#apologies for the quality this was mostly written at 2 am

[snootlestheangel]

Curious about the ocs you mentioned and your original work.

That has gotten me thinking about my own original work and adding it to my current hyperfixation, our darling COD and its men and women.

Though only a part of my original work would flow with COD, but it would flow better with Halo lol

Oh my work wouldn't flow super well with COD without some weird magic stuff going on but the characters will be unstoppable

*cracks knuckles* Prepare yourself for a long ass read cause we gettin' into it *screams of victory in the distance* (I have not introduced anyone to these characters/this story in literal years so I am flipping out. This is soooooo much information I apologize for the dump but holy shit the autism is autisming) (also halfway through writing this I am starting to realize this is not really what you are probably expecting... but I've had literally years to think about these characters soooooooooooooo *panic*)

First, the homebrew monsters cause important

Death Crawlers are humanity's greatest enemy, as they were created out of a greedy desire to bring humanity to its knees. Magic users with the capacity to live very long lives, but are easily killed by most things. Under the command of the first of their kind, Sortis, and the Elders, the first generation. They are cunning creatures willing to do anything to be successful, which we'll get into later ;)

Death Crawlers are strict in how they run things, actually. There is no such thing as friendly/neutral interactions with humans. Every interaction must have ill-intent behind it, otherwise you are subject to execution. Any magic with a visible presence, such as summoned fire, appears Blue. That is critical information! Limited uses of magic: cannot heal things/people, must study different books written by the Elders to learn new advancements (most DCs can wield a small flame as children but cannot make it useful aside from lighting a candle until they study). There's more worldbuilding stuff here that I can get into but I'm not gonna right now

Night Watchers are the predecessors/cousin species of Death Crawlers. The exact date of the beginning of their existence cannot be traced, but it is assumed they have existed alongside humanity the entire time. They get their name "Night Watchers" from the early humans, because they often kept the nightwatch to keep tribes/communities safe. Very well adapted for the dark. Night Watchers' greatest duty is to protect humanity. They have what is referred to as Red Magic, while DCs have Blue.

They are the reason humanity didn't know/believe in the existence of monsters and other species. When Death Crawlers became a nuisance, a war between the 2 broke out, trapping humanity in the middle. Together, the Council in the Night Watchers Royal Court came together to combine their magical knowledge/prowess to erase the memory of DCs and all other monster-kind, including themselves, from humanity's memory. All documents were destroyed and any trace of their existence completely wiped. This threw the DCs into hiding, as most of their power came from taking humanity out from within, but they didn't know how to blend in and relied on their status as magic-wielders to manipulate people. Night Watchers have taken sanctuary underground.

Dragons!! Live in what could be interpreted as a side dimension from ours. Massive creatures that can shift into a human-appearing form, although it isn't uncommon for most dragons to retain a few reptilian-like qualities in this form (such as slit eyes, sharper teeth, split tongues). Cold-blooded creatures so they are mostly found in warmer areas and are known for just lying in giant piles together. They "breathe" fire based on a system of gas produced in their digestive tracts and a small, hard piece in their throats that can be flicked to create sparks. The sparks ignite the gas, thus fire! (literally just basically think of it as they burp (exhalation of gas) and the spark just makes it fire breath). Don't have a true government system (there's a major story with that) but basically whichever dragon is the biggest gets to claim the "crown". Very rowdy creatures with some aggressive tendencies but that's just cause of their size. Have a hatred for unusually small dragons :)

Characters!

First, the "protagonist" Maxlar

Utmaxos 'Maxlar' Whishling is a Death Crawler with a bounty on his head. Through some series of events, mostly not his fault despite what everyone believes, he is being actively hunted by the Death Crawlers. He was born with purple eyes and it was soon realized his magic did not have a blue appearance, but rather purple. (combination of Red and Blue is no bueno in this world). This was a huge scandal, of which his family suffered the most. His parents were put through several trials to prove their loyalty to their blood-line, and his brother got the worst of it

Believe it or not, DCs actually hate killing their own kind, hence why execution is typically left for those that have interacted with humans in ways that benefit the human/lack any ill-intention. Maxlar was exiled at one point because he never engaged in truly "evil" acts but more or less just acted as a trickster towards humans. They didn't like his poor commitment, especially when it was worsened after the murder of his family. However, upon finding out he's married to a human and has a family, Sortis puts a bounty on his head. Dragons are technically allied with Night Watchers and DCs are, in the modern era, allied with humanity. There's a special agreement between them that there is to be no travel between the Realms (Dragon realm, Night Watcher Realm, and DC/humanity).

Therefore, when a dragon with a vengeance against Maxlar breaks out of prison and into the, what is referred to as Natura, realm, Sortis declares war, thus giving him the excuse to hunt Maxlar down and execute him. However, one of the Elders with a unique focus on fortune telling, sees the inevitable downfall of the Death Crawlers through this war, thus she enlists the help of The Demon to both protect and "end the Whishling name in a fate worse than death".

Physical description: Roughly 5'11, maybe 6' if he's wearing the right shoes. Brown hair that lightens naturally as it gets longer. It's stuck between a constant state of curly and wavy, thus making it an absolute mess but he rocks it. Keeps it roughly at his collar/shoulders. Never clean shaven, kind of a mess appearance wise but he's just like that. Dad bod dad bod dad bod. Intense purple eyes, always wearing just like a leather coat that touches his knees, jeans, and a V-neck shirt even though he's in the middle of a war. Got the weirdest collection of socks. Is schizophrenic, according to those around him he "cannot shut up to save his life", is a really openly emotional guy.

Absolute Dad! Married to the most beautiful human woman named Andrea, has several children and adores them. Literally so in love with his wife sometimes he'll be sitting there just crying quietly cause he misses her. His best friend is Devon, a dragon, and they actually canonically have an invalid Las Vegas marriage. Andrea knows about it and thinks it's so funny, she gifts both of them flowers on their "anniversary".

Devon Blackstone

Technically the prince of dragons since his father is current reigning King, and he's bigger than all the other dragons. Doesn't really give a shit about the throne, especially since when he was beginning the process of becoming a full-fledged prince is the time he met Maxlar. Really chilled out dude, but is such an instigator. Literally has the best time doing stuff to intentionally annoy Maxlar. Carnivore diet? Sure, but also a massive seafood eater. Has been known to just go hunting in the ocean as a dragon. Fiercely protective of Max and his family. Likes to throw his weight around when in fights, can be a bit of a masochist. Darker skin, broad flat nose, kind of mean looking but then he smiles and you're like "ah! friend! :D"

Massive teal-colored dragon: has longer hind legs than front ones, uses this to pin and gain the upper hand on dragons that are closer to his size. Wish I could tell y'all just how big, but like roughly 200yards nose to tail, and maybe like 2/3rds of that in height when on his back legs. Wings are massive (the ratio is like 3x of their size I think). He's got spines along his back that are perfect for riding behind. Human form is roughly 7', and he still has some teal coloration to his hair, so he keeps it buzzed and pretends he dyes it. Literally the King of Dad Bods! Big, massive guy. Just really round and beefy and just *chef's kiss* I love my big boy.

Hades Evanchio

Tired, wants to go home. Please. The only Night Watcher that resides in Natura (referred to as Topside in the Night Watchers' Realm). This is because he was nearly executed for a crime he technically didn't commit; the crime being treason of the highest offense and him being royalty made the penalty that much worse. Only reason he was able to survive is because his mother, the Queen, begged for the Council to stop it. (Night Watcher executions are brutal. They have an executioner that is highly versed in the ways of using fire. The executioner will tie a thread around the victim's throat, set it on fire and force it through their neck. It also simultaneously cauterizes the wound/keeps them alive until their brain stem is destroyed. It is torturous.)

He, like most Night Watchers because they literally live underground, is unnaturally pale. British accent because it's where he first ended up and relearned how to speak due to his wounds. Has red eyes, dark very curly hair (just like his Mum), and chronic anxiety. Literally 6'4" ish but is so skinny and is constantly hunching in on himself because "please do not perceive me I will cry". Wears scarves/turtlenecks all the time to hide the really obvious scar on his neck from his near-execution. Runs naturally cold, uses his cold hands to get Maxlar to shut up (will wrap one around his neck to which Max freezes and just slowly drops to the ground cause COLD)

Hades got brought back into the Night Watch Realm after the war broke out because his father had been poisoned and stated no heir other than Hades. Literally dragged down there against his will. He hates the Council, the Council hates him, thank god for the Queen Mother. He just wants to go back to his little cabin, curl up with tea and write poetry while using his dragon husband as a pillow/bed.

Atendarajo Evanchio

Feral little dragon. Hades's beloved husband. Cannot put enough emphasis on the feral and little aspects of his character. Escaped the dragon realm a long ass time ago because he's dangerously tiny for a dragon. Devon is considered unnaturally big, but Aten is definitely like concerningly tiny for a dragon. Dragon form has legs of the same size, he stands only the same height as Devon's human form like this (7'). Has a beautiful headpiece made of horns and smaller spines. Gorgeous red-orange color. Literally a ginger in human form with so many freckles it drives Hades crazy. He's constantly having to fight Hades off cause "You cannot count them all! I am busy!" Retains his sharp teeth and wings in human form. (Thank goodness Night Watchers possess healing magic otherwise poor Hades lmao). Stands only like 5'4", maybe 5'5" on a good day. This does not prevent him from picking fights with anyone and everyone. Hades is so anxious he wants to cry in crowds meanwhile he's married to the feral little guy trying to fight a biker gang for literally no reason. Literally falls apart every time Hades calls him his "good little dragon" despite the fact that if anyone else called him little, he's trying to kill them. Will literally start fights with Devon because he's filled with rage. Severe small dog syndrome.

Asmalverious Whishling

He's the last one for today, I promise :')

Most commonly referred to as Malvo, or better yet, The Demon. Is Maxlar's younger brother. Died nearly 200 years ago but due to the curse of the DC Elder, he had to crawl out of his own grave. Is now contractually bound to protect Maxlar. Unless the threat against Maxlar's life is eliminated or Malvo is killed, Maxlar cannot be harmed by DCs when in Malvo's presence. Anyone actually within a certain distance of the younger Whishling brother is safe from harm caused by DCs. The curse cannot be broken unless the above stated or a much more upsetting scenario that I am not sharing.

Referred to as The Demon because he is. Demons aren't actual demons, but rather a group of people that participate in a forgotten, ancient form of Black Magic. When he was a child, Sortis contracted out several of these "demons" to twist Malvo into one. He is by far the most powerful being but still requires studying/practicing before able to do very complicated things. His magic is Black, not Blue, as he's more practiced in the darker arts of Demon kind. Sortis knows what he is capable of and hopes he will win the Demon's favor.

Literally a know it all. Thrives on learning and knowledge, thus he's far more advanced in his magic than he often lets on. Aten refuses to trust him. It's unclear why exactly.

Same height as Maxlar, perhaps a bit taller. Constantly clean shaven. His curly/wavy black hair is always slicked back, literally the image of perfect hygiene and self-care. Always wearing classy clothes. Prefers classical fighting styles such as using weapons like swords. Has a very cool looking navy blue sword that is like one of two possessions of his he cannot afford to lose. The other possession being a journal. No one knows what is written in it or why it's so important. Very unnerving cause he always makes too much eye contact and he's got really intense, empty green eyes. Speaks like he's from the 19th century, cause he is but he just refuses to adapt.

So fed up with Maxlar's bullshit. Constantly wants to go back to being dead. Not suicidal, just not happy he got dragged out of his grave.

And those are my boys!! I love them very much (clearly) and I cannot wait to write the thing with our beloved COD boys. Also, I have some visuals of their appearances (not drawn by me, but they're pretty accurate representations of my boys) if y'all want those

[fonulyn]

3 fic questions:

1: Which fic took you the longest to write?

2: Which fic did you have the most fun writing?

3: Which fic was the "fine! I'll do it myself!" fic?

ohhhh these are so hard :'D but let's try!

...and I'm gonna apologize in advance because two and three are gonna have so many answers, but I've literally written over 200 RE fics so it's impossible for me to choose 😅 i'm sorry and bear with me.

only the courage to continue counts (Piers/Leon, re4 au, past!Krauser/Leon)

this one was easy lol. it took me a long long time mostly because it's 93k, which is like three times as long as my next longest fic. simply getting out that many words took a while! also, I almost gave up after chapter 4 because literally no one was reading it and I wondered if it's worth it to keep going. had a good cry about it, lol, and angsted about it for a bit. but re4 is my favorite (surprise!) so I decided it'd be worth it. and honestly? I think it was. it's a good fic. I'm happy with how it turned out. ...but i don't think i have another this long fic in me tbh, i just can't do it alone.

2. this is trickier because there's so many :'D first, the entire pinnacle of self-indulgence series because it's what I return to when I want something low-stress, no expectations, where I can just have them be as domestic as I want. it hasn't always been tons of fun, because sometimes i use it to vent other feels, but it means a lot to me.

smooth talking, Nivans, very smooth was also tons of fun, making Piers put his foot in his mouth repeatedly just because of how into Leon he is? :'D it still makes me grin lol.

also the other maybe-a-little-cracky-ones; maybe he's born with it (the is Leon a true blond??? fic), the prettiest agent with the prettiest hair (the Piers stress-braids Leon's hair fic), and how to accidentally get adopted - a guide by Piers Nivans (Piers accidentally keeps calling Chris "dad" and gets sorta adopted by him and Leon) - idk i guess I really enjoy writing stuff that's not exactly very serious :'D

i also had a shitton of fun writing three words to last forever, even if two of its three endings have major character death in them lol. but i've always wanted to do a choose-your-own-ending fic! so it was super fun! if i had the energy i would love to do another where you get to choose different paths, but they all lead to the same ending eventually.

others I had tons of fun writing include winter lovin' (there's snow one like you) where Piers and Leon vacation in Finland (yay!), you're feeding the fire within me where they get a dose of Rebecca's new Super-Viagra (a sex-pollen fic lol), driving deep into your heart which is a completely random au where Piers is a motorcycle racer :'D, carpe diem (seize the day) which is a smutty genderswap fic, and fall in love so easy where Leon learns he enjoys being called pet-names.

i'm just gonna stop now because otherwise I'm gonna end up listing twenty more. but honestly, like I said before, I've written 200+ RE fics so :'D this is hard lmao. I genuinely like most fics I've written. and I genuinely enjoyed writing most of them. I'm sorry this is such a non-answer :'D

3. this also has the potential to become a mess like question number two lmao. the vast majority of what I write is "fine! I'll do it myself!" fics. like, almost every single Piers/Leon fic I've written belongs in this category since, well, if I don't no one will :'D also a lot of my Krauser/Leon are things I wanted but didn't find (although I gotta give a shoutout to the pair in general, there are a lot of quality metaltango fics out there that I could never do).

aside from that, after scrolling through my fics, I realized most of the fics I wrote after not finding what I wanted to read are ...porn :'D lmao I often go look for something specific, don't find it, and have no choice but to do it myself!

as examples, I am the light that shall lead you to darkness (Wesker/Chris dubcon, I just wanted Chris to get nailed lmao), without hope, without fear (Jason/Leon monsterfucking, and I gotta say, I'm still bummed the pairing didn't take off at all it's got all kinds of potential goddamnit [also I keep wanting to write another of these two but ehhh] but i won't rant more here), on an all time high (Leon/Queen Plaga, I just... had a major need :'D), lost control (Leon/Lickers, what can I say, I had a major need lmaooo), kiss before the fall (Jake/Piers, this pairing deserves so much more love ok), ravishing (Chris/Jill, I just wanted Jill worshipped ok, and there's another similar one rattling in my brain but I haven't gotten to writing it, idk if i ever will).

so like. smut :'D apparently I have specific likes and have to cater to myself lmao.

OKAY BUT now I'll shut up for real. thank you for the ask! gave me a perfect excuse to reread my own fics lol. and I'm sorry for such non-answers :'D I just can't choose lol.

[the-rogue-mockingjay]

Writer's end-of-year roundup, 2022! 🎉🎆

Despite the myriad hardships of the year for me - losing my old beagle, fighting doctors, a completely stupid amount of grief/loss, migraines and disability oh my! - it's actually been an amazingly productive and inspired year? I'm very proud! I completed the second draft of my first-ever longfic, which needs another round of editing or two before it's ready to be published, and I've discovered I LOVE editing. More than I love writing, actually????? Lots of people talk about the Dreaded Editing but for me, it was vastly easier than writing the first draft was LOL. I also did what I thought I would never do, which is create another Shepard, Morrigan Vesta, and I actually wrote mostly about her during NaNoWriMo this year. I'm finally getting the hang of how to give characters unique voices (or portray a canon character's voice accurately, which is something I used to be extremely hung up on). I can honestly say I've made a lot of progress both as a person and as a writer this year, and I'm finally starting to find my joy in writing again. Very exciting!

Taking a page out of @pikapeppa 's book in how to format this year's data- I love seeing your charts every year!! My own chart ended up being quite a bit messier, but that's probably because of how I tweaked it to fit my fics. I apologize deeply if the image quality gets butchered, I am not wise in the ways of battling Tumblr's nonsense

(HEY GUESS WHO FORGOT A FIC......the one I forgot is Marevera's Dream, which is a Wayfarer post-Ep 1 pre-Ep 2 WIP, and it clocks in at 1,174 words, making my actual total 60,486!!!!!)

*I forgot to note that In this darkness, on my own is a followup to A New and Dark Horizon.

60K........DUDE!!! I haven't written that much since junior high/I got my depression diagnosis in like 2016, so this is. Big!

New things I tried: For starters, I paced myself during NaNo instead of forcing myself to write every day like I did during NaNo 2020. And WOW was that a night-and-day difference! In 2020, I wrote about 20k and burned myself out so bad I couldn't write for another 6-8 months. This year, I wrote about 30k, and only sat down to write about half the days, successfully dodging burnout. I think that's a valuable lesson for me in what works for me, how to balance my desire to write with what I'm actually capable of that day, and how to work with my disability without letting it limit me.

I also wrote in first person for the first time in maaaaaany years, and while it's not as comfy as third person, it wasn't bad, and it was a good way to explore the different strengths of POVs.

And since my laptop had a fatal encounter with a cup of coffee last spring (RIP little buddy), I've gotten very comfy writing on my phone, which I had previously only done for Across the Sea and Part 1 & Part 3 of broken body built anew because I was bored/inspired during a long car ride LOL.

Fic I spent the most time on: Going Over Jordan, easy. I originally wrote it during NaNo 2020, then re-wrote it at some point during 2021 (time is a weird soup so I don't remember). And then I rewrote it AGAIN this year, edited the crap out of it, printed it, and will edit it again sometime in 2023. It's a fic that exists purely because I am at times a spiteful little goblin, and I had Opinions about the MEA main mission Hunting the Archon, i.e. I didn't agree with how Bioware wrote the companions' responses to Ryder's temporary death, and my Ryder is also an anxious neurodivergent wreck like myself, so I wanted to write how that mission would have actually gone with Brynja as Pathfinder. I wanted to highlight the relationships Brynja has with her friends (particularly Jaal), and I also just wanted her take on the mission in general, because it's not the same as what's in-game. I mean....a lot of people die gruesome deaths in that mission and you see the aftermath, you see the gutted and maimed corpses. There's a lot of horror inherent to what Bioware wrote for that mission, but they glossed over it big time. I wanted to fix that.

I'd like to have someone beta read it, but Andromeda is a niche market as it were, and I've never had anyone beta my work before, so that's honestly the biggest reason it's not published yet. It would benefit greatly from beta reading I think, but uh. I don't know how to make that happen. I'm gonna publish the dang thing in 2023 or 2024 at the latest, though, even if it kills me DGKLJDHLG.

Fic I spent the least time on: I can't say for certain, but it's probably the microfics. Those took only a couple hours. Aside from those, not counting WIPs, it'd most likely be Across the Sea, which I wrote on my phone while sitting on the kitchen floor.

Favorite thing I wrote: ALMOST ALL OF THEM. In all seriousness though, there are a few that have a special place in my heart, and the most important one is Across the Sea. I'd been wanting to explore how Marian processes/copes with Thane's death pretty much since the day I created her, but I never got around to putting any of it on paper until the time came for me to say goodbye to my dog, a 17yo beagle named Maggie we adopted in 2019, last February.

It was an absolutely hellish series of events just in those few days alone: I had a sleep study done which gave me the worst migraine of my life, I threw up in a random parking lot, went home and tried to sleep the migraine off, and was woken up a few hours later to my mom sitting on my bed and saying, quietly, "Maggie's dying". My migraine quit mattering at that point. I sat with her on the couch for hours, held her paw, petted her softly. My parents took turns sitting with her in the living room overnight.

Ultimately, she was just suffering so much for so long we had to take her to the vet. It was a weekend, so it was going to be hours before they opened. Maggie got up and stumbled to the kitchen, and she laid down in front of the door to the garage, and I just...sat with her. There was nothing I could do to help or save her, so I kept her company in her last hours. In the midst of moving and the uncertainty surrounding my health, my new disabilities, traumatizing doctor appointment after traumatizing doctor appointment, I was having to say goodbye to the greatest light and joy of my life a mere 6 months after we lost the dog we've had since I was 3 years old (a shih tzu named Reggie, who wore the pride of his breed like a royal mantle and never stopped carrying himself like a king, even when he didn't recognize us anymore).

Maybe it's silly to compare the loss of a dog to the loss of a lover, but...things just clicked in my brain. I wrote Across the Sea for and about Thane and Marian, yes, but it was for me and my beagle, too, in equal measure. Thane was terminally ill but even so he died quite unexpectedly (THANKS KAI LENG), and the same was true of Maggie. So it was....maybe it's a silly thought, but it was a vent piece. I understood my grief through the lens of Marian's, since hers was so much easier to tackle than my own in its huge overwhelming weight. I'm a very private person with big emotions, and my grief was - and is - a very personal thing. Something I needed to keep close to my chest, hidden, at the time. To write Marian's grief as I waited with Maggie for the inevitable, it was like I had a companion, a friend sitting with me in that grief. I understood Marian much better then.

So perhaps mechanically speaking, Across the Sea isn't my best piece (I'm honestly not certain where it ranks quality-wise), but it is....the writing equivalent of those pendants that carry your loved one's ashes, for me. And it's done quite well on AO3. Knowing that people have enjoyed this piece that is so precious to me and comes from a place of such deep sorrow...there is no greater honor I could ask for, I think. It's a fitting tribute to a character and franchise I love, that's gotten me through many hard times, and to the beagle that made the horrors of life worth living.

(Aside from that, my other favorites are broken body built anew (first trilogy piece), Going Over Jordan (first longfic), In this darkness on my own, Farewell to Arms, Des profondeurs dans la nuit, and the ME3 early game Morrilenko duology Never Enough/In the shadow of your heart.)

Favorite thing I read: Imma be real with you chief, I have.....not read much. Not as far as books go, anyway. But I've sure read some amazing fic and interactive fiction games!!

I reread a bunch of stuff, partly to examine the technical strengths of my fave writers and stories, and partly because hey, they're my favorite stories!! Off the top of my head, the pieces I reread were: Flotsam, Ain't Sentimental, and Loose Ends by @asaara-writes; Sorrow and Resistance by @/myrini; and while I didn't get the chance to reread/finish these like I'd hoped, A Lesson in Drowning by @theherocomplex, Where the Winds of Fortune Take Me and Lovers in a Dangerous Time by pikapeppa are bookmarked both on AO3 and in my brain for the same reasons as the shorter pieces

everything @coldshrugs has written in the past year or two. Both as a writer and as a reader, shorter form fiction is more accessible to my migraine-addled brain (I love reading long stuff but it's often migraine trigger T^T) and Azia's a MASTER of short fiction???? So much punch packed into such concise words!! Incredible clarity and emotional depth!!!! There are many writers on this site that I admire and respect greatly, and Azia is one of them

My favorite IF this year is 100% Wayfarer (@/idrellegames). I haven't been able to focus on it as much as I'd have liked, but the COMPLEXITY the DEPTH. I'm in awe of it and Idrelle. The scope of the project is so massive and the intrigue and depth of the story and characters is incredible to see, Idrelle is a one-person-army of a writer. It'd be easy to think that Wayfarer is made by a team, but nope! It's all the genius and dedication of Idrelle. Having followed Wayfarer from the beginning, the only words I can describe it is awe-inspiring

My writing goals are going in a separate post because this is about 19 times longer than I meant it to be DHFLJKDSLKJHG. If you've read this far, thank you so much!!!!!!! I know it probably got a little more personal and a little bit sadder than you were expecting, so thanks for sticking with me- and I don't blame you an ounce if you skim-read this or skipped some sections. It's a lot of words!

Happy New Year, everyone!! You guys make Tumblr great, and without the people I've met through this site, I would've missed out on not only tons of awesome media, but all y'all super cool folks and your blorbos!!! Keep on creating, everybody. Your stories, your art, your headcanons and metas and dumb jokes, you bring light into my life, and the lives of others. I want you to know that your works bring comfort and happiness to the life of one lost and drifting young woman...and I want to thank you for it, sincerely. I know for a fact I'm not the only person whose life is made better by your presence. The fact that we haven't met in-person doesn't lessen your impact by an ounce.

[semperintrepida]

For that writer meme...

2, 5, 6, 8, 13, 18 aaaaaand 20!

Please and thank you :D

Howdy, Anon!

2. Tell us about what you’re most looking forward to writing – in your current project, or a future project

I'm excited to resume working on a book I have in progress called Irredeemable, which is going to be my apology to deimos!Kassandra for what I did to her in Breaking. 🤣 It's a redemption story with a side of slowburn and I am very excited to be writing from deimos!Kassandra's head after writing about her from an oblique angle for the past three years.

5. What character that you’re writing do you most identify with?

I can't say I identify with the fictional characters I write about, but there's definitely a part of me in every POV character I've ever written. Perhaps I latch on to characters who can provide some aspirational wish fulfillment. Kassandra has the physicality and unshakeable confidence. Kyra has the exceptional memory and ability to adapt to the moment. These are not qualities that I have in great amounts, but I sure as heck would like to!

6. What character do you have the most fun writing?

Right now? Kyra. She's so fucking complicated, and writing her dialogue has brought me joy—as well as a fierce challenge. Everything she says holds at least two layers of meaning.

deimos!Kassandra in Irredeemable is a close second. She's Kassandra coming back from the dark side and channeling her lets me play with some emotions that aren't so nice. 😈

8. Is what you like to write the same as what you like to read?

Yes. I write the stories I want to read, and all too often those don't exist so I have to conjure them myself.

13. Do you share your writing online? (Drop a link!) Do you have projects you’ve kept just for yourself?

This page is the gateway to the writing I've posted online, both fanfic and original work. I'm mostly writing fanfic these days so that gets posted for public enjoyment. (That said, I originally wrote "The Breaking" just for myself, and was only later persuaded to share it in public.)

18. Do any of your stories have alternative versions? (plotlines that you abandoned, AUs of your own work, different characterisations?) Tell us about them.

"The Breaking" got an amusing AU just a few weeks ago: What if Kyra had managed to kill Deimos early in the story, what then? That story probably had the most faffing about in its earliest stages, when I was writing my way into the plot. There's a version of that story that doesn't skip the five months between chapter 1 and 2. 😬 There's also a version with an Isu component that became a darling that I absolutely had to kill.

I think Breaking is an outlier due to its complexity. Prior to that book, my stories have tended to align with a strong central vision, appearing a bit like Athena, fully formed from my forehead.

20. Tell us the meta about your writing that you really want to ramble to people about (symbolism you’ve included, character or relationship development that you love, hidden references, callbacks or clues for future scenes?)

Gonna stick this answer under a cut to save your dashboards...

Let's talk about the snake imagery in "The Breaking." If you've played the game, you know that the Cult of Kosmos's sigil is one of twined vipers, and though I've written a story where Deimos has broken free of the Cult's control, she's kept the viper sigil as her own.

Snakes are strongly associated with Deimos, so it's telling when such imagery begins to be used around Kyra:

An eagle would batter its wings against the bars until they broke. But flying's not for me anymore. I'm closer to the ground, slithering, shedding my skin, trying to make myself small enough to squeeze between the bars and escape.

And:

My arm moves, the blade slides and hisses for a long while, but then a quiet sigh from the bed pulls me out of rhythm. Your head turns, slowly, in time to watch me test the blade's edge against my thumbnail. Sharp enough to cut to the bone if I need it to.

Let's just say I'm hinting some things about Kyra's character progression. 😅

[Fun meta asks for writers]

[hottestthingalive]

i’ve been thinking a lot about cancel culture recently and it occurred to me that the way a lot of cancel culture starts is actually very similar to the way a lot of systematic abuse starts.

i think it was this post that put it best, and to paraphrase, a lot of cancel culture stems from people trying to defend their reasons for why they can hate a celebrity (or just a person in general), and they use perceived minor failings for that defense, to the point where they see someone do something even a tiny bit questionable and treat it as a reason to attack them. and i hate to break it to you, but that’s the exact mentality that a lot of abusive people, especially abusive parents, have towards their victims. that’s how patterns of abuse start. to use that parent example:

imagine that a parent is angry, unreasonably so, for one reason or another, and they direct that anger at their child. they hurt that child in some fashion (could be physical, but neglect and emotional harm also count as abuse) and they justify that to themselves by saying “well, they were in the wrong, of course. they pushed my buttons! they didn’t listen! they talked back! i gave birth to them and i didn’t even want a child — they should be grateful i’m here at all!”

(those are all some of the most common reasons that are used, or at least said aloud to the victim, in the experience of the people i’ve talked to about it. this is not a joke. this is not an exaggeration. this is real.)

that parent then convinces themself that they are in the right — that they are allowed to scream at their child even after that child has apologized to them and tried to leave the situation, or that they are allowed to leave their child alone in the house for the rest of the day and night, even if they are very young and cannot make themself food or get themself to school in the morning, or that they are allowed to smack their child for crying when they are scared or stressed or sad. they tell themself that that child deserves it, for one reason or another. and once they’ve managed to tell themself that, it becomes a pattern. it gets ingrained. it gets worse, and worse, and worse. they can excuse more from themself. they find faults in their child more easily. they will often try to convince others of those faults, too, and those people can become passive to what is happening, or can even become abusers too. they will almost always try and convince the child that those faults exist, and they usually succeed — a pattern mirrored in cancel culture.

eventually that parent will be able to admit to themself the actual reason — they were just there, they were just in the way, they did nothing but exist — but that doesn’t matter to them anymore. that parent thinks they are entitled to abusing their child now, you see. they deserve it, that parent will tell themself, without a doubt in their mind, after telling their child that they are completely and utterly worthless. they’re a bad person, after all.

(in reality, they probably barely know their own kid enough to guess their favorite color, let alone know their “irredeemable faults”. so many abusive people don’t know their victims, not really. often, they only learn enough to justify hurting them. they don’t usually bother with much else. even in negatively-controlling relationships, abusers tend to only learn or retain what they want to hear, or what fits their mental image of their victim.)

picturing thinking all this about your child, the child that you probably haven’t even bothered to get to know anything about beyond the image of them that you have built in your head. imagine thinking that they’re irredeemable. that they’re worthless. that you can do anything you like to them, because they deserve it.

this is what happens with cancel culture.

now imagine that you are angry at someone, anyone, anything: it doesn’t matter why, just that you are bitterly, viciously angry. and there is a person online that pops into your feed at that moment, one that you remember made a tasteless joke ten years ago, and you start to become angry with them, instead. you use that joke as justification to demonize that person, to hurt that person. you build yourself an image of them that makes them seem like a monster, and, because you are on the internet, you can spread that image and convince other people of it, too. you can give it as an outlet to everyone else who’s angry at nothing and let them redirect their anger at that person with you. you can do this until you are collectively loud enough that your accusations alone are enough to make unwitting, otherwise content people angry enough to join you.

you do not let yourself think that this might be wrong, not even once. you do not let anyone else think this is wrong. you continue this pattern, and you encourage its spread.

and eventually, well, you are angry on a day when that person, now target of all your anger, has done nothing wrong. you have run out of things to accuse them of, of things to justify your hatred with.

and then you begin to harass and attack and demonize them again anyways.

they deserve it, you say to yourself, and you echo abusive parents and partners and friends and bosses and more. they’re a bad person, after all.

this is a generalization, of course. but this is a simplified version of how someone manages to hate someone they barely know.

cancel culture is bad because it doesn’t actually work. cancel culture is bad because it often blows things out of proportion. cancel culture is bad because it in and of itself has become a buzzword.

but cancel culture is terrifying because it follows patterns of abusive behavior, ones that often persist both online and offline, and no one seems to acknowledge it.

no one deserves to be abused, in any fashion. no one.

[dxrkdreamer]

Not So Bad

Modern Sukuna x Reader

Working late had been the bane of your existence, only getting worse when a certain man started showing up to your store’s parking lot to light his joints.

Word Count: 2.7K

Warnings: 18+ implied sex, mentions of weed.

(A/N: should I make a part 2? It seems pretty popular

Couldn’t come up with a name for the store so I used Anavrin from ‘YOU’)

------------------------------------------------------------------------------

“11:00 pm? Again?” you rubbed the back of your head trying to hide your frustration, the store manager nodded his head, sighing you agreed to stay late at work again since the closer frankly did not want to stay. So now here you are grumbling as you finish sweeping the floor and checking it off your log. You worked at a high end grocery store named Anavrin, a store that swore to sell organic produce and products to the best of quality. You took up a job here in your senior year of high school, planning on working for a few months to save up for college. And yet… 4 years later you’re still here grumbling at the extra hours you had taken. After your second year of working you had a promotion to supervisor… woo hoo!!... but it turned out it was more responsibility than expected. But it paid a little more and you could not argue with that.

‘I should be a little more optimistic, I’m graduating uni this year’ you’d tell yourself anytime you wanted to pull your hair out because of your measly job. You finished turning off the lights and locking the door, sighing as you felt the cold fall air hit your tired face, taking a deep breath of fresh air… wait a second “Who the fuck is smoking weed!” you yelled in a girly voice, as if this day was not long enough. Since you were in charge of a proper closing you marched off towards a tall man leaning against the back of the store, laughing and conversing on his phone. It was a little nostalgic, you remembered your highschool days, sneaking around and smoking pot in strange places. But he was not as young as a teenager, in fact his build made him look older than you.

“Hey! I’m going to ask you to leave, this is a smoke free property” You tried saying sternly gesturing to the sign right above them that read “no smoking” in bold letters. But your short stature compared to the man made you look like a kid waving your arms around attempting a snake dance.

“What on earth is this?” a man with pink hair and face tattoos said “I’m so scared, I should be so ashamed for not reading the sign” he cackled as he pressed the joint to his lips and inhaled again. “My apologies”

He did not look sorry at all.

“Look, I’ve had a long day. I’d like to go home so please go to a proper location or I’ll-” but you’re cut off with the joint stuffed to your pretty lips.

“You’ll what cutie?” he smirked as you stared at him dumbfounded, the joint stuck to your lip as you tried to figure out a reaction. But the man was already on his way towards his motorbike. Of course he had a motorbike. “First one’s always free darling, next time I’ll charge ya” he winked as he put his helmet on and sped off.

“Mother fucker” you swore and banged your head against the brick wall. ‘Never am I staying late again’ you groaned. You walked to your car, but not without tucking the joint safely in your pocket for when you got back home.

---

And that was your first of many nightly encounters with the pink haired man. You were not surprised to see him anymore in the parking lot, either smoking, laughing with friends or just sitting on his bike staring at his phone. You learned his name was Sukuna… you had asked for it during the nth time you threatened to call the cops. You also learned he sold weed to the store manager, so he pretty much had a free pass on smoking here.

“Working late again (name)? My, they must pay you a lot for you to stay here.” he smirked, watching you with grinning eyes. Your annoyance shot up at the mention of your little over minimum wage pay. They definitely were not paying you enough for the store, but giving you a delinquent like this guy… you had written your resignation letter a few times after his nightly visits. You ignored him as you walked to your car, heavy footsteps followed “I brought ya a little something” He grinned handing you a baggy with a cookie “It’s on the house, made ‘em myself”. Eyes narrowed as you tilted your head up to glare at him, but realized you were a lot closer than you expected. You could hear him breathe, feel the heat off his body and smell the spicy cologne he was wearing as you breathed a little too loudly trying to inhale the scent. “Not today darling, that package is for another date” he winked.

Oh my God.

What have you done? Sure he was hot and you didn’t mind the view, but his mouth made up for that. He was like an evil version of a talking cat. Opening his mouth to smite you, prideful like one and given the opportunity would sit on your face if you were lying down. Wait what?

“I’m not interested in you like that!” you squeeked.

He tilts his head to the side, resting his cheek in the palm of his hand “Then how are you interested in me?”

“I’m not interested unless you’re a customer, or an employee here or something!” Frustrated, you grabbed the zip loc with the cookie in it “And I’ll be confiscating this!”

“Sure thing, I made it just for you. It's a special recipe”

“I’ll let the cops know!” you yelled getting in your car, throwing the cookie on the passengers side as you sped home for the night.

“So if I was an employee…or something...” he wondered gazing at the stars, his thoughts frenzying around as his mind came up with the most brilliant idea. Cackling loudly “you’ve really outdone yourself this time me.” Laughing as he got on his bike, speeding towards his apartment.

---

“A new employee?” You mused, It was pretty hectic at work recently, one of your employee’s had quit and they finally found a replacement “I wonder what they’re like”. You asked yourself as you prepared a training checklist to go over, making sure to not make it too hard on the new guy- you heard it was his first job after all. “Hello! And welcome to the Anavrin family!” you say smiling with closed eyes, as you open them your mouth went agape. ‘What the….’ had the demon cat from the parking lot shrunk and gotten more youthful?

“Hi, I’m Yuji Itadori. You must be my brother Sukuna’s friend. He said to write your name down as someone who referred me to the job”

Chuckling nervously with the clipboard in hand you checked off the box for introductions “I’m (name) the grocery supervisor, and you would be working under me mostly.” Friends with Sukuna? Cutting your wrists open and watching them bleed sounded like the better option.

As the shift progressed Yuji showed you he was the complete opposite of his older brother. Always finishing his tasks, being kind and sweet. Everyone else loved him too, just on the first day. He was stocking milk and eggs the way you had shown him, one of the last tasks of the night. The crowd of customers thinned out as it got late and the store was closer to its closing time. You watched to make sure he was doing them correctly and if he needed any help. ‘This wasn’t so bad’ you thought, closing your eyes and leaning back.

“So how’s my little brother been (name)?”

Your eyes shot open at that voice God no please. “He’s been amazing, but you can’t just put my name as a referral without asking me-” There stood a tall Sukuna in a dress shirt with his sleeves rolled back, probably coming after finishing his day job. Majority of his tattoos were covered except the lines on his wrists that were exposed, making you gulp inaudibly. Suddenly feeling underdressed in your uniform’s polo shirt and measly work pants and sweater as you stared up at his glory.

“Sorry darling, I can’t do what?” he smirked. Mentally praising himself as his plan got into action. He couldn’t lie, (name) was interesting. Always yelling at him, cursing him and swearing that she would murder him if it was the purge. His usual charm not working gave him more of a challenge. Not to mention the way she was kind to younger brother made his heart swell a little.

The annoyance returned once you saw his shit eating grin “You can’t write my name down without asking me!”

As he opened his mouth to speak, the intercom went off, notifying everyone that the store was now closed and any remaining customers should bring their purchases to the front to pay for them.

“Yuji you can go home now, I’ll put this away and start heading out myself” you say massaging your temples with your fingers.

“See you soon (name).” Sukuna winked as he walked towards the exit, waving behind at you as he went outside to wait for his brother.

---

Unfortunately soon had never come… at least not for the last 3 weeks. Making you miss the tall man in more ways than one. Maybe he wasn't so bad now that you thought about it. The usual nightly teasing might make you seethe but you’d be lying if you said you didn’t laugh about it later in your car. Somehow his laid backness and mocking smile made your night light up a little. And the weed that you would “confiscate” really did help you unwind after a long shift.

“Maybe it was because he saw me in my uniform” you grumbled. That had to be it. You weren’t a sore look on the eyes. Right? But compared to him… you hissed as you felt your lower half heat up and tremble at the thought of the man. “Well it's only 11:00 pm… and my first class is at 9:30 am… and then I have work at the 4:00.” Debating your options…. ‘This is why I’m probably so grumpy all the time, I think too much’

“And probably need to get laid” you said aloud. Living alone did have its perks, no one could call you crazy for talking to yourself. Your friends always nagged you about your dry spell too, but one night stands weren’t really fun to you anymore. They were too shallow and you always found yourself feeling more frustrated by them than relaxed.

Quickly rummaging through your drawer, you found your lovely device and turned it on. The buzz filled the room as you fell on the bed and groaned. Your mind was wild as you thought dirty little things about the man. Your eyes rolled back and you felt little whines erupt from your throat as you imagined him on top of you with his signature smirk, choking you and teasing you, calling you terrible names and whispering dirty things in your ear.

But as quickly as you heated up, the device buzzed and suddenly stopped. Too hazy to think straight you tried turning it on and off again, soon realizing it was the battery that was dead. “For fucks sake” you threw the vibrator and it hit the wall and fell with a loud thud. Good. Pulling your covers up, scowling as you shut your eyes to sleep.

The next day only went further downhill. Your lecture was long and uneventful, you forgot there was a guest speaker instead of the usual prof, most of the class skipped anyways so you sat alone and pretended to be interested. And as you went home from campus, your car broke down on the way leaving you stranded in the heat as you waited for the tow truck. You really just wanted to buy some batteries and get some time to yourself before work. But life had another thing planned once you got home, you only left with half an hour before you had to leave for work. Which barely gave you enough time to shower, change into an excuse of an outfit, grab your uniform and run out the door. You heard a few whistles as you ran to the bus stop, most likely because of the skimpy outfit which was pretty much just a long t-shirt made into a dress with stockings. But this was not the time to be picking fights.

Work was more mundane as ever. Emptying, stocking, organizing and talking was all that seemed to happen. You frowned for the nth time in the day when you saw Yuji was not scheduled to work today and you remembered him mentioning that he was going somewhere with friends for the next two days. The boy could always turn a bad day around. He was a blessing to the department and the store as a whole. The long day finally came to an end and the weekend awaited. Stuffing your uniform in your bag as you walked out you saw a familiar motorbike and a man leaning against it getting ready to light a joint.

You didn’t think, all you could hear were your footsteps smacking against the pavement as you ran to the man. Blood rushed to your head as you slowed down, stopping barely an inch away from him. He was wearing jeans and a dress shirt and most important, that smirk.

“I didn’t realize you missed me this much darling, otherwise-” but he was cut short as your hands gripped his head and pulled him down to your lips for a not so innocent kiss. You had to admit, you liked the guy. But as he responded by deepening the kiss and sliding his wet tongue into your mouth to taste you, you realized you wanted more of him. And you found yourself in his apartment, stripped down with his face buried between your legs as you came down from your second orgasm. Him licking you clean and not missing a single bit.

“When” you panted “when is Yuuji-” but he shushed you by gagging his fingers deep in your throat.

“Not until Sunday at least” he smiled with a sinister look, your wetness coating his lips “we have the whole weekend darling” He had waited almost two months for this so he was definitely going to take his time and relish the next few days. How could he not? You were beautiful with a fiery personality, and that showed by the ways you disobeyed him on his bed to get a reaction. It seemed the roles were reversed, but this time there would be consequences. For you at least.

He was relentless but you were no pussy and would not back down either. Both of you with fire and heat taking over your bodies as you brought spark and life into the night, wanting to explore every bit of each other, not stopping until you noticed the sun starting to rise causing exhaustion to take over.

He had let you stay to sleep in, provided you with a clean shirt to wear and even made breakfast for you. Presented you with a “gourmet plate of eggo waffles with the finest Aunt Jemimah maple syrup” he said which earned him a giggle from your pretty lips.

“I can make pretty good waffles from scratch” you told him proudly, puffing out your chest in pride. But these were special to you, the whole moment was special.

“I intend on trying them,” he spoke after a moment. He thought it was out of character for him to ask for a relationship but he wanted to be with you more than just a few times. And wanted more of you in different ways. He wouldn’t get his brother involved if it was a casual fuck relationship that he wanted. Which reminded him he owed the brat 50 bucks.

“Maybe you should come over sometime” you smiled sweetly, blushing a bit.

“I’d like to see you more, take out and get to know you” he said, interrupting your invitation.

“I’d like that too.” you said smiling.

[enduracarrotchips]

YouTuber AU

Hello welcome to Dating Scandal but with Twitter Involved (nightmare)

A little exposition here: 

Link, Zelda, Sidon, Revali, and Riju are the most popular group of youtubers on the internet and have a huge fanbase that likes to theorize, draw fanart, and write fanfiction about them. Disclaimer, I don’t actually interact with real-person fandoms myself lol there’s just too much potential for drama and misunderstandings & they’re always bound to end in a dumpster fire but that is sort of what this au is about so.

Impa, Mipha, Daruk, and Urbosa are family friends that appear in a lot of their videos/streams. 

(This is an art blog I swear)

enter vidcon 20XX

Link: 

blows stuff up/sets stuff on fire with a side of cooking vids and gaming

most are filmed outside, he does those challenges where you try to cook stuff with limited ingredients/materials

has the largest fanbase of all of them, but not the most…intimidating.

does a lot of collab videos, mostly with Impa, Daruk, and Riju because they have similar interests/channels, but Zelda appears in his videos and is seen filming and the stans read too far into it

simps. i’m pointing at you.

Most popular videos are “shield surfing on rock!—how I broke my leg” “can Daruk eat Impa’s motorcycle?” and “how to inhale ranch dressing.”

Twitter handle is @ arsonistslullabye because he’s a hozier fan

45m subs

Zelda:

theories, analyses, conspiracies, and the occasional e x p e r i m e n t

she once got link to eat a frog for 50 bucks.

most people argue that she’s better than more popular YouTubers because she actually has quality content to give to the world and she has a lot of defensive supporters

She used to get a lot of hate before Urbosa spoke up about it and scared the bejeezus out of everyone

has an actual posting schedule

“Happy Sunday everyone, it’s Zelda Hyrule and today we will be talking about cryptozoology and why blupees exist, you cowards.”

Twitter handle is @ zeldaofhyrule and she is pan. just so you know. One of those calm extroverts that mystify me to this day.

18m subs

Sidon:

fashion/life hacks. Like gourmet troom troom but if they were real people.

Has the 2nd largest fanbase

most of them are girls

Sidon has a boyfriend though, which he told everyone at VidCon a few years ago

cue the drama and shipping and the entire fandom trying to figure out who the boyfriend is. A well known reddit thread emerged that presented the common guesses being Link, Sidon, and Zelda.

“But it can’t be Zelda, Sidon’s gay.”

“I’m not in the fandom but I thought Zelda was a boy??”

“Did you just say Sidon? Is that a typo? Are you saying that Sidon’s dating himself?”

Sidon x Sidon became a fandom joke.

Don’t look at me I’m just setting up all the worldbuilding. every fandom has their weird dark sides and Sidon x Sidon is the Linkcest of the Sidon YT fandom.

Mystery BF is actually Bazz, a pretty inconspicuous guy who appeared in a few of his videos. This was confirmed a year ago, but everyone still ships him with other YouTubers because they’re convinced he was lying to throw them off his scent. He really can’t catch a break and this is why you should not ship real people.

Twitter handle is @ officialprincesidon

says “beguiling” a lot

21m subs ᕙ( ͡❛ ▿ ͡❛)ᕗ

Mipha:

Sidon’s sister, hasn’t posted a single video but just has the channel for show because she appears in so many of Sidon’s videos as a model for his makeup tutorials and whatnot

has 328k for that. Everyone loves her, she’s great. @ mimipha

Revali:

Link’s sworn rival

Link thinks they’re friends

He kept popping up in link’s Twitter threads and making snarky comments until zelda called him out for not even following link (so why was he stalking his acc) which kept the Twitter drama to a minimum

Revali was the catalyst of a few popular memes and that’s where most of his subs come from.

drags link into a few challenges that always get a ton of views because of how competitive they get

“ITS JUST ASININE” is a running joke that everyone tries to get him to say. His @ is itsjustasinine as well

Urbosa is the only person who can win an argument with him

5m subs and growing rapidly. newer to youtube than everyone else.

Impa:

Doesn’t have a channel she’s just a mutual friend of Mipha, Zelda, and Link

Rides a motorcycle, so she is used in a few of Link’s videos.

@ ihaveamotorcycle because she thinks having a motorcycle is a personality trait. the most unruly on Twitter when it comes to replying to fan’s stuff, leaking upcoming videos and generally causing chaos.

Mipha’s girlfriend. That’s how she met Zelda and Link.

Urbosa:

Is actually a model, but she has a ton of YouTuber friends because she’s known Zelda since birth.

when she entered the youtube community she didn’t realize she would be adopting like 15 children

5m subs. her videos are professional & related to her modelling career. @ urbosasfury

I feel like she would do unboxing vids. I’m not sure what she’s unboxing.

Daruk

Just a friend of Link’s, fun guy. yells a lot. once ate a rock and had no reaction.

people are scared of him for that reason

Riju:

yoga & gymnastics & “ha look at how flexible I am its eAsY” videos

you know the type

she also does reactions and is sponsored by save the sand seals charities which she is very enthusiastic about. She’s also Urbosa’s niece and the only minor in the gang (15). I like to think that the champions YT community is actually not creepy so everyone respects her a ton

doesn’t post frequently, she mostly appears in Link’s videos to jump out of airplanes or whatever. And sometimes Zelda’s if she’s interested in the topic. 500k subs, but she’s always really popular when she appears in Link’s videos.

VidCon:

In the months leading up to VidCon, some fans on the internet made a few discoveries: first of all, that the inside of Link’s house is painted green. This is a big deal because all of his videos are filmed outside either in his backyard or on trips that he and the brosquad go on to do…whatever bros do. explosions. idk. The point is he had some announcement about VidCon and filmed it inside. Only the wall and a potted plant were shown.

However, the colour was similar to the the shade of Zelda’s living room. Fans dug through years and years of old videos and found a clip of Zelda walking through a hallway, where there was an open door and a glimpse of a houseplant.

There were 2 types of responses to the theory:

“They could just be roommates guys calm down”

“and they were ROOMMATES?”

others pointed out that Link could just not have a house and had to crash in Zelda’s

Some guy on reddit claimed he had a botany degree and declared that the houseplants in the clips were not of the same genus. Normal people pointed out that the plant would have grown 4 years between the clips and would look considerably different.

#Zelink trended on twitter for a while and people posted other old clips from both of their channels and the frog video blew up again

Impa retweeted a post tagged as #zelink with “rofl” and later publicly apologized for causing confusion.

Fans noticed that in the “can a motorcycle drive over my arm” (it was clickbait he’s fine) episode 2 years ago, Link was eating out of a paper lunch bag with his name written on it in handwriting that a few people claimed to look like Zelda’s, leading people to believe that she had packed him a lunch.

However, this theory was shot down with the counterargument that Zelda can’t cook. although. i mean how much skill do you need to make a sandwich.

No one knows what tumblr is doing at this time

Zelda wore a scarf in her “Save the Sand Seals” video that matched identically to the scarf Link wore when he travelled to Hebra to film a shield surfing video, but it’s been debated wether it’s actually the same scarf or not.

Neither Zelda nor Link has spoken up about the theories, and besides Impa’s one slip on twitter, neither has any of their friends. Zelda received a lot of backlash for the assumption that she was dating Link because he has a lot of delusional fans that didn’t want her to “steal their man” or whatever the hell that type of fan would get mad about

Oh yea and bolson & karson run a zelink fanpage on twitter sorry I forgot about that

after that whole mess, everyone was even more anticipant of VidCon in the hopes that some of their questions would be answered.

The whole batch went to VidCon this year: Link, Impa, Daruk, and Riju are a gang while Sidon and Mipha go together and Zelda & Revali each go separately. Urbosa is there for supervision moral support

Zelda has always been much better at dodging questions that she doesn’t want to answer than anyone else, so her Q&A went without a hitch. When asked to confirm the rumours she said “which one?” and then moved on to the next question (without actually confirming any rumours).

Link is generally a more awkward person but eventually said that he had filmed the video in Zelda’s house because it was nicer and didn’t realize it would cause such an uproar. Fans were disappointed, but Bolson claimed he saw Link and Zelda exiting the hotel elevator on the same floor after Link’s Q&A session. No one believed him.

Fans went back to theorizing over who Link, Zelda, and Sidon were all dating, because apparently they can’t just be dating unknown people and have to be with other YouTubers

Sidon and Bazz got engaged about a week after VidCon, making at least 4 preteen girls cry

actually try 4 million

Sidon x Sidon made a brief comeback but Sidon spoke up about his fandom for the first time ever on twitter and told everyone that no, he was not dating himself. eventually, everyone settled down and accepted that none of them were in a relationship save for a few loud fans.

Link and Zelda still got the occasional “when will you tell us who you’re dating?” comment but most of them were joking and the people who still hardcore shipped them were generally frowned upon. Zelda’s popularity went up after VidCon and she regained the 200k subscribers she’d lost after the first theory dropped.

Two months after VidCon, Link posted a video titled “Zelda and I’s House Tour!” and gave around 45 million people a heart attack

as revealed in the video, they had actually been dating since they were 16 and everyone’s just a fool.

the potted plant is named Hestu.

[foodieforthoughts]

Journey through time - Part 3

Summary: Your relationship with Syverson over the years.

Warning: a little bit of angst and a lot of fluff. If you blink you might also see some smut.

A/N: Continuation to Part 2 of the photo series. Here's a link to Part 1 too. Thank you all for reading. I love you guys 😘♥️

Staying alone in Sy's house gave you an opportunity to find out more about your man. You were cleaning his study when you found a box shoved at the very back of a drawer with pictures inside. The first picture was a black and white photo of young Sy, probably in his early twenties. It looked like a candid picture, clicked by someone who must have attentively watched him while he read through some papers. As you rummaged through the box, you found a couple more candid pictures and a hand written letter addressed to Sy.

The box also contained polaroid pictures of a much older Sy. You picked up the one which looked fairly recent, maybe from only a couple of years ago. He had his signature beard, dressed in his suit with his smoldering eyes staring back at you. Behind were the words, "I count myself as extremely fortunate to have accompanied you on your big night, my love." Signed only as "M". You got the sinking gut feeling that it was from an ex-girlfriend, but what affected you more was that Sy had kept her things still.

Opening the letter and finding another picture inside, you took a moment to look at your man. You had no clue who were those people with him in the picture which only made you realise how little you knew about Sy. The letter mentioned how the person felt like they weren't a part of Sy's life anymore. "I invested too many years to be with you and yet I am here, all alone. I can't take it anymore." It read, continuing to jot down ways in which the person felt lonely while Sy was away and that is why she was deciding to break off their relationship. Your hear sank as you read it over and over again, noting how the edges of the paper was crumbled from being opened too many times. Keeping the box back in its place, you couldn't help but think back on everything that was mentioned as the silence in the big house seemed to envelope you.

You stared at your computer screen showing that you were online, waiting for the green dot to appear on Sy's image signifying that he was online on Skype too. It was your birthday tonight and before leaving, Sy had promised he would have long distance birthday dinner with you over video call. You had cooked his favorite recipe of Sloppy Joe's and got his favorite beer brand, even if you hated the taste of it. Your wait for a few minutes turned to hours with your food gone cold and beer turned warm. You looked at the screen, noting that it was past midnight now and your birthday was over. You couldn't help but cry when you shut down your computer, leaving your food on the table untouched and crawling into bed while thinking back on the letter and imagining if this is exactly how the other girl might have felt.

You sucked in a deep breath before receiving the video call from Sy. It was unexpected and unplanned, but it made your heart swell when his face appeared on the screen. Sy did not smile, he looked lost and deep in thought. Even with the awful quality of the call, you noticed the new scars on his face and how he looked like he had aged over a decade. Your talks were formal, mostly asking about how the other had been, general talk about health and wellbeing. But then you couldn't help but blurt out, "You missed my birthday." Sy sighed, rubbing his hands over his face, "I'm sorry but I had a rough week." You wanted to be understanding but the letter kept repeating its words in your mind and when you looked around, you only saw the emptiness. "But you had promised about dinner on my birthday." In an instant, Sy's voice came out like rumbling thunder. "If you want someone to be at your beck and call, maybe you should think what the hell are you doing with me. I can't be there all the time, I have a job to do here." His roaring voice came out loud from your speakers, bringing tears in your eyes. Anger and sadness mixed together and with a trembling voice, you said, "Maybe I really should think what I'm doing with you. Goodbye, Sy." You disconnected the call with painful heaviness in your heart.

Over the next weeks, you got several calls from Sy but you only spoke to him asking him about his health. The moment he would try to talk about what happened over the video call, you would change the subject. Then one day you got a video message sent to you by Sy. It was being filmed by someone else while Sy stood with a spray painted green German Shepherd. You watched as Sy instructed the dog called "Aika" to fetch a writing pad with papers stuck to it from the steps of the building and turn it around to face the camera. Sy crouched down next to Aika and the first paper read, "I'm very sorry about missing your birthday." He turned the sheet of paper over and the next one had "I'm sorry about acting like a dick the other night." When he turned the paper again, it read in bold letters, "I love you and I don't want to lose you." You felt the stinging feel of tears in your eyes as Sy came forward and spoke directly into the camera, "Dinner with me tonight? I'll make up for everything, I promise." Before the video cut, you heard men laughing in the background with someone shouting, "Captain's so whipped!" and imitating the sound of a whip slashing through the air.

That night, dinner was less about eating and more about sharing your feelings. Sy listened to how you felt about him missing your birthday, apologising profusely about it and telling you he'll make up for it when he gets back. But you felt like a bitch when he told you about his week and how he had lost two of his men during an attack on them. It was now your turn to apologize with tears in your eyes as you imagined losing Sy. You didn't want to ruin the mood but you had to ask about the box. "Who's M, Sy?" You watched as his expression had turned solemn and he had sighed heavily. "I take that you found the box? She was my girlfriend before you. We had been together since college and I won't lie, I really wanted to marry her. But, I couldn't give her the kind of life she wanted." You could hear the sadness in his voice while he spoke. "Do you still love her?" he answered in an instant, "Of course not! I love you, babe. I want no one but you. You can even throw away the box if you want, I just never got back to it and throw it away myself." He then proceeded to tell you he wanted to make you feel his love and explained what he had planned, which made you blush but reluctantly you obliged. Even with the distance of many, many miles between the two of you, you pleasured one another over the call while repeatedly professing how much you loved each other.

You had bounced on your feet nervously while watching the arriving flights displayed on the screen. Sy was coming home and your excitement knew no bounds. His tour had been extended by four more weeks which meant you hadn't seen him in person for almost half a year. But family came first so when he had asked if he could go directly to Austin to meet his folks, you hadn't objected. "What's one more week until I meet you?" You had joked although deep down you craved to be in his arms again. When newly arrived passengers started filing out through the doors, your heart drummed in your chest with anticipation. You nearly skipped a beat when Sy walked out the door with his bags, thinking about the time when many months ago you had bumped into him at this very airport, searching through the crowd for you. His bearded face broke out into a huge smile when he spotted you and you almost made a run for him, launching yourself into his arms while planting kisses all over his face. "God, I missed you so much." He said, hugging you tightly to his chest and not letting go of you for a long time.

The very next day, Sy had taken you out for dinner at the most fancy restaurant in town. You noticed how he was fidgety and nervous, looking at his watch several times. It worried you even more when for the third time that night, he excused himself and left the table. You wondered if he was sick but then were left confused when all of a sudden the speakers started playing the familiar tune of your favorite romantic song. You looked around puzzled but was taken by surprise when Sy walked to you and dropped down on one knee. With a tender smile on his lips he said, "I never knew what I really wanted from my life until I met you. Countless times I have prayed to the heavens for making you bump into me on that day. I was at the right place at the right time, for I met the most amazing and beautiful woman on this planet." You felt you heart pick up a pace knowing exactly what Sy was going to do. Fishing out a blue velvet box from his pocket and opening it to reveal a magnificent diamond ring, Sy continued, "Darlin' will you marry me and make me the luckiest man alive?" There was no hesitation in your voice when you nodded fervently and repeated "yes" several times, hugging and kissing Sy before he placed the ring on your finger while everyone around clapped for the two of you.

Continued to Part 4

[aspoonofsugar]

The “One” Divided Into “Two”

Hello anons, hello friend,

these asks can be answered together!

First of all:

Hello! I just want to say that I love your RWBY metas! So I'm wondering, have you ever done metas about Emerald and Mercury?

Thank you! And yes, I have written a little bit about Mercury and Emerald here. I would also recommend this wonderful meta by @hamliet because it has an interesting Mercury theory in it.

Now. this answer is gonna mix some analysis with speculation because Emerald and Mercury’s story must still enter its climax. Once it does and we are given a specific interpretative key I will be happy to write more metas on them!

I’ll start with this:

Those two are so out of place in Salem's faction and the last look they share made me doubt that Mercury is rotten to the core and more of a kid who didnt know what he's in for. Since Em has switched sides, is it possible that Merc might follow? I really like him, so I'm hoping that he won't go down like Watts.

In my opinion, yes and here is why.

CHILDREN LOST IN A NARRATIVE

1) Emerald and Mercury have been child-coded since their first appearance:

Roman: Oh, look! She sent the kids again! This is turning out just like the divorce!

2) Both have received a save the cat moment early on:

Emerald: It's almost sad.

Mercury: Emerald, get up, we need to go. (...) Emerald!

Both child-coding and save the cat moments are often used to make characters more sympathetic and this applies to both Emerald and Mercury, even more so than Cinder.

This is why, for example, the major death they are directly involved in:

turns out to be a temporary one.

As a side note, I like thinking of Emerald and Mercury as the Cat and the Fox in Penny’s story since they act as false friends to the main cast, betray them and cause Penny’s first death. Moreover, in the novel, both characters end up suffering consequences for their life-styles. The two murder kids are the same:

At the same time, details about Emerald and Mercury’s backgrounds and motivations are given to the viewers pretty early on:

We are shown Cinder recruiting both and these scenes clearly paint them as two vulnerable kids that get manipulated and groomed:

Raven: Two children you’ve tricked into following you.

Emerald is presented as a scaredy cat and Cinder wins her over by promising the bare minumum aka some security and basic care.

Mercury is given even less aka a narrative to keep himself together:

Cinder: And you're his son. We saw your fight from the treeline. He's taught you well.

Mercury: Guess so.

Cinder: What's your name?

Mercury: Mercury.

Cinder: Mercury... Tell me, are you anything like your father?

Mercury: All my life, my father trained me to be a killer, an assassin like him. And then moments after I killed him, you two showed up looking for someone with my exact skills. Just felt like it was meant to be.

Cinder praises his abilities and frames his trauma as something that makes him strong, not broken. And Mercury has completely embraced this narrative since then.

In short, Emerald and Mercury are framed as two kids lost in an illusory narrative Cinder has crafted. That said, they are also characters in a proper narrative and they are given sympathetic backgrounds and positive qualities that hint they can be better than they currently are.

In particular, Emerald should overcome her emotional dependence on others to make the right thing:

In both volume 3 and volume 8 she is shown the destruction of a city. However, the first time she puts distance between herself and others’ pain, as symbolically conveyed by her looking from above. In volume 8, though, she is shown the same pain up close and she can’t ignore it anymore. This is why the others drag Emerald towards the people crying and light invades the screen when she finally meets the sheltered crew. She is forced to face an uncomfortable truth she wants to ignore.

Mercury should instead let himself depend on others more. He should open up to others and fight for his one positive bond:

Mercury: Back off, freak.

Which leads us to:

What do you like most about Emerald and Mercury's relationship and bond as it is explored in RWBY?

EMERCURY: COMPLEMENTARITY

Emerald and Mercury’s bond being a key one is conveyed both symbolically and in terms of their respective abilities.

When it comes to their abilities, I have written about it in the meta linked above:

In short, Emerald mostly relies on her semblance, while Mercury mostly relies on his legs and fighting prowess.

This detail adds to the idea that Emerald and Mercury have been acting as a unit and have been complementing each other. Emerald acts as the “soul” and Mercury as the “body”.

The soul is one’s personal essence (like the semblance). It is where (once again) wishes reside. The body is what protects the soul and is animated by instincts and self-survival.

They complement each other. This complementarity is shown in Emerald and Mercury’s fights.

In the Vytal festival, Mercury takes on both Coco and Yatsuhashi for a short while, so that Emerald can size her chance to fight Coco at her own terms (and she wins by using her semblance).

In the Battle of Heaven, Emerald uses her semblance to help Mercury fight and, in a sense, she compensates for his lack of one:

The human soul is about wishes, but also duties:

Penny: I feel like I wish I could do both the things I need to do and the things I want to do. Is that normal?

One must accept their feelings, but also struggle with them:

Winter: But yes Penny, we must still acknowledge our personal feelings, wrestle with them. It ensures us that we’re on the right path. It’s what makes us human.

And must do the right thing out of their own free will:

Winter: Penny. The general is making hard choices so we don’t have to.

This is Emerald’s personal struggle. She must let go of her feelings for Cinder and fight her own fear in order to do the right thing.

The human body lets people feel both others’ warmth:

And others’ cruelty:

However, Mercury refuses to feel both. He refuses to truly process his own trauma and pushes his feelings of care for Emerald away:

As far as their symbolism goes, they are linked in at least three different ways.

1) One of the attributes of the Roman god Mercury is that he is the protector of thieves and Emerald’s surname capitalized means thief. What is more:

Mercury: Ooh, Emerald! Master thief! Please don't take my money! I barely have enough to get by!

2) Mercury/Hermes is also the god of alchemy and the one who wrote the Emerald Tablet aka a tablet with the truth of alchemy on it. You, @hamliet​, have written a meta on it, so I won’t add more.

3) According to at least some traditions, emerald is the gemstone associated with the planet Mercury.

So, it is clear the two characters are meant to be important in each other’s arcs.

Let’s now look at Emerald and Mercury’s bond, as it is explored through their interactions.

Mercury clearly cares about Emerald and gets along well with her. She is the only person he shows vulnerability to.

This is what their scene in Lost is about:

Emerald: Why did you come with us, the night Cinder and I found you?

Mercury: Why are you asking--

Emerald: Just answer the question.

Emerald is trying to open herself up and wants Mercury to open up too. This is why she gets annoyed when Mercury gives her a superficial answer. Still, in that conversation, Mercury is genuinelly trying to answer Emerald’s feelings:

Mercury: I'm sorry you didn't have a mommy that loved you, but I had a father who hated me! He never went easy on me! Every day of training was a beating. And when I unlocked my Semblance, he stole it with his! "This is a crutch!" "This makes you weak!" He told me I could have it back when I was strong. So I got strong, but I never got it back! I've had to work harder than anyone to get where I am. You may not like it here without Cinder, but I think I'm right where I'm supposed to be!

Here, Mercury is telling Emerald details of his past he would not be sharing if he did not trust her. He can’t let himself be completely vulnerable, though, so he discloses them by lashing out at Emerald. He mixes violence with authentic vulnerability and also with care:

Mercury: Cinder doesn't care about you! She doesn't care about either of us!

He has seen how self-destructive Emerald can get when it comes to Cinder:

And he is trying to have Emerald move on from her obsession.

However, Mercury’s small steps towards opening up and caring for another person are constantly challenged:

Tyrian: Oh yes, the world is mean, and I'm a big, bad man now just like the others.

Mercury: How long have you been standing there?!

The moment he opens up to Emerald, Tyrian appears to threathen and mock him.

Mercury’s positive development lies in accepting his own feelings of pain and in sharing them with others, so that he can be helped. However, the environment he is in goes in the way of it:

Emerald: Mercury, I wanted to...

Here, Emerald is trying to either apologize to Mercury for their fight or to at least check out on him. Still, Mercury is not listening to her because he is too frightened by what Salem is doing.

Mercury’s current struggle is conveyed in a nutshell by the glance he gives to his left in Midnight:

Is he looking at Emerald out of concern?

Or at Salem out of caution?

It is not clear. Still, what is sure is that Mercury should focus on Emerald, but Salem goes in the way. He deep down wants to care about others, but he is too scared to do so:

Tyrian: All you ever learned was pain and violence, and now you're too afraid to leave it. Such a tragedy.

At the same time, Mercury is for Emerald what she has been looking for in Cinder:

Emerald: We don't need him! Everything was going fine!

She initially refuses him, but it is clear that with time Mercury becomes the thing most similar to a family Emerald has:

She has been so fixated on Cinder and on how she can be worthy of Cinder’s love that she has missed how much Mercury has tried to protect her all along.

This is why Hazel is important for Emerald’s development:

Hazel: No more Gretchens, boy.

His sacrifice is about breaking his personal cycle of pain. His story starts with Gretchen dying when she was only a girl and it ends with him preventing another girl’s death. At the same time, he also helps breaking the cyle of abuse between Emerald and Cinder.

Emerald is told the truth about her relationship with Cinder by Mercury. Moreover, it seems something finally clicks for her here:

She observes Salem’s manipulation of Cinder and understands Cinder has been manipulating her in the same way.

However, it is thanks to Hazel’s sacrifice that Emerald sees what a genuine parental bond should be like. It should be about the parent protecting the child:

Hazel: What Gretchen would have done. And that starts with getting you away from here. Both of you.

And not the child protecting the parent:

Emerald: I know I can’t beat you. But I can fill that thing full of holes before you take me down.

It should be about the parent caring for the child unconditionally:

Hazel: Go.

And not about the child working hard to gain a parent’s love:

Cinder: You… You brought me back here. We failed.

Emerald: Cinder, you were hurt. I was just trying to help.

At the same time, Hazel’s death has taught Emerald the pain of losing a loved one:

And has forced Emerald to stand on her own two legs:

Oscar: I've seen what you can do, Emerald. However this fight ends, we could really use someone like you.

She can’t be protected forever, but she should start protecting others. She is powerful enough to do so and she must accept this responsibility.

So

I think Emerald could be key to Mercury's redemption

I think so too. Emerald saving Mercury is the perfect objective for her personal arc. It forces her to act as the savior instead of the one being saved.

Moreover, Mercury told her the truth about herself:

Mercury: You're in denial.

So Emerald might do the same for Mercury. This would also fit with her being the Emerald Tablet. The Tablet is written by Mercury to convey the truth to the world. Here, it might very well be the inverse: the Emerald Tablet might convey the truth to Mercury.

In general, Mercury and Tyrian’s foiling has to pay off, just like Emerald and Hazel’s:

The set-up is there for Tyrian and Mercury’s subplot to be about breaking cycles as well. Mercury’s story is about a child left alone with his abuser. Nobody comes to save him, so Mercury is forced to save himself by killing Marcus. Still, this only leads to him being stuck in the idea he is nothing, but an extension of his father. Right now, the cycle is repeating, but it is possible this time things will go differently because there is at least one person who cares about him.

Not only that, but (and this is nothing, but a baseless theory) even Qrow (aka a character who has unfinished business with Tyrian) might be a thematic fit to help Mercury:

Mercury: Bad hair, used a scythe, and smelled like my dad after a long day. It was him.

After all, Mercury himself draws a comparison between Qrow and his father since they are both alcoholic. However, Qrow has started a journey of rehabilitation for the sake of his nieces and their friends.

Qrow sees himself as bad for others and fundamentally unlucky because of his background and his semblance. So, his third fight with Tyrian being about saving a kid, who, in a sense, is even less lucky than him and has no semblance might be thematically fitting.

Despite it all, Qrow found a family and a place to belong and he might help Mercury find his (Emerald) as well.

SEMBLANCE OF THE SELF

Got no gun But I gleam like a blade and I'm harder than iron

Delusion I'll steal til your blind and defeat you from inside your mind

Emerald’s best weapon is her semblance, while Mercury’s semblance was stolen, so he could become a weapon.

This difference symbolizes their respective reactions to abuse.

Emerald uses her illusions as a coping mechanism.

This mechanism is well conveyed in CEM’s fight against Amber:

On one hand, Emerald creates a child version of herself who is well dressed and owns a bike. It is a rich version of Emerald because she must think that is the kind of child others would stop by to help. She does not believe she is likable or lovable. This is why she makes an illusory alter-ego, which is both true (she deep down is a crying child) and false (she is a street rat with nothing).

In general, this is Emerald’s way to approach others:

Emerald: Just left the stadium after your amazing fight! You guys were awesome!

Ren: Because she's scared. Just like us..

Emerald: Or maybe because I know how to get out of here. Anybody coming?

She either fakes an overly friendly demeanor or acts tougher than she is. In any case, she hides her true self.

On the other hand, Emerald is symbolically trapping herself in an illusion together with Amber. Amber can’t see the dangerous thief in front of her, but Emerald too can’t see the generous woman who is offering food to a crying child:

Cinder: Follow me, and you’ll never be hungry again.

Cinder promises Emerald food and love and this lie makes the girl unable  to see the genuine article when it is right there.

So Emerald tricks both others and herself. This is how she survives abuse.

This is why she keeps believing in Cinder while she is gone:

Emerald: You’re here! I knew you’d co--

And this is why symbolically her semblance grows stronger in an abusive environment:

Emerald: I’ve been working on my Semblance. I can help. I won’t tell anybody.

Salem: You really have been honing that Semblance of yours.

After all, this is when Emerald gets a “power-up”:

She has just lost Cinder and finds herself stuck with Salem. Her reaction is to have a breakdown and to project an illusion in the minds of nine people, when she had previously stated she could only do one/two minds at most.

Mercury weaponizes his trauma.

This is why his legs are Mercury’s true weapon, while Talaria is there just to cover and embellish the pain and ugliness under it.

Mercury fights Amber with only its bare legs because symbolically his trauma is still fresh and he has yet to work out a structured coping mechanism to it. His meeting with Cinder is the first step in this construction that evolves in the following months and is still evolving:

In CEM’s fight against Amber, Mercury uses his unfeeling legs to whitstand the violence of the elements:

Fire

Earth and Water

Air

He goes through the whole cycle without feeling any pain simply because his trauma has made him unfeeling:

I'm the one That was ripped from the earth and exposed to the sun

Marcus has literally turned Mercury into Iron:

But I gleam like a blade and I'm harder than iron

Still, the point is that mercury as a metal is not as hard as iron, but (in the alchemical scale of metals) is way more refined and closer to gold. Mercury can be better than his father, but his way to survive abuse is to repress himself.

This is why his semblance was stolen by his abuser. It is because abuse has taken away Mercury’s personhood.

So, both Emerald and Mercury face abuse by masking or repressing themselves. The difference is a matter of degree. Mercury can suppress his emotions and needs more, while Emerald can’t.

Theirs is a foiling about feeling too much to the point of self-harm and of feeling too little to the point of negation.

So, Emerald must struggle with her feelings not to be controlled by them, while Mercury must aknowledge them.

Emerald’s Hallucinations is a Semblance of The Self because it hides both Emerald herself and the truth.

This is interesting because, as stated above, the Emerald Tablet should convey the truth about alchemy. However, Emerald’s environment has turned her into an inversion of herself:

I'm the one Who rose out of filth and was loved by no-one

She is a gemstone, but is currently covered in dirt. She needs to polish herself, so she can shine and fit better in her allusion.

Mercury’s stolen semblance is a Semblance of The Self because it is linked to Mercury’s self-expression, which he must claim back.

Until then, he is bound to be stuck in an abusive cycle as nothing, but a weapon.

In general, there is some symbolism around Mercury which needs unpacking:

Mercury quoting Marcus:"This is a crutch!" "This makes you weak!"

Firstly, he has clearly interiorized what his father told him here. He refuses the idea of weakness and crutches to the point that his prosthetics, which are literal crutches get turned into weapons and even covered by other weapons. However, this refusal of crutches means Mercury can’t heal. After all, crutches, bandages and treatment are necessary to become healthy once again.

Secondly, there is this: 

I'll run circles round ya, I can touch the sky

The God Mercury’s main attribute is that he can overcome any boundary. He can go wherever he wants in no time. However, Mercury is the opposite because no matter what, he can’t leave his abusive environment. This has to do once again with his father’s abuse which culminated with Marcus taking Mercury’s legs. This is symbolically why Mercury is trapped.

Like for Emerald, Mercury’s arc should be about growing into his allusion, so that he can finally be free.

Still, how to turn Emerald and Mercury in the positive versions of their allusions? The answer has to do with this question:

(I think Emerald could be key to) maybe Cinder's (redemption) too

I’M THE ONE

Emerald and Mercury are two parts of the individual (body and soul) and two parts of a Huntsman (semblance and weapon):

Ren: A common philosophy is that a warrior's Semblance is a part of who they are.

Ruby: Just weapons? They're an extension of ourselves! They're a part of us! Oh, they're so cool.

Together they make a unit. Together they make Cinder. They are two sides of her trauma, her two sins:

Emerald: Actually, I was wondering, do you have any copies of "The Thief and The Butcher"?

And the wounds behind those sins.

This is why Cinder takes them in, but also why she abuses them.

She uses them as weapons:

In CEM’s fight against Amber she lets them go in first and has them take the majority of Amber’s hits.

Not only that, but she uses them as “red herrings” she hides behind.

She acts as if Amber’s blow takes her out of the fight, while Amber focuses on Mercury who resists her attack:

She has Emerald display her semblance at full force, so that the girl becomes Amber’s first target:

She makes her own illusion where Emerald and Mercury are her smokescreen.

However, her two disciples are not just things she can use as she pleases. They are two people who depend on her:

Mercury: You mean--

Emerald: She's alive?

They are literally two kids she takes in framing their relationship as parental/hierarchical hence she is responsible for them.

However, she fails them and leaves them in a dangerous environment. This is why they both leave her out of self-survival.

Narratively, Emerald and Mercury are two kids that must grow up. Right now, they are in some kind of adolescent phase. They have started their emancipation from their “parent”, but they have still to grow until they’ll be able to truly face Cinder.

It will probably be in this confrontation that they will affirm their growth. Right now, Cinder does not need to be coddled, but to be called out. Both Neo and Watts try to, but Cinder ignores them and retaliates against them. She needs a call out she can’t ignore and Emerald and Mercury are too rooted in who she deep down is for her to be unaffected by them.

At the same time, it would mark Mercury and Emerald’s first step into adulthood. Only then they can stop being a “half” and can truly become “one”, so a whole person.

[miraculouscontent]

Askplosion #12 2/4:

.:New Miraculous Asks:.

Anonymous said:

Can people just STOP calling Marinette a "stalker"? Like, seriously? Especially TV Tropes. They have her listed under the trope for "Stalker With A Crush" and even have a video source of her(from Copycat) which was taken WAY out of context. They also listed her under "Stalking Is Funny If It Is Female After Male", which IS an existing double standard, but Marinette is still not an example and wouldn't be even if she WERE a stalker, because Wayhem's stalking actually WAS played for laughs!

Granted he was stalking another male and we don't know if he has a crush on him(but if he did it would be...unfortunate), but it's still an example. Plus, they claim that Volpina is about her learning her lesson regarding her stalker tendencies, but that no matter how many times she learns it, it never seems to stick. Yes, because everything is Marinette's fault and she's the stubborn shallow bitch who needs a kick in the ovaries, it's not, you know, the writers making her look bad/OOC!!!

THIS. ALL OF THIS.

Oh my god, I cannot tell you how infuriating it is to see “stalker” get thrown around like that. I would need two hands to count the amount of words that have lost meaning to me because people throw them out wildly and without any self-control. Stalkers engage in far more aggressive and obsessive behavior than Marinette, and usually also feature them harrassing whoever they’re stalking (such as calling them a lot), and they also never stop when they’re asked to. Marinette doesn’t fit the description of harrassment at all; Chat Noir does more than her and I don’t even call his behavior “harrassment” because that’s another word that’s lost all meaning by now and I wouldn’t use it in the first place.

Anyway, I think the Wayhem example is valid because Marinette’s crush on Adrien is written very much like a celebrity crush, so it’s similar territory.

On the note of “Volpina,” I do not understand it considering that Tikki was all on board with Marinette following Lila for the sake of getting the book back; that was one of the cases where there was an alternative motive out of just “follow Adrien” (which is not really something we see Marinette frequently doing; usually when we see her watching Adrien, it’s because she wants to approach but can’t bring herself to).

And yeah, most of the time, it’s just the narrative. The show basically puts it all on Marinette to solve all her personal problems (while constantly piling more stuff onto her) instead of getting active encouragement (no, eye rolls, verbal jabs, and groans do not count) from her friends and Tikki.

Like, what am I supposed to expect from Marinette when her friends still actively support Adrienette? By supporting Adrienette, regardless of the comments they make, they’re supporting Marinette’s behavior. Same with Tikki.

Anonymous said:

Have you noticed that with love interests of Marinette and Adrien, it's always the girls who like Adrien who are shallow, mean bitches and competition to Marinette(like Lila, Chloe, Kagami at first), while the boys who like Marinette are nice, friendly, and have no competition between each other whatsoever, sometimes not even knowing there IS competition(Adrien, Luka, Nathaniel). It's just really unfair and sexist because it's like girls can't be civil/friends and must fight over a guy.

That’s been a common topic of salt for a long while, yeah, I just don’t talk about it much.

It’s a difficult subject because I’m the type who can’t hold it against the guy characters (so I won’t dislike Kagami for “being similar to Chloe/Lila in terms of aggressiveness,” for example) because it feels wrong to, but I can hate the trend itself.

It’s also doubly unfair because Marinette’s crushes blip away quickly (like Nathaniel and Nino) while Adrien’s crushes stick around specifically to upset Marinette, so it’s like the show is saying, “if there’s a character who loves/supports Marinette, they gotta either stop or leave” (I’m pretty sure I got a “Didn’t Need Burrow” about the narrative sending Luka away and I don’t doubt it).

Anonymous said:

Personal Heacanon: Marinette and Chloé used to be friends until Marinette found out what Chloé (and Sabrina) has been using her commisions (mostly elaborate traps "to guard off thieves") for. This is why Chloé has it out for Marinette specifically. This is why everyone stood by as it happened. This is why she hates liars. This is why her "friends" are so casual at making jabs at her self-stem (they never believed she never knew what Chloé was truly up to). And also why Lila had it so easy at gaslighting everyone againts her (she's "relapsing" and it's easy to think she "deserves it").

Dang. That’s intense.

Yeah, Punch has given quite a few ideas about Marinette and Chloe previously being friends if I recall correctly. I like the idea even if I never use that kind of idea myself.

Anonymous said:

I feel like Adrien could be a really cool character if they focused less on romance? If that wasn’t his only motivation, and they developed his friendships more, and they didn’t have this entitlement. I also would like more actual friendship in regards to adrien & marinette? And him actually having interest in her but denying it bc he thinks he can only like ladybug. I feel like the sexism of the creators/writers are seeping into the character a lot and ruining it, too... It makes me really sad.

I’m hoping Adrigami will help adrien sort out a lot of his stuff bc Kagami doesn’t take any crap, and I actually really like their relationships, but I don’t have much hope. I would love for the show to use her and this relationship as a way to call out and develop adrien, but I doubt that will happen bc that would mean acknowledging his flaws. It’s just disappointing, really....

Yeah, Adrien could’ve been interesting, especially if they used Adrimi to its full potential, but they don’t. The show also has a history of letting Chat Noir get away with things and not punishing him so I wouldn’t be surprised.

Anonymous said:

Honestly, I don't even ship the love square anymore, but Fanon Adrienette is a thousand times better than canon Adrienette(the same goes for every other side of the love square, obvs). It's what the canon should be but we fans can only wish. Take, for example, the whole "she's just a friend" statement. In canon Adrien makes it because he genuinely sees Marinette as that and nothing more(which of course isn't bad, it's just sad when Marinette's always humiliated for the sake of getting his love).

In fanon, he makes it because he's actually in denial about his feelings for Marinette(which reminds me of a definition for "just a friend" on Urban Dictionary, which had Adrien drawing her name with hearts and flowers around it, and yet, when Nino asked if he had a crush, he STILL insists she's just a friend!), but realizes his mistake later.

In canon, Adrien thinks Marinette is Ladybug only because it's convenient for him since she's in love with him. In fanon, he actually does notice things about her that make her similar to Ladybug, and falls for her BEFORE knowing their identities because he sees the same qualities of bravery, strength, and femininity that he sees in Ladybug(I remember one fanfic where Marinette stood up to GABRIEL'S overprotectiveness, and Adrien could only admire how much she resembled Ladybug in that moment).

In canon, Chat is ignorant of Ladybug's feelings and agency and doesn't comfort Marinette when she's sad; instead, she has to comfort him. In fanon, Chat Noir cares about how Ladybug feels and values her agency, his jokes are genuinely funny(although canon Chat can be funny too, it's just the where and when), and he backs off when Ladybug is uncomfortable. In fanon, Chat Noir genuinely helps Marinette when she's sad and sometimes comes to see her just because, not out of plot convenience(and calls her "Purrincess" a lot more, why did the English dub just change it to "little lady"?).

It makes me think, maybe, just maybe, if these things were canon and the world was fair to Marinette, I might actually ship it; it might actually have a fighting chance against Lukanette and Adrimi. But while all these things are cute, it only makes canon more disappointing. Fanon is doing what canon should be doing. Fanon is supposed to build off of what canon gave us and expand on it. Fanon shouldn't create its own alternative because canon isn't giving us enough to chew on, it shouldn't have to.

Sadly, I think most of the fans, including the Adriennette-shipping ones, should be on some level in charge of the show; things would be SO MUCH better for the main ship(which isn't even progressing that far) and SO MUCH fairer to Marinette if that were so.

I feel this very much so. The show has been around for a long time and fandom can shape a lot of things. I think the love square wouldn’t be as beloved as it is if not for the fandom expanding on it and making it better (obviously, in some cases, they don’t make it better, but the love square is plentiful so there has to be some good takes out there).

Some shows do in fact let the fandom build off the foundation it makes and then you have things like Astruc outright lying and saying that Chat apologized in “Frozer” when he, in fact, did not, which makes everything more muddled.

maxwaspace said:

What is your opinion of the Scarlet Lady webcomic by Z.O.E?

I’m not into the love square no matter how better one might do it (it’s been soured too much for me in the show), but I do get happy seeing Zoe’s art and wondering how she’ll change/expand on the plotpoints in certain episodes.

Anonymous said:

Not sure it anyone's already said this but-

Canon Audrey: you're fired!

MC Audrey: you're hired!

Okay but hear me out.

Canon Audrey being put in charge of dealing with Miraculous’ writers, MC Audrey put in charge of hiring new ones.

Anonymous said:

Something the genuinely scares me is how close some people’s predictions where for miraculous I just saw predictions people made for season 3 and it’s worrying that the worst possible scenario for them ended up happening beat for beat.

The show can be very, very predictable that way. The way I’d describe it is that I do expect these bad things to happen in really convoluted and dumb ways, but it still surprises me by exactly how predictable it ends up being. I mean, I catch certain things really easily and the phrase, “the whole episode just flashed before my eyes,” is something I commonly say.

Predictability isn’t entirely bad, but when the prediction is unwanted? Yeah, there’s a problem.

Anonymous said:

You could basically summarize the difference between what Miraculous fans want and what the Miraculous writers want by using the John Mulaney "Delta Airlines" bit as a template.

I had to get said bit explained to me since I haven’t seen that one, but yes, now I can confirm.

Anonymous said:

How do you think Chat Blanc would play out if Marinette and/or Adrien were already dating other people? Like if Marinette had already moved on, do you think the narrative would punish her for it?

I imagine it would have Adrien still be crushing on Ladybug and he’d break it off with this other person when he realized that Ladybug is Marinette, which the narrative would then promote as “the correct decision” because they’re soulmates and such. If Marinette has moved on, she probably won’t care about his advances, which would lead to Adrien getting upset and maybe being convinced that an identity reveal would solve the problem and/or speeding up getting Hawk Moth defeated/arrested.

Marinette would probably be blaming herself for not being “sensitive enough” to Adrien/Chat’s feelings, which is what led to him being akumatized.

I could also see the girl squad forcing Marinette to give Adrien the present similar to canon, but maybe the beret doesn’t have a heart and Marinette isn’t actually interested, but rolls with it because the girl squad insists on it (probably convinced that she’s denying her own feelings).

Anonymous said:

What do you think constitutes as a "strong female character"? Do you think the girls and women in Miraculous Ladybug are "strong female characters"? Why or why not(I'm sorry if this sounded like a school assignment, by the way!)? Because to me I feel like a lot of them are given depth and focus, but they're often forced into stereotypes, and let's not forget how the show derail's Marinette's character for a joke. But lots of people think a strong girl has to be boyish or else she's weak somehow.

“I'm sorry if this sounded like a school assignment“ dfhgkfdgfg

I guess it depends on what you consider a strong female character. Like, can a shy female character be “strong” if maybe she holds firm to her morals or can fight people off?

I think Marinette has the potential to be a “strong female character” but the show nerfs her using her crush on Adrien (which raises so many red flags that I can’t cover here) and all it’s really done for her is get her laughed at and humiliated. If her life didn’t revolve and get ruined so badly due to her crush on Adrien, I think she’d be a strong female character (I know what the Season 3 finale did but I’m not buying any of it until we see proper results in Season 4).

That’s not to say that characters with crushes can’t be “strong” but it has to not control their life. I mean... okay...

Would Sabrina be considered a “strong female character” if she recognized Chloe’s treatment of her and worked hard to get out of it? Is the want and attempt to move on from something what constitutes “strength,” or do they have to succeed?

My conflict is always... I want to give Marinette credit for trying to move on from Adrien, but I know that it’s just the writing trying to make things seem tense/strained just to make it feel “better” when they actually get together. You see it all the time in anime/manga where a misunderstanding/self-doubt ends up hurting the relationship of the main ship; it’s to force conflict and separation, giving the ship something to overcome so they can get together.

I will say though that shy characters can be strong, physically strong characters can be weak, and so on. What defines a “strong” character may be vague to me, but I take it as I go. I would like to say that Marinette is a strong character on her own because she wants to improve even if she fails, but I also don’t want to give the writing credit for something that ultimately means nothing. I want to say that she’s strong but the narrative seems to do everything in its power to tell me that she’s weak.

Let me give a non-Miraculous example: say that you have a pacifist character, but there’s a villain who has done terrible things, cannot be redeemed (plz do not swarm my inbox with “anyone can be redeemed” comments, this is a hypothetical), and any method besides killing them right there and now would lead to more destruction/lives lost.

You might say that that the pacifist character would be “strong” in sticking by their morals and trying to find another way even if they ultimately would fail and the villain would get away, but an argument can also be made that the pacifist is being stubborn and letting people die because they are unwilling to rethink the morality they’ve chosen. Is a pacifist a pacifist if they’re letting the blood of other people spill because they themselves aren’t willing to have the blood be on their own hands? Are they “strong” because they stuck by what they believe in or are they “weak” because they refused to expand what they believed was “right”?

You could apply that to Aang from Avatar: The Last Airbender (I know he’s not female but stick with me here). He was faced with having to murder the Fire Lord to the point where a past reincarnation who was raised on the same values as him didn’t agree with him. I think it was acceptable for him to try and stick to his morals and find another way, but he came up empty and the show had to give him a way of taking away the Fire Lord’s power so Aang didn’t have to make that choice in the end (there’s also that thing with the rock to his back and having to give up Katara but we’re not getting into that).

People could argue that, “oh, he admitted to himself that he’d have to kill the Fire Lord and then he got the Deus Ex Machina so it’s okay!” but the problem there is that the narrative basically gave two options: Murder or Take Away the Guy’s Bending, but there was incredible risk involved in the latter option. Aang almost lost himself against the Fire Lord and risked everything so that he would not have to kill him.

I would argue it makes him weak. I would argue that needing the narrative to favor him makes him weak (which is one plus for Marinette I guess the narrative is usually against her???). The lack of ability to understand his past lives and see things from their perspective made him weak for me, as him holding so stiffly to his values made it appear that he felt his ways were “better” than everyone else’s (which had been a long-standing problem for me and I never forgave him for “The Southern Raiders”).

Anonymous said:

What do you think of adriens mom Emilie. Like what do you how do you feel she wound up using the peacock miraculous personally I’m leaning into her being a villain due to the fact that there aren’t any stories of a peacock hero (unless they retcon that) and that her husband is well freaking Gabriel who has no real form of morals. Also I can’t help but think of how they got the miraculous in the first place. Anyways overall what do you think they will do with her or think of her right now.

I see her like I see any dead mom in media (I know she’s comatose, not the point); a tool for angst. Her reasons for using the peacock could be anything (might even be that she was given it and simply wearing it was damaging to her, or she transformed once to try it out and that was that), but I just don’t feel strongly about her because I’m not invested in the Agreste plot.

Me personally, I headcanon that she’s kind of like Bustier where she appears good but is actually very damaging. Instead of the generic “good mom who tried to do good things for her son but folded to angry dad’s demands,” I would like to imagine that she’s selfish in her own right and was part of the reason for Adrien never going to public school; she’s possessive herself (a contributor to why the Agrestes are so wealthy) and wants her son to remain close to her even if she genuinely cares about him and should want him to be able to go and learn from the world.

But I imagine they’ll probably make her either “pure good mom” or “villain like Gabriel where she’s ‘sympathetic’ but also evil.” The show has never been good at doing gray morality (see my MC Audrey for example) and usually messes things up if they try.

Anonymous said:

Honestly, I don't like Mme. Bustier, but if they DARE pull the pregnancy jokes with her--and I don't mean "pregnancy puns", like those would be ACTUALLY funny without offending anybody, but "ooh, she's pregnant so now she's moody and has wacky cravings and screams at everybody and is a nightmare to be around" and other things that just scream "male writer who mocks female biology and doesn't understand women", I'm going to cry. We already don't like Bridezilla, and this isn't any better.

Ugh. I don’t even like pregnancy plots in general or anything related to pregnancy (my followers who have been around forever and know of my hatred towards babies: wow what a shock!!), so adding on “jokes” like that?

Hard pass. I already don’t like Bustier so the mere idea of her potentially getting any focus there--

Anonymous said:

What do you think of the Alyanette ship? Personally, I'm ambivalent to it, but I can sorta see Alya being bi and having a crush on Marinette but Marinette doesn't like her back. Or she could have a crush on Ladybug. But I don't like the idea of it being mutual, considering how pushy and invasive Alya is. It also doesn't make sense for her to so insistently push the love square if she likes Marinette. But perhaps that's where some of her sarcastic quips come from: jealousy(cliche I know).

I’m always here for bi representation (no one can take my bi disaster headcanon’d Nino and Kagami away from me), but I actively dislike the Alyanette ship. I was okay with it back in Season 1 but it started to fall off in Season 2 and officially die in Season 3.

I don’t judge people by what they ship (...much; there’s obviously that little part of me that can’t help giving the side eye) but yeah, not for me.

Anonymous said:

As a different flavor of angst: Can you imagine Marinette’s class going to Riverside park in NYC and Tikki spotting the Jeanne D’Arc statue? I always wondered what it would have been like for Tikki to see Jeanne burned alive by the people she swore to protect. I think Nobody briefly touched on this for Witch Hunter, but not many people I have seen (probably missed something) talk about it. What do you think?

I’m indifferent to past holders getting mentioned and acknowledged; not sure how I feel about them given specific names and such (I kinda like seeing their designs and such but making them actual people from the real world? mmmm not here for that as much).

I like the idea though of addressing those real world things and having the kwami reacting to them. Like, it did make me genuinely sad in the New York special to see Liiri come out and call out Gilbert’s name, only to see this other guy standing there and we know that this Gilbert guy is very much dead by now.

On a related note, I’d be all for a special getting into a kwami’s problem and not making everything Marinette’s fault, so having Marinette maybe helping a kwami through theri issues and it leads into getting more lore on the kwami.

Anonymous said:

I just had an epiphany today: People who hate on Marinette for being "mean" to Lila/teachers telling Marinette to ignore Chloe and Lila and treat them nicely are the equivalent of real adults telling girls who are being bullied by boys that "he does it because he likes you." Ladies, raise your hands if something like this has ever happened: "Jamal tried to cut my cheek open with a razor!" "Oh, Aaliyah, he's only doing it because he likes you." Now that I've seen it I can't unsee it. Disgusting.

“Marinette, they’re just jealous of you, that’s all! Can you really get angry at them for that??”

us: yes

Anonymous said:

Thinking about Puppeteer 2 and how Marinette's identity could have been blown if she had talked to Tikki because of Plagg's incompetence angers me beyond belief because I know, just KNOW, if that had actually happened, Marinette would take ALL THE BLAME for it like there's no tomorrow. It would never occur to anyone that she normally talks to Tikki while she's alone and had no idea that the "statue" in front of her was a real boy AND her partner, or that Plagg should have said something. Ugh.

I KNOW, RIGHT????

That was such a big annoyance to me in that episode. They literally neglected the actual reality of what would happen (”Oh, Tikki! No one’s here, I could practice on this Adrien statue!”) for the sake of humiliating Marinette... again.

Anonymous said:

Your comment about how Ladybug always says she's "in love with someone else", as if that should matter diddly squat when the problem is with Chat not respecting her feelings on their own without another guy in the picture reminds me of a #YesAllWomen post I saw on Twitter. It read: "'I have a boyfriend' is the easiest way to get a man to leave you alone. Because he respects another man more than you." It's just like this except without the dating and the fact that Chat DOESN'T leave her alone.

And then you remember that the “someone else” she’s in love with is the exact person who’s disrespecting her feelings and you proceed to hate everything.

Anonymous said:

The statue scene in Puppeteer 2 could've easily kept its humor by having Adrien fall over when Marinette puts her weight on him and almost kisses him, then Marinette goes "Gasp! You're not a statue!" Marinette is always being forced to humiliate herself in the name of "love", even when she doesn't deserve it, so for once, let Adrien be the one utterly humiliated of his own doing. Then they could have a sad scene where Adrien ACTUALLY comforts her and...wait for it...LEARNS A LESSON.

Alternatively, someone who works on the statues comes in and, also mistaking Adrien for a statue, tries to do some sort of work on him.

Anonymous said:

Since we can all agree that this show is sadly not very good at girl power/inclusivity, how would you tweak the show to make it more genuinely female-empowering/inclusive(can include racial/sexual inclusivity)? Besides the obvious(including more female and/or POC writers on board).

Orientation-related inclusivity isn’t even that hard. Have a character get a call from someone and just be like, “oh, it’s my boyfriend/girlfriend,” and then other companies can just dub it if they’re so afraid of characters who like the same gender.

Firstly, I’d have Marinette learn and become more of a mentor character to other characters (male and female), lean more into more “females in power” (like Mylene showing genuine interest in being the next mayor), either less focus on the “girl antagonists are evil/unredeemable” plots or at least make them legitimate threats that don’t need the narrative to cater to them to make them threatening.

Secondly, Adrien needs to STOP being the one to keep telling Marinette/Ladybug what’s right or the way to do things. I can’t stress this one enough.

Thirdly, maybe not having a season dedicated to three guys getting miraculouses while all the girls are either questioned, self-reveal, or get their miraculous revoked. That might help. :P

Anonymous said:

The saddest thing is that I can see ML going through a "Fate: The Winx Saga" in the future and having an awful, edgy reboot to appeal more to adults.

Different writers probably but at what cost.

+ more sexualization obviously since that’s usually what “more adult” means; Audrey gets the cleavage that her design clearly calls for at least, but again, at what cost

Anonymous said:

I hate what TheOnesWhoMustNotBeNamed have done to the Love Square but I also don't like Lukanette and Adrigami (nothing against the characters themselves). This is going to be one of those shows that regardless what ship wins is going to disappoint around 90% of the fans.

No hate for not liking Lukanette/Adrimi, I understand that.

And yeah, there’s a <1% chance that they can pull out anything satisfying.

Anonymous said:

Off topic, but I realized why I don’t like Clara Nightingale’s design, there’s no light to her eyes, makes her look kinda dead, kinda evil.

DQ tend to do that when they’re the ones animating. I remember “Christmaster” doing particularly well with the eye highlights.

Anonymous said:

What do you think about the future Miraculous specials (Africa, Japan, Rio, Shanghai, London)?

Will be happy to see a new setting because it shows different cultures (though there’s always the chance that the culture is poorly-represented) but that’s basically it. Specials are usually just a cash grab that are just there and any expansion on lore and such is shunted to the side for the sake of love square drama, judging by the New York special.

Anonymous said:

I haven't watched the New York Special yet, don't think I can bring myself to tbh, but this whole time I thought Aeon was the name of the superhero persona, and that the fandom was collectively calling her civilian identity Uncanny Valley bc her model was that bad.

I was genuinely shocked to find out that her civilian identity is named Aeon and that her hero name is Uncanny Valley bc that is not only a stupid name, but kind of insulting since she's an android character of color. (Well, she's a character of color except for when shes running around as a pale naked superhero. Majestia, give your kid some pants!)

oof

Yeah, the Uncanny Valley thing threw me off too. “Aeon” really does sound like a superhero name.

I can’t believe they made her a robot and were like, “mannequin robot design.” I question so many things about the decisions made around Aeon fdkjgjfdg.

Anonymous said:

Do you think they’ll ever leave DuPont college, since it’s a middle school (essentially) and go to a lycee (high school)? I think they’re in their second year of four at DuPont, judging by the previous class picture.

I doubt it, unless we get more seasons? It would mean having to model a whole new school.

Anonymous said:

So I was reading again tikki brand boyfriend and this come to my mind and I have to share it with you.... Tikki is the mother in law of marinette in the future lol (sorry if this isn't the right blog to ask this) (I love yours au, you are amazing!)

(this is the wrong blog, yes, you’re looking for mc-lukanette, not miraculouscontent)

Thank you though! i agree, that’s cute, ahaha~

Anonymous said:

Did you know that there's a TV Tropes page for LadyBugOut?! And someone even left a review there saying they liked it and that they were sick of the Marinette embarrassing and wanted some Lukanette. They say your au is their favorite au in the fandom! Isn't that just swell?

Yes! And the TV Tropes page is fantastic! Thank you!

Anonymous said:

OMG IVE FIGURED OUT WHY MARINETTE IS UNABLE TO GET OVER ADRIEN!!! She’s under the influence of a love potion called Amortentia, which causes a powerful obsession from the drinker (it’s from Harry Potter). That’s why she’s so obsessed, and that’s why she can’t get over Adrien! She literally can’t while under the influence of the potion! She just needs to drink the antidote, and then she can finally be free!

Oh no!! Someone get this poor girl an antidote, STAT!

Anonymous said:

I was just reading your review of Silencer(which I totally agree with by the way), and when I got to the part about how Ladybug lost her voice and her powers are voice-activated, it got me thinking about how annoying Chat was being(as another anon noted, which I also agree with), and then it hit me. While it may just come off as his usual flirtatious banter that's innocent, the fact that he doesn't even seem to mind Ladybug not being able to detransform because then he gets to "be with her" forever and ever and ever amen just proves your point about Chat Blanc. He cares more about being with Ladybug than Ladybug herself, so long as she gets to keep being Ladybug "for him", that's what matters. Remember that the girl he fell in love with was the superhero persona and not the girl under the mask. He couldn't care less about who that actual girl is so long as she's his "lady" and loves him back. He just wants her to uphold the image of his strong and powerful "lady" that he admires.

(Glad you enjoyed the “Silencer” review! Thanks!)

Full agreement here! Chat isn’t really in love with Ladybug; he’s in love with the image he’s made of her and wants to keep it that way, no matter how much he may suggest otherwise.

Anonymous said:

Luka is soooo much more interesting with Marinette like, why isn't he the love interest? Same with Kagami for Adrien. To be honest it would be cool if the show set up the love square at first but then slowly started to change to Lukanette and Adrimi once Marinette and Adrien realized their crushes were just not working out. They can still have an identity reveal, but they'll refreshingly stay friends. But the writers don't have the ovaries to do that, I get it. -_- Such wasted potential.

They could’ve done a really interesting bait-and-switch but they decided not to. The love square is full of holes and flaws that they’re very likely never going to address (outside of anything used for that “gAsP maybe they won’t get together???” drama), so having it actually be addressed and be like, “okay, we’re better as friends,” would’ve gone over so much better.

Anonymous said:

I hear people complain all the time that Lukanette is toxic because Luka is merely the "second choice" for Marinette, and that she just uses him as a rebound when she fails to get Adrien's attention. But the truth is, that's not how it is at all. Luka's not anywhere near her "second choice". He gives her tranquility and stability, and she helps him loosen up and have someone to express his creativity towards. Plus, it's totally normal for teens to have two crushes whom they can't choose between.

THIS

ALL OF THIS

I am so tired of people saying that Marinette is “using” Luka in someway as if it’s a conscious decision on her part to take advantage him.

Luka makes her happy. That’s it. Luka is aware of how she feels and respects her space, but I guess that makes him a “pushover” and “he lets Marinette walk all over him” because he didn’t get upset with her and embarrass her in “Desperada” by calling her out over her Adrien blindness.

Anonymous said:

People who say "I like Marinette but she's getting to be pretty embarrassing sometimes" really don't get that the show constantly forces her into situations where she's embarrassed and made out to be incompetent. Like, it's not her that's embarrassing, it's the show that's always embarrassing her. Kind of like Serena/Usagi in the (shitty)DiC English dub of Sailor Moon. It's getting irritating to hear people continually rag on Marinette as if SHE'S the clueless idiot, rather than the writers.

There are some things that happen to her that she literally could not have predicted. Like, just saying, if I had someone claiming to be my friend, I would expect them to know I’m anxiety-prone and not pretend to be a statue just

Anonymous said:

Remarried Empress Anon: I can see Felix as the Duke and maybe Jagged Stone as Kosair (but an uncle and not her brother).

I agree with both of those! Jagged Stone as Kosair/Koshar, omg.

Plus, the idea of Luka and Felix being “friends” amuses me.

Anonymous said:

You know, I find Felix/Marinette content to be really funny. Because, Felix in fanfiction is a completely different character than his canon self- with a different personality, background, and maybe even last name. So, the entire Marinette/Felix fandom is literally just Marinette/oc except it's always the same oc

I struggle to get fully behind Felinette because so much of it does rely on fandom interpretation and playing with fanon in general (plus, having to clarify “I ship fanon Felinette” is weird).

I do however agree that it’s interesting that it ultimately comes to a character built on fanon grounds, and how much more acceptance characters get when they’re based on “canon”/originally canon characters.

Anonymous said:

How would you write the Miraculous PV version? Just wondering.

I don’t think I could without drastically changing characters and at that point it’s not really the PV anymore. “Bridgette“ and Felix’s relationship is the exact opposite of what I like to watch/read about so yeah, changing both of them to what I like would either be too severe of a rewrite or me working too far within the restrictions set out for me.

Anonymous said:

There's a YouTube video claiming that someone will figure out that Marinette is Ladybug and that she will suffer...I mean, yeah? Isn't that what we've already been getting? I mean, not the first part, obviously(and when we have, it's been undone), but the second? Have we been watching the same show? No, have we? Because Marinette suffering, sadly, is not anything new.

lol “Marinette will suffer!” and us like “did you seriously use future tense as if Marinette isn’t already suffering??”

Anonymous said:

Am I the only one who feels like Miraculous Ladybug is feeling less like a magical girl show and more like just another superhero show? This isn't even because of "girl power" or anything like that, or the fact that there are male Miraculous wielders like Chat and Carapace and(long dreamy sigh) Viperion. This is because the outfits don't really resemble magical girl outfits at all and, after watching various magical girl shows both in and out of Japan, Miraculous is starting to feel like its genre is shifting from magical girl to that of "superhero" in its broadest term. And I know I said I wouldn't bring up "girl power", but the fact that so many of the girls aren't treated respectfully by the narrative and are pitted against each other, to the point where they're more likely to lose their Miraculouses or reveal their identities(which often culminates in losing their Miraculouses), only adds to this because the Magical Girl genre is about female empowerment and solidarity.

It's sad because I really don't want this show to become one of those shows where "there might be one or two girls, and she might even be the lead, but it's still mostly guys who are front and center doing the heavy lifting" that we get all the time. Things are starting to change for the better and I want Miraculous to capitalize on that emergence of female empowerment as much as possible. Plus, with the New York Special, the magical girl aspects of the show have been toned down if not obliterated entirely: the transformations for the superheroes only last one minute, and they feel more like the Avengers than Sailor Senshi(which I don't mean in the most literal sense, of course, I am in no way saying that none of them can be male.). Plus they pulled the whole "Samus is a Girl" thing TWICE! TWICE! Come on, if you're show is really about girl power, it shouldn't come as a surprise when girls are, well...powerful! And especially not in Magical Girl for obvious reasons.

So while I'm not saying it's bad for a show to shift from the original genre it was meant to be in(although it must be done carefully, otherwise it looks like you don't know what you're doing), and there is of course no wrong way to do Magical Girl(except for Madoka Magica and Yuki Yuna, do NOT go there!), it does make me wonder. And it's kind of disappointing, because I really love Magical Girl and I feel like shows like these could introduce the genre to a wider audience and could renovate it as well. But unfortunately they're going a different direction, and that makes me sad. If not for the transformation phrases/sequences and the fact that they have animal companions, I imagine most people would be totally clueless as to how on Earth this show counts as Magical Girl. It still counts as such for me, but it's deviating farther and farther away from the genre to the point where it becomes nigh unrecognizable, or like even the show writers forgot what genre it's supposed to be. Sadly.

Yikes.

Yeah, I can’t imagine how seeing this show must be like for people that are more savvy with magical girl shows. Me personally, I had to be told that it was a magical girl show because it honestly just gave off the “superhero show” vibes even with the magical girl-esque transformations.

Plus, with magical girls, you usually expect a group of girls? Here, we have Ladybug and Chat Noir, who the writers keep being like “they’re equals” which... yeah, that’s fine but it doesn’t really work with the idea that this is a magical girl show? I mean, “Party Crasher” was basically Ladybug and her reverse harem of superhero guys who just got out of a “males-only” party.

I dunno, coming from someone who doesn’t have a lot of experience with magical girl shows, it just doesn’t have what I would expect when I think “magical girl show featuring a healthy dose of girl power.”

Anonymous said:

I was once reading this review of Miraculous Ladybug called "Miraculous Ladybug is a Hot Mess: A Rant", and while it's a good video and you should watch it and I totally agree with everything she said(plus, it made me laugh a few times!), I had a huge issue with the way she made Marinette's stammering around Adrien to be ALL HER FAULT since he's never mean to her and is always patient with her(yeah, more like oblivious), but that "she's incompetent" and "cockblocks herself", which annoys me because Marinette on her own is not the incompetent one here(I also don't like the term "cockblock", like, can we not? But anyway...), rather, it's the writers who make her incompetent for cheap laughs and don't allow her to improve or let anyone(but Luka, bless his kind soul!) truly be on her side. She then had the nerve to say "Marinette needs to learn to define herself outside of who she's crushing on", when, NO, once again, the WRITERS are the ones who define her by her crush on Adrien.

It's one thing to blame a character for something even when she's clearly written by a writer, because characters are supposed to be consistent yet flexible and have free will in-universe. But when she's written this inconsistently/it's obvious the writers have it out for her(to the point where they even say it) it is nigh impossible to pretend it's an aspect of the character herself and not the writers at fault. THAT'S where you draw the line between blaming the character vs the writer.

In fact, speaking of Luka, she also said that she wants the show to get rid of Luka because he's just a "plot device" and has no reason to like her beyond the fact that she's a "funny girl". She also said that Luka is a stereotype of the "cute bad boys who are emo", when that's blatantly untrue. She's allowed to not like Lukanette but all the things she's saying really ignore the point of his character and that his life DOESN'T revolve around Marinette; the writers simply don't respect him.

Even worse, she contradicted herself by saying that Lukanette is pointless because "we all know that Marinette is going to get with Adrien; it's endgame so why does the show even bother with Luka?" Then right after that says that Kagami's okay and that it's okay for Adrien to move onto Kagami because Ladybug has rejected him as Chat so many times(which is apparently not the case for Adriennette because "MaRiNeTtE's JuSt InCoMpEtEnT" right?). So teenage girls aren't allowed to like other boys or date more than one boy, yet teenage boys can date as many chicks as they like. Nice.

And apparently, any problem in a relationship or potential relationship is the girl's fault no matter what. She can't approach him because Goddess forbid girls not always be perfect and capable? She's incompetent and it's all her fault she can't properly talk to a perfectly nice, cute, FAMOUS boy. She rejects him every time he confesses despite him knowing it will fail. Her fault for being mean and not giving him a chance. She gets tired of chasing him and decides to look at someone else since it's not like she's legally married to Boy #1? She should stick with the original boy since they're gonna get together anyway. He gets tired of chasing her and decides to look at someone else since it's not like he's legally married to Girl #1? She should've realized his feelings for her and returned them since they're gonna be endgame anyway. Has this lady ever even been a teenage girl?

Plenty of teenage girls get tongue-tied around the one they love even if he or she is a perfectly nice, sweet person, it doesn't mean they're incompetent(especially when the girls are fictional characters in a world set out to punish them for not making progress and for trying to make progress at the same time, and the fact that the boy is a celebrity who is always made oblivious and kept distant enough from the girl so she can keep putting him on a pedestal and never truly get to know him). Plenty of teenage girls lose interest in one boy and so fall for another. Yet it's somehow only okay for boys to do it? Seriously?

And then for the episode "Ladybug", the reviewer continues to rag on Marinette, blaming her for the fact that her reaction to getting expelled was "I can't let that nasty Hawkmoth win", claiming she wasn't reacting like a normal teen or human in general would react in that scenario, completely ignoring the fact that it's TIKKI who doesn't comfort Marinette and forces her to focus on her duties as Ladybug and almost getting akumatized. She's right about the plot moving too fast, but she doesn't take into account WHY it's moving too fast, because the show doesn't focus on Marinette's inner struggle and what she has to go through. Instead of giving her time to process her thoughts after all that goes on and providing Tikki as a source of comfort and support(which she's, you know, SUPPOSED to be), they make Tikki berate her and force Marinette to push it to the side.

She's never allowed to feel. And that's why it hurts all the more when this woman insults Marinette for her perceived ineptitude, and she's fully allowed to dislike Marinette, critique her behaviors, dislike Luka, critique his role in the story etc., just don't reinforce a double standard as you do so and look closer: ultimately most of Marinette's problems are due to her not being permitted to FEEL. She's not allowed to be nervously in love, or be calm, or be offended, or be just not ready.

The writers keep pushing her in one direction, to be emotionless, to be selfless, to be nice, to be honest, to be "the mature/responsible one" to be a perfect little "Purrincess", to not push for or want anything for herself, even though the show is supposed to be about girl power! She does somewhat touch on that by saying that Ladybug never gets to "take a hit" and that the Marichat scene in Glaciator was too short, but she never goes into why everything is too-fast paced. And if she did, she wouldn't be saying everything she does about Marinette and Luka. Because Luka is more than just the "plot device" she dismisses him as.

He's like a calm oasis, the apple of the hurricane who keeps Marinette calm and just lets. her. breathe. He's possibly the only person who doesn't berate her, who doesn't mimic her, who doesn't insult her, who doesn't ignore her. And the one time he does, he apologizes RIGHT AWAY when he sees how sad she looks. And the funny thing is, I used to hate that scene, because when I first saw it, I thought "Oh man! Luka did the same thing as everyone else did once!" But now I see that it serves as a contrast, whether intentionally or unintentionally, to the other characters in the show. Whereas they never apologize for how they treat Marinette(and often she somehow ends up apologizing instead, sadly) and in fact seem oblivious to it at times or just don't care, Luka notices, Luka cares, and Luka apologizes. That shows that he cares about her and her feelings, unlike the rest of the characters in the show.

And while they do care about her, they're never held accountable for how they treat her. Anarka and Plagg are probably the only exceptions that I can think of(who contribute to the plot of course), but they're obviously not love interests, and the video doesn't talk about them, so I won't talk about them either. But my point is that this review, while good in other ways, is still problematic in this regard, for how it completely ignores Marinette's struggles and how they affect her, as well as the value of Luka's character(even if the show doesn't recognize it at times) and the POSITIVE effect they have on each other(especially since he actually, genuinely, wholeheartedly loves her and is patient with her, since Adrien is barely even her friend and Chat is pushy and entitled. And he has a life outside of her too, which this video chooses to ignore.)! So yeah, I'm sorry this took so long, but I just had to protect my favorite characters because that video did them so dirty. Thank you for coming to my Lukanette Ted Talk! Have a miraculous day! ;3

...Wow????

Can I just say wow??

Firstly, kudos to you for having the patience to not only write all of that, but simultaneous deal within Tumblr’s limitations while doing so? I almost wish I had a video detailing all of these topics (not exactly a video response to that person, but just detailing all of this without explicitly calling people out).

Secondly, I absolutely, 100% feel you on the double standards. I have seen so much hypocrisy in my experiences and it’s insane how people will bash Marinette relentlessly and then let Adrien off with a bunch of excuses, or hate Luka for essentially existing and then accept Kagami.

I also hate the idea of disliking Luka because he’s there to make Marinette feel better, and then liking Kagami because she causes conflict, like the implication is that conflict equals good and things that make Marinette feel loved and cared for are bad because love square endgame, I guess.

It’s exhausting, especially when Marinette is fourteen, clearly tries, but is getting no support. Like, have you ever thought how weird it was that Tom and Sabine seemingly knew back in “Gamer” that Marinette was crushing on Adrien, but in “Weredad,” they don’t worry about the fact that Marinette is into someone else or wonder what might’ve happened with Adrien, like if he might’ve hurt her in some way? If the assumption is, “oh, they just think that’s a teenage thing, flip-flopping between love interests,” well... Tom clearly takes what he thinks to be her current crush very seriously, and even if it was true that they presume she’s just flip-flopping, that really doesn’t show them to see Marinette as more than just a clumsy teenager-in-love stereotype.

So yeah, the characters who are meant to be there to support her ask no questions, but here’s Luka with his sweet “you can tell me everything or nothing, you can be yourself around me,” line, and yet... Luka is the problem???

Sure, how dare this sweet boy NOT cause Marinette more stress. He makes Marinette feel better about herself and therefore he’s “pointless” (which, really, is the true mark of someone who doesn’t care about Marinette).

Ugh.

But yeah, in conclusion, people can have insane double standards when it comes to Luka and Marinette, and thank you for the Lukanette Ted Talk, this was a really good piece! You have a nice day too! ;3

(note: the below ask seems to cut short at the end and I didn’t get a message back about it but I at least wanted to have it here so the anon has (most of?) their story heard even if I can’t properly comment on it:)

Anonymous said:

Relating to the ask about Marinette imagining the events of the series. For me it would be realistic as I sort of see myself in her position for some parts, especially how her friends are represent (mainly Alya) and I can see myself picturing the events of the story (surrounding them) to some extent.

I'm continuing on to explain and rant about how I relate to Marinette. So about Alya's pushiness with Marinette's crush and how she won't let her move on. I used to be sort of friends with this person and one day we hanging out at school and she started badgering me to tell her who my crush was, even though I told her I didn't have one (I didn't have one but even if I did it wasn't her business, especially because we hadn't really interacted for a couple years).

She pressured me enough that I felt the need to make up a person, then she called me out just after I did it because she knew I was lying but didn't realise how uncomfortable I was lucky we were by ourselves so no one could hear how embarrassing it was. It still is but I sort have gotten over it (that's why I'm hear complaining). For her being made to sit by herself because everyone else paired of, I can relate.

I have never been the person who is really close with the friend group (probably because I'm quiet and struggle to interact with others), but I still I hang out during class time, but there have been times when two of the friends sat together and the other friend chose not to sit with me but just in front of me (the tables can fit two people at them) until one friend I went to primary school asked "what about [me]", so them she sat next to me.

The person I went to primary school with also has chosen to sit with the person who was not to sit with me so she could sit closer to the other two friends diagonally across from me on the table next to mine. I can understand Marinette in The Chameleon for how she would of felt when her friends turned in because I am left wondering if my friends even like me, although primary school friend sometimes tried to get to wait with them when we were waiting for the teacher to show up.

As I mentioned earlier I anxious when trying to interact with people who are even considered my friends so I wait for them to invite me to hangout with them. And for the ending of The Chameleon when everything went back to normal, in primary school we had this task we were told research a person and write a biography on them so as the teacher told us we were writing a good copy and the work in our books was a rough draft.

I wrote the information down as I would the good copy to make sure I was happy with it. When we were writing the good copy, I started to worry I had done something wrong as I had seen my friends work and they bith had just written down the facts. So as my friends and I kept having arguments and fights so I told them that I hoped I remembered to spell all the names correctly because they were not names I was knew how to spell which was true so they didn't question it as I could tell they did

[essektheylyss]

Fanfic ask game for procrastinating on writing, that's what I'm understanding here, got it.

(tagged by @mllekurtz, thank you! these are super fun questions)

1) How many works do you have on AO3?

55! Jeeeeeez that's a lot.

2) What’s your total AO3 word count?

295k. (Maybe it's because I come from the writing month world but that's the only stat I genuinely pay attention to lol.)

3) How many fandoms have you written for and what are they?

In current times, only Critical Role—back in the day I wrote on ff.net for Heroes and Castle and a few YA books.

4) What are your top five fics by kudos?

before it buries me

This was... actually my first shadowgast fic! One-shot set right after 91.

now I will ask you to be brave

Okay, so, this fic. I will not describe it, as I don't want to get anyone's hopes up. I started it right after hiatus with lofty ambitions and promptly realized my hubris, and now it is definitely never going to be finished. I did not get far. My deepest apologies to anyone who has read it and wanted more.

seeing eye to eye

One-shot of the nein running into Essek's family, and Beau understanding him a little better, rich kid with shitty parents to rich kid with shitty parents. A very specific characterization of Deirta in here, mostly filtered through Beau's mentality, which was so fun to write.

not from the absence of violence

OLD GUARD AU MY BELOVED. I desperately want to write in this au more but have not had the time or ideas, but holy shit I love this au so much.

cruel tricks the gods play

Another pre-97 shadowgast one-shot—the peace talks go very wrong and Caleb and Essek end up pulling a Titanic on a plank of wood after the ship sinks. Very fun, very no longer canon-compliant.

5) Do you respond to comments, why or why not?

So, okay, I do not, but this is a Thing for me, because I have, inexplicably, deep panic about responding to ao3 comments. I do not know why. I can feel physical panic thinking about it now. I aggressively hate it because I do really want to respond to comments because commenters are so lovely! I think it is a combination of my brain not knowing the culture of ao3 interaction well enough that it seems alarming (thanks, neurodivergence) and college screenwriting workshops in which I was taught not to respond during critique.

In any case, I do not have the same weird panic about tumblr interactions, so I'm always down to chat here.

6) What’s the fic you’ve written with the angstiest ending?

You know, for all of the angst that I write, I don't really write angsty endings. I think my two main Verin-centric fics (laid out one by one and this guilt-ridden heart) end kind of angstily, because that relationship isn't gonna be fixed in a conversation. But in general I think the worst I've got is bittersweet.

7) Do you write crossovers? If so what is the craziest one you’ve written?

I don't—I'd have to have a really, really good concept to write a crossover.

8) Have you ever received hate on a fic?

Not that I can remember, though who knows if I got any in high school. I'm a little impervious to flames anyway—again, workshop classes helped with the reminders that critique is what's useful, while hate is just, 'you can't please everyone'.

9) Do you write smut? If so what kind?

I do not!

10) Have you ever had a fic stolen?

I mean, not that I'm aware of lol.

11) Have you ever had a fic translated?

Nope!

12) Have you ever co-written a fic before?

Nope.

13) What’s your all time favourite ship?

I mean, currently? Shadowgast. I don't have an all-time.

14) What’s a WIP you want to finish but don’t think you ever will?

sweet child. "Someday!" she says, shaking her fist at an unforgiving god.

15) What are your writing strengths?

I've suddenly forgotten every comment I've ever gotten. I am pretty good at grounded settings when I put in the effort. I think I am good at matching character voices—far better than inventing new ones.

And in terms of writing process... I managed to decide somewhere along the way that I like my own writing? Which is very hard, but also once you do that, it's a lot easier to just write instead of being hung up on quality, and it's then easier to notice when you're falling out of your own voice or when you actually need to rewrite a scene. I think I forced myself into this practice because I am soooo bad at sitting down and editing, so I have to do it as I write, and I had to get over the "this writing sounds like me therefore it is bad" feeling to manage that. (This has been my "love yourself as a writer" high horse.)

16) What are your writing weaknesses?

I think I overexplain. And on the other side, I lean so heavily into showing emotion via physical sensation that I forget to actually write the emotion.

And on a similar process high horse, I am so bad about feeling constantly like I need to write everything right now. This is primarily a problem because if I get too in my head about it, I end up writing none of it. I have not found a way to combat this, except to put one sentence in front of the other. (This is not helped by my ever-increasing pile of wips and ideas lol.)

17) What are your thoughts on writing dialogue in other languages in a fic?

I patently refuse to do it, because I hate the idea of butchering a language I don't know, and because I tend to try to draw as little attention to the fact that a thing is written as possible, and if a language has to be translated via a glossary or something, it's drawing more attention to that, and even if it's something I'm leaving untranslated, someone who speaks that language will know that I have butchered it. That being said, I don't dislike it when I'm reading!

18) What was the first fandom you wrote for?

Percy Jackson! I wrote so much PJO fic in middle school.

19) What’s your favourite fic you’ve written?

what luminous worlds await, if only for the sheer enormity of that project and my delight that it actually came together. Though I cannot mention that without mentioning Icarus to your certainty, without which I probably would not have even written the former.

Tagging (and please feel free to ignore if you so choose) @the-littlest-goblin @mithrilwren @sky-scribbles!

[fantasysamsclub]

so the adventure zone was recently picked up for an animated series.

hooray! good for the mcelroys. i’m glad they’re getting more mainstream. i’m glad they’re able to financially support themselves and their family with this fame. i’m glad taz has a chance to get new fans! i’m glad fans get to see some of the most iconic balance moments animated!

i also think it’s a monstrously bad idea.

(this is long and this may seem pretty mean and radical, but please read before fighting me on any of this. also this isn’t an attack on anyone that’s excited for any of this adaptation stuff! it’s good to be excited for this success. but also there are some things to consider.)

okay! so, up front: i think the taz animated series is a bad idea. i also think, retrospectively, the graphic novel was a bad idea. also i think the vox machina origins comic and animated series are bad ideas.

okay so this is going to get. a little long and rambly. but i’ll try to keep it organized.

1. TAZ Graphic Novel

now, when the first book was announced, i was excited! i’m still excited for the next one. aside from the blue/green elves thing, which i won’t ever forgive, carey’s doing a great job adapting this piece. i’ve met her before and she generally does know what she’s talking about, comics-wise, so i do think she was a very good choice to pick up the graphic novel

there are still problems! oh, are there problems. for example, i think everyone in the novel is characterized in a wildly different way than the original podcast. i can also get into this later if people want to hear about it, but! people have picked at that one before.

out of all the adaptations i’m going to talk about, this one is the best!

2. Vox Machina Origins

alright. context. i don’t know if i’ve said this on this platform before, but i’m a comic book artist (my big project is coming out this year, i’ll announce it on here, that’s not the point of this rant). and i bought the comic on a whim! it was a christmas present to me.

now, i know a lot of people read it and enjoyed it! and that’s great. i’m happy you got joy out of the book, really. i think every piece of art means something to someone, no matter its popularity or quality. and it did well, as far as i know! so that’s very good for CR and its fans. also i think pike is hot.

all that aside, the comic does suck very much.

i could go into a deep analysis of it (i CAN, if enough people actually want to see that?) but tldr: it’s rushed, both in production and story pacing. the character art is good! but you can see the shortcuts. the lettering is. awful. (that’s mostly a problem of modern comics in general though)

and i’m not blaming anyone at CR for these problems! really, if dark horse wants to pick up an adaptation, any writers from the original project should be heavily coached on how to write for a new medium. i’m not blaming matthew for that one! i know from firsthand experience that comic writing is different from anything else you will ever write, and is so difficult to get correct. as far as i knew, matt had never written for comics before! it would be really nice if he had some more resources to get this done right.

but that would cost money.

and that brings me to--

3. The Vox Machina Animated Series

wow! look at all that money everyone raised for this animated series. this animated series that the creators said they were raising money for so they could do it independently. hope they don’t go pitch it to a bigger company to do m--

and, it was sold to Amazon.

like, it didn’t even take them a month.

and in the current climate of how animation is bought and sold, i understand the need to sell it to a streaming service! you need a platform to let people view it, and youtube is in the shitter with its copyright stuff lately, so it makes sense to go private to keep your show safe. and then, you can maybe make more episodes after you run out of kickstarter money. i don’t hate that idea!

but amazon...hm.

it’s probably fine, right?

3.5. Wendy’s

haha remember when CR got sponsored by wendy’s and played their shitty rpg that wasn’t even balanced properly and then people called them out for it and then they donated all the money to a cause wendy’s hated to make up for it (good on them!) and then deleted the VOD off youtube? gosh, good times.

money makes people do strange things.

4. TAZ Animated Series

so, peacock has taz. sure! that works. it’s not the best company to pick this up, but it’s also not the worst. i’ll take that. i looked up the guy that’s slated to direct this and i don’t think he’s ever directed an animated show? which isn’t great, but that’s not what i’m worried about.

you know what i am worried about?

these big corporations don’t care if these adaptations are any good. they just want to cram as many iconic moments from your quirky, small-owned d&d podcasts to get you to give them money. for the mcelroys and the CR crew, it’s a passion project. to amazon and dark horse and NBC, it’s an investment.

you’re going to buy the book to see vax and vex bicker!

you’re going to tune in to watch magic brian!

you’re going to want to read pike meeting scanlan, of course!

you want to see “phantasmal and resplendent” animated!

here’s the other thing. when i see people talking about the animated series, this is exactly what they’re looking for.

“i want to watch merle dirty talk the plants on screen!”

“i want to see the taakitz date!”

“i want to see magnus do the julia scene...”

now, this mindset isn’t bad! no, if you’ve been thinking this, that’s okay! it’s really not my personal thought (i think adaptations are best when they DO change things in the story to better fit the new medium they’re going on) but it’s fine.

we might get tom arnold!

but you know what we’re not going to get?

we’re not going to get apologies and revisions when something goes wrong. we’re not going to get cute extra scenes because that would require more writing. we’re not going to get the same respect for the LGBTQ+ characters on screen. the people working on this show will not get paid what they’re worth.

we’re probably not going to get a trans actress for lup.

we’re probably going to see less of carey and killain.

we’re probably going to see even fewer black and brown characters than we already have.

why’s that?

because it’s a money project. they’re doing it for money. and they want to reach as wide of an audience as possible, right? “really, we need to cut back on this gay stuff so that straight people aren’t uncomfortable. we need to stay more moderate on this project so that more people will watch it!”

(that was sarcasm)

now, NBC has had some good shows! but that’s really the responsibility of their individual writers, and it’s usually in spite of the companies they work for, and not because of them.

once an author or an artist sells their project to a company for adaptation, they often lose all rights to input from it. i don’t know what the mcelroy’s or CR’s contracts are, but unless they have better lawyers than NBC or amazon.....they probably got shafted somehow.

it’s not a mcelroy product. it’s not a CR product. don’t pretend like it is.

you can enjoy it, but please be cautious. this is just a pile of money in a cheap taako costume. don’t trust it as much as you would the podcast.

tldr: individual creators are always going to make more genuine content than corporations that buy those creations for larger adaptations. it’s okay to enjoy these adaptations, but please be aware that it’s not going to have the same spirit or heart as the boys talking about masturbation on a filler show they did quickly so justin could go support his wife in labor.

[dappersheep]

Food Fantasy: An Analysis on what killed a Golden Goose (2/3)

Welcome back. Before we get started, disclaimers again! I do not own the game or its characters, nor do I claim to know the history and future of the game. What I am entitled to are the thoughts and opinions written within this post. You may or may not agree with the points spoken of here. This post also remains untagged from the main foofan tag. Only my followers will see this.

We are now on the second part, so let's go forward under the cut!

Elex

And here we have our beloved global publisher that most of seem to have Stockholm Syndrome for. Don't lie, at least half of us are still playing this damned game due to sunken cost fallacy, sunken time fallacy and the cute/hot jpegs.

In 2018, everything started out fine. Sure, maybe we had some translation mishaps here and there -coughwe'llgettothatwreckagelatercough- but overall, Elex was running the game fairly well. Rewards were on time, we had active social media and support, and a discord was set up!

Hint: Please note I use quite a bit of sarcasm in most everything I say.

And then somewhere along that road, things got derailed. And I mean it like, we're in the midst of a trainwreck in slow motion and we've only cleared the initial collision and still hurtling forward or backward into a steel wreckage ticking inferno.

Problems started cropping up as early as late 2018, just a few months after the game was launched in July.

⦁ Art contest mishaps. You know when you hold an art contest on Facebook out of all places with its shitty tagging system, you're bound to have entries lost to the void, people forced to register an FB account just to participate (seriously, who even has an FB account that isn't just there to appease family members?) and having to wrestle with figuring out how FB's tagging system works. Add to that the panel of judges happen to be Elex staff who don't have a good eye for good artwork (we actually had a kiddy figure drawing win over a well drawn one during the last contest!) and that they ALSO weren't very good at organizing such contests on FB... well, we had several grievances over that.

⦁ Region blocked FB announcements. Strangely enough, I stopped getting announcements around Father's Day of 2019 while everyone else outside of SEA kept getting updates. Turns out that someone on Elex's staff really didn't like SEA players or was just really bad at fixing the settings for the group and never bothered to revert it back. It didn't matter in the long run though, because...

⦁ Abandoned social media platforms. FooFan Twitter, FooFan Facebook... they all floated slowly into the void and was never heard from again. And this was before the 2020 pandemic.

⦁ Remember what I said about Discord? Yeah, apparently, they opened one up a little too early and the staff in charge of it knew zero about how to setup and mod a discord community, and didn't even have the manpower needed to mod the influx of members that came in! Suffice to say, they had to get help from top players and mods from the FB groups to come in and sort things out because someone kept pinging @ everyone every few seconds other than the usual chaos that comes from a server with no filters and people trying to turn the discord into Global Chat 2.0, minus Russian hours.

⦁ Also in line with the point about abandoned social media platforms, they've also mostly abandoned the discord too and only pop in once in a while to check the bug reports or lost accounts. You have a slightly better chance of response with the in-game support. Only slightly. And there's a running joke with several variations on the main discord that the Owner account of the discord server was manned by an intern-kun who never bothered to pass it on to the next unfortunate soul left to maintain this game.

⦁ Favoritism. Funtoy is also guilty of this but they don't publish the game for Global. If you're a top spender the likes of maxing out your cash rebates within the three months or so and you kept spending even beyond that, Elex could possibly invite you to a funky little club where your voice is more important than say... 99% of the playerbase. On top of that, if you keep spending, you could technically also ask for stuff like getting this frame over that frame, or well.... delay certain features from coming to Global for over a year. Now you can simp AND be heard! (Note: In 2021, it's possible that that club may be dead too, as all things shall be)

⦁ SJW Friendly. I don't know if Funtoy themselves have anything to also do with this particular decision... but it's saying something that after a certain little tiddy tantrum from the community side, Elex decided not to announce anything about a certain event's fate and when asked by it by other parties (not me) they either lie through their teeth, or beat around the bush with a non-answer.

⦁ Partial translations, mistranslations. Now, I understand that a lot of Chinese grammar and semantics are confusing to translate properly into several other languages, but you'd think Elex would have given their translators more context to the character or the mechanic to avoid such mistranslations that later set off gender debates or worded the skill/artifact description a little clearer. That is... unless Elex really is hands-off trying to get to know this IP from the start and only gave it the most bare minimum of English where they can cut costs for it, so people can understand it 'well enough' to throw money at an obviously not beta-read quality game.

⦁ No translations. Yes we do have certain parts of the game that are in Chinese since forever since xx patch. Some characters' voiceline texts are still in chinese, especially during the Pledge scenes. More recent artifacts are also in chinese with no announced translation in sight. And don't get me started on the Food Soul bios, or lack thereof.

⦁ Delayed events. Prime example? We had weeks of minor events/no events and still Elex managed to eff everything up for our second Anniversary in July 2020. We ended up getting the Croissant event in late August with barely any apologies and compensation for the delay... and this likely would have never arrived as 'early' as it did if people hadn't been railing about where our Anniversary event was. As it stands, we are several minor events behind CN, at least a year and a half's worth behind. I know Global had requested heavily for more spaced out events (to save resources, not that it actually worked with all the nerfed rewards we get) compared to CN but this is extremely ridiculous.

⦁ Delayed permanent features. Hm... Guild Wars, Sky Tower, Bar, that Wuchang Fish Showdown... several Quality of Life updates.... that new permanent pool update... Food Souls still missing their JP voice packs... Food Soul Bios... *slowly ticking off more than I have fingers and toes*

⦁ Customer Support is whack. You'd be lucky if you got someone who understood your problem/inquiry right off the bat AND did something about it efficiently. You'd be luckier if they answered you honestly if you were inquiring about event updates or other buggy features or reporting hackers.

⦁ The Great Turkey and Apple Incident of 2020. Well, if you were around for that little SNAFU during the Turkey re-run event, you'd know a percentage of people suddenly got logged out of their accounts and had a baller of a time trying to get their accounts back. You were especially unfortunate if you were playing on an iOS account because even if you did bind it (like a responsible player should be doing), you probably still wouldn't get it back in time to rank properly during Turkey. Some Android players also experienced this, but it wasn't as bad as what the iOS players experienced. And then there was the compensation mishap for that too.

⦁ Hacker-chan and not-so-uwu Hacker-teme. Hacker-chan is a meme. Hacker-chan was a harmless player who regularly topped in Top Showdown every week for a time to send a message to Elex just how easy it is to hack the game in certain rankings and invited Elex to ban them every time, just to test how competent Elex is. In the end, Elex has proven to be incompetent and also glaringly stupid about how their published game works. Hacker-teme is a collective of individuals over time who have cheated the game during important ranking events or in somewhat important permanent battles. If you tried to report a Hacker-teme with evidence to prove it -and trust me, people repeatedly have-, Elex would tell you that they're not cheating and/or lie through their teeth that they're 'investigating the case' and then not do anything about it and let them keep their event ranking and thus get the rewards while someone who actually worked hard/whaled hard to get the spot gets denied. In one case, they believe that if an account has rebate points and the player level is at least around level 80, then the hacker-teme is obviously playing the game fairly. Never mind that their units happened to have low to no artifact nodes opened, and not high in ascension.

And that is the end of the Elex saga. I'm aware there's likely more things about Elex that I've missed, but feel free to add on to this analysis post with your own thoughts.

The last part of this trilogy is probably what many of us are waiting for, for obvious reasons.

[if-you-built-yourself-a-myth]

Check Ignition: Part VIII

The Sobbe fake-dating Hogwarts AU that one person requested and I dove into headfirst

First part // Previous part // Next part

Send me requests for other fics, ideas for this one, opinions, whatever! My apologies if the quality seems to have one downhill; I'll be doing minor edits for the sake of readability when I have a good chunk of free time.

“Shhh, guys, leave it,” Jens said. Everyone’s comments died on their tongues. Zoë and Moyo herded the superfluous students from the room and left as well, shutting the door behind. Moyo almost clapped a hand on Robbe’s shoulder, but seemed to think better of it in favor of a saddened smile. It didn’t really help. Robbe wasn’t sure if they ended tonight on good terms.

“We’re going to bed early,” Aaron suggested. “We have to get a jump on those damn exams.”

“Leave it,” hissed Jens.

“I was just saying, we’re—”

“Leave it.”

“It’s a good idea,” said Robbe. “We’re going to bed early.” He hadn’t realized how angry he was all week until faced with its culmination. And now—now he was tired. Stupid and single and tired.

There were still no sheets on his bed; he hadn’t gotten around to doing anything with them. He could perform a cleaning spell on the mattress if it got too bad in their absence. Whatever. Robbe couldn’t be bothered to rifle through his trunk for a cleaner blanket, so he crossed the room and grabbed the one off the fourth bed.

Motherfucker. It smelled like Sander. He really couldn’t win, could he? Robbe threw the blanket to the decimated floor and curled up without any covering at all.

“He wasn’t that attractive,” said Jens, breaking his own rule. “Had to get those roots done again.”

Robbe clamped his pillow over his ears. “Shut up.”

“We haven’t been to Hogsmede in a while. Might be nice to go tomorrow. The four of us.”

Hogsmede. Robbe’s eyes burned.

“I need to stop at Honeyduke’s,” Aaron agreed. “It’s Live It Up week.”

“I’d fancy a pint at the Three Broomsticks.”

The Three Broomsticks. Robbe was not going to cry over this. It brought him back to Sander explaining their fake love story to Zoë, all the little accurate details, all the possibility… that’s all it was. A story. You don’t like me. He cast the Muffliato charm across his four-poster before the tears started flowing. Once they started, they didn’t stop until morning.

“You don’t have to tell us a thing,” Jens said. “We understand.”

I want to, Robbe thought. He rolled over and faced the wall for the remainder of the night.

***

As much as he would love to hardcore sulk, Robbe had never been that kind of person. Sander was gone. They weren’t even together for that long, so there wasn’t much sulking warranted. He took Saturday and Sunday as unofficial off-days before exams, in that he spent them with Jens, Moyo, and Aaron, pointedly not talking about Sander. They did not go to the Three Broomsticks. Jens passed a whole afternoon in Honeyduke’s, attempting to sample every flavor of Bertie Bott’s Every-Flavor beans.

Okay, Robbe sulked. But not hardcore.

Robbe resolved that one Monday he would snap out of it in time to guard his outstandingin his five classes. What should he do? What had he learned? He could start there. Starting there was something.

1. He should never drop a class for someone he wasn’t really dating.

Robbe’s Potions exam was the first on Monday, and he went into it grossly unprepared, despite hours of common room studying. There was a large difference between reading theory and enacting what it said. Plus, a lot of his library time focused more on Sander’s eyes than on the written material.

Everyone else chopped up their beans and sprinkled them into their brews without difficulty. Robbe couldn’t remember how many he should use. In the end, he dumped a whole handful in completely whole and stirred counter-clockwise. How much could it hurt, anyway? He left fifteen minutes before the exam period was up, and the Potions master did not bother to stop him. The Drought of Living Death he prepared could probably kill the whole class, Britt and all, even if not in the way it was meant to.

Why had he stopped attending in person? What could Britt have done to him? It hit him—she probably knew the dating thing was fake from the beginning. Sander might have planned it all out to make Robbe look like an idiot.

That wouldn’t account for that night in the workshop.

Fuck that night in the workshop.

Sander waited outside the Potions classroom, his back on the wooden doorframe. Britt would be done soon. It didn’t give Robbe any satisfaction to brush by Sander without speaking—or at least, not until he saw Sander rubbing his arm in the aftermath. Robbe must have hit him with the door.

“Sorry,” he called over his shoulder, hoping it sounded blasé.

It could have been anyone there, he thought. Sander wasn’t special anymore. Then he went to his bedroom and stared at the wall over it.

2. He was not straight.

The specifics were, as of yet, unclear. He was in love with Sander, which meant he liked boys, but he’d kind of liked Noor too. Not romantically. Or even sexually. But like, he enjoyed her company.

Sometimes.

He wasn’t in love with Sander anymore, though, definitely not. Robbe figured if he told himself that at least four to five times a day, it might become a little more accurate. Two weeks was too short a time to fall for someone.

After all this, he needed to get Jens alone and lay it all on at once. Bad phrasing be damned. The boys began packing their belongings on Wednesday, after a mostly uneventful Transfiguration exam (Moyo turned his cockroach into a pair of earrings that still moved their spindly antennae—he seemed satisfied). They would leave on Saturday afternoon. Aaron tried a simple cleaning spell, Scourgify, and ended up scattering his belongings to the four corners of the castle. He scurried away to pack the rest manually, Moyo at his heels to help.

Jens and Robbe were alone. Robbe was ready to talk about it.

“Why is Moyo always here?” asked Jens, in a way that made it sound like he was breaking the tension.

His plan failed, of course, because Robbe was already speaking. “We have to talk about something.”

They stared at each other. Jens blinked.

“There’s a lot I haven’t told you,” Robbe began. “I wanted to, but it was always so complicated.”

“Uh, sure, okay.” Jens shoved a crumpled shirt into his trunk, followed by a pair of ripped slacks he could never wear to class again.

“This thing I had with Sander… it was fake to him. But, well, uh, to me—”

Jens nodded. “I know.”

Damnit, no.

“Jens,” Robbe tried a second time, “I’ve realized some things about myself recently. They kind of explain other things, from earlier, so…” He switched tactics. Who knew how long until Moyo and Aaron returned? “Do you remember when you and Jana broke up? How you found out about what’s-his-name and—”

Another shirt in the trunk. Some more destroyed pants. “Yeah.”

“Cool. So um, you should understand that it was—” It was never this awkward to talk to Jens before. Jens was supposed to be easy. Robbe folded his shirts by hand, like his mother did, and placed them carefully in his own luggage as he thought of how best to phrase this. “I did it on purpose. She was gonna tell you and I—well I said—”

“You’re not making sense.”

“I know things about myself now. Learned them. From that. and this.” Here it came, the big jump. Even though Robbe knew Jens, Aaron, and Moyo outlined a whole plan to get him and Sander together, he still worried about what they’d say when confronted with the reality of it. “Jens, I’m—"

“I know.”

No, that wouldn’t work. Again, “Jens, please, I’m—”

“It’s okay, Robbe, I know—”

“I don’t want you to know!” Robbe flopped a shirt down harder than he intended. “I want you to let me say it.” He took a deep breath. “I’m gay. That’s who I am. With or without Sander. Okay? I need you to understand that it’s like that with or without him.”

“I—”

“Don’t say you know. You’re my best friend.”

“Okay,” said Jens. “I understand.”

“Good.”

Jens closed his trunk on top of some clothing that spilled out the sides. He sat down on it to close the latch. Then he reached out and gathered Robbe into the tightest hug ever. It wasn’t nearly everything that Robbe wanted to say, but it was some, and Jens didn’t run away from him. Sexuality crisis, somewhat had. Robbe was sure there would be more later.

3. You don’t like me.

Robbe’s final exam was History of Magic. Luckily, his cramming paid off. He breezed through the questions on the first and second wars faster than any of his peers and was out the door within thirty minutes.

Most students were trapped in their classrooms for another half-hour or more. Empty corridor stretched in all directions, and Robbe didn’t have anything to do for the rest of the day. He knew where he wanted to go.

Sure enough, his astronomy tower perch was vacant. Bright sunlight dyed the campus in shades of yellow and gold, made the upper turrets appear as drawings from a children’s book. Robbe noted in passing that someone had collected Sander’s picnic blanket from its forlorn position on the roof. That made sense. Filch himself must have cleaned.

From overhead, soft music played. Robbe was sure he was hallucinating. He sat down on the sill.

Oh fuck, maybe not hallucinating. Noon cast a shadow of someone above onto the roof below.

Sander’s blanket wasn’t where he’d dropped it on night one because Sander sat on the overhang above the window. He had it splayed across the shingles, a compact player oozing the final lines of that same damn song on a loop, his wand gripped in his hands.

Robbe couldn’t escape him. Couldn’t escape how he felt about him. He could bring it under his control if he made it look purposeful.

“Hey,” he said. “Don’t you have class?”

Sander startled.

This was a mistake. Never mind. Robbe should go.

He leaned even further out the window for a better view of Sander’s setup. A stack of textbooks balanced precariously, end on end, held aloft by a complicated charm of some sort. A quill rolled down the roof and stopped as if by an invisible wall. Sander had created a bubble for his things.

“Cheers to exams,” Robbe said, a bit louder. Sander did not look at him. The music cranked itself up to mask Robbe’s voice—perhaps it was spelled to muffle all noise Sander did not want to hear. That wasn’t fair. “This is my spot.”

“You said you didn’t want to be friends,” said Sander. He didn’t sound upset. Why did Robbe expect him to be upset?

“Can you turn down the music?”

“Britt’s going to join me.”

“That isn’t really what I asked.” Robbe wondered if interactions like this would ever stop hurting. But he didn’t feel as bad as he felt last week. Or on Friday night. Maybe the finality of a no was all he needed to move on. He recalled Sander’s speech word-for-word, mostly the end. You don’t like me.

It hit Robbe in a moment of irrational bravery, when Sander’s music dialed up in volume. Their first night in the astronomy tower, together, illuminated by Britt’s wand. The CD playing in the background. Sander knew what he was wearing on a specific double-date on a specific day—there was no denying something existed between them.

And to have Sander talk like that, say it was nothing… it wasn’t nothing, not to Robbe, and Sander needed to hear it.

So he said it. No introduction, no nothing. “I liked you.”

The Major-Tom-planet song quieted. Definitely some kind of magic there.

“I liked you so much,” he said again. Now that it existed, now that it was said, there was nothing to stop him from continuing. “You can’t tell me I didn’t.”

One of Sander’s quills rolled to the edge of the bubble, only this time, it dropped out and fell the length of the tower.

“We made it up, we agreed,” Sander whispered. “I’m sorry.” He slid down from the roof, landing beside Robbe on the sill, then jumped to the floor. His belongings trailed behind him in a floating line.

Robbe stood his ground and blocked the staircase. “It’s not your thing to decide.” His voice softened. “I liked you. So that’s that. And it’s done.”

Sander scuffed the floor with his shoe.

“Good. You never have to see me again.” Robbe pointed down the stairs for dramatic effect. “I have class. Bye.”

He felt lighter than he had all week when he descended the staircase. Any lighter, and he would have missed it when Sander said, “I liked you, too.”

4. He was a jerk to Noor.

Robbe sought her out on the train home, abandoning his friends in their own little compartment. They had plenty to discuss without his involvement. Pranks and whatnot. The usual. Noor was alone in a compartment near the back of the train, a dozen or so scrolls of parchment dispersed around her. She wrote on one with a broken quill.

She wasn’t a bad person. Robbe should have just told her. The least he could do was tell her when everything was over.

“Hey,” he said, taking the seat across from her.

She looked up, surprised. “Hello.”

“You seemed like you could use some company.”

Noor blushed. “No, I—Britt’s sitting elsewhere, and I have a lot to do.”

“With Sander,” Robbe supplied.

“What?”

“Britt’s with Sander.”

“Oh, um, actually—”

Robbe wasn’t in the mood for the nitty-gritty details of whatever Britt and Sander had going on. Obviously it was toxic. Not his problem. Besides, this conversation was for Noor’s sake, not his own.

“Listen, about me and him,” he said. “I need to apologize. It wasn’t fair of me to lead you on.” He hoped it wouldn’t get awkward. The extent of his recent planning was pretty much just say it without warning and hope it works out.

“I don’t read smoke signals,” said Noor curtly. She set her quill down on the seat next to her, ink stains bleeding into the cushioning. “But I get it.”

“No, it was fucked up. I’m sorry.”

“It’s alright.”

Awkward silence. Robbe wasn’t built for prolonged chatter with anyone besides Jens, Moyo, and Aaron. The girls’ group was the exception, and only when Jana and Zoë were present. He fiddled with the beginning of a hole in his yellow sweater.

“I suppose I should apologize too,” said Noor, after a while. “That was fucked up, to say he’d get bored of you. I was a little—well, you know.”

“If it helps,” Robbe said, “you were right.”

Noor frowned. She sat up in her seat, and her parchment fell to the carriage floor. The sweets trolley passed by their sliding doorway without stopping—its driver could likely sense the tension. Robbe explained, “He’s back with Britt.”

“No, he isn’t,” said Noor. “Where’d you hear that?”

“Jana said—”

“Who would know better: Jana, or me?”

Robbe fumbled for something to say in response. Actually, now was a pretty good time to get out, before the topic became any more serious. He said, “He broke up with me.”

“It wasn’t for Britt. She helped him through some stuff, sure, but everyone knows that train’s come and gone.”

“I guess I’m just boring,” Robbe said.

“Bullshit.” Noor picked up her parchment again. She dipped her quill into her ink and began her writing anew, on whatever mess this was. Robbe couldn’t read fucking cursive. “I don’t believe it. Britt says he adored you.”

Robbe didn’t know what to make of that. There was no way he could segue into his next point, which was, of course, that their dating arrangement wasn’t real in the first place, especially after something so honest from Noor. He gave a bullshit excuse, something about chasing the sweets trolley, and got the hell out of there.

***

Robbe said goodbye to Moyo on the train platform. Jens and Aaron lived close enough that their parents parked in the same general vicinity, meaning that they could walk over as a trio. Robbe considered awaiting Sander on the platform as well. Every time he learned something new about Sander’s behavior when he wasn’t there, he got more and more confused. What fake relationship could be convincing enough to have Sander’s ex lamenting its reality?

The boys shared idle gossip on their way to the parking lot. Nothing substantial. Robbe’s head was too full of thoughts, most of them Sander-related. He wasn’t angry, or upset, or tired right now. How did knowing one little thing from Noor make a difference in his overall mood? They split off to their respective parents with casual goodbyes and a promise to write at least once during the holidays.

“Hey,” called Jens, just as Robbe opened the shotgun side.

Robbe turned back, his rucksack swinging off his shoulder. He swiped a hand across his eyes.

“Were you in love with him? Actually?”

They spent two weeks together. Two weeks, plus months and months of pining from afar that couldn’t count for much. It was supposed to last longer. What had Sander said, that day after their date? He wanted it to continue through the holiday break. And now, nothing. Robbe summarized this feeling the only way he knew how: “Yeah.”

“I’m sorry.”

“Yeah.”

He climbed into his mother’s waiting car, and with that, it was Christmastime at the Ijzermans house.

[dcomicsficrecs]

Do you have any fics with Jason just being a Bro™️? Or any with him rejoining the family after UTRH?

For the sake of this post not being too long, I am going to rec only one fic or series from an author, but all of these authors are great writers so I recommend checking their other works as well. Hope you will enjoy this fics as much as I do!

1. Jason and Damian being bros

1.1 Bet on it by Lysical  

Even Damian could admit that his older siblings occasionally had their uses. __

"I need your assistance," Damian said, voice low and tense.

"No," Jason replied, and hung up.

Short but adorable story of Jason helping out Damian to hide something from their father, just like big brothers out to do.

1.2 Cracked Foundation by Cdelphiki    

The last thing Damian expected to happen when he ran away from home was to spend a day crammed into a small space with Jason Todd.  His father's second son was a black sheep.  An outcast.  An angry, insanity driven criminal who enjoyed screwing with the batfamily in every way he could. At least, that's what Damian thought.  Maybe he was wrong about Todd.

Perfect hurt/comfort with a lot of family feels and Damian and Jason bodning. Bonus points: Jason actually apologizing for shooting him; exploration of Bruce’s relationships with them both too.

1.3   Good Grief by lysiabeth                

“I know who you are, you know. I got my degree at GCU.” The girl says, eyes boring into Jason’s chest as if the red bat were still plastered on it, and Jason’s back stiffens.

“Right.” Jason’s teeth click together as he closes his mouth. He’s eighteen-hundred miles out from Gotham, and of all the Goddamn vet centres he could have broken into it’s probably the only one around that knows anything about his city.

WIP with 8K words so far but worth early reading and bookmarking/subscribing. Case fic, plus Damian and Jason bonding as siblings through Talia? Leviathan also plays a part in this story? Hell yeah.

1.4 Jason and the Three Terrors by Cdelphiki                

One moment, Jason was peacefully sleeping, perfectly content with his life with the League of Assassins.  Okay, so maybe not content content, but he wasn't unhappy, either.  Then Talia woke him up at 2 am, threw three children at him, and told him to get them to America and far away from Ra's al Ghul.

What the fuck.

The last thing he wanted was to see Bruce. But with three brats relying on him and no Talia, there weren't many options for sanctuary. He just didn't expect the kids to grow on him so much in two short weeks.

A superb AU where Jason helps Damian escape League of the Assassin (against his wishes and with two unwanted additions to boot, which is half the pleausure). They aren’t brothers, stictly speaking, at the start of the fic, but become them as the story progresses.

It’s a WIP but it has 50K already and it will be so much more. I am excited with every update and I’m sure you’re gonna be, too.

2. Jason being a brother to Cassandra

2.1 Nests and Cages series by LanternWisp, Lysical starting with Needles or Pins  

Jason Todd's journey back to the Batfamily. Takes place in the Frankenstein's monster of a canon I've stitched together. Each plot is rather self-contained, but the fics do flow into one another

Jay and Cass are bio siblings, and Jason’s slow return to the fold. I love this series, and I think it’s one of the greatest take on Lady Shiva being Jason’s mother too.

2.2 Didymous  by   Hinn_Raven

Didymous: adjective: growing in pairs or twins.

Cassandra and Jason are born twins, raised by their father to be killers. Two heads are better than one.

It’s a great AU with Jay and Cass being biological siblings.

2.3 the patron saint of the lost causes series by evanescent

Pre-Flashpoint AU based on canon what-if Lady Shiva was not only Cassandra's biological mother, but Jason's, too. Mostly focuses on Cass and Jason's relationship, and how that fact changes the dynamics in Batfamily.

It is also a great series with Cass and Jay being biological siblings and I recommend reading every fic of this series.

2.4 Rebirth by Ionaperidot                

"The boy is clearly ill, and while she’s almost certain that he is, impossibly, Jason Todd, almost is not good enough. She can’t drop heartbreak on her beloved’s doorstep, and she can’t run the necessary tests when Damian is vulnerable to her father’s wrath. There’s no way around it. He’ll have to come home with her."

Unexpectedly in charge of a second son, Talia struggles to raise her children without unwanted attention from the Demon's Head.

An AU where Talia is the one who unites Cass and Jason. It also contains Damian, and he’s a little brother to them both.

3. Jason and Duke being bros

3.1 Bats are Dorks by   Reah22                

Duke hadn’t meant to literally trip and fall on to Jason. He really hadn’t. For the record, he blamed Steph. It was probably one of her old pranks that she forgot to take down. That, or she deliberately left it up for someone to trip over in the dark.

Just Duke and Jason, hanging out. Super nice.

3.2 oh, where do i begin? by LazuliQuetzal

“No, no, nothing’s wrong,” Jason says. “We’re a-okay. Just peachy. Good times.”

“Oh,” Duke says, lamely, working himself out of crisis mode. There’s an awkward silence for a moment before he speaks up again. “Why did you call?”

“Right, right," Jason mumbles, which seemed a little out of character to Duke. His sort-of wayward brother was generally intimidating, even when he wasn't trying to be. "Uh, Dick said that you had a guinea pig when you were younger. How do you take care of a guinea pig?” _____

AKA, not-exactly accidental guinea pig acquisition

Absolutely adorable short story about Jason going to his little brother for advice.

3.3 rockstar au series by addiebey starting with disconnect:

jason and duke bond. dick just doesn't get it, but what's new?

Another great no-capes AU. Only two fics from the series, both under 1k, are focused on Duke and Jason, but they are so great. The whole series is, actually, though it’s not finished. I am just grateful even this much exists, but I am definitely bookmarking and subscribing it in case there will be more. Please give this series the attention and praise it deserves.

There are, alas, not many Duke and Jason-centered fics. Though there is another one I wanted to recommend, about Jason training Duke, but I can’t find it for some reason. It was short and funny, and if anyone recognizes this description, I would be glad if you told me.

4. Jason and Dick being bros

4.1 i was naive and hopeful and lost by heroics (figure8)

Clark and Bruce take in a troubled teen.

The The Fosters AU no one asked for.

It’s a part of the series which is one of the best no-capes AU I’ve read, if not the best, and it’s a great family-focused fic with a good parent Bruce. The road for Jason to become Dick’s and the rest of the kids’ brother is slow but greatly written.

4.2 To Reconcile by CasualDanger      

“Babs slapped me at your funeral.”  Jason goes to laugh, but it’s just a cough and his mouth barely even twitches up.  “She hated me in that moment.  I mean, really, really hated me, like I did Talia after I found out Damian had died.  And I wondered,” his voice cracks, eyes glassy now, “did you hate anyone when I was gone?  Because I was gone?”

Short and emotional fic where Dick and Jason open up to each other during pressing circumstances.

4.3  Five Times Dick Grayson Read about Jason Todd in the Newspaper by Engineerd              

If Dick hadn’t been special ordering the Gotham City Gazette, he wouldn’t have found out for - well. Years, at this rate.

Short and very full of emotion story. I love the exploration of Dick’s almost unchanging attitude toward Jason - well, unchanging right before the last time he would read about him (or almost the last time). They’re not really close here, and won’t grow closer, but sometimes siblinghood is like that.

4.4 The View From Jade by lowflyingfruit                

Being transported to the past is not the sort of thing one normally expects. But this having happened, and with no easy way back, Jason's determined to make the most of it. Though the Bat still stalks Gotham's streets, the city's crime is run by the mobs instead of the rogues. There's no Joker yet.

There's no Robin.

Maybe there shouldn't be.

Time Travel Jason&Dick focused AU! One of the best time travel fics where they actually change stuff even if it doesn’t transit to their universe - for exception of their more strong brotherly relationships.

5. Jason and Stephanie being bros

5.1 this time, the loser wins by parkerstorms

They were two sides of the same coin.  They understood each other.  It was nice.  It was a downright relief.  She’d never had a big brother before.

There’s not a lot of Jason and Steph being bros stories I have not mentioned before, but this one is one of them, and a great one too.

6. Jason and Tim being bros

6.1 Bonding Habits of Robins by  GoAwayOlivia                

Giving each other shit is how the bat brothers show they care. Jason and Tim do it particularly well.

It’s a funny and nice fic with exactly what’s said in the summary.

There’s a lot of fics with Jason and Tim being bros but my memorie went blank when I tried to recall. Which is not a statement about their relationships or quality of fics that depict them, it’s just sometimes my memory doesn’t work properly. This is the case with the Jason and Steph, too. As soon as I remember or discover new fics about their relationships, I am going to update this post or maybe create a new one just for the three of them. We’ll see!

7. Batfam Jason-featured sibling relationships

7.1 If the Sky Comes Falling Down (For You)  by  lurkinglurkerwholurks

or, 5 times Jason Todd saved his siblings... and one time they saved him.

It was only by luck that Jason was still there when the bodies came crashing down the street. Bad luck, he would argue. He could hear them long before he could see them, their bodies preceded by the thunderous pounding of boots of asphalt and shouted curses. Three or four figures flashed by his little alleyway, a tight mob followed by a lone, slender figure in a streaming cape.

Summary speaks for itself. It’s a gradual description of Jason slowly coming back to the family after UtRH and starting feeling like their brother.

7.2  this is a long drive (for three robins who don't agree on much) by   drakefeathers

(Bad Robins road trip AU!) Steph’s trip home to Gotham takes a huge detour thanks to Jason and Damian’s conflicts with airport security. She’s stuck driving the two brothers cross-country to reach Tim’s wedding in time.

Damian, Jason & Steph bonding road trip AU that warms your heart. Seriously, if you like any of these characters, you read this.

7.3 on a thin chain of moments and something like faith series  by irnan

Jason really oughta know better than to talk to Bats.

Jason bonding with both Steph and Cass! Love it. It’s fluff and angst, which is hard to pull off together, but it works here. It also, in places, incredibly funny. I love re-reading it from time to time.

7.4   Tremor by  LueurdeLaube              

Nobody can tell Jason Todd that joking about his own death is not a valid coping mechanism.

Not about Jason being a bro per se but about Batfam and Jason so I hope it counts!

7.5. the lost sidekick society by  redtruthed                

The batkids make a group chat.

Chaos ensues.

One of the best groupchat AU for Batfam.

[soyouareandrewdobson]

Charles Schulz vs Andrew Dobson: What a Blockhead!

There are certain things about Dobson’s behavior and particularly his approach at being a nerd and presenting himself as someone who enjoys the art of storytelling that I have issues with. Issues I want to tackle on in more detail within later entries quite a bit.

One such tendency is, that he mocks directly or indirectly the work and accomplishments of others.

See, if Dobson doesn’t like you as a content creator because he does not like something you work on, he will try to show it. He will make stupid assumptions of you (like how he accused Kojima of being a sexist creep because of Quiet and how he deals with “male gaze” in MGS compared to Death Stranding), half heartedly mock you (look at anything he makes about Ethan Van Sciver) or he will call a piece of work boring and dull based on a minor element instead of overarching problems (calling Batman the character a white supremacist based on the dumb work of only one author).

By doing that he also tries indirectly to insinuate that he is better in some manner, though most of the time it really just shows his own ego and that his pet peeves are rather petty compared to the overall quality of the work he criticizes as well as its flaws.

One such sight of ego boosting while mocking the work of his better is in my opinion to be found in this comic he uploaded sometimes around 2016/17 randomly online.

This comic in my opinion is both laughable and insulting. Why? I will explain soon.

First however I want to clarify that I get that this comic is supposed to be a joke mostly. The old “What others expect, what I expect” thing, where the punchline is supposed to be the discrepancy between the two fractions and what they expect, mostly by making one of the expectations come off as worse than the other. However, I find the punchline to be Charlie Brown (and as such what Dobson seems to see as something he does not want to be favorable compared too) quite insulting. Why, as I said, will be elaborated on sooner.

First, let me just get on the part I find laughable: The fact that Dobson in his own head seems to believe he can be even remotely compared to people like Paul Dinni, Bruce Timm, Greg Weismann, Justin Roiland, Miyazaki, Shigeru Miyamoto and all the other character creators and animators whose creations we see in the first panel.

 Dobson, don’t make me laugh. Putting aside the fact that those people are animators more than cartoonists, what makes you even believe in your wildest dreams you are on the same level as them? The fact you too are an animator, seeing how you graduated from an art school with a degree in that field? I have seen your contributions to the field and honestly, I would expect a bit more. https://www.youtube.com/watch?v=v0tdWNCrIxo

 https://www.youtube.com/watch?v=Ps6PfiUCxHQ

 https://www.youtube.com/watch?v=4PyonOqClf8

 I give you credit, you can animate. Which is more than I can say for myself when it comes to the arts. But when you look what other freelance animators can do online, some of them younger than you and NOT with a degree in animation…

  https://www.youtube.com/watch?time_continue=64&v=FmkAcGz1BJk&feature=emb_title

https://www.youtube.com/watch?v=97IfPfjSaDg

 https://www.youtube.com/watch?v=eEUoxQ4qSfs

 Viviepop’s demo reels alone are just gorgeous to look at and more fluid than what I have seen of you. https://www.youtube.com/watch?v=gFlha-KOKCc

 And it is not just the technical quality, Dobson. It is also just the overall “originality” of your work. Cause this is the thing with those animators hinted on in the first pic and even many, many freelancers/fanartists as well as webcomic creators online: They have a spark of originality in presentation and storytelling that you lack. I will one day go more into detail for that, but here is the most brutal thing I can say at the moment: I know shitty porn fanfictions, that have more plot development and character growth than all of Alex ze Pirate.

Your characters and stories tend to be derivative and you barely take any risks in telling a story. Neither in your fanbased work (like the Miraculous comics) nor your original content (mostly because you take comfort in four panel strips anyway)  and when you have an idea for something on which the basis idea actually sounds good, you screw it up by a lackluster execution. One example I want to give for that, would be this fanart of yours in regard to Steven Universe.  

(I apologize for not getting one in better quality) This pic was something Dobson created around 2015 for Steven Universe. The picture is supposed to show Lapis, trapped under the ocean following the events of the season 1 finale of the show. A very emotional situation if you are aware of why Lapis sacrificed herself and was “banned” to the ocean floor. Short explanation: Fused with Jasper and then took primarily control of the fused being they became (Malachite) by using her water powers to bond it with heavy water chains on the ocean floor, so that Jasper would not hurt Steven anymore.

 How much of that was even an emotional strain on her and her psyche was in one episode of season 2 even a theme, as seen here.

 https://www.youtube.com/watch?v=SK3l8mGNhMg

 I am not even a fan of the show and I get the emotional weight and impact of Lapis actions.

So… why is that not conveyed in the artwork? If you are so talented Dobson, why is none of the strain and despair on the character? The idea of a pic showing Lapis under water, longingly looking up, even in despair is a good basis for a fanart. But the execution lacks any emotional detail. You want to know how I would execute the thing if I had the artistic talent? Make the picture a huge horizontal pic, where we slowly decent from water surface down the ocean. The light getting dimmer. Blue turning into dark. The silhouette of a hand and an arm similar to Malachite’s in the background, trying to travel up, the fingertips barely touching the surface. Heavy chains around the flesh. Symbolic of the fusion trying to break free and cause havoc. And down on the dark bottom, beaten and exhausted Lapis with tears in her eyes and chains all over her body like she is Jacob Marley, desperately trying to keep Malachite at bay for the sake of the only being on earth who ever showed just a little bit of kindness towards her.

 Why can’t we have something like this here, Dobson? If you were even remotely as original as the creators you want to be compared with, I think you could come up with something like that and perhaps even draw it.

But you know, his delusions of being as good as them is one thing. It is even funny.

Pissing over the Peanuts is another. Dobson, what are you trying to hint at?

That people comparing you to Charles Schulz and his creation is in your eyes automatically a sort of insult? That it is something that should at best only be a mockable punchline in a comparison?

Just to clarify a few things: I am NOT much of a fan of Charlie Brown and the Peanuts as a property. As a child, I was just not very entertained by them. Yes, I saw animated movies, episodes and specials of them here and there and my grandparents gave me volumes of them to read, but as a whole I never thought them quite as entertaining than other comics or cartoons I watched. Some parts of Peanuts animation felt to me often times like just dead air (especially parts of Snooby dancing with Woodstuck, as they had no function to move the plots forward) and I really could not stand how some characters treat Charles on a regular basis. I mean, we all agree that Lucy is one of the worst female characters in fiction and that even while we hate Family Guy, this clip likely gave some of us some sort of satisfaction, right?

 https://www.youtube.com/watch?v=mZkJAx8FycI

 But before the Peanuts fan out there go and want my head on a silver platter, let me make one thing clear: I may not like the Peanuts franchise… but I respect it and the man behind it.

 Charles Schulz drew the comic strip from October 1950 till late 1999 (the final strip being finished months before it would be published on February 13 of 2000, one day after he died of colon cancer) , creating a total amount of 17,897 Peanuts’ strips. His work marks a major impact in the nature of newspaper comic strips and inspired many people out there, including Bill Watterson, to create comics or be in the field of animation. His achievements include among other things, that he created what many people consider the first animated Christmas special ever. The names of his creations became nicknames for the Apollo 10 command module and its’ lunar modul. Four of the five Peanuts movies in existence (animated made for tv specials not withstanding now) were written by him. And the fifth was only not by him, because that one came out in 2015, a decade and a half after he died.

And speaking of things Schulz wrote for the Peanuts, let me mention two things. Two things that though I am not a fan of the Peanuts, I have mad respect for existing in the realm of animation. Two animated specials that stuck with me ever since I was eight.

 “What have we learnt, Charlie Brown?” from 1983 and “Why, Charlie Brown, Why?” from 1990.

 In the first special, which functions as a semi sequel to the fourth Peanuts’ movie “Bon Voyage, Charlie Brown”, the characters actually travel across France and after ending up on Omaha Beach and Ypres the special turns into a tribute to the soldiers who fought in World War 1 and 2, elaborating on the sacrifices made during the war by showing actual footage of fights, recordings of Eisenhower and reciting the poem “In Flanders Fields” among other things. Do you know how impactful it is to learn about the world wars as a small kid, by being reminded of the actual sacrifices others made in order for your own grandparents to survive?

 And speaking of grandparents, I lost my grandmother as a child by cancer. So when I saw the second special I mentioned, you can bet it stuck with me. After all, of all the things in the world, the Peanuts addressing the seriousness of cancer by having a story where a friend of Linus is diagnosed with leukemia and we follow the emotional impact it has on Linus and the girl? Again, I may not like the franchise, but I am not ashamed to admit I think the special treats the subject with a lot of respect and dignity while telling a good story. You bet your ass I get a bit teary eyed when the little girl survives her leukemia treatment and finally gets on that swing again. Those two specials alone are more mature than ¾ of the shit Dobson likes to gosh about, including his oh so precious gay space rocks. And just for those things existing I have respect for Schulz, his creation and the impact it had on so many people. As such, Dobson “belittling” the Peanuts, at least for me, is a freaking insult. The only way Dobson could have been even more insulting is if he called Schulz something derogative.  Dobson should be glad if his life’s work in total could even amount to 10% of what Schulz has done and achieved.

 Cause Dobson, you are NOT a Charles Schulz. Schulz served during the second world war on the front, fighting actual Nazis instead of calling idiots on the internet fascists for not liking Star Wars. He had integrity and work ethics that drove him to draw and write over 17.000 strips, while you can not even finish one FREAKING story. He knew how to tackle a mature subject, while you make shitty shipping jokes involving Ladybug and Cat Noir and claim Steven Universe knows how to be about psychological trauma, when it just romanticizes abuse. He may have drawn simplistically, but at least he could tell a joke instead of constantly berating others for not sharing his opinion. He did all of that and more without having graduated from college.

 And what have you done, Andrew Dobson?

If Dobson reads this, there is one thing in my opinion he should take away from more than anything else: That if people compare him to Charles Schulz’s work, that it means a) he should not be ashamed of it and b) they overestimate him.