under her bed to find these writings.

When she first told me, I thought it was a joke. But sure enough, one day during group we managed to sneak away, and she showed me. Indeed, there were stories written under her bed. After that, we had everyone check under their own beds, and there was more writing under every single bed.

They were stories of patients who had stayed here before, or ways they were planning on killing themselves, or who the good and bad nurses were. It creeped me out.

9. Time of Death

Well, my mother was a nurse that specialized in geriatrics, and she worked for several hospice hospitals for many years. She often described situations at her work with several of the patients. She would say that each person tends to have a very similar “checklist” that they follow right before death. This checklist often ended in a very similar way.

They would get caught talking to someone that wasn’t there. When asked who they (otherwise lucid people) were talking to, they would describe an individual who was already dead. When asked what they were talking about, they would say that their relative wanted to know if they were ready to move on. A pretty common response would be, “Yeah, he/she said that she will take me tomorrow at 3:00.” Well, it would often happen that they would die at the exact time their relatives quoted.

10. The Test Subject

I had an hour-long conversion with a delusional guy who was confined to a mental health facility, and who was probably smarter than I am. Lots of these folks believe that somebody – often the CIA – is either beaming thoughts into their heads, or has implanted a microchip in their brains for this purpose. This guy was offering a very thoughtful argument as to why such claims should not be so quickly dismissed.

“It’s precisely because such delusions are so common that mental patients make the best test subjects,” he said. There he was, confined and protected, constantly observed, his health and behavior documented, and there is zero chance that anyone would ever take his concerns seriously. How else would you test and improve such technology? Does the government not have a strong motivation and a plausible ability to create such a device?

“You can see I’m not irrational,” the man said. “I’m just straight-up telling you that they are doing this to me. I know just how unbelievable it sounds, and yet, here I am.”

11. The Boy who Loved Knives

As a tech in psych years ago, there was a 7-year-old kid sent to the floor because the mom didn’t know what to do with him. Sadly, common thing to happen, even if the kids don’t have psych issues. Anyway, the mom was shaking and crying, and they had to take the kid into another room. She was genuinely afraid of her own son. She had suspected something was wrong when she kept finding mutilated animals in the backyard, but never heard or saw coyotes or anything around. The neighbors smaller pets started disappearing. The boy had an obsession with knives, hiding them around the house. Denying anything when the mom confronted him. Then when the two started getting into arguments, he would get really violent and hit her, push her down and kick her, threaten to kill her. On multiple occasions she woke up in the middle of the night with him standing beside her bed, staring her in the face. She put extra locks on her bedroom door to feel safe while she slept. The last straw was when she lifted up his mattress and found 50+ knives of all shapes and sizes under there. So she brought him to us.

I remember talking to him, treating him like he was just any other kid that came through. He seemed remarkably normal, until you spoke directly to him. He had this way of looking right through you, or maybe like he didn’t see you at all while you were speaking.

He would respond like a robot, like he was just saying words because that’s what we wanted to hear. And he would always put on this creepy, dead-looking smile. Like all mouth and no eye involvement in the smile. Especially when he would get away with something, like taking another kid’s markers and they couldn’t figure it out. Still gives me chills laying here thinking about him.

I believe I met a 7-year-old psychopath.

12. The New Mom

I was a pharmacy technician at a hospital with a psych ward for some time. We would have to go around with a cart and dispense the patients’ medications, and being a 5’2″ girl, a security guard or male nurse would accompany me, just as a precaution. I never had any real issues other than the occasional death grip onto my arm or manic outbursts, but there was one boy who was entirely different.

His chart said he was nine and he had pale skin, dark hair, and huge bright, green eyes. He always greeted me in the most polite way, asked how I was doing, and always found something different to compliment me on every time. He was extremely well-spoken and mature for his age, so I began looking forward to seeing him, as normal small talk is definitely cherished in that setting. If he saw me outside of his room in the halls, he made sure to say hello and always called me “Miss Jones” or “ma’am.”

One day, a couple of our female nurses saw me pause to chat with him in the hallway, and waved me over to ask if I was out of my mind. Apparently, when he was in kindergarten, he grew an intense attachment to his young female teacher.

This escalated to the point of him calling her “Mom” and leaving notes for her about how he wished he were her son. He had a normal home-life with both parents, and the teacher tried to explain to him that she couldn’t be his mom because that would hurt his real mother’s feelings, and that she already had that job covered.

So, he went home and, killed his own mother in her sleep by cutting her throat, so his teacher could be his mom. The female staff had a general rule of not interacting with him excessively to prevent any kind of attachment from forming.

13. Bugs

Nothing I can say can possibly describe the year I worked in Psychiatric Intensive Care. Creepy isn’t the thing that comes to mind when I think back on it…more heartbreaking and horrifying. But creepiness was a part of it. Especially evening and night shifts, naturally.

There is always something disturbing about watching someone while they hallucinate. You can tell it is 100% real to them, and something about that makes you believe it, on some level. A lot of stories end with, “and of course, I had to look over my shoulder to make sure”. You see the emotions it brings out.

There was a woman that came in and sat down across the table from me for her admission interview. She had bandages all over her arms and scotch tape over her mouth and ears. She looked very uncomfortable and wouldn’t really sit still. When the nurse would ask her a question, she would peel the corner of the tape back and answer, then stick the tape back on really fast.

We eventually found out that she saw and felt bugs crawling all over her, and they were trying to get inside her body. The tape was to keep the bugs out. The bandages were because some bugs got in and she had to dig them out. She couldn’t sit still because she felt the bugs all over her even while we sat and talked. The worst part was, she had some idea that it was her mind playing tricks on her. Can you imagine going through your life, feeling like someone is continuously dumping buckets of cockroaches on your head, feeling like they’re all over you and getting inside of you to the point that you’re digging chunks out of your flesh in a panic, all while knowing intellectually that none of it is real?

#13 True Horror Stories from the Psychiatric Ward that Will Give You the Creeps #shared stories #paranormal #ghost and spirits #ghost and hauntings #haunted salem #myhauntedsalem

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drabbles-of-writing · 4 years ago

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Reverse Au! Dump

Don’t mind my idea dumping here. Brain decided to have fun while I was at work and I have too many wips as it is, so… Thought I’d ask before I dumped, experience. Used morningmark’s comics as a base, so if you want reference. Now this isn’t all that well compiled, but here it goes.

Magic in the Other World is varied as it is crazy. So many styles over the generations and not a lot of organization. There are some that try to categorize it all, but that works as well as you’d expect. Some were lost, some erased, some weren’t passed down/recorded because “the power is all mine! Ahahaha!” It took a lot of time and collaboration, but eventually a sort of system was installed to help out. Still a lot of work to do, but its a step forward. Nowadays the term Wild Magic is generally reserved for those that aren’t all that well documented and understood.

Some Magics are very powerful and desirable, but also tend to be very high risk/high reward, kinda pass/fail, pretty literally Do or Die most times. So not a lot of people can use those or are even willing to. Story says this one guy named Odin hung himself on a massive tree by his own spear for nine days, no food water or rest in constant pain before he could unlock the secret of Runes. But it’s also said he gouged out his own eye to drink from the Well of Wisdom so…

There are lots of different ways to channel magic too: wands, staves, jewelry, certain gems, familiars, potions, enchanted armaments, chants, scripts, etc. Each tool has its own advantages and disadvantages and play into a Witches’ style. Every Witch has at least two methods of spellcasting. Only children have one. Haven’t thought of how Luz gets her Palisman though. Maybe its one of those magic Artifacts like Dr. Strange’s cloak, Elder Wand, Thor’s hammer, or a Green Lantern’s Ring. Something that can’t be recreated because the secret is lost, materials no longer exist, too hard/dangerous to make, accident that can’t be recreated, etc. Happens more often than people like.

Camilla is sometimes called the Blue Witch. She’s a healer by heart and trade, but push her and she will become a one Witch Battleship. Bismark who? Aaaaand she just deleted a whole battalion. And the fortress behind them. Hide me. There are the very rare occasions, like count on one hand rare, when someone near and dear to her heart is in trouble that she takes up her other job. She’s especially terrifying when she decides to torture, those who know how to heal the body know best how to break it. Many shades of Blue, some are very close to Black. She doesn’t necessarily hate Humans exactly, but doesn’t have the highest of regard from past experiences.

Luz has training and is a proficient Witch for her age. Camilla and her father were adamant about having a general knowledge/skillset alongside her specialized skill. Jack of all trades and a master of none, still better than a master of one. She has gone through the system for her magic with varying success. Oracle magic? Zero talent. Bard classes? She can play an instrument, but can’t sing at the same time. When she does sing she tires too hard and messes up. It’s only when she doesn’t try, like absently singing along with a song or playing by her heart, that she’s good at it. Beasts? Can use them, but would rather play with them. Bleeding heart and all that. She does have a good handle on healing magic partly due to Camilla drilling necessary skills into her and partly osmosis. Her father arranged for some CQC lessons from an old friend of his which the girl loved. You get the idea. It wasn’t until she discovered Glyphs that she found her niche and her skills took off. Glyphs are one of those ‘eccentric’ or 'archaic’ styles since they haven’t been used in so long after being lost and are barely understood. She still has a long way to go, but she is on her way.

Luz never really had much in the way of friends, partly cuz of high profile parents which leads to certain pressures and a target on her head, partly because of her magic style and personality, and partly because of the trouble been going on. Luz grew up her whole life with this tension of a group of anarchists trying to burn society that’s just trying to do the right thing. The anarchists started small, but have been a growing problem the past few decades with talk how to 'reshape the world’ in not a good way. Anyone with critical thinking skills can tell this is a bad idea, but they are too brainwashed to notice. They harass anyone who doesn’t follow their rhetoric and attack anyone who even questions them. Luz’s parents put a real kink in a lot of their plans for years, which makes Luz guilty by association.

Luz got caught in one of those sudden larger scuffles and was accidentally chucked/blown through a portal created by an attempted tactical retreat that went off course. Hence why she can’t go home because she hasn’t learned how to do portals yet. Those are high level anyway so how did these guys pull it off so easily? Luz has a hard time blending in obviously. Learning how to use a phone was a fun endeavor. Internet was a trip. Luz is amazed how these people can do all this cool stuff without magic. Keep a low profile sure, she can pass off as a weird out of town kid. Keep the beanie on, underperform in gym and stuff because some things don’t change, like genetics. Someone sharp eyed will see discrepancies. The Beanie has a small Glamor spell built in that covers her witchy traits but she forgot the ears which is why it sits like it does. Luz can erase memories in case she has an accident, but it’s less of a 'remove my face from this picture with a scalpel’, and more of a 'lemme just hack off the past hour or three from your brain with an axe.’ If she tries to take any more then she starts burning into some more dangerous territory and those Wiped are groggy and disoriented for a while after already. Then the magic attacks start happening and her heroic instinct/anti-bystander complex kicks in and there goes that. It runs in the family so Camilla isn’t surprised in the slightest when she finds out.

“Oh titan, why did you curse me with another me?” “I’m right here Mami!”

Eda has a shack very akin to Grunkle Stan. Lots of junk that Lilith can’t believe that people are dumb enough to buy. She’s also involved in some not so legal dealings on the side. Well, Eda isn’t actually hurting anybody and the tax dollars she should be paying would only go towards some politicians’ next yacht or another pointless overseas 'investment’ instead of where it’s supposed to go so. Eda does give some good intel on occasion and a place to vent so Lillith overlooks her. Lil’s more of the secret police for witches and a petty crook isn’t part of her job anyway. Eda understands Luz’s predicament and is willing to help. The cover story is that Camilla work in hospitals and has to work crazy hours while her dad passed away so is living with Eda for a while. King is that kind of critter that grew up weird and acts like ten different animals all the time.

Gus is the nerdy kid who infodumps on everybody, even if they’re not listening. Loves anything fantasy/sci-fi related and plays Minecraft too. A good kid at heart, but needs some social skills. Keep him away from anything more sugary than tea. Luz learned a lot listening to him. Not all of it is entirely useful, but still. Some of his ramblings give her some good ideas for magic and stuff, like putting Glyphs on cards.

The Blights are the cool rich kids obviously, and have some discipline and social issues. Big family name makes them intimidating for normies and a meal ticket for the unsavory. These kids need real friends. They decided to act out to get some attention from the parents who then decided to ignore them. “If you’re going to act like a child tantrum, get treated like one.” Ed is perfect for Drama classes, if he were allowed to partake. Can’t decide what Em is great at, hacking perhaps? Amity’s car is an inheritance from the only family to treat her as such Twins aside, even if she’s too young to remember it. She only remembers that she has feelings surrounding the car. All three of them were pretty impressed with Luz for standing up to them, calling them out on their shit, and not giving a crap about their family name. Being treated like a normal person is pretty weird. Can we get her to do that again?

Amity tried dating Boscha once, didn’t work out very well. Boscha is still hurting over Amity’s comment of “I’d rather go date the new weird kid (Luz) than go back to you.” It’s one of the reasons she goes after Luz. She has that kind of Bud personality from Spider Man, feels lesser and so acts out so much.

“Wow, this new Witch is amazing. Not as cool as the original Witch.”

“What is it with the Witch with you?”

“Oh, she’s a hero. Looks out for the city and the little guy. She inspires me. Makes me want to be a bigger person. *sees Luz* What’s up Luz-er?”

And that’s what I got right now. I know there was more, but it’s lost to the void right now. Might come back later, maybe not. Lemme know what you think.

............

DAMN you weren’t lying when you said you had an info-dump this is *chefs kiss* you got me intrigued now

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hottestthingalive · 3 years ago

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i’ve been thinking a lot about cancel culture recently and it occurred to me that the way a lot of cancel culture starts is actually very similar to the way a lot of systematic abuse starts.

i think it was this post that put it best, and to paraphrase, a lot of cancel culture stems from people trying to defend their reasons for why they can hate a celebrity (or just a person in general), and they use perceived minor failings for that defense, to the point where they see someone do something even a tiny bit questionable and treat it as a reason to attack them. and i hate to break it to you, but that’s the exact mentality that a lot of abusive people, especially abusive parents, have towards their victims. that’s how patterns of abuse start. to use that parent example:

imagine that a parent is angry, unreasonably so, for one reason or another, and they direct that anger at their child. they hurt that child in some fashion (could be physical, but neglect and emotional harm also count as abuse) and they justify that to themselves by saying “well, they were in the wrong, of course. they pushed my buttons! they didn’t listen! they talked back! i gave birth to them and i didn’t even want a child — they should be grateful i’m here at all!”

(those are all some of the most common reasons that are used, or at least said aloud to the victim, in the experience of the people i’ve talked to about it. this is not a joke. this is not an exaggeration. this is real.)

that parent then convinces themself that they are in the right — that they are allowed to scream at their child even after that child has apologized to them and tried to leave the situation, or that they are allowed to leave their child alone in the house for the rest of the day and night, even if they are very young and cannot make themself food or get themself to school in the morning, or that they are allowed to smack their child for crying when they are scared or stressed or sad. they tell themself that that child deserves it, for one reason or another. and once they’ve managed to tell themself that, it becomes a pattern. it gets ingrained. it gets worse, and worse, and worse. they can excuse more from themself. they find faults in their child more easily. they will often try to convince others of those faults, too, and those people can become passive to what is happening, or can even become abusers too. they will almost always try and convince the child that those faults exist, and they usually succeed — a pattern mirrored in cancel culture.

eventually that parent will be able to admit to themself the actual reason — they were just there, they were just in the way, they did nothing but exist — but that doesn’t matter to them anymore. that parent thinks they are entitled to abusing their child now, you see. they deserve it, that parent will tell themself, without a doubt in their mind, after telling their child that they are completely and utterly worthless. they’re a bad person, after all.

(in reality, they probably barely know their own kid enough to guess their favorite color, let alone know their “irredeemable faults”. so many abusive people don’t know their victims, not really. often, they only learn enough to justify hurting them. they don’t usually bother with much else. even in negatively-controlling relationships, abusers tend to only learn or retain what they want to hear, or what fits their mental image of their victim.)

picturing thinking all this about your child, the child that you probably haven’t even bothered to get to know anything about beyond the image of them that you have built in your head. imagine thinking that they’re irredeemable. that they’re worthless. that you can do anything you like to them, because they deserve it.

this is what happens with cancel culture.

now imagine that you are angry at someone, anyone, anything: it doesn’t matter why, just that you are bitterly, viciously angry. and there is a person online that pops into your feed at that moment, one that you remember made a tasteless joke ten years ago, and you start to become angry with them, instead. you use that joke as justification to demonize that person, to hurt that person. you build yourself an image of them that makes them seem like a monster, and, because you are on the internet, you can spread that image and convince other people of it, too. you can give it as an outlet to everyone else who’s angry at nothing and let them redirect their anger at that person with you. you can do this until you are collectively loud enough that your accusations alone are enough to make unwitting, otherwise content people angry enough to join you.

you do not let yourself think that this might be wrong, not even once. you do not let anyone else think this is wrong. you continue this pattern, and you encourage its spread.

and eventually, well, you are angry on a day when that person, now target of all your anger, has done nothing wrong. you have run out of things to accuse them of, of things to justify your hatred with.

and then you begin to harass and attack and demonize them again anyways.

they deserve it, you say to yourself, and you echo abusive parents and partners and friends and bosses and more. they’re a bad person, after all.

this is a generalization, of course. but this is a simplified version of how someone manages to hate someone they barely know.

cancel culture is bad because it doesn’t actually work. cancel culture is bad because it often blows things out of proportion. cancel culture is bad because it in and of itself has become a buzzword.

but cancel culture is terrifying because it follows patterns of abusive behavior, ones that often persist both online and offline, and no one seems to acknowledge it.

no one deserves to be abused, in any fashion. no one.

#abuse mention #cancel culture #ask to tag #abuse warning #apologies for the quality this was mostly written at 2 am

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fernstream · 4 years ago

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For months, Representative Alexandria Ocasio-Cortez has been a good soldier for the Democratic Party and Joseph R. Biden Jr as he sought to defeat President Trump.

But on Saturday, in a nearly hourlong interview shortly after President-elect Biden was declared the winner, Ms. Ocasio-Cortez made clear the divisions within the party that animated the primary still exist. And she dismissed recent criticisms from some Democratic House members who have blamed the party’s left for costing them important seats. Some of the members who lost, she said, had made themselves “sitting ducks.”

These are edited excerpts from the conversation.

We finally have a fuller understanding of the results. What’s your macro takeaway?

Well, I think the central one is that we aren’t in a free fall to hell anymore. But whether we’re going to pick ourselves up or not is the lingering question. We paused this precipitous descent. And the question is if and how we will build ourselves back up.

We know that race is a problem, and avoiding it is not going to solve any electoral issues. We have to actively disarm the potent influence of racism at the polls.

But we also learned that progressive policies do not hurt candidates. Every single candidate that co-sponsored Medicare for All in a swing district kept their seat. We also know that co-sponsoring the Green New Deal was not a sinker. Mike Levin was an original co-sponsor of the legislation, and he kept his seat.

To your first point, Democrats lost seats in an election where they were expected to gain them. Is that what you are ascribing to racism and white supremacy at the polls?

I think it’s going to be really important how the party deals with this internally, and whether the party is going to be honest about doing a real post-mortem and actually digging into why they lost. Because before we even had any data yet in a lot of these races, there was already finger-pointing that this was progressives’ fault and that this was the fault of the Movement for Black Lives.

I’ve already started looking into the actual functioning of these campaigns. And the thing is, I’ve been unseating Democrats for two years. I have been defeating D.C.C.C.-run campaigns for two years. That’s how I got to Congress. That’s how we elected Ayanna Pressley. That’s how Jamaal Bowman won. That’s how Cori Bush won. And so we know about extreme vulnerabilities in how Democrats run campaigns.

Some of this is criminal. It’s malpractice. Conor Lamb spent $2,000 on Facebook the week before the election. I don’t think anybody who is not on the internet in a real way in the year of our Lord 2020 and loses an election can blame anyone else when you’re not even really on the internet.

And I’ve looked through a lot of these campaigns that lost, and the fact of the matter is if you’re not spending $200,000 on Facebook with fund-raising, persuasion, volunteer recruitment, get-out-the-vote the week before the election, you are not firing on all cylinders. And not a single one of these campaigns were firing on all cylinders.

Well, Conor Lamb did win. So what are you saying: Investment in digital advertising and canvassing are a greater reason moderate Democrats lost than any progressive policy?

These folks are pointing toward Republican messaging that they feel killed them, right? But why were you so vulnerable to that attack?

If you’re not door-knocking, if you’re not on the internet, if your main points of reliance are TV and mail, then you’re not running a campaign on all cylinders. I just don’t see how anyone could be making ideological claims when they didn’t run a full-fledged campaign.

Our party isn’t even online, not in a real way that exhibits competence. And so, yeah, they were vulnerable to these messages, because they weren’t even on the mediums where these messages were most potent. Sure, you can point to the message, but they were also sitting ducks. They were sitting ducks.

There’s a reason Barack Obama built an entire national campaign apparatus outside of the Democratic National Committee. And there’s a reason that when he didn’t activate or continue that, we lost House majorities. Because the party — in and of itself — does not have the core competencies, and no amount of money is going to fix that.

If I lost my election, and I went out and I said: “This is moderates’ fault. This is because you didn’t let us have a floor vote on Medicare for all.” And they opened the hood on my campaign, and they found that I only spent $5,000 on TV ads the week before the election? They would laugh. And that’s what they look like right now trying to blame the Movement for Black Lives for their loss.

Is there anything from Tuesday that surprised you? Or made you rethink your previously held views?

The share of white support for Trump. I thought the polling was off, but just seeing it, there was that feeling of realizing what work we have to do.

We need to do a lot of anti-racist, deep canvassing in this country. Because if we keep losing white shares and just allowing Facebook to radicalize more and more elements of white voters and the white electorate, there’s no amount of people of color and young people that you can turn out to offset that.

But the problem is that right now, I think a lot of Dem strategy is to avoid actually working through this. Just trying to avoid poking the bear. That’s their argument with defunding police, right? To not agitate racial resentment. I don’t think that is sustainable.

There’s a lot of magical thinking in Washington, that this is just about special people that kind of come down from on high. Year after year, we decline the idea that they did work and ran sophisticated operations in favor of the idea that they are magical, special people. I need people to take these goggles off and realize how we can do things better.

If you are the D.C.C.C., and you’re hemorrhaging incumbent candidates to progressive insurgents, you would think that you may want to use some of those firms. But instead, we banned them. So the D.C.C.C. banned every single firm that is the best in the country at digital organizing.

The leadership and elements of the party — frankly, people in some of the most important decision-making positions in the party — are becoming so blinded to this anti-activist sentiment that they are blinding themselves to the very assets that they offer.

I’ve been begging the party to let me help them for two years. That’s also the damn thing of it. I’ve been trying to help. Before the election, I offered to help every single swing district Democrat with their operation. And every single one of them, but five, refused my help. And all five of the vulnerable or swing district people that I helped secured victory or are on a path to secure victory. And every single one that rejected my help is losing. And now they’re blaming us for their loss.

So I need my colleagues to understand that we are not the enemy. And that their base is not the enemy. That the Movement for Black Lives is not the enemy, that Medicare for all is not the enemy. This isn’t even just about winning an argument. It’s that if they keep going after the wrong thing, I mean, they’re just setting up their own obsolescence.

What is your expectation as to how open the Biden administration will be to the left? And what is the strategy in terms of moving it?

I don’t know how open they’ll be. And it’s not a personal thing. It’s just, the history of the party tends to be that we get really excited about the grass roots to get elected. And then those communities are promptly abandoned right after an election.

I think the transition period is going to indicate whether the administration is taking a more open and collaborative approach, or whether they’re taking a kind of icing-out approach. Because Obama’s transition set a trajectory for 2010 and some of our House losses. It was a lot of those transition decisions — and who was put in positions of leadership — that really informed, unsurprisingly, the strategy of governance.

What if the administration is hostile? If they take the John Kasich view of who Joe Biden should be? What do you do?

Well, I’d be bummed, because we’re going to lose. And that’s just what it is. These transition appointments, they send a signal. They tell a story of who the administration credits with this victory. And so it’s going be really hard after immigrant youth activists helped potentially deliver Arizona and Nevada. It’s going to be really hard after Detroit and Rashida Tlaib ran up the numbers in her district.

It’s really hard for us to turn out nonvoters when they feel like nothing changes for them. When they feel like people don’t see them, or even acknowledge their turnout.

If the party believes after 94 percent of Detroit went to Biden, after Black organizers just doubled and tripled turnout down in Georgia, after so many people organized Philadelphia, the signal from the Democratic Party is the John Kasichs won us this election? I mean, I can’t even describe how dangerous that is.

You are diagnosing national trends. You’re maybe the most famous voice on the left currently. What can we expect from you in the next four years?

I don’t know. I think I’ll have probably more answers as we get through transition, and to the next term. How the party responds will very much inform my approach and what I think is going to be necessary.

The last two years have been pretty hostile. Externally, we’ve been winning. Externally, there’s been a ton of support, but internally, it’s been extremely hostile to anything that even smells progressive.

Is the party ready to, like, sit down and work together and figure out how we’re going to use the assets from everyone at the party? Or are they going to just kind of double down on this smothering approach? And that’s going to inform what I do.

Is there a universe in which they’re hostile enough that we’re talking about a Senate run in a couple years?

I genuinely don’t know. I don’t even know if I want to be in politics. You know, for real, in the first six months of my term, I didn’t even know if I was going to run for re-election this year.

Really? Why?

It’s the incoming. It’s the stress. It’s the violence. It’s the lack of support from your own party. It’s your own party thinking you’re the enemy. When your own colleagues talk anonymously in the press and then turn around and say you’re bad because you actually append your name to your opinion.

I chose to run for re-election because I felt like I had to prove that this is real. That this movement was real. That I wasn’t a fluke. That people really want guaranteed health care and that people really want the Democratic Party to fight for them.

But I’m serious when I tell people the odds of me running for higher office and the odds of me just going off trying to start a homestead somewhere — they’re probably the same.

#aoc #mine #shes so smart #and so Correct

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recurring-polynya · 4 years ago

Note

For the AU request, whichever one(s) you prefer (for RenRuki of course):

the X-Men universe

the Mafia/criminal underworld

the circus

as FBI agents (the X-Files world perhaps)

So, I got this ask, and I immediately wanted to go for X-Files, because I was hugely into X-Files when I was a tween/teen, and I think that my actual first published work of fanfic on the internet might actually be X-Files. (I didn’t even post it myself, I was like 12 and I didn’t have the internet at home, but a friend of mine posted it on Usenet for me, I have no idea whatever became of it). Anyway, I was going back and forth in my head who I wanted to be Mulder and who I wanted to be Scully, and then I got this ask:

@ulkoilla said:

I though the 10 would be full in about 1 microsecond so I didn’t even try :D This is maybe not AU enough for the purpose but I'd love to see your take on Bleach world where the shinigami work among humans as if they were in gigai -> they'll have to balance the supernatural, perhaps violent elements of their life with the modern day laws and such (like in Supernatural). Renji and Rukia have ofc gotten in trouble with the non-supernatural law (meet: Detective!Aizen?) and are on the run…

It suddenly occurred to me, What If: X-Files World, but Renruki are the cryptids. And it suddenly popped into my head exactly who I wanted to be Mulder. Anyway, I am sorry missrambler, if I messed it all up, I hope you like it anyway.

Also, I somehow thought that I would save myself some trouble by combining two prompts, but then it ended up… really long. (Forty! Eight! Hundred! Words! Go to Talks-Too-Much-Jail, Polynya!!)

PS: This takes place in D.C. because it’s X-Files and also because I am familiar with D.C. and I never get to write about places I know about. A half-smoke is a local delicacy that’s halfway between a hot dog and an Italian sausage. They are delicious.

Read on ao3 or ff.net

👻 👻 👻

Ichigo Kurosaki had known that an office with a view of the Smithsonian might be too much to ask, but he had not expected to take have to take two separate elevators down to sub-basement C, and walk past a storage room, two broom closets and a weird old vending machine full of brands of snacks he swore he hadn’t seen since he was a child.

Maybe Agent Inoue has a huge lab, he told himself. Maybe it needs to be 50 meters below ground because she collides large hadrons down here or so that her work can’t be picked up by spy satellites.

He had to turn sideways to get past a rack of wire shelves full of banker’s boxes, but there, on the other side was a door sporting a handwritten cardboard nameplate reading “Special Agent Orihime Inoue.”

“Come in!” a voice called inside, just as he raised his hand to knock on the door.

Ichigo blinked twice, and then went in.

The office was cluttered, mostly with more cardboard boxes, but books were also stacked precariously on top of boxes on top of books. The walls were plastered with maps and graphs and photographs of hazy blurs in front of staircases. There was a large poster showing a UFO, with the words “I WANT TO BELIEVE” in block caps below it.

A woman with long chestnut hair twisted up into a bun and held in place with three pencils was hunched over a metal box full of diodes and transistors and other things you would buy at Radio Shack. Or rather, that other people would buy at a Radio Shack. Ichigo had never set foot in a Radio Shack in his life.

“Er, good morning,” Ichigo said, as the woman looked up and blinked at him owlishly. “Agent Inoue? I’m Ichigo Kurosaki. I’ve been assigned to work with you.”

“To spy on me, you mean,” Agent Inoue corrected, cheerfully shaking his hand with great vigor.

Ichigo bristled. Yes, he had been directed to ‘provide additional documentation on Agent Inoue’s activities,’ but that hardly counted as spying. She was known to be somewhat scatterbrained, and having an organized person around would probably be a great benefit to her. “If you have any doubts about my qualifications or motivations--”

“Oh, don’t take it personally!” Inoue replied, slotting a lid onto her electronics project, and attacking it vigorously with a jeweler’s screwdriver. “Just because you’re a spy doesn’t mean you aren’t a nice person. Also, I read your file, you have a very interesting background! Degree in literature with a focus on folk legends. Teaching at the academy for the last few years while working on your book.” She took a momentary break from her screwing to fix him with her big, soft brown eyes. “Tell me, Agent Kurosaki, what do you think happens after you die?”

Ichigo froze. “I would be buried? Maybe there would be a funeral first?”

Inoue started laughing so hard that Ichigo was sure he caught a tiny, adorable snort. “Sorry, sorry! I wasn’t clear!” She sniffed, and wiped a tear from her eye. “Do you believe in continued existence after the death of the body? An afterlife, religion-based or otherwise? The existence of ectoplasm, cold spots, spirit photographs, EVP?”

“Are you talking about… ghosts?” Ichigo asked hesitantly.

“Yes!” Orihime replied with a nod. “Ghosts.”

“We-elll…” Ichigo drew out. “I believe that people believe they observe certain phenomena, as part of the cycle of grief and--”

“Just say ‘no’ if you don’t,” Inoue interrupted him.

“Er, no. I don’t.”

“That’s okay. Are you good at carrying heavy things?”

“Am I... I guess?”

“Perfect!” She shoved the box into his arms, and Ichigo’s knees almost buckled under the weight. “Let’s walk and talk, I want to go get a reading over near Franklin Square before 9 am. We’re gonna pass a really good half-smoke cart on the way, do you like half-smokes?”

👻 👻 👻

“Take a look at this,” Inoue said, her cheek half stuffed with sausage, jabbing a finger at the LED read-out of her mysterious box.

It was rather hard for Ichigo to see, because he was holding the box and the readout was on the other side, but he did his best to crane his neck around. “What am I looking at? The squiggles? I’m sorry, it looks like nothing to me.”

“Exactly right!” Inoue announced, waving her half smoke in the air. “Not a sniff of spiritual residue!”

Ichigo pressed his lips together. “Um… is that good?”

“It is interesting,” Inoue corrected. “Five days ago, a sixty-four year old woman had a heart attack while sitting in that bus shelter.” On every day since, I have been able to record EMF fluctuations, and on Sunday, I was able to get a voice recording that sounded like a woman reciting a grocery list. But this morning, nothing! Nada!”

“Well, uh, ghosts gotta move on eventually, right? Otherwise, just about everywhere would be haunted, right?” It’s not that Ichigo had suddenly started believing ghosts or anything, but there was something about Agent Inoue that just made you want to go along with her and see where all this panned out.

Inoue shot him a finger gun. “Or, they get moved along.” She shoved a folded paper map at him. “You can put that thing down.”

Ichigo eased the Spirit Detect-O 9000, or whatever it was called, to the grass and accepted her map. It was a street map of DC, meant for tourists, emphasizing all the local transit routes and popular attractions. There was also a great loop marked on it in orange highlighter, zig-zagging back and forth through the city. There was a little ‘x’ marked on Franklin Park, with “Tuesday, early morning” written in a bubbly hand.

“What is this?” Ichigo frowned. It didn’t seem to match up with any of the metro or bus lines. It didn’t even match with the sidewalks, it appeared to cut straight through large buildings like the convention center.

“As far as I can tell,” Inoue said, her brown eyes very solemn, “that is the patrol route of our local grim reaper.”

👻 👻 👻

“So I actually got interested in grim reapers,” Inoue explained, once they were back in the office, “while I was investigating violent ghost phenomena.” She was eating a bag of corn chips that she had gotten from that ancient vending machine by punching it and then shoving her own arm up the chute. (She’d gotten Ichigo a bag, too, but he was too afraid to eat them.)

Ichigo was sitting at a cluttered table that Inoue had told him “could be his desk.” Half of it was taken up by a large aquarium full of rocks and a water bowl, but no life forms that Ichigo could detect. The other half was covered with back issues of “Ghost Hunter Technology” magazine. “You mean like poltergeists?” he asked.

“Not exactly. Poltergeists are noisy, but they aren’t usually able to kill their targets.”

“Kill? Ghosts can’t kill people, aside from, like scaring them to death,” Ichigo scoffed. “I mean, folklorically speaking. As we established earlier, I am not a ghost-believer.”

Inoue tipped her head to the side. “They do, actually, it just tends to get blamed on something else.”

“By ghost-non-believers.”

“By everyone, really, and that’s what’s so strange.” Inoue pulled a fat binder from a stack of seemingly identical ones, and tossed it open in front of Ichigo. “Edison, New Jersey, 2014. An elderly woman dies ‘of a broken heart’ a week after her husband dies of cancer. Coincidentally, a telephone pole falls on her house the same night and rips a hole in her house.” She turned a page. “Norfolk, Virginia, 2017. A young woman dies in what the police rule as a suicide, despite the fact that she made a 911 call 48 hours previous, expressing fear of her ex-boyfriend. Three days later, the boyfriend is dead of mysterious causes. Coincidentally, his apartment complex suffered significant damages from ‘a wild cougar.’”

Ichigo squinted at the pictures. The walls of the building were scored with what did appear to be scratch marks. “Hell of a cougar.”

“Exactly! And I’ve got dozens of these historic cases. But about four months ago, I was able to investigate one myself-- a young man named Joe Wallace. He lives here in the city, over near Dupont Circle. Wallace had cut off his toxic dad years ago, and refused to visit him in the hospital as he was dying. Four days after his father’s death, a truck crashes into his house in the middle of the night and then drives away before the police can arrive.”

“And he died.”

“No!” Inoue held up one finger. “Scratches and bruises, but he doesn’t die!”

“Okay, great. So what does he remember?”

“He remembers a truck crashing into his house.”

Ichigo scratched his chin. “I am confused.”

“Look at this!” Inoue stabbed a finger at the pictures. “These are claw marks, not vehicular wreckage! There’s damage on the second story window! Wallace had scratches and defensive wounds, as if he had been fending off an animal! And look here, at the damage to the walls of the bedroom!”

“What am I looking at?” Ichigo asked, squinting at a photograph that looked like it had been blown up past the point of recognition.

“There were cuts and slashes in the walls and bedding as though someone had been fighting with a sword.”

“Like a Medieval Times sword? Was the guy a Medieval Times enthusiast?”

“More consistent with a katana. Do you like Medieval Times?”

“No one likes Medieval Times.”

“I like Medieval Times. You’ve probably never even been. But back to the ghost! Why would Wallace remember a truck crashing into his house, when nothing about the scene is consistent with that story?”

“He was...lying?”

“His memories were replaced.”

“His memories were replaced,” Ichigo echoed.

“Yes.”

“By… aliens?”

Orihime heaved a deep sigh. “By a grim reaper.”

“A grim reaper with a samurai sword.”

“How on earth did you come to this conclusion?”

Inoue raised one eyebrow. “Because when I placed him under hypnosis, Wallace didn’t remember anything about a truck. He did remember a monster with batwings and a mask made of bone and his dead father’s voice who tried to kill him, except that he was saved by a tall man dressed in black. The man had bright red hair and fought the monster with a sword that was also a whip and then he wiped Wallace’s memories.”

Ichigo stared at her. “You can hypnotize people?”

Inoue gave him a long-suffering face. Ichigo had the sudden flash that he was going to be seeing that face a lot in the days to come. “Yes, I am a certified hypnotist.” Inoue’s phone suddenly started playing “Tubular Bells”. “Oops, that’s an alarm. Come on, we have a meeting with some important people. Do you like diners?”

👻 👻 👻

Agent Inoue apparently did not care for public transit, but she walked very quickly. Ichigo was concentrating so hard on keeping up with her that he nearly collided with her back when she stopped very suddenly.

“You don’t mind if we make a quick stop, do we?” Inoue asked.

“You said the meeting was with important people.”

“Oh, don’t worry about them!” Inoue pursed her lips. “You see that bodega right there?”

They were in a part of downtown that was mostly mid-to-upscale restaurants and government buildings and FedExes. But sure enough, there was a dingy little bodega nestled between a Mexican-Indian fusion place and an Au Bon Pain, the windows stuffed with t-shirts from the last administration and a variety of cell phone chargers. The overhead sign read “Urahara Shop.”

“Y...eah…” Ichigo replied.

“That place is a hotbed of supernatural activity.”

“Is it?” Ichigo asked.

“I am almost positive that it is a supply point and meeting place for grim reapers, monster slayers, cryptids, alien hunters, and lycanthropes, but the owner is on to me.”

“I see,” Ichigo said levelly.

“Can you go in and pretend to be a customer? They have lots of good candy you can look through. Inoue dug in her purse and came up with a fiver. “Here. Buy a scratch ticket or something.”

“I’m not buying a scratch ticket, they’re a scam.”

“If the big guy is working the counter, he’ll glare at you until you buy something, so be prepared.”

As Ichigo pushed open the door, he realized he’d never actually agreed to any of this. Agent Inoue’s secret hypnosis powers, once again. Whatever. It was a bodega, there were a thousand of them in DC. They all had the same Nats t-shirts and coffee mugs with pictures of the Washington Monument on them. Ichigo pretended to be interested in a rack of comics. He tended to prefer indy comics over the big publishers himself, but even so, he didn’t recognize any of the books. Maybe they were by local authors.

Up at the front of the shop, a tiny, dark-haired woman was giving whatfor to the man behind the counter, a tall fellow with pale, straw-colored hair sticking out in tufts from under the saddest hat Ichigo had ever seen, a shapeless, battered bucket, striped green and white.

“Well, I can sell you a new battery for your phone, Miss Kuchiki, maybe that would help.”

“Not if it only lasts as long as the last one you sold me! I really need to get in touch with my partner, except that even if I could get my phone working again, his battery is probably dead because everything you sell is the same crap!”

“Ah, that’s too bad! You know, I think Mr. Abarai was in here a few days ago… I wasn’t in at the time, but Jinta said he came in, asking about…”

The man trailed off, and Ichigo glanced up to see the shopkeeper looking directly at him.

“...metrocards. But as you know, we don’t sell metrocards anymore.”

The woman made an aggravated noise. “You’re so useless! If I write him a damned note, will you give it to him if he comes in?”

“Oh, of course! Anything for you, Miss Kuchiki!”

The conversation trailed off as the woman hunched over the counter to angrily scratch out a note.

Ichigo stuffed the comic he was flipping through back on its rack. He skipped the enormous display of bedazzled flip-flops and started perusing the surprisingly extensive selection of gum.

“Here!” the woman finished and shoved her note at the shopkeeper. “You’re the worst, you know that?”

“Have a wonderful day!” the shopkeeper tootled, giving her a little finger wave.

Ichigo felt bad for the woman. “Er, excuse me?” he said as she passed.

She turned to scowl at him. For such a tiny person, she seemed to contain a remarkable amount of rage.

“Do you need to call someone? You can use my phone, if you’d like.” He held it out like an offering.

The woman blinked at him for a moment.

“I didn’t mean to be nosy! You were just kind of loud and you sounded worried about your, um, partner.”

“I’m not worried about him, I just need to find him.” Her face softened. “Thanks, Mister, but I can’t reach him on a regular phone. Don’t worry, I’ll track him down eventually.” She turned to leave, then stopped to jab an accusatory finger at Ichigo. “And that’s professional partner, not… you know! Whatever!” She stomped out.

What a strange, tiny person.

Ichigo selected a gum and walked up to the counter.

“Oooh, dragonberry lime, good choice!” the man trilled. “Anything else I can get you? Bottled water? Fanny pack? Spare phone battery?”

“I’ll pass,” Ichigo replied dryly.

“I imagine it’s against FBI policy to let a stranger use your cell phone,” the shopkeeper said sweetly.

Ichigo’s brows furrowed. “This is my personal phone. And how did you…?”

The man gave a chortling laugh that sent shivers down Ichigo’s spine. “Because headquarters is three blocks away and only an FBI agent would wear a suit that square.”

Ichigo took his change and his gum and shoved them both in his pocket. “Yeah, well, your hat sucks.”

The man laughed harder. “Doesn’t it, though?”

Once he was outside again, Ichigo handed Inoue the gum and her change. “The owner of that place is a creep.”

“The guy in the green and white hat?”

“Yeah.”

“That’s Urahara. You’re right, he’s the owner. Were there any other customers?”

“Just the short lady. You must have seen her come out. She was ripping Urahara a new one for some dodgy cell phone battery he sold her. I think she must have been NSA or something. She said she was trying to get ahold of her partner, but she needed a special phone.” As he said it, Ichigo realized it would be pretty odd for an NSA agent to be buying cell phone batteries from some shady bodega.

“No one came out,” Inoue replied.

“She definitely did! I heard the bell over the door ring.”

Inoue regarded Ichigo very seriously. “Agent Kurosaki. I was standing here the whole time. You were the only person who went in or out.” She looked at the gum. “Ooh! Dragonfruit lime! Do you want some?”

👻 👻 👻

They were late to the meeting.

Two men were waiting for them in the back corner booth. One of them had pinched, pointy features and piercing blue eyes behind wire-rimmed glasses. His chin-length haircut was pretty dramatic, but not as dramatic as his pure white trench coat. A cup of black coffee sat on the faded Formica table in front of him, but it didn’t look like it had been touched.

His companion was an enormous, good-looking Latino who was shoveling pancakes into his face.

“Inoue,” the dramatic guy said. “Who’s this?”

“This is my new partner, Kurosaki,” Inoue replied. “Kurosaki, this is Uryuu Ishida,” she indicated the white trenchcoat guy, “and Chad,” Mr. Pancakes.

“Also known as the ‘Lone Archers,’” Ishida specified. “We are apolitical actors who are interested in revealing the truths that are regularly hidden from the general populace by secret forces that conspire within the machinery of the American government.”

“You can just call me Chad,” said Chad.

“Good morning!” the waitress said. “Can I get you folks anything?”

“Oh, yes! I’m getting mozzarella sticks! Do you like mozzarella sticks, Kurosaki? They’re so good here!”

“So’re the pancakes,” added Chad.

“I’ll just have a coffee,” Ichigo announced. He glanced at Ishida’s cup. “Black.”

“Double mozzarella sticks, please!” Inoue chorused. “And a cherry coke!” She leaned over to Ichigo and spoke out of the side of her mouth. “I’ll give you a mozzarella stick.”

“Do you want some pancake?” Chad offered to Ishida. “I never think to offer.”

Ishida waved him off with a hand. “Agent Inoue. At great personal peril, I was able to obtain a sample of the item we discussed.” He slid a small paper packet across the table. “There are two tablets inside, but one should be sufficient for your purposes.” Ishida leaned forward, his mouth set in a firm line. “I was cautioned very strongly against using this, unless one had a firm plan for handling the… consequences.”

“I understand,” Inoue replied, stuffing the envelope into her purse.

Ichigo wanted to ask more questions, but the conversation shifted very quickly to some USGS floodplain maps that Ishida wanted Inoue to obtain for him that were apparently not available from the public webportals, allegedly because of filesize. Ichigo could practically hear the air quotes around the word “filesize.”

“We’re going to look for Jersey Devils next weekend,” Chad explained, sounding pretty excited about it.

“There’s only one, Chad,” Ishida corrected. “It’s just ‘Jersey Devil.’”

“There could be more than one,” Chad shrugged.

Thirty minutes later, they departed. Inoue had an order of mozzarella sticks in her purse. Ichigo had an armload of backissues of the Lone Archers’ ‘zine, which was, conveniently enough, titled The Lone Archer. There was no doubt in his mind that at least Ishida was completely off his rocker. The jury was still out on Chad… he struck Ichigo as the sort of guy who just went along with Ishida’s nonsense because he was a good friend and also liked taking camping trips and doing layout for ‘zines.

“So what was that thing they gave you?” Ichigo pestered. The idea of that little paper packet had been burning a hole in his brain the entire time.

“You busy tonight?” Inoue asked, raising an eyebrow slyly. “Between 10 and 11?”

“What are we doing?” Ichigo asked cautiously, wondering if he would be able to charge his time.

“We’re going to try and attract an angry ghost.”

👻 👻 👻

“Are you… sure this is… a good idea?” Ichigo asked for the sixteenth time, as Inoue focused the thermal camera on him.

They were in an old, abandoned lot that had formerly served as a Metro service facility. It was pretty spooky all on its own, filled with train cars too dilapidated for salvage.

It was 10:25pm. Inoue had set up no less than 17 different pieces of ghost detection equipment. Ichigo was questioning his life choices.

“You told me you don’t believe in ghosts. If ghosts don’t exist, then what could possibly go wrong?” Inoue posed.

“Well… that’s true,” Ichigo granted. “And, for the record, I still do not believe in ghosts. But in the Pascal’s wager sense of things, I am considering the ramifications of what happens if there are ghosts that exist, regardless of my belief in them.”

“And?” Inoue asked.

“Well, you said that these ghosts have hurt and killed people before. It seems like trying to attract one without having any method of, um, fighting it, seems kind of… irresponsible?”

“Ah, but you see, I’ve specifically picked this time and location to coincide with the grim reaper patrol routes I’ve been mapping out. Our friendly neighborhood psychopomp ought to show up just on schedule to fight the angry ghost for us. We’re doing them a favor, as I see it.”

“How so?” Ichigo exclaimed.

“It’s not like we’re creating an angry ghost out of nowhere. We’re just attracting an existing one to our location. We’re saving the grim reaper the trouble of having to hunt it down.”

Ichigo pinched the bridge of his nose. Why was it so difficult to argue with Inoue? Possibly because she was so incredibly earnest in all her beliefs, and all her arguments were in completely good faith, it’s just that her logic came from some other dimension. This woman has solved multiple, high-profile murders, including several that were ice cold, Ichigo reminded himself. So she’s quirky. I am sure I can learn a lot from her.

“Okay, everything is in place!” Inoue announced, placing her hand on her hips. “Go hide behind that pile of moldy seats!”

Inoue took Ichigo’s place at the center of her recording equipment. “Agent Orihime Inoue speaking,” she said, for posterity. “It is 10:28pm. I am crushing one tablet of a substance called ‘Hollow Bait.’” She crunched the little white tablet, which looked an awful lot like an Alka-Seltzer, between her fingers, and then made a flying leap for the rotting pile of damp, orange upholstery that Ichigo was crouched behind.

“So, just out of curiosity,” Ichigo started. “How long would we have to wait, theoretically, with nothing happening, before we would declare this a bust?”

Inoue pursed her lips thoughtfully. “Usually, I would give it about two hours, but if you’ve got somewhere to be, I don’t mind if you leave early. It is nice to have company for a change.”

“No, I don’t have anywhere else to be,” Ichigo replied. “I mean… sleeping, I guess.”

Inoue gave a charming little laugh. “I don’t sleep very well. And hunting for ghosts is more interesting than most of the stuff on Hulu.”

The way that she said it gave Ichigo the distinct impression that Inoue was, well, lonely. But that didn’t seem correct. She was weird, sure, but she was also friendly and talkative, and, er, well, she was extremely cute. Surely she had tons of friends.

“How’d you get into ghost hunting, anyway?” he tried to be conversational.

“Hmm,” Inoue hummed noncommittally. “Let’s just say there was an incident in my teen years, where my memories don’t match up to the property damage.”

Oh. Ichigo wondered if he should apologize, when suddenly, a cold chill ran down his spine and a sound like a roar echoed in his ears, except he didn’t actually hear anything. “Did you hear that?” he gasped.

“It’s the EMF detector,” Inoue nodded, scrambling for the reader and Ichigo realized he could hear a faint beeping.

“No, not the beeping, it was like a… a… scream…”

“You heard a scream?”

“I didn’t exactly…” Ichigo trailed off as he heard two more, coming from different directions. “There’s more than one. Monster screams. Not human screams.”

Inoue stared at him, eyes wide. “I don’t hear anything. Have you ever been tested for latent psychic ability?”

There was a sudden change in the air pressure, and a fetid, rotting smell, even worse than the Metro seats. Ichigo grabbed Inoue by the shoulders and rolled out of the way, just as the pile of junk they had been crouched behind compacted like it had been through a car crusher. Or smashed by a giant foot.

“Whoa!” Inoue exclaimed, trying to push Ichigo off of her so she could see what was going on.

Ichigo blinked through the night. He couldn’t see anything, but there was an area of space that looked thick and hazy, like it wasn’t refracting the harsh glow of the sodium street lights quite correctly.

“We have to get out of here,” Ichigo gasped.

“Can you see it?” Inoue asked, her eyes wide and excited.

“Not-- not really,” Ichigo replied, pulling at her arm. The air blurred, and Ichigo had the sense the thing was jumping at them. He could tell it was fast, but he couldn’t see it, he didn’t know what to--

“Howl, Zabimaru!”

It was both there and not quite there, a liquid blade made of glass and starlight, that snapped through the air at the invisible thing. The monster bellowed, and whipped around, charging at a dark figure standing atop one of the old Metro cars.

“Pick on someone your own size, ugly!” the man bellowed, and as Ichigo squinted, he realized that their savior was dressed all in black. He was tall, and his hair was pulled back in a spiky ponytail. It was bright red. He was also wearing sunglasses, even though it was the middle of the night. They were pushed up on top of his head, to be fair, but Ichigo had a feeling this detail would stick with him.

“You can see that guy, right?” Ichigo asked Inoue desperately. “The guy who’s fighting the ghost? The guy that looks just like the guy in your report?”

“There’s a guy?” Inoue asked. “No. Where is he? Can you usually see ghosts?”

“I don’t even believe in ghosts!”

“Well, maybe you don’t believe in them because you can see them and you don’t want to, did you ever think of that?”

“I don’t think now is the time to interrogate my personal traumas!”

Suddenly, there was another drop in pressure, and Ichigo had the sense of heavy breathing and sharp teeth. “Inoue. I think there’s another one.”

“Well, can you get the guy to come fight this one, too?”

“He seems busy,” Ichigo squeaked.

Something black flashed by his vision, and there was a loud crack and a sound of something screeching in pain. A second dark-clad person had arrived, landing softly on sandaled feet. There was the same unreality to her, a sense that she wasn’t entirely there, as well as a certain familiarity that Ichigo couldn’t place. Her sword was bright in the darkness, like moonlight reflecting on snow.

“Oi, there you are, you big dummy!” she shouted at the first man and Ichigo realized with a jolt that it was the angry woman from the bodega. “I’ve been looking for you for four days!”

“I had a problem with my gigai and maybe you should check your texts once in a while!” the tall guy shouted back. Ichigo refused to think of him as a grim reaper. A grim reaper would not wear sunglasses.

“My phone died!”

“Can we-- ow! -- discuss this later? I’m glad you’re okay, I missed you. Why are there so many Hollows in this train yard?”

“You’re such a sap! And the Hollows are here because some stupid humans got ahold of some Hollow bait.” The woman turned, and glared at Ichigo. Her eyes burned with blue flame, like the burner of a gas stove.

That would have been the last thing Ichigo remembered, if he had actually remembered it, or any of the things that came before it.

👻 👻 👻

Ichigo was sitting at his desk.

Inoue was sitting at her desk.

The sun was streaming in the window. The clock on Ichigo’s phone read 7:12am.

Inoue frowned. She examined a coffee cup on her desk. She took a hesitant sip, and then made a face. “Why are we here?” she wondered softly.

“I hate to pull an all-nighter,” Ichigo said, stretching, “but it sure does feel good to be caught up on paperwork!”

Inoue regarded him. “Kurosaki,” she said, “how long have you worked here?”

Ichigo frowned. “Well, I guess this is my second day.”

“Right. So… how much paperwork did you have to catch up on?”

Ichigo blinked. He very distinctively recalled working through the night-- his hand cramping, the incredibly spicy Thai food they’d ordered, Inoue’s seemingly infinite Boy Bands of the 90’s playlist. “I… was helping you, I guess?” Come to think of it, why was he filling out paperwork by hand, anyway? His laptop sat next to him, the lid closed. It wasn’t even plugged in.

Inoue’s fist slammed down onto her desk. “Gosh darnit! They wiped my memories again!!”

#wacky au requests #my writing #in my youth i shipped mulder and scully so hard #and now it's like...girl #you could do so much better #it is not possible to do better than gillian anderson

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loopy777 · 4 years ago

Note

RE: WIPs game: do I even want to know what Dicebenders is is it another scam how many times are the Gaang gonna get arrested for scamming

No, this time it's me scamming people. XD The dice in question are the RPG Dungeons & Dragons kind.

For a while I was doing a screencap webcomic in the style of "DM of the Rings" and "Darths & Droids" with another creative fan named Captain Boomerang. I was the scriptwriter and selected the screenshots for each panel, and Capt-BA would assemble the comics and improve my scripts (a process that did frustrate me a little, as I felt locked out of the revision process, but I did like the results. I just felt like I wasn't holding up my end of the partnership a bit). I wrote a story bible explaining the characters and storytelling rules, planned out the adaptation of the entire AtLA premiere, and had less detailed plans for the rest of the series, but we only got 6 comics in before Capt-BA went on a trip and never returned to the internet. I did manage to re-establish contact with her long enough to get permission to continue the comic, but the problem is that I have no image-editing skills whatsoever.

If I could find comic-making software that I know would do what I want and be easy to use, I wouldn't mind dropping some money on it, but everything I've looked at is trying to do lots of things I don't need. I only want a way to import existing pictures into comic grids, and then easily add dialogue bubbles. That's it. But the stuff I've found is more about image-editing than comic assembly, and it takes me an hour to put together a dialogue bubble that looks good. So I have 3 scripts that were never produced, which along with the planning docs are what's in that WIP folder, and I don't ever see myself going beyond that.

Besides, someone else already managed to complete something like this, and while I'm not a fan, I don't need to be. At this point, Dicebenders is dead. I'm glad I tried it, and it's a shame it didn't work out, but I'm happy with the other projects I've done instead.

I am squatting on an empty Tumblr for it, though.

Anyway, to share something new, here's the first section of the Story Bible I wrote to make sure Capt-BA and I were on the same page in terms of characterization. The rest of the bible details the plotlines for full series.

AVATAR: THE LAST DICEBENDER

BIBLE

Premise- A small group of players attempt to run a fantasy martial arts RPG that winds up essentially becoming the Avatar saga, or something very close. The main point of the series is comedy, based mostly on ridiculous links between Avatar and RPG's. Sometimes the humor will be in the vast difference between what happens in the comic, and what happens in the cartoon with the same screenshots. Other times, the funny will come from the unexpected ways they converge.

SPIRITUAL PREDECESSORS

DM of the Rings- The original, and my personal favorite. It's a good showcase of how to run a single quest together, while using narrative jumps to skip to the good bits.

Darths & Droids- A similar project, this stands out from its predecessor in two main ways. The players and GM are more friendly with each other, and are more or less having fun with each other. There is also a running, coherent storyline in both the game and in the lives of the players.

Benders & Brawlers- This is actually an existing attempt to do Darths & Droids with Avatar. This is helpful as an example of what we DON'T want to do, retell the Avatar story in a completely straightforward manner, with RPG players behind the characters.

CHARACTERS

None of the characters will be given real names. The players shall always be referred to by their character names, although this can be done in a teasing, ironic manner. When the characters are speaking, their dialogue bubble must always be attached to an image of the character.

The Gamemaster- The GM is a female in her early teens. She is a geek, and a bit of a social outcast for it. Nevertheless, she's trying to make that work for her, although she's not quite mature enough to make it happen yet. She has just discovered RPG's, and in her enthusiasm has gone all out in starting her own campaign. The only problem is that she doesn't know how to recruit players, so she ropes her best friend and little brother into playing with her. This is the GM's first campaign, so she'll a little in over her head. She knows the mechanics of play, and what she's supposed to be doing as GM, but doesn't have the fine skill in crafting an engaging RPG experience. Still, she wants to do her best, is willing to learn, and has a positive attitude about the whole thing. The GM has a strong crush on the Sokka player, but the only way she can express it is by having all the female NPC's flirt with the Sokka character.

Katara- Female in early teens, and the GM's best friend. Katara's player was friends with the GM from when they were both in grammar school, so while they have grown up into wildly different personality types, they are fully loyal to each other. Katara is popular, and outgoing, and doesn't care or know about geek stuff at all. She's only playing the game because the GM begged her to. At first, Katara is clueless about RPG's, and frequently questions or ridicules the mechanics of the game. She never quite gets into the idea of role-playing, but quickly takes to the idea of meta-gaming. She'll have her character act like a righteous do-gooder, because completing missions and fighting bad guys earns XP. She hoards items that will boost her stats. She'll advocate abandoning a mission/plot if it doesn't pay out enough rewards. Katara's player also can tend towards trying to Mary Sue her character, but this is inconsistent and usually shot down by everyone else.

Aang- Male in junior high, and the GM's little brother. He plays simply because his sister has cajoled him into it, and there are hints that he's getting some kind of reward or payment for it. He abuses his position by forcing the GM to give him what he wants in the game, even if it breaks the rules- access to the restricted Airbender class, the ability to bend all four elements, overloaded stats, an Avatar State that protects him from dying, a magic super flying cow ride, etc. However, it's important to note that Aang's player isn't a jerk. He's just immature, and like all kids, just always goes for what he wants via the easiest path, and doesn't realize that he may be causing trouble or hurting feelings. He's enthusiastic about trying out this RPG thing, but he has trouble coming up with any action beyond attacking or retreating. He's also hyper aware that the GM and Katara are girls. He is too old for cootie concerns, but thinks that girls are fundamentally different creatures with their own incomprehensible concerns. Having a big sister, he doesn't find this a big deal, just part of life. Aang's player is too young to be a geek. He likes cartoons and sports and fantasy and school-dramas. He also tends to follow whatever his sister likes.

Sokka- Male in late teens. This guy is your quintessential RPG player. He has is own top-quality dice, he's played campaigns and systems of all kinds, and knows the tropes of the hobby cold. He's a huge geek for all things geeky, but roleplay is easily his favorite. He's a social outcast, but he's made friends among his fellow geeks, and thinks life is just fine. Sokka's player joins when he meets the GM at the comic/games shop they both frequent. The GM was buying some sourcebooks and material to support the fantasy martial arts game she's running, and Sokka noticed, asked about it, liked what he heard, and got permission to join the game. What Sokka doesn't realize, because he is a geek and neither has experience with it or realizes it's even possible, is that the GM is sweet on him. This manifests in the character Sokka's canon luck with the ladies, only kicked up a notch. *Every single* female NPC flirts with him, whether it's appropriate or not. Sometimes player Sokka notices and tries to roleplay it, and sometimes he's just plain confused. Sokka has a few quirks. His best set of dice are his Lucky Red Dice, which always roll high when he needs it, but have been tested and proven to be fair dice. He also mandates that every character he plays use a boomerang; he was turned into a geek by the first video game he ever played, a Legend of Zelda title, and his favorite weapon from those games are the boomerang. Each of his characters has a unique, named boomerang.

Zuko- The GM's favorite NPC. She created him to be a compelling, dramatic character, with a complicated back story, moral struggles, badass loner personality, angst about his existence, a darkly noble quality, and a cool scar. The GM intended Katara to get to know Zuko, for her to try to woo him away from the side of evil, and perhaps to even have a romance with him. The PC's, however, couldn't care less about him. To them, he's just another mini-boss, and the fact that most of his character development is happening "off screen" means they don't realize that he's recruitable. A frequent gag is Zuko delivering a stirring monologue while no one pays attention.

Iroh- Background NPC. The GM tries to use him to give (ignored) hints to the players.

Toph- (tentative) A male munchkin gamer who picked a long list of weaknesses in order to get superbending. Toph's player is a friend of Sokka's player, brought in after an "incident" with his old group, and causes some initial resentment in the group when tries to show the n00bs how its done. Cowing Toph's player is a major victory for the GM.

Momo- NPC, but maybe make him a talking sidekick who gives the players hints when the GM is really exasperated?

Azula- the GM's best favorite villain. Azula is the GM unleashed, letting her take out frustrations on the players in both combat and harsh taunting. Eventually the GM comes to like the character so much, she retcons mental health issues into the character's backstory, and has her pet NPC, Zuko, spare her.

#dicbender #avatarpg

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whenrockwasyoung19 · 4 years ago

Text

It’s Time to Talk about a Bespectacled Elephant in the Room

I’ve been in the Beatles fandom for 8 and a half years. I have had a Beatles blog for the entirety of those 8 and a half years, and I have watched as discourse about these four men evolve. The discourse inside and outside the fandom has become so toxic that I don’t think I can engage with it in the same way that I could before. Let me explain.

When I entered this fandom 8 and a half years ago, it was in 2012, quite an infamous year in tumblr history. That was the pique of “”cringey”” fandom culture. The Beatles fandom was as steeped in fandom culture as any other fandom. I know this because I was part of two of the top of fandoms at the time, Doctor Who and Sherlock. Believe me, I have seen cringe.

The fandom at the time was totally aware of the John, Paul, George, and Ringo’s flaws as individuals, but most fans tended to simply enjoy Beatles fandom as if it were the 60s. Some might call it ignorant bliss. If you asked me at the time, I’d have said it was self-aware ignorant bliss--if that even makes sense. At the time, there wasn’t a person with a Beatles icon who hadn’t heard the line “John Lennon beat his wife.” Everyone knew it, but everyone also knew the real story, and so everyone just made peace with it. As a result, people didn’t think about every bad thing the Beatles ever did on a daily basis. It was more like a once-a-month kind of thing. Otherwise, fandom discourse was quite fun and relaxed. There were no shipping wars, no one fought over who was the best Beatle, everyone gushed over the Beatles wives, and we all just had fun with fics and fan art.

Of course, in this period, people engaged in conversations about one bespectacled Beatles problematic behavior. These conversations usually came from outside of the fandom. It was usually randos coming into the tags or into someone’s ask box and ranting about John Lennon’s violent behavior. Some of it came from within the fandom. Some people really didn’t like John and gave others shit if they listed John as their favorite Beatle. A lot of the discourse boiled down to: ‘hey, I see you like John Lennon. You should know that he beat his wife. And now that you know that, you should feel bad about ever liking him in the first place.’ And the response was often, ‘Actually, John Lennon didn’t beat his wife. They weren’t even married at the time. And also he didn’t beat her, he slapped her once in the face, and then never did it again.’ No one’s minds were changed. The fans had made their peace, and the antis came off as cynical and pretentious.

When Dashcon happened, and Tumblr took a hard look at its cringey fandom culture, the Beatles fandom evolved as well. The fandom became, frankly, less fun. It no longer felt like a group of people who found the Beatles decades after the 60s and were fangirling like it was 1965. There was still some of that left, but a lot of it kind of faded. So, most fandom interactions were reblogging pictures of the Beatles from the 60s and various interview clips and quotes. But the barrage of antis never really went away, and the response didn’t evolve.

Then, the advent of cancel culture came on. I always waited for the Beatles to get, like, officially canceled, but I also felt they were uncancel-able at the same time. Let me explain. I have been a Beatles fan primarily in an online space, rarely engaging with fans in real life. But I have met fans who are life-long Beatles fans, people who are a lot older than us and who’s fandom isn’t tied to the internet. They don’t give a shit about any of our discourse. They may or may not have heard it before, but they seem totally indifferent to all of it. I’m sure most of them have never heard ‘Mclennon’ before. These are the people that flock to see Paul McCartney and Ringo Starr in concert (and pay astronomical prices for it). These are the people who go to record shops and buy vinyl. These are the people I run into at flea markets who buy up all the Beatles merch before I can even arrive (true story). So, the Beatles will never be canceled because there will always be people who love the Beatles and don’t engage with online discourse. Rarely said, but thank god for Gen-X.

As cancel culture took over the internet, fandoms changed. It’s not as noticeable in fandoms without problematic favs. For instance, I’m also steeped in the Tom Holland fandom, and that boy is a little angel who has done no wrong. No one has discourse about the unproblematic boy who plays an equally unproblematic character. But in fandoms with ‘problematic favs’ the mood has shifted. I’m also in the Taron Egerton fandom. Taron Egerton, for those who only follow me for my Beatles stuff, is a genuinely sweet and kind person who has had zero scandals in his six year career. There were some rumblings when he was cast as Elton John, and some people took issue with the fact that he’s a straight man playing a gay man. This discourse seemed to die quickly as a whole lot of straight people played gay people in that same year (Olivia Coleman as queer Queen Anne, Emma Stone as her queer lover, Rami Malek as Freddie Mercury). Why jump on this boy who at the time was still technically on the rise. He’s not exactly the same target as someone like Scarlett Johansson who has her pick of roles. Taron doesn’t have quite that some power in Hollywood, and I think most people made peace with the fact that this was a big role for him, and it’s not really fair to take that away from him. So, all in all, the closest thing to a scandal was something that died pretty much on arrival.

That was until this summer when everything changed. When George Floyd was murdered, celebrities flocked to social media to mourn his loss. Taron’s social media account was silent. For weeks, Taron said nothing about Black Lives Matter or Floyd’s death. This caused outrage in the fandom. Many raced to defend him, starting a hashtage #IstandwithTaron. Others sought to tear him down and anyone who supported him. The kind of mania this one incident caused tore through an otherwise peaceful fandom. What I saw was two sides in a total panic. The antis were people who once had faith that Taron was a good person and were now questioning that. Andthe defenders were people who desperately wanted him to be a good person and were afraid that he wasn’t. In essence, both sides could feel Taron about to get canceled. The defenders wanted to stop it, the antis wanted to ride that wave.

What this long drawn out Taron example is meant to convey: is that cancel culture has put fandoms on edge. One’s fav has to be perfect, otherwise it can jeopardize the existence of the entire fandom. I’ll admit, I was afraid that I’d be some kind of pariah for standing by Taron through all of this. My actions were to basically reason with the antis but still defend Taron. I defend him mostly because I felt that his silence was the result of a needed social media absence and that trying to shame him back onto social media was an invasion of privacy. But I was genuinely afraid that he would get canceled, and the fun of the Taron fandom would be lost.

In the Beatles fandom, it often feels like the Beatles, mainly John, have already been canceled. I see this coming from two different sources: antis from outside of the fandom and antis within the fandom. The outside antis are just the same as the ones from 2012. These are people who like to drop in that John Lennon beat his wife, posting this in the tag (which violates an ancient tumblr real by the way--no hate in the tags).

The antis outside the fandom speak to a larger anti-John Lennon sentiment online. I see references to John Lennon ‘beating his wife’ on Tiktok and twitter. The tone of anti-John Lennon posts has shifted. Before, it felt like the antis were being smug but also argumentative. They wanted to have a conversation about this bit of info they read on Reddit with no context. Now, “John Lennon beating his wife” is practically a meme. It’s a running joke online that John Lennon was a wife beater. I can’t look on my instagram explore page because every so often a John Lennon beats his wife meme will pop up amongst the other, normal, memes.

This change in discourse suggests that the internet has just accepted this as fact now. I should note that back in 2012, it seemed as if few people knew this fact. The fandom knew it, and these random antis knew it, but few others did. Now, because of how common these memes are, it seems to be widespread knowledge.

Consequently, the Beatles fandom, who used to ward off attacks from antis, seems to have given in. I recently saw a post from a Beatles blog (had the URL and icon and everything) that confessed they felt guilty for listening to the Beatles, and I’ve seen similar sentiments expressed in the fandom. People tend to put disclaimers in posts about John or even all four that John is an ‘awful man.’ It seems like the self-aware ignorant bliss has completely gone away. Occasionally, I still see posts joyously talking about Mclennon or reblogs of old photos from the 60s. But the culture has shifted.

Online, it no longer feels comfortable to be a Beatles fan. It feels like you have to own up to 8 decades of mistakes by four men you’ve never met. And, I should note, this is kind of how it feels to be a fan of anything right now. Taron is not canceled today, but he could be tomorrow. It’s this pervasive feeling of guilt that the person you’re supporting may or definitely has or is doing something wrong.

I’ll admit this uncomfortable feeling has expanded into other parts of my fandom life. I listen to their music, and I feel elated--the way I always have. Then, I get these intrusive thoughts which sound like all the worst parts of Twitter combined. It wasn’t always like this. Back in 2012, when I knew almost nothing about them, I saw them as four young men who were full of happiness, love for another, and talent. Back then, listening to their music was exciting and joyous. Sometimes, I fear that I can never feel that way again. Next year, when I finally go to Liverpool, will I be filled with excitement or guilt?

I say all this for a few reasons. One, I love John Lennon. I appreciate all the good he did for the world not just as a musician and an artist but also his advocacy and charity work. I love him, and a part of me will always love him, but observing the change in discourse has enlightened me as a historian. Part of my job is to observe people’s legacies, and John’s is perhaps the most interesting legacy I’ve ever observed. When he died, he was hailed as a saint. But tall poppy syndrome set in, and the antis started. This culture grew and grew to the point where it seems to, at least among the younger generation, taken over the sainthood.

But as a historian and a fan, I have never seen the saint or the devil. I’ve only seen the man, the incredibly flawed man. The thing that these antis never understand is that John Lennon was painfully aware of his own flaws to the point where it made him all the more self-destructive. In essence, his past mistakes caused him to make additional mistakes. But John, aware of his own flaws, always tried to change and was often successful. I’ve talked about this before, but John demonstrated that he was capable of being a good person, like properly so, again and again. After he struck Cynthia, he never hit her again. His shortcomings as a father to Julian weren’t repeated with Sean. He worked on his drinking, his drug addiction, and his anger, trying to overcome those demons till the day he died. By all accounts, the John Lennon that died in 1980 is not the John Lennon who struck Cynthia Powell at school. That John Lennon was living a cleaner, healthier life. He was a better father to both his sons by that point, and was trying to repair his relationship with Julian. He was a good husband to Yoko and saw himself living a long and happy life.

John Lennon cannot and should not be boiled down to just his flaws. It’s one thing as a fan to acknowledge that John is a flawed human being (news flash: they all are), but he is also much bigger than that.

So once again, why am I writing this long, rambling post, once again talking about John Lennon’s virtues? Because if I can’t engage with healthy discourse about the Beatles and John Lennon, then I can’t engage with discourse on the topic at all. So, I probably will post less Beatles stuff because I find it hard to go through the tags or even my dash (well, I can’t really go through my dash anymore for other reasons I’m not going to get into right now). If any of my followers have noticed a lot of Taron posts lately, it’s not just because I love Taron, it’s because Taron’s tag is pretty much the only location on tumblr I feel 100% comfortable in. Any foray into John or the Beatles tags becomes uncomfortable and guilt-ridden quickly.

So, I probably will post less about the Beatles until I can find a blog or a tag that doesn’t give me bad vibes. My fandom will likely outgrow tumblr and the internet. I have a ton of Beatles books; maybe I’ll rely on those. I am doing official scholarly research on them now. Maybe that will be my outlet. I’m sorry if I post less about them now, but it’s really for my own well-being.

#John lennon #the beatles

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