#but like it's been two times already

[tamashi-tai-tamashi]

Why does everytime Gokū appears in Dragon Ball Legends, Bardock leaves???? Let the two of them meet and talk par pitié, they never did so in any manga or anime series so could we at least have that in that video game 😭

[floccinaucinihilipilificationa]

[hayden-christensen]

OBI-WAN KENOBI: PART VI dir. Deborah Chow | released June 22, 2022

[poorly-drawn-mdzs]

Thanks for listening to my sad backstory. Anyway, here's Wonderwall.

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[thasorns]

The Heart Killers + tumblr text post (FadelStyle edition)

[thesorrowoflizards]

↳ You never know when the good you do may come back around.

[giantkillerjack]

Me: hm, I want something to put on the TV as background noise... Huh. Looks like YouTube is recommending something called The Last Unicorn. That's perfect, it's probably some old shitty animation that has aged poorly! I can watch it ironically!

Me, 2 hours later as the credits roll: *crying, cheering, buying the book, composing the songs*

Me, 2 weeks later: So I have compiled all of the quotes from the book that I think could make good tattoos, and also, HOW HAVE I NEVER LEARNED ABOUT HOW THE LAST UNICORN FUCKING SLAPS??? This gay-ass little fairytale fed my soul! Watered my crops! Transed my gender! Can't believe I heard of this story from youtube recommendations, of all places!!

[theloveinc]

Just thought about … oh my god. Bakugo’s first real battle with a formidable villain after your kid is born; he’s not exactly “out of shape” (he never quit the gym, routine, etc… just changed it), but he’s thrown down hard in the first couple seconds, and he’s slower to get back into position—taking the time to steady his feet and assess the terrain, pushing out the lil tummy he gained feeding you postpartum delicacies as he cracks his back—

And the villain, god help them, decides to call out to him as they use the few seconds of vulnerability to attack again, screaming, “hey pop pop, don’t tell me parenthood has made you soft! How ‘bout I start calling you ‘daddy,’ too?”

Just as Bakugo’s turning back around with a new fire in his eyes, blood all warmed up, and shooting off to grab them by the throat to end the fight in one single move.

[carnevol]

[howly]

headcanon: the boring perfect self control vampire bella thinks she has is a LIE and at one point she caught human scent mid-hunt and snapped. it made her so wild she had to be restrained to the point where things got ugly

i know edward would never dare to do it and meyer would never dare write it and in canon newborn vamp bella would be far stronger than him...

actually. you know who would be stronger than one young vampire? two old vampires. and who would act practical in a critical situation? emmett

imagine edward and bella heading out for a hunt and emmett being like "do you guys mind if i tag along? i feel like snacking". bella's a little mad at the prospect of suddenly having a third wheel (homegirl wasn't planning on just. hunting) but alice gets a weird hunch and goes "no, no, em should go with you" ok nostradamus. he's going.

fast forward they're in the mountain. bella finds having emmett third-wheeling is not half bad. in emmett's head, lowkey it's bella who's the third wheel after so many decades of him hunting together with edward. but nevertheless, it's so fun with her around. all is good until they catch the scent of an entire group of friends hiking just a couple of miles from here, away from all civilization. emmett and edward stop in their tracks, ready to turn around. bella, her guard down, loses it and stars running towards the group, so they have no choice but to charge at her. while strugging to keep her in place, they try to talk her down but she doesn't listen. she doesn't care, she's strong enough to fight them off, and she fights and claws and hisses and breaks bones of whoever gets in her way because there are so many pulses just a few minutes' run away from her and their scent is so sweet and burning and calling, calling, calling to her

while struggling to restrain her, emmett grunts "we have to disarm her". edward catches the image in his head and shouts "no! you can't literally disarm bella!". well, how the hell do you expect us to stop her from massacring all those hikers? we'll just put her back together afterwards. duh!, emmett thinks, and knows he has to act fast so he goes in while bella's busy yanking away from edward's grip and tears off a limb. or two. all 3 of them may or may not be screaming.

a few moments later edward's pinning bella to the ground, holding her face between his palms, forcing her to look at him. her thrashing is not so effective with limited body parts. part of him wants to yell at emmett but that's kind of low priority. he's holding on to the last of his composure while he looks down at bella's feral expression and chants 'baby. i'm so sorry but i'll give you your leg back after you calm down a bit. i won't be able to outrun you if you go chasing after those people now. please calm down. i love you. hold your breath'

just then she listens, stops breathing and her vision refocuses. for the first time she realizes she was on her way to slaughter a bunch of strangers and she broke the arm of the man she loves at least three times when he tried to stop her. she wants to open her mouth and apologize but that will require her to breathe and possibly go crazy with thirst again. so she stares back at edward's panicked eyes and nods at him, her own red eyes just as full of terror.

then she looks over his shoulder and sees emmett waving her severed leg in the air like it's a baseball bat. "hey, did you know that rose wears the same shoe size?"

[myimaginationplain]

jayvik shippers PLEASE be normal about Mel & Sky challenge, part 2, difficulty rating: (impossible)

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[amanda-plays]

Sometimes she puts that permanently level three cooking skill to use.

[fatedroses]

More than just the Demon.

[killjoy-prince]

House M.D. but it's when a character says the name of the episode

[mania-sama]

Mondstadt and Its Religious Implications

One thing that I will NEVER get over about Genshin Impact is the iconography used in the designs for Mondstadt and the implications it has. Now, don't get me wrong, as a rule of thumb, Hoyoverse has done a really good job in creating unique environments for Genshin's nations that more or less accurately portray a real-life cultural region. Liyue is based on China, Inazuma on Japan, Sumeru on India and Egypt, Fontaine on France (and Australia, if you squint), and Natlan on African and Native American tribes.

Mondstadt is based on Germany. More specifically, many of the designs and icons seem to resemble the Holy Roman Empire. Now, an important thing to note is that most of Western and Southern Europe was some denomination of Christianity at this time, with some exceptions due to various holy wars that occurred kind of all of the time. Anyway, the point is that the Holy Roman Empire was an established Catholic nation (and Germany still is predominantly Christian in modern-day). One thing about the Catholic denomination is that they proudly display religious symbols anywhere they can or in ways that they can carry with them, usually coming in the form of a rosary or a cross. When it came to specific places of holy worship, they would obviously spend no small amount of effort to completely embellish the place with gold, art, and symbols. Catholic churches are known to be the most extravagant of the denominations for a reason.

When a design team looks at The Holy Roman Empire, they will see this religious imagery everywhere. Namely, they will see the cross, because that is kind of, you know, THE Christian symbol. So it makes complete sense for them to note that down and underline it in red; for a mostly-accurate portrayal of the region they are taking from, a church and crosses HAVE to be included.

Places of worship are obviously not unique to Christianity, nor is the "cross" as a religious symbol even born from Jesus Christ. There are a few cases from different regions in which crosses and cross-like images were used for their gods. HOWEVER, with the specific cross that Mondstadt displays, and with the fact that not only is it based on Germany/Holy Roman Empire but that it is the ONLY Genshin region to use the cross in its designs (along with the usage of distinctly Christian/Catholic roles like nuns)... it is safe to assume that this is representative of the Christian cross.

You can see the issue we are about to have.

The fact that Mondstadt displays crosses as a religious symbol in CHURCHES and on the KNIGHTS' ARMORY (because most knights were historically Christian), that characters like Barbara are seen wearing in their designs, implies two things:

Crucifixation is/was a method of cruel execution in Mondstadt's history.

SOMEBODY of high esteem and worship had to be crucified, and thusly held up as the ultimate symbol of religion...

For the first point, while it IS still crazy to think that Genshin would imply this, I can, indeed, believe it to be true to canon. Why? Well, Mondtadt's history is already rife with the same abuses as Europe's actual history. From slaves to gladiator fights to rebellion to cruel monarchs, Mondstadt has not had a pretty life. Crucifixion honestly fits right in. I can imagine, in failed revolts against the aristocracy, those rebels who survived were later crucified. Other victims may be those who try to falsify gods or improperly worship Barbatos in a manner that the ruler doesn't agree with, those who commit treason, etc. etc..

Is it insane? Perhaps a little. But if we really get into it, Hoyoverse has done some crazy things with their lore so it's not really out of place, no matter how cruel the actual punishment is.

The second point is a little more complicated. Let's first rule off Christianity being a thing in Genshin - while you could consider the most of the nations to be monotheistic because they technically worship one god, the respective one of their nation, they most certainly do not obey/follow one god holistically, nor is there one mortal representative that god, nor is there a specific spirit that lives on in every believer who follows that god. So, there is no Holy Trinity; no Jesus Christ, no Holy Spirit, and there is no God, so to speak. No Christianity.

However.

One thing about Genshin Impact is that it takes from biblical mythology heavily, for some reason (and I say mythology because modern denominations don't consider the demonology stuff canon). For example, Paimon is the name of a demon who was more or less a servant of Lucifer (interpretations may vary). It is well known that the Archons are based on demons from biblical demon mythology. Even in the latest Natlan Archon Quest, Ronova, the Ruler of Death, looks unnervingly like Ophanim, the one everyone draws when they make "biblically accurate angels" or whatever.

Mondstadt accomplishes biblical references in two ways: one, that Barbatos, the demon, had four main kings/knights that rode with him. This can be seen represented in the Four Winds. Two, that these Four Winds can be viewed like how the Catholics would view a saint. Saints were, in simplistic terms, mortals who achieved great things and helped many people, and were then canonized after the death (usually). The church essentially declares them a Saint and worthy of worship. Idols and imagery are produced of these saints and hung like one would a cross or other images of Jesus Christ.

The most clear representation of that in Genshin would be in Venessa, who is a mortal who dies and then ascends to Celestia. She then becomes the Falcon of the West, one of the Four Winds of Mondstadt. So, a saint, essentially. Even though Mondstadt isn’t Christian, it certainly is Catholic.

The reason why I am going over all of this is to say that, well, it may not be necessarily implying that Venti was the one who was crucified. That is the popular opinion when discussing the crosses - that somewhere along the way, Venti was crucified. I am here to say that that really might not be the case. While the Holy Trinity is interpreted by many denominations to all be one and the same as each other, it is still a fact that it was Jesus Christ who was crucified, not God Himself. Jesus is the son, not the God.

Which is to say that it could be anyone, really. The most clear "child" of Barbatos that comes to mind is Venessa, who we could interpret as someone who could have been, at one point, crucified (though she was not). Rulers and people of high esteem also claim her titles and name like monarchs would claim holiness and divine right in Europe. Again, the problem with this is that she was not crucified and lived a very successful life post-rebellion.

The other option that comes to mind is the Unnamed Bard. He also could have been crucified. Even though we know he died in battle, it is not unreasonable that his corpse would have been strung up by pissed-off nobles upon the defeat of Decarabian. But, again, the problem being is that a. the timelines don't match up (Barbatos was not yet the Anemo Archon), and b. they won the rebellion so he still probably wasn't crucified.

So, it could be someone we haven't heard of, or someone deep in Genshin lore that I don't know about. Or, you know, perhaps Venti really was crucified. I don't know.

THIS is what Hoyoverse is implying. AND I DON'T LIKE IT (it's fucking hilarious).