#but my point is that it's not relevant at all to my surgeries with him so it's a testament to him being a good doctor

[ji-lixie]

ive never hated a doctor quicker than i have now.

[haml3t]

Gotta say after having an appointment earlier in the week with a “specialist” who looked like she worked for the reagan administration and whose top tier medical advice was weed is evil in all ways and “tough it out” …..seeing my surgeon for post op later like the way he seems happier to see me every time and he’s so easy to talk to and having a genuine doctor/patient relationship was especially delightful 😄💚

[giantkillerjack]

Exactly! I totally get why someone would be hyper aware of queerbaiting and erasure, but just imagine how out of place and weird it would be if that woman then said,

"Hello I am his wife and we are in a straight relationship."

Like, your brain would be so stuck trying to interpret what the fuck that was that you wouldn't hear any of the incredibly cool and complex mystery stuff that happens in the next 5 minutes!

so I finished watch glass onion like 30 minutes ago and it was fucking incredible. absolute masterpiece. but I wanted to talk about The Gay Moment for a hot sec.

so maybe this is a sign that I Have Been On The Internet Too Much Today but I was scrolling through the glass onion tag and I kept seeing this theme of people not realising until afterwards that High Grant is Blanc's husband

and people in the replys keep saying 'oh I don't blame you, it was blink and you miss it, it wasn't explicit enough, etc.' but guys you are missing the point.

the point is that if a woman opened blanc's apartment door, wearing and apron and covered in flour, your first reaction would not have been 'ah yes, Benoit blanc's maid/roommate/cleaner'

I'm sorry loves that is not the movie being unclear that is just the power of heteronormativity

[a-star-that-burns-brightly]

CH2-12 thoughts (spoilers, I guess. You probably shouldn't be in the tag if you haven't finished the episode though.)

So! DRDT is officially back, and wow what a way to begin the rollercoaster we'll be put through the next few weeks. This episode was amazing, and I wanted to discuss my thoughts on it in a more detailed form. This episode gave us a lot of character moments that I want to at least mention, so let's get into it? Before we do though, I want to say that through these posts, I will be updating two things and showing them at the beginning and end First one being the swear statistics! It became a thing after my previous rewatch that every time a character swears, I count it, and I want to continue doing that for the rest of the series if I can so manage it.

^ current swear statistics as of CH2-11

And the second being...drumroll please!

My own personal DRDT CH2-Part 2 bingo card! If something on this list happens in CH2-Part 2, I'll check it off. Hopefully I can get a bingo or two in here, especially since, spoilers, two of the boxes have already been checked. But with all of that preamble out of the way, let's begin shall we? I’m going to cover the character moments we got in separate categories of the well…characters, rather than in order, for the sake of being concise.

Arturo

First and foremost, “Shut your whore mouth” made me scream at the top of my lungs. God I wish that was voiced. But more importantly, the thing about Arturo being very young for a plastic surgeon actually being addressed was not something I expected, especially so early. But I definitely appreciate the nuggets of Arturo backstory. Funny enough, his situation sounds very similar to Min’s in some regard, especially this line

(x) Arturo: I was only able to get this far in such a short amount of time because I specialized in plastic surgery, and nothing else. I neglected everything that wasn't immediately relevant to my goals.

This absolutely plays a factor into his relationship with his little sister. It more than likely was not just him leaving that made her commit suicide, but perhaps also years of neglect. And if she really felt like she couldn't live a life without Arturo in it, it's safe to say that their parents probably weren't the best either. The more I learn about Arturo and his homelife the more worried I am for him and especially his sister.

Veronika

Veronika didn't get much besides being her usual self, but I gave her a category because I wanted to point out two things One, Veronika calling Arturo cute. That just made me smile

And secondly, this line right here

(x) Veronika: Oh, and don't say something as boring as "I want to kill myself." I have no interest in such mundane reasons.

This is so fucked up and awful and gross and I absolutely love her for it. I just know she's going to get worse, I hope she does.

And also the fact that she apparently finds suicide to be inherently boring is very interesting, given the fact that she more than likely has the self-harm secret.

Whit

I know he didn't have much, if any major role in this episode but...listen I missed him. So much. You have actually zero idea how much I missed him and his goofiness... But also I can't believe that was the explanation for the dent in the computer lab that's been bugging me for months. Well played DT-Dev... (though the fact that Whit got away with breaking a rule solely because MonoTV thought it was funny is a bit fishy...it's almost like he's the MASTERMIND-- /hj)

We also in general got a lot of Charles and Whit moments, which I always like to see I don't think there's anything else to cover when it comes to Wh--

(x) David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

...Well, when I said I wanted more Whitvid interactions I guess this can serve as a reward. ...guys dont worry this is how we can still wi--

Levi

...I mean, what else is there to say really?

No but actually I'll talk. This is what we've been theorizing for a year, and I actually had it in my predictions that Levi's secret was going to be the one revealed in this episode. But I did not expect it right at the end, nor did I expect it to be so sudden. And I don't think Levi has any reason to lie either, so I think this is his actual secret. Seeing him lose confidence and apologize for his unhelpfulness kind of stung to me, honestly. Levi has been trying to help the group since the very beginning, and that has only amplified since the start of Chapter 2. So seeing him...basically give up was very upsetting He is definitely going to be in the hot seat next week's episode and I am very excited for it, hopefully we get some insight on his past as well and...maybe a levi and nico interaction? please dt-dev? please? :>

Hu

FishyFried, as always, knocked it out of the fucking park with Hu's voice acting, and her monologue towards David was just as amazing...if not a bit terrifying, as it directly parallels with her hidden quote

I want to pay for what I’ve done. But even then, I still want to live.

I think I've said this before, but I adore David and Hu's dynamic and how both of them tackle the themes of change in their own ways, how both of them project onto the people around them to fulfill their own desires due to being stagnant in their own growth as people, it's so much fun, and I can't wait to see how this continues to develop in the later chapters I am sincerely a ch5victim!david + ch5killer!hu believer at the end of the day.

Teruko

Oh Teruko, quite a bit to discuss with you today.

For starters, her genuinely feeling embarrassed and upset upon realizing what she did wrong, apologizing for it, and (how I interpreted it anyway) beginning to realize that working alone and not accepting help from others is starting to bite her in the ass? That was not what I expected. I really did think that Teruko was going to get worse before she got better, but maybe she's improving a lot quicker than I thought (...let's hope she doesn't backslide again though, especially if the culprit is who I think it is) Also.

If I have to live with this knowledge, so the-fuck do you. And then there's her argument with David, which I already made a post about, but I want to add onto it by saying that the performances from Swords and LuucarIi here are absolutely phenomenal. One of my favorite voice acted scenes in the entire series. I have replayed Teruko's "Hah! Based on what?!" probably around 20 times and I will repeat it 20 times more because the delivery gives me actual chills. This fangan has such an amazing voice cast oh my god it's insane.

David

Oh. You are such a broken, broken man, and you are absolutely going to go down the Simon Laurent route. I actually don't have a lot to add when it comes to David's actual motivations for his actions, I think a lot of us theorized that he was trying to kill everyone and himself. But the main thing I want to talk about is the Xander shit because oh my god this man is Down Fucking Horrendous. I mentioned all the way back in this post that David idolizes Xander just as much as Xander idolizes him. What I didn't expect was for him to still be clinging onto the hope Xander gave him and trying to follow in his footsteps, and being borderline possessive over the damn dead man. Xander may have idolized David, but David is obsessed with Xander and what he represents to him. And he is willing to ruin his reputation, reliability, and dignity in pursuit of what he thinks is right. Not to mention, it puts the Tally5 image in a whole new light.

Though I still think these words apply to the very possible revolution that David, Xander, and Mai enacted towards Hope's Peak, a theory that has become even more credible after this episode, I also think these lines portray David's thought process during his actions in CH2-11 and his motivation for doing the things that he does. David calling Xander "the only good person he's ever known" is very, very telling when you consider what he personally thinks makes someone a bad person (lazy, useless, stupid). And that makes me upset. Xander and David's relationship will never not be absolutely fascinating to me. ...alSO DAVID APPARENTLY HAS MEMORIES FROM HOPE'S PEAK??? APPARENTLY??? Like am I reading that right or do I just have bad media literacy. How...How does he??? WHY does he??? Why did he say he didn't know who Xander was in the prologue???? I am very confused and I'm sure it will all be answered. Extra Thoughts !! - we got 7:30 AM confirmation, woohoo!! And the bonus of Arei swinging when she was first found was such a good detail and I’m surprised none of us noticed it, honestly. With that confirmation, that leaves basically everyone else (minus J, David, Veronika, Hu, and Nico) in the hot-seat. - the multitude of new sprites we got were so amazing, especially David's - Apparently everything that happened in the second half of CH2-11 was in the span of two hours?! Sheesh, the editing crew on the TV show must be working overtime. Hopefully they get a paycheck and its not just MonoTV who gets paid. - If I had any doubt in my brain that Eden was the culprit it has basically dissipated with this episode. I really do not know who else it could be other than her. three of the five main suspects other than her have basically been cleared up, either through alibi (J and Hu) or though plot (Levi) David and Nico are also cleared from suspicion Though there isn't really any plot or evidence reason to necessarily exclude Rose, given her moment in CH2-8 and, let's be honest, this murder being way too physically complicated for someone as lethargic as her to commit, I'm inclined to believe she is not And every other character has something that's clearly being set up to be further explored in Chapter 3 (Charles, Whit, Ace, Arturo, and Veronika) Like... even if you don't think Eden is the culprit, you can't deny that she's the odd one out here. I still think Accomplice!Levi is true, but I also truthfully think the culprit can't be anyone other than Eden - If I were to give one I-guess critique though, not just on this episode but on the trial as a whole, it's that we are four trial episodes in and there has been very, very little focus on the actual murder mystery itself. We have barely even covered 80% of the evidence. This isn't like, a huge problem for me specifically because I very much watch DRDT for the astounding character writing over the murder mysteries, and I definitely think that the lack of focus on the case is worth the amazing character moments we got in this episode. But I can see it really bothering some people, and there's a part of me that can't help but be a bit afraid that the actual solving of the murder case is going to hit the audience with a bunch of information at once and come across as a bit rushed due to the lack of focus it's had so far. I trust that DT-Dev is cooking though, and it'll probably be a lot more cohesive once we have the full trial to look through.

Predictions for CH2-13 - Like I said before, Levi is going to become the main suspect easily thanks to his secret reveal. I know Ace is going to be on his ass especially, because in his mind it would basically confirm the image he has already conjured up of Levi in his mind as a violent brute who is going to snap his neck any second. J is also going to jump to conclusions because that's just what she does, and she was already concerned about the murderer secret to begin with. - Furthermore, I think most of this episode is going to entail Teruko trying to disprove that Levi could've been the culprit. Considering the fact that there, well, isn't much evidence to suggest he didn't, maybe this episode will feature this chapter's Random Guess minigame. - I highly doubt we're getting an AM VS PM scrum debate now, but maybe we'll get one on whether or not Levi is the culprit? Maybe? - On the topic of trial minigames, I hope we get another nonstop debate, it's been like three episodes since we've had one lmao - Nico is either going to defend Levi, or reiterate the speech that J gave them in CH2-9. Either way, I hope this reveal causes them to interact it would be so interesting - We are on a track-record of having at least one person's secret exposed every trial episode. Considering the fact that Xander and Min are dead, and I do not think Teruko's secret will come out until the end of the chapter, that really only leaves Hu and Veronika...which is interesting, as they are both in the clear for being the culprit. Hu has already had multiple moments to shine in this trial, so I think its more likely that Veronika's secret will be the one getting revealed. How that happens, I am unsure. But I think Veronika will be the next person to have her secret revealed.

Conclusion Overall, I think this episode was amazing and a great way to kick off the end of the hiatus. I can already tell that these next few weeks are going to be a wild ride for us DRDT fans, but we're all in this together, so I think everything's going to be fine (nothing is going to be fine.)

UPDATED SWEAR STATISTICS: CH2-12

UPDATED BINGO CARD

[arealphrooblem]

A Lost Cause Part 2

Synopsis: The trusted keeper of all the Heroes' secrets, Civilian's existence is kept a tightly guarded secret itself. So how did the villain find her? And how will she withstand the attempts of his scientist to break her open and discover those secrets himself?

CW: nonconsensual drugging, medical whump, medical experimentation, needles/IV insertion, mentions wounds from torture, torture recovery, captivity

The anticipation of what might happen each time he walked into the room was almost worse than actual torture. His words ran on a loop in her head as she dozed in and out of deep sleep.

I am dying to create the tools that will break you open.

But each time he visited, he did nothing but check vitals, change bandages, survey her progress, feed her. Slowly she worked her way up from broth to solid food, from sleeping most of the day to sleeping at night, from needing a catheter to walking to the bathroom herself once the bottoms of her feet were healed (and that was not a fun day, no sir).

The scientist refused to answer her questions outright unless she offered up answers of her own. Each day they ended in a stalemate, which he seemed to find amusing.

He refused even his name. Eventually she just started calling him the doctor, because he treated her like one. Despite her captivity, despite the ominous warning Vanderbilt gave her in the interrogation room, despite her overwhelming vulnerability, he treated her with polite and patient professionalism.

She tried to give him the same courtesy. Whatever his future plans were, he had given her the space and time to heal back to full strength. She would make sure he regretted that. But first she had to look cooperative and weak.

A few days after shedding both the catheter and the bandages on her feet and thighs, the doctor strolled in not with his usual stethoscope, but with a clipboard and a pen.

Her gut did not like that.

“Your recovery is chugging along quite spectacularly,” he said, clicking the pen. “Which means we are almost ready to start the clinical trials. Of course, before I give you anything, I will need you to answer a few questions about your medical and family history.”

“Clinical trials for what?” she asked, feeling like she swallowed a stone.

“For my experiments, of course,” he said, as if it were obvious. “Why did you think I’ve been helping you recover? Pity? The goodness of my heart?”

“What experiments?” she demanded.

“Oh I have several in mind for you. But first, a few questions.”

“Sure, of course,” she said, deeply scathing. “Let’s make it easier for you to torture me. I’ll jump right on that.”

“You should, if you want greater chances of survival. I need to know your allergies, cancer risks, medications you’ve been on, previous surgeries, or else I could accidentally kill you. You’re a very special experiment. I’d rather not lose you so soon to such a preventable cause.”

It made her blood run cold, the casual way he voiced her probable death, as if  he equated it with the disappointment of prematurely expired raspberries. An inconvenience, but there’s always more.

The worst part was that he had a point. What would be the purpose of her team rescuing her in a blaze of glory if she had died of anaphylactic shock?

So through gritted teeth, she answered all of his medically relevant questions. He wrote each down dutifully on his clipboard.

“And your name?” he asked finally.

She pursed her lips into a thin line and glared at him. He nodded.

“Not today, then. No worries. That will be the first thing you give me with the success of my first experiment.”

A knot formed in her stomach. “What’s the first experiment?” she couldn’t help but ask.

He smiled enigmatically. “You’ll find out when the time comes.”

She waited a few minutes after the door shut before she tip-toed to the window. The only thing she could see outside was a sheer cliff and water for miles. Probably the ocean, but she couldn’t open the window to tell. It was nailed shut.

Wherever she was, it looked far from civilization. Maybe that was why, after what had to be at least a month if not more, that her team hadn’t found her yet. They were city people. Superheros rarely had to venture into the rural countryside, let alone a place this remote.

Such reassurances did not cure the unease in the back of her mind that something didn’t add up.

Now that she had recovered, fatigue did not weigh her down so much and boredom began to creep in it’s place. The doctor offered her a handful of novels, mostly pulp scifi and dystopian literature. She read them and re-read them so often she could quote passages from each one. When the doctor finally appeared in her room with a small, rolling table of syringes and an IV needle, the jolt of adrenaline was almost euphoric in the face of the mind numbing monotony of her days.

“You seem eager for our first experiment,” the doctor said with a bemused quirk of his lips.

“Ecstatic,” she deadpanned, ignoring the jolt in her heart. “I can’t wait for you to kill me with whatever ungodly chemical is in that.”

He chuckled, pushing the cart next to her bed.  “You’re right in that God has nothing to do with what I create. But it is not my goal to kill you —  the opposite in fact. I try to limit risks as much as possible. There is only one you, after all.”

“Is that supposed to be reassuring?”

“Is it not?” It was almost comical how he blinked at her in innocent confusion.

She just glared at him in return, which he cheerfully ignored as he slipped the latex gloves on with a snap. He even hummed a little as he pulled open the packaging for the IV needle and the alcohol wipe.  

Meanwhile her gut churned and frothed in horrible anticipation. She had gone through literal torture but this scared her more. When knives or brands or electric cattle prods came out, at least she knew what they did. No one knew what would happen as a result of this experiment, not even him. At least the goal of torture was to keep you alive as long as possible. These experiments could kill her. These could be her last living moments.

Fear tainted her every breath but just as she did in the face of her torturers, she refused to let it show on her face. Instead she stared resolutely out the window, at the glint of the water in the sunlight.

“Deep breath,” he murmured just before she felt the sharp pain of the IV needle.

Her gaze darted to him, drawn like a magnet to the sight of him tapping the air bubbles from the syringe. Nausea roiled inside her.  She fought hard against the urge to rip the IV out before he could inject the serum. Instead, she could only watch in horrified resignation as it flowed through the IV drip.

“And now we wait,” he said, flashing her that polite smile, as if they were sitting in a doctor’s office.

He removed his dark tinted glasses and sat down at the love seat.

“We wait?” she cried. “Wait for what?”

The anticipation of the IV alone nearly drove her mad and now this?

He shrugged. “Ideally your mind should relax into an altered state where you forget you’re not supposed to keep your secrets and you tell me whatever information I desire. However, that didn’t work well back with Vanderbilt and I’m not expecting much success this time. I just want to see how you react to these sorts of chemicals.”

“So you’re just fucking around with my brain?”

“In a manner of speaking, I suppose.” He crossed his legs and tapped his thumbs on his knees, the picture of nonchalance. She never wanted to hit him so much.

“What if it does nothing? What if you failed?”

“Failure is just important data I didn’t have before. I’m not afraid of failure.”

You should be she thought bitterly.

But of course it wasn’t his life on the line.

When the effects hit her, it wasn’t nothing. All the muscles in her body locked up and spasmed. She could do nothing but writhe in the bed and scream. It felt worse than all her other torture combined.

By the time she finally blacked out, she couldn’t scream anymore.

[cripplecharacters]

Hello! I need some advice on how to deal with something in my story. CW for mentions of violence. This takes place in a medieval high fantasy setting in a rural village, and it's going to be a comic.

I have a character who was injured during a sword fight. She developed PTSD from this (along with another unrelated, separate incident which isn't relevent here).

CW for brief mentions of violence, description of panic attacks.

I'm gonna try and condense this so it's not 20 paragraphs of nonsense:

She actually copes with her PTSD relatively well, and is only triggered in specific situations which are not common occurences.

She lives in a rural village with one healer who has advised her on healthy coping mechanisms, but does not have the time/experience to act as a therapist.

At one point in the story, she starts becoming closer to another character she needs to work with, and they spar with each other.

He swings a sword near her face, which triggers a PTSD flashback. (Her face was previously wounded in a sword fight). He does not know she has PTSD or would be triggered by this, it's a complete accident. All he knew is that she had a scar on her face from something.

There are other characters in the story with facial scars from things like slipping and falling or cleft lip repair surgeries so he just assumes hers is from something like that.

After realizing that something's wrong he immediately stops sparring with her. He doesn't have PTSD but he does have severe anxiety and panic attacks and he recognizes that she's freaking out.

I have anxiety so I know what a panic attack is like, but I don't have PTSD so I'm not sure what a flashback is like.

When I have a panic attack, I get severe tunnel vision and my ears ring to the point everything sounds muffled. I also sometimes shake/shiver violently and feel like I'm going to faint if I don't sit down immediately.

Questions:

Would the flashback look/feel similar to that?

How fast would she be able to recover or realize that she's not in any danger?

Would she be able to communicate to her friend what's happening and what he can do to help?

Would asking him to just sit with her and hold her be okay/make sense? She also has autism and she likes to be squished and hugged tightly, it makes her feel secure and safe.

I can recover from panic attacks pretty quickly and then maybe feel only a little bit off for the rest of the day, but I don't know if she would be able to do the same after a flashback.

Also, there's one last thing I'm debating on whether or not I want to happen:

The character is fighter and it's a HUGE danger for her to be having a flashback in the middle of a battle. She (or someone else) could die if she's unable to fight.

Since the village healer can't help much, would it make sense for her to sort of DIY exposure therapy?

Obviously in real life this would be risky, but the character really has no other choice in this scenario and, to be honest, it's entirely in character for her to say "Fuck you, I'm doing this my way."

I'm going to read a couple papers on it to see exactly how it works and what she might do, but my main concern is that it would end up being weird, I guess?

She asks her two friends to help, one of which is the man she was sparring with (and later falls in love with).

Obviously, he's not actually her therapist, but I'm worried people will read it and go "Omg unhealthy relationship! Power imbalance! Therapist is fucking the patient! Evil!" but Idk, maybe I've spent too much time around fandom discourse lmao.

A few more questions:

Do you have any other advice or things I should keep in mind about her PTSD, like (healthy) ways she might cope with it?

With enough time and therapy, will she be able to sort of feel "normal" and have so few symptoms that she no longer meets the diagnostic criteria, or is she just sort of stuck with everything?

Is there anything I've written about her PTSD that is inaccurate or that could be done differently?

I'm so, so sorry that this got so long. Hopefully breaking it up into bullet points helped. Please take all the time you need to respond <3

First of all love the use of bullet points. It was incredibly helpful and I appreciate it! Many of these questions don't have one straight forward easy answer. PTSD varies a lot from person to person and even day to day or moment to moment. There is no one answer to “How fast would she be able to recover or realize that she's not in any danger?” and “Would she be able to communicate to her friend what's happening and what he can do to help?” Recovering could take minutes to days. She might be able to speak fluently or not at all. That’s sort of up to you. 

There are different types of flashbacks and they will feel different to different people. These several links may be useful to you. Link 1, Link 2, Link 3, Link 4

So with the exposure therapy, you are right. It would be really risky. I don’t think it’s a matter of "Fuck you, I'm doing this my way." The risk here is that it’s entirely possible that it would make her PTSD worse rather than better. It’s not a fast process either, it takes time. Why can’t there be a therapist near her? 

The character asking him to just sit with her and hold her would be okay and definitely could make sense. 

My answer for “Do you have any other advice or things I should keep in mind about her PTSD, like (healthy) ways she might cope with it?” Honestly just do your research! Learn about how people with PTSD cope and experience the world. There are lots of personal records available on the internet. Maybe even look at the PTSD section of the DSM. 

“With enough time and therapy, will she be able to sort of feel "normal" and have so few symptoms that she no longer meets the diagnostic criteria, or is she just sort of stuck with everything?” The answer is likely something in between the two. It is unlikely she will ever be cured of PTSD. However, given time and help she can find ways to cope and have a happy life. Her happy life might never be able to involve sword fighting, maybe it doesn’t look “normal” but she can live a happy satisfying life without being cured. 

Now on your last point. I have some concerns when you say “The character is a fighter and it's a HUGE danger for her to be having a flashback in the middle of a battle. She (or someone else) could die if she's unable to fight.” First, this is a harmful trope of disability representation in media. It’s not great to treat disability as an active liability/threat. We also don’t need to moralize symptoms. To quote another mod “Flashbacks suck but they happen…having a character with significant PTSD never have flashbacks…is not super realistic especially if…she's retraumatizing herself by being in an environment similar to where the trauma happened”

If she knows she's being triggered by battles why does she keep fighting? I don’t understand why she would take the risk of retraumatizing herself in such a high-stakes situation. Especially because from the sound of things she’s coping well and knows about her symptoms. 

Thank you for your question. I hope this was helpful. 

-Mod Patch

[venus-is-thinking]

DRDT Chapter 2 Episode 12: Initial Thoughts

Hello everyone! I thought it'd be fun to do a post going over some of my first thoughts from the episode after each release. "Initial" is a bit of a stretch, considering I did watch it a second time while making this post, but it's more "initial" in the context of being before the next episode drops. It's sort of like my "initial thoughts" of the Milgram MVs, which are actually the result of, like, 3 hours of obsessing and research, lol.

(By the way, @accirax and I watched the episode together, so apologies if her initial thoughts end up being, like, the same as mine.)

SPOILER WARNING FOR DRDT CH 2 EP 12!

T/W: Body image issues/body dysmorphia, murder, suicide

The Reactions

Confirmation of what I think most of us already suspected! I do think it's a little weird that Nico didn't bring up their testimony about all of the fish being there at the last time they fed the fish. That probably means it's being saved for later in the Trial, I guess?

It's okay Teruko, I saw literally no one in the entire fanbase figure this one out either!

Why is everyone so mean to her though. Everyone here has been an idiot in the Trials at LEAST once

God I missed David

This was so funny. Get his ass.

(In all seriousness, though, I do wonder if we're going to come back to what J said. I don't currently (?) think Arei was drenched, unless the real purpose of the water WAS just to confuse the time of death, so if the water didn't connect with her enough to cool her down, it might be weird that the body isn't warm after all.)

This took me out. Who let you say that. What.

Okay, but Ace, outside of a killing game... why. Like, literally why would a plastic surgeon need to know how to do an autopsy. King.

Like Felicity...? /hj

All in all, though, this was a really interesting character moment for Arturo! And god, the fact that he started learning medical knowledge and spedrun plastic surgery specifically since age 12 HAS to mean something. My vague theories of Felicity having struggles with body image/dysmorphia (Arturo's section of this post) are... maybe real???

Honestly, I'm starting to wonder if Arturo is going to go farther in this game. I don't expect him to survive or anything, but I could see it taking him a surprisingly long time to die. He feels like he's got too much lore to unpack to die, like, next chapter. Unless he gets HELLA focused next chapter, which is definitely possible.

This is so silly. I love them.

(Note: I'm not a Whit mastermind truther, but if I were, I would point out that MonoTV sort of covering up a rules violation for Whit could be relevant. I'm not a Whit mastermind truther though, so I think this is just a very silly joke a la "no wifi! why live :(" )

Well you see Eden, the killer would have actually had all night to prepare. If, say, they mentioned that they could dial in and focus on their work for like 14 hours straight, they could have gotten a lot done before 7:30 AM!

I'll talk about this more later, but the fact that J, David, Veronika, Hu and Nico seemingly have alibis that actually matter is so iconic. I can't believe that many theories died that quick. I'll talk about that more in my theories section, though!

It's been said before, but. Funniest fucking reaction to being declared innocent of murder.

"David still has a family history of depression even if that isn't his secret" nation where you at?

This one made me laugh out loud. Who does it like him

How truthful do we think David is in this next section? I refuse to believe it's 100% a lie, just because he's cooking SO hard on SOMETHING, but I could also believe David thinks he's lying to an extent. I could definitely see a "the best lies are based on the truth" kind of thing?

Also, damn. Xanvid really is real. LGI got me to believe it but WOW David's just being gay on main now

This was a really good, succinct way to have Teruko show her opposition to David's ideas. Even if it is to end the killing game or do something "good' or whatever, Teruko is still hurt and betrayed by what Xander did. Xander tried to kill her, and presumably would have tried to kill everyone else. David is now doing the same thing.

It's going to be really interesting if, whether genuine or not, David is kinda taking on Xander's position. That's going to give Teruko a reason to (outwardly) hate him even more. I'm really looking forward to learning more about how both Teruko and David view Xander.

Also, it's so fucking funny that Teruko and David are literally fighting over Xander. Like, valid, but. Guys.

(Also, David soooo knows Teruko's secret is the killing game is all your fault. Idk if he specifically knows that Xander's plan was to kill Teruko no matter what, but he's definitely caught on to some extent.)

This was crazy. Is Xander famous? Why would everyone recognize him? Like, did David just take particular notice of Xander because he's a simp, or is there something else going on?

Notably, it's also extremely interesting that David says "Even if you all lost a year of memories for this killing game." It almost implies that David didn't? What do you know???

Also, if David DOES have weird memories about this that no one else does, it's a really interesting comparison to Teruko remembering the existence of a killing game in the area investigation when she was talking to Veronika. Are these two getting special memory privileges because they're important? Or does everyone have some kind of memory that they all should have, but only one person knows each thing?

At first I was confused when David said this, because I really don't know how dear anyone in DRDT's life to him was other than Xander. But then I realized, if David is talking about killing 15 others and yourself, he's definitely still talking about Xander's mindset. Xander had something worth the lives of 16 people that he was trying to do.

I don't know how much David cares about ending the killing game. I wonder if "belief in Xander" is the thing he's willing to kill 13 people plus himself for?

I'm starting to get REALLY curious what J's deal is. Between this and her voiced line earlier in the trial saying something along the lines of "it's like you all still haven't grasped just how serious murder is," she definitely seems to have strong opinions on specifically the morality of killing other people. WHY is she being singled out with these beliefs, what does it say about her, and where is her character headed?

(If she is the mastermind, does this couple with the "all murderers must be held accountable" rule?)

"Any answer" is so funny. I think she's looking for the truthful answer, David. This is why no one believes you when you say anything ever /aff

Notably, this is VERY similar to the plan Eden came up with that Veronika described: using the fact that TV shows need entertainment to continue to end the killing game. It's the same thing, but with a much more depressed "everyone should just give up" kind of flavor.

The level of similarity does make me think David is probably not being 100% truthful, and that he just repurposed Eden's escape plan to be something sort of similar to what he was going for.

I do think that he WAS trying to defeat the killing game by killing people through the class trial. I just think that, between Xander's actions and the motive secret he received, he was trying to kill Teruko specifically. Yet another way that David's unhinged behavior ties into the Chapter 2 secrets.

*Hu hopeless child looms in the distance*

I'm so glad that Hu gets to pop off though. She really hasn't gotten, like, any content in the series so far. Here's hoping this is kicking off her getting a bunch of time to shine!

Interesting that they had both Ace and Hu cut Nico off in this interaction. The staging definitely implies that they're trying to show that while Ace is wrong for talking over Nico and not letting them say anything, Hu is also wrong to an extent for not letting Nico defend themself and running to their rescue all the time.

I am begging you. Please discuss the murder method. I didn't realize until my rewatch of the trial that they have actually literally not talked about the murder method at ALL except for telling David that he doesn't know shit about it.

HUH?????????????

Theory Update/Analysis

Well, I'm gonna start this off by saying that I'm still pretty locked into Eden being the killer. We still need to address the tape, and I personally still found her to be decently shifty now behavior wise (she seemed nervous when we turned back to solving the trial, and she says something about "it's too hard to narrow down the killer :/" when people were talking about morning alibis). I just think it makes the most sense.

While obviously my logic for why Levi would be the accomplice has to be at least somewhat flawed, given Levi's surprise confession (!!!), I still think it's possible that Levi is the accomplice here. He could be doing this to further confuse/complicate the state of things (hence why he calls it leading people astray), and it's possible he's not being 100% honest here.

Something that Levi could be doing here is taking control of the situation and spinning the truth in his favor. Hu mentioned earlier (e11, I think?) that the secrets are phrased dramatically. Similarly, Levi may be trying to offer an explanation for his secret that might be more tame, but still believable.

For example, if Levi says that he killed one of his parents because of the circumstances he grew up in, but it turned out that his parents were extremely abusive to him in some way (cough cough Amane Momose), wouldn't people be more willing to forgive the fact that he's a "murderer"? There are different levels to the culpability of murders.

So, it's definitely possible this is still an attempt by Levi to conceal the truth of his secret. It's true that, right now, no one's really trying to match all of the remaining secrets up with the remaining secret holders in-universe, but the entire fanbase pretty much slam dunked this one. Once the content of the secrets was revealed, it wasn't too difficult to track the origin of this secret to Levi. Levi might know that, and might be trying to spin it in a positive way while he can get everyone's attention and tell everyone the same narrative here in the class trial.

I don't think any Levi accomplice or killer truthers have to fully give up on the idea, or at least not until we see what Levi actually says after this. It's a WILD topic to reveal we're going to talk about, but we haven't actually talked about it yet. If we were told "we get David's motivations for trying to throw the trial," I doubt literally any of us would have locked in the prediction of "David is trying to follow in Xander's footsteps by killing everyone via the trial because he kind of remembers Xander." So, until next week, I'm keeping an open mind!

This was insane. I can't believe we actually got a new episode, and that we're gonna KEEP getting new episodes until the chapter finishes. What the fuck!!!

[cookeybg]

Autumn's Loss of Petals - Chapter 1

Title: Autumn's Loss of Petals

Various POVs : Damian Wayne, Tim Drake, Jason Todd, Dick Grayson

Tags: Angst, Loss of love, amnesia, brotherly love, familial love, will add more if relevant

Obviously, I do not own any of the rights to any of the DC comics, animated cartoons or movies and I am not getting paid to write this. This is purely for my enjoyment :)

Word Count: 1,936

Table of Contents

Chapter 1 - Damian

“Before I have you sign, I must ask, are you sure you want to go through with this?” Dr. Sato’s soft kind eyes looked at Damian with compassion. "Must you keep asking me such an inane question, I've already said yes." Damian snapped, he hated seeing the look of pity everyone kept giving him. "It is an important question, many think they can go through with this without fully grasping the consequences." Dr. Sato's eyes somehow turned softer when he smiled, a tinge of sadness marred the corners of his eyes. "It's just protocol, little D." Dick reached out to pat Damian's hand only to be swatted away. "He is my child, once he has made up his mind he will stay strong." Talia stroke Damian's head gently, she was not swatted away. "If you would only tell us who it is, we might be able to set things right. Before going through with such a major surgery." Bruce crouched next to where Dick sat, his hand hovered over Damian's. Jason snorted where he leaned against the door frame and Tim, sitting in the chair next to the door, paused in his typing. "There is no point if the object of his affection doesn't reciprocate." Talia glowered at Bruce, who glared back, finally placing his hand on Damian's. "Yes, well," Dr. Sato cleared his throat, "if you have determined that this is for the best, please sign the release form so we can begin the surgery." Damian rolled his eyes. He didn't understand why his family had to be here, he would have been fine on his own. He grabbed the clipboard the doctor had handed him and signed his name neatly. He coughed, his hand shooting up to cover his mouth. He was too late, a bit of blood had splattered on the consent form. Removing his hand he stared down at it, a clump of thick white petals came with it. He felt the room silence, his family ready to fight an opponent they could not punch. He felt weak, his breath coming in short, burning his throat, leaving a sour taste. He felt pathetic and that was the worst feeling of all. He hated that this was what had become of him. That he had let his feelings rule him in this way. His mother had warned him all his childhood that love would only hurt him, would hinder him; yet here he was beholden to it, ruined by it. "Tt." He crushed the petals in his hand. He grimaced, feeling the hateful tears, that he had tried to keep at bay, drip down his cheeks. A choked sob escaped him, before a hacking cough over took it. He clutched at his chest, the noise from the heart monitor attached to him rising to dangerous levels, the temperature in his head skyrocketing, forcing his veins to bulge, a high pitched ringing overtook his hearing. His fingers dug into in cheeks, his palms covering his open mouth, preventing the bloody saliva from splattering out. His forehead bumped his knees with the force of the last cough. With watery eyes he saw a full flower in his cupped hands, it's waxy white petals let the blood it came out with slide off with ease, dripping, staining the white hospital blanket. The strong sweet smell of it mixed sickeningly with the smell of iron and bile. The ringing gradually dropped and when he looked up his family were being pushed to one side, their panicked faces pale under the florescent lights. A nurse pat his back, telling him to lay back, trying to comfort him. Dr. Sato pushed his medical bed forward, his calm soft demeanor gone, replaced with the concentration and determination of a doctor who had been working in this field for decades. They rushed him out of the room, the white sterile walls blurring in their wake. He knew he was dying, his head light, his limbs heavy. He felt relief. When they placed him on the metal bed of the operating room, they placed a plastic mask over his nose and mouth, told him to breathe in and count backwards. He saw a pair of blue eyes reflecting the sky, tousled black hair and a smile brighter than the sun, his arms opened wide, beckoning him for one last hug.

Soft light streamed in through the large window, gently waking Damian up from his dreamless sleep. His mouth felt like sandpaper, his throat felt worse, he tried to lift his hand to rub at it but a weight prevented the action. The weight was warm, comforting and when he looked down he saw Talia holding his hand, half her body laying on the mattress. He tried to call her but all that came out was a rasp, the effort was too much and he fell back into unconsciousness.

“When do you think he will wake up?” Dick asked, pacing the room. “According to records from other’s surgeries, it can take anywhere from a couple of hours after surgery to three days.” Tim said sitting next to Bruce on the beige couch, his face hidden behind his opened laptop. “How do…did you hack the hospital records?” Dick asked stopping in front of Tim. “Is it really considered hacking if it was so easy?” Tim scoffed. “Yes. Yes, it is.” Dick said. “What, you going to arrest him, pig?” Jason was lounging on the recliner, an open book in one hand. “Boys, please let’s be respectful to your brother’s recovery.” Bruce pinched the bridge of his nose, his hair looked like it needed brushing, his dress shirt rumpled and unkempt. Damian watched his family bicker with half opened eyes, he was already annoyed with them. He carefully glanced around, he no longer stayed in the sterile white hospital room he had first been admitted to. He could tell that his father had put him in a private hospital room complete with a two seater couch, two reclining chairs, a coffee table and a giant 4k television hung on the wall. The walls were a light warm colored wood and the giant window that basically covered one side of the room faced the peaks of mountains. He tried to tell them to shut up, instead what came out was a soft gasp. The gasp left a burning sensation in his throat, he needed water. “Little D!” Dick rushed towards him, “How are you feeling? OMG I’m so relieved that you’re awake.” He sobbed, clasping Damian’s hand to his chest, being careful of the IV needle embedded in it. Bruce and Tim had followed Dick, but were much more reserved. His father looked relieved, smiled at him and ruffled his hair. Tim smirked, the bags under his eyes looked darker and more defined. Jason had left the room, when he returned he brought a nurse with him. The nurse worked around them, checking Damian’s vitals, while Dick prattled on about how relieved Kori and Mari would be when they found out he had woken up. Damian did not have the energy to make Dick shut up, though he was relieved he was there, something he would never admit to. The nurse gave Bruce a cup of shredded ice, giving him instructions to feed it to Damian slowly. She helped put him in a sitting position, adding pillows for back support. She then excused herself, stating that she would inform the doctor of his wakefulness. The ice that his father fed him was the best thing he had ever tasted. He wanted more, was frustrated when he couldn’t snatch the cup away due to his heavy limbs. He was shaky and uncoordinated, Tim and Jason teased him, taking advantage of the fact that he couldn’t retaliate both physically and verbally. Bruce scolded them, feeding Damian another sliver of ice that melted far too quickly on his overheated tongue. The room quieted down when Dr. Sato walked in, his soft smile directed to the whole room, when it landed on Damian it softened further.

“I am happy to see you awake. If you would allow me to do a few tests?” He indicated for the rest of the family members to leave the room. They all reluctantly complied, Bruce squeezed his shoulder telling him to call if he needed him. Damian rolled his eyes, why would he need him? Dr. Sato gave him a brief check up, checking his breathing with a stethoscope and his eyes with a small pen light. When satisfied, the doctor brought the stool chair that had been under the hospital computer in the room, close to the bed, sat on it, looked at his clipboard and then gave Damian a serious look. “Physically, it seems that you will recover wonderfully.” Dr. Sato stated, “Do you remember why you had this operation?” Damian scoffed, opened his mouth to respond, but when he realized that he couldn’t remember his mouth shut with an audible clack. He rubbed at his neck, trying to message it, trying to distract from the uncomfortable feeling of blankness. He looked around the room, did he get hurt? Obviously, his throat burned and he had bandages wrapped around his neck, but what hurt him? His hand slowly drifted down to his chest, he had bandages there too, the skin felt painful, inflamed, he hadn't noticed before. "I was hurt." Damian rasped, unsure of his respond. "In a way," Dr. Sato nodded, "we removed a growth from your lungs and heart, it was causing an obstruction to your airways." He tried to remember, a subtle image of a memory crept up and quickly slipped away. It felt like a cold bolt had struck him, the sudden pain making him wince. "No, don't," Dr. Sato patted the blankets next to Damian, "rushing it will do you no good and will only hurt. Many patients in your shoes will have temporary amnesia, slowly you will regain most of your memories." "Most?" Damian couldn't go above a whisper, his throat burning with any effort of speech. "Hm, yes, all of the relevant memories will return, except for the ones that caused the injury in the first place." Dr. Sato wrote something on his clipboard and stood up, "You were very brave, I am glad you pulled through. I will inform your family to give you some time alone to process, I'm sure they would like to go eat and shower. Please rest, you need plenty of it." He smiled and left, the door giving a soft click as it shut. Damian stared at his hands, a faint image of white petals lingered, but he couldn't remember the shape. He shakily touched his chest, it was solid, his flesh intact under the gauze. He took a deep breath, it tasted of blood but it was clear. His heart beat without constraint, comfortable in his chest. Damian could feel it, that something was missing, he gripped his hospital gown. It felt like he could reach in if he pressed a bit harder, like he could fill the cold void left behind by whatever they had removed. Fill it with his fist, squeeze his heart so that it could feel warm. It was an silly thought, dangerous even, he should be grateful that it was gone. Wet droplets landed on his hand, large and hot, with a shock he realized they were tears. He was crying and couldn't figure out why, all he knew was that this emptiness was unnatural. He had forgotten something important. He wanted his father, he wanted his mother, he needed his family.

I will be experimenting with different POV's for this fic, but they will all be Damian-centric. I hope you enjoyed it and I hope I got the imagery across.

[batsplat]

“the issue was that valentino had thought that he could fix that bike - and while obviously he did influence that project, it was still several years away from being particularly close to being fixed. those two years are all about frustration, of trying to make changes to the bike and nothing working... which was enough to make valentino willing to accept yamaha's terms as long as he could get back to a point where he was competitive again. because he had begun to doubt himself, because after two miserable years of injury, a bike that oscillated between throwing him off and just being slow, the tragedy he and the sport suffered at sepang 2011... well, more than anything else, he just wanted to enjoy himself again”

sorry to copy whole chunks of your work into your inbox and idk if you meant it to sound this way or if it’s an accident but reading this part you could have also been talking about marc’s last years at honda (heartache! my god, my chest twisted) and his switch to ducati and it’s rather interesting… that this happened at almost the same age for them… through almost the same situation………. idk, as different as they sometimes seem, it’s almost like they are meant to be viewed as two versions of the same

(x) maybe a teensy bit on purpose lol

yeah, look, obviously there's plenty of notable differences between the two situations - from how serious the injury was to the personal tragedy valentino went through during that time to the disparity in their ages (three years doesn't sound like a lot but in this sport it kinda is). personally, I didn't really doubt that much that marc could be a title contender again, but from the way he speaks about it, talking during this last presser that he was considering retirement at assen last year... look, some of the stuff early this year was expectation management and of course he's perfectly capable of lying about this stuff, but he very obviously did have some serious doubts about the extent to which he could be competitive again. this is the thing, right... he just hadn't been able to fight at the front of the field for so long, plus he was on a bike that is just ideal for slowly stripping away the confidence of a rider. if you're constantly unexpectedly crashing because you just can't trust the feedback you're getting from the bike, that's just psychologically incredibly tough to deal with (incidentally broadly an accurate description of the ducati during the early 2010s)

which is where the parallels with valentino really do come in, don't they... it's the confidence, the way for the first time in their careers, it's really been systematically stripped down... all this self doubt, the way they're struggling to find themselves again. of course, they'd both gone through rough patches before - the 2006-07 period for valentino, 2015 for marc. they've had a few knocks, it's not as easy to shrug off injuries any more, they know there's no guarantee they'll measure up to the riders they once were. I compiled valentino talking about marc's injury here, but most relevant is how he compares it to his own 2010 injuries. so you have this in july 2020:

I think it's interesting that valentino acknowledges that it helped he knew his title charge was over after the broken leg, to force him to give it up and just focus on his recovery. it's easier, right - if he'd been in marc's situation, it's entirely possible he would've tried to race the following week too. I also think this is an interesting way of framing his actual recovery process, where he *checks notes* still came back way sooner than everyone expected,leading to speculation he didn't really believe his title charge was over - plus kept delaying surgery to the shoulder to the off-season even though it was very obviously hampering him, which then continued to be an issue the following year. like, okay, great job, you didn't try to ride a motogp bike WITH A BROKEN LEG, but also "I only thought about getting better" doesn't quite match up with your actions buddy

as valentino acknowledges, the sport does have a history of near-miraculous comebacks... I feel like these days people only remember 2010 and not the 2017 knock-off

and of course marc's ill-fated decision has to be seen within this context. the ways in which he was influenced by the comebacks from other riders in the past (the most famous of which is probably jorge assen 2013) and by how he himself had a habit of somewhat improbably recovery timelines after constant off-season surgery. from the vale race recs post *wink wink* *nudge nudge*:

valentino also compares his own mugello injury with marc's in september of 2020:

so you also get valentino agreeing with the parallel between honda's situation in 2004 and 2020. of course, the situation in 2004 wasn't as dramatic for honda - but in both cases, they went into that season fully expecting to win that title and instead found themselves underperforming and losing

moving on to comparing the injuries: valentino says his initial injury was worse, but it was marc doing the crazy fast comeback that really fucked him over (which is all true). he talks about why it's so tough... the "physical side" of the pain when you ride the bike but also "on a mental level if you have any fear". how this leaves a "mark on all riders". not particularly hard to draw any parallels here, he's already doing it for us

and lastly in november 2020, again with reference to his own 2010 injury:

talking about how eventually it becomes not just about the career but also about quality of life... how it was a tough period for him because he was just in constant pain... "sometimes you need time"... again, not really much to add, is there. the following years are a brutal double whammy of sorts: not only are you attempting to recover from your worst career injury, not only are there massive reasons why you're suffering (chronic pain, personal tragedy), but also you're suddenly uncompetitive in a way you've never been before in the premier class. you know there's a real possibility your time at the top of the sport is over... that even if you get back on a competitive bike, there's no guarantee you'll be able to come close again to being the rider you once were. you've ridden a bike that's gradually sapped your confidence, your ironclad trust in your own ability to be able to master any bike... you've spent so much time away from the top positions, and you've also made way more high profile mistakes that you had at any stage of your career. for valentino, the most memorable one is obviously jerez 2011 - which, yeah, you can write it off as just a dumb error in the wet, but it's not the kind he'd make if he didn't see this as his one chance to get a big result this early in the season with the crap bike and the crap shoulder (this is 'ambition outweighs talent'). for marc, it's silverstone 2021 (as martin says afterwards, "I hope he can learn from this one and improve for the future", which is great snark lol), portimao last year (y'know, the home crowd booing him)... arguably aragon 2022 the first lap, but that one's not quite as bad a misjudgement (admittedly, he maybe should've called it a day after the first collision). obviously, valentino was never a particularly crash-prone rider until he got on that ducati - but it's worth remembering marc wasn't really known for this kind of error, where he was collecting other riders and causing them both to crash. all of this isn't fun! it's also just kind of humiliating! they're used to so much success, and now they're getting barely any of that - while also occasionally having to go around apologising to other blokes for annoying errors they weren't really making back in the day!

then from marc's end, you've got this quote from 2014 (credit to this post):

of course, knowing marc, there's no way he's not thought about the parallels between his current situation and valentino's back in 2013. and, look, obviously it's not one to one. valentino was three years older back then, his injuries were serious but considerably less so than what marc went through, the competitive landscape looks completely different now than it did in 2013... but this isn't about drawing direct comparisons, it's more about the associated feelings for both of them... all this self doubt, all this pain, the way they just weren't having fun any more... this is the first order of priority, rediscovering the joy. personally I reckon they were being more or less sincere at the start of that journey in not primarily thinking about securing more titles. of course, that changes once they realise they can be competitive again... but while the doubt remains, it's not the main thing they're concerned with

that's the fun thing about qatar 2013, isn't it? there's no point in valentino's entire career where he would have been less invested in whether he ended up winning or losing a fight like that. the whole point wasn't the end result, it's that he was even capable of fighting like that again... of having fun again, battling with a top rider, with the star of tomorrow. given his weekend up to that point, he wouldn't even have been expecting to do so right before the race! really, beating marc in that race was just a bonus. in a different way, the same thing was obviously true of marc: making his debut in the premier class and immediately getting to fight his hero, ending up taking his first ever premier class podium. because of some cruel alchemy of timing and circumstance, you've managed to capture them both at the precise moment where they really are just happy to be there, made their first fight with each other a moment of pure, undiluted ecstasy. such a sweet moment for the pair of them, where they found themselves able to fight each other and had every reason to relish it. you really couldn't have scripted it better

and like you say, they are two versions of the same rider! it really does feel like their careers should be read in conversation with each other! obviously valentino frequently acknowledged this himself early on, saying it wasn't an 'exaggeration' to call marc 'the next valentino rossi'... the ways in which marc had modelled himself after valentino, including of course copying some of his most famous overtakes. beyond their rivalry and conflict, there is also continuity between the pair of them. their entire feud hinges on how it can feel like a blessing to face another version of yourself... but it can also become a curse. the reason why they grew so close in the first place and why things got so ugly between them is fundamentally the same. neither of them have ever really forgotten about the similarities between the pair of them either. mutually inescapable until the end, I fear

incidentally, for context, here's what valentino was actually saying at the end of the ducati years. first of all, he pays casey his dues for being able to succeed on that bike:

you'll note that while he says the experience hadn't broken him (though "I don't think so" isn't particularly firm either), he does talk about how psychologically tough riding that ducati was. also, like I mentioned in the post that this one is a follow-up to, the really big frustration is not even about the riding as much as it is in the utter failure in bike development terms - where nothing they did actually worked:

he describes this as his first wrong career choice (although in other places he has also defended this decision), while also paying credit to his ducati team. crucially it followed on from all these rolls of the dice that had worked, the most major ones being probably the switch to yamaha and later the switch to bridgestones:

he says he's uncertain about whether he'll be able to fight for titles and even race wins again, stressing the importance of the valencia test (which is when he knew he was in serious trouble back in 2010):

and he talks about being the number two rider back at yamaha (while of course flipping it around again to ensure he's putting pressure on jorge):

same principle as with marc, some of this is expectation management and avoiding putting too much pressure on himself, cf marc's constant talk about being content if he could just fight for those 'top five top six positions' again (lol). but crucially valentino didn't know what would be possible

he does also talk a bit about his successors to the seat:

the thing about the ducati during this time, right, is that it was a very bad bike. honda decided to be a bit more dramatic about this post-2020, but these are two broadly analogous cases of massive decline for a manufacturer that had recently won a championship. casey came in for 2007 as a 21 year old insanely talented rider who wasn't too familiar with another bike (certainly not one as friendly as the yamaha) and was able to do something special with that capricious package... but he also talks in his autobiography about how ducati became far too complacent once that title had been won. it's not just mystery illness that explains the progressive decline in his results at ducati during the following three years - it was hubris from ducati, their refusal to listen to their riders while preferring to insinuate their riders simply weren't following the right diet or just weren't exercising enough. valentino switched to this poor package at an age at which adapting to a new bike is just categorically harder, and he failed in making any real progress with that bike for the following two years

that being said, at the end of the day ducati's situation back then isn't a million miles away from what you've seen with the honda - albeit in a different era where this performance decline wasn't punished quite so badly in championship standings because the margins now are a lot slimmer. casey did the equivalent to what marc did in the late 2010s, and put a somewhat evil but obviously fast bike into championship contention for two of his four years at ducati. he jumped ship at the right time, valentino jumped onto it at the wrong time and swiftly realised most of the ship was by this point underwater. look, just some interesting context imo! feel free to ignore. if you're interested in a more in-depth read about what was actually wrong with the bike in 2011, here you go - the short version is "front end feel". which is of course the ideal way to ruin confidence... if you can't trust the feedback you're getting, you can't trust yourself, simple as

[ckret2]

@bluefrostyy said: How did bills eye moved from his corner to his center XD

That's a terrific question I actually have a serious answer to!

So for context this comment was left on a post with this image:

About the writing system used in Bill's home dimension. I also illustrate him with an eye on his corner in other posts about his home dimension.

Small diversion: I actually do also occasionally illustrate him with an eye on the inside of his body to represent "psychic" perception (that is: the ability to see the third dimension)—

—as in his home dimension, having an "eyeball on the inside of your body"/inner eye is a non-literal visual metaphor for psychic powers (equivalent to how humans use the phrase "third eye").

But that's just supposed to be a visual metaphor to represent him looking at the third dimension; in reality his eye's in the corner where it belongs. Diversion over!

So I've mentioned recently that one of the consequences of living in a 2D universe is that to someone looking in from "above," a shape's perimeter is their outside/skin, and their internal organs are all on the inside of their shape—completely open and visible to the third dimension. (This is backed up in the original Flatland novel, where the main character Square mentions the visiting Sphere touching his "insides" because the sphere can reach it through the third dimension.) So if you were looking down on Bill's dimension you'd see this, exposed organs and all:

(just an illustrative example of the concept, I don't actually think their guts look LIKE THAT.)

Which means that for Bill to become the Bill we know today, at some point after he left the second dimension, he got skin or armor or an exoskeleton "over" and "under" his body to hide & protect his guts from being poked in the third dimension.

All of which is to say: since leaving the second dimension, Bill's had to make some SERIOUS surgical alterations to his body to accommodate living in the third dimension. Covering his guts is just one of MANY changes he continuously made over the eons since burning his universe.

Relocating his eye from a corner to the center of his body is just another thing he's had to do to adjust to 3D existence. An eye on one corner that's designed primarily to see in a thin horizontal line and that requires him to hover horizontally to see isn't as useful as an eye on the "inside" of his body that faces flat out toward the world and allows him to hover vertically. The new position WOULD look grotesque to a normal shape from his own dimension... but, hey, they've been extinct in the wild for a trillion years, so who cares.

For my writing needs I don't think the exact mechanism by which it was done is relevant. (Surgery by another shape doctor who'd moved to the third dimension? Snapped his fingers and did it himself automatically because he has godlike power? Slowly migrated as his body adjusted itself over time to accommodate his needs, the same way humans' muscle structures or bones can gradually change in response to how they live their lives but extended over billions of years?) What matters is: it was done deliberately, in response to living in the third dimension, because that's where he needed his eye to be.

The other survivors from his dimension—Kryptos, Hectorgon, Amorphous Shape—also have eyes in the middle of their bodies and also started off with eyes on their corners. (Hectorgon appears to have a mouth instead of an eye, but as Bill showed us in the penthouse scene those are the same organ for his species. Kryptos kept his eye in the original place, but it IS now forward facing, and he added a mouth in the middle of his body like the others.)

I think Bill was an early adopter of the new eye position: because being stupidly OP means it was easier for him; because he's not afraid of looking like a freak to his peers; and because since childhood a large part of his identity has been being "psychic"/"having an inner eye" so the idea of making that literal came naturally to him, it's making him a freak in a way that also highlights what makes him special.

[askganon]

I'm really tired. I just transferred to a new university to study psychology and it has been the actual worst experience in every aspect. The two biggest issues are the fact that I am autistic and thusly have issues making friends, and that I have this god-awful professor in my counseling class.

This professor is OFF his rocker. He actively talks about the secret society he is in, trying to teach us preposterous things that have no place in that class or even the school at all. I could write a novel about every problematic thing he has said, but my most major issue with him is how he views and treats women, and continuously brings sexual topics up when they have no relevance to the course material.

He has disrespected his wife over the phone in the middle of class and then tried to justify his behavior using his gender, spoken extensively about what features men don't like on women such as makeup or plastic surgery. He says "natural" women are "healthy" (well-endowed) in either the chest or behind but not both, and are uneven in the chest. He specifically targeted my classmate, who was the only one wearing false eyelashes, to say that men don't like that either.

Another time he told us that women run the world because men are obsessed with us, that we are not oppressed at all, yet he turns around and tells us how women in the corporate world go commando under their skirts and sleep around to work up the corporate ladder. He says this in a way that puts women to shame for this as well.

This week, though, was completely different. His departure from the course material started with the extremely invasive question, "what do you remember about your transition to adolescence?" Again targeting that very same classmate. I blink and he is now telling us that the male experience during puberty is far worse than what women experience, basically saying that—excuse my bluntness—getting a boner in class is much worse than anything women go through, even turning to our singular male classmate for backup on this.

He also tries to tell us that its so so bad for boys because the girls actively try to touch them or make them "psychologically disturbed," as he worded so decoratively. What adolescent girl wants anything to do with that when she's going through her own problems? Since when were young girls going out of their way to trouble boys like this? I was actively trying to deter boys during this time.

I and the other two women in my class were disputing all of this, until our professor finally said, "I will just let that go over y'all heads cause you will never understand the male experience," to which I, shaking with rage, replied, "—and vice versa."

My mental health has been suffering severely, and much worse since this happened Monday. I had never felt such pure, primordial rage towards someone before. This man makes me feel not only objectified but also demonized. Last night was my breaking point, working on one of his assignments. I experienced the most intense mental breakdown of my life so far, and afterwards spent all but two hours of the night trying to cram the project that was due today.

I guess my point is that I would report him, but my school makes it nigh impossible to do so. I'm perpetually exhausted and I do not know if I can make it through the last two weeks of class. I want so badly to be petty and spiteful to his face, but for the most part I've controlled it.

I don't really know what I'm looking for by doing this. I guess I just want to know what you think? Apologies for the length of my message.

Such is the mentality I encountered often in my youth by Hylian men, and women, toward my sisters. They would lust after my sisters based on their attire and physique, while also attempting to demonize them and ostracize them for the exact same reasons.

In short, men are cowards who carry the darkest urges shamelessly, but are too prideful to admit the problem within themselves. Instead, the vilify women for their own indiscretions.

They will openly mock my Gerudo for their appearance, while desiring nothing more than to own their flesh in the most disturbing of ways.

This professor seems like a prime example of the Hylian males I encountered. But if this is the case, then so too is his weakness.

He has likely been thwarted in his past in his attempts to procure a mate to his liking, and due to his pride, he believes it is all of womanhood to blame, and not himself.

This one he singles out is likely similar to those he desired but could never obtain in his youth. As such, he blames all others for his own shortcomings.

Likely too with his mate. I would assume her physique does not fit the desires he now feels entitled to, and as such he makes her the target of his criticism.

But through all of this, he reveals a second weakness.

Fear.

He fears that which he cannot control, and women as a whole seem out of his grasp. Every slight, every jab, and every assault from his lips is but proof that he is afraid of what women are capable.

In the midst of a Gerudo warrior, this professor of yours would crumble like kindling to a flame.

Take solace in the knowledge that you are superior to this worm, for you are what he can never have.

[am-i-the-asshole-official]

AITA for having my brother over for a week?

So this was a while ago. I was living with three roommates, two of which I + one of the roommates had a huge conflict with (the newest roommates.) It was a whole thing, not relevant here except to say that tensions were high.

At this time, I was at the very tail end of recovering from an intense surgery. I was able to do most things, but I had a tube coming out of me (SP tube, if that means anything to anyone) that could get painful if I moved around too much (not supposed to happen! I just have a really sensitive body.) I had been staying with my parent, mostly when I was bedbound, but missed staying at home with my cat (and my videogames haha) so I returned to the apartment. The roommate I had a good relationship with worked full time, and my brother was between jobs, so he offered to come stay with me until the tube came out. I also sort of wanted someone to be with me while the roommate I had a good relationship with was at work, because the other two were unemployed and at home all the time, and I didn't want to be at home alone with them while in this sort of delicate state.

I messaged my roommates in our group chat saying my brother would be staying for a while to help me with recovery and emotional support. No response, but that was pretty typical. He slept on the couch (my room is too small for an air mattress, and I only had a twin bed) in the living room.

After a few days, one of the roommates (W) snapped at him, saying something like "when are you leaving?" in a really angry tone. It sort of scared my brother, and it frustrated me. I told him that my brother is staying to support me in my surgery recovery since I literally have a tube coming out of me. Admittedly I did somewhat exaggerate the type of help I needed, because it was primarily emotional support that I needed and I knew he wouldn't recognize that. He said that he didn't agree to having him stay this long (about a week) and that he didn't like having a random person in the living room (which he never went in? He stayed in his room because he didn't like how we decorated the living room. I only ever saw him when he went to the kitchen to get breakfast (a toaster strudel he would heat up and bring back to his room, he made a point of not hanging out in there) or use the bathroom.

I told him the date that the tube was coming out and said my brother was staying until the day after.

All this really spooked my brother (he has some bad anxiety) and obviously my roommate was upset. I don't feel bad about upsetting my roommate tbh, but I do feel bad about scaring my brother. I did know that W was sort of volatile like this (not physically, he just yelled and stuff) and had talked about that with my brother before he came. Was I an asshole to either one of them, for having my brother come over and/or for having him stay that long?

What are these acronyms?

[stillness-in-green]

Minor advisor note: Katana Advisor was in episode S7EP15, for a brief still among the Villains captured...except they got his colors wrongs XD You still know its him from his head shape and neckbrace armor/but they still messed up his color scheme.

So I finally had the free time to go dig this episode up!  I had to watch most of the episode to find the shot you were referring to, and then ducked back to the previous episode as well, as I’d always intended to at least watch Scarecrow’s big speech moment.  Unsurprisingly, I have some thoughts.

Firstly, regarding Katana Advisor, I can only laugh and shake my head.  Great job, Bones—add in a brand new shot of people getting captured, but the only established character whose capture might possibly be relevant has the wrong colors, so you can’t even conclusively say that it’s him.  Impeccable work: Net Zero changes to the material.

(I agree that it’s obviously supposed to be him—that neck brace is very distinct—but I elect to ignore the implication because I will take any crumbs I can find that any given distinct MLA character is still in the wind at the end of the series.  Not that I consider myself beholden to the anime’s garbage take on the MLA anyway, but still.)

That aside, hit the jump for the rest!  There’s one particularly big one—a translation error in one of Scarecrow’s lines that in turn drew my attention to an issue with Viz’s translation of the same line in the manga—that I’ve saved for last.

O I enjoy that the anime makes it even more clear that Spinner did not run over any-damn-body.  Like, that assumption was so omnipresent when people were talking about that chapter in the manga, but it never stood up to a close read of the actual details of the art.  Does it make Pig Nose Guy’s crisis of conscience even more obviously dumb and contrived?  Oh hell yes.  But the hospital plot was that anyway, so I appreciate anything that makes it easier to explain why.

O Speaking of the human chain, chatting about the moment with Nal made me realize a particularly egregious thing about the set-up with the hospital.  So like, the medical staff are willing to risk their lives for their patients, right?  To the point that they’ll do a real damn stupid human chain instead of, say, trying to use all the chairs and benches and desks you’d find in a hospital to put together a fucking barricade, all for the sake of making a point?[1]  But you know who very pointedly is not behind that human chain?  You know who we never see a single person inside the hospital trying to defend?  Kurogiri, that’s who.        I guess the doctors just didn’t count him as a patient who needs to be protected, huh?  Honestly, where is the brave whistle-blower hospital admin who’s going to give a bombshell interview about how Central Hospital begged the Heroes and the police to move Kurogiri somewhere else only to be refused, because one of the Heroes is personally attached to Kurogiri, and also because Hawks and Tsukauchi knew that Villains attacking a hospital would do irreparable damage to their cred, and that would be important for legal proceedings in the aftermath of all this?       1: Not at all how this would go in real life, especially given the conceit that the only patients left in the hospital are those whose condition is so delicate that they can’t be moved.  But I guess  Horikoshi was too busy asking his EMT contact about open-heart surgery on the battlefield to think to ask about hospital procedures in the event of an active terror threat.  Also putting together a barricade inside the hospital would imply that the staff believe there’s any chance the defense force, who are outnumbered 75 to 1, could fail, and we all know from BNHA’s endgame that being proactive in the face of danger voids the Hero Protection Warrantee.  Only those who are patient and wait for help to come actually deserve help; trying to help themselves makes them Villains.

O Scarecrow’s first appearance in the scene is so, so funny.  He just floats downward into the frame.  He’s not rappelling downwards using webbing, he’s not climbing down with his spider legs, he doesn’t have insect wings; he just drifts down like he has some kind of flight quirk.  You know, the dude who will be defeated by knocking him off the roof of a tall building.

Why did you think it would help to knock this guy off a roof, Koda?  He can clearly just hover right back up there.  Perhaps his flight operates under similar principles as hot air balloons?  Did attacking him with birds deprive him of most of his gas?

O WHERE IS HIS GODDAMN SALUTE.

THIS IS NOT THE LIBERATION SALUTE.

O I notice the anime kept the scene with the handgun—including actual bullet sounds!—despite the fact that that plot element goes absolutely nowhere, and in fact they also see fit to add police-issue lightning rifles.  (Which, wow, that sure is a choice.  Love to just make police look worse by electrocuting unarmed civilians.  What, they couldn’t get a good supply of teargas ready in time?)

O It is so, so funny to me that the anime has finally, seven seasons in, started to care about dramatic lighting, but they’re stuck with the fact that the hospital attack happens in broad fucking daylight, before the other battles really start mucking with the weather.  They do their best with a bunch of lit fires, using the orange light and smoke to suggest sunset lighting and distant stars, but that doesn’t change the fact that The BNHA Anime Cloudscape is lurking just beyond the haze.

This becomes extremely clear when the smoke instantly evaporates the red hot second the mob finally stops for good.  Check the before and after here:

Hysterical.  I guess all these people had to do for the light to shine on them was to stop rioting!  Being good civilians who meekly endure their mistreatment and wait for salvation to be handed to them from outside can literally make the sun come out!  Who needs One For All punches to change the weather?  Apparently enough civilians can replicate the effect just by feeling bad enough about themselves.

O I was being fairly annoyed about the BGM scoring Spinner’s internal monologue right before he makes the last push through to Kurogiri.  Like, it was so plainly ominous and scary, emotionally keying the viewer to view Spinner’s reflections as foreboding a horrible change of the tides.  As someone who was mostly grieving for Spinner in that moment, it rubbed me the wrong way pretty badly. 

...And then that music just kept on playing as the POV of the scene switched to Present Mic and I remembered that Spinner’s last push doesn’t actually come until after the incredible bit where Yamada Hizashi confirms that Spinner has been incapacitated and then apparently decides he needs to kill Shirakumo Oboro anyway, just so his existence can no longer trouble their mutual friend.  And that, dear readers, made me way more forgiving of the ominous BGM!

O I would like to give Shimono Hiro, Dabi’s voice actor, a fucking medal for his line deliveries immediately before and after he goes through Kurogiri’s warp.  The laugh when he realizes he’s going to get teleported to his dad is breathy, pervy, a perfect encapsulation into a single two-syllable sound of his deranged anticipation for tormenting Endeavor some more.  Then his, “Otou-san!” as he appears before Endeavor is even better: high-pitched, off-balance, questioning and eager like he can’t believe his good luck.  Truly, Shimono-san understood the fazacon assignment and he delivered.

O The closing sequence is…really strange.  It’s like it’s pretending that it has a visual theme of reaching out to others, hands extended to those in need, and then the viewpoint cuts to a wider angle and you realize all the characters who were reaching out are actually just sinking down through clear water, their arms floating a little above their torsos.  The last shot, of Deku settling to the sea floor and smiling serenely with his eyes closed, is especially bonkers.  Like, what’s the message here?  That no one involved has any agency in what they’re doing, but are just going with the flow established by other people?  Deku reaches rock bottom, at peace with the knowledge that he doesn’t have to try to do hard stuff like “save Shigaraki” anymore because the grown-ups have sorted it all out for him?

I mentioned this in my chat group and Nal pointed me to the lyrics of the song, which use the word rokutousei, “sixth-magnitude star.”  While a bit of research suggests this is actually a not uncommon bit of metaphor in Japanese songs—I found at least five different ones that used it in lyrics, title or both!—personally, I was immediately reminded of Gundam Iron-Blooded Orphans’ third intro, Rage of Dust, which uses the same term but with a wholly different emotional tenor, and one that I dearly wish the Heroes could have emulated the energy of. 

The difference is that BNHA’s closer, itself titled Rokutousei, is about the sixth-magnitude star (or rather, the singer who is comparing themselves to it) searching for someone else, with an overarching tone of wistfulness, while IBO’s Rage of Dust is about said star screaming defiance and vowing not to flicker out and die quietly, shouting its existence and will in the face of a system that would as soon grind it into dust without even noticing.  Rather than dust, become stardust, proclaims the song, carrying on the dreams of others.  And that defiance, that refusal to let themselves be exploited by the more powerful figures around them, fits perfectly with the struggles of IBO’s main characters.

And like, okay, sure, Rokutousei having a tone of, “I’ll do it, I guess, I hope, I mean, at least I’ll try, even though there’s such a lot against me, so much so that I’m already feeling wistful about how likely I am to succeed, but at least trying is beautiful and meaningful, right?” is certainly on-brand for BNHA’s endgame and Deku’s failures in particular, but good lord is it ever an odd tone to intentionally strike.

The essential difference between these two sequences: Deku letting himself drift aimlessly, eyes closed, arms lax at his sides vs. Mikazuki stubbornly dragging himself through the dirt with his one good arm, gaze fixed and hand grasping for the giant robot that allows him to fight for his future.

O While I think he performs it perfectly well—indeed, my biased heart found his Yamero, yamero! pretty wrenching!—I still don’t like that Scarecrow is clearly being interpreted by the anime as an older man.  There’s nothing about him that looks especially old, insomuch as we can tell from his physical appearance, and neither is there anything I recognize in his word choice that suggests he’s a crotchety old man, either.  It's a taste call, mainly, but man, I just like it better when he and Spinner and Shouji are all young men with diverging views on their oppression.

O Finally, the sub I watched had a whopper of a different translation of one of Scarecrow’s lines.  @codenamesazanka turned up the raws for me, and we found that while the anime very obviously got it wrong, the Viz translation, too, was pretty eyebrow-raising.  It’s one of those localization moments that leaves with the, “Oh, Caleb Cook, I want to shake your fucking hand….with a joybuzzer,” feeling I periodically had to wrestle with back when I was still doing chapter posts.

The line in question is this one:

Note how blatantly horrible this is, so nakedly manipulative that it stops even being very effective manipulation because no one could possibly say, “Don’t stop to think!” in good faith?  Well, that’s probably because the line wasn’t originally that bald-faced.  Even Translator Sis, who normally more or less agrees with C.Cook’s choices (certainly compared to the fan scanlations!), had a real :grimace_emoji: moment and said it was the kind of translation that could only come from a place of bias against the character.

The Japanese line here is, “Yamero yamero reisei ni naru na!” which would more literally translate to, “Stop, stop!  Don’t calm down!”  The first bit is straightforward: a simple repetition of one word that (particularly as delivered quite well by Scarecrow’s voice actor!) really gets across his desperation and panic that the highly important mission he was spearheading is falling apart in front of him.  It’s much more openly emotional and unchecked than Viz’s, “Enough nonsense!”

The bigger issues is the second part.  Reisei ni naru is basically a verb construction about cooling off, calming down, collecting or recovering oneself when emotions are threatening to cloud one’s judgement—Scarecrow’s line is telling the mob to not do that.  I can certainly see where Caleb was coming from—it’s still a very Bad Guy thing to say!—but there is a clear difference between telling people to not let their passion evaporate and telling them outright not to think.

It feels a bit like a response to a tone policing argument, Shouji begging the crowd to be calm and think rationally because this sort of display of anger isn’t helping.  And Scarecrow frantically tells them not to collect themselves and be rational because what has that rationality ever offered them?  What is it offering them now?  It’s just a prelude to telling them to go back home and endure their pain some more.

In much the same way as the idea of light/shadow/illumination is being argued between Scarecrow and Shouji, similar ideas of emotional temperature are implicit in the kanji used in the characters’ word choices. Netsu, 熱, literally meaning “heat,” is the word Scarecrow uses for the emotions of the crowd, their fevered zeal and passion—Spinner uses the same word later in the chapter when reflecting about how he was swept up by passion and followed Shigaraki. Reisei, conversely, contains the kanji for “cold,” 冷.[2] It's not about thinking or not thinking; it's about ferver vs. composure, passion vs. presence of mind.

2: The same 冷 is the kanji used for Rei's name, incidentally.

Notably, the idea of thinking does come up in the chapter also, and it's very much not Scarecrow telling the crowd not to think. Rather, he exorts them/Pig Nose Guy to think of the mistreatment they've suffered, to think only of that; Pig Nose Guy uses the same verb (考える, kangaeru, meaning to think about, to contemplate, to reflect on) when he replies that he is thinking about it.

Caleb correctly communicates the idea of thinking in that exchange, so it actually reads a bit weird to have Scarecrow, over the course of two pages, go from telling PNG to think to telling him not to. It comes off as Scarecrow's rhetoric failing him so him just desperately flailing for whatever words he can find, even if they blatantly contradict what he literally just said. That instant, hypocritical contradiction is not there in Japanese because he's talking about two different things!

I'm happy to know this—“Don’t stop to think!” is one of the very worst lines in that whole stretch of chapters to me!—but I do wish I'd known it much sooner. I was so cynical about Horikoshi's writing of the erstwhile MLA by that point that it never even occured to me to check the Japanese! So thanks for that, I guess, wild mistranslation by the anime subbers! XD

And thanks as always @shockersalvage for the ask! Who knows when I would have realized, if ever, if you hadn't given me the anime update to go check!

[moe-broey]

Got any body type/anatomy thoughts? FEH has very little in the way of body type variation and I personally like reading that as an open invitation to get silly with it.

OKAOKAYOKAY!!!!!!!! I MIGHT. Have gathered everything.... but I have SOOOOOOO MANY THOUGHTS ON THIS bc you're absolutely right!!!!! It's like a canvas to me...

I have a few directions I take with it! My main one, is to extrapolate features that may be present in the canon design. Taking them Further. I'm so sorry to do this but he is the epitome of this for me, GUSTAV JUMPSCARE 😨😨😨😨😰😰😰

But this is what I mean! I see canon Gustav has a full beard, is big and muscular. Okay. In my mind's eye, that translates to Big Hefty Heavyset type of muscular builds that are more realistic than the 6 pack bulging muscles (that require a lot of prep/dehydration to Look Like That). Also, hairy. Which is why, to fully demonstrate this, he's.... I don't know what he's doing here. This was psychologically taxing on me, but then I reminded myself I Am An Artist and I Hate America. 🫡🧍

Sometimes, if a character fits a certain archetype, I might put a few personal touches into them... mom/mom-like characters who REALLY embody the Doting Caretaker archetype often get the same body type as my own mother. A little honorary thing... though I do wanna be careful as to not restrict a specific body type (esp fat bodies) to specifically stereotypes (aka "mom bod"). Also, a comparison to Sharena! They do share similarities! Henriette's face looks familiar though... and not quite in the way Sharena's does.

Another focal reason I started off w Gustav though, is the second biggest thing I'm Always Thinking About when it comes to character's body types. Which is, Telling A Story.

I've had.... SO many oddly specific hcs about Alfonse...... for So Long..... one of them that's always in the back of my mind is him being at different weights during specific periods of his life. That, for the majority of it/esp his youth, he was almost waifish. He only starts looking healthier when he's out from under his parents' (COUGH gustavCOUGH) thumb (but let's be real, Henriette can be EXTREMELY stressful too... opposite end of the spectrum about it).

Another example of Telling A Story though. Sometimes I trans characters just for funsies and it has no real bearing on anything. OTHER times... my trans headcanons are integral to specific lore beats in my elaborate inner world. ENTER. BRUNO

These are actually from a bit ago I was gonna hold off on posting til I felt I had everything together, BUT. BUT. It's extremely relevant!

In the beginning, I often asked myself, "Why doesn't ANY of the Askr trio recognize Bruno as Zacharias?" MY ANSWER. Is that he looked quite different!!!! In tandem with my silly hcs for him, I feel that Bruno is someone who must care a lot about his appearance. About Looking masculine. I think he's been out as a man by the time he joins the Order, but is early on in his transition (by whatever means that manifests in w ✨ Magic ✨ and shit!!). I think he passes, but definitely Looked Different. Give him More Muscle and a haircut and an even more noticeable voice drop and top surgery he dramatically shows off at every opportunity and a mask that conceals his big beautiful brown eyes with fluttery soft eyelashes and like. Who Is That Mysterious Man...... in that Damnable Mask.........

Okay. Let's back up a minute. What do you mean Lif got mysteriously taller. What does that even mean. I can grant him gaining more weight/muscle, but, Taller???? At his grown up age....?? Well.

Hel's memory of the mortals she claims isn't so good, apparently.... (Eir obviously can't tell anything by the nearly all rotted away bones, but the scraggly long hair is giving her pause...) (also is it the King Hel is thinking of in the first place....? Eir isn't going to ask.)

At this point, I definitely could feel myself getting distracted and decided to just art dump a handful of charas I have strong visions for.

Here, you also see The Secret Third Option of body type design philosophy -- which is. If the design itself isn't giving me a lot to work with. I just do my own thang LMFAOOO 😅 I think Anna def fell into that category for me... where a lot of the story/lore I added for her was purely hc territory, and I went from there. She's broad, tall, muscular, top heavy, but still kinda thin and knobby. Aerodynamic, perhaps....

Sometimes, characters are a combination of these things though... like Mirabilis definitely being a combo of qualities, having personal touches, storytelling elements to her, and doing my own thing for funsies! More about the fairies overall -- I think they all ended up having their basic needs met and were even granted dreams/desires for themselves after becoming Alfar (like becoming exactly as you see yourself, or how you wish to be... which unfortunately only goes so far, can't fully undo the damage done to Mira, but. It's free transition for Triandra, is what I'm getting at LMFAOOO). Which is why each of them did fill out more to varying degrees (again, Mira suffering the most long-term effects from her mortal life, and Triandra, already having an idea/concept of herself at the age she drank the nectar, being able to transition). I have specific human design concepts for them too, that look A Bit different than their fairy designs.... but. I'm still working on that 🧍

Eir is def a storytelling one. When it comes to Alfonse's scrawniness, he was just stressed out so bad it took a physical toll. I don't think there was ever any food restriction (or, if there was, it was a rare occasion/used as a punishment). For Eir, I think something like that would make sense for her though.... lack of access, and frequent meticulously purposeful elaborate abuse from Hel. Eir still looks like you could break her in half, but she does look a lot healthier since her stay in Askr. Another note, though I ran out of space... maybe Ymir looks more like Eir than Hel does. I wonder why that could be....

AND. BACK TO THE START. Extrapolating on canon design elements! If you're going to present me a female chara with big honking bazongas, I'm going to make her fat. Or at very least, Carry Some Weight, like Plumeria does (in that full figured curvy way!). And ESP. ESPPPPPP FOR SEIDR AND GULLVEIG. Where Gullveig has Various Lines about "Oh... I don't know how well these old clothes fit me anymore..." (paraphrasing/off memory I feel like she says something like this Multiple Times). Like. Okay. Well I took that personally. I also just like the idea of her changing over time... always having a chubbier build, but it just keeps going as she keeps growing and changing.

In putting this into words, I'm finding a common thread seems to be weight gain as a sign that someone is being taken care of... for Gullveig, I think it's just a purely neutral change over the course of her life. In Lif's case....... some sort of mix up occurred. I can see Alfonse taking more after Gustav naturally, too, as he gets older though!

One final thought is just, is there a fun little detail I can include? Like giving Seidr and the Seidrs a snake-like face? Doubling as something so cutes and something Intimidating? IT WILL BE DONE. Also Need to get to coloring an illust of Gullveig one day..... the golden stretch marks are soooo cool in my mind's eye...... also just. One Million Piercings. Also as characterization/storytelling. A lack thereof is storytelling, as well.... to me..... ALSO!!!!! SHAPE LANGUAGE!!!!!! I'M SUCH A SHAPE LANGUAGE BITCH!!!!!!!!!

I HOPE. THIS ANSWER FINDS YOU WELL 🫡

[nozunhinged]

This post by @waitmyturtles is what finally, finally led me to the conclusion what bothered me about the series so much (not just the ending) and I'm seriously wondering if this a cultural difference that I misunderstood which geniunely makes me question if I got the whole eyesight-storyline wrong or if it really was bad writing.

(and I didn't wanna mess up all the smart reblog-additions with my personal 2 cents so I made a new post for it)

It's the fact that Day never says himself that he's ready for the surgery/wants the surgery.

From the first episode on, every time they talked about the "eye donation" (which is the first problem imho, he's keeping his eyes and corneas are a tiny, vital part of them), I understood it as a plot device to show how the people around him make the decisions for Day and how he doesn't get the chance to make them for himself.

I felt like I was conditioned to think that way, every time the donation came up I had the reaction of "that's not the point here, deal with the situation at hand and not potential futures!!" and I thought Days lack of a response to the whole topic was meant to inflinct that reaction. Meant to be a sign of Days lack of autonomy and how he slowly, slowly gains it back.

But we never get to hear his own opinion about the possiblity of getting his eyesight back, even with him gaining autonomy and growing as a person, nor do we get a proper explanation by the doctors how his options look like and what a deteriorated cornea even MEANS. We aren't all doctors, we don't know the million different ways sight can be impaired and if it's temporary or not.

Which lead, in combination with Days ongoing lack of a response, to my (!) impression, that this storyline is not relevant to the message the show wants to put out, and that it's a story about how he learns to grow into his this new state of being. Which made the surgery feel like it came completely out of nowhere.

And now I'm wondering - in the context of this being a thai show and family playing a very vital role - did we not need Days explicit approval to learn that he wants it? Was his approval that he let his mom take care of the whole surgery process? Was this why he forgave her so quickly, and always turned to her, was that his approval? Because she stood for the chance of getting his sight back?

I'm not gonna discuss how Day is still a spoiled brat, the absolute obliteration of mhoks character, the unnecessary introduction of august or all the other loose ends of the story...

But with this particular point, I feel like I geniunely misunderstood something and maybe didn't do the story enough justice.

Do I still wish the narrative would've explained the whole eyesight-thing better so we understand the status of days disability better? Yes, absolutely yes.

But I also need a flagpole of signs to understand things so maybe I missed some nuance here and I really really want to know your opinions about this so please comment your thoughts!!

[gemmahale]

Hii Gemma!

I consider righteous fury to be the mother of all fix-its but my question is actually more about the.... Scope of what's been posted so far, if that makes sense. Obviously you'd have to write The Scene, but did you know going in you'd cover it so thoroughly? You're phenomenal at writing action so I guess I'm wondering how excited you were to delve into the meat of it or if it was something you were kinda nervous to tackle?

-gouge 💛

@pricegouge, I love that you asked this question. 😀 (Also massively flattered on your consideration for it as such a high place of honor.)

I had to sit on this question overnight to gather my thoughts. I have a lot of them. 💚 This has suddenly become my baby of all babies.

Righteous Fury was never meant to be more than an explanation for something John/Soap does in Museum Muse. I never meant it to turn into the behemoth it is now.

I was nervous to tackle the scene - because I had decided that the best way to fix it was to just rewrite what existed. It took me three tries to get Soap's voice right and beyond just reciting what happened in the script/playthrough. Spoiler: video gameplay does not translate well to the written word, so there was a lot of adding and re-watching and fudging that had to happen.

I was exceptionally afraid of being called a cheat - because none of the dialogue up until "the incident" is mine. (That might be wrong - I think I tucked in a few lines or changed the speaker.) None of the action is mine. But all of the emotion, John's backstory, his motives, are mine.

It was an interesting challenge to work with a framework of existing media and expand upon it. Would I do it again? Maybe, if there was another scene so poorly developed and written.

Spoilers for my version below the cut. I pontificate on some specifics and how I made some artistic choices. 💚

It was also hard to choose where to start - do I start when Price is down and Makarov is standing over him? No, I need more lead up. Do I back up to when Soap and Gaz are feigning disinterest in the hacker? No, that's too far back.

Thankfully, the mission brief provided a perfect point - it established John's hatred and resentment for Makarov, and allowed me to ramp up to the point everyone was dreading.

Now, when it comes to making the choice as to how things go down? I'd seen a post about how it could have gone (can't find the reference, if I do, I'll update this). So I started there.

But really, when you live with someone with similar training, you might as well ask them. 😅 Enter: Kallen.

Hoo boy showing him a playthrough of the mission was a choice. (See #Kallen Kvetches for similar commentary, including the time I showed him Triple Frontier. Man had OPINIONS. Half of them on butts and pecs. 😉) But it also spurred on a conversation of what could happen post-Makarov.

We walked through (we're about the same height, like John and Makarov) the shots. Where the script failed and how - John would have had a knife on him. He would have been better trained to respond. Makarov shouldn't have - well, that's not relevant. Sorry. Basically it boiled down to: John's training would have taken over and he would have acted somewhat closely to what I wrote.

I could have written him getting out unscathed. Genuinely nothing more than a few scratches. Kallen thinks that could have been the more likely outcome as we wrote the scene, had Makarov's finger not tightened around the trigger of his firearm as he fell.

But again, I needed a reason for John to be on modified desk duty for Museum Muse. So...uh...sorry bud. 😅 Might as well use my resources for everything, including surgery. (Yes, Kallen went through a similar surgery in his time in. Yeesh.)

Sorry, I think I got way off tangent. I have a detailed outline of what happens as a result of the first two chapters of Righteous Fury, and a rough idea of how things play out in Museum Muse. It's really going to be interesting seeing the same events from two vastly different POV's. (That can also hopefully stand individually.)

But again, this all started out as a way to justify Soap being on bedrest/desk duty and bored out of his mind, messaging a stranger on a message board. 🤷‍♀️ Oops, instead I retconned, world-built and got feelings everywhere. My bad. (I'm not sorry.)

Me, creating this universe:

Also - I haven't said this out loud yet, just implied it. (But if you've gotten this far in my ramblings, you deserve to know it.)

This is also a memorial fic in a way. A lot of inspiration and information comes from Kallen and his experiences in country (obviously, changed locations and names and such). There's a whole swath of people I never got to meet that were family to him, and he's given me permission to include them. 💔

You might have noticed an Officer Hale in Ch 2. Yeah, that one was a blatant insertion of Kallen. I promise the rest probably won't be as heavy handed and obvious to you - it was just too good of an opportunity to pass up!