#but no we will never learn about it

[randomnameless]

I hate how the fandom treats relationship between siblings in the Fe games. Sure some of them are brocon but not all, and it kills me that the only pair of siblings that managed to escape those are the one teasing. Like for example, the brocon in Leo for Camillla ok, i believe you. But Chrom and Emmeryn ? really ?! it's also painful that Chrom and Lissa escapes it just because Lissa is mischevious in nature but still while she admire her older brother, she still tease him! That's even worse when the 2 parties aren't related and then it is "emotional incest"... sorry i will never get over people getting mad at Leif/Nanna because of this, this ship among many others, and then says "iNcEsT haS aLwAyS bEeN PaRt of the series". It really is a yeas and nopes to this one remark

Antis will forever find soemthing to bash a ship they see as a rival ship lol

But yeah, as you said, that joke became old quite fast, and while I love a dynamic where siblings get along, let it be teasing or not (the Delbray sibs are fun too!) the recent games (FE16) made me painfully aware of how we were spoiled back then, when siblings had lines for each other and openly worried and talk about each other!

Watch me rant again, but I'll never be ok with FE16 carefully scrubbing Seteth of his interactions with Rhea bar the ones playing with the red herring or the "Billy centric" ones -

Like, can you imagine, one second, Reyson not rushing to Leanne after the Oliver chapters when they are reunited? Or an AU where Rafiel becomes feral, and only Ike chases after him as he runs away wanting to die alone - while Leanne and Reyson are sitting on the bench?

Nopes and FEH added more "dual teasing" context, but damn if FE16 was a slap in the face - and don't even get me started on how we still don't know if they are same gen nabateans (siblings like) or if Seteth isn't Rhea's big bro but only acts as her tired big bro.

[flwrkid14]

Love and Obsession: The Tim Drake Way

part 2

Everyone in the Batfamily knows Tim Drake has… issues with boundaries. They’ve spent years trying to teach him what’s appropriate and what’s—well—deeply unsettling and completely invasive. To be fair, he’s learned. Mostly. He doesn’t stalk his family anymore (much), and he no longer pulls up files on every single person they talk to (okay, maybe just sometimes). But it’s progress.

But then Tim starts dating Danny Fenton. And, oh boy, a few screws come loose.

It starts small, as always. Just little things. Tim’s a detective, after all—background checks are second nature. Danny’s living in Gotham, and Gotham isn’t safe. So, really, what’s the harm in knowing a little more about Danny’s friends? And his professors? And maybe also his classmates? It’s just standard protocol. Okay?

“Tim, you’ve run a full dossier on my entire biology class?” Danny asks one day, laughing as he flips through a file on the coffee table. Tim shrugs. “What if one of them is dangerous?” “Pretty sure the most dangerous thing in that class is the midterm.”

Danny doesn’t think much of it. He’s a little flattered, even. Tim’s protective. It’s sweet.

But Tim’s mind doesn’t stop there. Danny’s too handsome. Too charming. What if someone tries to hurt him? What if someone tries to take him away? It’s not obsessive—it’s just concern. So, a tracker on Danny’s phone? Necessary. Cameras in his apartment? Standard. Monitoring his sleeping patterns and hangout spots? Logical.

Tim tells himself it’s love. And maybe a little insecurity.

“You have a tracker on his phone?” Dick asks, trying not to sound alarmed. Tim nods, like it’s the most normal thing in the world. “Of course. What if something happens to him?” “And the cameras?” “Safety.” “The background checks on his professors?” “Gotham U isn’t exactly known for its stellar staff, Dick.”

It doesn’t stop there. Tim knows everything. Danny’s eating habits, his favorite places to go when he’s stressed, his childhood allergies. Tim’s mapped out Danny’s entire life. He knows about Danny’s ghost powers too—of course he does. He’s Tim Drake. The moment he realized Danny was Phantom, it just… clicked.

Danny being half-ghost? That’s just one more reason to worry. Tim’s up late at night, watching for any signs of ectoplasmic interference. He tracks the energy spikes. He monitors Danny’s fights.

He doesn’t think Danny knows. He’s terrified of what will happen if he finds out.

But then he does.

One evening, Danny walks into Tim’s apartment and casually drops a folder on the table. Tim’s heart stops.

“What’s this?” Danny asks, raising an eyebrow. Tim swallows hard. “I… it’s just…” “You’ve been tracking me?” Danny opens the file, glancing through pages of surveillance reports, background checks, even analysis of his ectoplasmic energy. Tim feels like his world is about to shatter.

“I… I can explain,” Tim says, his voice tight. “I’m just… worried about you. You’re in danger all the time, and I—” Danny walks over, cupping Tim’s face in his hands. Tim braces for the worst.

But Danny just smiles. “Can I put a tracker on you too?”

Tim blinks. “What?” Danny kisses his cheek. “If you’re watching my back, it’s only fair I watch yours. I need to make sure you’re safe too.”

Tim stares at him, speechless. Danny doesn’t look scared. Or angry. He looks… fond. Like Tim’s obsessive tendencies aren’t a problem at all.

“I’ve never had someone care about me this much,” Danny says softly. “I trust you with my life, Tim. This? This just proves how serious you are.”

Tim thinks he’s just fallen deeper in love.

-------------------

The Batfamily? They’re worried.

Jason corners Tim in the cave. “Okay, so let me get this straight. You’ve got cameras in his apartment. You’ve mapped out his entire life. You’ve got a tracker on him and a heartbeat monitor. And he’s… fine with it?” Tim nods, a dreamy smile on his face. “Yeah. He even wants to put a tracker on me.” “That’s not… healthy, Tim,” Dick says carefully. “That’s—” “It’s mutual,” Tim interrupts. “We’re protecting each other.”

Bruce pinches the bridge of his nose. “Tim, this isn’t how relationships are supposed to work.” Tim shrugs. “It’s how ours works.”

Damian watches the whole thing with narrowed eyes. “This is deeply unsettling,” he mutters.

They try to talk to Danny. Intervention style. They invite him over, sit him down, and gently (or not so gently) try to explain that Tim’s behavior isn’t normal.

Danny just laughs. “You guys do know I’m half-ghost, right?” “That doesn’t mean—” Dick starts. “I spent my entire life being hunted by ghost hunters. I’ve had worse invasions of privacy.” Danny smiles. “Tim cares. He keeps me safe. That’s all I need.”

The bats don't quite know what to say.

-------------------

Tim and Danny, two slightly unhinged souls who think mutual surveillance is the ultimate act of love.

The bats? They’re just trying to keep up.

(“At least they’re happy?” Barbara offers weakly. Bruce sighs. “For now.”)

Gotham’s version of love was never going to be normal. But this? This is a whole new level.

[shepscapades]

[dbhc flavored] Hermit a Day May: Day 31 — Ren!

[inkskinned]

love when men cry about body hair bc "it's hygiene" and yet 15% of cis men leave the bathroom without washing their hands at all and an additional 35% only just wet their hands without using soap. that is nearly half of all men. that means statistically you have probably shaken hands with or been in direct contact with one of these people.

love when men say that women "only want money" when it turns out that even in equal-earning homes, women are actually adding caregiver burdens and housework from previous years, whereas men have been expanding leisure time and hobbies. in equal-earning households, men spend an average of 3.5 hours extra in leisure time per week, which is 182 hours per year - a little over a week of paid vacation time that the other partner does not receive. kinda sounds like he wants her money.

love that men have decided women are frail and weak and annoying when we scream in surprise but it turns out it's actually women who are more reliable in an emergency because men need to be convinced to actually take action and respond to the threat. like, actually, for-real: men experience such a strong sense of pride about their pre-supposed abilities that it gets them and their families killed. they are so used to dismissing women that it literally kills them.

love it. told my father this and he said there's lies, damned lies, and statistics. a year ago i tried to get him to evacuate the house during a flash flood. he ignored me and got injured. he has told me, laughing, that he never washes his hands. he has said in the last week that women are just happier when we're cooking or cleaning.

maybe i'm overly nostalgic. but it didn't used to feel so fucking bleak. it used to feel like at least a little shameful to consider women to be sheep. it just feels like the earth is round and we are still having conversations about it being flat - except these conversations are about the most obvious forms of patriarchy. like, we know about this stuff. we've known since well before the 50's.

recently andrew tate tried to justify cheating on his partner as being the "male prerogative." i don't know what the prerogative for the rest of us would be. just sitting at home, watching the slow erosion of our humanity.

[wisteriasymphony]

every time a tumblr post mlb rewrite mentions the fact that they're taking out marinette's 'obsessive stalker' characteristics an angel gets run over by a steamroller and fucking dies

[temeyes]

Slip-Up

[luna-loveboop]

Blue Four appreciation

I love Blue Four. 10/10 angry dude

(tone indicator for this post: positive and light-hearted. art and character from @linkeduniverse au)

His motto is "No thoughts head angry" I mean look at him! Every face is grumpy! How you can you hate him. He's got one emotion and it is mad

He is very good at pointing accusingly at people

(Green in the background was tired of it by the second time)

I also love this panel. Wild's body language perfectly captures the correct (only?) reaction to Blue

He was freaked out by all of Four right then, but Blue was especially scary.

His pose here matches a sketch from quite a while ago:

This pleases me

ALSO

Blue was mad at Champ for shoving him,

But his reaction to Twilight's injury was the same as Wild's.

I think they really bonded in this moment:

Same face

And how he has his hair tucked behind his right ear just because he's more edgy? Iconic

Blue four was brought into existence and is full of rage about it, and I relate to respect that

>>>:(((

[bixels]

vague-posting about this here cuz i don't feel comfortable yapping about my su takes on twitter, but after everything that's happened the most interesting thing about the su fandom to me is that so many are 100% there for applying the "everyone can change and deserves a second chance" message to everyone, even the diamonds. except for one ☝️ she doesn't count. cuz she's dead.

[thewanderingmask]

so yea

1-2 months of on and off effort later IT'S MY FIRST EVER HERMITCRAFT (by which i mean exclusively tango tek) ANIMATIC

IN WHICH A MAN TALKS ABOUT BINARY FOR ALMOST 3 MINUTES (it's based actually. and was really fun to animate)

[solarpunkani]

You know what, while I'm doing hot takes. And this one may be obvious considering I'm actively contributing to hosting the Solarpunk Aesthetic Week event but like.

Dear everyone who's constantly deriding the aesthetic portions of the solarpunk movement/genre; do you just not understand that being able to visualize the future you want is immensely important to being able to work towards it? Being able to get other people on board with it?

When I first got interested in Solarpunk, it wasn't for the hot leftist takes about the top ways to dismantle the government for the people, or top tips on how to build your own solar panel apparatuses. What brought me in? Visions of a hopeful future. I learned and began to love the rest as I dove deeper into solarpunk circles, but there is no denying that my first intro to it--and likely many people's first intro to it--was via the art and aesthetic spheres. The term 'solarpunk' was literally coined to refer to the aesthetic movement, and we've been building up from there ever since.

'When are people going to realize the aesthetic parts don't matter and what really matters is praxis--' dude, the aesthetic parts do matter. Inspiring people does matter. Showing people visions of a hopeful future is immensely important, it's why so many people join this movement. We see glimpses of what a hopeful future could look like, through beautiful art or riveting stories, we're inspired by things like stained glass and organic designs and statues and fashion concepts--and then we think to ourselves 'how can we help make this future happen?' And we learn the praxis and we work towards the goals and we share it with others because that's just how we work.

Seeing isn't always believing, but sometimes in order to believe in something with your whole heart, it helps to be able to visualize what you want. For yourself and for others.

So yes. The aesthetic parts of solarpunk do matter. Thank you for coming to my TEDTalk.

[serpentface]

how do you come up with the ways cultures in your setting stylize people/animals/the world in general in their artwork, i.e. jewlery, rock carvings, statues, etc? Each culture in your world seems to have a very unique "art style" and I love it a lot - makes them seem that much more 'real'. This is something I struggle with a lot in my own worldbuilding and I'd love to pick your brain if possible 😁

I think a starting point is to have a research process based in the material realities of the culture you're designing for. Ask yourself questions like:

Where do they live? What's the climate/ecosystem(s) they are based in? What geographic features are present/absent?

What is their main subsistence method? (hunter gatherer, seasonal pastoralist, nomadic pastoralist, settled agriculturalist, a mix, etc)

What access to broader trade networks do they have and to whom? Are there foreign materials that will be easily accessible in trade and common in use, or valuable trade materials used sparingly in limited capacities?

Etc

And then do some research based on the answers, in order to get a sense of what materials they would have routine access to (ie dyes, metal, textiles, etc) and other possible variables that would shape how the art is made and what it's used for. This is just a foundational step and won't likely play much into designing a Style.

If you narrow these questions down very specifically, (ie in the context of the Korya post- grassland based mounted nomads, pastoralist and hunter-gatherer subsistence, access to wider trade networks and metals), you can direct your research to specific real world instances that fit this general idea. This is not to lift culturally specific concepts from the real world and slap them into your own setting, but to notice commonalities this lifestyle enforces - (ie in the previous example- mounted nomadic peoples are highly mobile and need to easily carry their wealth (often on clothing and tack) therefore small, elaborate decorative artwork that can easily be carried from place to place is a very likely feature)

For the details of the art itself, I come up with loose 'style guides' (usually just in my head) and go from there.

Here's some example questions for forming a style (some are more baseline than others)

Are geometric patterns favored? Organic patterns? Representative patterns (flowers, animals, stars, etc)? Abstract patterns?

Is there favored material(s)? Beads, bone, clay, metals, stones, etc.

When depicting people/animals, is realism favored? Heavy stylization? The emotional impression of an animal? Are key features accentuated?

How perspective typically executed? Does art attempt to capture 3d depth? Does it favor showing the whole body in 2 dimensions (ie much of Ancient Egyptian art, with the body shown in a mix of profile and forward facing perspective so all key attributes are shown)? Will limbs overlap? Are bodies shown static? In motion?

Does artwork of people attempt to beautify them? Does it favor the culture's conception of the ideal body?

Are there common visual motifs? Important symbols? Key subject matters?

What is the art used for? Are its functions aesthetic, tutelary, spiritual, magical? (Will often exist in combination, or have different examples for each purpose)

Who is represented? Is there interest in everyday people? Does art focus on glorifying warriors, heroes, kings?

Are there conventions for representing important figures? (IE gods/kings/etc being depicted larger than culturally lesser subjects)

Is there visual shorthand to depict objects/concepts that are difficult to execute with clarity (the sun, moon, water), or are invisible (wind, the soul), or have no physical component (speech)?

Etc

Deciding on answers to any of these questions will at least give you a unique baseline, and you can fill in the rest of the gaps and specify a style further until it is distinct. Many of these questions are not mutually exclusive, both in the sense of elements being combined (patterns with both geometric and organic elements) or a culture having multiple visual styles (3d art objects having unique features, religious artwork having its own conventions, etc).

Also when you're getting in depth, you should have cultural syncretism in mind. Cultures that routinely interact (whether this interaction is exchange or exploitation) inevitably exchange ideas, which can be especially visible in art. Doing research on how this synthesizing of ideas works in practice is very helpful- what is adopted or left out from an external influence, what is retained from an internal influence, what is unique to this synthesis, AND WHY. (I find Greco-Buddhist art really interesting, that's one of many such examples)

Looking at real world examples that fit your parameters can be helpful (ie if I've decided on geometric patterns in my 'style guide', I'll look at actual geometric patterns). And I strongly encourage trying to actually LEARN about what you're seeing. All art exists in a context, and having an understanding of how the context shapes art, how art does and doesn't relate to broader aspects of a society, etc, can help you when synthesizing your own.

[firelise]

[royalarchivist]

Jaiden: Do I have to go with one other person, or can I have like, a group?

Cucurucho: Yes.

Jaiden: That's... not... [Laughs] There's two options there...

Cucurucho: Ha ha ha.

Jaiden: Ok, so– [Laughs] I'll go- I'll go with–

Cucurucho: [The Admin audibly laughs]

Jaiden: I'll– did you just laugh? [Laughs and hits her desk]

Cucurucho: Ha ha ha.

Jaiden: [Keeps laughing] I got the– I g– Am I going crazy? [Laughs] Ok–

Cucurucho: I hope you enjoy the– [Soundboard audio cuts off as Cucurucho runs away]

Jaiden: Thank you, thank you! I made him snicker, guys, I made him snicker! [Laughs]

(Fun fact: Retroity recently confirmed it was her laugh we heard!)

[space-sheep08]

Actually so tired that people mainly focus on the bdsm when they talk about La Pianiste when we literally have this dynamic right here. Like, that's insane.

What if you were a little girl in her 40's who couldn't grow up because of your mother-wife who made you sleep in her bed and forced you to repress every sexual desires and thoughts of becoming your own person just to keep you close to her ? What if you fought back and yearned for dangerous things out of her reach ? But also, what if you let her because it's all you've ever known and been taught to want ?

[stagefoureddiediaz]

The Helena diaz of it all has me fascinated. I’ve said for a long while that Eddie’s real issues are his mommy issues and this episode just cemented for me that we’re gonna explore that and deal with it.

Because it’s Helena who forced Eddie to grow up to fast - because her husband wasn’t around much - so she pushed Eddie into de facto parent and husband role ls - selfishly filling her needs and ignoring the damage it was doing to her son (it is a form of abuse in my book).

Eddie then had the audacity to fall in love with and marry Shannon and get her pregnant. It’s why Helena was always so off with Shannon - she was punishing her. She is also punishing Eddie for all of this and his refusal to return to El Paso only cemented further her bitterness and resentment.

Now she does have Ramon back she doesn’t need Eddie any longer to fill that role so she is still punishing him and part of that is tied into her glee over now getting to parent Christopher - something she has always been intent on doing the doppelgänger just gave her the opportunity- as well as allowing her to further punish her son and his love of Shannon.

Her barbed comments about building a pool were all about showing what she can provide Christopher - how she is parenting him better than Eddie - it’s part of her mind games - making Eddie feel like more of a failure as a parent to his son.

The reality of course is that the reverse is true - Helena’s parenting is all superficial, flash and showy - it isn’t the hard day to day parenting when things get tough and you have to be the bad guy. While Eddie has made mistakes, there is nothing superficial, flash, or showy about his parenting. It’s why bucks comments about Eddie being a great dad are so important.

Eddie feel like a failure right now and that he is entirely to blame for everything. But in reality, while he does bear a bit of the responsibility, the truth of the matter is that he needs to learn and deal with the fact that all of it actually stems from Helena and her abuse of her young son - Shannon never stood a chance just like Eddie never has.

[gd-dollopole]

They should have dwelled more into Merlin’s skills (and I’m not talking about just magic)

As I rewatched Merlin, I realised this man has so many skills?!

We often talk about how surely Arthur must have thought him how to use a sword (I agree 100%) but Merlin also knows how to hunt?

He dislikes it, yet years and years of going hunting with Arthur proves to be fruitful. Merlin founds the deer in season four before the entire Camelot patrol. He knows how to recognise tracks on trees and traces of feet in the mud (he knows how to build them in the right way with magic, too). And I have proof that Arthur teaches Merlin, because in season five, Arthur makes Merlin see what was wrong with the branch. when they went out and Arthur noticed that someone (Mordred) had walked past the woods.

Also, season four, episode two? Merlin wakes up before Lancelot and HE IS HUNTING FISH LIKE A MASTER?!

Have we talked about this? Who taught him? I believe most things he already knew how to do, since he grew up in a village with a single mother where everyone had to fetch up for themselves.

He also knows how to cook. And he gets compliments (even if they are jokes) from the Knights and Arthur himself too.

HE IS A PHYSICIAN, and I wished we could have seen so much more of that, because he is hot, because it proves that is so good at learning, listening and also teaching. He tells Daegal how to get rid of the poison, poison, in his body and HE IS STILL SO HUMBLE ABOUT IT?! He spent more than ten years being an apprentice and when Daegal tells him he is a good physician, Merlin denies it?! Bro has low self esteem.

Merlin also has all the skills required from a servant, like sewing, cleaning specific fabric in a certain way, polishing armour and so many other things, adjusting swords and weapons ecc.

I guess it pisses me off when Merlin is described (heavily in fanfictions too) like an incapable manservant, unable to do things for himself or defend himself without magic, when he spent ten years in Camelot doing new work after new work. Just because he was scared at the end of season five without his powers (because he had never lost them before) it doesn’t mean Merlin isn’t capable of using a sword, or help himself, since he does and challenges Morgana too, even without powers.

EDIT:

Merlin also knows how to use a crossbow and how to fight side by side with Arthur and he knows where to head, where north and south are, based on the scent of the air?! Merlin knows so many things.