#but my family does not care

[rozeliyawashereyall]

RAGHHH I WANNA DRAW BUT I CANTTTT

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[s0fter-sin]

thinking about the way ghost doesn't hesitate to start killing shadows when graves betrays them but soap only takes one hostage

you can almost hear the voice in his head telling him it doesn't have to be this way; they can still talk it out

"i'm calling shepherd"

his first instinct when confronted with betrayal is to play it by the books: to go up the chain. that goes against everything we've seen him do. he bucks authority at every chance except for the one time he's confronted with the barrels of his allies' guns

he wants a peaceful resolution; for the first time we've ever seen, he doesn't want violence to be the answer. there has to be another fix, a solution that doesn't end with him killing the same men he's been working with; his friends

nothing's happened yet

it doesn't have to go this way

but ghost has been betrayed before. he knows the way this ends; either with him six feet under or his enemy

he doesn't hesitate

it's only when they knock alejandro out that soap shoots; when they spill the first blood and cross a line they can never come back from

only when ghost orders him to run and he has to cover his retreat

and somewhere along the line, between civilians’ screams and taunting voices, between his shaking breath and ghost steady in his ear, that naivety is stripped away; his trust turned to teeth that he uses to sink into throats of men he'd have given his life for

"be careful who you trust, sergeant; people you know can hurt you the most"

he's learned the price of trust

just like ghost did

but unlike ghost, he has someone to guide him through the aftermath

"good advice, It"

[aunmenosheteroenespanol]

2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered

Tommy's family arc

[ladeldee]

I just like the idea that once Missa hears Phil has another "kid" he'd try and do whatever he can to help and Phil feels emotions about it

[notbecauseofvictories]

also I've spent the last couple weeks reading some older historical romance novels, and my made up, wholly unverified hypothesis that in the 2000s romance authors finally grasped that the old-fashioned "no, don't! stop, you brute" etc. scenes were not really landing with audiences anymore. So they faced a conundrum about the future of the genre. Ultimately, I think they chose to quietly stop writing those heroes, and switch them out for a more sensitive model. Still dark and brooding! But with limits, often a Heart of Gold, and more general emotional intelligence.

Still, somewhere out there is a parallel universe where these authors decided to take the opposite approach---to write heroines as unhinged, cruel, impulsive, and emotionally ignorant as their heroes. I don't know if I want to live there, but I wouldn't mind a trip to their library sometime.

[dykesevika]

dude your wife was fucking awesome in this act holy shit

Her and Jinx getting along?? HELLOOOO

And the way she protects jinx and the kid from the fan(/air?) oh my god I was losing it

RIGHTTT AUGHHG

Jinx/Sevika/Isha found family is all I gaf about this season, they mean so much to me.

[dukeofthomas]

"Jason just needs to see things from his family's perspective and understand how much they love him (despite them never actually communicating or showing him through their actions)" is out. "The batfamily putting a single bit of effort into understanding Jason and reconciling with him on his own terms" is in.

[mohntilyet]

Wait is the middle picture from those three sketches that one scene from the wigmaker job?

yes! it's this specific passage where lucanis is just seething with rage and trying to keep a lid on it, and illario's a stablising, comforting presence. BROTHERS!!!!! <3 though i chose to draw his hand on his shoulder rather than his arm i guess. artistic liberty!

[frownyalfred]

Jewish Family dynamics and the Batfamily:

“Why the hell would you do that?” grabs your ass off the ground and takes you home

“What the fuck are you doing bleeding everywhere? I just washed that carpet!” bandages your wounds while complaining the entire time

“I told you not to try that jump!” gives you ibuprofen every four hours without asking

“You look stupid with all that shit on your face.” tenderly reassures you that your face will look exactly the same when you wake up at three in the morning terrified about the reconstructive plastic surgery

“Don’t do that again.” holds you when you cry

[suguruuuuu-chan]

Every fantasy I have of One Piece is actually just increasingly elaborate ways of saving Ace at Marineford btw. Sometimes it’s showing up in the forest and letting the gremlin know he’s loved ugh

[jackass-jones]

Mizuki and Date though like. Imagine being 8 and your parents are filthy rich and going through a bad divorce. Your mom treats you like shit, lashing out at you, hitting you, saying she wishes you were never born all because you were behaving like a child. Your dad is more comforting, but he doesn’t do anything to stop the abuse and he spends his time invested in a completely different family, a girl who you love and look up to but he loves her more than you and it fucking shows. Then your dads new friend, some fucking bachelor in his late 20s, is just like "wow you guys are the worst fucking parents ive ever seen" and next thing you know your dad is sending you off to live with him. And it’s just a massive kick in the head cuz you go from a rich lifestyle to living in some really shitty tiny ass apartment with this guy who’s clearly never been around a child in his entire life and he doesn’t know how to behave and does a really bad job of censoring himself like he has a bunch of dirty magazines that he can’t hide very well cuz it’s literally a studio apartment and also he talks to himself sometimes, it’s really weird. He doesn’t even have the slightest clue what he’s doing

And he’s the best parent you’ve ever had

Because fuck, it all really hurts. You have to cope with having never received any love from anyone, and with the fact that your parents clearly don’t want you and can’t even be bothered to send you with anyone even kinda responsible. And this guy has a scary job with crazy hours and you don’t know anything about him and neither does he. But still, he never once hits you or tells you you’re not allowed to cry. He just gives you space and doesn’t push you to feel any sort of way about him. And sometimes, he’s even kind. He makes you some stew, even though it’s a bit chunky. He lets you sleep in the bed and takes the couch for himself, even though he complains about the massive back pain he’d never trade his spot for a second. He pays attention to events at your school and gives you your favorite stuffed animal when you make good grades, even though you called it ugly. He gets worried sick when you come home with bruises and puts on a goofy voice and trains you to defend yourself and you develop some highly deadly skills and even though it’s really abnormal, he buys you a bench press so you can get stronger. There’s this distance there, and you feel really weird caring about someone who you aren’t related to, but you find yourself wishing it was meant to be like this all along, that maybe, he’s secretly your real dad and he loves you like his real daughter

And when you say "I’m back" he says "welcome home"

[dirtytransmasc]

ok but like, Modest!Alicent Hightower au (more modest than she already is) cause I feel like it, it adds ✨layers✨

Alicent who veils her hair during her day to day life, elegant laces and silks adorning her long ginger-brown hair, covering it completely at the Sept.

Alicent who wears dresses with long heavy skirts and always covers her elbows with billowing sleeves.

Alicent who conceals her silhouette with thick shaping garments. they also just helped her back during her pregnancies and taking care of kids (her servants recommended them so she'd have full range of motion and support)

Alicent who was stripped of her modesty, her dignity and sense of security whenever Viserys wanted her. stripped of it by her own father when he sent her to Viserys's chambers in a dress that didn't cover as much as she would have liked, especially when she visited a man with those (silent) instructions.

Alicent who lets her hair down around people she trusts. covering it around Rhaenyra after she abandoned her, a blow to Rhaenyra, a blatant "you hurt me and broke my trust". letting Criston see her hair after he becomes her sworn sword. covering in front of Viserys until he demands she stops. Alicent putting a little makeshift veil on her daughter, who wanted to look like her mum, promising it would protect her from how loud the world was.

Alicent who only trusts her closest servants to dress her, and even then insists on being in a full shift before they can come in.

Alicent who felt stripped bare while giving birth to her children.

little Alicent looking up to her mum who was also very modest, and spending her childhood playing in long skirts.

Alicent who wears shawls and scarves out in public or at events. Criston watches to make sure she remains properly covered. her hands fiddling with the patterns or tassels while she talks to others.

Alicent doing this with her kids:

Criston offering her his cloak when she's put in bad situations like sudden crowds or outings.

wearing flowy but opaque fabrics during the summers, looking ethereal and goddess-like with her layers skirts and sleeves.

the whole Larys situation being even more sickening.

all 3 of her sons being protective of her modesty alongside Criston, always offering their cloaks to her or standing to block her from the wind or wandering eyes. Aegon holding her veil in place when it's windy, Aemond placing a cloak over her in public, Daeron fiercely defending his mum from lusting glances or lingering stares.

Helaena continuing to veil with her mum when they go out, they love matching veils and trying ornate styles.

Alicent fixing her daughters veil in attempts to get it to stay in on dragon back. it doesn't. but they don't mind the extra bonding time none the less.

gold veils that literally make her look like she's dripping in gold.

tucking her babes in her shawls or holding them against her skirts that are practically swallowing them whole.

Alicent collecting layers. Ornate undergarments that cover her arms in gold and embroidered patterns, some almost like tapestries others more simple. undershirts that cover her neck, with "choker" patterns and sewn in jewels. modest nightgowns and robes made of the softest, most breathable fabrics in existence.

covering her face on holy days/days of importance.

I just have so many thoughts.

[sleep-nurse]

hey, everyone. thanks for the support. i figured i might briefly explain my situation, although there's way more layers into this, the post would be way too long if i explained everything though

yesterday, after days of family troubles (or years, rather), me, my brother and my mom found out my dad died of suicide and left us with no money. we are all honestly shocked and my mom has to now find a job to survive, may i also add how she actually studied in university in russia and has all the shit to get a good job, she just doesn't have a citizenship because our dad didn't ever give a shit about giving her one in 20 years, so she has trouble finding jobs.

if you want to help in some way, my brother is taking comms and he draws dinosaurs and stuff alike, i might consider opening them too if i figure out stuff but i already stress myself with drawing for free

in the meantime i probably won't be as active as i was. i read all your messages and asks, i just really need some time to recover. thank you and i'm sorry for making you worry

[shkika]

These two slug cats have a lot of parallels to me so I really enjoy them. I love how they are the two starting downpour slug cats yet they are complete opposites.

You have Gourmand enjoying life, crafting and making use of the wonderful little things in life. Going back home and sharing those wonders with others. And (in my headcanons at least) Gourmand starts a family even. (The two little slug pups at the end of the campaign).

Artificer's campaign starts with losing family and subsequently losing yourself. Dedicating yourself to spreading the hurt and pain that was dealt to you. Finding your way into the deepest of parts of where the enemy resides until it's not even about the pups anymore.

[blissfulrain12]

Cockpit Conversation Analysis

So I just wanted to go over my thoughts on this conversation cause I think people miss out on a few things. It's the first conversation we see between Curly and Jimmy when it's just the two of them. Before it happens we're told that Jimmy has been difficult with Anya, making her job harder and saying things that are sexual harassment (if the cartoon horse question isn't actually on the eval). We go into the conversation with the framing that Jimmy and Curly are friends. They've known each other for a long time and Curly is confident Jimmy won't bullshit him. Except on the way to the cockpit we get Curly's one and only bizarro moment and it's an expression of fear and anxiety. With this context in mind let's look at the actual conversation.

Transcript from @familiarartistname they're awesome for providing these.

I've already talked about these lines a bit but to sum up Jimmy asks Curly to fake it and Curly refuses to forcing him to go through the eval.

What I want to point out for this post is that Jimmy's not wrong in his assessment of how useless the psych evals are. I think his general irritation with the eval helps mask his disdain for Anya. Especially if being attracted to cartoon horses is an actual question in universe and not just an easter egg on the in game eval sheet. If it is I think this is part of why Curly and Anya don't take Jimmy as seriously as they should here.

I also think it's important to note how and when Curly bends the rules. He'll do Jimmy's eval for Anya but he won't make up answers for Jimmy. I think this is an example of the balancing act that Curly is engaged in as captain.

These next lines are interesting to me. One is that Curly seems to take separation of what PE needs to know and not know. He makes it clear that whatever Jimmy says here is not going to be repeated to the company. He does something similar for Anya when he thinks she took the gun during a breakdown over the layoffs. Notably he doesn't open up to Anya during his own eval. I wouldn't be surprised if part of the reason he doesn't is because of a lack of this distinction. This is also another example of Curly doing that balancing act of being a captain. Managing what the company should know while protecting his coworkers' mental health.

The other interesting part is Jimmy's answer to the question. He likes it cause they're in control here. I think Jimmy is the most positive about working for PE and it's all because he feels in control. I think people miss it but Jimny is happy for the most part pre layoff. He's in control what more could he want?

I think it's interesting that he says this because on paper Jimmy's not in control. I've seen people call Jimmy Curly's co-captain but he's not. He's just the co-pilot and by the looks of things isn't actually of higher rank than the rest of the crew. Post crash it takes 2 months for him to take the captain title and he gets push back from the others. If he did outrank them or was co-captain leadership would have instantly passed to him but it doesn't. Yet Jimmy says "We're in control" because Curly's control is his control because he controls/leeches off of Curly. I think this line is our first warning sign that something's not quite right with their relationship.

This part of the conversation has a lot going on even though it's so few lines. First it tells us that Jimmy liking the job is unexpected because he's struggled in the past and people praise Curly as a captain and Jimmy doesn't like that.

Focusing on Jimmy's line I think this is the first line that people pick up on that their friendship is strange because who tells their friend people praising them is annoying? If you look at the flow of the conversation there's no reason for Jimmy to bring this up as well. It goes "How are you?" "Great" "That's unexpected because of your past" "Yeah well people praising you is annoying". They're not talking about Curly or how people see him as a captain. Jimmy brings it up and calls it annoying simply to hurt Curly.

Jimmy takes Curly bringing up his struggles as an attack so he attacks back by making him feel bad about something good. Remember that when Jimmy brings this up during the birthday scene he misquotes Curly as saying "struggle of a life" when that's not what Curly said at all. That's how Jimmy felt about it though. This also isn't the last time Jimmy uses Curly's success as a captain as a weapon against him either. The way Jimmy does this is also very emotionally abusive. Jimmy isn't just framing praise for Curly as bad but bad because it upsets Jimmy. It might not seem like much but comments like these are links in a chain, they add up together.

For Curly's part of the conversation I've seen interesting interpretations of what those "struggles" were but I think we do lose some context sometimes. It's important to remember that Curly thinks Jimmy's struggles would've led him to dislike being a freighter pilot. Meaning his struggles are most likely more personal in nature.

So Jimmy switches topics again by asking Curly what's bothering him. Jimmy also does this during the birthday party scene. He seems very intune with Curly's emotions able to see past any attempts to hide it and see that he's upset. Which does indicate their closeness and friendship.

As for the last line looking at this transcript made me realize how much the fandom associates this suicidal imagery with Curly even though it's Jimmy who says it. In fact I don't think Curly ever describes his feelings like this it's always Jimmy who says it about Curly. This is a very odd way to ask your friend why he seems upset and iirc the next time Jimmy brings this imagery up to Curly is right before he attempts a murder-suicide.

(The line "And that's bad?" should be green as that's Jimmy.)

Curly's answer to Jimmy's question is very interesting because it's not uncommon for people his age to feel this way. We spend the first part of our lives growing into, discovering, and establishing the people we're going to be. When we hit our 30s/40s it's natural to look over who you've become and what you've made for yourself and ask "Am I satisfied with this?" I think for Curly he's leaning towards "no".

It's not that Curly thinks he's above his job, he's just not satisfied in it. It's like how Swansea isn't satisfied with the life of a family man even though society says that's the "right" way to live. Curly is weighing the risks and benefits of staying in a steady job he's successful at vs starting over with something that will satisfy him even if he's not conventionally successful at it. It's a heavy decision to make and we know from the dlc for How Fish Are Made that Curly regrets not changing sooner.

As for Jimmy's response, he in fact doesn't get it. It's fascinating how Jimmy took Curly's words about life satisfaction and turned it into being about career success and hierarchy. Curly's feelings have nothing to do with reaching the top of his career but Jimmy can't see this. Jimmy sees the world through Capitalist/Patriarchal hierarchies and has a habit of projecting his feelings/pov onto others. This is the closest he can get to understanding where Curly is in his life right now. Which makes sense because Jimmy comes from poverty and has struggled in the past he's not at the same life stage as Curly.

It's also fascinating that again we see imagery that the fandom associates with Curly being something Jimmy says about Curly and that Curly never expresses. The only time this imagery comes up for Curly iirc is his bizzaro sequence leading up to this conversation with Jimmy. The ladder is a metaphor Jimmy imposes on Curly. He also kind of imposes this sense of ambition onto Curly. Like it's only natural that after reaching the top of one ladder a man would look for a new ladder to climb.

There's something about the last thing Jimmy says here that is necessary to point out because I think people miss it. Jimmy turns the conversation back to himself. He's made Curly's feelings about himself and once again made Curly's feelings in opposition to his own. Curly's dissatisfaction while being at the top vs Jimmy still climbing.

Lastly Curly knows Jimmy doesn't get it. "Something like that" indicates Jimmy's interpretation isn't right and later in the birthday party scene Curly reinforces this by saying things like "what I was trying to tell you". So yeah Curly knows that Jimmy doesn't understand him but doesn't try to explain further.

Curly's last bit of dialog in this scene is him comforting Jimmy. Remember how I said Jimmy recenters himself despite the conversation at this point being about Curly? This is what I mean. Jimmy asked Curly to be vulnerable with him and Curly ends up comforting Jimmy. Jimmy gives Curly no words of reassurance here, in fact Curly doesn't even get understanding.

In comparison see my Dead Pixel analysis where even though Curly doesn't see the pixel he still believes Anya and aligns with her opinion of the screen being nice. There's no alignment here between Curly and Jimmy, they are talking about 2 different things and it's one sided in Jimmy's favor. In the Dead Pixel convo notice how Anya continues to open up to him, she goes from the pixel to the time left to the locks. Curly in comparison stops trying.

This line also establishes Curly's belief in Jimmy. A belief that even this conversation demonstrates that he shouldn't have. But it's subtle and I can't blame Curly for missing all the things wrong here when so many of the fandom misses it too. We give the conversation the benefit of the doubt because they're friends and we don't know the full scope of Jimmy yet. It's also interesting cause this is the only time Curly says he believes in Jimmy outright and yet the way he believes Anya about Jimmy brings up questions for another time.

Alright last bit and it's from Jimmy himself. So two things from those first lines. One we have Jimmy back to feeling good from Curly's belief in him. A reminder that back when he was asked how he was doing he was fine. Jimmy's feelings are the priority here. Two we see Jimmy's insecurities in here. He's insecure about how his eval comes across. He's very insecure about how he's precieved which comes up again and again through his obsession with reputation, being a hero, and being a patriarch. I also think this points to where his struggles might be in. The evals are labeled as psychological but the actual questions are about employee productivity. Which part of that Jimmy is worried about I'm not sure.

Then we get the message from corporate and Jimmy is instantly out of there. Which brings me back to the beginning. Jimmy likes it there cause "we're in control" and yet when the responsibility of that control shows up he excuses himself. Granted there may be a rule that no one else can be in the room when messages come in but that reinforces the fact that Jimmy doesn't have any power on paper. He's not a co-captain. Jimmy's sense of control comes from his power over Curly.

So yeah my final thoughts? This conversation is unhealthy and it's the nicest conversation we see Jimmy have with the actual Curly. We get a little joking around here and there but one on one longer convos? This is as nice as it gets. In context Curly experiences feelings of fear, anxiety, and isolation on his way to this conversation. It's full of unhealthy moments and the one sided prioritizing of Jimmy's feelings. The status quo for them has not changed yet. If this is an example of what their average conversations are like their relationship is emotionally abusive.

Imagine having a friendship where you have to always prioritize your friend's emotions over your own. Where if you say something that bothers them they take verbal potshots at you. Where they make you feel guilty for being more successful. Where they make your vulnerabilities about them. It's like I said it's links in a chain. By themselves it's not a problem but together over time these behaviors will do damage to a person.

And putting this conversation back into context this is one of three verbally abusive moments we witness in the span of a week. And there are indicators that in each that these abusive behaviors aren't new. Curly in this conversation doesn't question Jimmy claiming control or the "praise for you is annoying" comment. None of this is weird to him and that's a bad sign. Abusive behavior was already normalized on the Tulpar, it was a powder keg waiting to happen.