#but not this specific image I don’t think

[beesandwasps]

Let’s see, going from left to right across each one…

Bottom: Magsafe 1 power — obsolete and not as good as later Magsafe; Ethernet — can be converted from USB 2+, Mini-Displayport — which basically everyone hated and can be converted from USB 3+; FireWire 400 — slower than USB 3 and can be converted from USB 3+; USB type A — almost certainly USB 2 given the vintage of the other ports*, compatible with USB 3+; Audio in minijack — can be converted from USB 3+; Audio out minijack— can be converted from USB 3+; Security lock

*Apple did not use USB 3 until the spec was finalized and Intel’s official motherboard chipsets had a final version included; USB 3 was available elsewhere on the provisional specs years before this happened, so older models from Apple hardware lines tend to jump from USB 2 Type A straight to USB 3/4 Type C.

2nd from Bottom: Magsafe 2 — obsolete and not as good as later Magsafe; Ethernet; FireWire 800 — slower than USB 3 and can be converted from USB 3+; Thunderbolt — both slower than USB 4 and directly part of USB 4; USB Type A — almost certainly USB 2 given the vintage of the other ports, compatible with USB 3+; SD card slot — can be added using USB 2+; Audio out minijack— can be converted from USB 3+

2nd from Top: Magsafe 2 — obsolete and not as good as Magsafe 3; Thunderbolt — both slower than USB 4 and part of USB 4; USB Type A — almost certainly USB 2 given the vintage of the other ports, compatible with USB 3+; Audio out minijack — can be converted from USB 3+

Top: USB 3/4 Type C (Note: this is a Macbook Air, which is specifically sold as a stripped-down, low-cost, super-lightweight laptop; the non-stripped down line has more ports of more types on both sides, including an SD card slot on the other side of the machine and an audio out minijack. It’s somewhat unfair to compare this with regular Macbooks.)

So, to boil the original image creator’s intent down, “increase the cost and complexity of the machine by giving us extra ports which are already obsolete and will be used for fewer and fewer peripherals in the future, which those of us who actually need them can get adaptors which will make those devices work with basically all future devices for at least the next decade or so (USB Type C is not going away any time soon), purely because I don’t want to have to use an adaptor with my old devices”.

Whereas the “give me back my goddamn dvd player” idiot wants a fragile device — which would be the only component with breakable mechanical parts in the entire machine — inserted in laptops, so that they can be more vulnerable to shocks, weigh more, and cost more. For the love of all that is holy: you can buy a fucking bus-powered external DVD player — or even a bluray player — which conforms to the USB standard so it will work without a specialized driver, for a ridiculously low price. You don’t want an optical drive built into a laptop. It’s a terrible idea. If you want it at all, you want it out as a separate thing so that when you inevitably smack your laptop bag against a table leg, or let it fall two inches, and the drive goes kaput because of the shock, you aren’t paying an arm and a leg for the repair to the machine itself. If you want to complain about how the Macbook Air has no SD card reader, or no HDMI out (the non-Air Macbooks have that, again on the other side of the machine), or how they made that one generation of the Macbook Air which didn’t have Magsafe charging, or that the Macbook Air has no fan and can get too hot if it’s used for heavy-duty work for too long (longer than you’d think if you’re used to Intel CPUs, but still…), then that would be a valid complaint, but mechanical drives on portables are a dumb idea and we no longer need to do that. Stop complaining about it.

[ninyard]

Thoughts about Kevin having an actual Ed and not doing all these rants about food for fun and giggles like some ppl think

OKAY. Okay. So this is just some kind of headcanon stuff based on canon that I’ve thought about for a while. Obligatory trigger warning for ED topics specifically related to ortho/fasting/general shitty relationship with food stuff.

So. I don’t think that Kevin is capable of admitting to himself, by himself, that he has an eating disorder. But I think there’s two sides to it - there’s his body image, and there’s his healthy eating. Their overlap is sizable, but blurry, in the sense that it’s not quite clear where one starts and the other ends.

I have this image in my head of two parallel situations; the first a situation where a young Kevin is sat on a couch with his mom by his side. It’s a lazy Sunday, the TV is playing old cartoons, and Kayleigh is sitting next to her young son, both of them curled up in pyjamas and awake too early to be sane. Kayleigh a book open to one side of her and a notebook on her lap, and she’s scribbling something down that a five or six year old Kevin couldn’t care less about. He’s a good kid, a quiet kid, and all he wants some mornings is just a bowl of cereal, his mom by his side, and his favourite tv show. So he gets all three; an old episode of Kayleigh’s favourite childhood animation, the two of them curled up beneath the same long blanket, and a big bowl of coco pops on his knees, or whatever the sugary, chocolatey American equivalent is. The spoon is a teaspoon, snug in between chubby little fingers, and there’s chocolate milk and cocoa puffs all over his little face, but he’s happy. He’s content, he’s comfortable. He’s a kid, being a kid, eating the cereal that his mom buys him without question, just because it’s his favourite.

Then there’s Kevin, not many years later, sitting at a cold kitchen table with Riko across from him and Tetsuji in between - their little bodies are too big for the chairs they’ve been sat in, but they’ve been pushed forward and boosted up until they’re uncomfortably sat over a gray looking plate. They aren’t allowed eat until they can identify the protein in their breakfast, until they can recount what macros are sat on their plates. It’s a cruel and unusual thing to ask of two nine year olds, but they’re used to it by now. Kevin doesn’t like eggs anymore. Every morning it’s the same. A balanced meal, with the same amount of calories as usual, at the same time every single day of the week. Routine is good for growing minds, the master had told them, and nothing should go into a growing body without knowing exactly what it is.

The problem starts in that, when he was younger, his diet wasn’t necessarily focussed on restricting. The master wanted to ensure that Riko and Kevin were hitting their daily needs. If a plate was not empty, then a goal had not been met, and it didn’t matter how much Kevin cried that he was full, or not hungry, he couldn’t get permission to leave that table until his plate was clean. Their meal times were set and strict - any changes were usually punished in the firing of cooks or the beating of unfocused children. They were weighed each morning to ensure they were growing as they should be, gaining weight as expected, gaining muscle as required.

The older they got the more particular things got; Kevin found himself on an almost unmanageably strict diet and weight management routine - nothing unhealthy, in theory, but too healthy, instead. Times that he couldn’t deviate from, the same meals day in day out, nothing added, nothing taken away. It was when he started working harder on his physique that it became second nature - there was no space for him to be a lazy high schooler who didn’t want however many grams of protein with his dinner. That didn’t exist. Want was a non-factor. Food was always a finely crafted need.

When Exy becomes the biggest priority in his life (as if it wasn't before), when gaining muscle and working out becomes more appropriate for his age, he's introduced to intermittent fasting by a Raven dietician that should've had her license revoked. He was 14, 15, 16 and calculating the times he would be able to stop eating at in order to get a decent amount of time without food in his system. He would calculate what he would need throughout the day to eat as little as possible but to get the nutrition that he needs. They built this bulking/restricting programme into his routine, weeks where he'd eat at regular intervals throughout the day, hitting his calories and nutritional needs, and weeks where he felt like he wasn't eating much at all. It was done in a way that research deemed healthy, so who was he to argue?

So it’s normal to him, this obsession, more of a built-in requirement than something he thinks about at all. He's never been around people that don't care about things in the way he's supposed to. He doesn't remember much of his mother or her eating habits, and until he's much, much older, he isn't reminded of any of the foods he was allowed to eat as a much younger child, until a smell or a taste throws him back. (When he tells David he's never had McDonalds before, he believes he is telling the truth, but when he allows himself to try the fast food some time into the future, he remembers that taste from some memory too far away to touch. It's confusing and sickening and it feels wrong, wrong, wrong.)

I think the thing about Kevin's eating disorder is that, until he is around people that can tell him it's not normal, he doesn't see any problem with it, and even then he sees the foxes as unfocused and unserious when he's called out on it. He doesn't believe anyone when they tell him he has an unhealthy obsession with what he does and doesn't put in his body - why would he? Why would he have any reason to believe that they're right?

The way I like to imagine him understanding his issues is between a few different ways. There's David, first off, in those first couple of weeks after he broke his hand. It's beyond David how Kevin can be in their hotel room with a barely recognisable hand asking about dinner, or calculating how he could properly fast around this whole ordeal. How Kevin could barely keep down any food he was in that much pain, but still insisted on having a full meal that he forced down his throat because he had to. He watched how frustrated Kevin became when he would throw up his food, some app on his phone or a scribbled-on napkin calculating what he was missing with every day that went on where he was in too much pain to eat. There's David, who tells him he can't justify cooking him a huge meal that he can't eat, and Kevin who has a panic attack at the idea of missing a week, two weeks, of being on track. I can't play if I don't eat, he sobs, when all David is thinking about is, I'm not even sure you can play at all.

There's Abby, who does his first physical a couple of weeks into his time in PSU, who carelessly tells him his weight, and Kevin who immediately freaks out and the number being much lower than he's expecting. Abby who tells him it's okay, that he's recovering, and he who panics and asks her to buy him as many protein bars as she can find.

There's Bee, who tells him his relationship to food is unhealthy, and Kevin, who doesn't trust her at all. There's the number for an on-campus dietician and a pamphlet about eating disorders pushed across a table that he throws out into the first trash can he can find.

(There's Allison, something I could fill a whole other ask about, who can't stand watching the way that he eats, his obsessions with food, who begs Bee to do something about it because of how triggering it is for her to watch.)

So that's one side of it - his obsessive health, his over conscious eating habits, his learned behaviours that he would never deem to be unhealthy. There's that need for control over everything that goes into his body, that sends him into a spiral when he can't keep on track of things. It's the eating disorder than most people in the sports world wouldn't bat an eyelid at. He's dedicated, of course he is, he's admirably obsessed. That's just what athletes do. That's just how he was taught to care for his body. He doesn't comprehend for a long time just how damaging it is for his whole world to revolve around his next or last meal.

The other part is his body image - this one, maybe, is less tied to canon than the healthy eating, but something that I feel goes hand-in-hand with 1) him being an athlete in the public eye and 2) already having underlying issues with orthorexia and the way that he eats.

Imagine this, Kevin who has always been mindful and obsessed with the way that he looks, how much he weighs, how his body is shaped and built - he's 17, 18, doing some of his first major magazine shoots. One is for a sports magazine, or maybe a pop culture magazine, and he's doing this shoot in a few different outfits. But the last of the bunch is some shirtless shots, all harmless and not-too-revealing, but shirtless nonetheless. And Kevin has been so obsessed with his own body for so long that he knows exactly how he looks when he's unclothed. Maybe he has a mole on his lower stomach. He has a rib on his left side that sticks out a little more than the rest. His six pack isn't perfect, but it's there. He has acne on his back. Something.

Kevin does the shoot, and honestly? He feels great. He feels like he looks his best, he's happy with himself and how well he's been looking after his body, and then the magazine comes out. Then the magazine comes out, and he flicks to the section dedicated to him, and there, in a full fold-out spread, is him, shirtless. It doesn't take him long to notice the differences - he'd asked the photographer to flick through the photos at the shoot, and there's some tiny, minor editorial differences that he can't stop staring at.

There's a little bit of normal body fat that usually just hangs over his pants - it's muscle, he knows it is, and it is minuscule when he sees it on himself, but for some reason they've edited it out. The mole on his stomach is gone. The redness on his chest, on his back, the textured skin on his stomach - smooth, gone, no longer a problem. It's the first time Kevin has ever seen his body photoshopped, as if the things normal about him are a problem, and he looks closer at any shoots he's done before; tiny blemishes on his face, little scars, freckles, things he'd never even considered to be a problem, disappeared through the magic of photo editing. It's jarring, at first, but he realises then just how much it's been done. And it's not necessarily that the editors of these photos sees these things as problems, we know that, it's just how normalised it is for celebrities to be flawless at that point in time, but Kevin doesn't see it like that.

Some other times he compares edited photos and non edited photos of himself - ones where he's been made to look taller, leaner, sometimes bigger, whatever the publication required, and that manifests itself into a different obsession. It manifests into the desire to look perfect, flawless outside of the healthy eating and muscle toning he's already doing. I've always thought that if Kevin's eating disorder was to turn from something along the lines of orthorexia into something else, that that would be the reason. When he loosens up from his strict routine after joining the foxes, maybe then would come the au or the point where it'd manifest into knowingly fasting without it being a healthy-diet thing. Maybe then it'd manifest into harming his body knowingly because he feels like it'll make him look "perfect", instead of harming his mind unknowingly because he needs to be "healthy".

I should stop myself before this gets too much longer but the TL;DR is that I have a lot of thoughts about Kevin & his relationship with food and his body and I could talk about it forever. <3

[mossxolotl]

OKAY MASSIVE VENOM THE LAST DANCE SPOILERS AHEAD BUT I'VE BEEN THINKING ABOUT THIS PARALLEL ALL WEEKEND WHO WANTS TO HEAR ABOUT HOW ONE OF THE SCENES AT THE END MIRRORS A PAINTING I wrote a whole analysis under the cut. I’m normal about this symbiote and you should be too

OKAY SO one specific parallel I found is in one of the final scenes of the movie, as Venom is sacrificing himself and saying his goodbyes to Eddie. The positioning of Eddie’s hand and the framing of the reaching shot feels incredibly deliberate, and seems to be a direct mirror of Michaelangelo’s The Creation of Adam, as shown below:

WHAT DOES THIS MEAN THOUGH?? For some art history context:

The Creation of Adam is a fresco piece created by Michaelangelo on the ceiling of the Sistine Chapel in the Vatican. Whilst the frescoes in the Chapel were commissioned by a variety of Popes to a variety of Florentine Renaissance master craftsmen, the collection by Michaelangelo on the ceiling and behind the altar, commissioned by Pope Julius II, are widely considered to be the most important. They depict scenes and figureheads of the Old Testament. The Creation of Adam was made in 1511 and took sixteen days of work to complete.

The fresco depicts an illustration of the moment in Genesis where God gives life to Adam, the first man. It seems to be directly inspired in particular by Genesis 1:26:

“Then God said, "Let us make humankind in our image, according to our likeness"”

The outstretched pose, with the almost but not quite contact, symbolises the divine breath of life, the spark between them that gave mankind life in the first place.

But they don’t touch. Are they reaching out to touch, or are they letting go? If they’re reaching for each other, the painting could depict desire, a want for closeness- and if they’re letting go, an independence, separation, an assertion of “me without you”.

To examine the movie itself: If we look at the screenshot attached, Eddie’s finger placement feels VERY deliberately reminiscent of God’s hand within Michaelangelo’s piece.That outstretched hand, unsure if it’s letting go or grasping out one final time, to Venom’s approaching, then retreating, tendril. Interestingly, though, if Eddie is standing in for God here, he’s depicted in the lower part of the canvas, Venom-Adam approaching from above. This could be reminiscent of His creation becoming “more than him”, ascending beyond His reach.

The roles here are pretty self explanatory. When the symbiotes first landed on Earth in Venom (2018), it was discovered that they could not survive without an oxygen-breathing host, hence the beginning of the symbiosis trials by Drake in the first place. In providing Venom with a suitable environment in which to live, it could be said that Eddie gave Venom life. The inverse could probably also be said to be true- Venom healing Eddie, and providing him with all the strength he does, could be seen as godly acts, especially in the revelation in The Last Dance that he was directly responsible for Eddie’s resurrection. Perhaps one interpretation puts Venom, the strange alien with the ability to keep Eddie walking no matter what, as God initially created Adam with the prospect of eternal life. The other could be stated that Eddie is directly allowing Venom to live in providing him with the perfect host, in a unique way to any other temporary host.

The Venom story in Spiderman can be seen as biblical, anyway - a lot of Venom’s scenes are around churches, and the storyline shows Peter paying for his sins, purging his “inner demon” and being reborn. A lot of Venom’s storylines can be seen in a similar way, with him being a literal personification of a violent, intrusive line of thoughts before he and Eddie find a way to coexist in a healthier (albeit imperfect) way.

The science bit that ties it all together:

A deeper dive into the composition of the fresco reveals a lot more, though. An article written by Frank Lynn Meshberger, MD, makes an argument that the painting can be interpreted in a neuroanatomical manner. The shape of the drapery and the angelic figures around God resemble a human brain, in surprising anatomical detail. 

In this interpretation, God is superimposed over the limbic system, which is responsible for emotion, memory, learning, behaviour and motivations. His arm extends through the prefrontal cortex, “the most creative and most uniquely human region of the brain”.

Michelangelo had a lifelong interest in anatomy that extended beyond the artistic, participating in public dissections from a very young age. Thus, it isn’t out of the realm of possibility that this brainlike imagery is entirely deliberate - especially when his religious views are considered. He believed that the divinity we get from God is not life itself, but our intelligence, that it is one thing to give life to stone but another entirely to give it the ability to “try all things received”. In the painting, Adam is completely formed, aware, alive even, so perhaps it is not the gift of life being given in this moment - it’s the intellectual spark that the artist believed makes us human rather than beast, and the awakening of human ability and consciousness.

In this line of reasoning, the symbolism in Venom: The Last Dance makes even more sense with Eddie as the Godlike figure in this instance. In a literal sense, Venom lives within Eddie’s mind when he is dormant, and puppets his body similarly to an external nervous system. More figuratively, though, at this point in the movie, it’s perhaps made most obvious just how much Eddie has changed Venom. He is capable of emotional reasoning, as starkly shown in his sacrifice. He has spent half the movie reminiscing on his and Eddie’s memories. He is very obviously a being that behaves very differently to how he did in Venom (2018), with very different motivations.

Eddie, in metaphorically reaching through that prefrontal cortex towards Venom, has made him more human, has gifted him with that human spark of life and intelligence and human ability to do and to be and to try all things received (and he does, most dramatically, in Venom: Let There Be Carnage, and in his enthusiasm in throwing himself into things Eddie is more hesitant to - singing in the car, dancing, gambling even). And that’s how he dies - humanly, emotionally, simultaneously reaching out to Eddie and letting him go in the same motion, independent from him in a way that is both a first step into individuality, and the last sacrifice he will ever make for his best friend. (Well, boyfriend. Come the fuck on. “You would make a great father” and then the wedding scene cut?? MARVEL WHEN I GET YOU MARVEL)

ALSO THE FACT A PAINTING ABOUT LIFE’S CREATION MIRRORS VENOM’S DEATH?? HELLO. Either this is some massive dramatic opposition for effect or it’s foreshadowing. What if something was created at that moment. Cue the cockroach, cue the whole thing with Knull. Even if we don't get Symbrock back, Venom's probably making a return in some form - Venom or some other symbiote. Teddy's symbiote is still alive, after all - and so is the cockroach.

[sisaloofafump]

Did I ever share this here? Idk if I ever shared this here

[glassautomaton]

Yumina made a portable fabric of the Age of Gods, a Mystic for the purpose of violently forcing back human progress, and an inescapable fog with unknowable horrors to house her undying will, then said “Okay now let’s do a silly one.”

I also do still think it’s implied that Witches give birth, it’s just that their daughters are Witches who serve as vessels and if they have a son he’s a human.

I didn’t include this in the post since I ran out of images, but I’m reasonably certain that Beryl’s mother fell in love and had a human child, which is what Alice should have been if not for the total fluke of being born a pureblooded Meinster.

I don’t actually know how much the daughters’ personality influences their consciousness of Yumina, if at all. Granted, it does seem odd that Yumina fell in love seemingly randomly if she didn’t have the unique will of Alice’s mother influencing her for that one specific life, similar to how Roa’s vessels influence him. Maybe Yumina’s consciousness only transfers after the mother expires, otherwise it would be in two places at once - Robin does say that Alice’s mother was around long enough to raise her wrong. It just seems odd that the childish sadist we see Yumina acting as in FGO without a vessel, who encourages Alice to kill and belittle her human friends, would fall in love with a foreign businessman, at least without something else influencing her personality.

Tangentially related but considering Touko was close enough with Alice’s mother to know about how Witches function, do you think she got the idea to crank out backup bodies from her? The extra chapter implies she only started making them after the events of the main story, if memory serves, so the timeline checks out.

What Is the First Magic, Anyways? (Or How I Learned to Stop Worrying and Love FGO Spoilers)

Out of the five instances of True Magic, the Second and Third are known about in some detail, the Fouth is a total unknown from what I can gather and simply hasn't been expanded upon in the lore quite yet, and the Fifth being shown, but not explained in detail, which is its own post. The First Magic falls somewhere in the middle here, where a few vague things are known about it and the person who attained it, but not much in the way of details.

What we do know for sure is that the Magician of the First Magic was Yumina, the First Witch, who founded the Meinster lineage and used the First to create Ploys, which were passed down to Alice Kuonji, considered to be the last pureblooded Meinster by 1989 following the 'death' of her mother. Based on some information about Witches and the Meinsters in particular from the FGO collab from back in April, I think I can hazard a strong guess as to what the First Magic actually is: authority over Mystics/Mysticism itself.

Some spoilers for FGO's Lostbelt 6, though nothing critical to the plot, as well as this translation of Alice Kuonji's FGO profile.

First off, some basic information about Witches and Yumina that was dropped a solid decade after Witch on the Moly Night first came out, because Nasu's a fucking comedian:

This establishes a few things, first and foremost that Alice is actually Yumina's descendant, that Witches aren't human and are instead closer to faeries (although I'm not sure if they can be considered true faeries as this is phrased like they were created by an individual rather than born from the land or the Inner Sea), and that the daughters of Witches are essentially the next vessel for a singular consciousness, such that lineages are more like a single individual with several reincarnations. Not all of this information is actually completely relevant to this point but how insane is it that Alice got a lore drop for the first time in a decade and it was buried in the ass-end of a six-year-old mobile game? I just needed to get that off my chest.

Alice's profile reinforces this by seeming to allude that Alice's mother and her ancestors were all the same person, as well as the third paragraph using similar wording to how True Magic is often explained.

Crucially, the final line also states that Meinsters stand in defense of Mystics from humanity's constant march towards order, which inevitably destroys Mystics by coming to understand them, as is one of the overarching themes in Type Moon in general. Yumina's lineage seems to be actively pushing back on this.

Knowing Nasu, I could stop right here. See, it's thematically cohesive with the Meinsters and Alice's character arc of growing past the reminders of her family's past and learning to appreciate the present, and thematic cohesion is really all you need in Type Moon, established lore and rules be damned.

However, I think that my point is supported by the Ploys, which are all products of the First Magic. We'll start off with the Three Great Ploys, which we know were created by Yumina proper and not any of her later descendants/incarnations.

Flat Snark, Oil of the Moon, is the Great Ploy that's featured most prominently in Mahoyo. This is pretty straightforward - the prose in the scenes that feature it describe it as Magic, and it functions by transforming the world inside of its domain into a landscape of fantastical insanity. It is, quite literally, draping the landscape in Mystics once again. Even the air becomes dense with mana, similar to the atmosphere in the Age of Gods (as shown in Absolute Demonic Front), when Mystics were at their most common and well-integrated, before humanity had begun to push it back as much as they had.

The Thames Troll is the second of the Great Three Ploys, and one that, at first glance, seems to be by far the most simple - it's a massive golem that can get stronger based on what it's built out of. Alice states she has poor compatibility with it, and therefore can only use its first two forms, that being wood and clay/brick/stone, with its final two forms being iron and steel, then silver and gold. Thames uses the environment to create its body, be it the woods the first time we see it or the brickwork in the park during Alice's fight with Touko, which would mean that further forms would likely do the same. As Alice says that the final form would overshadow even London, this would mean that Thames is capable of annihilating entire cities. However, considering it would need iron and steel nearby to do so, it could likely only become so powerful when being used within a more advanced human settlement, likely for the express purpose of destroying it. Therefore, Thames is the Ploy that most directly serves the Meinster's goals of opposing humanity and safeguarding Mystics.

The final of the Great Three Ploys, which isn't directly stated in Witch on the Holy Night but instead FGO, is Wandersnatch, which frankly could and probably should be its own post. There's a whole hell of a lot going on with that thing.

The long and short of it is that the Ploy consists of a dense fog, and numerous entities within it. Only by glimpsing Wandersnatch's true form in the fog can one escape, which makes the Ploy itself act as a microcosm for Mystics in general - it's an impossible, insurmountable obstacle that can only be weakened and overcome by observing it and learning more about it. It's little surprise, then, that Yumina herself choose Wandersnatch to inhabit while her current descendant doesn't yet harbor her consciousness - much of Wandersnatch’s presence has to do with Yumina attempting to exert more control on Alice in order to possess her and incarnate.

Ultimately, though, the smoking gun for me isn't one of the Three Great Ploys, but the most common one we see used: Diddle Diddle, Alice's favorite Ploy. This one has a simple function, that being that it strengthens Mystics in a certain area when dropped on the ground. Which is simple, yes, but also just absurd. You mean she can just crank out little Christmas tree ornaments that can singlehandedly counteract the one consistent force present in every single Type Moon property? She can just do that? Alice, and only Alice, can just say "nuh uh?" That's not attainable through normal magecraft, and has got to be an application of the First Magic through the Ploy. Considering how straightforward the effect is, it seems to pretty clearly point towards the First Magic being tied to Mystics.

As a final note, I also think this makes sense of Nasu's note that the First Magic was discovered after the Third but named as such for a special reason relating to its nature (although this is from an unofficial translation from the Fandom wiki so take this with a grain of salt). It would be very in keeping with what we know about mage society for them to say Mystics are more foundational and important than souls.

[hplonesomeart]

Our scene opens on a Little Mr. Puzzles!~

Started brainstorming this yesterday and finalized the design + colors tonight! I can guarantee you that in my heart of hearts I am a firm believer that as a child Puzzles was the most energetic, optimistic, sweetest little boy. He wasn’t always messed up in his methods for maintaining control and I wish we could all collectively take a moment to think about that smol child within that still wants to be loved and cared for. Because social rejection and isolation sure does take a toll on you after a while once you’re cut off from your peers and rely solely on T.V- geez poor guy had it so rough huh

So of course I had to make up my own design/personal rendition of child Mr. Puzzles! Gave him braces that resemble the colors of his future T.V head teeth, leaned into that retro clothing look and made it into a homage to film production (since I recon even as a kid he’d be a nerd about behind-the-scenes process of making movies lol). So there’s film reel patterns + projector icon. Last notable detail is the puzzle patterns on the hat & shoes as foreshadowing to his future (aka present day) Puzzles design :))

Very proud about how he looks here very adorable and precious

[seveneyesoup]

ngl i’m still worried. like i Do have complete faith in ncuti gatwa but what i Don’t have is much faith at all in rtd’s writing about race

[tosahobi-if]

i love your writing so much!! your prose is gorgeous and you’re excellent at creating atmosphere and intrigue!!! except sometimes i’m doing something boring or i get a cramp or basically anything bad happens and then i suddenly think ‘poor little rabbit’ LMAO

if this isn’t spoiler-y or variable or anything, what do the ros like about the mc? tysm

aww that’s so very sweet of you to say! i like to call the mc a sad little birthday guy (gn) in my head but it would be even more period inaccurate than what i have now so it’ll never be canon djjfjjg

i think what the ros like about the mc is different for each mc, and that’s what makes the every relationship almost unique in their own way! the idea of “you” as a person and “you” the main character are two distinct entities, but it’s still the same “you” they fell for. some mcs may be kind, some may be stubborn, some may be angry, some polite, some quiet, some not, but all are loved.

[clegfly]

Oh god. I’ve been summoned. Gotta carry through now!!!!!

Okay so I’ve been wanting to talk about mr outback for AGES because woo boy do I have. Thoughts. And a really fucking insane theory that I’m not sure if I believe in or am just concocting for fun but I thought of it so HERE have my thoughts

First of them being: what exactly IS mr outback. I’ve had a slight theory for a while and I guess since we’re going batshit analysis crazy here I might unleash it to be devoured chomp chomp-

Note the wording here. Not you. We have a third eye. We have a sixth sense. He sounds almost like he’s talking from personal experience.

Now, he could be including himself and some of the other more aware, ancient beings in this universe in that ‘sixth sense’ but… if we wanna take it the most literal way, we can observe that mr outback is including HIMSELF when describing the dreamers, which… opens a WHOLE new can of worms, because if that’s the interpretation you’re meant to get here, then that implies a LOT of things, chiefly…

1. Dreamers remain in the plane of reality that headspace exists upon, wandering the spaces woven by other dreamers either long after the death or some other major event within the headspace.

33000 years is… an AGE. At first you chalk that up to him being some ancient dream being created millennia ago but if we are taking the interpretation of him BEING a dreamer of some sort this implies that they remain in the realm even after death, or again, maybe some other kind of event.

Hm… wonder where we’ve seen a dreamer succumb to their headspace and become trapped inside of it during their moments of death and despair before…

I digress…

That line of thinking also brings us back to a lot of characters that can and do exist inside of headspace, for a multitude of reasons so let’s break that down-

2. Are the three great creatures really just ancient beings native to this world/Sunny's dreams, or could they be something more?

You made a really good point about this implying that headspace natives can become more aware and powerful as time goes on, but I’m wondering now… considering mr outback is possibly a dreamer himself…

Could the three great creatures also have been at some point?

Thinking back to your analysis on omori and cosmic horror- the three great creatures and sunny all have things in common with that genre. Large, god-like creatures that manipulate the universe around them in their own ways. What if Abbi, Humphrey and BYC aren’t just imaginary friends but the exact opposite, dreamers who remained in sunny’s headspace and gained his favour somehow.

It reminds me specifically of the omori beta era, before it was planned to be a game and was intended to be a graphic novel series… and how Tako, who later became Abbi, was portrayed there.

Aubrey, kel, hero and basil (or Aubrey, hiki, k and flower if you want to be pedantic) were portrayed as imaginary friends, while others, including an early version of Abbi, were portrayed as an opposite to that concept. While the actual pages showcasing this are impossible to read, it’s been stated that these characters were once important, and oh look- they appear in a three as well! Not to mention the fact that they’re rendered in the same monochromatic artstyle as omori- while I don’t think all headspaces share the same aesthetic, as an early version of the concept having the “anti-imaginary friends” presented as a identical to omori himself paints a clear message on what they were supposed to be. And what characters they later became.

Again, this is horrible quality and I’m sure I can get better images somewhere, but it’s clear that it’s tako, uni and Meido- presented here like this immediately after (or immediately before? I am NOT fishing through my camera roll to find this image again) the headspace friends, who were clearly designated as imaginary at this point almost as a foil or contrast to them- I think THIS early concept may have been what inspired the three great creatures and their role in headspace- because if YOU were a dreamer that died and had to wander the spaces created by others like you for eternity, you’d probably check out the one made by the kid with the crazy powerful imagination.

Interestingly, depending on what headspace they’re in, their forms seem to conform to the aesthetic of the place. Outback deliberately notes sunny’s as more whimsical and cutesy than usual, and just look at the designs of the TGC- not to mention the clear inspiration from sunny's childhood woven into their designs. Humphrey being from the picture book, BYC being a mix of chimera keychain and that smug ass fucking calendar, and abbi being... pretty sure we came to a consensus as a fandom that she was based off of that one pet rock, ocotaco, and a few other things, but basically, all of their designs and the way they manifest to sunny change depending on his headspace which is really cool and interesting (same thing with outback)

Basically, I think it's very possible that the great creatures could be dreamers too, wandering alike to outback and being attracted to sunny's headspace due to the immense power of his imagination. They also likely befriended him which is part of why they stayed.

Another ANOTHER interesting point we discover here- sunny in the end has total power, regardless of the other dreamers within the headspace. I mean... Abbi can be banished, Humphrey and BYC's wills can be twisted to guard the truth from Sunny... he is in control despite the fact that the great creatures are clearly powerful themselves. Which begs the question and ties back to another point you made-

Is sunny in control because this is his headspace, or does Sunny's power and authority among the three rely on the strength of his imagination?

Is that what's being implied- that the stronger or more powerful a dreamer's imagination is, the more powerful they are amongst the others?

Because GOD that is INTERESTING.

This could also translate directly to size in a manner- outback is small, regular ol' npc sized, so from that maybe we can infer that he wasn't the most imaginative of dreamers, despite his clear coherency and wisdom.

BYC, Abbi and Humphrey are all quite large, hence their names- I think in order of size it goes from Abbi or BYC to Humphrey. which can maybe be a little mini theory on its own- maybe the reason BYC is the favourite is because they're the biggest (hence big yellow cat) and therefore have a stronger imagination and sunny can relate to them more deeply? (Also mari association because of the calendar) ALSO wondering!!!!!!!!

3. Do Mari and Basil also possess this sixth sense in a way?

Do I want this part of the theory to be even at least semi true because it would be such a cool thing to tie these three together? Yes, so I'm going to try VERY HARD to prove it sjdhshdf

You speculated that Dreamers likely have some sort of connection with the dead and the afterlife, hence... mari, and the crossroads, but what if mari and basil were connected to the plane headspace exists upon in at least some way too?

Heres a thing- stranger is ODD. Like, very ODD if you chalk him up to being a being native to headspace (or i suppose black space) because he knows SO MANY THINGS about the real world that he should not be able to know if he resides solely on another plane of existence.

E.g. basil's hospital room at the end of the good ending- HOW DID HE KNOW?

Not to mention the knowledge he possesses on basil and his situation in reality that he still spouts in the omori route segments where sunny would have no way of knowing them. Clearly, there is something up with stranger- he cannot be solely bound to the plane. What if he is, at least partially, the conscience of the actual, real live basil?

And it's the same with Mari too- a hyper awareness of the plane and world she's in, the ability to reach sunny directly...

and how her and stranger/basil are linked as anomalies in the world constantly... both being linked to the truth and having heightened awareness of headspace.

It sounds similar to the three greats.

Not to mention the imagery and constant attention drawn to Mari and Sunny's sleeping patterns... and of course-

The white egret orchid. Both at Basil's house and Mari's grave.

"My thoughts will follow you into your dreams".

Spelling it out for us that both basil and mari are following sunny into his dreams- via the weird sixth sense they have. me when there's astral projection at the function (sunny's daily 17 hour nap)!!!

Basil and Mari don't seem to have their own headspaces though. The idea of basil maybe having a white space in canon was touched upon, but not much else.

A small theory one could make is that Basil and Mari have a very weak sense which is boosted by the orchids, which i think is also silly. The orchids being little power increasers... god even if none of this is canon at all (which it could very well not be) this lore speculation is so fun.

Anyway, there is a LOT more i want to touch on, but its almost been HOURS so. I'm going to leave it here and let you add on if you like danny sjdsfhbh

TL;DR- outback himself could possibly be a dreamer, which leads into a rabbit hole of many other characters being dreamers that is VERY interesting and reveals a lot of cool quirks and theories about this world and what happens within it.

God, I love this. I just. Want to keep exploring this idea so bad.

ALSO if you do wanna see a tad more content on this i recommend gray-spark (i think thats their name) on here... they do a lot of headspace (especially three greats) analysis which is all really cool and thought-provoking and inspired a good chunk of this.

OUGH I NEED TO SEE THIS MORE TALKED ABOUT!!!!!!!!!!!

So are we ever going to talk about the “headspace is real and a type of astral projection” thing or.

[jackobbit]

Fellas we’ve officially hit that point /lh

I called my mama because I was upset over something, after talking it out she encouraged me to ‘go do something fun’ because the situation really couldn’t be helped so I might as well move on and cheer myself up.

Her suggestion? “Go play with Sun and Moon.”

She was referring to my plushies but the fact that she SAID THAT??

I’m officially at a point in the fixation where my MOTHER, who knows nothing about video games or fandom or anything like that, is able to recognize that shoving these two celestial themed robo twinks in my face is going to make me happy. And that’s insane to me.

“Here kiddo, go play with your jester animatronics you’ll feel better.” And she’s RIGHT. GOD.

[your-fave-is-just-a-lil-guy]

Peter puppy from earthworm jim pretty p!ease...:3 I know he can... Turn into a big scary monster sometimes but hes just being silly okay...

Peter Puppy from Earthworm Jim is just a little guy!

[trislosherfan25]

I feel so much more tormented than my other trans friends ngl

[reservoirblogs]

Ok so. In the resdogs script, the deleted scene with info on Larry’s background comes right before the scene in Freddy’s apartment (fool for love - you know the one). And when he’s getting ready and does his little “they don’t know shit you’re fucking baretta” speech, it’s not generalized anxiety about the heist, it’s actually a specific reaction to hearing about Larry shooting up that cop’s birthday party, and Holdaway asking how good his cover is.

So basically Freddy expects White to be his biggest threat. And instead, Larry becomes his protector, he’s gentle and he’s compassionate and he’s just such a fucking contrast to the image of him that Freddy has from the background check that I’m literally still undecided whether or not it was a good idea to cut that scene.

[danothan]

struggling to come up w prompts for hb week bc as i’m writing down ideas, i’m realizing this is already how i draw them

[lorebird]

Man. I miss when ai generated images looked like garbled nonsense. Not only bc it was funny but bc I really enjoy painting over other pictures!! I used to be super into it a few years back and I would paint on top of pictures of mushrooms or paint swirls or flowers or whatever else. I did actually paint on top of ai art once back then!! I remember I generated smth for “man falling through clouds” and drew 100 hr Scar using that as my underpainting

It was a palette I’d have never tried without that underpainting, which is why it’s a fun experimental technique!! But now any ai art will just. Draw The Picture For You

[camping-with-monsters]

🪷The Woman of Geese🪷

A piece that’s, admittedly, very different than my usual work. I’m trying to gain some confidence in drawing more figure based works, and the likes of artistic nudity.

I took a bit of a “renaissance” inspiration for this. While I’m likely far from the colors, I think I had the right idea with the articulation and overall setting and mood, even if there are still some imperfections to this work.

I was originally super nervous to post it, but generally speaking, there’s nothing that’s too incredibly awkward about it, and perhaps I’m just a little paranoid that people will be weird about it.

Regardless, I’m still pleased with the result :)