#but no matter what I do all I get is criticism

[kirammanswifey]

Would you be down to write some reverse comfort with the Arcane characters?

Basically just make them go through one of the worst days of their lives then have the reader take care of them (I mostly just wanted to see Viktor in this scenario, but if you want to write for other characters too that'd be awesome)

Either way take your time and I hope you have a wonderful day ~☁️

arcane characters reverse comfort x fem reader

characters: viktor, jinx, vi, caitlyn, jayce, ekko, silco, mel and sevika.

writer's note: i'm always down for this kind of scenarios, make me feel like a teenage girl again. as you already know request are open ;)

Viktor

It has been an exhausting day in the lab. The experiments have failed time and again, each mistake weighing heavier on Viktor’s shoulders. You can see it in his eyes when he finally gives in, letting the tools fall with a long, heavy sigh. He leans against the workbench, his slender, hunched figure casting a shadow of defeat on the walls illuminated by the flickering equipment.

"This doesn't make sense..." he murmurs, as though the words are a burden he needs to release. His fingers drum frustratedly on the metallic surface, and you feel the despair in every tap. "I’ve made mistake after mistake... Maybe this was all a mistake from the start."

His words hit you, but it’s the tone of his voice that wounds you more, filled with a self-criticism that is painfully familiar but no less difficult to hear. You know how much his work matters to him, how much of himself he has poured into these projects. And you know this failure consumes him more than he’s willing to admit. You can't just stand by and watch him spiral.

"Viktor," you say softly, stepping closer and placing a firm yet comforting hand on his arm. "You’re a genius, and even geniuses have tough days. Today was one of those days, but it doesn’t define who you are or what you do."

At first, he doesn’t respond. His gaze is lost, searching for answers in the shadows that stretch across the lab. But then his grey eyes meet yours, filled with doubt and exhaustion. "How can you be so sure? Every day without progress... I feel like I’m wasting time, like I’m failing everyone, even myself."

Your heart tightens at his words. You take his hand in yours, intertwining your fingers gently, feeling the coolness of his skin against yours. "Because I know you, Viktor. I’ve seen your dedication, your passion. Every mistake, every small setback is part of the process. You don't have to carry this weight alone. I’m here to help you shoulder it."

The silence that follows is thick, but instead of uncomfortable, it’s a space where words aren’t necessary. Slowly, you see his posture relax, the tension in his shoulders beginning to ease. Without letting go of his hand, you step even closer, sensing the fragility of the moment.

"Let’s step outside for a bit," you whisper, "You need to clear your mind, get some fresh air. You don’t have to do it all today, not tonight."

He looks at you again, with a mix of gratitude and weariness, and finally nods. "Alright," he says softly, as if it’s hard for him to admit he needs the break.

You walk together to the exit, your fingers still entwined with his. The night air is a balm, cool and light, carrying away some of the day's heaviness. You walk in silence through the almost deserted streets, the distant hum of the city a constant murmur.

"Thank you," he finally whispers, breaking the silence with a voice soft, almost breaking. "I don’t know what I’d do without you."

You stop, turning to face him. "You don’t have to know, because I’m not going anywhere. I’m here for you, through the good and the bad days. You don’t have to bear this burden alone."

He tilts his head, and for a moment it seems like he’s about to say more, but instead, he simply squeezes your hand tighter, a silent gesture that speaks volumes.

"Come here," you say, leading him to a nearby bench. You sit beside him, and for the first time all night, you see him take a deep breath, as if the fresh air could cleanse not just his lungs but also his mind and soul.

Viktor rests his head on your shoulder, allowing himself to close his eyes and savor the moment. You kiss his head and gently stroke his hair, cherishing these rare moments, knowing how precious they are when they happen.

"Today was a bad day," he finally says, his voice tinged with a quiet melancholy. "But, for some reason, it doesn’t feel as overwhelming with… with you here."

You smile softly, feeling warmth spread from his acceptance, from his openness. "I’ll always be here to remind you that even the worst days come to an end. And that you are stronger than you think."

He looks at you, and for an instant, the world seems to stop. His gaze, filled with gratitude and something deeper, envelops you. Before you can say anything more, you feel him leaning towards you, and in that moment, everything falls into place. His lips brush against yours with a tenderness that disarms you, a kiss soft yet laden with unspoken emotions.

When you part, just inches away, his eyes remain closed as if he wants to hold onto the moment a little longer. "Thank you," he murmurs, his voice barely a whisper.

You cradle his face in your hands, gently caressing his cheeks. "There’s no need to thank me, my love."

Jinx

The day had been chaos, even by Jinx's standards. Everything had gone wrong: a botched attack, crumbling plans, and to top it all off, an unexpected explosion that almost trapped her in her own trap. Now, she sat in her lair, surrounded by the wreckage of her shattered inventions, her breath short and pulse racing. Her mind, always a whirlwind, now felt like a hurricane of uncontrollable voices and thoughts.

The laughter of her imaginary "friends" echoed in her head, growing louder, mocking her. "Failed again, Jinx. You always fail." She pressed her hands against her temples, squeezing as if she could silence the voices. But the laughter wouldn’t stop, and the crushing weight of loneliness and failure bore down on her.

You approached cautiously, knowing that Jinx in this state was a minefield. But you also knew you couldn’t leave her alone in her internal storm. "Jinx," you called softly, keeping your voice low and calm. "I’m here, sweets."

She didn’t respond at first, her body tense like a spring about to snap. But as you drew closer, her bright blue eyes, wide and wild, met yours with a mixture of anger and desperation. "Why? Why do you keep coming back? Don’t you get it? I don’t need anyone. I don’t want anyone to see me like this."

"I’m not here to judge you," you replied gently, sitting down next to her without encroaching too much on her space. "I’m here because I care. Because I know that sometimes, even the strongest people need a breather. And there’s nothing wrong with that."

She let out a bitter laugh, dripping with sarcasm. "A breather? You think I can just... breathe and everything will be fine? That’s not how my head works. It’s... broken. Everything’s broken."

Your eyes softened at the pain in her words, the self-loathing and anger intertwining dangerously. Without much thought, you reached out, lightly touching her hand, hoping the physical contact might ground her somehow.

"Maybe you can’t fix everything right away," you said softly, "but at least you’re not alone in this boat. I’m on board with you, and I’m not getting off, even if we hit an iceberg." You joked to lighten the tense atmosphere.

She looked at your hand on hers, and for a moment, it seemed like she would pull away. But instead, her trembling fingers closed around yours, with a grip that betrayed just how desperately she needed something—someone—to understand her.

"Why do you care?" she whispered, her voice barely audible. "I’m a mess. Everything I touch... I ruin."

"Because you’re more than your mistakes," you said, squeezing her hand gently. "You’re strong, creative, and even if the world doesn’t understand you, I want to be here for you, to help you see that, even when everything gets tough."

Her eyes glistened with unshed tears, her voice breaking as she murmured, "I don’t know if I can do it... but thank you... for not giving up on me."

You smiled softly, leaning closer to her. "I’ll never give up on you. And you know what? Let’s make a deal. Today was a bad day, but just for today, we’ll do whatever you want. How about we start with some ice cream?"

Her eyes lit up slightly, though there was still a shadow of doubt in her expression. "Ice cream? Really?"

"Serious business," you said, smiling a little more. "Pick your favorite flavor. We’ll go get it, and then we can do whatever you want. You can draw, launch rockets, blow things up—whatever makes you feel better."

"Can I dye your hair blue?" she asked, her tone teasing but her eyes hopeful.

"Anything but that," you corrected, not quite understanding her obsession with wanting to dye your hair.

She burst out laughing, pressing a hard kiss to your cheek. "Just kidding, hon. I love everything about you, even your boring dark hair."

"Hey!" you playfully patted her shoulder.

Suddenly, her smile faded again, uncertainty flickering in her gaze.

"But what if everything keeps going wrong?"

"Then I’ll be here to pick up the pieces with you," you said, gently stroking her hand. "You’re not alone, sweets. Not today, not any day."

She launched herself into your arms, hugging you tightly, her body trembling slightly. "Thank you..." she whispered against your neck, clinging to you as if you were her anchor in a storm. And in that moment, you knew the only thing that mattered was her feeling your presence, your unwavering support.

Vi

Vi’s mind was still trapped in the ring, replaying the final moments of that crucial fight. She had bet everything on it—her money, her pride, her reputation. Everything hung by a thread, and she had lost. The cheers had faded, leaving only the echo of failure resonating in her head.

She limped back to her hideout, her knuckles bloodied and her jaw clenched. Dropping onto the worn-out sofa, she let out a frustrated growl, covering her face with a hand as she tried to contain the fury and humiliation. She had risked so much, and now it was all gone.

The whispers of her defeat spread like wildfire. You knew Vi wasn’t one to admit defeat easily, nor to ask for help. So, with a heart full of concern, you went to find her, worried about her state.

The door creaked open as you stepped inside. "Vi," you called gently, finding her on the couch, shoulders tense and gaze fixed on the floor. You approached cautiously and sat on the floor in front of her, your chin resting on your hands as you looked at her intently. "Are you okay?"

"I don’t need your pity," she snapped, her voice sharp but laced with vulnerability. "I’m fine. Just... need a moment."

"Vi," you said softly, "it’s just one loss. You’re incredible in the ring, babe, but you can’t expect to win every time. Besides, we learn more from our mistakes than from our victories. It’s okay."

"No, it’s not okay," she shot back, finally lifting her head to meet your gaze, her blue eyes filled with frustration. "I bet everything on that fight. Everything. And now I have nothing."

"That’s why I’m here," you responded, sitting beside her and gently taking her bloodied hand in yours, inspecting it with care. "You don’t have to carry this alone. Let me help you."

"I don’t want your help," she protested, trying to pull her hand away, but you held on firmly. "I don’t need saving. I can handle this."

"Vi, don’t be stubborn," you chided, your voice firm yet warm. "I care about you, and I’m not going to stand by while you drown over something we can fix together."

Her gaze softened, a mix of wounded pride and unspoken gratitude in her eyes. "I can’t take your money," she muttered, looking down again. "It’s not fair to you."

"Babe, if the roles were reversed, I know you’d do the same for me," you reminded her. "This isn’t about fairness or debt. It’s about caring for someone I love."

The last word hung in the air, making Vi look up again. "You... love me?" she whispered, as if it was something she hadn’t allowed herself to hear before.

"Love you? I’m crazy about you, woman!" you admitted with a chuckle, gently squeezing her hand. "And because of that, I’m going to help you through this. Take the money, just this once. It’s not weakness to accept help, Vi. It’s strength to know when you need someone."

She let out a deep sigh, her body relaxing slightly as the tension began to ease. "Alright," she murmured finally, her voice barely a whisper. "I’ll take your help... just this once."

"That’s all I needed to hear," you said, smiling softly as you caressed her hand. "We’ll get through this, together."

Vi looked at you, and for the first time that night, a faint smile curved her lips. "Thank you," she said, leaning toward you. Her hand suddenly slid to your ass, giving it a playful squeeze.

You looked at her, a mix of confusion and amusement on your face. She just shrugged, as if it were the most natural thing in the world.

"What? It’s my way of saying thanks," Vi defended, following it up with a loud slap.

Laughing, you climbed onto her lap, leaning in close to her mouth, "Well, if I’d known your gratitude was this charming, I’d hope for favors more often."

Vi leaned in and kissed you, a tender kiss that spoke of gratitude and something deeper, needing no words. "I love you," she murmured against your lips.

"And I love you," you whispered, your lips still brushing hers.

Caitlyn

Caitlyn's office was silent, the only sound breaking the stillness was the soft scratch of her pencil against paper as she reviewed the reports that had come in. It had been a particularly difficult day for her. The weight of the decisions she'd had to make hung heavily on her shoulders, and her mind couldn't stop replaying the latest case she had been handling. Even though she tried to maintain her composure, you knew Caitlyn wasn't invincible.

You approached cautiously, gently tapping on the door before stepping inside. "Cait," you called softly, seeing her immersed in her work, her eyes glued to the desk, but her rigid posture betrayed her exhaustion.

She looked up and forced a smile. "Don’t worry, everything’s under control," she said, her voice slightly tenser than usual.

Leaning against the doorframe, you watched her with concern. "I know you're working hard, Cait, but this isn’t just about work, is it?"

She didn’t respond immediately, her eyes narrowing as if fighting herself not to admit what was clearly troubling her. "It’s nothing. Just... tough cases. Nothing you need to worry about."

You knew her too well. Something wasn’t right. Caitlyn always maintained her facade of strength, never showing vulnerability, but you knew even she had limits. You decided to step closer, gently removing the papers from her hands and sitting on her desk, right in front of her, catching her off guard. Her hands instinctively found your thighs, her fingers pressing into your skin as a silent sign of her pent-up stress.

"You're not doing this alone tonight, Cait," you told her firmly. "I know you feel the pressure, but you don’t have to carry it all by yourself."

She tried to smile, but the gesture only highlighted her fatigue. "I can't afford to show weakness. Everyone expects me to have the answers."

"That’s precisely what makes you human," you replied softly, cradling her face and appreciating her delicate features. "The burden of leadership, the tough decisions... it can’t all rest on you. If you need a break, you’ll take one. If you need to talk, I’m here."

Caitlyn remained silent, her gaze now locked onto yours, as if considering your words for the first time. You could see her defenses slowly crumbling, her breathing easing into a calmer rhythm. "Sometimes I feel like no one understands... how hard it is to keep everything together, always being the one expected to know what to do."

"I understand," you said, gently holding the hand that gripped your thigh. "And you don’t always have to have all the answers, Cait. It’s okay to feel lost. You can lean on me for these things and anything else."

She didn’t speak for a long moment, simply watching you, and for once, her face displayed a vulnerability she rarely showed. Finally, she sighed, letting the tension in her face melt away.

"I know," she murmured, almost as a confession. "Sometimes it’s just hard not to feel like a burden."

"You’re never a burden to me," you assured her, leaning in and wrapping your arms around her, your fingers tenderly running through her hair. She responded with a soft sigh of relief. "You’re the strongest person I know, Cait. And that strength doesn’t make you invulnerable. Don’t be so hard on yourself. You carry so much responsibility and expectation, and you handle it as best you can. You can share that with me too, love. I’m not in your life just to enjoy your company and admire your beautiful face."

With an intense gaze, Caitlyn gently squeezed your hand, displaying a rare tenderness. "Thank you," she whispered, her tone much softer than usual. "Thank you for this. For always being there when I need it. For knowing what I need when I don’t even know myself."

You moved a little closer and, without thinking, kissed her forehead, a warm and comforting gesture. "I’ll always be here, Cait. You don’t have to carry the weight of the world on your shoulders."

She closed her eyes for a moment, allowing herself to rest in your presence. And although the day's worries wouldn't vanish immediately, there was something about that small gesture, that silent connection between you two, that made her feel less alone. She knew that, no matter what, she would always have a refuge in you.

Jayce

The door creaked open, and instantly, the tension that Jayce carried with him filled the room like an unwelcome guest. He stood in the doorway, his figure worn down as if each step of his day had chipped away at his strength. His face was a canvas of frustration and exhaustion, the lines of weariness on his forehead barely hidden by his tousled hair. The warm light of home contrasted sharply with the cold night air, but even the comforting ambiance seemed powerless against the heavy burden he bore.

Without a word, you moved towards him, your presence a sanctuary in the storm he was weathering. You gently took his cold hands in yours and led him to the couch, where he sank down with a deep, weary sigh. The weight of the day clung to him, a cloak of responsibility and fatigue. He barely acknowledged you as you spoke.

"Rough day?" Your voice was gentle, laced with concern.

Jayce exhaled sharply, his exhaustion evident as he turned his head to you. "More than you can imagine." His tone was rough, frustration simmering beneath the surface. "Viktor and I... the experiment in the lab was a disaster. Then, the Council meeting... a complete mess. I’m not even sure how I made it back here tonight." His voice cracked for a moment, followed by a bitter laugh. "And tomorrow? I have to give that damned speech to the entire city. I haven’t even started writing it."

The air felt thick, laden with everything he couldn't put into words. You squeezed his hand, holding it with a tenderness that cut through the fog of his mind. "Breathe, Jayce. You don’t have to solve everything at once. One step at a time."

Instinctively, you sat behind him, guiding him until his back rested against your chest. You began to massage his shoulders, feeling the tension slowly seep from his muscles. Each movement of your fingers seemed to ease his burdens, though his sighs suggested the thoughts still swirled in his mind.

"I’ll help you with the speech," you offered softly. "We’ll write it together. You don’t have to face it all alone."

Jayce closed his eyes briefly, as if clinging to your words to prevent drowning in his thoughts. "But... it all depends on me. If I screw this up, the consequences are massive. I can’t afford to fail." His voice broke, and he sat up abruptly, anxiety gripping him once more.

"It’s just a speech, Jayce. It doesn’t define you." You wrapped your arms around his torso, holding him from behind. "What matters most to me is that it doesn’t destroy you. The city needs you, yes. But you need yourself too."

A long sigh escaped his chest, a release of some of the weight he'd been carrying. "How do you stay so calm through all of this? How do you have the patience to listen to my problems over and over?" His tone softened, a realization of what your presence meant to him.

"Because I love you, you big lug. And because I respect you," you said without hesitation. "Now... first things first. Dinner. I made your favorite." You whispered in his ear, the warmth of your embrace surrounding him, offering a sliver of peace. "Then, I’ll draw you a bath. You need to relax, to stop thinking about everything for a while. We’ll have dinner together, and afterward, we’ll stay up as long as you need. I’ll help with the speech. And if you need to rehearse all night, we will. The important thing is you’re not facing it alone. I’m here, Jayce, because I know how much this means to you."

Jayce let the silence hang for a moment, absorbing your words, your support the anchor he desperately needed. Slowly, he turned to look at you, his face finally showing signs of easing. "I don’t deserve you," he murmured, a small pout forming on his lips.

"Don’t be ridiculous. You’re my spoiled giant baby," you teased with a soft laugh, cupping his face with care.

Jayce chuckled, a low, grateful sound that was music to your ears, and you hugged him tighter, feeling the anxiety that had gripped him start to dissipate. "Can we stay like this a little longer?" he asked quietly, his tone vulnerable, more human than ever.

"Of course, love," you whispered. "There’s no rush tonight."

And there, between tender laughs and promises of unwavering support, time seemed to pause. In that moment, there was only the two of you, the warmth of home, and the certainty that, no matter what the next day brought, you would face it together.

Ekko

The sound of gears grinding and tools sparking filled Ekko's workshop, a familiar symphony that usually brought him a sense of calm. But today, the rhythm was frantic, almost as if he believed that focusing on the intricate mechanical details could help him outrun the weight pressing down on his heart. It wasn’t working.

"Ekko, what’s wrong?" Your voice was soft, almost a whisper, yet it cut through the tension hanging thick in the air. You could sense something was off, not just from the hurried way he moved but from the pallor that had taken over his face in the past few hours.

He didn’t answer right away. His fingers continued their precise dance over the wires and components, but there was a distant look in his eyes, a clear sign that his mind was far from the task at hand. Finally, he looked up, and though he tried to hide it, you could see the frustration and pain etched into his features.

"Things are... out of control," he admitted, his voice heavy. "The people of Zaun keep dying, and we can’t do anything about it. The illnesses are spreading, the air is becoming unbreathable, and the solutions... they seem further away than ever. How am I supposed to lead them when I have nothing to offer?"

His question lingered in the air, a cry of desperation in the stillness. Ekko had borne the weight of leading the Firelights since their inception. It was his strength, his refuge, yet also his greatest burden. Every day, he witnessed more of his people falling victim to the oppression and the harsh realities of Zaun, the toxic air swallowing those he cared about, and the seeming futility of their efforts gnawed at his resolve. What could one do when everything seemed stacked against them?

"Ekko," you approached him, gently taking his hands in yours. "Listen to me. I know what you're thinking. I know it feels like everything is collapsing, like there’s no way out. But you're not alone in this. You have the Firelights, and you have me. Caitlyn Kiramman might be able to help with this problem."

Ekko raised an eyebrow, confused. He knew Caitlyn, as an Enforcer, symbolized the oppressive system that had kept Zaun in misery, but he also knew you didn’t speak lightly. You must have had a plan.

"I don’t trust Piltover," Ekko muttered, his tone firm. "Or their damn Enforcers. How am I supposed to ask someone like Caitlyn for help? After everything they’ve done to us?"

"I know," you said, gently stroking his hands to calm him, "but hear me out. You're not just asking Caitlyn for help. You’re asking the person who owes me a few favors. Trust me. I think we can secure some supplies, maybe some of the medicines we need, at least to keep us going for a while. Something to help the Firelights keep fighting. Don’t see it as surrendering, Ekko; it’s a step towards giving us a real chance to make our voices heard."

For a moment, Ekko stared at the ground, lost in thought. It was clear he struggled to trust anyone outside his circle, especially someone like Caitlyn, who embodied Piltover’s oppressive power. But your words resonated with him, and for the first time that day, something inside him eased slightly.

"Maybe you’re right," he finally said, his voice low, as if only partially convinced. "But this... it can’t just be words. We need to do something real, something that actually makes a difference."

"We will," you assured him with a soft smile, trying to instill a bit of hope. "Together, step by step. Let’s start by talking to Caitlyn and see what we can secure. I don’t know how, but I believe we’ll make it happen."

Ekko looked at you, and for a moment, everything in his expression changed. The usual anger gave way to a mixture of gratitude and, perhaps, a hint of relief. He was exhausted, but the idea that not everything was lost gave him a tiny spark of hope.

"Thank you, babe," he murmured, his voice softer than before. "I don’t know how you do it. You always know what to say."

"That’s because I’ve learned how to deal with your stubborn, grumpy self," you said with a light laugh. "Now, how about we take a stroll through the city? Maybe a few hours of disconnecting will help."

A trace of a smile appeared on his face, though still tinged with fatigue. "What? Are you planning to make me forget all this by tagging the walls with graffiti?"

"Exactly," you responded with a mischievous grin. "That way, at least for a while, we can forget the world and do whatever we want."

Ekko finally gave in, his soft laugh filling the air as he grabbed his hoverboard. "You know, that sounds like a great idea. Let’s go before I change my mind."

And as you wandered the streets of Zaun, the weight on his shoulders didn’t entirely vanish, but for a while, Ekko could relax, paint his frustrations on the walls, and most importantly, remember that he wasn’t alone. Sometimes, all it took was stepping back and breathing, even if just for a moment.

Silco

The air in Silco's office was heavy, thick with the unmistakable scent of Zaun: metal, sweat, and burnt chemicals. Yet beyond those familiar odors, the room was saturated with the tension of recent events. The sting of failure clung to him, unsettling the usually composed mastermind. His meticulously laid plans had unraveled, and while his followers proclaimed loyalty, cracks in their devotion were becoming apparent. Zaun teetered on the brink of internal rebellion. The Firelights, the Enforcers, even the streets themselves seemed to be slipping through his fingers.

But what truly unsettled him, what gnawed at his very core, was the ever-present specter of betrayal, the fear of losing those who mattered most. In these moments, when chaos felt imminent, you chose to enter.

Silco stood with his back to you, staring out at the city’s dim lights through the window. You could sense the disquiet within him. His silhouette was somber, almost ghostly, with one hand resting on the glass. He seemed like a man who had lost faith in everything around him. Without hesitation, you approached him with a calmness that contrasted starkly with the storm raging within him.

"Silco," you began, your voice gentle but resolute. You refused to let his fragility consume him, not now. "We've faced this before. You don’t have to bear it all alone."

At first, he remained silent. The tension in his frame was palpable, and you could tell he was fighting a battle he wasn’t ready to share. Yet, you knew that struggle all too well. Beneath his layers of hatred and ambition lay a man as broken and vulnerable as any other.

Finally, he turned toward you, his eyes, usually burning with disdain, now dulled. "You don’t understand," he said, his voice low, roughened by a restrained fury. "This isn’t like before. It’s not just about winning anymore. It’s about maintaining control, about not losing everything. If I fail now, all we’ve built will be for nothing. What’s looming isn’t just a challenge—it’s war, and I need to be ready."

You stepped closer, studying the exhaustion etched into his face. His words were a glimpse into the turmoil that consumed him. "You will be ready. We will be ready. But isolating yourself in this downward spiral won’t help."

Silco’s gaze met yours, and for a fleeting moment, vulnerability surfaced. He appeared more human, less the monster Zaun feared. But his pride fought to keep that part of him hidden.

"I don’t need your pity," he said, though his words lacked conviction, a feeble defense against the truth you were unveiling. "Spare me the empty reassurances."

"They’re not empty," you replied, your voice steady. "I know what you’re feeling. This isn’t just about controlling Zaun. This is about you."

A heavy silence followed, thick with unspoken truths. Silco’s brow furrowed, not in anger but in contemplation. "It’s a war I can’t win. The city hates me, even my own daughter—"

"Don’t speak of her as if you’re some monster," you interrupted gently but firmly. "Jinx needs you, and you need her. This war isn’t just against Piltover, Silco. It’s against yourself. And if you keep fighting it alone, you will lose."

The room was still, the weight of your words settling in the air. Silco’s expression softened, touched by a realization he couldn’t deny. He wasn’t accustomed to being seen so clearly, to having his inner battles laid bare.

You took another step forward and, without allowing him time to withdraw, you took his hand. "You don’t have to do this alone," you whispered. "Not now, not ever."

For a brief moment, conflict flickered across his features, but then it happened—he relented. It wasn’t the surrender of a defeated man but of someone willing to trust, if only for a moment, that there was more to life than his solitary fight.

"I don’t know why you persist in keeping me upright," he murmured, his voice softer, laced with weariness. "Sometimes… sometimes it feels like too much."

"It’s not," you assured him without hesitation. "We’ll face it together. I won’t let you fall."

Silco said nothing more, but he didn’t pull away as you held his hand more firmly, a silent acceptance of your comfort. And for the first time in a long while, the cold steel of his demeanor cracked, if only for a fleeting second.

Mel

Mel's balcony was as sleek and cold, a testament to her meticulous nature. The soft glow of lanterns cast a gentle light over the cityscape, illuminating the endless sea of Piltover's lights below. Yet, amidst the serenity of the night, an unseen storm brewed within her. Tonight, her mind wasn't consumed with political maneuvers or strategic plans. Something far deeper gnawed at her: the weight of her ambitions had begun to manifest in ways she hadn't anticipated, threatening to fracture the carefully constructed facade of her life.

She stood by the railing, gazing out at the city that never slept, as if the twinkling lights could somehow chase away the growing void in her heart. You could see it—the tension in her shoulders, the way her fingers gripped the railing a little too tightly. She was a picture of composed authority, yet the subtle cracks in her armor betrayed the turmoil within.

"Mel..." Your voice, soft yet firm, broke the silence. You approached from behind, your footsteps light but deliberate. You didn't need to be loud; she had always been attuned to your presence, as if you existed in a part of her consciousness she couldn't ignore.

Mel turned slowly, her face a mask of unyielding calm, but her eyes... her eyes told a different story. They held a flicker of vulnerability, a silent plea she wasn't ready to voice. "What is it?" Her voice was cool, almost detached, but you knew better. The detachment was a shield, one she had crafted over years of political warfare.

"What’s wrong?" you asked again, your gaze unwavering as you closed the distance between you. You could sense her struggle, her reluctance to admit that something was amiss. "I can see it, Mel. You're not okay."

She sighed—a sound so heavy it seemed to carry the weight of the city. It wasn't frustration; it was the exhaustion of someone who had carried too much for too long. "It’s Piltover. My role in the Council... I can't keep up with it all," she admitted, her words slow, measured, as if each one was a reluctant confession. "I’ve been playing this game for so long, but the pieces are moving in directions I can’t control. And..."

Her voice faltered, and she didn't need to continue. You understood. This wasn't about Piltover alone. It was about her, about the toll her ambitions had taken on her soul. Here, on this balcony, she wasn't the indomitable Mel Medarda. She was a woman, weary and yearning for something she couldn't quite name.

"Mel, not everything needs to be under control. Not everything needs to be perfect," you said gently, stepping closer. "You can handle what’s happening in Piltover, but you don’t have to carry it all on your own."

Her eyes darted away, as if looking at you would make her break. She was so used to being the one in control, to bearing the burdens without complaint. "And if I fail... what then? What’s left after all of this? I've given everything to Piltover… everything."

Her voice trembled with a sadness that cut through you. Despite her steely exterior, you knew there was a part of her that longed for something more—connection, peace, perhaps even love. But the world she had built around herself left little room for such indulgences.

"If you fail, Mel, you’ll have the chance to start over. You don’t have to keep fighting for something that's slipping through your fingers," you said, your voice steady as you reached for her. "Sometimes, letting go of what we fear losing the most is what sets us free."

Mel's eyes met yours, and in them, you saw a vulnerability she rarely showed. She wasn’t used to conversations like this, to empathy. But in your gaze, she found something she hadn’t seen in a long time: safety, support, and perhaps... the promise of something different. Something better.

"I know it’s not easy," you continued, your hand gently brushing her arm. "But you don’t have to carry the weight of Piltover alone. You have people who respect you, who admire you. There are other ways to move forward without losing yourself in the process."

The silence that followed was thick, but not oppressive. It was as if the night itself was holding its breath, waiting for her response. For a moment, Mel said nothing. Then, her lips, always so carefully set in lines of authority, softened. "And if I fail… what happens to you?"

"You won’t fail," you said with a conviction that only you could have. "But even if you did, I’d be right here, helping you rebuild. Because what really matters isn’t the power or the control. What really matters is you, Mel."

For a second, she looked at you as if seeing you for the first time. The iron-willed woman everyone knew, the strategist, the leader, was now gazing at you with a newfound sense of recognition. And in that moment, she allowed herself a rare indulgence: she let her guard down.

"Maybe... maybe it’s not always about winning," she murmured, more to herself than to you. "Maybe you're right."

You smiled softly, knowing that Mel had just taken a step towards something beyond ambition—towards her humanity.

Sevika

The night had fallen with an oppressive stillness, but Sevika couldn’t find peace. The hours had dragged her into a whirlwind of stress and frustration. Each minute felt heavier than the last, and the air around her seemed thick, as if the city itself was pressing down on her chest. The decisions she had to make, the moves she had to plan, the constant need to watch over and protect her people… all of it had left her exhausted. But what weighed her down the most was the lack of control over her own life.

The shadows of the streets seemed to stretch out, enveloping her with an invisible pressure. Silco, as if things weren’t bad enough, was more erratic than ever, his paranoia brushing the edges of madness. To top it off, Jinx had played one of her twisted jokes: locking her in a room with a bomb that looked ready to explode. Sevika had been on the brink of death, only to discover that the bomb was a cruel joke, the kind only Jinx could conjure. If she had the time, she would have made sure the girl paid for it. She despised feeling vulnerable. But there was more. She had to deal with some of Silco’s men, and her day culminated with a direct punch to the face, leaving a visible mark on her otherwise stoic features.

On any other day, Sevika might have sought solace or at least retreated into the quiet of solitude, but today was different. No matter what she did, the sense of losing control gnawed at her insides. She needed to see you. She needed your presence, your calm way of looking at her and making her feel that everything, even if just for a while, would be okay.

Finally, the door creaked open. The sound of your footsteps was a balm to her weary spirit, and Sevika lifted her gaze. The damp night air lent a melancholic intensity to her eyes, now etched with fatigue and disdain. Though she tried to maintain her tough exterior, you quickly noticed the bruise marking her face.

“What happened?” Your voice, soft yet filled with concern, echoed in the room. Sevika tried to muster a smile, but it was futile.

“Just another day, you know?” she rasped, moving to lean against the table. She wasn’t about to crumble in front of you, but the exasperation in her tone was unmistakable. “Silco’s paranoid as ever. Jinx pulled one of her idiotic pranks… locked me in a room with a fake bomb about to explode. I thought I’d die there, amidst confetti and laughter. And if that wasn’t enough, one of Silco’s guys managed to land a punch on me.”

Your gaze, laced with worry and tenderness, softened instantly. You stepped forward, cupping her face gently, trying to ease the storm swirling inside her. Sevika stood still, unresponsive at first, but the hard lines of her face began to relax, even if only slightly.

“Why didn’t you call me?” you asked, your eyes never leaving hers, your words carrying a silent concern. You knew she hated appearing weak, but it didn’t matter; you would never see her that way. Sevika closed her eyes for a moment, letting out a long sigh.

“You know I don’t like to worry you.” Her tone was sharp, but softer than before. She could feel how your warmth affected her in ways she wasn’t ready to admit, but needed more than she was willing to acknowledge.

Without missing a beat, you acted. With a small smile, you stepped back a little, creating some space to prepare something that might bring her some comfort.

“Tonight, I’m making something special for my strong and sexy warrior,” you said, a mix of tenderness and teasing in your voice. “It’s not much, but I know you’ll like it.” You headed to the kitchen, and instead of a typical meal, you decided on something you knew would make Sevika smile: a homemade chocolate cupcake, with a hint of vanilla and a soft cream topping. While the sweet treat took shape, you thought about how this small gesture might lighten the night. The smell of freshly baked chocolate began to fill the air.

Sevika raised an eyebrow, unable to suppress a slight smile. “A cupcake?” she asked, almost playfully, though her voice held a softness rarely heard. “Am I a child needing comfort now?”

“Maybe,” you replied, smiling as you set the table. “Sometimes we all need something simple and sweet.” You playfully tapped her nose.

With the cupcake served and a cup of aromatic tea, the two of you sat together, letting the calm settle for a moment. As she savored the cupcake, your fingers brushed hers gently, as if that simple touch could convey something deeper. Sevika’s gaze, usually so hard and closed off, softened as it met yours.

“Thank you,” she whispered, almost with a humility that was unlike her. “I needed this more than I thought.”

“That’s what I’m here for,” you said with a gentle smile, intertwining your fingers with hers.

And in that moment, it didn’t matter what was happening in the outside world. For an instant, everything else faded away. Only that small space between the two of you existed, where love and understanding felt like the answer to all the burdens Sevika carried within.

[fatfemmefreaquency]

i think maybe what’s missing in this conversation is a discussion of the fact that we could all consume less, actually

one of the primary concerns in terms of AI criticism is the environmental impact—these generative AI technologies consume a huge amount of energy because they require significant computing power

like yeah—some consumption is necessary for survival. and some is necessary to thrive

but do we really need all of the digital art that we’re producing? through AI??? you need soulless art? really? examine that assumption i think

it’s also worth acknowledging that the art is still going to be somewhat soulless when it’s produced by someone being exploited for their labour

and yeah. it IS exploitation to pay people in the imperial periphery a minuscule amount—most goods cost MORE in the periphery than they do in the imperial core, not less. so paying someone a pittance and acting like they should be grateful for you sending them money at all is weird as fuck

and honestly? yeah, underpaying someone for a job is worse than not paying them at all and them therefore having the time to find other employment for which they are fairly compensated

you are not entitled to others devalued labour just because you live in the imperial core and see it as somehow magnanimous to hire people from the periphery to do work for you—and they do have fewer options for lucrative employment so this idea that theres some big difference between you exploiting them vs. a major corporation is nuts

it IS a “productive analogy” in fact to compare exploitative corporations underpaying labourers in the global south to exploitative citizens of the imperial core underpaying labourers in the global south (idk what that person further up thread was on about with that argument lol)

because these two interactions are the same thing. it’s either a private individual or an organization leveraging the disparity of access to resources between the core vs. the periphery to find ways to underpay for labour. it does not matter if it’s a sweatshop or freelancing: the material impact is the same if it’s you, individually, or if it’s a corporation

but i think what a lot of people in the imperial core forget is this: you can consume less

there is such an entitlement to the goods & services that people at the periphery produce, even among the lowest classes in the imperial core

you do not need cheaply made goods. you do not need goods or services that involve exploiting labourers

there is also an almost staggering sense of entitlement in westerners to natural resources and to energy that, frankly, should not be privately owned

like idk. why should you get to use all that computing power and electricity to produce some shitty AI art?

i don’t actually think you’re entitled to consume those resources, just as much as you’re not actually entitled to the labour of people you refuse to pay a living wage

do you need it? what’s the impact of consuming it and is the cost actually worth the quality of what you get?

i think we all deserve nice things. we all deserve enough to both survive and thrive

but AI art is not a nice thing. it doesn’t meaningfully contribute to us thriving and the cost in terms of energy use, environmental destruction, global warming/ climate change, and other harms caused by the tech industry around it is too fucking much

none of us can afford to foot the bill

go watch some tv show or consume some art that already exists. ideally do it NOT by streaming—you can still buy physical media and watching or viewing it still costs less than streaming does

you know what’s more environmentally and economically sustainable than churning out a bunch of AI Garbage OR exploiting an artist to make something sub-par (because they’re not being paid enough to do their best work)? museums. galleries. being in nature. making your own art. looking at art your family & friends make. there are beautiful and fascinating and worthwhile things to look at in many, many places

i promise it won’t kill you to not have your own personal artists at your beck and call, be they generative AI or underplayed freelancers

i love how many AI art haters will with no self awareness whatsoever ask "ummm why don't you just underpay and exploit someone (probably in the global south) instead of using the evil words machine :/"

[crossdressingdeath]

You know what the most frustrating thing about DAV criticism is at the moment? It's that I do in fact have criticisms. Quite a few, actually. It's a Bioware game, of course I have criticisms. No one I've spoken to or whose posts I've seen thinks it's perfect or above criticism. But the thing is, I—and I imagine a lot of other firmly positive blogs—know that if I share any of those criticisms, if I make posts discussing them and talk about the game's flaws, I will immediately be inundated by people using those complaints to insist that the whole game is garbage and the writing is bad and Bioware's a terrible studio who can't make good games and DAI (of all fucking games) was so much better and blah blah blah blah. I know that because it's happened every goddamn time I've made a less-than-positive post about DAV. And I don't have the energy to deal with that! The endless stream of bad faith criticism wears me down and having to constantly stop to defend a game I like when I'm trying to discuss its flaws because if I don't (and frankly half the time even if I do) people will use my posts to claim the whole game is garbage is exhausting, and fandom is supposed to be fun. So I can't discuss DAV's flaws on tumblr if I want to avoid that, and it is infuriating. I see people bitching about toxic positivity and people refusing to acknowledge the game's flaws, and I really want those people to take a second to consider: do the game's fans ignore its flaws and refuse to accept that anything about it is bad? Or have you created an environment that is so toxic that no one who likes the game wants to risk getting your attention by mentioning what's bad about it and they respond more aggressively than is warranted to even genuine critique in an attempt to ward you off? Because there will always be assholes who claim that genuine problems are Fine, Actually, Stop Being Such A Baby... but if people can't address the game's flaws in public without immediately getting dragged into five different arguments about how it is in fact ultimately a really solid game, they're not going to do it no matter how much they recognise those flaws.

[fl3shm4id3n]

ʀᴇᴅ ᴀɴᴅ ᴘᴜʀᴘʟᴇ

𝐒𝐮𝐦𝐦𝐚𝐫𝐲: 𝐘𝐨𝐮 𝐧𝐞𝐯𝐞𝐫 𝐭𝐡𝐨𝐮𝐠𝐡𝐭 𝐲𝐨𝐮'𝐝 𝐞𝐯𝐞𝐫 𝐦𝐞𝐞𝐭 𝐓𝐡𝐚𝐧𝐨𝐬, 𝐬𝐩𝐞𝐜𝐢𝐚𝐥𝐥𝐲 𝐢𝐧 𝐭𝐡𝐞 𝐬𝐢𝐭𝐮𝐚𝐭𝐢𝐨𝐧 𝐲𝐨𝐮 𝐰𝐞𝐫𝐞 𝐢𝐧. 𝐇𝐞 𝐬𝐞𝐞𝐦𝐞𝐝 𝐭𝐨 𝐛𝐞 𝐚 𝐟𝐚𝐧 𝐨𝐟 𝐲𝐨𝐮𝐫𝐬 𝐚𝐧𝐝 𝐲𝐨𝐮 𝐰𝐞𝐫𝐞 𝐚 𝐟𝐚𝐧 𝐨𝐟 𝐡𝐢𝐬. 𝐘𝐨𝐮 𝐰𝐞𝐫𝐞 𝐠𝐥𝐚𝐝 𝐭𝐡𝐚𝐭 𝐡𝐞 𝐡𝐚𝐝 𝐭𝐚𝐤𝐞𝐧 𝐚𝐧 𝐢𝐧𝐭𝐞𝐫𝐞𝐬𝐭 𝐢𝐧 𝐲𝐨𝐮 𝐚𝐧𝐝 𝐝𝐞𝐜𝐢𝐝𝐞𝐝 𝐭𝐨 𝐤𝐞𝐞𝐩 𝐲𝐨𝐮 𝐛𝐲 𝐡𝐢𝐬 𝐬𝐢𝐝𝐞 𝐚𝐭 𝐚𝐥𝐥 𝐜𝐨𝐬𝐭𝐬.

ᴘᴀɪʀɪɴɢ: ᴛʜᴀɴᴏꜱ (ᴄʜᴏɪ ꜱᴇᴜɴɢ-ʜʏᴜɴ) x ꜰᴇᴍ! ꜱɪɴɢᴇʀ/ʀᴀᴘᴘᴇʀ! ʀᴇᴀᴅᴇʀ

Tw: Squid Game 2 SPOILERS, smoking, slut shaming, criticism from the public, death, blood, Thanos having the hots for reader, reader is kinda based on Megan Thee Stallion.

A/N: I've been listening to Megan Thee Stallion and Doja Cat again, I got some inspiration.

Masterlist

You were know as the infamous rapper 'Cherry' due that signature bright red color you wore all the time. You were at your golden age, everyone loved you. Specially young women your age, probably due because you sang songs about women struggles and anything involving women. Everywhere you went, you got recognized. You asked to take photos, sign pictures and other kinds of merch that your fans had in hand. You didn't mind, you loved your fans. They were the reason you became famous in the first place.

But then, you began to get criticized, according to a much older audience you were vulgar and not very lady like. They also criticized your music and how it was a bad influence to the younger generation. Not to mention your music videos. They criticized those too, simply because you wore very provocative outfits and danced inappropriately. The final straw was when you were spotted smoking cigarettes outside a night club. You got criticized even more. You even got slut shamed for it. You didn't understand the hate you got, you wondered if you were a man, would they still treat you the same?

You began to loose deals, no one really wanted to work with you. Scared about their reputation, you understood their explanation. It just sucked that you couldn't do what you really love. At some point, you had considered in no longer making music. But your fans had encouraged you to keep doing music, some even suggested you move to the States. You thought about it for a while now. Moving to the States wasn't so bad, you knew they weren't as critical as they were here. So you've made up your mind and decided to move to the US. But there was a problem, you barely had any money. That was going to be a problem, and your savings weren't going to cover the expenses. You needed money and needed it fast.

So, here you were. Dressed in a green tracksuit with the number '013'. You were told you'll be playing some games and get a huge amount of cash. There was a lot of people, were they here for the money too? Interesting. You were explained the rules and even signed a consent form and all that. While you were getting escorted to the first game, but first you had to get your picture taken. As you waited in line, you noticed a group of people huddling over a guy with purple hair. You knew right away who it was, it was the one and only Thanos. You were a huge fan of his, you had wanted to do a collaboration with him at some point.

"Omg, is that Cherry?!" Someone said, making everyone in that small group turn to look at you. "It is!" Someone else chimed in. Then they began to try and get you to go over to take a picture. Even Thanos chimed in. "Hey, I don't mind one more person, come on." He encouraged, before you could say anything, the guard came over and had told the group that they couldn't take picture that way, they had to be individual. No matter how much they begged to make an exception. The guard said no, Thanos then told that after the games, he'll take pictures with all of them. They all agreed and processed to get in line to get their pictures taken. When it was your turn, you made sure your hair was descent then processed to do your signature pose. You wondered if you could get your picture printed.

As you continued to walk to the destination of the game. A girl behind you, better known as player 196. "You're Cherry right?" She asked. "The one and only." You responded, she kind of squealed in excitement. "OMG, I always wanted to meet you in person. I've been to every single concert of yours!" She said, you couldn't help but smile and chuckle. "You have?" She asked. "Of course. I love your album RED, I listen to it 24/7." She explained excitedly. "I wish I had my phone so I can take a picture with you. Maybe even follow each other on Instagram." She said, still very excited to be right next to her idol.

Once outside, you and player 196 were still right next to each other. You had a feeling that she'd be stuck with you for the rest of the games, you didn't mind. "Hey, Señorita." You heard someone say behind you. You and player 196 turn to see who it was. It was the one and only Thanos. "Don't you know who I am?" He asked, while walking along side you and 196. "Do we have to?" She asked. "I do. Thanos The Mad Titan." You responded, making Thanos smile. "Das right. We can get to know each other. Tell me about yourself." He said, directly at you. "Are you hitting on me?" You couldn't help but asked. "Oh yeah, he definitely is." 196 said in response.

"In the sea of faces, you caught my eye. My beauty, my flower blooming among weeds." He paused as he sang to catch his breath. "Red, orange, yellow, green. I'm a legend Thanos." He finished as he did his very known pose. You and 196 listened and watched as he continued to small rap. "Look at us in this blue-green. Now give me the green light." He paused, then look directly at you. "I like you!" He said, as he did the heart with his pointer finger and thumb, then wiggled his eye brow at you. You couldn't help but chuckle and feel your face heat up. "Do you even know who she is?" 196 asked. "Of course I do. The one and only Cherry." He said, but then he continued. "'I'd rather be a B.I.T.C.H 'cause that's what you gon' call me when I'm trippin' anyway'. Real Hot Girl Shit, Ah! " He finish his sentence with a quote from one of your songs and your catch phrase, as he then posed just like you did earlier in your picture. Making you chuckle. "I never thought thee Thanos listens to my music." You responded. "Of course I do. I know talent when I see it." He said. "Ya know, red really is your color. That lipstick suits you well." He said confidently. You couldn't help but smile at him.

Then the game rules were explained. It was green light, red light. It should be easy right. Then a guy began to yell and scream on what to do and what not to do. Who even was he. When the game started, he continued to yell and tell everyone not to move. "Freeze! Nobody move!" He yelled. You, Thanos and 196 stood still near each other. "Is he high or what?" 196 asked. "Nope. No one is like that when they're high." Thanos added. "Then he must be drunk or off his meds." You also added. You then heard a small bug fly by. You followed it with your eyes and noticed how it landed right on player 196. "What's that?" She asked, still not moving. "He knows you're a flower. There's a bee on you." Thanos teased. "A bee?!" She then began to freak out an move like crazy. You remained still, just watching her.

She stopped then turn to look at you and Thanos. "Crap, I just moved." She said as she chuckled. Then a gunshot was heard, followed by 196 getting her brains blown and falling right in front of you. Both you and Thanos got splattered in her blood and some brain matter. Even at that, you still remained frozen. Your eyes shifted to look down at her, seen a huge bullet wound on her forehead along with blood. The bee had come back and landed onto her cheek. The man yelled again. "Do not move!" He warned. You were frozen, you just witnessed someone getting shot. You wanted to scream, but you didn't. You feared that if you moved, you'd be next. Then people began screaming and running. Gun shots were heard and people were getting shot. Despite that, you still didn't move. You didn't want to die like this.

For the remainder of the game, you followed the guys instructions. It was obvious that you were scared, but you kept on going. You threw yourself across the finish line. Relieved that you were alive.

Back at the lobby, you were sitting on the floor near your bunk. Still breathing heavily, your hands were shaking. You were also slightly biting your extra long stiletto red nail on your pointer finger, nervously. You felt yourself slightly gag, you then covered your mouth with your hand. Feeling sick. Nothing came out, but your stomach was turning. You didn't even notice Thanos sitting next to you. "You okay?" He asked. You then uncovered your mouth. "I'm good, no worries." You said, still shaky. Thanos noticed and took your hand into his. Giving them small rubs and trying to ease your nerves. His hand were pretty warm and felt very comforting. You were more calm by his small kind gesture.

A bit letter, the same man began to argue with the pink men. Asking about the votes and all that. You weren't focus on any of that, you were more focus on what the hell you jus witnessed. The image of that girl was engraved in your head. You sure needed therapy after this. When the pink showed the amount of money in the piggy bank, your eyes were glued to the clear piggy. Seen that much money all together. Made your worries go away. All that money could help you get to the States and more. When you heard the more eliminated players, more money will be added. Was it bad that you wanted to stay for more? Who care if people will die, they're fucked from the get go. They'd either die here or out there.

When it came to the voting, a lot of people voted to stay. There was arguing with that guy. Claiming he played these games before. But no one really cared, people chose to stay and play. When it was your turn, you pressed O and given the O velcro patch to put on your jacket. When you headed to the O side, Thanos and some guy stood right next to you. "Good choice Señorita." He said with a goofy smile. "I need to the money, so. Either I get it here or I go back home empty handed." You simply said, almost cold. Thanos nodded his head, then wrapped his arm around your shoulders and pulled you close to him. "Just stick with me, I'll protect you." He said, very confident. He then leaned down and literally licked the blood off your cheek. You groaned, but didn't mind. You couldn't help but chuckle by his action.

"You a freak or something?" You asked, while you wiped the saliva off your cheek with the jacket sleeve. "Baby, I'll be whatever you want me to be." He said, with a smirk while looking directly at you. You couldn't help but slightly bite your red bottom lip. Almost as if you were flirting with him. "I like you, like really like you." He said. "You only just met me today." You added. "Pfft, so? The moment I saw you, I knew I'd like you." He said with a flirtious smile. "Maybe this is fate." You teased. "Ya know, maybe I didn't get all the infinity stones." He said. You raised your brow. "Oh? And why is that?" You asked. "Well, I do have purple, yellow, blue and green. But, there's one missing." He said. "And that one is?" You asked. Thanos then responded. "I just need red. Red is the Reality stone." He said. You tilted your head to side, waiting for him continue. "And Baby, you're my reality." He said with a wink. You couldn't help but roll your eyes and laugh at his corny line. "What? It's true." He said. Maybe being in these life and death games wasn't going to be too bad.

[supper-ansuta-broth]

Hey guys!

As of the most recent Akatsuki event, fans of Ensemble Stars! across the globe have begun voicing their anger with the distasteful, ignorant, and outright bigoted nature of the franchise's story as a whole (most prominently (but not exclusively) its racist structure, undertones, plot points, and rhetoric). I have always been of the opinion that Happy Elements K.K. as a company is not worthy of respect, and wholly do not care about fans' and users' input, feelings, concerns, and criticisms. Time and time again, H.E. have not only put their own bottom line first, but have made it their only concern.

Needless to say, I am not only disappointed but infuriated with this company. While I am an optimist who hopes to see the best come from any situation, this is not one of the cases where this would be a realistic outlook. Because of this, posts on here will likely be infrequent, as I don't want anyone to believe that even for a moment I think their decisions are excusable.

That being said, while I encourage everyone to do their part in reminding H.E. over and over how much harm they've caused and the colossal damage they've done to their IP, I must also remind everyone that most of a gacha's game's profits come from the small percentage of its highest paying players (i.e. "whales"), and that H.E. has a long history of not listening to its playerbase's concerns and criticisms, even going as far as to silence them and block them for speaking up. They do not care what you think. They care about money, first foremost and only. Be active and speak up, don't support their shitty business practices, but don't run yourselves into the ground in the process of doing so, because at the end of the day they will continue trucking along-- they are too big to fail.

I encourage everyone to direct their focus towards fan creators, and send them as much of your kindness and love as possible. Support the people who create things due to passion and love, not just for money. Enstars has been lacking passionate stories for a long time anyway, with only a handful every now and again. Everyone who creates anything, no matter their skill level, deserves compassion and support. And if you're someone who wants to create something but fears mediocrity, create it anyway. Every great artist was consistently mediocre until they grew enough in their skill to start producing some things they like.

Additionally, this is in no way the fault of the seiyuu, the employees of H.E. who are not in charge of making decisions for the story, or anyone else who isn't directly involved with the meat of what makes Enstars, Enstars. These people are not to blame. Direct your ire towards the writers, the executives, and anyone else who allows these decisions to pass.

That's all I have to say for now. If you have any questions, feel free to send me an ask. I can't guarantee I'll get around to everything in a timely manner, but I assure you I will answer anything I can. Thank you for reading.

[seat-safety-switch]

Let's be honest, folks: you've gone through like half a dozen socks in the last couple of months, haven't you? Yeah. Socks nowadays suck, and we've all got our reasons why. Blah blah globalization wah wah market won't reward quality woo woo creeping degradation of the moral universe. That's whining, and when I whined as a kid my mom locked me in the basement until I built an intricate machine to fix whatever I was whining about. Sometimes, if my uncle was already locked down there, she'd make me do it in the shed instead. Let's go to that shed right now and make a machine to make socks.

Winter is the hardest season for sock survival. For one thing, it's real dry. You get that rough skin, that static electricity, bristly boot soles all the time, and they fall apart on your feet. Big holes. I'm sure Big Sock gets a huge rise in their stocking price – get it? – around this time every year, as everyone needs new socks for Christmas or other seasonal/denominational shopping holidays. Fuck 'em, is what I say. We're going to fix their little red wagon.

Now, you might be unsurprised to hear that humanity already has a machine to make socks. We just don't put good materials in it. Unfortunately, I was never trained to make a machine that makes "good sock materials," whatever those are, so we're going to cut a corner here and slap a Chevy small-block V8 on an AliExpress "Full Automatic High Capacity Socks Machine Sock Knitting Machine for Sport," which I paid $39.95 for and got a 15% off coupon in exchange for giving it a five star review, no matter how many children it maims. Critically: it has free returns, so I can get that forty bucks back when we've made a year's supply of foot coverings.

The most important part of this job is building a good coupling. The massive amount of torque from the vee aight needs to be transferred into the sock-making machine, ideally without breaking it. Otherwise you're going to just spend more money on clutches, dowels, wrist pins and spring baskets than you would have on more socks. It helps if you've gone through an entire undergraduate materials-engineering degree, but for those of us who have gotten a restraining order from their local university, well, we have to do what works. Which is a truck clutch, tactically welded onto this sucker, using the display unit welder that they have at Princess Auto while the employees weren't looking.

Now, let's rev this piece of shit up and make us some socks.

Okay, things have not gone well. I admit that "roaring fire" is a big downside. Turns out that these things really need some yarn loaded into them first. If you just fire it dry, what it actually does is try to turn its own asshole inside out. The good news is that I can probably wear this prolapsed chunk of smouldering wiring harness as a sock. Seems pretty warm, I'm going to count this as a win.

[divasroses]

how you knoww the signs don't like you…

okay heyyy 😻👋🏾 . this is part two of my first post, 'how you know the signs like you' & thank y'all for blowing that up by the way because wtf !! 😱

disclaimers:

i wrote this from the perspective that it's kind of already known they don't like you and more so how they act afterwards…

if you disagree, you can keep it to yourself tbh, i don't feel like debating over these trivial opinions lol 😭. love y’all tho.

it doesn't matter whoooo doesn't like you, fuck their sign lol. this is just for fun.

🤍 🤍 🤍

aries: a little obvious. couldn’t hide it if they tried. just will be very serious with you. not even shy which i’ve seen from some of the men, just all business which is unlike them. if you have any business with them in the first place that is. yeah that cardinal will definitely show. will look at you, listen to you, acknowledge you but with the straightest face known to man. and that's just them trying not to cuss you out :). yeah the men will be pretty nonchalant but the women...idk you might be activating that fighter chip inside them. so will kind of sit and simmer until they find out IF YOU NEED THAT or not lol.

taurus: hmm yeah them and virgo will give disgust faces a little bit. will wonder why you're even there and might accidentally say that lol. doesn't want to be included with you or your plans and will make that veryyy clear. whoever they are with, if anyone will have to decide between interacting with you or being with them (and quicklyyyy). other than that they will be just visibly annoyed until you're out of their presence or they are out of yours. oh and don't be dressed poorly, they will roast the hell out of you 😂.

cancer: oooooh this is when you see the sour side of a sweet cancer! 😮‍💨 how can one be so passive aggressive yet critical at the same time? will judge you and all your choices. for example, you'll mention something you're working on and they'll be like "oh yeah? and how's that going for you?" with a little smirk. like it’s already failed 😩. you might even catch them rolling their eyes. their loved ones probably already know they don't like you so now it's just one big joke. hope you have tough skin and an even temper babes.

gemini: awe tricky, tricky 🫤. it depends on how much they don't like you. if it's really serious, they will simply refuse to be around you. doesn't matter what the occasion is and they will explain that to whoever needs/wants to know. if it's not that serious, sureeee they'll kick it with you but you can tell they're not really listening/appreciating anything you're saying, just making conversation because it's so easy to them 😭. definitely not laughing at your jokes. if they think you're capable of change, will eventually lay out what you did or said that made them not like you.

leo: extremelyyy petty. shows off even more than usual! think of like how some animals (escaping my mind which ones in particular) will like bare their chest or something to show dominance? it gives that. and don't even think you're getting an OUNCE of attention, from anyoneeee. anything you say or do they'll do it bigger and better baby so don't even bother 🤦🏾‍♀️. might rudely stare, taunt you, look at you crazy. may even form a whole circle and exclude you from it! and if they haven't yet, and it's on their hearts, confront you. "so I heard you were talking shit about me/my friend and I just wanna know where you get off saying ANYTHING because..."

virgo: classic virgo face of disgust 😭. will probably silent treatment you, even if you're in a group of people. and you better not stutter or say anything illogical, they will take pleasure in watching you make a fool of yourself. will definitely be reading you for filth later with their friends (consider yourself lucky you're not there to hear that conversation ) but I've seen them keep it pretty classy in the moment. but, if you're in a group or social setting they will do the bare minimum. for example, let someone know that's your seat if you get up for a second. but don't expect much else. :)

libra: soooo soo dry!!! it's almost cartoonish. but they don't care, it's on purpose! secretly hoping their dryness will make you leave them alone! 😄 whether in person or texting. really doesn't care what you do with your life or what you're saying, just wants you to get the f out of their face! will pacify you until that point... if it never comes trust me they'll find their sweet escape. won't be caught in that situation with you again tho ✌🏾…

scorpio: you might as well be dead babes 😩. will walk, talk and maneuver around you like you're a ghost. won't even look at you. truly will give you no time or attention, in even the most minuscule ways. you'll actually start to feel some type of way from how little mind they pay you. and it'll be very obvious because you'll see how warmly they treat everyone else and how different it is compared to you 🫤. absolutely will not fake it. even if their friends are cool with you and talk to you, they'll leave them there and go fuck off somewhere else. and that friend is in trouble for even talking to you btw 😬.

sagittarius: the original trolls 🤦🏾‍♀️. will clownnnn youu so so bad. you will be looking for the nearest hole to escape the public humiliation lol. most of it will be indirectly, albeit but the point will definitely be made. will talk about you while you're right in front of them 🤷🏾‍♀️. never cared lmao. will tell everyone how lame you are, spreading it like a damn cold. "you see that b*tch right there? that's one weird b*tch. you know what she did? she..." LMAO. people might've heard what they said about you before they even meet you. you thought your reputation proceeds you? no sag's roast of you, proceeds you darling 😭🫠.

capricorn: nose to the ceilinggg! like they smelled something really, really bad. and surprise, surprise: it's you! 😄 casual, flippant shade but doesn't even care to do too much, granted you're not talking trash to them. because don't forget they are exiled in Mars and can definitely go there with you 💯. but until then they will brag/flash their status, achievements and let that do the talking for them in a sense. you'll leave knowing that you're nowhere on their radar or level.

aquarius: i think it can go one of two ways. the first is a little bit of instigation, i’ve seen. might try to annoy you on purpose and shut down/challenge your ideas if you vocalize them in their presence and will be veryy condescending about it. in the meantime will work on getting everyone else's attention/compliments/praise. can be a little obnoxious. remember, they are represented by The Star in tarot and Leo's sister sign. however, they're not as intentional about it as Leo 🤷🏾‍♀️. if you're not biting the bait eventually they knock it off and just do their own thing. the other way is literally just doing their own thing from the start and ignoring you. they will get the attention/compliments/ praise of other people either way.

pisces: so unserious lol. probably just initially laughs when you first come into the room or whatever the circumstance is. but then just goes about their business. might shoot you a crazyyy side eye lmao. but to them you are the elephant in the room and they will genuinely be confused as to why you're in their presence but then again... doesn't really care. 'bigger fish to fry' that's how they see it (no pun intended).

okay so yeah 😄 thank you for reading this babes, hope you enjoyed ! and happy new year! 💋

[selene131]

🪞Clarity🪞

Sevika x reader

Summary: Sevika is at her lowest, but you are there to provide her with comfort.

Wc: 770

Warnings: hurt/comfort, angst, vulnerable Sevika, self-criticism (Sevika), smoking

The darkness of the room is disturbed by the flame coming from the beautifully carved metal lighter. The metallic click of the lighter creates an enigmatic symphony that echoes throughout the space. With each flicker of the flame, you catch glimpses of her face.  The light kisses her face in an ethereal way, at the same time, emphasizing her strong, sharp features. Such a sublime antithesis: she is fragile, vulnerable; yet so untouchable and bold. She places the golden cigarette holder between her teeth as she lights the other end of the cigarette. She inhales the smoke deeply; letting it invade every part of her lungs, holding it for a few seconds before releasing it slowly.

She plays with the lighter one more time, allowing  the flame to burn freely. Now, you get a better view of her face. She studies her face in the mirror, her eyes gliding over every little detail of her face - her eyes, eyebrows, nose, lips, deepened bags, and scars engraved into her skin. At that moment, she remains unaware that you have gotten up from your seat. You carefully approach her, standing right behind her. She is still focused on her reflection - she sees a broken person, shattered to pieces. Her mind is unclear as she looks at herself, consumed by her own thoughts and self-criticism. 

You watch her reflection in the mirror, and surprisingly, your eyes meet. Her gaze softens, and you catch her in a vulnerable moment. Your eyes don't leave hers. Slowly, you move closer, your chest pressed against her back. You rest your head on her shoulder, nuzzling your face into the crook of her neck, but your eyes never stray from hers.

“You are doing that again”, you say in a gentle tone. 

“I can't help it”, she responds.

There is a palpable tension; the intensity of your gaze weakens her, and she breaks eye contact. Gently, you raise your hand to her face, caressing it and guiding her gaze back to the mirror. The flame of the lighter illuminates her features, while the darkness of the room casts shadows over her visage - creating a captivating work of art, a baroque painting where the technique of chiaroscuro works its magic.

"You should try to see yourself the way I do", you break the silence.

She lets out a chuckle and shakes her head. 

“Don't give me this answer”, you disagree with her reaction.

You begin to trace every single feature of her face, telling her all the little things you love about them. You notice that her face feels warmer, likely due to her internal blushing, but you choose not to tease her about it. You pause your exploration at her eyes, where you give her a complete analysis.

“Those beautiful gray eyes - look at them. Those eyes that have seen horrors no simple man can imagine. Those eyes that shed tears countless times behind closed doors. Yet, those eyes can still sparkle with the joy of a little child. Those eyes offer kindness to those in need. Those eyes soften when they look at me.”

Her facade is breaking; her eyes are full of tears, but she still refuses to let them run over her face.  

You try your best to reassure her. 

"I don't deserve your softness and kindness," she utters with a trembling voice. 

It breaks your heart to see her this way. She is in the process of learning how to accept and love herself. It will take time to silence the voices in her head - her own and those who made her feel less.

“You deserve more”, you say as you delicately guide her head to face you.

“You need time and I am here to support you, no matter what”, you add with a genuine smile on your face. 

In return, her hand finds your face, stroking your cheek lovingly. She guides your face toward hers, holding the gaze. As your faces almost touch, she pauses - her eyes searching yours, attempting to communicate her love for you. With her lips near yours, you can feel her warm breath fanning over them. Her hand moves to the back of your head, fingers tangling in your hair as her lips meet yours in a kiss filled with longing.

The flame of the lighter flickers and is burning low as the gas is slowly dying. Yet the fire of love in your heart and soul for one another continues to blaze brightly.

In the end, she pulls away from the kiss and says: “Darling, you bring me clarity. ”

[abyssalzones]

at the end of the day alex is just some guy. he’s said some objectively stupid things but he doesn’t deserve to get like. beat with hammers or something. especially when he’s probably not as involved with gf’s creative design as everyone thinks he is

yeah agreed. I don't know. I used to spend so much of my life being anxious about what the creator of my Favorite Thing had to say, and I think in a way it was to avoid thinking about aspects of my real life that were contributing far more meaningfully to that stress and anxiety. this is mostly because gf has been a very important thing to me over the years, so any time there was some incongruence between what it meant to me and what was being said about it, it would feel like the end of the world. but I feel like after reading tbob and "the worst" coming to pass in a lot of ways, it's like I've broken out of that weird spell a bit. it just objectively doesn't matter to me anymore if alex says something stupid or annoying outside of official material, and even within official material I think I've found a lot more closure by acknowledging the things that used to bother me than turning away from them and going Well that's not how /I/ would've done it!!! which makes sense for a show that has a lot of themes about avoidance, in an oddly full-circle way.

I'm getting a little off topic from what your ask was about I think. I've been kind of hesitant to bring it up publicly since I don't want it to seem like I'm his #1 fan or doing a big heel turn or anything but I don't claim to hate alex at all anymore, I disagree with his perspective sometimes but I think that's healthy in terms of having a meaningful, personal dialogue with a story. a creator cannot perfectly convey to an audience and have their intention be universally understood, nor should they! it's vital that art remains subjective, and that there's an infinite number of interpretations- regardless of whether they're supported by the text in some capacity or are totally bullshit. and just in general as I've grown up a bit I think dedicating energy to making myself anxious on the internet is a waste of time when I could be making art that is truer to my feelings about something. I respect and uphold everyone's right to be a #hater but I think being a #lover is vitally important to keeping criticism meaningful, as well as keeping perspective on Why you're hating something.

please god nobody take any of this in bad faith btw I love complaining I think complaining is great I just don't want to do it as much anymore. I want to live!!!!!!

[wingsdippedingold]

On the wings.

I hate that we have to still have this conversation but so many (white) ACOTAR fans still don’t see an issue with Feyre donning Illyrian wings. I’m absolutely open to criticism and discussion, but if you disagree with what I have to say and happen to be white, I implore you to think of your own biases and think empathetically as to why poc feel this way. I’ve done my best to include real world examples in a tasteful manner to assist that, as well as real arguments I’ve seen and discussed, but we’ll see.

Now let me clarify, this specific part criticism towards her use of Illyrian wings is for SEX, and is more broadly directed to Sarah and the white women who defend the actions rather than Feyre herself. Do not dog pile me for being a Feyre or women hater, that’s not what this is. Okay? Okay.

She could be a paragon of virtue, but as long as the Illyrian women are still suffering under their rule, whether directly or not, it’s still wrong. It’s the equivalent of a white woman in colonial America dressing up as an indigenous woman because her husband thinks it’s hot. The majority of Illyrian women have their wings clipped; you might not think it’s morally wrong to shift into an Illyrian, but it is insensitive.

“What happened to pro-choice? It’s her body!” Okay? Pro-choice does not mean pro-bad-choice. A white woman doing black face isn’t okay all of a sudden just because it’s her body that she’s painting black. “But blackface is demeaning and meant to be derogatory!” Do you not think turning into a specific race for your sexual escapades isn’t demeaning? It’s a fetishization. Do you not think the fetishization of East Asian women by white men and only caring about them in a sexual content isn’t wrong? And before anyone attacks me for applying real world examples to a fantasy land, obviously these aren’t one-to-one, nothing can be when you throw in magic, but they are in the same vein of reasoning.

“But she modeled them after Azriel, her friend.” 1. Azriel is not and was not affected by the plight of the Illyrian women. His permission, opinion, or relation in the matter does not matter. 2. Just because one poc (which in the world of ACOTAR aren’t technically poc, but rather a whole other race, though that’s not the point) says an action is okay, doesn’t make the action is okay to the collective. I mean would you be okay with a white high school boy saying the N-word because his friend gave him a “pass”? Hopefully not. 3. Azriel was her only choice (besides Cassian) to model them after. The women’s aren’t exactly an option…

“It’s not a costume, she’s physically shifting.” If I get surgeries specifically with the intent to look like a different race, physically altering my body, is it all of a sudden not a costume and okay?

Feyre can take her wings on and off, Illyrian women can’t. Feyre can get all the benefits of their livelihood, without any of the hardships.

At the end of the day, the Illyrian women are still suffering, so using a part of the autonomy that’s denied to them will always be inconsiderate and insensitive.

[morlock-holmes]

So I've seen you reference works by Duchamp and Worhol and the like before, saying that 20th century art history has already had the conversation about what should be considered art and that critics of AI art are ignoring all that history. But what's the case that these works actually should be taken seriously as art? If I say that I think Warhol's soup cans and Duchamp's Fountain are just juvenile pranks at best and not worth paying attention to, what am I missing out on?

I know that I could find answers to this elsewhere, but I'm interesting in your take on it.

I don't know if it's worth taking them seriously as art, exactly, so much as you have to take them seriously as moments in art history.

I wrote about Fountain here, and I'm a little bit proud of that explanation.

The major thing that happened in the 20th Century is the long process of destroying the idea of "good taste", and of any distinction between "High art" and "low art".

The reason I bring up Pollack, Duchamp and Warhol is that all of them very famously raised the question of "What constitutes worthwhile art?"

A urinal? Splatters of paint on canvas? Paintings of a commercial design you didn't create?

Part of the reason they seem dubious and silly is that they essentially won the battles they were waging so incredibly decisively that it's almost impossible to imagine a world where they didn't.

When Duchamp put a urinal in an art exhibition the idea of doing it was so scandalous and absurd that even a group of avant garde artists thought it was a step too far. Today, if you saw a toilet in a gallery show you'd yawn and say, "Of course".

There is an essay I can't seem to find, (I had thought it was by Umberto Eco but I was apparently wrong) which had an image which stuck with me where the author said that the popularity of Warhol's soup cans gave him the somewhat daft temptation to put an actual can of Campbell's tomato soup up on a shelf as an objet d'art. Somehow, the attention paid to Warhol seems to imbue this ordinary object with a sense of artistry and importance.

Did you know that in 1965 Marvel Comics briefly rebranded as Marvel Pop Art Productions?

Attacks on AI specifically are all waged in an arena where the idea of "High" and "Low" art has been thoroughly demolished, where you can lionize, without any felt sense of irony or shame, the human talent that goes into drawing vampires on Magic: The Gathering cards.

And the reason I put it in a dismissive way like that is that 50 years ago, or 100 years ago, this was not the primary way that the culture conceptualized art. The further back you go, the stricter the distinction between "Art" and "Commerce" gets.

Prior to Warhol and Pop Art, comic books, for example, were generally understood as disposable nonsense designed to distract children; while some adults did, in fact, enjoy and think about them as valuable expressions of human artistry, this was not the dominant paradigm, thinking about them this way marked you out as in some way a member of the counterculture.

Writing an essay about the merits of Jack Kirby as a capital A Artist is no longer an avant garde act of countercultural defiance, it's just... Ordinary. The way one thinks of art.

This is because of adult comic book fans and comic book creators working from the bottom of culture and because of the popularity of people like Warhol and Lichtenstein at the top of culture, eating away at the barrier between high and low culture from both sides.

I don't even like Lichtenstein, I think his pastiches of other people's works are generally less interesting and arresting than it would be to just take the panels he was aping and blow them up.

But he's still important to the general story.

A conception of human artistry where the main important thing is the expression of a human talent, regardless of subject matter, is not some obvious constant of human thought; such a conception would be foreign to most human societies.

The reason it doesn't seem foreign today is in large part due to all the people I keep mentioning.

And so there is something that bothers me about internalizing and agreeing with many of the challenges they posed to traditional notions of taste while simultaneously ignoring and dismissing them as not worth thinking about.

The 20th century attacks on traditional artistic conceptions were so total that they also included strong attacks on traditional ideas of "Authorship" and "Intention" as components of art.

I don't know if this is really making sense. Basically, if you actually want to dismiss the last century of art history, you have to have some sense of "High" and "Low" art, and acknowledge that AI at the moment really only poses a threat to "Low" art which, quite frankly, a person of good taste shouldn't care so much about anyway.

"High" Art was already ruined before you were born, and any intrusion of AI into that space is pretty much just carrying coals to Newcastle at this point.

Or, if you want to take "Low" art seriously, then... I mean... Take it seriously. Taking "low" art seriously means grappling with the people who made it possible to take it seriously, and that means also grappling with their assaults on authorship and intentionality.

There's something that bothers me about taking the world Andy Warhol helped build as just obviously good while acting like there's no point in paying attention to anything he did.

[userautumn]

I have a genuine question about your other post, do you think people are loyal to tim as a person or like loyal to the show (for whatever reason they have) and feel like they have to defend it 24/7 and no one can criticize any aspect of it therefor being loyal to Tim? I hope this reads the right way cause I agree with you and you and Kay are really the only blogs I check in on

Both, actually. I don't know how long you've been around but members of this fandom (especially on Instagram and Twitter) are very protective of Tim Minear because, in their minds, how Tim is treated directly correlates to the chances of Buddie going canon. I have seen this sentiment repeated countless times over the years—Don't make Tim mad or Buddie won't go canon. I'd like to believe it started as a joke because, some years ago, we did used to poke fun at Tim. But somewhere along the lines, that joke transformed to a genuine sentiment I see echoed among some members of this fandom, which is concerning. It goes without saying that allowing one man the power to toy with hundreds or thousands of free-thinking adults is alarming at best, and very dangerous at worst.

People are protective of 9-1-1 as well, but only so much as it is imperative to them that the show maintain its status (in their minds) as "Inherently Good." Such a culture has been built up surrounding media consumption and what people are and are not "allowed" to engage with, and how that engagement correlates to one's own "goodness," that if you have a show that is "Inherently bad" and you continue to watch it, that also makes you "bad," and since no one wants to be "bad," it's easier to pretend the show is "Inherently Good" so that they themselves can stay "good." I think we can all agree this is absolutely insane and faulty logic. But this this idea all comes down to the vice-like grip rightwing ideology and internet activism have arrested society in. Everything is always connected, at the end of the day. But the gist is that people are defensive over 9-1-1 and Tim Minear with the same voracity for two very different reasons.

At least ninety percent of our problems as a fandom could be cured if people realized that, 1) They're not "bad" because of the fiction they engage with, no matter what that fiction is, (yes, even that) and 2) No showrunner should have the power to manipulate a fandom so deeply that the validation (or non-validation) of canon causes people to treat others inhumanely. Fandom is supposed to be a community; we must try to get back to that.

Now, am I optimistic that the 9-1-1 fandom at large will learn either of these lessons? No. But. Some people will, and that's good enough for me.

[dumblr-account]

Orange Side Theory

So I’ve been trying to think about what this Side can represent that no other Side has quite embodied. I knew it couldn’t be Anger; a, that’s more of a feeling than a personality aspect, and b, we’ve seen plenty of other Sides get angry (i.e. Roman, Janus, obv Logan)!

Then I thought it could relate to Thomas’ feelings for Nico, since that arc and the Orange buildup arc has been quite intertwined thus far! So I tried to think of aspects that could relate to those things: Desire, Jealousy, Lust. But none of these quite fit either, since Roman has been a common source for such feelings for Thomas in the past! Someone on YouTube even suggested that this new Side might be Irrationality, but that is also a part of Roman’s package as the ego!

Then it hit me. Out of everything we seen from the Sides thus far, we never really seen a Side that blames others. Most of the Light Sides blame either Thomas himself for issues (Logan reprimanding him for not making a schedule, Patton and Virgil accusing him of wanting to do Remus’ ideas) or blame some other Side(s) (Roman is especially guilty of this habit). Even Janus and Remus, who act like they don’t care about other people, are sooner to point fingers at the other Sides for their repression than at external factors! The closest we get is Janus criticizing the concept of society, but he seemed more like he was attacking the system rather than the individuals participating in it!

The other closest to blaming others could be found in LOGAN of all people! In DWIT, while he concluded Virgil and Patton as the source of Thomas’ anguish, he also emphasized how Thomas’ childhood upbringing and religious education as the original reason why the split between the Creativitwins and the repression of Intrusive Thoughts happened in the first place! While this could arguably be critiquing a system rather than people, this felt more personal and specific compared to Janus’ “W E I N A S O C I E T Y” speech in SvS!

With all of this in mind, I wouldn’t be surprised if this Orange Side will embody this “blaming others” aspect Thomas has been missing. After all, no matter how kind we think we are or try to be, every human feels angry with others every now and then. And it doesn’t help that Orange surfaced from Logan when Thomas started looking upset that Nico hasn’t texted back! So what would be the name of this Side, if this is the case? My guess is it would be Resentment.

I’m not sure if this would be the proper term for this, or if I’m even close to deducing what this Side would represent. But I just wanted to throw my two cents in before who knows when the finale will drop! That, and I’m low key tired of seeing the Anger theory.

Edit: I’m not saying Sides can’t encompass feelings! I’m aware Virgil embodies fear, and Patton is the core of many feelings! I just mean the feeling isn’t standardly the concept TITLE given to a Side! The closest we get is Virgil being called Anxiety, and even that feels more like a state of mind than just feeling anxious. Same with my Resentment Theory. I didn’t mean to antagonize anyone, emphasis on the “low key” part of my dislike for the Anger Theory. It just feels too on the nose for me, that’s all. I’m sorry again for offending people.

[deramin2]

I think anyone complaining about Bell's Hells morality as we near the end of Critical Role Campaign 3 and whether they truly get to claim they're representatives of the Exandrian people should go watch How To Blow Up A Pipeline (2022) about direct action environmental rights activists. And the documentary Hit & Stay (2013) about the anti-Vietnam War Catholic Far Left activists while you're at it. Or The Trial of the Catonsville Nine (1972) which is based on a play written by one of the priests profiled in Hit & Stay about their trial (grandstanding in the trial was one of the intents of being arrested).

It turns out that when you're not in a binary morality unquestioned heroism YA novel that what is justified in fighting systems of oppression and what the right thing to do is actually becomes hard to determine and largely driven by internal feelings and rage at injustice.

Who determines who gets to have a big say? Who determines what actions are justified when no one will listen to the harm being done? Who determines what is overall the more harmful action? Especially when you can't know the future except that there is no option where tremendous harm is not done. Who determines which step along any road is "right" or even "wise?" Especially when they are taken one by one by specific people who are swept up by the events of their own lives and not predetermined by an all-seeing all-knowing Author writing backwards from the ending?

Playing a game isn't the same as acting in the real world at great personal cost, but real life is a kind of improv. Long form improv doesn't start with how the ending should get tied up. It's about how every single split second decision adds up to a cumulative finale. Things not turning out how you'd have played them out if you already knew everything and were living someone else's life is what reality is like.

The normal state of affairs is people making decisions you don't agree with. "They shouldn't have done that" is boring and useless analysis that shuts down further thought and dismisses what anyone else has to say. "Why did they do that" is what media literacy is about. Campaign 3 was never heroic fantasy (arguably C1 & C2 weren't either). It's a character study in people doing what they feel they must in the moment it's happening without any assurances at all that it's the right thing. It's about not having confidence and surety but having to act anyway. That's the entire point.

How To Blow Up A Pipeline (2022) is a great expression of that same dynamic. They have enough confidence to keep telling each other this is the most necessary action they can take because they don't know what the future looks like, but one where they did nothing isn't one they can stand to live through. Is blowing up this pipeline in the way they are planning to the best possible course of action morally and strategically? Literally nobody knows that. They can't possibly know that. It only matters that these people got to that point, and now it's all happening flaws and all. For love, for revenge, for discord in the face of a society that acts like this is normal. A bunch of righteous fuckups just trying to survive in a harsh world made harsher by the status quo.

If nearly 437 hours of game play was too much to sit through to get that point across, maybe 104 minutes will work better.

[vonbabbitt]

Hi Von! Dropping in to say that you are absolutely incredible.

I could never imagine how hard it is to do a project of this scale basically completely yourself, save for the voice actors and people who help with editing. It takes a level of dedication, responsibility, and patience that many people do not have. Whenever I mention Tetro to my friends (which happens quite a lot), the moment I mention you and go on a spiel of everything you do, they're all stunned.

What I'm getting at is that you're so talented, strong, and just an all-around powerhouse. Tetro is such an amazing and interesting series, and I commend you for being able to finish it and start a second season. Not only me, but the entire community. The fact that you and your staff get treated with disrespect is so shocking to me. It has not only some of the best voice acting I've seen in a while, but also some of the best writing and representation of disabilities I've seen. You and your staff deserve as much love and appreciation as physically possible from the community that follows you. I do hope that the good outweighs the bad, because you already work so hard that the added stress of fans who harass you is something I don't even want to imagine. You also deserve as much rest as possible.

You don't have to answer this ask. Ever. But please let this serve as a reminder that the community appreciates everything you do for them. It's okay to take as many breaks as you need. You're an incredible writer, artist, voice actor, director and creator.

I wish you the absolute best going forward, and I hope you have a good rest of your day.

thank you very very much anon its really reassuring to hear

the positive response to tetro definitely outweighs the negative, which is something im definitely trying to get better with accepting instead of focusing way too hard on one or two people who arent enjoying it. im also learning to accept that just because someone doesnt like something doesnt mean that something is BAD, regardless of whether or not they say it is. just because people dont like my writing doesnt mean my writing is bad (not that it would matter if it was bad either way, as im only doing this for fun!)

im really really grateful for the level of support people have shown me and going forward into the new year im going to try and be better with letting criticism roll off my back - this is my passion project and at the end of the day, my opinion on it is the only one that matters. im the only person who knows my intentions in every line, im the only person who poured myself into writing it, im the only person who has any sort of obligation to tetro. if others like it, im glad! but its not the end of the world if they dont

thank you for the kind ask anon!

[karashti]

I do believe they wanted to avoid political themes in season two, not knowing how to handle some of the themes that in the end were important part of the plot in arcane. (I believe that is why season 1 presents a plot where we as an audience can see moral ambuiguity and answer by yourself what "side" and what characters you think are right, but a good conclusion would not only need for them to answer it for us when that was never intended, but also fix wrongs things).

And I believe more than that is that they had limited time, and they did everything they could considering they wanted everything. They wanted to be able to add Warwrick, to add the prision cell sex scene, to add the Viktor becoming a god through his "glorious evolution", they wanted timebomb, they wanted mage Mel, they wanted Caitvi fallapart drama, they wanted Jinx as a big sister, they wanted a war against Noxus, they wanted Ambessa to be a main villian, they wanted Jinx to be a hero and have a grand entrance, they wanted a found family trope for both sisters, they wanted Jayvik canonly soulmates (platonic or romantic doesn't matter), they wanted everything.

"Did everything they could with limited time" is somwthing I said once about their series, both as a "defense" (I was mostly complaining about how of half critics in youtube were about Loris not being a second Vander, Warwrick design, not liking certain women characters being evil or not pure, etc when there are real things to criticize about arcane) but "everything they could" doesn't mean it was good. One can do everything they can and still be bad, in this particular case it's a still enjoyable to watch and can get amazing moments and details, which is probably the main focus as a series of Netflix.

With the lack of time they had to decide what to sacrifice to be able to put everything, and it doesn't really mean the chose wrong all the time or right all the time, they just had to choose knowing some would adore their choses (see how S2E7 is the most loved one of the series as a whole) and some would hate it.

"They didn’t had time to finish the story".

They didn’t had time for Jinx and Ekko's conversation, but they had time for a Mel's wasn’t even her real brother shenanigans.

They didn't had time for the Vi storyline, but they had time to write a whole affair scene between Caitlyn and Maddie.

They didn’t had time to talk about Sevika council seat, her reacting to Isha's/Silco's death or about her past, but they had time to turn Vander into Warwick just to kill him again.

They didn’t had time for the Ekko's community storyline, but they had time for an AU episode.

To me it sounds like they just wanted to avoid all of the political stuff from season 1.

But what do i know?