#but nothing makes me want to kill a main character more than

[aibafiles]

Deciphering the invaders' language in the Hundred Line demo

After playing the hundred line demo recently, I gathered up any screenshots I could of the script the invaders use and I believe I've managed to decode all of it so far, so I wanted to share my findings here! I'll put the rest under the cut for anyone who wants to avoid it—I don't think anything I've translated so far would reveal any huge plot twists, but the game certainly doesn't expect you to be able to understand it.

Note: I'm aware that the demo has been datamined and there is plaintext of these lines, but I do not want corrections or confirmation based on this. I like piecing this together based on what the game has presented, nothing more!

Below the cut: translations of dialogue and UI text, character charts and other observations, and an analysis of the spoken language as well! (warning: long)

First things first, this language is a very straightforward kana-only Japanese in a different script. I started with the text under each main menu option, so let's look at these:

"Press any button" はじめる Hajimeru Start

The : mark next to the second character functions just like dakuten—the base character is し (shi), which becomes voiced to make じ (ji).

"New Game" はじめから Hajime kara From start

"Continue" つづきから Tsuzuki kara From next

"Load" きろくから Kiroku kara From

Pretty straightforward—I got stuck here for way too long because I thought these were -masu verbs and then nothing else made sense, oops.

"Gallery" せってい Settei Settings

"Settings" がろう Garou Gallery

"End Game" しゅうりょう Shuuryou End

Another sticking point here—the text on settings and gallery are actually switched. One danger of putting a fake language in your game is that you risk not being able to read it and messing it up in places (hi Metaphor), and though it's not really critical, this is not the only goof so far. (EDIT: This has been patched!)

Note that the smaller characters here are are reflected in the script as well, like the っ in せってい.

Cutscene dialogue

The subtitles for our commander's transformation cutscene, and a rough translation:

いだいなほしのかみよ… Idai na hoshi no kami yo... God of a great star(/planet)...

われにちからをあたえよ…！ Ware ni chikara wo atae yo...! Grant me power...!

むげんたい…！！ Mugentai...!! Eternal body...!!

ぼくは…「ちつじょのけしん」むゔゔむ… Boku wa... [Chitsujo no Keshin] Muvuvumu... I am... the [Avatar of Order] Muvuvumu... (MVVM?)

This was the section I struggled the most with, so there could be inaccuracies, but I'm reasonably confident in most of it.

Post-Battle Dialogue

Here's the very straightforward part:

こ、ころさないで… Ko-korosanaide... D-Don't kill me...

ゆるしてください Yurushite kudasai... Please forgive me...

おねがい…たすけて… Onegai... tasukete... Please... spare me... (or help me, but spare felt most fitting in this context)

And that's about everything we have so far! Here are my very janky kana charts, one for the script and one for the spoken language:

The most obvious observation is that the general shape seems to indicate the vowel sound, and the extra swoopy bits indicate the consonant, though some vowels are more consistent than others.

There's a general pattern among each consonants as well—N-shapes have loops or curls, S-shapes have angular lines that hook over the vowel shape, pure vowels have tiny loops, etc, but there aren't clear-cut enough patterns to extrapolate the rest of the language yet. Luckily I think there's enough so far that any remaining characters won't be too hard to place.

Let's talk about the spoken component as well! Notably, the commander is dubbed differently in English and Japanese, but both voice actors seem to be reading the same set of syllables, which gave me more sample data to work with, because they inflect their vowels a little differently. Like the written language, each kana has a 1:1 replacement syllable, but the nature of these syllables changes the cadence of the sentences when spoken.

The above chart is transcribed to the best of my ability, but it's possible I got a few sounds wrong, and I can't quite make out what the tsu in chitsujo is through the voice filter. I'm considering replaying the demo with the music and sound effects off to pick these voice lines out, and if I do, I'll edit this post and drop a reply noting it! There are also some unsubbed battle voice lines I'm curious about.

What's really interesting to me is how these new syllables interact with dakuten. Plenty of unvoiced consonants are replaced with voiced ones, or the other way around—but there are a few, like ta (now tu) and te (now se). When the Japanese script uses dakuten, the new syllables get voiced too, becoming du and ze. This tripped me up a bit, and it does cause some confusing duplicates (ku is already pronounced du), but it's fascinating that it bleeds through into the new pronunciation.

One other thing I noticed when analyzing these voice lines is that the English dub of the transformation cutscene straight up uses the wrong audio clip for the final line. The Japanese audio matches the syllable count, and those syllables match up with the ones we've heard in the other voice lines, but the English line seems to have too many syllables, and doesn't match at all. JP starts with "diduwa..." and EN starts with something like "mozoku en." I'm wondering if it's possible to reverse engineer this to figure out the original line, but that's another thing that would need scrutiny from a voice-only recording.

Misc. Observations

These little guys have the character for "o" on their faces! Also pronounced "ga" in the invaders' language.

I'm really intrigued by this graffiti on the walls when Takumi chases Karua into the abandoned school district, because this game is full of Japanese graphic text in the environments, so this can't be a case of generic unreadable background text—but it doesn't quite fit the invader script, either. A few shapes sort of match the characters if you rotate or invert them different ways, but I can't parse anything readable out of this. There are repeated shapes, like the topmost "word" in the first two images that appears to be the same, but written with slightly different strokes, so I have to assume there's meaning to it. Not sure what that is, but I wanted to include it in this post just in case.

Thanks for reading! this game is going to drive me insane

[demenior]

Literally nothing pisses me off than the trope of the "carefree" younger sibling ruining like everyone's life and especially ruining the oldest siblings life (to the point of the oldest dying, even), only to end up in a position where Someone Else depends on them and now ~suddenly~ they can understand that the people who's lives they fucked up were just trying to help them

[bumblingbabooshka]

When the only person who might understand what happened- understand. Not sympathize or empathize or comfort you but understand what happened, isn't there anymore. Or: 'A Man Made Me Do Something I Didn't Want To', for when you can't talk about it or look it in the eye [Patreon | Commissions]

[moonlitlex]

honestly i could write essay after essay about everything that made that finale bad. and i will. however comma i genuinely do not care about any of these characters enough to want to do that. i don't want to spend my time critiquing and analysing a show where all the characters are boring and the plot is all deus ex machina.

LIKE. WHO IS RUBY. WHO IS SHE. WHO FUCKING IS SHE.

she's done with the whole SEASON. she was in EVERY episode. and we literally don't know anything about her apart from the whole mom mystery thing which is all for the big reveal at the end anyway?

and i can talk about the ways in which that was unsatisfying and so on. but like what does that tell us about RUBY? what do we know about HER

and the answer is honestly very little. ruby is such a stock doctor who companion that it's just kind of boring. she gets a big mystery, because of fucking course she does, and who is she outside of that? nice?? sweet?? does as she's told?? (this one is fucking boring btw) kind of like the chibnall companions, she's whoever she needs to be for the situation at hand. the writers say ruby needs to be shocked by landing on a planet after 6 months of travelling with the doctor, so she is. she isn't a person. she has one desire, which is to find her mother, and the only reason she gets to have that is that rtd needs to set up whatever the fuck was going on with her mom for the finale. that's it.

and the doctor. like why should we care about this doctor specifically, outside of the fact that this is the character we have been following for the whole show? who is he??? like seriously who is he? he doesn't get any character development? what makes him different from other doctors? who the fuck is this guy????

i said earlier that ncuti's doctor is what you get when you throw all the doctors in a blender and i stand by that. he's definitely the doctor, but he's like an average of all the other doctors with nothing particularly unique or special about him. ruby is what you get when you throw all the companions in a blender. definitely a companion, with nothing unique or special about her either. much like chibnall's companions, all she gets to do is stand around and watch.

and the crucial missing factor is we don't get to see what they see in each other. which from the companion's perspective is still excusable because here's a dude with a spaceship time machine and that sounds kind of sick so lets go and travel with him is an understandable motivation. but what does he see in her? because there's always a moment where you can see the doctor sort of think, oh yeah, i should travel with this person.

but there isn't really this moment with ruby. it's kind of like with how thirteen meets her companions. she just sort of runs into them, and now they're stuck together. and ncuti does get to emote more than jodie, so at least you can see that ruby and the doctor do like each other, but their relationship isn't really fleshed out ever. and like i can buy ruby risking her life for him, because that is just sort of what happens on doctor who, but it's not based on anything. we don't see them develop this trust of each other. their relationship doesn't get developed. it just appears fully formed.

[silverselfshippingchaos]

there's been this character that's been driving me NUTS as of late.. I hate him, but why is he handsome?!

[kikuism]

i finished five broken blades

[windupaidoneus]

ok ive finished the dlc so now i can properly say my least favourite thing about dragon age awakening is that the women feel like an afterthought & don't fit in the group at all. & i want to care about them & their banter so much. but i really don't because the game is giving me fucking nothing

[temis-de-leon]

He has a nightmare where he rejected you

Characters: Asmodeus, Beelzebub and Belphegor (x reader, separately)

Part 1 , Part 2 , Part 4 , Part 5

Main Masterlist

CW: Asmo's having a bit of a mental breakdown, Beel literally has a fever dream and there's a brief description of lesson 16 in Belphie's part

.

Asmodeus – He didn’t want to play favourites

There’s an endless line of demons and witches alike willing to kill and die for him.

He can’t live without their adoration, their desire and their support.

While he knows you are not like everybody else, he can’t help but compare you to the rest of his fans.

Where’s the difference between your love and theirs? Can you give more than what they’ve already given him?

He can’t help but feel honoured by your confession, being chosen by their beloved human, but the idea of accepting your advances makes him feel ungrateful to his loyal fans.

The rejection comes out easily, just like many times before, and your reaction makes him sigh and almost offer his shoulder to cry on.

That would’ve been too cruel, wouldn’t it?

The uniqueness of your feelings doesn’t stand out until time passes.

It’s not just your attention that he misses, but also the tenderness in your eyes and the shy hint of your smile whenever he looks at you.

It became apparent that you cared not only for what he showed but also for what he hid about himself.

He tried searching for that same shade of love in your expression, but it faded quickly as weeks passed.

It all reached an end where, in a turn of events that made him sweat in fear and disgust, you started to look instead for his eldest brother.

He starts to work, desperately thinking that, maybe, if he made himself more beautiful or popular, you would change your mind and return to trying to be with him.

However, judging by the way you looked at Lucifer, he knew his reciprocation came a little bit too late.

You woke up to the sounds of sobbing, an animalistic yearning for comfort that pulled you out of your slumber. Hands grabbed the blankets covering you and a voice kept bubbling nonsense, an entire monologue full of sorrow that you couldn’t understand. In the end, it was the familiarity of the demon in front of you what fully brought you to the living world.

Asmo, kneeling beside your bed, cried even louder when he saw you opening your eyes. By the desperate moves of his hands you knew he wanted to hug you and that, mixed with the despair in his expression, tugged your heartstrings with painful force and made you open your arms.

He threw himself at you, burying you both in the cocoon of bedsheets and blankets and wept as you smoothed his hair and murmured words of consolation in his ear.

Almost half an hour passed until he could breathe with ease, but he wouldn’t look at you. Not like you were counting on it.

“You love me, don’t you? Do you still love me? Please, tell me you do. I love you, I truly do. I’d never reject you…”

“Reject me…?”

“I love you, I love you…”

Asmo hid his face in the crook of your neck, rocking the both of you back and forth in search of calmness. He ignored your questions and shaking hands, although you quickly realised he wasn’t entirely conscious about it. He seemed completely lost, repeating the confessions of his affections for you until he finally fell asleep from exhaustion.

You laid under him for the remainder of the night, too scared and shaken to rest again and hoping with all your strength that whatever put him in this state would disappear forever.

Beelzebub – He didn’t feel the same

It is indifference. From the moment you stepped into the house, what he felt for you was nothing more than indifference.

His room is empty and his twin’s absence occupies his mind more than it should, but he can’t do anything about it besides dealing with the loneliness.

Living with his older brothers simply isn’t enough anymore.

His family isn’t complete and the presence of a human in their home isn’t going to change that.

The first time he truly interacts with you is in the kitchen, in the middle of the night, willing to murder you over custard. The only reason you aren’t harmed is his brother’s fondness for you.

As a consequence, his room is no longer empty and he finds that quite enjoyable. Without any reason to be rude or mean to you, your short time spent together passes too quickly for his liking and, afterwards, he finds himself visiting you whenever he has the chance.

Beel values your friendship and he believes the feeling is mutual, even when you blush, smile with excitement and stare with bright eyes whenever he enters the room.

He is incapable of seeing how unbalanced your affections compared to his are.

His heart doesn’t stutter at your existence and neither do his words. You are his friend, a dear one, but nothing more; that’s what he tells you in response to your confession.

He pities your heartbreak and assures you your platonic relationship will remain the same, but his promises fall on deaf ears. The friendship is left hollow and unnatural and he briefly wonders if accepting your pouring heart would’ve been the better option.

Would have he fallen for you over time? If that were the case, although initially forced, would the love blossom into something strong and worth fighting for?

He hopes he will, too, go back to normal as weeks pass and you painfully overcome your crush, but when you’re finally able to look at him with non-romantic warmth, half of his face is red, his eyes twitch in adoration at each one of your smiles and his throat hurts from self-caused frustration.

Now it’s his turn to suffer the heartbreak.

There was a deep pressure on his chest when he woke up and as bad as Beel wanted it to be the comforting weight of your body, he knew that couldn’t be true. He didn’t feel the top of your head under his chin or your quiet breath against his skin. Had you actually been there, he would’ve never let you go.

His eyes were tired, itchy under heavy eyelids, and a pounding headache begged him not to move an inch, although he wasn’t sure he would be able to anyway; his muscles were glued to the bedsheets with sweat.

Groaning in exhaustion, he slowly turned his head sideways, staring at his twin’s sleeping form with deep-rooted fondness. Belphie was frowning, probably feeling part of Beel’s discomfort, and was twitching in his sleep, murmuring words he couldn’t decipher and lashing the tuft of his tail with weak movements.

An empty chair was also there, slightly facing his direction.

Quietly, the door opened and the dim glow of the hallway’s candles briefly lighted the entry, distracting him from the ache. A figure stepped in, tip-toeing while closing the door again and making its way to his bed.

MC…?

Was he hallucinating?

“Did I wake you up?” you asked in worry, unfazed by his silence.

He watched as you ignored the chair and sat beside him at the edge of the mattress, unsure of what to say or do. He wanted to touch you, take your face in his hand and make sure you weren’t a manifestation of his desires, but he wasn’t sure he was allowed to. In addition to that, his head felt full of cotton and completely detached from the rest of his body; he didn’t want to strike you by accident.

“My DDD ran out of battery, but I didn’t know where your charger was and I didn’t want to make noise. I just came back from my room”

You lifted your hand and he gasped in expectation, sighing with relief when you pushed away his wet hair and placed a kiss on his forehead. If he could return the gesture, he would, but he was barely able to keep his eyes focused on you, let alone talk or move.

“You’re still too warm” you informed with a frown, preparing yourself to leave his side. “I’m going to get a wet tow-… Honey?”

Beel sighed again, this time shuddering, exhausted at the effort of grabbing your arm and pulling you back to him.

Honey.

Your lips turned down in a sad smile, still coming down to kiss him again for a little longer.

“You’ll feel better tomorrow, I promise”

Honey.

“…ve you…”

You hummed a question against his skin, unsure of what he’d said, but he suddenly felt too weak to repeat himself.

“Go to sleep, okay? I’ll be here, Beel”

Honey.

Belphegor – He hated you

Your free will and your refusal to give up, going up the stairs despite Lucifer’s threats and helping the mysterious man imprisoned in the attic; stupidity and no sense of self-preservation trapped behind a weak shield of kindness and compassion.

Seeing you strive to help him is amusing; like a candle hoping to light the vastness of the night.

That you think he is a human is just an advantage to his plan, but how can you, such an insignificant creature, aid in his escape?

The mere sight of you sends bile to his mouth, but he can’t do anything besides entertain you whenever your human need of connection forces you to search for him.

You talk incessantly and he listens, albeit with no interest and borderline rude behaviour. He scoffs, shoots sarcastic remarks and brings you down whenever he has the chance, calling you stupid and naïve.

That’s why your feelings for him are so surprising.

You… like him? Do you like being lied to and degraded?

Okay.

He’s not going to complain.

It’s just another reason for you to help him without thinking twice.

And that you do.

A laugh blurts out of his throat when he finally closes his arms around your excited figure. You’re blushing and smiling like a fool and when you try to step away to ask if he’s okay, there’s nothing in your existence but pain.

Your desperate scratches are nothing for him and neither is the heartbreak of betrayal in your eyes. If anything, they make him want to hurt you even further, pushing your neck against the floor with inhumane strength and letting your body fall down the stairs like a child dropping a ragdoll would.

He comes to his senses no long after that; less than an hour. Your heritage is explained and his prejudices are proven to be incorrect, vanishing like dust at the prospect of sharing a friendship with you like his brothers do.

You were nice to him then, back when you didn’t know who he was, so why wouldn’t you be nice to him again now that there are no secrets between you? His actions were wrong, yes, but also justified.

Wouldn’t you agree, MC? He deserves the benefit of the doubt.

But why aren’t you looking at him anymore? Why do you hide? Don’t you trust him?

He said he was sorry! Isn’t that enough?

The door opened with a loud noise, then closed almost without notice. Something dragged across the floor until reaching your bed, a blanket, and if the soft hint of lavender didn’t let you know who just disturbed your sleep, then his words would make it obvious.

“You’re not in my bed” Belphie stated. You turned, confused at the abrupt interruption and the tone of his voice, which made it clear he was trying to hide something. His figure was indistinguishable amidst the dark, but his purple eyes stood out like stars. Before you could say anything, he talked again. “Why?”

He watched in silence as you looked around, trying to find a clue to understand what was happening. Still waiting for a response, he huffed as he climbed over you and settled on the other side of the bed.

“Like a cryptid, Belphie” you mustered in annoyance while letting him cling to your side. “You’re just like a cryptid”

“What does that mean?”

“It means you’re testing my patience”

“Why aren’t you in my bed?”

“I swear to God…”

You stared at him in disbelief, but something in his expression subdued your irritation. Now that he was closer you could see his glossy eyes, a frown twisting his whole face as his hands held on to you with more force than necessary. Although you had suspicions about what he wanted to hear, a sincere I love you, you still took the longer route and calmly answered his question.

“You kicked me out…”

“I never would” he quickly retaliated, sitting straight like a spring and hovering over you with determined and unblinking eyes.

“…because I had an accident in Solomon’s laboratory and my skin and clothes smelt like chemicals”

There was silence in the room for a few seconds and, after pushing him softly, Belphie finally laid down again, his features slowly relaxing until only a bitter expression remained. Your fingers carefully detangled his hair, but not even that seemed enough to fully calm him down.

“I’m sorry”, he said against your shoulder, delicately hugging your waist like you were made of porcelain.

“It’s okay, we can just go back to sleep…”

“I’m sorry, MC”

Your confusion was obvious, but he didn’t say anything and, by the time you gathered enough courage to ask, he was already deeply unconscious.

.

.

Taglist: @ilovecandys2010  @ollieoven @kingofspadesdelusion @whimsybloom

[alllgator-blood]

FINISHED THAT ONE COMIC I POSTED ABOUT ALMOST 30 FULL DAYS AGO?? I FINALLY REMEMBERED IT EXISTED AND FINISHED IT. I HAVE SO MUCH I WANT TO SAY ABOUT MY LAMB NOW THAT THEY'RE FINALLY THE MAIN CHARACTER IN A LONG COMIC, BUT it went on forever so I put it below the cut.

While we're above the cut, I have a bunch of REALLy good asks I'll be trying to draw for soon. But keep an eye out for a poll coming up soon...cause now that this is out of the way, I want another big project to have in the background and I have Big Ideas for Big Angst Comics........

OH YOU CLICKED THE THING, NICE. OKAY. SO:

Have I ever talked about how my lamb works?? I need to do more with them but I'm a bishop enjoyer to an obsessive degree. The lamb operates on the same kind of level as kallamar did during the breakdown comic, but on a more permanent, more stable level. After being told to hide for their whole life, to never show their face and not even being given a name......being beheaded by four gods and recruited by a fifth forgotten one who claims they're the Chosen One just made the lamb think "OH! None of this is real. My brain wanted me to feel important before I died, and this is my dying vision. Okay, I'll play along >:)" and now they're the equivalent of when you beat a game and replay it while picking the funniest/worst options to see what'd happen.

USUALLY their decisions are clouded by the assumption that nothing they do actually matters, but they're still......a person who held things dear and had standards while they were alive. So they love hijinx, but aren't like leshy who launches people out of catapults for fun, or kallamar who sees mortals more as lab rats than people living their own lives. They'll do some things for the lolz but their humanity definitely shows through when dealing with someone like shamura.

I think they went into the bishop slaying quest wanting to hate shamura, assuming they were an irredeemable antagonist that deserved to be vanquished. They were told by narinder that shamura was the big bad, so they figured there was nothing to it beyond that. But then they actually MET shamura, who wasn't at all what they were expected to be. Every other bishop is just like "RAHH I'LL KILL YOU" when you meet them, and then shamura is the only person who actually tells you about what happened, speaks to you like a person and not an obstacle, and doesn't seem bothered about the fact they're going to die. So that got them thinking....hmm...perhaps these people are slightly more realistic than I anticipated. Still gonna kill them tho

I'm not sure the lamb hates the bishops, especially after the realization that they're a fucked up family acting out in desperation rather than logic. When you're born into circumstances you know will eventually doom you (like being a sacrificial lamb destined for slaughter) you kinda...lose the ability to care after a while. They don't really *forgive* the bishops for the slaughter of their people, and definitely enjoy bullying them and kicking them around now that they're powerless mortals- but the initial horror of being born to die has subsided. Now that they're presumably in some kind of afterlife, and have better, more fun things to move onto now that they're the ruler of everything- it's not worth it to hate those five forever.

I think *because* the lamb has only been a god very briefly and still remembers mortality well, that's why they're the one god who does things "because they're funny" but also is respectful of people like shamura. It's like when you're playing GTA V and you accidentally drive over a dog while trying to pull over and look at it closer. Is it a real dog?? No but you're still gonna feel bad!! So like I said, in the lamb's mind they have NO reason to care about any of these people or show them mercy, but the fact that they're not as detached from mortality as the bishops were makes them a benevolent god. I'll be doing a comic about this very subject in the future and it WILL be depressing >:)

Also. Unrelated. But if you read this far, I feel the need to justify why heket and leshy suddenly have boobs in this comic. I'm sure it's obvious that I headcanon the gods don't have sex characteristics cause like...why would they need those. I don't want to draw that. But as MORTALS they would probably need to have all their organs intact to function properly, so pour one out for shamura + leshy who probably completely forgot they were transgender until they woke up in mortal bodies. NOT SURE HOW KALLAMAR WOULD REACT, I think they're more just horrified they lost all their tentacles

I debated doing another silly comic about the concept but I don't want this blog to get too raunchy, so instead have this epic ms paint art (I CAN MAKE THESE JOKES, I'M AFAB TRANS I DESERVE THIS ONE THING)

[fortheb0ys]

FUCK ME LIKE THE MEN BETWEEN THOSE PAGES

Bottom John Price x Top Male Reader

Just Price brain rot🤤 I've always wanted to a model for MLM porn sites ngl so I'm living through this fic🙏 As usual not proofread :)

FEM ALIGNED + MINORS DNI

Prices would be one of those faceless models for those erotic gay romance novels. All his work would be faceless. Just something he did to make money on the side.

It was a secret that was long forgotten. Memories replaced by his military service. His body more scarred than his younger self's. His own books but they were just collecting dust in a box.

When you got together, you had found one of the books Price had forgotten that was on a shelf. Your eyes grew wide as you noiced it was Price's shirtless body on the front cover. A small mole on his left hip was telltale that it was him.

Flipping the book over and reading the synopsis reveals the dirty content of it. All the colour washes from Price's face as he sees what you have in your hand.

Price was about to open his mouth to quickly deny it but saw your giddy excitement. Though Price felt a bit shameful, he told you that there was more. A lot more.

With much hesitation from him and a whole lot more convincing from you, Price lent you the books. His amazing body on every single one of them. A new scar here and there as the

He had been surprised that you never poked fun at him and that you were genuinely interested in his past works.

You'd admit that the sex scenes depicted were the main thing that got you interested. You'd imagine Price vividly as the characters he model on the front covers. It didn't take long for you to read through the lot of them.

When Price would be on deployment, he'd get a text from you.

Cum on the front cover or on the pages. Or others with your erect cock slotted like a bookmark between the pages with the dirtiest scenes, precum dripping onto the sheets.

You'd send worded texts underneath the photo like "Try these with me?" or "What if were we the ones to do this?"

Price hated himself for showing you the books right before the mission, making the wait painfully long.

Sexualy frustrated and slightly pissed he had to wait for his deployment to end, Price would have a lonely wank in his barracks. His fingers didn't feel right. His fantasies never felt like details in the books. Nothing felt like you.

Once he got back, Price had to fight back a boner as the anticipation took over him. He went through countless cigars trying to get his mind on something else. The 141 Boys knew something was up. Soap had to control the intrusive thoughts to ask if you were waiting naked when Price returned home.

Which he wasn't wrong. The moment Price came through that door he was already painfully hard. Before he could even open his mouth to greet you, you were on him like a fly to honey, attacking his neck with bruising kisses. Whispering the dirty dialog from one of the books made Price weak in the knees.

Thus was the beginning of your roleplay sex.

Your playtime is always different. Numerous scenarios with one thing in common: Mind blowing sex.

Price would play a royal guard, and you, the prince. A prince in a loveless engagement to a princess. A guard pleading loyalty as he rides the prince on the royal throne.

A grade slipping college student fucking his teacher in an empty classroom for extra credit. Blowjows underneath desks replaces the outdated method of study and paying attention to lectures.

A hunter who falls in love with a werewolf he's supposed to kill. The wolf is just a dumb puppy who needs to be told what to do. With a collar around his neck, ready to be tugged at and the willingness to please his master, puppy soon becomes skilled at lapping at master's hole.

A rowdy rockstar and his stressed out manager. The musician needing to burn off the adrenaline after the show and the poor management needing the stress fucked out of him. The real show was played backstage. The manager put on quite the proformance, his deep moans sounded much better than your singing.

A sex therapist that prefers to take on a more hands-on approach. That skilled tongue was used more than just giving advice.

Or lastly, a priest beguiled by a gorgeous sinner. Guilt was all he felt but it felt like true heaven. God would forgive any sin if he showed true repentance, right? Wouldn't Jesus have died for nothing if we didn't sin?

Sure, some where terrible written and some were written by women with a fetish for gay men. Seeing you act out the scenes without missing a beat or breaking out into laughter while you quoted the dirtiest and most ridiculous things.

You'd remember every dirty word uttered. Every scenario memorized. Price was starting to understand what those white women on TikTok saw in those fucking books. It was just too bad they couldn't live it out like he could.

[originalwinnerfanfish]

Well, this was a big piece of work, hah

I took a break from RW and decided to draw something nostalgic

Actually I've been stuck with this idea for two years now and I'm glad I finally found the strength to do something about it. Thanks for inspiration from one good man)

Long story short

In this AU autobots and deceptions are two unions of different tribes: mudwings, seawings and sandwings for the firsts and icewings, nightwings, rainwings and Pantala tribes for seconds. Skywings doesn’t exist anymore (because we need someone who takes place of predacons).

People are just people or scavenger if you prefer. And instead of whole cosmos it’s just two mainlands.

- Optimus Prime - I kinda like tfp Optimus. So formidable, powerful and mysterious but really gentle at the same time. And mud/sea combo works here in the best way. As the representation of two main tribes union and strong father/brother figure for team members.

I also think he might be an animus (but don’t use his magic often, especially for killing someone)

- Ultra Magnus - Pure Icewing already will be great for him, but I gave him part of seawing so he could be more like an Optimus. But instead of being softer and warmer, Magnus is more cold and pragmatic version of him. A character who sees other dragons not as close allies and friends but as ordinary soldiers.

- Ratchet - Yeah, the seawing would fit him better, but i just don’t know how to make the colors work here sooo… he’s a weak-fire mudwing. Like a skywing, but mudwing. Why not. Make sense with his lack of guns in origin. I think he’s design can be better, and maybe I’ll remake it.

I love his arc of recognizing people as equals and especially his interactions with Raphael. I think Ratchet often read him scrolls about history and magical artifacts.

- Bulkhead - No surprises here - mudwing fit him perfectly. I think that the Wreckers could been a big and strong mudwing troops, and Bulkhead was a bigwings in such a one. He is lost a lot of his siblings during the war, and therefore tries with all his might to protect the new members of his family. I absolutely adore his relationship with Miko and Jackie, so for me he’s one of the cutest character, and I tried to make his forms round and soft.

- Bumblebee - I know that majority draw him as a hivewing, but in that case the most logical for him will be a night/sandwing. Literally, autobots get their own Sunny)

I think in this version with his lack of a voice he could communicate using sign language or some variation of aquatic.

- Arcee - Also nothing special - she is a seawing. I originally wanted to give her a helmet but it was too hard to draw. Just like Sunny she was born pretty small and now even younger dragons can be bigger than her. I’m pretty sure she is old enough to have seen Bumblebee when he was a dragonet, so she's literally like an older sister to him.

Actually she really gives me a Queen Glory vibes with her sarcasm and dangerous beauty, so rainwing might fit her as well.

- Smokescreen - I used to think he was just a cringe, but now I realize he's a pretty interesting and realistic character. Like Ultra Magnus, I wanted to make him look like Optimus, only this time Smoke is more of a younger and much more irresponsible version of him. I think in this version (being part rainwing) he's trying to mimic Optimus's coloring using same red, blue and pale-gray shades.

- Wheeljack - The scruffy boy! I think in this version he could be Bulkhead's "adopted sibling", so they are really close to each other. And, because he spent most of his life with Bulkhead, it's harder for him to get close to other tribes and dragons.

Painting scales to keep canonical colors is kinda cheating, but for this dude it totally works. He should have a pretty bright appearance with all those scars and bright spots.

Cliffjumper - Ohoh… this poor guy. I didn't even think of putting him here, but I like his smug face too much. Even making his scales darker than the original, it's still too brightly colored for mudwing. He probably jokes about it a lot, saying that his ancestors were skywings.

I really like his dynamic with Arcee, and it's a shame we haven't seen much of their relationship. I think I need to do something cute about that.

[ave-cave]

In Defense of Mahiru's Last Words

An aspect of 2-2 that I think a lot of fans get wrong is Mahiru’s last words to Fuyuhiko. I’d go so far as to call them the most misunderstood last words in the series. Her role in the second case is often overlooked in favor of Peko and Fuyuhiko's, and this line encapsulates said role, so I figured I'd try to dispel the misconceptions that surround it. Cool? Cool.

---

First thing’s first, my thesis statement (lol): in response to the well-worn criticism that Mahiru’s last words to Fuyuhiko were hypocritical, I’ll grant fans this much: her words were shortsighted and poorly-timed. They weren’t, however, hypocritical.

More often than not when I see people refer to Mahiru’s last words as hypocritical, they mean that she's condemning Fuyuhiko for avenging his sister, meanwhile her friend who committed an act of revenge received her protection. My issue with this? Sato’s murder of Natsumi wasn’t revenge. The third day of Twilight Syndrome Murder Case (which Mahiru played) has Sato explain in depth why she did what she did. She didn’t confront Natsumi with the intent to kill her; she only wanted to talk at first. But when Natsumi began making threats, she saw red and accidentally knocked her out. Knowing how dire the consequences would be if Natsumi woke up and tattled to her family, Sato killed her and pinned the crime on a rumored pervert. This is further highlighted in the trial.

Now, don’t get me wrong, Sato is still to blame here. No matter how much shit Natsumi was talking, she shouldn’t have responded with violence, and she found herself in that situation through every fault of her own. But the key thing is that it wasn’t revenge; it was desperation. By the time Natsumi fell unconscious, it was Sato who was trying to avoid becoming the victim of yakuza “justice.”

Recall that the incriminating evidence Mahiru got rid of was a picture of a broken vase. To anyone who wasn’t there the day of the incident, a photo of this nature would prove basically nothing. Sure, one could surmise that it means the killer didn’t actually escape through the window, but figuring out what they did do, and by extension who they are, would require having run into Sato in the hall (given it isn’t brought up at any point, it’s unlikely there was security footage.) It might arouse suspicion, seeing as there were rumors going around that Sato was with Natsumi the day of the latter's murder, but it wouldn't be able to substantiate anything. Either way, the only people who would have any use for it were the police and the yakuza.

Mahiru protecting Sato from the police wouldn't make much sense at all. Blind loyalty toward her friends – to the point of helping them escape consequences for their actions – isn’t a trait she showcases in the main game. Sure, there are a few classmates she shows extra care toward (she’s particularly concerned for Mikan, and she offers to help Hiyoko when the latter is struggling with her kimono), but unraveling the mysteries of the killing game takes first priority for her at the end of the day. Moreover, in Twilight Syndrome, before she realizes that Sato is the killer, she takes pictures of Natsumi's body in the hopes that they'll be useful to the police (this obviously isn't the smartest move, but it's in-character: Mahiru is someone who's always trying to do the right thing despite her lack of self-confidence. She feels guilty about agreeing with the other girls not to report Natsumi’s body, and so she figures that utilizing her talent is the next best thing. We see her do something similar in 2-1.) Going from “I need to help the police find the culprit” to “my friend is the culprit; time to destroy the evidence” is a dramatic shift – one that doesn't line up with anything else we know about Mahiru.

What's a trait she does showcase in the main game? Distaste for cruel and unusual punishment. She sympathizes with Teruteru’s motive, denouncing Monokuma for tempting him, and she criticizes Nekomaru and Kazuichi for hogtying and isolating Nagito, before eventually bringing him food. The second example is especially noteworthy. Nagito got both the Imposter and Teruteru killed – he's an unstable individual, no two ways about it. Mahiru doesn't object to his being restrained; she objects to the over-the-top, vigilante-style methods used by Nekomaru and Kazuichi to do so. There's clearly a parallel to be drawn between this and Twilight Syndrome. If she's so against Nagito – a murderer who isn't her friend – receiving inhumane treatment, then there's no question she'd be against it for Sato, a murderer who is.

It's only reasonable to assume that, when Mahiru realized the truth of the incident, she destroyed the evidence for the same reason Sato committed murder in the first place: she knew that, if it got into yakuza hands, there would be hell to pay. She wasn’t too far off the mark, either. The rumors in mind, all it took for Fuyuhiko to connect the dots was witnessing Sato’s failed attempt to discard the sole intact copy of the photo (Mahiru needed at least one if she wanted to corner Sato and coax a confession from her; she obviously couldn't have anticipated that it would be absconded with.) And even if he didn't, say someone else found it: they might report it to the police, yes, but more likely (given the lack of solid evidence) they would start another, more potent rumor – one that would eventually reach the wrong ears, inciting action. All told, Sato was lucky to have only been killed, as the yakuza are capable of much, much worse.

Mahiru didn’t think what Sato did was right. Far from it; she was shocked and horrified when her suspicions turned out to be true. Furthermore, even outside of the TSMC, she believes her covering for Sato is something to atone for, which automatically requires thinking Sato was wrong. But if it was within her power to throw the mafia off Sato’s trail, she absolutely would, including by decidedly immoral means. You don’t have to condone murder to not want your friend to be kidnapped and tortured.

When Mahiru asserts during her final confrontation with Fuyuhiko that “no one has the right to judge others for their crimes,” “judge” is another way of saying “take revenge on.” Think the phrase “playing judge, jury and executioner.” Fuyuhiko judged Sato as deserving of death for her crime, and carried out that judgment by murdering her. That’s what Mahiru is condemning. She’s not dismissing his loss – she acknowledges that his sister’s murder was terrible. She’s saying it didn’t give him the right to become a murderer as well. This isn’t hypocritical; it’s perfectly consistent with her actions in the TSMC. She never took revenge on anyone, nor did she protect another’s act of revenge. She was trying to prevent revenge from the start.

That said, Mahiru isn’t above reproach (if she were, none of this would be happening to begin with.) Though I stand firm that she had every right to be angry here, I can appreciate that Fuyuhiko did, too.

Mahiru went into the beach house intending to figure out how to atone for a sin she couldn’t remember committing. Fuyuhiko went into the beach house intending to kill Mahiru as further revenge for Natsumi. Thing is, Fuyuhiko isn’t a cold-blooded killer. He thinks he's supposed to be, but deep down he’s conflicted. And so, to cope, he has an out: if Mahiru denies the game's reality, he'll call off the plan. He’ll spare her. More than anything, he just wants to believe that none of it happened; his sister isn't dead and Mahiru didn't cover for her killer. But it's too late to hope for denial. He'd already accused Mahiru of the cover-up and sent her the photos as proof, and she’d been taking it very seriously ever since. The threatening letter he left her, combined with her knowledge of the game’s true ending, would have been more than enough to convince the others to apprehend him like Kazuichi wanted – not to mention the most obvious thing to do for her own protection. And yet from the moment she received the letter, the only thing on her mind was making amends. There was no going back.

These conflicting goals are a recipe for disaster. Fuyuhiko, who had initially compelled Mahiru to face her sin, is now wanting her to deny that the events of the game ever took place. Mahiru, who came for help collecting her thoughts, is now face-to-face with the very person she needed to prepare to talk to. Keyword: prepare. Again, the important thing to understand about Mahiru is that, despite her headstrong attitude and emphasis on “doing the right thing,” she doesn’t always know what the right thing is. She lacks the confidence necessary to support her levelheadedness, and so she agonizes and deliberates. Instances of this include:

When she stays quiet as Hiyoko berates Teruteru, claiming he deserved to die, only to come to terms with the issue later (main game).

When she’s implied to spend the night awake pondering what to do about the Twilight Syndrome motive (main game).

When she waits several days before getting rid of the vase picture, showing that she didn't take the decision lightly (TSMC).

When she ruminates over how best to make amends with Fuyuhiko, leading him to think she’s avoiding him (main game).

The fact that, in the TSMC, Mahiru finds herself in a situation that tests her moral compass is what makes her involvement in the case compelling. She’s not someone who believes the ends justify the means, and yet all of a sudden she’s thrust into a scenario where they have to – where “the right thing” (not destroying the evidence) and “the wrong thing” (letting Sato suffer and/or die) intersect. No wonder she handles the entire thing so clumsily; it’s completely foreign to her.

Now consider this situation. Mahiru has been lured to a secluded area. She never got the chance to talk things through with the other girls and hasn’t the first clue about how to make amends. Fuyuhiko has proven that he isn’t all bark and no bite and could actually hurt her if provoked. Hiyoko is nowhere to be found; who’s to say Fuyuhiko hasn’t killed or severely harmed her? It’s a perfect storm of stress. Needless to say, the interaction is already doomed.

Said interaction starts when Mahiru, treating the game as though it were real, asks if Fuyuhiko killed Girl E. At this, Fuyuhiko is furious. But wait… this whole thing started because Fuyuhiko accused her of being an accomplice to his sister's murder, and yet now, when she's asking about what he did in the game, he says he doesn't want to hear it? When she says he shouldn’t have killed Girl E, he replies that nobody cares? How does this sound to Mahiru? A man who doesn't think he did anything wrong, refusing to accept responsibility? Only at this point does she get angry.

On the other hand, from Fuyuhiko's perspective, Mahiru had been avoiding him ever since he left her that letter, and so the fact that she isn't answering his questions is insulting. Even though he'd already decided on revenge, he’s giving her a chance to avoid the fate he had planned for her altogether, simply by saying she doesn’t remember anything from the game or believe that it happened. Yet not only is she doing the opposite of that, the girl who supposedly tried to protect his sister's killer is claiming that he was also wrong. His anger skyrockets.

All in all, it’s pretty easy to understand where both of them were coming from. In Mahiru’s efforts to protect her friend from revenge, she prevented Fuyuhiko from getting justice for Natsumi in any capacity. There was no way the authorities would believe him, a member of the criminal underworld, over a seemingly normal high school girl – not without evidence. Sure, a picture of a vase wasn’t substantial, but it was something, and she got rid of it. Meanwhile, if Fuyuhiko hadn’t been out for blood, Mahiru wouldn’t have felt the need to destroy the evidence to begin with. In other words, they both felt they had no choice but to do what they did – Mahiru to cover things up, Fuyuhiko to kill. Their goals clashed at nearly every turn.

Mahiru messed up – that I won’t deny. She lost her cool and chastised Fuyuhiko while he was in the middle of interrogating her about his sister. She shouldn't have done that – not because she didn't have a point, but because it wasn't the right time. Chances are if she’d kept treating the game as real, she still would have angered him enough to convince Peko it was necessary to step in, but straight-up condemning his actions more or less sealed her fate. It’s almost ironic how her go-to method of yelling at people to do better led to her death in this instance. Keep in mind, though, it was Fuyuhiko who put her in that position to begin with. He backed her into a corner, deprived her of the chance to think things through and expected her to simply… read his mind and say what he wanted her to say so that he could find an excuse not to kill her. That’s why I don’t think it’s fair to claim she brought her death entirely on herself.

Moreover, her last words in and of themselves weren’t off-target. Fuyuhiko spends nearly the rest of the game trying to atone for rushing into revenge. He realizes that Mahiru was right; “an eye for an eye” is a flawed credo, and it’s through this that he manages to earn the forgiveness of all of his classmates, even Hiyoko. Losing Peko might have been what ultimately springboarded his development, but Mahiru’s contribution shouldn’t be understated. Hell, the scenario of Mahiru's death echoes some of Goodbye Despair’s most important themes, namely restoration over retribution and being punished for a forgotten sin. The mindset that certain people deserve to die for their crimes is what leads to much of the cast’s misery, and ultimately the opposite philosophy is what saves them.

Thanks for reading :)

[thenationofzaun]

Things from the League of Legends game I wish were in Arcane

"Arcane is based on League of Legends, of course it was gonna be bad🤪" then how come Season 1 managed to be good? How come some of the game dialogue and lore are even better than Season 2? Season 2 took all the shit from the game that doesn't work for a high stakes adult show (shitty Marvel humour, unserious tone, characters' allegiances flip-flopping every 5 seconds, multiverse), but none of the good shit that actually would have worked.

Here are some things from the game I wish the show had used:

- Jinx talking to her guns, especially Fishbones. In the game, she imagines it speaking in a calm, pragmatic, wise voice to temper her chaoticness. Fishbones is a shark-shaped weapon. Tell me, who in Season 1 has an underwater lair, was "reborn" underwater, has a line mentioning how beautiful aquatic monsters are, and is a pragmatic presence in Jinx's life who tries to impart wisdom to her? Who in Season 1 did she make Fishbones for in the first place? She says "Just you and me, Fishbones!" in the game. Who in Season 1 tells her "it's only us"? It's insane that they didn't have her hallucinate Silco's voice from Fishbones when all the pieces were right there. The game plays it off in a lighthearted jokey way, but Season 1 already changed the tone of Jinx's character so much to make her darker and more serious than her game counterpart. They could easily have done the same with Talking Fishbones. It would been exactly the kind of dark, bizarre thing Jinx would do too. She literally made dolls of Mylo and Claggor and spoke to them. She made a doll for Vi in the AU. But no doll for Silco? Fishbones could have been that "doll".

- Jinx's pink bullet tattoos. In Season 1 she only got her blue cloud tattoos from the game leading us to believe she'd get her pink bullets in Season 2. A cool interpretation is that the blue clouds symbolize her accidentally killing her first adopted family (the monkey bomb explosion) and the pink bullets would symbolize her accidentally killing her second adopted family (Silco). Instead she never gets her full set of tattoos from the game.

- Ekko's lines in the game. Game Ekko calls Vi out for being a class traitor, abandoning Zaun, and joining the enforcers. He even tells her "one day, you'll come back to Zaun." The game literally handed the show writers the barebones of an arc on a silver platter. And they did nothing with it. Vi never mentions nor interacts with Ekko until the final episode. They could have had a falling out over her decision to join the enforcers, which would have made perfect sense and been faithful to the game. In Season 2, Ekko isn't even involved in the Piltover vs Zaun plotline which is fucking insulting. Dude shows up in the end just to convince Jinx to HELP PILTOVER of all things. Why didn't the Ekko and Jinx reconciliation happen over fighting for Zaun against Piltover, instead of for Piltover against Noxus? If the show wanted to do the "a greater common enemy bringing former enemies together" trope, and wanted Ekko and Jinx to become allies, then Piltover should have been that common enemy. Sevika even has a line saying that topside is the real enemy and all the different Zaunite factions should come together and fight Piltover, but they abandoned that plotline for Noxus + Viktor's robot army. Also, Ekko's melancholic game lines to Jinx could have done more for main universe Timebomb than a million shitty AU fanfictions could - "Man, I miss you so much" and "I had a crush, until you started talking to the gun".

- Warwick's lines in the game. And his lines to Vi. I talk about it more here and here, but to summarize, his character in the game is an intriguing look into how Piltover's oppression of Zaun breeds hatred and violence in its people (the monster you created). Warwick could have been a reflection of Vander's dark past that Season 2 pretended doesn't exist, and of Vi's potential future if she continues down her path. He should have played a major role in Vi's arc considering his game self calls her out for becoming an enforcer and abandoning Zaun. Bonus points if Vi is the one to kill him. Jinx killed Silco but Vi doesn't get to kill Warwick, symbolically killing her rage and inner demons and setting her father free from his torment? Even Jinx has to do that for her? Bruh, they didn't bother to give Vi ANYTHING substantial to do.

- Game Viktor. Just Game Viktor. With his focus on machinery and steel and function over form instead of magic. Why the fuck did they make him a godlike mage in the show. In the original lore, the Church of the Glorious Evolved are not affiliated with Viktor, instead worshipping him from afar. Game Viktor doesn't pay attention to them. In the show, Viktor founds and leads the cult himself. Then chills with them the entire time while Piltover cracks down on Zaun, abuses citizens, and arrests people with no proper cause. Why doesn't Viktor have anything to say about all this? He opposed Piltover's aggression towards Zaun in Season 1, and in Season 2 when it's multiplied by a 100, he just kicks back and relaxes with his worshippers?

[panlight]

What's interesting about the "Bella is so good at controlling herself" thing is that it goes against the patterns with the other Cullens. That is, the ones who had negative reactions to becoming vampires (Carlisle, Rosalie, Edward) have the best control. Even when contrasted with Emmett and Esme, who are generally "good" people! They both, according to canon, kind of just took becoming a vampire in stride, they didn't have the horror reaction, the anger, the crisis of faith stuff. Emmett saw Rosalie as an angel who saved him. Esme didn't think vampirism could be so bad if the man of her dreams and her new son were vampires, etc. And they've both slipped up and killed people, when Carlisle, Rose and Edward have not (Rose and Edward have killed people on purpose -- but Rose never drank the blood).

And it makes sense to me that those who are on some level repulsed by their own vampirism would have more success in restraining themselves. It makes sense that Carlisle, son of a vampire-hunting pastor, would try to starve himself in the woods rather than take becoming a vampire in stride. Rosalie hates being a vampire and sees eating animals -- like many humans do! -- as a way to have some control over her life and to be more like a human. Edward hates himself and sees himself as a monster until Bella helps him (allegedly) gain some new perspective. But on some deep level these three are the ones really fighting what they have become in a way the other Cullens didn't. Alice has no reason to fight it; she remembers nothing else. Emmett and Esme "took it in stride." Jasper likewise doesn't seem to have a problem with being a vampire so much as the particular style of vampire life he was reborn into. I feel like he sees being a vampire as a morally neutral thing; you wouldn't be mad at a shark or a lion doing what a shark or a lion does, but HE personally has his gift that makes the experience of feeding on humans unpleasant.

But then there's Bella, who doesn't take becoming a vampire 'in stride' so much as it makes her want to laugh and sing. She feels fulfilled and happy and like her real self and like, good for you, girl. Follow your bliss! Her self-control, though, breaks the pattern established by the rest of the family that those who resisted, resented, hated their vampirism were the most successful at self-control.

And I know it's probably a Main Character thing and all that, but it's interesting to ponder and makes me wonder if she'll become too confident, too lax, and will one day meet someone who sets her throat on fire and will be totally unprepared to restrain herself.

[honeyciub]

I've never felt more like someone was trying to insult my intelligence than when I found out that the relationship between Jayce and Viktor was supposed to be entirely platonic and brotherly. Believe what you want, if kisses and sex are the only markers of romantic love for you, that’s okej but we simply have nothing to talk about here.

What bothers me is how often Jayce's relationship with Mel is portrayed as being in opposition to his bond with Viktor. It seems like these two significant relationships in Jayce's life can’t coexist in a healthy way. Yet, in theory, they shouldn’t conflict at all, as they represent two entirely different types of connections.

And the whole idea of “brotherly love” just doesn’t make sense. We see how Jayce behaves in such a relationship with Caitlyn—he teases her, acts silly, and annoys her while she’s working. Meanwhile, with Viktor, he’s gentler, more caring, and looks at him with tenderness. For some reason, Jayce just treats Viktor with more affection than his other friends.

He literally dies with and for Viktor. He doesn’t even need to think twice when given a choice. And it’s not like he has nothing to return to. The truth is, Jayce doesn’t really seem to want to live without Viktor.

As for Viktor, he outright admits that there’s no one else like Jayce in his life—someone who can show him that he’s not defective and doesn’t need to strive for some twisted idea of perfection. Out of all the opinions across all worlds, only his partner's matters to him. All it takes is for Jayce to openly say he admires him, and Viktor blindly trusts him. Years of torment over his disability pale in comparison to a single statement of validation from the guy who literally killed him recently.

...

And then we find out that they were basically meant to be like brothers. Was that whole setup about them being connected in every dimension and that they need each other to be happy just for this? To me, it’s absurd that two people essentially commit suicide together, it’s heavily implied that they’re soulmates, and they don’t want to live without each other, but because they don’t kiss, it all boils down to them just being “best buddies.”

Calling their relationship platonic feels like an oversimplification. Arcane is a series full of subtle signals, both in the context of its characters and their relationships. Even so, the idea that Viktor and Jayce might be more than just friends is viewed as overinterpretation by the main writer. This seems odd, especially since others working on the show don't share this opinion, and neither does most of the fandom.

[tossawary]

Recent "Star Trek" reboot universes have really tried to sell me on three different romances for Spock with other TOS characters whom he did not have romantic relationships (at least not positive ones) with in TOS, which makes it particularly annoying when some fans try to squirm away from the idea of ST ever doing a future reboot or remake in which Spock/Kirk are explicitly queer.

Like, "But it's not in the original! They want to be faithful to the original!" really, REALLY does not pass the "I think you might just be discomforted by queerness and you should work on that, rather than making appeals to the authority of textual accuracy to avoid being called a homophobe or transphobe" check here. Because it's not as though these reboots care about perfect faithfulness on pretty much any other front. We'll accept that the costumes and special effects get updated to move with the times, we'll accept wildly different characterization choices that essentially give these characters new personalities, we'll accept new timelines that change the entire political map of the galaxy, but you as a fan draw the line at "What if this character was bisexual this time?" Really???

To be clear, I am not trying to dunk on Spock/Uhura, Spock/Chapel, or Spock/T'Pring here, I am merely trying to illustrate a frustrating double-standard. TOS Uhura does notably flirt with Spock several times! I see it! I remember TOS Chapel's feelings for Spock being one-sided, but I also don't think it's a bad thing to try to update TOS's more misogynistic writing choices regarding female characters. TOS T'Pring did... kind of try to kill Spock because she didn't want to marry him, but again, I don't necessarily think it's immediately a bad thing to try to explore her as a character and her betrothal to Spock. It's fine! It's fine by me to explore new takes in new AUs.

It's just that none of that evidence from TOS for those relationships holds much of a candle to whatever the fuck Kirk and Spock had going on to inspire The Premise. "Amok Time" is an Experience. There's only so many times that Kirk can say something like, "The cost [of abandoning Spock] would have been my soul," before you want to put your face in your hands. They are taking shiny pebbles from TOS and trying their very best to sell them to me as the basis for romantic relationships in reboots, sure, while they are standing in the shadow of Spirk Evidence Mountain (TOS).

(Yes, I have seen the recent "Unification" short film. Yes, I enjoyed it. No, I will not consider Spirk "officially canon" until all plausible deniability for the squirmy folks has been completely, explicitly destroyed by a HUMAN kiss onscreen.)

And okay, I must admit, at the moment, I don't actually want Spirk to eventually happen in "Strange New Worlds" now that they've finally met. I'm mostly indifferent to their Spock and Kirk actors, personally, and the writing for every canonical romantic relationship in both SNW and "Discovery" so far has gotten a solid "well, they certainly are standing next to each other" from me. (Yes, even the gay marriage in "Discovery". I just haven't been into it so far.) I think the writers would fumble Spirk if they tried it in this specific show and then annoying fans would use the fumble as "evidence" never to try to do Spirk or queer retakes on other TOS characters ever again, or as "proof" against other queer ST in other shows characters generally.

I'm mostly just mildly annoyed that I have to keep watching Spock specifically, famously read by many people as a queer man, be straight and messy about it, especially when there has not really been a significant queer relationship onscreen in SNW yet, unless you count M'Benga's daughter Rukiya and her glow cloud friend named Debra, which I personally don't, honestly. I'd like an onscreen relationship with a main character with zero plausible deniability. There's definitely nothing yet that comes remotely close to the screentime that Spock/Chapel, Spock/T'Pring, and Kirk/La'an have all been given so far, unfortunately. (Sulu is not here yet. Scotty has just shown up. If Scotty gets to make out with a guy next season, or Uhura or Ortegas gets to make out with a lady, without it being part of some god-like-being's fantasy world, then I may be satisfied.) (Also, yes, I am aware of queer characters and relationships in other "Star Trek" shows, thanks. I very much enjoyed Mariner having her incredibly silly breakup with her girlfriend in "Lower Decks".)

"Star Trek" is one of those properties where some people's double-standards regarding romantic interpretations of the original series really jump out. "They can't do Kirk/Spock because they want to be faithful to the original!" Get real.