#but not ok if the bad characters are doing it to the good characters

[nicholasgoodgirl]

on set - nicholas chavez

summary: you came to bring nicholas food on set and he looks too good you gotta help him get off or maybe you're just doing it for yourself.

warning: oral (m receiving), almost caught ig.

a/n: i need this man bad 😩

--

i park my car and get the takeout my boyfriend asked me to get for him while he was on set.

i knocked on his trailer a few times then being met with him, Nicholas i can't lie he looked undeniably good.

a part of me feels bad because he's getting put into character for this role and i liked it. every bit of it.

the way his hair is styled, paired with the old money clothing. he was perfect. "you good?" not sure how long he was trying to get my attention but i just nod and walk into the trailer.

"you gonna be free tonight" i ask. Nicholas sits back down in the chair. "uh i don't think so" he checked the message he was given earlier this morning before coming to work

"yeah, no i won't be free why?" he asks giving me the perfect opportunity to perhaps get a quickie in before he has to actually get on screen again.

i walk up behind him, giving his shoulders a little massage then kissing his neck "I'd really liked if we could do something later" i try hinting to him that i wanted to fuck and im sure he caught on rather slowly than expected but he still did nonetheless.

"at work? what a needy girl" he coaxed. he took my hand in his and brung me infront of him.

nicholas manspreads his legs a bit so i can stand in between them "how bout you get that pretty little mouth to work then"

his cocky tone and the light pat on the side of my thigh; a signal for me to get on my knees sent my need for him through the roof.

i sunk to my knees not breaking eye contact. "this is what you wanted right?" he asked me with a smirk.

i give him a nod. but that wasn't enough for him he brings his thumb to my mouth dragging it across my lips "use your words baby" he cooed

"yeah- yes.. i want to do this." i fumble with his belt buckle, his eyes burning into my skull making me feel intimidated by his gaze.

i get the belt undone and pull his pants down, he lifts his hips a bit to help. "doin' so good already but-" he picks his phone up checking the time "-they're gonna need me in atleast 7 minutes" he places the phone back down.

his hard cock is freed from the confinement of his boxers. i put the head of his cock at my lips, kitty licking the tip before putting my mouth around him.

a low grunt is heard from him encouraging me to sink my mouth down further.

he grabs a handful of my hair and carelessly pushing my head down, i gag on his dick and im quick to remove my mouth off him "stoopp" i whine

"alright im sorry" he takes his hands away from my hair and puts them up surrendering.

a knock on the trailer door followed by a girl telling Nicholas he's needed on set. "5 more minutes!" he yells loud enough for the lady to hear from outside.

nicholas turns back to me and raises his eyebrows "see we don't have much time" he shrugs.

i wrap my mouth around him for the second time, already use to the length reaching the back of my throat.

he allows me to do whatever i please with my mouth; watching me take his length. i swallow around him and nearly choke when he accidentally jerks forward and thrusting down the back of my throat.

"shit.." nicholas drawls out throwing his head back at the feeling.

i change my pace, bobbing my head faster and using my hand to pump whatever i couldn't fit in my mouth. he whimpers softly, i looked up at him, his lips caught between his teeth, cheeks flushed and eyebrows knitted together while his eyes were screwed shut. perfect like i said before

"you're such a good girl f'me y'know that?" i hum in reaponse, the vibration around his cock made him moan loudly.

"sir are you ok?" the lady asked from outside; rattling the doorknob. "fine- just fine!" ,,give me one more minute please"

i swirl my tounge around his tip then using my hand to stroke him till he reaches his orgasm "m' close" he whimpers.

i put my mouth on the head of his cock and let him paint the back of my throat.

i wipe the sides of my mouth and rise from my knees while Nicholas pulls his underwear and pants back up. "lets finish up whenever i get home yeah?" he kisses my head and walks out the trailer.

[sokkastyles]

Ok um, I need to rant about Katara for a second. This might sound incoherent, but hopefully it makes sense. When it comes to Katara's interests in romance or aspects of her life that aren't directly related to Aang, Bryke don't really always do a good job at treating her like an actual person. Legend of Korra is the biggest example of this of course, because I really don't think there is any way that Katara, being as righteous and morally courageous as she is, would ever choose to make decisions about her life that prioritize Aang more than herself (yes I know she wanted to fall in love and have a big family, but she would never give up her ambitions to do so). But ATLA also has a few egregious examples of this, such as not allowing Katara to have any complex emotions without demonizing her for it (I will never get over Katara being compared to Jet in TSR). I really feel like season 3 really indicates the gap in maturity between Katara and Aang when it comes to how they make decisions. Aang avoids facing his issues because he's scared, which makes sense as a character trait. But, the narrative never really addresses this as a detriment or a flaw that could have major consequences all the time. Katara on the other hand, by her own admission, "will never turn her back on people who need her" and is much more willing to reflect on her own emotions and internal conflicts. As shown in TSR, she's also not very likely to agree with Aang all the time, especially when matters are emotionally complicated. I wish the narrative had actually explored the implications of what this would mean for Katara and Aang's relationship, because they clearly probably wouldn't be able to deal with heavier, more complicated emotional problems together. This isn't a bad thing, it just means the characters probably shouldn't be a romantic pairing. But in order for the narrative to acknowledge this, Bryke would have to actually treat Katara like a person and not a wish fulfillment fantasy who has to end up with Aang no matter what and is bad for being interested in other guys. Even Zuko isn't treated this badly by Bryke for having briefly dated Jin and then dating Mai, and I don't think Bryke like him that much either. What do you think?

The joke about Mai getting angry at Zuko for briefly dating Jin is "girls are irrational bitches lol"

The joke about Katara maybe kinda sorta being attracted to Jet is "girls are irrational bitches lol"

Both come from the same misogynistic place. With a side of "Zuko has to put up with it as punishment for being the bad guy once" while Aang gets rewarded by getting Katara's affection for being the hero all along.

[ninyard]

Hii, I guess this is a question not only for you but also your followers. Why wouldn't it be ok to like aftg? Like I've seen people say is problematic? But the only thing I've seen criticized is how unrealistic it is and like is a book so... idk maybe I lack critical thinking on some topics so if anyone could point me where to look I'd love to keep liking these books while being aware of it's failings :3

this is an interesting question! i guess the biggest part of whether it wouldn't be "okay" for someone to read aftg would be somewhat down to personal tastes.

re: the unrealistic part, i think if you go into a lot of books expecting them to be "realistic" you'll probably find there's a lot out there that just... isn't. i myself think that 90% of the biggest arguments i've seen about it's realism are from people who 1) refuse to suspend disbelief for the sake of enjoyment or 2) go into it with a certain expectation as to how realistic it's going to be before reading.

you can pick apart a million different books and movies and tv shows out there and find "unrealistic" parts in them all. and what do people say is even unrealistic about it? the different languages that are spoken in it? the trauma all the characters have? i understand it, to some degree, but i think people who think that fiction that is unrealistic = fiction that is bad, are probably just reading the wrong things. and that's fine. it's personal taste. but not everything has to be realistic for someone to enjoy it. that's just me.

as for the problematic aspects of it, i guess my gut instinct is to say that's once again down to personal perspective and opinion. i personally don't like or agree with some things in it, but i don't know if i can definitively say, oh it's problematic for this reason or that reason. are there triggering topics in aftg? are there uncomfortable scenes and problematic things that the characters do and say? are there bad people who do bad things? yes. that's just the truth. does that make the books themselves inherently problematic? i don't think so. but maybe i'm wrong with that. i don't know.

if you try to justify and explain and dissect everything that happens or is said in a book like aftg, i think you can probably find yourself in a real rabbit hole of is this appropriate? is this okay? is this problematic? i just feel that, it's a book, that has shitty things said and done in it, and it's up to you yourself whether you think those shitty things cross the line of being problematic or not. there's limits to everything, and while i dont think aftg crosses those limits, it doesn't mean i think it's perfect or an exception to criticism.

i guess what i mean is that if you try to find things wrong with aftg, you'll probably find something. it's not perfect. you could pick it apart if you really wanted to. but i suppose i'm just happy enough to enjoy it without doing that because it is what it is. it's a book about people who have had shitty things happen in their lives, about people who say and do shitty things, but i don't think it glamorises or makes those shitty things okay. me liking the series also doesn't mean i'm 100% a-okay super cool with everything that happens in it either. i am not the media i consume or enjoy.

but it's also really important to listen to people who talk about things that do personally hurt them or make them feel like they're not seen for who they are or what they've been through. i can say that i personally am not offended or hurt by 99% of what happens, but that doesn't invalidate someone who was. that doesn't invalidate other people who aren't me who say "it's problematic for x reason". i'm happy to share any insights into this if anyone wants to send them my way!

maybe this isn't a good answer to your question and i'm still not sure if i've gotten my point across properly. there's a million things problematic about aftg, i guess, but it's just about where you draw the line between the problematic content inside the series, and it maybe being a problematic series from the outside. i don't know exactly where to point you towards to have a balanced understanding of why it might be okay vs not okay. i'd just say to keep an open mind and listen to what people say when they raise their concerns about it.

[shimamitsu]

my problem w this whole thing is that it's OBVIOUS that what yasaka is doing isn't ok. it's not good for her and it's obviously not good for other people. you don't need characters to point at someone and be like PERSON BAD! PERSON GOOD! to get it. for starters categorizing people into EVIL and GOOD goes against the main message of skip to loafer. but that aside, you don't need things to be spelled out for you, this is a seinen manga, this shit's for adults, do more reading idgaf. work on your reading comprehension, not my problem. in addition, people hate women. you hate to see women be sad, you hate to see women be hurt, you hate to see women be wrong, even when this is obvious build up for her growth. and i know we know this already and we complain about it all the time but it's genuinely so infuriating. you love complex characters until the complex character is a woman, a girl! you will die and go to hell

[themoonking]

my mortal enemy that talentless charlatan sarah j maas does this thing that a lot of subpar writers do, where she doesn't write good and bad actions, she writes good and bad people. and it doesn't matter if one "good" character and one "bad" character do the same exact thing, or even if the good character does worse things, if the good character does it its a good action and if the bad character does it its a bad action. doesn't matter what the action actually is.

both the other characters and the narrative itself will condemn the things that the "bad" character does, proving that this is something that society in this world condemns, but those same exact characters, along with the narrative, will praise the "good" character for those exact same things. which is not only hypocritical, but also just shitty writing.

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[thetardisisnotourdivision]

Ok I mean absolutely no offence to anyone but;

All the people saying that making Susan a villain would be a bold move - have you SEEN the classic series??? This autistic teenage girl has more feral energy than any other companion except perhaps Leela and was TERRIFYING when she wanted to be. She tried to stab Ian and Barbara. She fucked up a bunch of cavemen and put a human skull on a flaming torch for comedic effect.

Not to MENTION the amount of trauma that girl has. Time War? Losing her entire family twice/three times?? (Because she'd have outlived her human family on Earth. The third family is Team TARDIS btw). Abandonment issues??? It's not a huge leap to assume that something traumatic happened on Gallifrey, given how she acts. She's also related to the Timeless Child - god knows how many times she's regenerated - for all we know, she discovered a long time ago that she is incapable of dying, and she has no idea why. Couple that with violent tendencies and an extreme talent for telepathy (even the Doctor was surprised by how strong her abilities were) and you've got an extremely messed up character.

Make Susan the villain! Show kids that if life fucks you up, sometimes you fuck up too, and that doesn't mean you're unworthy of love! Have her commit atrocities to try and get the Doctor to come back to her! Let her fuck shit up!

[randomminty]

Opened paint tool sai for the first time in 5 years immediately drew yuri

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[mickeym4ndy]

You can spend a lot of time trying to justify everything a character has done, and it’s great to look at the reasoning behind their actions that people might not understand.

But you can also sometimes say yea it’s understandable why they did it but it was still a shitty thing to do, and that’s okay. Humans make mistakes, your favourite characters will too. It’s ok. It doesn’t make them bad people.

[littencloud9]

bsd fandom has always mischaracterised kunikida to hell and back but the fact that i am seeing SO MUCH hate for his character right after his 'death' is insane

[what-is-it-to-be-pk-esque]

Ok I know I'm heavily biased here but like I kinda love that Astarion's romance is one of the few in this type of video game where you basically end up canonically unmarried and childfree in his "good" ending? Just travelling the world??

Like it's honestly the millennial dream lmfaoo cannot believe i chose what would undoubtedly be my favorite option, first try

[oceanwithouthermoon]

people hate teenage girls so much that i can literally say "teruhashi is conceited, fake, judgemental, and manipulative, but she has incentive to change and is only that way because of how shes been treated her whole life" and theyll still go "wow are you justifying the horrible things she thinks? youre acting like shes a perfect, hurt little angel who did nothing wrong"

PLEASE READ !!! GENUINELY BEGGING YOU TO LEARN TO READ !!!

[hermesmoly]

mdzs dad alignment chart thingy