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#but its totally understandable that some people cannot deal with raws
pendwelling · 10 months
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Hi!!! I just wanted to say first and foremost that you are one of the BIGGEST reasons I got into twsb and I love all your art and fics! I was wondering where you usually read the translated novel? Bcs the one i had only translated up to a hundred chapters currently, and I am dying to know what's next!!!!
!!!!! It means a lot to me that you enjoy my works, thank you sm 🥹 I hope you're enjoying TWSB because it's honestly so great!
As for where to read the (as of yet) 800+ novel chapters, there is really no way to properly read them as there's no official English translation. But if you have the means to purchase the raws, here's the Ridibooks link!
(more info in tags VVV)
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fountainpenguin · 1 year
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Out of all of Becky villain's, I'm of the belief that Rex would get along best with Mr. Big and Leslie. Mr. Big tries mind controlling him once in order to do his taxes but he doesn't even need to since Rex takes joy in doing it 🤣
😂 I'm obsessed with Rex / villain interactions because they're all so good. Some of my headcanons are:
He constantly calls Tobey "Theodore 3" and it ticks Tobey off. Also I have a story about Rex leading Tobey to his spaceship so he can fix some of its broken pieces (like the heater) and Becky just staring into the void like "Why did you do this?"
Rex is obliviously insensitive and so he and Chuck are constantly clashing because Chuck is soft and desperate for WordGirl interactions and Becky just constantly wants to shake her boy. Her little guy. He's dumb.
Kid Potato is already antsy about Butcher being friendly with WordGirl and I imagine that Rex doesn't like being friendly with villains, so Kid Math and Kid Potato actually get along really well by agreeing to hate each other and hold nothing back, they are completely raw and honest with each other in a way Rex isn't with the other villains, and that actually makes them "friends" and Becky stares into the void. I have so many thoughts about WordGirl and Kid Math in the superhero / villain retirement home, you KNOW Kid Math will be a "back in my day" rambler and WordGirl will just be like "Check your blood pressure" sldfkj.
Lady Redundant Woman multiplies, so that's a numbers game... Kid Math with a schoolboy crush on LRW is my favorite, I'm sorry but I love the idea of him squealing and getting excited when he gets to fight her.
Kid Math comes from a metal-based planet and he knows a lot about metal in my view. I cannot get over the idea of like, Kid Math wearing a metal bracelet or carrying a piece of metal or having metal glasses, or metal fillings in his teeth, and Captain Tangent just wrecks him. Not in a horrific way, just in a "oh wait, fighting someone with telekinesis is hard, actually" way sdklf. I think Tangent would leave Kid Math SO confused, because Tangent stops committing crimes while he rambles and Kid Math would just be like "... Is this surrender? Are we done?" and he'd just float there awkwardly.
I have a Factor It In chapter that opens with Seymour Smooth telling Kid Math about how there are numbers on the front and backs of the cards in people's pockets and he can exchange them for a prize and WordGirl just yells from off-screen "DON'T DO IT!" and it's funny to me, please let Seymour follow this kid around trying to make him a pawn. Every single villain who has a schtick of fooling people who aren't WordGirl deserves to get a win over Kid Math.
He would absolutely fall for Granny May's innocent old lady "I've retired, I'm just a bystander" act every time because "She said she changed! Why would she lie??"
He'd totally fall for Hal Hardbargain and the Coach if they tried to sway him for the same reasons. There are gadgets and great deals out there. There is more superhero training to be had.
Rex really just cannot be trusted alone with some of the top villains like Mr. Big and Dr. Two-Brains because he'll willingly put the mind control devices on and he'll walk right into traps, he's the worst.
Kid Math would be confused and answer every one of Ms. Question's questions because he thinks she's truly curious about him and doesn't understand her distraction tactics.
Invisi-Bill, AKA captain "I never work alone," is now in danger if both WordGirl and Kid Math show up on the scene. Good luck, dude.
I see Kid Math as a guy who just wants to punch bad guys and get in physical fights, and I think Big Left Hand Guy would actually be somewhat of a challenge since Rex is so small. WordGirl evades him by darting around him and grabbing him from behind, but I think Rex would just get slam-dunked constantly.
It's already canon that Becky can't recognize Amazing Rope Guy when he's not in costume, and we also know that Rex CAN see through her civilian identity and that she was shocked he was able to (and he was taken aback by her surprise because to him, it was obvious), so I lose my mind over this idea that although Rex is easily manipulated by villains, at least he's good at recognizing them out of costume.
I am very normal about my Kid "Second Best" Math and Victor "Second Best" Best ideas and boy howdy do I have a story to tell about what led to Victor wearing a superhero costume under his clothes in "Best of the Bests" slkdfjs.
Bless Rex, I love him <3 He's a goofball
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citylong · 2 years
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Raw egg purple mattress goldilocks
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beardrabbles · 3 years
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rock solid bonds.        pt. one
characters: zhongli, female reader, gimel ( geo hypostasis )
warnings: none
word count: 3,858 ( it’s LONG, y’all, sorry )
notes: first thing tossed into the genshin fandom is zhongli because i’m weak. so very weak. i know this idea is strange, but i’m running with it. this will have many parts, just not sure how many. anywho! :D hey. how’s it going? nice to meet’cha. oh!! also. i don’t have a beta reader, so there may be typos i’ve missed. oof.
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You had made this trip several times before, and you assumed that this trip would be no different. You skirted around small packs of curious hilichurl, scooped up seashells from the many beaches you followed and swam through the clear, blue waters of Guyun Stone Forest until — finally — you reached the island you had been visiting over the course of several months.
The moment your water-logged feet touched solid ground rather than loose sand, you felt it — the faint traces of a low, constant vibration. It was a steady buzzing, except where the intensity would pulse every now and again, like a living heartbeat.
‘ It’s here, ’ you thought, ‘ good. ’
You hurried to rest against the crumbling wall of the ruins where the hypostasis often lingered, allowing yourself a moment to dry off and rummage through your supplies. No matter how routine this was, you knew you couldn’t become complacent. You could handle the stubborn bundle of geo, no problem, but you knew it never hurt to be prepared.
From your bag, you pulled out a wrapped bundle of fried fish and a single, elegant vial of a bright yellow liquid. You sloshed the liquid around, recalling the last time you’d been overconfident and forgone making the geo dampening potion. You had returned home that day with several more bruises the usual, and so you had firmly reminded yourself at you would prepare some, even if it had meant several days worth of butterfly chasing.
“You got lucky last time. Saw you learned a new move, but I’m smart. I learned.” You lifted the stopper out of the vial and knocked back the contents. The effects were immediate. You didn’t look it, but you felt thicker, sturdier, more centered. You hoped that was the effect of the potion, anyway. Nothing would sour your mood more than to realize the person you’d hired to make the potion had fouled it up.
Shrugging, you placed the empty vial into your pack, gulped down several bites of fried fish, then left your pack tucked up against the wall and behind a mess of tangled roots. Your hands moved next to the handle of your weapon, which peeked out from over your shoulder. With a heave, you brought out the claymore you so adored. It was nicked in places and scuffed in others, yet you found you were too attached. It had gotten you through too many battles, and it felt wrong to abandon it.
“Alright, we’ve got this. Just a few more months of this, and we can——!” Your self-given peptalk was cut short when you glanced around the wall and found that the hypostasis wasn’t alone. Choking on your own words, you quickly ducked back into the hiding. “Dammit! Someone’s already here.”
You set your claymore aside and pressed your hands to the wall, using it to lean around and peek.
“Huh.  .  .” Strange. Nearly every time you found the raw elemental, it had its defenses up. Even as it seemingly napped in place, it surrounded itself in solid, almost unbreakable basalt. Now, in front of this tall stranger, it was nothing more than its small, brightly glowing core. It bobbed and spun, giving off the sunshine-bright disposition of a puppy.
It was almost cute.
Interesting as the hypostasis was in this form, you found yourself drawn to the stranger interacting with it. Slender but strong, standing tall and straight, with a single hand that wove through the air around the exposed core. From where you stood, you couldn’t quite tell who he was, but something about him felt familiar.
‘ I’ve seen him before. ’ The earthen tones of his clothes and hair, the elegance and the poise. You were certain you had seen someone similar making their way through the streets of the harbor before. And, in his wake, came dreamy sighs and low purrs of admiration from all manner of people. The name eluded you, mostly because you didn’t care. He was a stranger, and you had no reason to acknowledge him until now.
“Why does it look like he’s playing with it?” You huffed through your nose, feeling thoroughly irritated that your chance to mine precious gems from the hypostasis had been squandered.
Without meaning to, you let out a groan of frustration.
The elemental core gave a sudden jolt, it’s small form jerking away from the man. In an instant, it wrapped itself in its armor, dark basalt etched with shimmering lines of gold appearing in large, even chunks. You gasped and ducked back for a second time, your heart rapidly beating against your chest. It didn’t know you were there. It couldn’t! You weren’t that loud, were you?
“Moron!” You scolded yourself and made to snatch your pack up when a voice, smooth and deep, reached you.
“I know you’re there.”
You stopped and stood still, as if that would render you completely untraceable. Breath held, but heart still hammering, you waited.
“It would benefit you greatly to come out of hiding.” The voice continued, calm and even.
Something about the voice made you reluctant to run. Shuddering and setting aside your things, you willingly stepped out from behind the crumbling ruins. Hands up and empty, you first revealed that you were unarmed. Harmless. Totally harmless.
“Ah, there you are.” There was a hint of satisfaction in the man’s tone, but you hardly paid attention. Your focus was intent on the sensation soaking through the soles of your boots. The vibration from earlier wasn’t as calm as it had been, the heartbeat-like thrum from earlier replaced with an anxious tattoo that traveled through your legs and up into your chest. You found yourself catching your breath, a horrible feeling welling inside your ribcage.
“Am I causing that?” Your own voice was soft and feeble and sincere. The man approached at a slow but steady clip, until he stood a mere foot away. His arms were folded behind him, making him appear even more refined up close.
“I wasn’t expecting you to realize your mistake so quickly. Good. I wasn’t looking forward to explaining it.” He arched a single brow. “Might I ask your name?”
“Uh.  .  .” You shook yourself from your mounting guilt and lowered your hands. He was polite, but you could tell from the sharp look in his amber eyes that he didn’t approve of your presence, and rightfully so. Still, you didn’t want to deny him your name when he had yet to force you off the island. You muttered your name, and he let out a thoughtful hum before repeating it.
Never had you heard your own name on a voice that alluring. It balanced on a fine line between heavenly and sinful, and you wished deeply that he would never, ever say it again. It sounded too good, and your heart already had its share of problems to deal with at the moment, shame being one of them.
“Seen you around the harbor before, but I can’t remember your name.” You gently prompted him to give his own name in return, hoping it wouldn’t be seen as rude. The corner of his lips turned up a fraction, but that hint of a smile didn’t last long.
“I am Zhongli. Under different circumstances, I would say it was a pleasure to meet you.” Still scolding, still disapproving. You shrank under his gaze, but still found it in you to speak in turn.
“I’ve never seen it out of its armor for that long before.” You observed.
“I wonder why that is.  .  .” Zhongli turned to face the elemental, his broad shoulders rising and lowering with a heavy sigh. Guilt punched you in the gut again.
“I didn’t think I was doing anything wrong!” You didn’t mean to raise your voice, but you had never once been convinced that your mining had been detrimental to the hypostasis.
“It cannot speak for itself, so you were lead to believe that your harvesting was harmless.” Zhongli mused as he ventured towards the elemental again. “That is understandable. But now that you are aware, now that you feel the effect your presence has on it, are you willing to change?”
You opened your mouth to answer, but were stopped but a sudden thought.
For the sake of a voiceless, sentient being, were you willing to change? Yes.        Were you able? No.
You hurried to follow Zhongli and weren’t the least bit surprised when the hypostasis kept its distance, basalt armor quaking with fear. You stopped your advance, keeping well behind Zhongli.
“I can’t.”
“Oh?” He didn’t turn his attention to you, but kept it intent on the elemental. He lifted a gloved hand, the palm resting carefully along the surface of one cube of armor. “That is a shame. I was hoping you’d be agreeable.”
“No, it’s — it’s not that I don’t want to. I want to! I didn’t know it was.  .  .”
“Capable of feelings?”
You nodded despite knowing he couldn’t see you.
“All things feel, all things remember. The lack of a voice does not make one unworthy of thoughts or memories, good or bad.” Zhongli smoothed his hand over the armor of the hypostasis. “It remembers. You are quite brutal.”
“I’m sorry.” You directed this to the hypostasis rather than him. “I didn’t know.”
“And yet you blatantly refuse to change your behavior?” Zhongli’s sharp gaze landed on you again.
“I have an obligation! I’m bound to my word.” Your hackles rose for a moment, but were lowered again soon after. “I have a contract.”
At this, Zhongli came to face you. “A contract?”
“I don’t know why I should tell you.” Your stubbornness reared its ugly head in that moment. Arms crossed, you waited for him to coldly dismiss you. Instead, he folded his arms behind his back and cooly stared you down.
“Contracts are, for better or worse, binding. I understand that, when broken, there can be dire consequences. Is this an official contract?” He wondered. You wanted to hold firm to your refusal to speak of it, but the man’s calm nature made it difficult.
Shifting uneasily, you gave another nod.
“Yes.”
“Are you barred from discussing the terms of the contract with people unrelated to the contract itself?” Each question was asked quickly and sharply, as if practiced. You frowned, moreso out of thought than offense.
“I don’t think so. No one’s ever told me I’m not allowed.”
“Then, please, indulge me. What about this contract requires you to mine as often as you do?”
“You want the long version or the short version?” You reached up to rub at the space between your eyebrows, mounting stress threatening to bring forward a headache.
“Whichever you’re more comfortable with.”
“If you say so. My family’s in a tight spot, yeah? We owe some people a lot of money, but most of the people involved are too old, too frail or too inexperienced to go out and earn the mora we need. The people that are hounding us thought, hey, let’s get the daughter to go out and find these precious materials. No one can pass up on free labor, right? I work for them, I slowly whittle away at the debt my family’s worked up for the last few years.” You shrugged casually to hide the fact that the contract was draining you of your free time and, apparently, your morals.
Zhongli frowned, a wrinkle knitting his brows together.
“What are the exact terms on your contract?” He asked, ignoring a nudge against his shoulder from the hypostasis.
“There are quite a few, but the one causing me the most trouble right now is the fact that I need to come here every day and pick out the prithiva from your friend there.” You didn’t miss the shudder in the rocks or the way the hypostasis fled yet again, putting space between you and itself. Zhongli motioned for the hypostasis to calm, but the trembling remained.
“I need the terms as they were worded the day the contract was made.” Zhongli requested firmly this time.
“Three prithiva gems, whole and unblemished, every day for a year. Even if it means getting the slivers and asking someone to do their alchemy-thing on it, I gotta get those gems.”
Zhongli’s stern gaze softened as he motioned for the hypostasis to come nearer.
“That’s all?”
“When it comes to this fella, yeah. I just need the gems.” This time, you were the one to step away from the coming hypostasis. It was clear you had scarred the creature, and you weren’t about to disrespect it in front of this man, who so clearly cherished the living geo.
“You aren’t required to fight and take it?” He continued.
“They never said I did, but it was the only way I could think to fulfill the terms.” You slumped in place and let out a little whine. “Don’t tell me I could have just asked for it.”
“Did you consider the possibility?” Zhongli quipped.
“No! I didn’t think it could understand people!” You stressed with a growl. Zhongli chuckled, the sound taking you aback.
“It doesn’t understand language, but it understands intent. Come here.” The command was subtle, but you felt compelled to obey. Cautiously, you took to Zhongli’s side. His taller frame shadowed yours, and you swore you caught the scent of sun-warmed stones and hints of glaze lilies as an errant ocean breeze whorled past. “Put your hand out, like me.”
You hesitated, and he took note of this.
“Be calm. If you’re afraid, it will know.” He coaxed you, sounding far gentler than he had since calling you out of your hiding spot.
“I’m not afraid,” you corrected, “I feel bad.”
“As deserving as the feeling is, you can make it right if it is your intent to.” Zhongli pointed out. You sucked in a breath, nodded once, then held your hand out. The hypostasis shuddered again and bobbed backwards. Zhongli frowned like a disapproving father and clicked his tongue. “I understand that she’s been cruel, but I believe her when she says she was unaware of how sentient you are. If we are to make amends, the effort needs to be mutual on both parts. As long as I am here, neither of you will come to harm.”
The hypostasis twitched and the armor around it lowered for a moment, but it was fleeting. In a small fit of hope, you drew closer and placed your hand against the glimmering armor. The protective chunks of rock snapped back into place around its dim core, spun rapidly in the air, then sunk down into the ground where all that remained were spider-web cracks that glowed as warm and bright as the sun.
You stood there, hand out and mouth agape.
“It ran away!”
Zhongli lowered his head for a moment. “This was not the result I imagined, but it is progress.”
You lowered your hand and rolled your eyes.
“How is that progress?” You snapped. Zhongli didn’t so much as flinch at your aggression, but sported a knowing smile that irritated your further.
“Gimel let you near without attacking out of instinct. I would say that counts as progress, small step as it is.” He spoke assuredly, and you supposed he had a point.
“Gimel?”
“It has a name. It may work in your favor to remember it.” Zhongli added.
“Yeah, well — what am I supposed to do now? I can’t go back empty-handed.” You grumbled and turned away, stalking back to the spot where you had stashed your bag. The effects of the potion you had drank earlier had begun to ware off, leaving you feeling oddly light and slightly off-balance. That, coupled with your plummeting mood, made you want to leave behind the island and hope that your contract wasn’t seen as broken.
Behind you, you heard the steady click of boots as Zhongli followed behind you.
“I have an offer.” He stopped when you did, and he didn’t miss the flicker of confusion and wariness in your eyes when you spun around.
“What kind of offer?” You were like a cornered animal, and you wondered if he had sensed your growing worry since Gimel had disappeared. You weren’t desperate yet, but that may have been because you had yet to fail in completing your end of the contract. The consequences were unknown, but you were sure you would regret returning to Liyue Harbor without the gems you were asked to retrieve. Still, you were concerned, and you knew it was hard to hide when you fidgeted the way you did.
“A contract.”
“No.”
“One that won’t break the conditions of the contract you’re currently bound to.” He continued in spite of your quick refusal. You crossed your arms and wrinkled your nose, but it only caused him to smile again. “Don’t be stubborn, girl.”
You scowled and felt a rare flare of anger rise, but he interrupted you with a shake of his head and a raise of his closed hand. Long, slender fingers unfurled, revealing a small handful of pristine prithiva topaz gemstones. It wasn’t out of greed that you lunged forward, but a deep desire to protect yourself and your family. You didn’t grab the gems, of course. It wouldn’t do to anger this man after he had shown you patience, but you wouldn’t deny that it was a tempting sight to see him holding the gems out for you to take.
You whetted your lips with a quick swipe of your tongue and spoke past the sandpaper feeling in your throat.
“What are your terms?” You croaked.
“You return to this place every day, unarmed and alone, to spend time with Gimel. In return, you will be rewarded with the gems required of you. As it’s clear they didn’t specify how you acquire them, it will not interfere with the terms of your current contract.” He raised both brows this time and held the gems out further. Your fingers twitched as you reached, but you didn’t take them.
“That’s all you want out of me?”
“We are merely acquaintances, but I hardly find it worthwhile to trick you into a dishonest contract. My terms are as simple as they sound. You cease hostilities against Gimel and attempt to right your wrongs, and you will have your gems. I only ask for a few hours spent here, nothing more. I can’t expect you to wrap your entire life around this one task.” He reached out to take one of your hands, turning the palm up. His touch was gentle and didn’t contest with your own freewill, but you let him do as he pleased.
His thumb uncurled your your fingers, followed the deep lines in your palm and smoothed over your wrist. Your cheeks burned, but you blamed the glaring sun overhead. He was only being kind, you told yourself.
“If I accept these, does that mean I accept the contract?”
“I’m afraid so.” He stepped closer, head and voice low. His dark hair framed his stoic expression, yet his hand on yours remained kind. “Your answer?”
You swallowed hard, weighed your options, then peered up into those vivid, autumn-tinted eyes. “Will you be here too?”
You weren’t sure what prompted such a question, but it seemed to catch him as off-guard as well. He blinked and pulled back for a moment. “Is this an amendment?”
“No,” you shook your head and dared to laugh, “just a request. I don’t think Gimel will trust me on my own, not at first.”
“Its trust will be be earned by your own merits, not because I am here.” Zhongli informed you stiffly.
“I didn’t mean it like that. I just think — maybe it would help if I observed you for a little while, maybe a few days. I can see how better to approach, then you can leave us be.” You tilted your head. “Is that unreasonable?”
“I.  .  . suppose it’s not. You are willing to learn, at least, and I cannot fault you for that. Very well. Starting tomorrow, I will accompany you for three days. After that, you are expected to use what you’ve learned on your own.” He closed his fingers around the gemstones and twisted his wrist, readying himself to drop them into your waiting hand. “Has your answer changed?”
You shook your head. “No, I planned to accept before.”
“Then we’re in agreement? You are aware of what will happen if you break the contract?” He warned. You nodded.
“I’m aware, trust me.” You wiggled your fingers impatiently. Zhongli placed the gems into your hand one at time, being sure not to chip or scratch them.
“Then it is done. I won’t be truly satisfied until you’ve signed a physical contract and we’ve made it official, but I will hold onto your word for the time being.” He helped your hand close around the gems, both of his own hands wrapped tightly around your clenched digits. “Find me at the Wangsheng Funeral Parlor later tonight, and we can document our arrangement.”
“Sure thing, boss.” You pulled your hand away, the sensation of the gems in your grasp bringing you far more ease than you were happy with. To be so dependent on them made you nauseous, but Zhongli’s willingness to help made it a little less so. Although, you couldn’t help but to wonder why he was so quick to help. “Why are you doing this for me?”
“Is it not human nature to want to help?”
“I guess, but.  .  . there aren’t many that are as open and willing as you are. Don’t get me wrong, I’m grateful. It’s just unexpected. I didn’t think today would end the way it would.” You squirreled away the gems in your satchel, slung it over your shoulders, then affixed your claymore onto your back.
“Are you disappointed?” Zhongli calmly watched you pack up, head tilted slightly.
“Not at all.” You spared him a smile, a weight gradually lifting off your heart and shoulders. “I was annoyed at first, but I’m glad we got to meet, Mr. Zhongli.”
Another peel of soft laughter left the man, but it was hidden behind the side of his hand. “Then I will readily admit that I wasn’t expecting you to say that. I’m relieved you were so willing to cooperate, and.  .  . I am glad we had the chance to meet as well.”
You bounced once on the tips of your feet and gave him a mock salute. “Guess that means I’ll be seein’ you later! I’m going to pass these gems on, then I’ll pop by your place to sign my life away!”
You didn’t address the crinkle in his face at your jest, but you did snicker as you fled the island. Only when you were well out of sight did Gimel return, its core open to the air and nudging against Zhongli’s elbow.
The archon reached back to give the hypostasis a gentle stroke, but his eyes remained in the direction you had wandered off in.
“I have a feeling that our time with her will be very interesting.”
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9worldstales · 3 years
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MCU “Thor”: Who’s to blame for Thor’s banishment?
So I’ve seen around people blaming Loki for Thor’s banishment and…
… I can’t help but wonder if they realize that, by saying so they aren’t just pinning the blame on the wrong person but they’re doing a HUGE, GIANT SIZE disservice to Thor.
But let's list sources used for this first.
SOURCES MENTIONED:
Movies: “Thor” (2011), “Thor – The Dark World” (2013)
Comics: None mentioned
Direct-to-video animated film: None mentioned
Motion comics: None mentioned
Books: None mentioned
Novels: “Marvel Cinematic Universe Phase One: Thor” by Alex Irvine (2015)
Webs: None mentioned
Others: “Thor” old movie script, Interview “Director Kenneth Branagh and Kevin Feige Interview THOR”, interview “EXCLUSIVE: Screenwriter Don Payne Talks Thor!”, Interview “SDCC 2010: Chris Hemsworth Interview THOR”, Video “Thor (2011) Chris Hemsworth Kill Count”
Although “Thor” is meant to be an origin story for both Thor and Loki…
Kevin Feige: The movie, very much, is an origin of Loki, almost as much as it is an origin of Thor. We had to ride that balance. There were drafts where Thor took over too much, and there were certainly drafts where Loki became too prominent, and I think we found a nice balance that is clearly the origin of both of those characters. [Director Kenneth Branagh and Kevin Feige Interview THOR]
…the focus was mostly on Thor and his journey to learn humility.
I mean, this is not MY interpretation of the story, it’s basically what everyone involved in the production says the story is about. Thor is unworthy, the banishment is just, from it he learns humility and becomes worthy again.
Don Payne: Whereas we’ve got an extra-dimensional being once worshipped as a god by the ancient Norse who’s banished to earth and stripped of his powers to learn humility, all set amidst the Shakespearean intrigue of a dysfunctional royal family. You just have to find the things that make Thor timeless and relatable as a character. It certainly helps that he’s charismatic and likeable, albeit flawed. He’s banished for good reason, but I think people will want to go on the journey with him and root for him to find redemption — particularly with Chris Hemsworth’s performance. [EXCLUSIVE: Screenwriter Don Payne Talks Thor!]
Kenneth Branagh: That story arc of the flawed hero who must earn the right to be king is in our piece, but what’s key is the stakes. There, it’s Europe and England, and here, it’s the universe. When that family has problems, everybody else is affected. If Thor throws a fit and is yelling at his father and is banished, suddenly the worlds are unstable. [Director Kenneth Branagh and Kevin Feige Interview THOR]
Chris Hemsworth: At the beginning of this film, he’s certainly a brash, cocky warrior who’s about to inherit the keys to the kingdom, and his father thinks that he’s not ready. It’s the journey of him learning some humility through the film. I think he’s one of those people who has his heart in the right place. He’s doing what he’s doing for his family and to protect the kingdom, and he thinks it’s the right way to do it. It just happens to be a very aggressive way of doing it, which probably isn’t the right way. It’s about tempering that raw emotion that he drives off most of the time, into the right direction. [SDCC 2010: Chris Hemsworth Interview THOR]
And in fact Thor makes a 180° turn from how he started.
The boy then man who insisted he wanted first to kill all the Jotun then give them a lesson is the one who sacrifices his chance to meet Jane again to save them.
Young Thor: When I’m king, I’ll hunt the monsters down and slay them all! Just as you did, Father.
and...
Thor: March into Jotunheim as you once did. Teach them a lesson. Break their spirits so they’ll never dare try to cross our borders again.
versus
Thor: You can’t kill an entire race!
The man who said his father was an old man and a fool, becomes the one who says there will never be a wiser king than Odin.
Thor: And you are an old man and a fool!
versus
Thor: There will never be a wiser king than you. Or a better father. I have much to learn. I know that now. Someday, perhaps, I shall make you proud.
The man who returning from Jotunheim was too busy to care for how Fandral got hurt so that it was Odin who had to say to get him to the healing room, is the one who, once back to Midgard, first worry about having his friends getting Heimdall on the healing room and then about what he’ll do with his brother.
Odin: You cannot even protect your friends! How can you hope to protect a kingdom? Get him to the healing room! Now!
versus
Thor: Get him to the healing room! Leave my brother to me.
The man who thought his father’s lessons were wrong, then admits his father was right.
Thor: While you wait and be patient, the Nine Realms laugh at us. The old ways are done. You’d stand giving speeches while Asgard falls.
versus
Thor: Neither did I. My father was trying to teach me something, but I was too stupid to see it.
The man who first was told by Loki going to Jotunheim was madness and did it anyway then tells Loki how destroying Jotunheim is madness.
Loki: Thor, it’s madness.
versus
Thor: Loki, this is madness.
The man who would start a fight just because he was called ‘princess’ versus the man who kept on refusing to start a fight with Loki even after the other hit him four times and only does so when Loki threatens Jane.
And then there are the comparisons that got lost because some scenes got cut. For start an even better comparison, in which another man calls Thor "Princess" and Thor this time refuses to fight.
Jotun: Run back home, little princess. [Thor stops in his tracks. Loki goes white. He knows what's coming.] Loki: Damn. [In one quick move, Thor pulls Mjolnir, swings it, and KNOCKS the Jotun clear across the plaza. The Asgardians reluctantly draw their weapons, gather into a circle around Thor. Volstagg looks around at the angry Jotuns approaching them.]
versus
Drunk townie: You were in the diner with that hot girl. [Thor doesn't like where this is going.] Drunk townie: I wouldn't mind her doing a little research on me. [He laughs. Thor is annoyed.] Thor: I have no quarrel with you. But she's a lady. You should be more respectful. Drunk townie: And you should shut the hell up, princess. [Selvig looks to Thor, concerned that he's going to lose it. But, to his surprise, Thor remains unaffected by the Townie's baiting.] Thor: I will not fight him. Drunk townie: Then it'll be easy to kick your ass.
Or like the deleted one in which Frigga said that Thor believed to be ready… when in the end Thor will realize he’s not.
Odin: Do you think he’s ready? Frigga: He thinks he is. He has his father’s confidence.
versus
Thor: There will never be a wiser king than you. Or a better father. I have much to learn. I know that now. Someday, perhaps, I shall make you proud.
You might remember Thor smashing a cup because he wanted another drink… well there’s a deleted scene in which, just before the Warriors Three and Sif reach Midgard, he brings a cup to Izzy in payback for the one he broke.
Thor: This drink, I like it. Darcy: I know. It’s great, right? [Thor hurls the empty mug at the ground, SHATTERING it.] Thor: (CALLS OUT) Another! [ISABELA ALVAREZ (60), the diner’s proprietor, glares at Thor from behind the counter.] Jane: Sorry, Izzy. Little accident. What was that? [He doesn’t understand. The other patrons stare at him.] Thor: It was delicious. I want another. Jane: Well, you could have just said so. Thor: I just did. Jane: No, I mean, ask nicely. Thor: I meant no disrespect. Jane: All right. Well, no more smashing. Deal? Thor: You have my word. Jane: Good.
Versus
As the group finishes breakfast, Thor looks at the mug in his hand, gets an idea. Thor: [About a cup] May I have this? Darcy: Sure. Thor: Thank you. Please, excuse me. [Thor leaves. In front of her diner, Isabela prepares to open for the day. Isabela sweeps the front porch. She looks up to see Thor approaching. She eyes him suspiciously. He offers her a MUG.] Excuse me, Isabela. Isabela: Oh my gosh. Thor: To replace the one I broke. Please, forgive me for my behavior. Isabela: Okay, thank you. Thor: if I may, I’d like to come back here for more of yours splendid "coffee". Isabela: Any time.
And then you might remember how Fandral was hurt in Jotunheim and it was Loki and Volstagg who helped him, while in a deleted scene we’ve Selvig being hurt and Thor helping him.
And so on and on and on.
Thor started one way, this caused his banishment and the banishment changed him.
If we go and say Thor didn’t deserve to be banished, that it was all Loki’s ploy, we ignore how Thor before was an unworthy person and after he became a worthy person. We turn Thor into a person who’s ALWAYS worthy, regardless of him acting one way or its exact opposite but for some reason was misjudged and punished unfairly and never really had to change because he was perfect as he was.
We turn Odin into a fool who punished a worthy son for crimes he didn’t do and then took the punishment back not because Thor changed, but because he realized he made a mess.
The idea Thor’s banishment is Loki’s fault is against the authors’ intentions, damages Thor by stripping him of his growth and, ultimately, it’s totally false, so trying to pin the blame on Loki so as to make him look bad is simply wrong.
Although Loki did some things that triggered Thor’s reactions, Thor wasn’t completely and utterly brainwashed. It was Thor’s decisions who ended up bringing those consequences and Loki had no idea Odin would go as far as banishing Thor.
In a deleted bit Loki says Odin normally ALWAYS forgive Thor.
Fandral: Well, if he doesn’t show up soon, he shouldn’t bother. Odin looks like he’s ready to feed him to his ravens. Loki: I wouldn’t worry. Father will forgive him. He always does.
From Thor’s reaction to his banishment it’s clear it’s the first time he got such a punishment and that he assumed all he had to do to be forgiven is to retrieve Mjolnir.
The novelization is not shy to say that:
Odin had always favoured Thor because Thor was a warrior, just like him… [“Marvel Cinematic Universe Phase One: Thor”]
The Warriors Three and Lady Sif clearly follow Thor because they don’t think it’ll end up in Thor being banished for disobeying Odin’s orders even though they know he shouldn’t have done it.
This proves it was the first time Odin reacted as such to Thor’s disobedience.
But let’s dig more into the story.
Loki yes, caused the coronation to be delayed by having three Frost Giants sneak into the vault and attempt to steal the Casket.
His purpose was:
Loki: That was just a bit of fun, really. To ruin my brother’s big day. And to protect the realm from his idiotic rule for a while longer.
Loki has no reasons to lie to Laufey about this. The ‘a while longer’ clearly imply he didn’t expect it was permanent. If he had said ‘to have him banished forever’, it would have affected Laufey just the same, he wouldn’t have judged him worse.
Thor’s reaction to the invasion is entirely Thor’s.
Thor: The Jotuns must pay for what they’ve done! Odin: They have paid, with their lives. The Destroyer did its work, the Casket is safe, and all is well. Thor: All is Well? They broke into the weapons vault! If the Frost Giants had stolen even one of these relics... Odin: They didn’t. Thor: Well, I want to know why! Odin: I have a truce with Laufey, King of the Jotuns. Thor: He just broke your truce! They know you are vulnerable! Odin: What action would you take? Thor: March into Jotunheim as you once did. Teach them a lesson. Break their spirits so they’ll never dare try to cross our borders again. Odin: You’re thinking only as a warrior. Thor: This was an act of war! Odin: It was the act of but a few, doomed to fail. Thor: Look how far they got! Odin: We will find the breach in our defenses and it will be sealed. Thor: As King of Asgard.... Odin: But you’re not king! Not yet.
Loki doesn’t even talk here. Thor, despite Odin thinking the opposite, insists they should just attack Jotunheim until Odin reminds him he’s no king.
This is relevant because if the coronation has concluded and the Jotuns had found on their own the way to get into the Vault, Thor would have waged war against them. This is what he wants to do and discussing things with Odin doesn’t change his mind, Odin merely forces him to shut up with his ‘I’m the king’ card.
Originally he would leave slamming the door behind himself, a sign he was still upset. We don’t see this, but we see him he’s still upset enough he turns a table upside down.
Then he has a discussion with Loki.
Thor: It’s unwise to be in my company right now, Brother. This was to be my day of triumph. Loki: It’ll come. In time. Thor: What’s this? Loki: If it’s any consolation, I think you’re right. About the Frost Giants, about Laufey, about everything. If they found a way to penetrate Asgard’s defenses once, who’s to say they won’t try again? Next time with an army. Thor: Exactly. Loki: There’s nothing you can do without defying Father. No, no, no. I know that look. Thor: That’s the only way to ensure the safety of our borders. Loki: Thor, it’s madness.
It’s true, if Loki had revealed he had been who orchestrated the break of the Frost Giants instead than telling him he also thought they were a threat, Thor might have calmed down. But this is not excuse enough for how Thor disobeyed Odin’s order, and only proves Thor wasn’t fit to be king right there because he insisted on going to Jotunheim even though Loki also reminded him this means defying Odin.
This is a serious matter but the key of it is that Thor wanted doing it before and still wants to do it now. He just can’t control his own wish to fight the Jotuns even if his father told him no. He’s not thinking. He’s not a common warrior, he’s the man who’s meant to be king.
If it takes him so little to wage war, then he’s unworthy of being king.
And does Loki really want for him to go to Jotunheim?
Not in the slightest, he knows it’s madness, in fact, believing Thor can’t be stopped, he tries to have him tattled out to his father.
Fandral: Well, at least he’s only banished, not dead. Which is what we’d all be if that guard hadn’t told Odin where we’d gone. Volstagg: How did the guard even know? Loki: I told him. Fandral: What? Loki: I told him to go to Odin after we’d left. He should be flogged for taking so long. We should never have reached Jotunheim. Volstagg: You told the guard? Loki: I saved our lives. And Thor’s. I had no idea Father would banish him for what he did.
In a deleted scene we see that as the group is about to ride toward the Bifrost Loki leaves them for a moment to talk with a guard. He’s not lying when he says he warned the guard.
The novelization digs a lot in how Loki didn’t want them to reach Jotunheim and in how Odin KNEW Thor would just do something, so it’s entirely possible Thor would have acted even if Loki had disagreed with him or had told him nothing.
“Why did he always seem to get into trouble because of his older brother? Wasn’t he supposed to be the wiser one? Odin has expressly forbidden that they enter Jotunheim. Yet it wasn’t the first time Thor had done something reckless. And it wouldn’t be the first time Loki was powerless to stop him.” [“Marvel Cinematic Universe Phase One: Thor”]
Loki had made a decision. True, he could not dictate his brother’s actions, but that didn’t mean he couldn’t continue to make plans of his own. As the others checked and double-checked that they had everything they would need for the journey to Jotunheim, Loki slipped away. When Loki rejoined the others, they were on their way to the Observatory. Hogun gave him a curious glance, but he ignored it. What he had done was none of their business. [“Marvel Cinematic Universe Phase One: Thor”]
They were on their way to Jotunheim. And what would happen once they got there was not in the hands of fate, but in the hands of his impulsive brother and his warrior friends. Loki would not be able to manipulate events there. He had to trust that the arrangements he had made would be enough for them all to survive. [“Marvel Cinematic Universe Phase One: Thor”]
Odin spent an uneasy night and felt no better in the morning. He had not seen Thor since their argument in the Vault. There had been shouting in the banquet hall as Thor told his friends what had happened, but Odin had heard nothing since. Frigga had tried to reassure him that Thor’s temper would ease and this would blow over, but Odin knew better. His son felt himself to be king already, whether the ceremony had been completed or not. He would take action. It was his nature. Odin hoped only that the action would not cause more problems than it solved. Just then, a guard rushed to him, and Odin’s misgivings were proved correct. Thor had taken his friends and journeyed into Jotunheim. Odin felt a deep well of fury rise up within him. Thor has deliberately disobeyed his orders. So, too, had Heimdall, who should not have let anyone pass on the Bisfrost – especially not a war party going to Jotunheim. “Tell the barn master to have Sleipnir and my battle gear to be readied immediately,” he ordered the guard. [“Marvel Cinematic Universe Phase One: Thor”]
Once in Jotunheim Laufey notices Thor wants to be there to wage war. He even warns him that if he keeps this up he would unleash something terrible… and it’s not Thor but Loki who accepts Laufey’s offer for them to leave, Thor doesn’t accept it even if they’re outnumbered and risk being all killed because, as Laufey said, he craved for battle.
Laufey: Your father is a murderer and a thief! And why have you come here? To make peace? You long for battle. You crave it. You’re nothing but a boy trying to prove himself a man. Thor: Well, this "boy" has grown tired of your mockery. Loki: Thor, stop and think. Look around you, we’re outnumbered. Thor: Know your place, Brother. Laufey: You know not what your actions would unleash. I do. Go now, while I still allow it. Loki: We will accept your most gracious offer. Come on, Brother.
Ultimately, even if Laufey and Loki had almost persuaded Thor to leave, all it takes is a small provocation and Thor starts attacking Frost Giants.
Jotun: Run back home, little princess. [Thor stops in his tracks. Loki goes white. He knows what’s coming.] Loki: Damn. [In one quick move, Thor pulls Mjolnir, swings it, and KNOCKS the Jotun clear across the plaza. The Asgardians reluctantly draw their weapons, gather into a circle around Thor.]
Loki is clearly not happy with his brother’s actions, he didn’t want this. It’s Thor who decided to do this anyway and, during the battle, we see that Thor is in a great spirit as he destroys a Frost Giant after another for a total of 145 Frost Giants (you can see the dead count in the Youtube video “Thor (2011) Chris Hemsworth Kill Count”).
Through the battle first Sif and then Loki TWICE will urge Thor to leave, they’re outnumbered they’ll end up getting killed if they remain there and it gets no better when Fandral gets wounded.
When Odin shows up Thor is all for continuing the battle.
Thor: Father! We’ll finish them together!
This is not Loki dictating his moves. This is all Thor and ultimately it’s Thor who argues with his father once they’re back, which is the last straw for Odin.
If Thor had kept quiet or had acted sorry Odin might have still forgiven him. He does not.
Thor: Why did you bring us back? Odin: Do you realize what you’ve done? What you’ve started? Thor: I was protecting my home. Odin: You cannot even protect your friends! How can you hope to protect a kingdom? Get him to the healing room! Now! Thor: There won’t be a kingdom to protect if you’re afraid to act. The Jotuns must learn to fear me, just as they once feared you. Odin: That’s pride and vanity talking, not leadership. You’ve forgotten everything I taught you about a warrior’s patience. Thor: While you wait and be patient, the Nine Realms laugh at us. The old ways are done. You’d stand giving speeches while Asgard falls. Odin: You are a vain, greedy, cruel boy! Thor: And you are an old man and a fool! Odin: Yes. I was a fool to think you were ready.
This is no Loki needling Thor, this is all Thor, this discussing matching the one he had in the Vault with Odin previously.
And, credits when it’s due, at this point Loki tried to interject.
Loki: FATHER-- [Odin turns with a growl and gives Loki a look which stops him in his tracks.]
Only at this point Thor will be banished and while yes, the way Loki chose to interrupt the coronation clearly had upset Thor and his words didn’t manage to calm him down, it’s also clear that not only Loki didn’t want for them to go to Jotunheim and almost get killed but that it’s Thor’s reaction to the situation that causes his banishment and that situation could have happened regardless of Loki having a hand in it or not.
Invasions happens.
The difference between “Thor” and “Thor: The Dark World” in which another invasion takes place, is that although Thor is always trying to disobey to his father in both movies, in the first he did it because he wanted to go at war with the Jotuns, in the second he did it because he hoped to spare Asgard from a war.
In the deleted scene for “Thor: The Dark World” even Odin acknowledges Thor was right.
Odin: I thought you’d been blinded by passion but in truth you were the only one who could see and you... did what needed to be done
His motive for disobeying his father in “Thor: The Dark World” is the exact opposite than it was in “Thor”, but if he’d been the old Thor he would have had no qualms to drag all Asgard into a war.
So yes, Loki set up the situation, but if Thor ended up being banished it was solely for his own reaction to the situation, a situation that could have happened in other circumstances.
Would Loki coming clear with Odin lift Thor’s banishment?
No, of course not, because none of Loki’s actions are what moves Odin to decide for Thor’s banishment. What pushes him to decide for such a punishment are Thor’s reactions to the situation. If Loki had confessed the most this could cause was for him too to also be banished.
And, to Thor’s credits, he grew in his banishment and became a better person. This is important, it doesn’t deserve to be underscored.
Also, as said before, Loki couldn’t predict the punishment would have been banishment and he didn’t control Odin either.
Not only Loki actually tried to stop Odin, but even Frigga in a deleted scene begged Odin to reconsider and he refused.
So yes, Thor’s banishment ultimately turned out to be convenient for Loki, but he didn’t deliberately orchestrated it, he didn’t plan that far.
So really, let’s just Thor have his moment of personal growth in which he becomes a better person in his own movie, let Odin have his own agency in deciding if to punish his sons or not and just accept the whole trip to Jotunheim wasn’t something Loki wanted nor Thor’s banishment something he could predict.
In short simply accept the story as its authors wanted it to be.
I get not everyone might be aware of interviews and deleted scenes but really, I would say the movie made the whole thing obvious enough to be understood just by watching it.
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Welllp These Are Books: the March 2021 Edition
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There aren’t even any pictures! Except in that one book where there were pictures! It was weird! This was a weird book month! Back at it again with thoughts and opinions about a whole mess of books that no one explicitly asked for, but I’ve got lots of thoughts and opinions and they only count if I share them on the internet. Seriously, someone let me go to a baseball game soon. Obligatory warning for spoilers and vaguely unhinged rants under the cut. As always, feel free to come tell me what else I should be reading at literally any time ever.
Best Book of the Month Honors Goes to This Book, Even Though They Called It Halftime at a Hockey Game. A Hockey Game!
The Dating Plan by Sara Desai
Daisy Patel is a software engineer who understands lists and logic better than bosses and boyfriends. With her life all planned out, and no interest in love, the one thing she can't give her family is the marriage they expect. Left with few options, she asks her childhood crush to be her decoy fiancé. Liam Murphy is a venture capitalist with something to prove. When he learns that his inheritance is contingent on being married, he realizes his best friend's little sister has the perfect solution to his problem. A marriage of convenience will get Daisy's matchmaking relatives off her back and fulfill the terms of his late grandfather's will. If only he hadn’t broken her tender teenage heart nine years ago… Sparks fly when Daisy and Liam go on a series of dates to legitimize their fake relationship. Too late, they realize that very little is convenient about their arrangement. History and chemistry aren't about to follow the rules of this engagement.
— Ok, it’s important to know that I really did love this book. It hit all my trope-wants. Childhood friends, incredibly stupid misunderstandings, pining, seriously God the pining, fake engagement, BANTER. It was all going great. I was occasionally swooning. They kept making out! And then! THEN. They went to a hockey game. On a date. A fake date. Cool, cool, cool. All tropes, all the time right? Not so fast, internet! Because these self-proclaimed Sharks SUPER FANS referred to intermission as “halftime was coming up.” Halftime! At a hockey game! That’s—that’s not how hockey works! If this hadn’t been “traditionally” published, I probably could have let it slide. But that was not the case. This was a “real” book with, I can only assume, real editors. All of whom saw the words halftime and hockey near each other and we’re like YEAH, PRINT THAT SHIT. I read that at nearly one in the morning and seriously considered waking Justin up to be like CAN YOU BELIEVE THIS IS IN A REAL BOOK? Anyway, it was still real cute. Everyone lived happily ever after. It made want to eat samosas.
This Book Had Pictures, It Was Weird
Clean Sweep by Ilona Andrews
On the outside, Dina Demille is the epitome of normal. She runs a quaint Victorian Bed and Breakfast in a small Texas town, owns a Shih Tzu named Beast, and is a perfect neighbor, whose biggest problem should be what to serve her guests for breakfast. But Dina is...different:  Her broom is a deadly weapon; her Inn is magic and thinks for itself. Meant to be a lodging for otherworldly visitors, the only permanent guest is a retired Galactic aristocrat who can’t leave the grounds because she’s responsible for the deaths of millions and someone might shoot her on sight. Under the circumstances, "normal" is a bit of a stretch for Dina.
And now, something with wicked claws and deepwater teeth has begun to hunt at night...Feeling responsible for her neighbors, Dina decides to get involved. Before long, she has to juggle dealing with the annoyingly attractive, ex-military, new neighbor, Sean Evans—an alpha-strain werewolf—and the equally arresting cosmic vampire soldier, Arland, while trying to keep her inn and its guests safe. But the enemy she’s facing is unlike anything she’s ever encountered before. It’s smart, vicious, and lethal, and putting herself between this creature and her neighbors might just cost her everything.
— So, Ilona Andrews is a name that keeps coming up because when I borrow a book from the library I have to go through Kindle and Amazon is like...here are some other absurd fantasy romances you’d enjoy. Also, one of her other series had been recc’ed to me. Only problem? The first book in that series is the only book in that series not available at my library. So, I was like, ok, I’ll start this one instead. It was...weird. Honestly, it felt like I’d been dropped in the middle of the story and the narrator was like, well why don’t you already know what’s going on? In theory the world building was cool. (I was not expecting alien werewolves, lemme tell you that!) But also it all felt very rushed and the end just sorta happened.
In Which I Continue to Love “Same Verse” Books & No One Else Had Sex in the Port Jeff High School Dugout. For Which I Was Grateful
Love Her or Lose Her by Tessa Bailey
Rosie and Dominic Vega are the perfect couple: high school sweethearts, best friends, madly in love. Well, they used to be anyway. Now Rosie’s lucky to get a caveman grunt from the ex-soldier every time she walks in the door. Dom is faithful and a great provider, but the man she fell in love with ten years ago is nowhere to be found. When her girlfriends encourage Rosie to demand more out of life and pursue her dream of opening a restaurant, she decides to demand more out of love, too. Three words: marriage boot camp.
Never in a million years did Rosie believe her stoic, too-manly-to-emote husband would actually agree to relationship rehab with a weed-smoking hippie. Dom talking about feelings? Sitting on pillows? Communing with nature? Learning love languages? Nope. But to her surprise, he’s all in, and it forces her to admit her own role in their cracked foundation. As they complete one ridiculous—yet surprisingly helpful—assignment after another, their remodeled relationship gets stronger than ever. Except just as they’re getting back on track, Rosie discovers Dom has a secret... and it could demolish everything.
— Listen, one of my absolutely favorite tropes that I do not think gets enough love in the world is COMMITTED LONG-LASTING RELATIONSHIPS. And, like, ok, sure the premise of this was that they were separating in that long-lasting relationship. But no one really believed that, did they? Rosie and Dominic were real cute and their banter was good and I wasn’t totally skeeved out when they literally fucked on the kitchen floor. So, I think that’s saying something. Also, also! I seriously appreciated the realism of this book because no one on Long Island would ever call Manhattan Manhattan. It’s the city. Every other borough gets a name, but Manhattan is just the city and I nearly cheered when they said that. But also, no one’s taking a cab from Port Jeff to the Meatpacking District. You know what that would cost? God.
Tools of Engagement by Tessa Bailey
Hair, makeup, clothing, decor... everything in Bethany Castle's world is organized, planned, and styled to perfection. Which is why the homes she designs for her family's real estate business are the most coveted in town. The only thing not perfect? Her track record with men. She's on a dating hiatus and after helping her friends achieve their dreams, Bethany finally has time to focus on her own: flip a house, from framework to furnishings, all by herself. Except her older brother runs the company and refuses to take her seriously.
When a television producer gets wind of the Castle sibling rivalry, they’re invited on Flip Off, a competition to see who can do the best renovation. Bethany wants bragging rights, but she needs a crew and the only member of her brother's construction team willing to jump ship is Wes Daniels, the new guy in town. His Texas drawl and handsome face got under Bethany's skin on day one, and the last thing she needs is some cocky young cowboy in her way.
As the race to renovate heats up, Wes and Bethany are forced into close quarters, trading barbs and biting banter as they remodel the ugliest house on the block. It's a labor of love, hate, and everything in between, and soon sparks are flying. But Bethany's perfectly structured life is one kiss away from going up in smoke and she knows falling for a guy like Wes would be a flipping disaster.
— It should first be noted that in the three books of this series, I could not and cannot understand why Bethany’s brother was such a monumental dick. He was just...he was a dick. His marriage was awful. How long was his wife pregnant without him knowing???? I digress. This continued to be cute, Bethany was a legit heroine as far as those rom-com things go, Wes was very Texas and that got a little over the top, but they had sex in a bed like normal people so that helped. Oh, except that one time on the construction site. Whatever, this book was cute. This whole series was cute, really, and I was a big fan of the happy little wrap-everything-up with a bow ending.
Romance That Happens In Point Two Seconds Is...Unbelievable
Too Hot to Handle by Tessa Bailey
The road trip was definitely a bad idea. Having already flambéed her culinary career beyond recognition, Rita Clarkson is now stranded in God-Knows-Where, New Mexico, with a busted-ass car and her three temperamental siblings, who she hasn't seen in years. When rescue shows up---six-feet-plus of hot, charming sex on a motorcycle---Rita's pretty certain she's gone from the frying pan right into the fire . . . Jasper Ellis has a bad boy reputation in this town, and he loathes it. The moment he sees Rita, though, Jasper knows he's about to be sorely tempted. There's something real between them. Something raw. And Jasper has only a few days to show Rita that he isn't just for tonight---he's forever.
— For as much as I loved the Port Jeff series by my new pal Tessa, this one was...oof. Too much, guys. Too much. Fucking in trucks. Fucking in back offices. The whole book lasted, like, three days. And keep in mind this is coming from someone who has written like two million words about Killian Jones, self-loathing champ 250 years running, but Jasper’s self-loathing was a little over the top. Like, let’s not objectify dudes, but also...I don’t know guys. Maybe the other books in the series are better? I was mostly just annoyed by Rita.
What the Hell Happened at the End of This Book?? Seriously, I Have No Idea
The Queen’s Assassin by Melissa de la Cruz
Caledon Holt is the kingdom's deadliest weapon. No one alive can best him in speed, strength, or brains, which is why he's the Hearthstone Guild's most dangerous member. Cal is also the Queen's Assassin, bound to her by magic and unable to leave her service until the task she's set for him is fulfilled. Shadow of the Honey Glade has been training all her life to join the Guild, hoping that one day she'll become an assassin as feared and revered as Cal. But Shadow's mother and aunts expect her to serve the crown as a lady of the Renovian Court. When a surprise attack brings Shadow and Cal together, they're forced to team up as assassin and apprentice. Even though Shadow's life belongs to the court and Cal's belongs to the queen, they cannot deny their attraction to each other. But now, with war on the horizon and true love at risk, Shadow and Cal will uncover a shocking web of lies that will change their paths forever.
—WHAT THE FUCK HAPPENED AT THE END OF THIS BOOK??? I figured out the so-called twist like...two chapters in. Fine, ok, whatever. It’s YA, this is not rocket science and I was interested enough in Cale and Shadow to see how it all played out. Only it didn’t really play out! Because the whole end was just this like four chapter retcon of basically EVERYTHING ELSE THAT HAPPENED and I genuinely could not believe it was happening. It didn’t make sense?!? Like with the plot? Also, spoiler, good thing Shadow and the other king haven’t consummated their marriage yet since she and Cale totally fucked after her wedding? What is YA? Why is Amazon telling me this is a Teacher’s Pick? Why hasn’t my hold come through on the sequel yet so I know what happens next?
Low-Stakes Romance Was Real Boring and All The People Were Boring In It
The Ten Rules for Faking It by Sophie Sullivan
As birthdays go, this year’s for radio producer Everly Dean hit rock-bottom. Worse than the “tonsillectomy birthday.” Worse than the birthday her parents decided to split (the first time). But catching your boyfriend cheating on you with his assistant? Even clichés sting. But this is Everly’s year! She won’t let her anxiety hold her back. She’ll pitch her podcast idea to her boss. There’s just one problem. Her boss, Chris, is very cute. (Of course). Also, he's extremely distant (which means he hates her, right? Or is that the anxiety talking)? And, Stacey the DJ didn’t mute the mic during Everly’s rant about Simon the Snake (syn: Cheating Ex). That’s three problems. Suddenly, people are lining up to date her, Bachelorette-style, fans are voting (Reminder: never leave house again), and her interest in Chris might be a two-way street. It’s a lot for a woman who could gold medal in people-avoidance. She’s going to have to fake it ‘till she makes it to get through all of this. Perhaps she’ll make a list: The Ten Rules for Faking It. 
— I am a broken record. Shouting. From the highest hilltop. Just because you think someone is cute when you’re technically not supposed to be dating them does not mean you get to be anything less than nice around them! It’s not cute! And part two, which often goes with part one: rom com dudes have GOT to stop lying or hiding or otherwise avoiding telling people who they really are. It’s a convoluted, passably lazy way of writing and dropping a third-act bomb on the story. Don’t do it. Stop doing it. We’ve moved past the need for hidden identities. Unless he’s, like, a spy or something. Um...this was a weird book. I know Everly had anxiety and that became a PLOT POINT, patent pending, but she was also not super relatable? Which is crazy considering my very real, rather undiagnosed anxiety. Chris was boring. The whole plot, as this title suggests, was very low stakes and no one actually  seemed to remember that their jobs were ever on the line? Did Everly and Chris have a conversation before they decided they liked each other? Who can say, really.
Shipped by Angie Hockman
Between taking night classes for her MBA and her demanding day job at a cruise line, marketing manager Henley Evans barely has time for herself, let alone family, friends, or dating. But when she’s shortlisted for the promotion of her dreams, all her sacrifices finally seem worth it. The only problem? Graeme Crawford-Collins, the remote social media manager and the bane of her existence, is also up for the position. Although they’ve never met in person, their epic email battles are the stuff of office legend. Their boss tasks each of them with drafting a proposal on how to boost bookings in the Galápagos—best proposal wins the promotion. There’s just one catch: they have to go on a company cruise to the Galápagos Islands...together. But when the two meet on the ship, Henley is shocked to discover that the real Graeme is nothing like she imagined. As they explore the Islands together, she soon finds the line between loathing and liking thinner than a postcard. With her career dreams in her sights and a growing attraction to the competition, Henley begins questioning her life choices. Because what’s the point of working all the time if you never actually live?
— YOU NEED TO HAVE A CONVERSATION WITH SOMEONE TO DECIDE YOU LIKE THEM. AUTHORS REALLY REALLY NEED TO LEARN HOW TO BUILD ROMANTIC RELATIONSHIPS. IF THEY ONLY LIKE EACH OTHER BECAUSE THEY KISS WELL IT’S NOT A GOOD RELATIONSHIP. AND THIS IS COMING FROM ME. Back at it again with the annoying so-called heroine who was just...occasionally real mean to Graem for no reason at all? Also her name was Henley. Which is not a great reason to dislike her, but here we are.
Apparently I Read These Books Out Of Order. Who Knew?
Pride, Prejudice and Other Flavors by Sonali Dev
It is a truth universally acknowledged that only in an overachieving Indian American family can a genius daughter be considered a black sheep.
Dr. Trisha Raje is San Francisco’s most acclaimed neurosurgeon. But that’s not enough for the Rajes, her influential immigrant family who’s achieved power by making its own non-negotiable rules:
·       Never trust an outsider
·       Never do anything to jeopardize your brother’s political aspirations
·       And never, ever, defy your family
Trisha is guilty of breaking all three rules. But now she has a chance to redeem herself. So long as she doesn’t repeat old mistakes.
Up-and-coming chef DJ Caine has known people like Trisha before, people who judge him by his rough beginnings and place pedigree above character. He needs the lucrative job the Rajes offer, but he values his pride too much to indulge Trisha’s arrogance. And then he discovers that she’s the only surgeon who can save his sister’s life.
As the two clash, their assumptions crumble like the spun sugar on one of DJ’s stunning desserts. But before a future can be savored there’s a past to be reckoned with...
A family trying to build home in a new land.
A man who has never felt at home anywhere.
And a choice to be made between the two.
— Surprise, apparently this was the first book in the series. I did not know. It didn’t affect my enjoyment of the Persuasion version in this same ‘verse, which is also strange because I liked the Persuasion one way better. There was a lot of medical in this. And not super uplifting medical, either. This was like...oh the Jane character (I guess???) has cancer and either she’s going to go blind after having a surgery (also she was an artist, so you see how this was a problem) or she’s just going to decide to die. Wait, what? That came out of left field, really. Also DJ and Trisha were not nice to each other. Like, I know this is Pride and Prejudice so there has to be some of that at the start, but it wasn’t like Trisha ever really went through the Darcy-required time at Pemberly. She just decided she liked DJ and told him and it was as awkward as Jane Austen intended it, but then we got more medical and everything was cool. It felt very rushed and shoehorned into a modern setting and the Persuasion one was better. You can’t have Darcy’s growth without the Pemberly stuff. You just can’t.
In Which I Didn’t Like a Nickname??? Is the World Ending??
Crazy Stupid Bromance by Lyssa Kay Adams
Alexis Carlisle and her cat café, ToeBeans, have shot to fame after she came forward as a victim of a celebrity chef’s sexual harassment. When a new customer approaches to confide in her, the last thing Alexis expects is for the woman to claim they’re sisters. Unsure what to do, Alexis turns to the only man she trusts—her best friend, Noah Logan.   Computer genius Noah left his rebellious teenage hacker past behind to become a computer security expert. Now he only uses his old skills for the right cause. But Noah’s got a secret: He’s madly in love with Alexis. When she asks for his help, he wonders if the timing will ever be right to confess his crush.   Noah’s pals in The Bromance Book Club are more than willing to share their beloved “manuals” to help him go from bud to boyfriend. But he must decide if telling the truth is worth risking the best friendship he’s ever had.
— If Noah was going to call her Lexa, then her name should have been Alexa and not Alexis. That’s it and that’s all. Also, the story was n u t s. Estranged dads and kidney failure and they got together so fast in this book. Which usually is cool by me, but I really could not get over the nickname and the estranged family was mean to Alexis. Lexa. HER NAME SHOULD HAVE BEEN ALEXA, IT DOESN’T MAKE SENSE. Also Noah was a former hacker? The estranged family accused him corporate espionage or something? A lot happened in this book, guys. Her name should have been Alexa.
Dumb Brother Was Dumb™ Everyone Else Was Real Cute
The Off Limits Rule by Sarah Adams
I have found rock bottom. It's here, moving in with my older brother because I'm too broke to afford to live on my own. It's okay though, because we've always been close and I think I'm going to have fun living with him again.

 That is until I meet Cooper...

 Turns out, my brother has very strong opinions on the idea of me dating his best friend and is dead set against it. According to him, Cooper is everything I should stay away from: flirtatious, adventurous, non-committal, and freaking hot. (I added that last part because I feel like you need the whole picture.) My brother is right--I should stay away from Cooper James and his pretty blue eyes. He's the opposite of what I need right now.

 Nah--who am I kidding? I'm going for it.
— This was cute, mostly mindless fluff. Hit some trope high points, including, obviously, best friends sister. Only the brother in question was a Neanderthal and I really thought people were going to make out more while said brother was on his business trip. I got it for free off Amazon. Which I think should explain a lot. Like, story-wise. Sorry, free Amazon books. Don’t be insulted.
Prose, Prose, Prose, Please Someone Have a Conversation
Trick by Natalia Jaster
In the Kingdom of Spring, Poet is renowned. He's young and pretty, a lover of men and women. He performs for the court, kisses like a scoundrel, and mocks with a silver tongue. Yet allow him this: It's only the most cunning and manipulative soul who can play the fool. For beyond the castle walls, Poet guards a secret. One the Crown would shackle him for. One that he'll risk everything to protect. Alas, it will take more than clever words to deceive Princess Briar. Convinced that he's juggling lies as well as verse, this righteous nuisance of a girl is determined to expose him. But not all falsehoods are fiendish. Poet's secret is delicate, binding the jester and princess in an unlikely alliance—and kindling a breathless attraction, as alluring as it is forbidden.
— The purplest of prose. Mauve prose. Royal purple prose. Lavender prose. There was so much writing here. So much. Too much, some might say. I say. Actually. If we want to get specific. And that was a shame, really, because when Briar and Poet actually had a conversation, they were interesting to read about. Also, the world building here? Yeeeesh. The so-called, wait for it, FOOL TRADE played a prominent role and that was...super cringe. Super Cringe. That being said, I asked Justin what I should read next and he thought it was funny that a book was just called...
Dare by Natalia Jaster
In the Kingdom of Summer, they say she's wild. Locked in a cage by the sea, Flare dreams of escape. She dreams of a lost world, known only in legends. The island is calling to her. And she won't let anyone keep her from it. Especially not him. They say he's cruel. Jeryn has crossed the ocean for the Trade, to bargain for those fierce, imprisoned creatures that make his skin crawl. By law, they're subjects meant for experimentation. And easy to despise. One girl in particular. But on the cusp of transport, the tide rages. That hidden island awaits. Stranded, the prince and prisoner must fight to survive. In a mysterious rainforest, they must band together...if they don't slay one another first. Or become something more to each other.  Something just as dangerous.
— This was Justin’s fault. He could not believe this book was just called Dare. It should have been called “We’re going to weirdly force what is basically slavery into this story and then a prince is going to fall in love with an escaped slave and we’re also going to call that ROMANCE.” y i k e s. Remember that one story that took place over three days? This was the complete opposite. Years! They were shipwrecked for years! They got saved, spoilers, the DAY they started having sex. What are the odds, right?? And then MORE YEARS passed. Multiple years! Five years! They couldn’t actually be together because of that aforementioned slave trade. What the shit, man? Natalia, ya gotta be kidding me with this. The internet claimed Trick was good and a solid follow to reading ACOTAR and that there was this whole verse and it was also good. The internet was wrong.
Nothing Happened, Everything Happened, I...Hated It
Graceling by Kristin Cashore
Kristin Cashore’s bestselling, award-winning fantasy Graceling tells the story of the vulnerable-yet-strong Katsa, a smart, beautiful teenager who lives in a world where selected people are given a Grace, a special talent that can be anything from dancing to swimming. Katsa’s is killing. As the king’s niece, she is forced to use her extreme skills as his thug. Along the way, Katsa must learn to decipher the true nature of her Grace… and how to put it to good use. A thrilling, action-packed fantasy adventure (and steamy romance!) that will resonate deeply with adolescents trying to find their way in the world.
— I can’t believe this was a book. Katsa was so annoying! Like, listen, I know her life was sad. And she was a pawn being used against her will. Blah, blah, blah. Whatever. The tone of the whole book was so strangely formal and Poe was strangely in love with Katsa? Who obviously didn’t want to get married because she was WOMAN HEAR ME ROAR. Or kill people, as the case may be. Only she wanted to make out with Poe? Only ONLY they didn’t even really get together at the end? I could not believe the end of this book. I nearly threw my Kindle across the room. Once again, no apologies for spoilers because do not read this book, but HE WAS BLIND? Katsa had to leave him behind to save his cousin and he just ENDED UP BEING BLIND? AND THEY NEVER GOT TOGETHER REALLY?? What the fuck? Seriously. Steamy romance, my ass. Nothing happened. The villain got defeated in point two seconds. There are other books in this universe? No, thanks.
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coffeeblack75 · 4 years
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20 Fic Questions for 2020
Thank you so much for these, curator-on-ao3​ – such a great idea!
1. Fandoms you wrote for this year
Star Trek Voyager, one for Picard.
2. Favorite fic you wrote this year
Your Shadow Falling (Caesar). It may not the best fic I’ve written technique-wise, or anything-wise, but it’s the one closest to my heart and of which I’m most proud. I loved writing about Chakotay in the place he is in that fic; I loved of the adult relationship of equals I wrote for C/R and hinted at with J/C – it represents the development of my understanding of Chakotay and Rios, and J/C. But, most importantly, I loved all the behind-the-scenes that brought me to the spot from which I could write it: it wouldn’t exist without @traccigaryn – all the discussion we had over the year on the characters and in developing this fic series, and her ideas in Wherever We’re Lost (Jupiter), which she graciously let me spring from in my story.
3. Favorite fic you read this year
You are kidding, right? ‘Fic’ is plural, right? 😂 I could not hope to pick just one! Here are some of the fic that I’ve loved and/or which have been influential to me in terms of my writing and/or my understanding of the characters this year:
Between Decks 4 and 5 by @traccigaryn (J/C, G-rated) – the adult J/C conversation the show owed us
if you came this way, by tree (J/C, E-rated) – this beloved fic does not need a gush, surely?
Sparks, by Jaye_Voy (C/P, E-rated) – for its exploration of Chakotay’s (and Tom’s) backstory, among other things ...
Motif by Filenotch (C/P/T, E-rated) – a wonderful look at B’Elanna and Chakotay’s friendship, among other things ...
BlackVelvet’s Lucky (J/C, M-rated) – so much wisdom in this fic!
@curator-on-ao3’s Cutting it Close (J/C, G-rated) – beautiful in every way
Pessa’s Final Bell (J/C, G-rated) – an example of the kind of closure J/C could have had on the show
(Oh How I Need) Someone To Watch Over Me, by zjofierose (J/C, E-rated) – the first fic I read that paid Chakotay some of his due. I cried the first time I read it! (And the next few times!)
Soft Light by northernexposure (J/C, E-rated) – the first E-rated I ever read ... I’ve not been the same since! 😏
Feels So Good (G-rated) and Venice (E-rated) by @killermanatee – gorgeous, adult J/C
Good grief, I have to stop ... We are blessed in this fandom with so many incredibly talented writers!
4. Favorite opening line/scene you wrote this year
Ah! I normally hide from openings, lol. Perhaps the first few lines from Blue Sky:
She remembers the sky was so blue, like Earth’s. And the sun on their backs and the feel of his hand in hers and a monkey that always interrupted but was never unwelcome in the fullness of a life that stretched out before them.
5. Favorite ending line/scene you wrote this year
The last line to Slippery Slope:
She’s not a poet. But there is a song in her now.
6. A trope you wrote this year
Corn porn?! 😂 Does that count as a trope in the Voy fandom? In The Other Side. Or ... first-time sex – I wrote a few of those!
7. Pairings you wrote this year
J/C, Chakotay/Cristobal Rios, Janeway/Neelix (hahahhahhaha!)
8. A fic regret from this year
I don’t think I have any regrets. All of the fic I wrote are what they are and were the best I could do at the time I wrote them, so I’m just pleased I achieved what I did! They’re all stepping stones!
9. A song that helped you write
Again, just one!? Nope! I write all my fic to songs – I usually have a playlist for each fic! I’ll restrain myself and just hit you with three ...
Phoria’s Yourself Still (listened to when writing Slippery Slope mainly, but also Someplace You Know)
Heavy Metals by Noah Gundersen (various WIP fic – it’s my get-J/C-to-a-place-where-they-can-be-together song)
Beast by Wednesday’s Wolves (listened to when writing WIP fic as part of my Other Side series and ... my vamp!Chakotay WIP)
10. Total number of fics you posted
13 (one of which was written in 2019 [Space] but only posted this month)
11. Total number of words you posted
44,199 (not including Space) – I ... cannot believe I wrote that much! 😵
12. Most popular fic written this year
Someplace You Know – in terms of kudos and hits combined. Looking at hits:kudos, it would be Blue Sky. I have a feeling though that The Other Side was actually my most popular, but this is not really reflected in raw stats.
13. Least popular fic this year
By hits and kudos, probably Reflection, a little Janeway/Neelix drabble. I’ve no idea why that one hasn’t been more popular? 🤷😂
14. Longest completed fic you posted this year
Someplace You Know – 10,529 words.
15. Shortest completed fic you posted this year
Reflection and Made It, both drabbles at 100 words each.
16. Favorite character to write about this year
Chakotay. Of course. I expect this will be the same every year!
17. A fic you didn’t expect to write
Um ... all of them? They come from ... strange inspiration. Perhaps I’ll go with The Other Side. I was feeling especially crappy about my writing prior to writing that and the wonderful @caladeniablue gave me a prompt and a pep talk and ... corn. She gave me corn. And away I went!
18. Most memorable comment or review
Probably this one from @mia-cooper on This Day:
YES. This is a diamond with a crack right through it and it's so perfect. Love the despair, love how bleak this is. Love that there's not even a shred of a happy ending. Fucking yeah. #2020MOOD
19. Fics you wanted to write but didn’t
I think I started all the ones I wanted to write at this stage. I do wish I’d got further along with my vampire!Chakotay one though!
20. Something to write next year
Vampire!Chakotay, ofc. It’ll have him on the label, but it will (probably!) be a story about KJ growing and dealing with some of her issues, so she can best help him. And smut, naturally. And my fun ooc Indiana Jones J/C AU. I just want to keep learning and progressing as a writer, trying different genres, writerly techniques, learning to plot properly, etc.
It’s been an amazing year in this fandom – my first full year! Thank you to all the wonderful people who’ve welcomed and helped me along the way with my writing – in discussion, in betaing, in reading. ❤️
And if you’re reading this and a fic writer, consider yourself tagged to answer these questions too! 🤗
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crazyyfilmyfreak · 4 years
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The Devil All the Time ( 2020 )
OBVIOUSLY SPOILERS FREE REVIEW
"There's a lot of no-good sons of bitches out there"
Okay alright first of all 
This is not your generic go-to netflix crime thriller if you are watching it with that intention everything is wrong with you 
This Film is dark , not just dark but dark as hell which is filled with gore elements which also includes a multi layered story telling and the film is filled with a group of astonishing cast members and every one of them has a potential to carry the whole film on their shoulders with no hard work but just with grace and ease so these reasons altogether might have over hyped few people's expectations and i think that is the main reason why i am seeing some mixed reviews here and there online or maybe just because you started watching this film with a very wrong intent or wrong mind set like i said before and i am stressing this so much because of in my opinion this film is just perfect maybe there are flaws obviously every film will have flaws but i just couldn't see them ? Maybe because i am a big fan of tom holland i might be little biased but to me this film is top notch and this is a perfect film film 
Now speaking about the cast & film overall 
This is a very slow paced slow burning piece of art 
It takes you to the places you can never think of mentally and it makes you feel completely lost in emotions by the end of the film making you numb 
Antonio Campos is a fucking genius i love his way of story telling 
He's honest , he knows what he is doing , he loves taking risks and he never fears when ever he goes out of the conventional film making style and i very much love how he connected every character in the film like i mean every character in the film is interconnected and if you remove any one character you will feel the void , disturbance and unbalance in the film. 
Film lovers might argue with me or hate me for saying this but i feel this film is so much better than christine 👀🤝🏻 atleast to me ? And this is coming from a person who also loved it a lot 
Now the cast 
I cant speak about everyone in the film because this has such a long list of talented actors 😭 who rocked in the film i am only going to speak abt some of my favourite performances as of now i promise to speak about every other cast member and their performance in the later days coz i am very sure this is a film i am going to talk a lot from now and this is also a film that i am going to watch and enjoy in the future days 
First TOM FUCKING HOLLAND 
I have been seeing this dude's films even before the civil war where he played the spidey role and i always felt he was a very raw and potential actor since his childhood but after seeing him in civil war and spider man hoco its just impossible for me to not like him as an actor ? HE IS SO GOOD ON SCREEN and he makes you believe everything when ever he's on screen maybe its swinging from wall to wall or putting a donut or whatever into a guys mouth while kicking his ass and making it look bad ass af🔥 few might feel this are such a silly examples to say but to me this is about how tom brings a realistic approach to a scene and makes it good and i have always been a big fan of tom holland since spiderman hoco and this is nothing related to tdat but y'all might already know timothee was the second closest option of mcu to cast as spidey and tom grabbed that role ever since tom is just busy with mcu films and where as timothee had a incredible and unbelievable growth as an ACTOR for real to me that is stunning because he did it in such short of span and to me as fan of tom holland part of me was always loving him as spidey but a big heart of me felt a void and sad because tom is missing a lot of great opportunities which has a chance to showcase his real acting abilities which made me think what if timothee got the spidey role instead of tom? Maybe we would have seen a serious tom holland as an actor and this thought killed me everytime but everything happens for a reason and tom holland is undoubtedly the best spidey we have ever got and anyways when films like tdat happen many people realise and understand how great and how fucking incredible tom holland is as an actor and i love when everyone appreciate him for this !! It makes my heart very happy and this is the exact reason why this film is so personal and special to me 
Sorry for completely deviating from the film but this is tumblr and i am not a serious film critic lol so forgive me. 
And speaking about his performance in the film he is just surreal and outstanding . The character that he played is a very complicated one not many relate to that character but every one can understand his emotions, actions and intentions in the film and all the credit goes to tom for bringing a life to that character and playing it in such a beautiful way listen to me very carefully when i am saying this not many actors from this generation can bring bundle of emotions at the same time in a same scene but tom holland does that with such an ease and i stg i am not exaggerating if you watch the film you will know what i mean !! And i am very proud to say i am his big fan 
Now Robbert pattinson 
What the fuck should i talk about this asshole 😂🖕? 
My dude's been killing it since remember me and as an actor like i said in the Tenet Review he has matured a lot as an actor since good time and he played a very powerful and sick role in the film i am not gonna spoil it for others just go and watch the fucking film atleast for him he did a great job and i dont understand how the women and gays are dealing with him? Seriously even as a straight guy its hard for me to concentrate on the film or scenes where ever he's present because this asshole is so fucking hot and sexy 👉👈 The directors should either deglamorise him by making him fat or bald or just hide his face with prosthetic make up or sth just like how directors hide tom hardy's face in every film he's in 🙄. Now coming back to his performance its really hard to dominate him when ever he's on screen dude just want all the attention towards him , such a selfish actor huh 
Bill Skarsgard 
He played a very important and crucial role in the film he maynot have big screen time but we can totally feel his presence through out the film i think this one sentence explains how important his character is to the film and how well he potrayed the role and he's the only guy in the film who got an incredible character growth throughout his journey in the film
Harry Melling 
It would be very unfair if i dont speak about harry's performance in tdat 
DUDE KILLED IT . HE SCARED ME WITH HIS EMOTIONS AND EXPRESSIONS . He didn't even a play a negative role but he just added a lot of depth not only to his character but also the film with his intimidating portrayal 
Sebastian stan 
This is the most honest and a very raw performance from Sebastian stan so far ( i am saying this based on the films that i have seen of his ) i just wish he had more screen time thats the only thing that i didnt like in the film also there are so many blanks that needs to be filled about his character 
Eliza Scanlen
I dont remember her from any film or tv series that i have seen before but she's outstanding in the film , the character doesnt have much something new to offer so i can't speak a lot for her but as far as the character concerned she did her best and her performance is a impressive one and many people are gonna love her . 
Riley Keough 
Unlike the previous films & tv series she's been in 
This film gave her a very challenging role and she's the only women in the film who's been through ups and downs and has a very complicated but a impressive character growth with minimal limitations and dimensions 
She was fabulous and incredible . It just stuns me how the character has begin and how it ended at the end 
And special mention to jason clarke and the old couple who played grandparents ( kind of ) to Arvin Russel and lenora . Not all heroes wear the cape. 
Finally despite the mention of god several times in the film this is not really about god at all its about the DEVIL , The DEMON that carries and plays a very pivotal role in the film you cannot see it but you can sense it and feel it 
Its about the blind faith, its about the irreversible & inescapable fate . I really love how Antonio Campos has connected all the dots by the end of the film with a very impressive film making and with a steady gothic theme running till the end internally and i haven't completely finished the book ( The devil all the time ) but if anyone really wants to completely bring the book life they cannot do it in a single film it will take you atleast 4 or 5 tv series to do so but Antonio Campos did it with a single film and added a very deep meaning to the core of the film w/o deviating from the roots of the book & even touched the aspects like duality of a man and some of you grateful fucks are complaining about him 
OBVIOUSLY films ard subjective but you all need to be more open about this film 
In simple words please fucking watch this film guys 🤗❤ 
This one is not for everyone but everyone will have atleast a small aspect in the film that y'all are going to like / love / hate / discuss about. 
The devil all the time is violent , brutal , honest and perfect in every possible way atleast to me and i really want you all to watch it if you're into such type of stuff 
Remember No country for old men ? Now make it 10 times more violent but add some meaning to it with a realistic approach but more slow burning drama and a little bit of darkness ... now that is what The Devil all the time is .
Gif credits : Milesgmorales
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al-sabur · 3 years
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THE ISLANDERS - A Sufi Legend told by Idries Shah
“The ordinary man repents his sins: the elect repent of their heedlessness.” -(Dhu’l-Nun Misri)
Once upon a time there lived an ideal community in a far-off land. Its members had no fears as we now know them. Instead of uncertainty and vacillation, they had purposefulness and a fuller means of expressing themselves. Although there were none of the stresses and tensions which mankind now considers essential to its progress, their lives were richer, because other, better elements replaced these things. Theirs, therefore, was a slightly different mode of existence. We could almost say that our present perceptions are a crude, makeshift version of the real ones which this community possessed.
They had real lives, not semi-lives.
We can call them the El Ar people.
They had a leader, who discovered that their country was to become uninhabitable for a period of, shall we say, twenty thousand years. He planned their escape, realising that their descendants would be able to return home successfully, only after many trials.
He found for them a place of refuge, an island whose features were only roughly similar to those of the original homeland. Because of the difference in climate and situation, the immigrants had to undergo a transformation. This made them more physically and mentally adapted to the new circumstances; coarse perceptions, for instance, were substituted for finer ones, as when the hand of the manual labourer becomes toughened in response to the needs of his calling.
In order to reduce the pain which a comparison between the old and new states would bring, they were made to forget the past almost entirely. Only the most shadowy recollection of it remained, yet it was sufficient to be awakened when the time came.
The system was very complicated, but well arranged. The organs by means of which the people survived on the island were also made the organs of enjoyment, physical and mental. The organs which were really constructive in the old homeland were placed in a special form of abeyance, and linked with the shadowy memory, in preparation for its eventual activation.
Slowly and painfully the immigrants settled down, adjusting themselves to the local conditions. The resources of the island were such that, coupled with effort and a certain form of guidance, people would be able to escape to a further island, on the way back to their original home. This was the first of a succession of islands upon which gradual acclimatisation took place.
The responsibility of this ‘evolution’ was vested in those individuals who could sustain it. These were necessarily only a few, because for the mass of the people the effort of keeping both sets of knowledge in their consciousness was virtually impossible. One of them seemed to conflict with the other one. Certain specialists guarded the ‘special science’.
This ‘secret’, the method of effecting the transition, was nothing more or less than the knowledge of maritime skills and their application. The escape needed an instructor, raw materials, people, effort and understanding. Given these, people could learn to swim, and also to build ships.
The people who were originally in charge of the escape operations made it clear to everyone that a certain preparation was necessary before anyone could learn to swim or even take part in building a ship. For a time the process continued satisfactorily.
Then a man who had been found, for the time being, lacking in the necessary qualities rebelled against this order and managed to develop a masterly idea. He had observed that the effort to escape placed a heavy and often seemingly unwelcome burden upon the people. At the same time they were disposed to believe things which they were told about the escape operation. He realised that he could acquire power, and also revenge himself upon those who had undervalued him, as he thought, by a simple exploitation of these two sets of facts.
He would merely offer to take away the burden, by affirming that there was no burden.
He made this announcement:
“There is no need for man to integrate his mind and train it in the way which has been described to you. The human mind is already a stable and continuous, consistent thing. You have been told that you have to become a craftsman in order to build a ship. I say, not only do you not need to be a craftsman — you do not need a ship at all! An islander needs only to observe a few simple rules to survive and remain integrated into society. By the exercise of common sense, born into everyone, he can attain anything upon this island, our home, the common property and heritage of all!”
The tonguester, having gained a great deal of interest among the people, now ‘proved’ his message by saying:
“If there is any reality in ships and swimming, show us ships which have made the journey, and swimmers who have come back!”
This was a challenge to the instructors which they could not meet. It was based upon an assumption of which the bemused herd could not now see the fallacy. You see, ships never returned from the other land. Swimmers, when they did come back, had undergone a fresh adaptation which made them invisible to the crowd.
The mob pressed for demonstrative proof.
“Shipbuilding,” said the escapers, in an attempt to reason with the revolt, “is an art and a craft. The learning and the exercise of this lore depends upon special techniques. These together make up a total activity, which cannot be examined piecemeal, as you demand. This activity has an impalpable element, called baraka, from which the word ‘barque’ — a ship — is derived. This word means ‘the Subtlety’, and it cannot be shown to you.”
“Art, craft, total, baraka, nonsense!” shouted the revolutionaries.
And so they hanged as many shipbuilding craftsmen as they could find.
The new gospel was welcomed on all sides as one of liberation. Man had discovered that he was already mature! He felt, for the time at least, as if he had been released from responsibility.
Most other ways of thinking were soon swamped by the simplicity and comfort of the revolutionary concept. Soon it was considered to be a basic fact which had never been challenged by any rational person. Rational, of course, meant anyone who harmonised with the general theory itself, upon which society was now based.
Ideas which opposed the new one were easily called irrational. Anything irrational was bad. Thereafter, even if he had doubts, the individual had to suppress them or divert them, because he must at all costs be thought rational.
It was not very difficult to be rational. One had only to adhere to the values of society. Further, evidence of the truth of rationality abounded — providing that one did not think beyond the life of the island.
Society had now temporarily equilibrated itself within the island, and seemed to provide a plausible completeness, if viewed by means of itself. It was based upon reason plus emotion, making both seem plausible. Cannibalism, for instance, was permitted on rational grounds. The human body was found to be edible. Edibility was a characteristic of food. Therefore the human body was food. In order to compensate for the shortcomings of this reasoning, a makeshift was arranged. Cannibalism was controlled, in the interests of society. Compromise was the trademark of temporary balance. Every now and again someone pointed out a new compromise, and the struggle between reason, ambition and community produced some fresh social norm.
Since the skills of boatbuilding had no obvious application within this society, the effort could easily be considered absurd. Boats were not needed — there was nowhere to go. The consequences of certain assumptions can be made to ‘prove’ those assumptions. This is what is called pseudocertainty, the substitute for real certainty. It is what we deal in every day, when we assume that we will live another day. But our islanders applied it to everything.
Two entries in the great Island Universal Encyclopaedia show us how the process worked. Distilling their wisdom from the only mental nutrition available to them, the island’s savants produced, in all honesty, this kind of truth:
“SHIP: Displeasing. An imaginary vehicle in which impostors and deceivers have claimed it possible to ‘cross the water’, now scientifically established as an absurdity. No materials impermeable to water are known on the Island, from which such a ‘ship’ might be constructed, quite apart from the question of there being a destination beyond the Island. Preaching ‘shipbuilding’ is a major crime under Law XVII of the Penal Code, subsection J, The Protection of the Credulous. SHIPBUILDING MANIA is an extreme form of mental escapism, a symptom of maladjustment. All citizens are under a constitutional obligation to notify the health authorities if they suspect the existence of this tragic condition in any individual. 
See: Swimming; Mental aberrations; Crime (Major). Readings: Smith, J., Why ‘Ships’ Cannot be Built, Island University Monograph No. 1151.”
“SWIMMING: Unpleasant. Supposedly a method of propelling the body through water without drowning, generally for the purpose of ‘reaching a place outside the Island’. The ‘student’ of this unpleasant art had to submit himself to a grotesque ritual. In the first lesson, he had to prostrate himself on the ground, and move his arms and legs in response to the commands of an ‘instructor’. The entire concept is based upon the desire of the self-styled ‘instructors’ to dominate the credulous in barbaric times. More recently the cult has taken the form of epidemic mania. See: Ship; Heresies; Pseudoarts. Readings: Brown, W., The Great ‘Swimming’ Madness, 7 vols, Institute of Social Lucidity.”
The words ‘displeasing’ and ‘unpleasant’ were used on the island to indicate anything which conflicted with the new gospel, which was itself known as ‘Please’. The idea behind this was that people would now please themselves, within the general need to please the State. The State was taken to mean all the people.
It is hardly surprising that from quite early times the very thought of leaving the island filled most people with terror. Similarly, very real fear is to be seen in long-term prisoners who are about to be released. ‘Outside’ the place of captivity is a vague, unknown, threatening world.
The island was not a prison. But it was a cage with invisible bars, more effective than obvious ones ever could be.
The insular society became more and more complex, and we can look at only a few of its outstanding features. Its literature was a rich one. In addition to cultural compositions there were numerous books which explained the values and achievements of the nation. There was also a system of allegorical fiction which portrayed how terrible life might have been, had society not arranged itself in the present reassuring pattern.
From time to time instructors tried to help the whole community to escape. Captains sacrificed themselves for the re-establishment of a climate in which the now concealed shipbuilders could continue their work. All these efforts were interpreted by historians and sociologists with reference to conditions on the island, without thought for any contact outside this closed society. Plausible explanations of almost anything were comparatively easy to produce. No principle of ethics was involved, because scholars continued to study with genuine dedication what seemed to be true. ‘What more can we do?’ they asked, implying by the word ‘more’ that the alternative might be an effort of quantity. Or they asked each other, ‘What else can we do?’ assuming that the answer might be in ‘else’ — something different. Their real problem was that they assumed themselves able to formulate the questions, and ignored the fact that the questions were every bit as important as the answers.
Of course the islanders had plenty of scope for thought and action within their own small domain. The variations of ideas and differences of opinion gave the impression of freedom of thought. Thought was encouraged, providing that it was not ‘absurd’.
Freedom of speech was allowed. It was of little use without the development of understanding, which was not pursued.
The work and the emphasis of the navigators had to take on different aspects in accordance with the changes in the community. This made their reality even more baffling to the students who tried to follow them from the island point of view.
Amid all the confusion, even the capacity to remember the possibility of escape could at times become an obstacle. The stirring consciousness of escape potential was not very discriminating. More often than not the eager would-be escapers settled for any kind of substitute. A vague concept of navigation cannot become useful without orientation. Even the most eager potential shipbuilders had been trained to believe that they already had that orientation. They were already mature. They hated anyone who pointed out that they might need a preparation.
Bizarre versions of swimming or shipbuilding often crowded out possibilities of real progress. Very much to blame were the advocates of pseudo-swimming or allegorical ships, mere hucksters, who offered lessons to those as yet too weak to swim, or passages on ships which they could not build.
The needs of the society had originally made necessary certain forms of efficiency and thinking which developed into what was known as science. This admirable approach, so essential in the fields where it had an application, finally outran its real meaning. The approach called ‘scientific’, soon after the ‘Please’ revolution, became stretched until it covered all manner of ideas. Eventually things which could not be brought within its bounds became known as ‘unscientific’, another convenient synonym for ‘bad’. Words were unknowingly taken prisoner and then automatically enslaved.
In the absence of a suitable attitude, like people who, thrown upon their own resources in a waiting room, feverishly read magazines, the islanders absorbed themselves in finding substitutes for the fulfilment which was the original (and indeed the final) purpose of this community’s exile.
Some were able to divert their attention more or less successfully into mainly emotional commitments. There were different ranges of emotion, but no adequate scale for measuring them. All emotion was considered to be ‘deep’ or ‘profound’ — at any rate more profound than non-emotion. Emotion, which was seen to move people to the most extreme physical and mental acts known, was automatically termed ‘deep’.
The majority of people set themselves targets, or allowed others to set them for them. They might pursue one cult after another, or money, or social prominence. Some worshipped some things and felt themselves superior to all the rest. Some, by repudiating what they thought worship was, thought that they had no idols, and could therefore safely sneer at all the rest.
As the centuries passed, the island was littered with the debris of these cults. Worse than ordinary debris, it was self-perpetuating. Well-meaning and other people combined the cults and recombined them, and they spread anew. For the amateur and intellectual, this constituted a mine of academic or ‘initiatory’ material, giving a comforting sense of variety.
Magnificent facilities for the indulging of limited ‘satisfactions’ proliferated. Palaces and monuments, museums and universities, institutes of learning, theatres and sports stadiums almost filled the island. The people naturally prided themselves on these endowments, many of which they considered to be linked in a general way with ultimate truth, though exactly how this was so escaped almost all of them.
Shipbuilding was connected with some dimensions of this activity, but in a way unknown to almost everyone.
Clandestinely the ships raised their sails, the swimmers continued to teach swimming…
The conditions on the island did not entirely fill these dedicated people with dismay. After all, they too had originated in the very same community, and had indissoluble bonds with it, and with its destiny.
But they very often had to preserve themselves from the attentions of their fellow citizens. Some ‘normal’ islanders tried to save them from themselves. Others tried to kill them, for an equally sublime reason. Some even sought their help eagerly, but could not find them.
All these reactions to the existence of the swimmers were the result of the same cause, filtered through different kinds of minds. This cause was that hardly anyone now knew what a swimmer really was, what he was doing, or where he could be found.
As the life of the island became more and more civilised, a strange but logical industry grew up. It was devoted to ascribing doubts to the validity of the system under which society lived. It succeeded in absorbing doubts about social values by laughing at them or satirising them. The activity could wear a sad or happy face, but it really became a repetitious ritual. A potentially valuable industry, it was often prevented from exercising its really creative function.
People felt that, having allowed their doubts to have temporary expression, they would in some way assuage them, exorcise them, almost propitiate them. Satire passed for meaningful allegory; allegory was accepted but not digested. Plays, books, films, poems, lampoons were the usual media for this development, though there was a strong section of it in more academic fields. For many islanders it seemed more emancipated, more modern or progressive, to follow this cult rather than older ones.
Here and there a candidate still presented himself to a swimming instructor, to make his bargain. Usually what amounted to a stereotyped conversation took place.
“I want to learn to swim.” “Do you want to make a bargain about it?” “No. I only have to take my ton of cabbage.” “What cabbage?” “The food which I will need on the other island.” “There is better food there.” “I don’t know what you mean. I cannot be sure. I must take my cabbage.” “You cannot swim, for one thing, with a ton of cabbage.” “Then I cannot go. You call it a load. I call it my essential nutrition.” “Suppose, as an allegory, we say not ‘cabbage,’ but ‘assumptions’, or ‘destructive ideas’?” “I am going to take my cabbage to some instructor who understands my needs.”
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carriagelamp · 4 years
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September Book Roundup, back-to-school edition aka The Season Of Red apparently?
Here is a selection of the books I’ve read this month. Summer is over, so the little bit of brain power I had managed to scrape together is quickly disintegrating, so enjoying the hodge podge of stories.
Binti
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This was probably my favourite book that I read this month. It’s a novella I first heard about hear on tumblr and went to find a copy in my library. I have since bought the collected trilogy so I can read book two and three at my leisure because it was honestly just that friggin cool. This is exactly my flavour of scifi and I tend to be very very picky about the scifi I consume. It’s about a girl named Binti, a member of the Himba people (a real group of indigenous people from Namibia). They are a people well known for their mathematical and technical prowess, but due to their strong connection to their homeland and the earth they choose not to travel through space like so many other humans do. However, when Binti secures a position at Oomza University, the greatest university in the galaxy, she chooses to go against her family’s wishes and traditions in order to set out into space to attend. Everything is ruined though when her spaceship is attacked by a hostile alien race and everyone is killed but Binti, who must rely on all her intellect and abilities if she wants any chance at survival.
A seriously cool book with great world building – it really successfully introduces readers not only to the fictional scifi world and races of the novel but also to the culture and traditions of the Himba people. It’s a quick read, and feels like a cross between Dead Space and Tamora Pierce. Would totally recommend a read.
Fake Blood
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A Canadian graphic novel. It was a goofy cute read. It’s about an awkward group of friends in middle school, and one boy with a crush on one of the girls in his class. Knowing her love for vampire stories, AJ decides, like any self-respecting middle schooler, to try to pretend he’s a vampire. Naturally nothing goes right and some things go wrong in unexpected ways. It’s funny and cute. Nothing amazing but it was a cozy evening read.
The Last Book On The Left
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I’ve been listening to this podcast a lot since my friend recommended it to me and finally decided to read their book. For those that don’t know, The Last Podcast On The Left is a immaculately researched comedy podcast that’s hosted by Ben Kissel, Marcus Parks, and Henry Zebrowski, and explores the darker realms of human nature. Ghosts, paranormal, aliens, cults, and of course serial killers. In this book they collected several of their biggest name serial killer series, did some renewed research, and put together a book that is both informative, irreverent, gross, and very funny, complete with some really amazing illustrations by Tom Neely. A very cool read (and listen, if you decide to check out the podcast instead), I really love how they tell these stories without idolizing or romanticizing the people they talk about. Their humour always makes sure you know exactly how much of a pathetic loser these people are. Fantastic true crime, from someone who has never really felt the need to read about true crime before.
Midnight Sun
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I won’t harp on this one, everyone is already going to firmly have their opinions here. I grew up on Twilight, I was reading them as they came out, and I still love them. Were they dumb? Oh my god yes. Did they have problems? Sure, they came out in 2005 it was part and parcel. Were they also a really fun for a thirteen year old to read? Absolutely, I don’t regret it. Sometimes teenage girls should just to get like things without being mocked.
Anyway, I am off my soapbox now (can you tell this is still a raw spot for me?) I unironically loved this book! Getting to see Edward’s perspective was really cool, and since he can read minds it essentially let you get the perspective of everyone else around him too. The Cullens family is a great set of characters so it was really cool to see more of them, and I was very impressed by how Stephenie Meyers took a YA romance she wrote in 2005 and was able to make it feel updated and more appropriate for a 2020 audience even though she couldn’t actually change any of the events themselves. So fans of Twilight, don’t be ashamed, go read Midnight Sun and have the shameless fun you deserve. Is there anymore appropriate book for the bizarre ass year that was 2020 than a return to this goofy nonsense?
The Paperbag Princess
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(and Up, Up, Down, and Robert Munsch in general)
I’m back in schools so I’m back to reading children’s book! And honestly, and of you that don’t occasionally sit down and read a kids book out loud don’t know what you’re missing. Anyway, Robert Munsch is a Canadian author, and one of my all-time favourite children’s authors. It surprised me to learn he isn’t as well known in the States apparently? I don’t know if that’s changed or not, but he is a Canadian staple for a good reason, his books have ridiculous premises, are specifically written to be fun to read out loud, and have beautiful, involved, and hilarious illustrations. The Paperbag Princess is one of my absolute favourites, and as a kid it was one of the first stories I had ever read where a princess is the one saving the prince… and then telling the prince to piss off when it turns out he’s a jerk. Up, Up, Down is another favourite I reread this month, because it’s just hilarious funny and makes a fantastic read aloud with kids. Some other Robert Munsch I reread this month include: Mmm, Cookies, More Pies, Ribbon Rescue, Just One Goal, and Andrew’s Loose Tooth. You just cannot go wrong, for kids or adults.
Pit Pony
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Another Canadian staple while I was growing up. If you’re a young adult know who went through the Canadian elementary school system, you probably had your entire heart ripped out and stepped on by this chapter book. It’s a historical fiction that looks at the economic hardship, debt slavery, child labour, and animal abuse that was tied to coal mining in the Maritimes. Finding a copy was harder than I would have expected give how pervasive it was a decade or so back, but reading it again was a pure shot of nostalgia.
Seeking Refuge
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A graphic novel written by a German-born Canadian about a Jewish girl who flees Nazi-occupied Austria by way of Kindertransport to become a child refuge in England. It follows her as she is moved from host family to host family as the war continues to pick up and gradually makes it’s way to the United Kingdom as well. It’s very poignant and the pencil-sketch illustrations are an interesting change to a lot of the graphic novels that are out right now. This story is still aimed at a younger audience, so it never gets too brutal but it still is a hard hitting story, especially with everything else going on right now.
Silver Spoon #9/10
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I know I’ve talked about these books before, but my library got some more since I last read them, so I’m continuing my way through the series. It’s about a teenaged boy who, after having a breakdown from the pressure he was feeling to study and succeeded, decided not to attend an academic, urban high school, but rather to apply for an agricultural high school so he could live in the dorms, far away from his parents. The series just gets more and more heartwarming as it continues. It’s all about failure and overcoming and how worth can be measured in different ways, and about family and understanding each other and coming together… but also about the realities of farming which aren’t always very nice, especially when it comes to finances and survival. It’s written by the mangaka behind Fullmetal Alchemist but I’ll be honest… I think I like this series more. It is honestly one of my all time favourite manga series, it just has so much heart.
Ruby Finds A Worry
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aka Ruby’s Worry apparently? I can’t figure out why this has more than one title. I actually read it in French not English, so for me it was Le Souci de Calie. Regardless, this was a nice little picture book for talking about worries and anxieties with children… especially with the amount of Covid stress a lot of kids are dealing with. It explains in a really nice way how talking about anxieties are often the best way to make them more manageable, and how pretending nothing is wrong can just let it grow bigger and bigger. A good explanation for kids and possible a good reminder for adults.
War of the Realms: Journey Into Mystery
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I read this because the Mcelroy family wrote it so I figured Hey! Why not give it a go! And I’m glad I did. Their brand of humour was all over it, and it made the story a delight to read. I don’t follow all of Marvel’s weirdness, so I didn’t actually know most of the characters (Miles and Kate were actually the only two I was familiar with) but they do a great job of introducing the characters and making them all feel distinct and interesting. I absolutely adore the Dog of Gods (God of Dogs) who is a very very good boy. And Miles is absolutely always a delight so you can’t really lose. It’s a single book that I think is a part of a larger plotline that I have zero interest in. This book is a fine one to read though if you don’t mind jumping into the middle of the action and just getting swept along for the ride. Also Mcelroys!
Witcher Omnibus
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Bleh. Absolutely not worth it. All the misogyny and Dumb Bullshit that I hate in the original books and from video games in general. Honestly, Witcher III did way better by its characters than most of these short stories. The only one worth reading in it is Curse Of Crows – that one was actually really enjoyable, probably because it was about Ciri and had an actual fucking woman on the writing team. (Seriously guys what were you thinking with Fox Children that’s literally just a story from Season of Storms but done worse. Fuck off.) If you like The Witcher, go read Curse of Crows and skip every other story in this book.
Billy Stuart: Les Zintrépides #1
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Another French (Quebecois) book I read, though I believe you can get it in English as well (Billy Stuart and the Zintrepids). It’s a chapter book / graphic novel hybrid, and was honestly a fairly fun little read. It’s in a similar vein to Geronimo Stilton but done much better in my opinion. The humour was funnier, the characters felt less like caricatures, and while it still used stylized fonts it was also less intrusive and eye-strainy than the Stilton books. Also when the story suddenly pivots into the main adventure and mystery of the series? Fantastic. Was not expecting a hell-beast to appear part way through the story. Very interested in reading more.
Over all, it was cute and funny, and I can see it being a good next step when children have read their fill of the Stilton series and want something similar but possibly a bit more involved and coherent.
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flow-green · 3 years
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Fresh dog onwer and a Fuck-It-Diet
Slowly I am crawling out from my black hole. Few months of silence has been broken. I disappeared for a bit due to quite severe reason. I will not reveal it here in details, if anyone is interested, feel free to DM me :). It was not related to my ED. Life just happened and decided to throw quite a tricky challenge on my way, which luckily got solved in a positive way, and within March I managed to pick myself back up again.
These two months were quite adventurous and opened my eyes on many levels. I started to appreciate more what and who surrounds me and how dear and important my family and close ones are to me. I realized that I hurt them with my self-destructive behavior and this constant worrying over me is an unnecessary burden and a source for stress. So, I am really grateful for this experience. More and more I have started to let go of the restrictions and demons in my head and slowly move towards a mentality that my body is my own temple, my own home and serves me and myself only, and not someone else. Or, well, perhaps in an uncertain future it will be a temporary home for another person, so I should really take care of my body.
These last two weeks have opened my eyes even more, because by a happy accident I stumbled upon a book, but more on that a bit later. First, I would like to tell you about one of the biggest changes of my life, which has brought so much happiness and positivity to our lives. Namely, we now have a new family member. No, I did not have a baby (a bit ironic in this context...), but now there is a constant cheerful pit-a-pat on our floor, made by four cute little paws. On February 16 we got an unexpected opportunity to get a dog! Charlie has now been with us almost 2 months, 2 amazing months. In his quite unique size and unknown breed (we suspect a fox is somehow involved...) he has turned us into these crazy dog lady and sir, you know, like a crazy cat lady.
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I think if people saw us right now just the three of us in our natural habitat, they would never ever dare to do any official busines with us.
Anyhow, here he is. Charlie even has his own Instagram account (another sign that we definitely are not normal)
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Mr. Dog has a massive amount of dog fur which happily floats all over the house and if we vacuum the entire place on Wednesday morning, all the fur bunnies have taken their natural place back to themselves.
Charlie is cool. With his happy face he rides with us to all the places around the country, he loves car rides. Every weekend we go to some new place in Estonia to explore, our 10 km (over 6 miles) hikes have become our cool new habit. One morning was especially special. We both lost our sleep around 4 AM in the morning and after an hour of chit chat in the bed while Charlie still slept between us (yes, he is a heavy sleeper and definitely not a morning person and yes, he sleeps in our bed. Deal with it), we decided that enough of bedtime and no more sleep. let’s wake up as the sun will rise at 6 AM. Let’s make some breakfast and lunch to go, watch the sunrise with coffee and then go to an early hike in Käsmu, around the epic seaside in Northern Estonia. Done deal. This was one of the most amazing days in my life.
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Charlie is just like a therapy dog. Every time when I feel like breaking down in tears, I hug Charlie tight and let him comfort me with his soft cuddles and confident and wise eyes. All the sorrow and worries are gone. Charlie has also made us so active physically. We take several longer or shorter walks throughout the day. I have started to really love walking and running again and for me, for myself, and not for calories or for punishment. I am not counting distance or pace anymore. Every evening I fall asleep, happily excited about my upcoming morning run. I truly enjoy every last step I take.
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But, as I promised, a few lines about my new ‘diet’ called The Fuck It Diet. Recently, I pampered myself with another e-reader and this motivated me to search some books which are suggested for people struggling with eating disorders. ‘The Fuck It Diet’ popped up and caught my eye. I managed to get it as an e-book and eagerly dug the pages in. The first lines already made my jaw drop: at first with anger towards the stated facts and later on because of complete understanding.
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This book has totally topsy-turvy’ed my views as it describes my current situation in exquisite correct details. My whole belief system about diets, eating habits and weight numbers have completely changed. The whole book teaches you how to get rid of food addiction, self-esteem issues and obsession about body image and weight.
Why have I spent over 10 years battling with anorexia, bulimia and binge eating disorder? Why do I relapse in my hardest moments and total body hating world into an absurd calorie restriction, where I lose 6+ kg in 2 months, can keep myself skinny, yet sad for maximum 3-4 months, because I will not allow myself to eat anything as I want to lose even more to keep some buffer weight, then get tired and surrender and then eat back all those lost pounds and even more within few weeks? Why can’t I lose weight if I decide that instead of starving myself instead, I will go on some new diet, but this gives no result, weight will not drop, I get frustrated and get back to purging out food or get back to bingeing? Why does this wheel go round, and round and my weight will keep fluctuating vigorously and never stabilizes? Who do I go from one extreme to another? I have punished and scolded myself for years. I have tried to search or reasons: perhaps my genes are messed up and I am forever destined to keep my intake at 500 calories, so I can keep myself in that sweet spot of underweight and normal weight (because that is the only acceptable weight range for me. Sick, isn’t it?)
And then I got my answer: it is not about me or my genes. It’s because of these diets, no matter how beautiful the creators have painted them. It’s because human body has not meant to follow absurd rules about eating, be it fasting, LCHF, keto, paleo, raw vegan, or even mindful eating (eat slow! Rate your hunger! It’s under 10? You are not about to collapse from hunger? Good, drink some lemon water instead. See? Another bunch of rules to stress your brain out).
Most people commute from one diet to another, follows the rules and counts the calories for few months and then a relapse enters. it always does. Then, you will buy another diet plan, which promises even better results. You will haul for absurdly expensive foods like nut butters, almond flour, coconut oil. You replace your favorite foods with some silly alternative. You Google why the hell do I have a massive craving for Chocolate, which of course is your forbidden food. Google tells you have a magnesium deficiency (which might actually be true you know), but the solution: eat 12 almonds and forget about the chocolate. Be honest, that answer frustrates you a bit, deep down. So, instead to go and buy the damn chocolate and make your brain shut up, you force the craving down because FORBIDDEN! But at some point, you still go, buy the chocolate, eat it, and then promise yourself that now you will not touch another piece of chocolate once in upcoming months, will also restrict your intake a few weeks and eat your almonds. And are miserable. And then you eat some more chocolate. And are miserable again. Round and round, it goes.
And you gain those 10 pounds back. WHY, for the love of god?
Simple: your body has no clue whatsoever anymore, what the hell is going on. Years and years, you have kept your body in an unnatural state of starving, famine. Dietary culture has taught us that in order to lose weight all nice, you need to keep yourself in a calorie deficit and this should be around 1200-1500 cals in a day, maximum calorie intake cannot be more than 2000. You count every bite, every mouthful, you write it all down to MyFitnessPal. You eat your food, but you still crave for something more and are already worried about your next meal: can I eat something soon? What can I eat for dinner? Dude, you JUST ate, and you SHOULD feel full. If you don’t, there is obviously a problem. If you are full and STILL want something, there is obviously a problem. And your body is screaming at you the only solution. You worry about food 85% of your day (for me it was 100%, yes, even when I was having sex. Just SPECTACULARLY awesome!)
Body is not stupid. Body now has been taught that no matter what, there is always a next diet and famine state around every corner all the time. Body is scared. Body listens to the brain which constantly repeats those endless rules about eating. No chocolate, no pizza, bread is bad, cheese is bad, ice cream?! Are you stupid? Only a mango sorbet, something sugar free and watery or even better: make your own ice cream from banana (but remember, only HALF A banana!). Forbidden fruit is always the sweetest and then you will go and buy 2 liters of ice cream and eat it all in one go. You will torture yourself afterwards because ice cream is forbidden. You cannot eat it; you need to restrict and go for a 20-k run.
Now comes the most sillies, but the most logical fact: in order to break the cycle, there is only one simple solution: EAT! Everything. A lot. Eat it all that you have craved for years and years and have vetoed. Eat your cravings. Eat even when you are not hungry. Just eat whenever you feel like it. Eat until you are absolutely 100% satisfied and say honestly: no more. This process can take weeks, months, even years, depending on the individual. People in the book describe how they needed three whole years to reprogram their body back to its natural cycle. And it is scary, boy it’s scary. But you just need to take the leap into the water full speed, no splashing with your toes a bit to test the water. The faster you jump, the faster you get the wheels running. Result? Body calms down. Brain can finally rest and reprogram itself back to the way it must be. No food is forbidden anymore (unless you have a severe nut allergy. Please do not eat nuts if you might actually die). The brain now knows that whenever it wants something, it can actually get it, no strings attached, and calms down.
Yes, your will gain weight, sorry, this is not all strawberries and cream (yum, now I want strawberries and cream, will get some for dinner). At first, your body will not trust you. Would you trust yourself if you have been treated miserably for years? It is certain that it’s a trick and another diet is just around the corner. It takes time for it to calm down and start functioning the way it was meant to be. Weight will go up until the body heals and then... it will stop, the weight will naturally balance out, probably even go back down between the weight set points that everyone has, depending on your body and personal physical factor. I know that my middle goldilocks zone is about 5-6 kg more than my absolute lowest weight (right now I am around 10 kg heavier than my all time lowest and it is still in between my weight set points) and I am now completely okay with that number.
And I have now practiced this approach for half a week. Day before yesterday I had some Hesburger (McDonalds basically; had a vegan burger with FRIES), yesterday I ordered myself a vegan pizza without a second thought, with vegan cheese and everything, the whole package. I have now eaten ice cream for 4 days straight (one of my biggest forbidden foods), some vegan desserts. And yesterday I had my first shocking moment. I bought myself another ice cream after the pizza and right after I had bought it, I realized, that I actually do not want it right now. I have no craving. I got home and threw it in the freezer. After my dinner of soup and grilled cheese (!!!), I decided that I am going to eat the ice cream now. I had eaten half of it when I felt that I don’t want it anymore. I still finished it as it was a really small cone, but it was clearly more than enough. The rest of the evening I had no more cravings at all, no hunger. I didn’t even think about food anymore. I just enjoyed the movie with my SO and Charlie. Usually after dinner I was already overthinking about my next meal that was obviously hours away in the morning as no food after 6 PM and I definitely want something as breakfast is so far away, and besides, I try to postpone breakfast anyway as much as possible because intermittent fasting 16 hours +, which made me especially cranky and created countless of mornings with fights and tears with my SO. But now... no cravings and hunger for the entire night. Today morning I woke up with stomach still full from last night. I did not think about foo. Few hours later I bought some oatmeal, carrots, and hummus – and not because it is super healthy, and I am not allowed to eat anything else. No. I actually had a massive craving for carrots and hummus and oatmeal. For lunch, we decided to take some local hand-made burgers. I ordered vegan burger, but as a naked version without buns. Once again, not because empty forbidden bread calorie, but because I actually wanted that hearty vegan patty to sit on a pile of fresh leafy greens, peppers, tomatoes, and cucumbers. My stomach was still quite full of carrot snacks and past dew days’ fast food. I had no inner battle about this with craving vs forbidden food. Nope, I actually did not want any bread or bun.
That was around 3 PM. And hours later I am still full. Back then I had a sever fear over next meal or even a desperate need for additional snack (a forbidden chocolate, ice cream or something similar), but nooo, forbidden, which made the craving and fear even worse.
I have not thought about food today anymore, except now that I write this.
I have gained weight, yes, and it scares me to the core, and I confessed this few days ago to my SO. He looked at me with surprised eyes and said that to be honest, he has not even noticed I have gained, he only realizes this when I have days with severe low self-esteem and when I try to hide my naked body. I think the gain is around 5-6 kg (over 10 pounds), which is not even that big of a deal. Of course, I see and know I have gained, because my clothes now fit kind of perfectly, some rare pieces are a bit tight (I’m in XS-S size, 4-6, and clothes used to be kind of baggy even. Girl, do you need more proof that you are NOT FAT?), my legs are not super-tight sticks with a thigh cap and my collar bones do not press out. I have now extra inches on my body and probably this is the most difficult thing to accept. Recently, I saw over years that the first weight number of 5 has turned into 6 (in kg), over night, which means it was probably water weight from weekend of drinking and salty foods, so this means the actual one is still few kg lower, but the fear is still very real and at that moment I realized that I am tired of crying over a pair of numbers. I am so done. On this day, I asked my partner to hide the scale so I would not now where it is. I went for my morning run and when I came back, I saw him grinning and the scale had disappeared.
On Saturday we went to a birthday party. There was a hot tab with out-doors transportable sauna. Everyone was wild from happiness, except me. I had my bikini with me but for few days already I had stressed out that I will not join the tub, I will not expose my fat body like that. But my friend suggested me to break down the stubbornness, overcome my fears and just do it. No one will judge me, nobody notices, nobody even cares. All those fears are demons in my head. At the party I was sure that I will not go. But then, at some point, I gave myself a mental kick on the butt and went for it. And I am not sorry. I had a blast! Didn’t seem like anyone was giving me looks from head to toes and judged me with their eyes ‘god she is fat!’
This week has been tough, but I now have so many small wins in my bag and overcoming several problems - something I thought I can never do. My motivation has skyrocketed. I could never believe that there might be a time where I am not thinking about food so obsessively. Of course, I know that this is just the beginning of my healing and a long way is to go. I do believe it takes months to amend the damage done in over 10 years.
One of my first fears when reading the book was: What if I eat myself to the absurd size of 400 lbs. seen in those scary reality shows. And my brain gave me the logical answer right away: those 400pound people are also mentally sick, obsessive over food. They have eaten themselves to the slaves of food from very early stage of their lives, being influenced by family, social environment and whatnot, but I am only in my early thirties and 80% of my life I have eaten well-balanced foods and been in the normal weight range, some years I struggled with slight overweight due to puberty and stress from massive changes in life, but this sorted itself out naturally as I got rid of the puberty hormones and stress, weight fluctuated minimally, until I hurled myself head first to the world of diets and eating disorders,
So, most definitely I cannot eat myself to a 400 lbs., it is not physically possible. Perhaps the most real case scenario would be me gaining to 65 kg +, which is coming close to small obesity, but even this is not highly possible as I see that when eating normally, I cannot fit that much food in me and when my metabolism actually heals, the weight should stabilize out and probably even go down a bit. That would actually be a dream: that it will stop going up AND DOWN. I really  want that mental and physical stability back.
I miss a normal life. I am in a seriously perfect relationship which has been really close on the edge of abyss because of my sickly behavior. I have gambled with so many good things in my life and almost lost it all. Enough, seriously. I have
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toloveawarlord · 5 years
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A Rambling about Obey Me and some of the discourse going around:
I’ve finally had a chance to sit down and think hard on the whole Lucifer didn’t listen to the MC say no in the newest event.
First of all, this post likely won’t be spoiler free so read at your own risk. I’m not going to censor myself for those who haven’t played up through Lesson 20 but most of the things I hit on is common knowledge anyways. 
Secondly, I do not condone what they implied that Lucifer did. Consent is important, that’s not the point of this post. I’m not saying it’s okay to do so. This is simply the context of the game and my own viewing of it from a writer’s standpoint.
I put it under a cut because this is a long post.
Okay, now that we have all the disclaimers and stuff out of the way, let’s move into my own thoughts.
Firstly, this was meant to be dream sequence. I know a lot of people gripe about it doesn’t matter that it was dream, but if it’s supposed to be mc’s dream, then likely this particular mc was probably meant to be paired with Lucifer, they just gave options for those who aren’t Luci stans to get more people to play. But was a dream, and likely meant to represent an mc that wants Lucifer.
Was it a good writing choice to add in a choice to say and then do it anyways? Probably not, because this kind of thing always gets backlash from the community (i.e. Arthur in Ikevamp). But they did it, and it wasn’t explicit, nor did it actually say that Lucifer actually went through with it, again, because it was a dream and it ended at that particular point. You can argue that it shouldn’t have been implied, but you can also argue that it didn’t happen because it was simply an implication. The point that is made though, is that Lucifer didn’t respond in a “Okay, I’ll stop” manner. As far as him being a character and a demon, that response would be really strange, to me. Is it right? No, no one should force themselves on anyone. Is it a normal response for a demon who is the avatar of pride and thinks humans are lowly creatures? Yeah, kind of.
Secondly, this game is dark as hell. A lot of people don’t want to see it that way, because it’s an otome game and otome’s are typically solely focused on the romance aspect. Obey Me is riddled with violence, sexual tones (i.e. Asmo outright tells MC that the bar they are at is has sex rooms and can even be bought out for an orgy, and he has participated in those), and the main boys are even avatars of sin. It’s not an otome with a sprinkle of angst and sadness for backstory and character development. It’s a dark and twisted world where you can romance demons.
Speaking of demons, that’s my next point. The boys are demons. They have been around for millenniums, and demons are not known to have morals and live by our human standards of what is right and wrong. (again, see above, I don’t believe what Luci was implied to do was right.) But honestly, you cannot expect demons to have the same moral code that us humans do. It wouldn’t make sense and to be honest, it’s part of the appeal of the game.
Part of the underlying themes and tones of this game is that romancing a demon is taboo. It’s not going to entail the same trials and character problems that other otome suitors deal with. These aren’t boys. These are demons, powerful demons with their owns sins and they also believe that they are above humans. So, being above humans, of course Lucifer doesn’t really care if you say or not. He’s a demon and he is used to getting his way. He’s also the avatar of pride so he can’t fathom why you wouldn’t choose to be with him. (Again. I do not think it’s right for Lucifer to force himself on anyone.) From a writing standpoint, that was a perfectly acceptable thing for Lucifer to say, because of who he is as a character and a species. (But that doesn’t make it okay. I never said it was okay. I said it was normal for him as a character. I do not condone forcing anyone.)
Was it necessary for the story? That’s a little more difficult to define. I understand that this can be triggering material for some, and you are perfectly valid to say you didn’t like it and it was wrong. I don’t personally think that they made a huge mistake and should be reprimanded for it. It’s a story with dark themes and violence so it’s reasonable to assume that things like this are going to occur. They are demons with a very skewed sense of morals. But I totally get that there are people out there who don’t like reading that kind of triggering content.
I think a good middle ground would be to add some kind of warning to events or chapters. I don’t know how they would implement something like that, but it might be a more peaceful solution instead of going to the creators and telling them that they are wrong to add that content. Because, let’s be honest, not everyone is bothered by that kind of thing and creators can’t always cater to everything that might be a trigger to someone. For some, that kind of content is wanted and there aren’t any otomes that I’m aware of that has the option to explore those darker kinks. (Please don’t bring up Princess of the Moon Ultimate. That game is not what I mean.)
Obey Me really teeters on the edge of being too adult for minors, but there is plenty of content in the games that are okay for a younger audience. No matter what anyone says, the younger kids are not going to stop playing just because a stranger on the internet told them to. It’s not going to happen, so really, it’s only stirring up drama. I will say that minors should stay away from explicitly adult content created by us adults, mostly because of legal reasons, but again, I don’t think it’s going to stop anyone from doing it if they want to. Just know, that as adults, it’s really uncomfortable to think of minors engaging in explicit content. You are still children, whether you think so or not, but you’re going to play the game regardless (I know because back in my day, I did too). I think the middle ground for this is for minors not to engage with adults in any explicit or sexual themed content or talk. That’s about the most we can ask. Telling them not to play the game isn’t solving anything. (Please don’t come at me with this drama. I don’t want to hear about why they shouldn’t play or why they should be allowed, I don’t care about it.)
This kind of rounds me up to a big final point. I got off track with the content thing but back to the demons and their morals.
This why Obey Me is such an interesting story to me. The point of the whole game (so far) is that YOU are the one controlling the demons with the pacts. It takes a while for Lucifer and Belphie, but in the end, you get a pact with all of them. This really eliminates a lot of the dangers with the brothers. They obey you now. So, in the main story game (after lesson 20), if that Lucifer scene had happened (remember, it’s a dream), if you had chosen the NO option, then he would have no choice but to listen to you. Because the pact allows you to control them (we see this time and time again with MC telling Mammon to do things or stop doing things).
Which opens up the opportunity for you as the mc to teach them. I know this isn’t a prominent part of the game (it’s still real early to tell what’s going to happen) but now that you have them under a pact, you have the opportunity to reign in their sins and teach them to be decent demons. And honestly, it’s really one of the only ways that they could have handled the demons and a human in a romantic relationship. There is no such thing as a morally righteous demon. That would be angels (hello simeon). It’s going to be very interesting to see how having a specific suitor under a pact will effectively even the playing fields in a romantic relationship.
Take Asmo for example, as the Avatar of Lust. Before the pact, the scales of power were completely in Asmo’s hands. As a human, you literally couldn’t do anything to stop him from doing anything (hence the fact that Belphie literally kills mc, and there has been very dangerous situations). He’s a demon with enormous powers and the mc is a lowly human. And honestly, with Asmo being a narcissist, he probably wouldn’t understand why you wouldn’t want him. He’s Asmodeus. He’s wanted by everyone.
BUT
With the power of the pact, the scales of power in the relationship tip into the MC’s favor. Will this stop them from trying? Not at all, but now MC has the power to make them stop. And that’s really the only way that a relationship could happen. The power difference is simply too great for a human to date a demon without that added layer of control in MC’s hands.
I know that this is an otome game, and it’s supposed to be about romancing them and all that, but the story is riddled with dark tones and themes and it will most likely have more triggering material. I think that’s something that everyone is going to have to accept in this game. It’s not a lighthearted romance with angst and sex. It’s definitely not as dark as like Diabolik Lovers, but like vampires, demons have a whole added layer of twisted and taboo subjects that are going to play a large role in the game.
And I think that’s part of the point. This game is not going to be like Cybird’s games. It’s not going to be like MLQC. Personally, I like the idea of a darker game with wiggle for more adult oriented themes and content that we miss out on in the other games (i.e. I would have loved to seen a part of Edgar’s route where Claudius orders him to kill MC and he struggles with doing it or not and maybe even harming her in the process of figuring it out. Because, Edgar is kind of brainwashed by Claudius and it tracks for his character. But its romance otome, so of course, they weren’t going to take it that far.). Exploring the darker sides of romance, allowing for more raw and twisted concepts.
All in all, if you want a happy go lucky, suitors with cute romance and just a bit of angst and sex, this is not the game for you.
I also don’t think that going after the creators and saying that they shouldn’t put out darker content and having Lucifer do what he did in that event was right. This game is going to have uncomfortable topics and ugly moments. They are demons and this is devildom (see also: hell). Warnings would be great, I think finding a balance is good, but the creators are making this content for a broad audience. Not everyone is going to be happy. You can either take it with a grain of salt, and continue playing. Or you can not play it because you don’t like some of the content. The content creators don’t owe us anything. The whole “well this is for a western audience” is mute. There is likely going to be other triggering content because of the nature of the game. You can’t expect a dark otome to not have that, just because it triggers you. Warnings, yes, I think that that would help, let people know what they might be getting into in an event or chapter, but catering to the needs to every single player of a game is not going to happen, and it could cause the game to be shut down. This game is more adult oriented so it’s going to have more adult content that might not sit right with you.
I’m gonna end this by saying: Obey Me is an amazing game, and it has quite dark content in places. That’s the whole point of the game. It’s not a standard romance otome and trying to change it to be one is not okay. That doesn’t mean that your feelings toward it aren’t valid. It simply means that we cannot expect the same content as other otome games when it involves darker content. I don’t really want a watered down version of this game where they ignore the dangers of demons for the sake of romance.
I am gonna repeat a few things: I do not condone Lucifer’s actions, that’s not what I’m about. No one should force themselves on you. And this is filled with my opinions, yours can differ, but I’m not looking for anyone to come tell me why I’m wrong. This is just a few points of why I personally think that the game is doing just fine and doesn’t need to change.
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hamliet · 5 years
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Who Holds Destiny’s Pen?
Or, choices and destiny: the main theme of The Witcher books. 
What is destiny? Is it the Ouroborus? Are you just a tool in it? Do your choices matter?
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Existentialism vs. determinism, that age-old debate. The Witcher doesn’t give a clear “yes everything is determined” or “no, nothing is” but does explore the question with nuance and ultimately, for me at least, a fulfilling answer to that question.
Destiny is hope.
It’s amusing that The Witcher is in many ways seen as playing tropes straight (as opposed to, say, Martin, whose ASOIAF deconstructs elements of the fantasy genre). But I actually didn’t think this was true; or, rather, it’s a stark oversimplification. Ciri (one of the best female main characters I’ve ever read about) is very much a deconstruction of the Virgin Mary archetype within a misogynistic world. The Witcher never revels in its misogyny, using them to titillate while also critiquing them: it straight up critiques them with nuance and empathy. 
The Virgin Mary, of course, is the woman who gave birth to Jesus in the Christian faith, who saved the world. (She too was probably only 14 or 15 when her story began, much like Ciri.) Ciri’s whole deal, in addition to being a powerful medium in her own right, is that she’s prophesized to give birth to the “Avenger” who will save their world from total calamity. Thus a five-book saga of everyone trying to control Ciri’s womb is spawned. It could be creepy if it wasn’t handled so well (it is framed really well as just as creepy and dehumanizing as it sounds, yet not in a titillating way). 
One of the main motifs, if not the main motif, of The Witcher’s choice vs. destiny question is what say women have over their bodies. It could be read politically; this isn’t exactly a political reading thereof but an examination of The Witcher’s exploration of to what extent a person can control their destiny.
Renfri is not allowed to have any say in what happens to her from birth, because Stregobor believes she is a monster and wants to find her to dissect or vivisect her. Even when Geralt is forced to kill her, he refuses to allow Stregobor to touch Renfri’s body, because her body is hers. The books bang this drum even louder than the show does, because within the books, Renfri’s history of sexual abuse is strongly highlighted. 
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Renfri’s story asks the initial question: what is the lesser evil? And it’s a question The Witcher keeps asking us. If Ciri being used to have a child who will save the world from a calamity that will definitely come can definitely save this world, then why not sacrifice one girl’s wellbeing for the good of the world? 
Geralt argues that evil is evil, large or small in scale. He uses this argument against the emperor determined to marry and impregnate Ciri:
“The ends justify the means,” the Emperor said flatly. “I do it for the future of the world. For its salvation.”
“If you have to save the world like this,” the witcher lifted his head, “this world would be better off disappearing. Believe me... it would be better to perish.” 
The story then focuses specifically on childbearing and pregnancy for its three most important female characters: Yennefer, Milva, and Ciri. 
The show doubles down on this, as it depicts Yennefer telling Geralt that the root of her desire to overcome her infertility is because the choice was taken from her, and she wants her choices back. It’s a powerful statement that has its spirit carried over into the books; however, Yennefer’s infertility in the books is definitely not her choice whereas in the show it does show her making a choice; it’s essentially a side effect of her magic. Yennefer can control how she appears, can control chaos, but she cannot control her own womb, and Sapkowski writes Yennefer’s anguish over this as raw and real.
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However, Yennefer does later receive a choice: to train and thereby end up adopting Ciri, or not. And she chooses to, and it’s a lifegiving decision for all. She is able to write her destiny in Ciri. 
Women’s rights to control their own bodies is most blatantly brought up with Milva. She finds herself pregnant on the road and has to decide whether to keep it or have an abortion, and the emphasis is clearly on the fact that it is her choice regardless of what she decides.
‘In Nilfgaard,’ Cahir said, blushing and lowering his head, ‘such matters are determined solely by the woman. Nobody has the right to influence her decision. Regis said that Milva is determined to take the… medicine. Therefore I think of this fact as accomplished. And the consequences of this fact. But I am a foreigner and not familiar with… I should not have spoken at all. Forgive me.’
‘For what?’ the troubadour said with surprise. ‘Do you think of us as savages, Nilfgaardian? As primitive tribes, adhering to shamanic taboo? It is obvious that only a woman could make such a decision, it is their inherent right!…’
Geralt then faces a choice to help Milva make her own decision for herself, not for what she thinks she should do or because everyone else wants one thing or the other. And he steps up as a dad figure to her, becoming vulnerable with her when he discusses things he has lost in life. It’s through his empathy that Milva feels free to come to her decision: she decides to keep the baby after all..
...only to lose the baby in a later battle. So, did her choice matter or did destiny rip her choice away? Is destiny itself the monster?
It matter because it was the fact that Milva made that decision. She mourns for the loss of her baby (which gets to The Witcher’s themes about how, if you love someone, you will inevitably end up hurt, but if you don’t, you will be less and less human). This is further compounded by how Milva’s decision mirrors Geralt’s and Yennefer’s, because after the loss of her child she acts as a mother-like figure for several in the company (for example, when she forces Geralt and Cahir to stop fighting). She is able to save and protect them, to die defending life as opposed to the life she’d lived taking it.
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As for Ciri, she deconstructs the Virgin Mary archetype and the lamp character trope (a trope in which you could replace the character--usually female--by a lamp and nothing would change). Everyone’s trying to find her. Everyone wants to use her. But she’s not a lamp. Emhyr, elves, mages, Vilgefortz--they all want to arrange for Ciri’s son to be someone who will represent their interests.
Even when characters aren’t trying to get Ciri pregnant, you have Bonhart (a villain who’s basically what would happen if you combined Delores Umbridge and Ramsay Bolton in a Petri dish) who treats her like an animal and forces her to be a gladiator. Not to mention Mistle straight-up assaults Ciri (I know the author didn’t intend for it to read that way, but honestly, I’m confused as to where the ambiguity even would come from; it seemed very blatant to me). Everyone’s trying to use her, refusing to give her her own choices, and refusing to care about how she feels, which brings us back to what Geralt says to Emhyr which I cited earlier: 
If this is what it takes to save the world, if the world is required to be evil and torment a girl and subject her to all kinds of abuses, is the world itself--evil in what it will do to spare itself--worth saving? 
Hence, is the concept of destiny a curse? How can it be, when destiny says Ciri is bound to Geralt and this turns out to be positive? Yet also says Ciri will have a child who will avenge the world against some calamity, but the ramifications of this almost destroy Ciri’s life. 
Destiny seems, therefore, to be what people make of it. It can turn you into a monster or a legend or perhaps both, but your choices are what make destiny, destiny. You hold your own pen. 
Which isn’t to say that the story relies on “good victim, bad victim” in how people who make bad choices suffer, because it does not. The point is that we understand what makes someone make the choices they make, regardless of if they’re feared emperors like Emhyr or murderers like Renfri or lost children like Mistle. Empathy, really. It’s hard to outright condemn any character (less so their actions) for making the choices they make. Empathy is what enables our characters to transcend their broken world, to hope and choose better. Except Bonhart. We can all hate him.
You hold destiny’s pen, but empathy and compassion give you the ink, and when you don’t get it, the pen is good for nothing but use as a weapon. 
Destiny is hope, as Philippa concludes in the end, and empathy is what brings legends about--relating to the struggles of those who came before (yes, The Witcher gets very meta in Lady of the Lake). And hence, while the ending leaves a lot of questions out in the open, I think the open-endedness really affirms the story’s core themes. The point is that Ciri has choices about whether or not she wants to conceive a son and whom with, if anyone. She’s free in a new world, able to return to her old one if she wishes, or not to. She gets to decide what’s on her next page.
To an extent, the reason I felt the more tragic endings kind of worked in The Witcher is because even when the characters’ arcs end in tragedy, they tend to get what they want. Ciri got her parents in each other’s arms, Cahir got to see Ciri again as the adult he dreamed (literally) of, Angoulême got to matter, Regis’s legacy is one of salvation rather than death, Milva found belonging, Yennefer got to become a mother, and Geralt found out how very, very human he was. Hell, Emhyr even made a choice to honor his word. The story doesn’t glorify tragedy or death (the opposite: this attitude is directly called out multiple times in Cahir and Geralt’s arcs), but neither does it imply that death is the loss of hope.
In the end, regardless of how their arcs ended, each of our beloved characters’ hopes were fulfilled.
I have several more metas I want to write, most notably on Ciri and Cahir’s foiling, as well as Ciri’s and Renfri’s, and the Rats vs. Geralt’s company.
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codevassie · 4 years
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Virgil's Book Haul 💜
The Outsiders by S.E. Hinton
I’ll totally call myself out for this one. I gave my favorite side my favorite book. At first, I was sort of surprised I did this and thought about changing my mind, but it actually makes sense. Certain themes appeal to me, so whatever themes I find in my favorite things probably connect. There’s actually a couple that I think Verge would dig. Loyalty and protectiveness are traits Virgil would connect with, from the loyalty found with the Greasers, to the found family dynamics between the characters. Virgil is pretty loyal to his own little family he’s found, and definitely protective over them and Thomas especially. At the same time, however, Virgil knows what it’s like to be the outcast. As is talked about in the episode “Fitting In,” Virgil has had experiences that have labeled him the “outsider” (pun in honor of Patton). Ponyboy, throughout this novel, often feels isolated from society and even the other Greasers and his family. He also has experience with being judged harshly and superficially, since Greasers have a reputation. Virgil, while judged for the actions which have led him to make Thomas fear him, is also judged superficially. He aims to protect Thomas, and, as we know, he does so in a way that’s unhealthy before AA, but this also comes from a cycle of the others assuming the worse of him. Encroaching somewhat into theory-mode, I believe Virgil became victim to a self-fulfilling prophecy of sorts--he was sorted into the villain category and thus a “villain” he became.
Long Way Down by Jason Reynolds
This book is a little intense, a little haunting, and perfect for Virgil in many ways. For one, it’s a ghost story, something I think would appeal to Virgil. For another, it’s completely in free-verse poetry, which sort of reminds me of the angsty teenage vibes Virge has going (which is not a negative thing. Jason Reynolds’ poetry is magnificent and angsty teenage poetry isn’t inherently bad). Will, the main character of this book, faces ghosts of his past, and though Virgil’s own “ghosts” of his past is a bit different than what Will experiences, I think it’s something he can connect with. This book also deals with perspective and fear. Will has to consider what he has always known versus what may be right. He is afraid to kill someone, and he is afraid to lose face for not following the Rules, not killing someone. This speaks to Virgil’s change in perspective over how he handles being Thomas’ Anxiety, and the fear he experiences as Anxiety, but also of not being taken seriously unless he is scary. 
The Nightmare Before Christmas by Tim Burton
This book here is the reason people label The Nightmare Before Christmas as Tim Burton even though he didn’t direct the movie. And, other than Virgil’s obvious love for the movie, there’s a few reasons I think he’d enjoy this read. For one, it’s a scaring twist on a traditionally jolly Christmas story. If you haven’t read the book, it’s structured like The Night Before Christmas, but with some spooky substitutes. For another, the illustrations are gorgeous, while also twisting a traditional sense of beauty. It’s full of long, thin shapes and dark tones, and, no, Santa doesn’t look like a particularly jolly guy. I just think Virgil would find it neat. 
The Complete Tales and Poems of Edgar Allan Poe
Another predictable one, but, hey, predictable doesn’t mean bad. Virgil is totally into the macabre and seeming edgy. Sure, Poe aligns with the outer image he presents of himself, but we’ve seen that Virgil connects to dark things for reasons outside his need to be feared and heard as well (vampire Virgil hallelujah). Predictably, I’m going to point out The Tell-Tale Heart first. It’s a story literally about paranoia, and though that paranoia surrounds the circumstances of a murder, I think it would interest Virgil as a sort of precautionary tale. While there is definitely a lot more going on in the short story, I think it shows the dangers of too much anxiety. And while that is sort of a depressing outlook of something Virgil might enjoy, with a decent helping of angst because I cannot help myself, it’s one we can’t move on without first addressing. On a lighter note, another short story I think he’d enjoy is The Cask of Amontillado. It’s for the meme. Some poems I think he would enjoy are Annabel Lee, The Bells, and A Dream within a Dream. Since this section is getting long, I’ll go into only one of them. The Bells is a journey between emotions and stages of life. The passing of time is something Virgil is quite intuned with, as well as the possibility that things can go wrong at any time. It is beautiful to read, moving from innocence and joy to fearful and haunting. Poe isn’t someone I think Virgil goes to for a lot of hope, but more to dwell in some good ole’ teenage angst. I think Poe is also cathartic for understanding the darker aspects of life, which can be both bad and good for a guy like Virgil. It’s great for him to seek out positives, but as a person inclined to negatives, too much positivity could alienate him, as we’ve seen when he asks Patton not to treat him like an angel or something. 
Solitaire by Alice Oseman
Alright, so to be up front with you all, this book makes me very sad. Not in the way A List of Cages from Patton’s list makes me sad (somewhat similar, but I won’t get too into the distinctions). It’s not heart-wrenching; it’s not altogether beautiful. It’s raw and it’s real and I would highly suggest being careful getting into it. It’s not graphic, but it’s a very accurate representation of mental illness--depression to be exact, though it includes others. And, no, Virgil is not ‘depression’ and that’s not what I’m getting at by including this, though I understand that train of thought. I do believe he would like this novel, however, because it is so true to life and its lows and how complicated it can really be. Virgil would also probably relate to Tori’s dry sense of humor.
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bimboficationblues · 5 years
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Duncan Kennedy, “Legal Education and the Reproduction of Hierarchy,” 1982:
Teachers teach nonsense when they persuade students that legal reasoning is distinct as a method for reaching correct results from ethical and political discourse in general (i.e., from policy analysis). It would be an extraordinary first-year student who could, on his own, develop a theoretically critical attitude toward this system. Entering students just don't know enough to figure out where the teacher is fudging, misrepresenting, or otherwise distorting legal thinking and legal reality. To make matters worse, the two most common kinds of left-wing thinking the student is likely to bring with her are likely to hinder rather than assist in the struggle to maintain some intellectual autonomy from the experience. Most liberal students believe that the left program can be reduced to guaranteeing people their rights, and to bringing about the triumph of human rights over mere property rights. In this picture, the trouble with the legal system is that it fails to put the state behind the rights of the oppressed or that the system foils to enforce the rights formally recognized. If one thinks about law this way, one is inescapably dependent on the very techniques of legal reasoning that are being marshalled in defense of the status quo. 
This wouldn't be so bad if the problem with legal education were that the teachers misused rights reasoning to restrict the range of the rights of the oppressed. But the problem is much deeper than that. Rights discourse is internally inconsistent, vacuous, or circular. Legal thought can generate equally plausible rights justifications for almost any result. Moreover, the discourse of rights imposes constraints on those who use it that make it almost impossible for it to function effectively as a tool of radical transformation. Rights are by their nature "formal," meaning that they secure to individuals legal protection for arbitrariness - to speak of rights is precisely not to speak of justice between social classes, races, or sexes. Rights discourse, moreover, simply presupposes or takes for granted that the world is and should be divided between a state sector that enforces rights and a private world of "civil society" in which atomized individuals pursue their diverse goals. This framework is, in itself, a part of the problem rather than of the solution. It makes it difficult even to conceptualize radical proposals such as, for example, decentralized democratic worker control of factories.
Because it is logically incoherent and manipulable, traditionally individualist, and willfully blind to the realities of substantive inequality, rights discourse is a trap. As long as one stays within it, one can produce good pieces of argument about the occasional case on the periphery where everyone recognizes value judgments have to be made. But one is without guidance in deciding what to do about fundamental questions and fated to the gradual loss of confidence in the persuasiveness of what one has to say in favor of the very results one believes in most passionately.
The other left stance is to undertake the Procrustean task of reinterpreting every judicial action as the expression of class interest. One may adopt a conspiracy theory, in which judges deliberately subordinate "justice" (usually just a left liberal-rights theory) to the short-run financial interests of the ruling class, or a much more subtle thesis about the "logic" or "needs" or "structural prerequisites" of a particular "stage of monopoly capitalism." But however one sets out to do it, there are two difficulties. The first is that there is just too much drek, too much raw matter of the legal system, and too little time to give everything you have to study a sinister significance. It would be a full-time job just to give instrumental Marxist accounts of the cases on consideration doctrine in first-year contracts. Just exactly why is it that late nineteenth-century capitalism needed to render an uncle's promise to pay his nephew a handsome sum, if he didn't smoke 'til age 21, a legal nullity? Or was it the other way around: that capitalism needed such promises to be enforceable? 
The second difficulty is that there is no "logic" to monopoly capitalism, and law cannot be usefully understood, by someone who has to deal with it in all its complexity, as "superstructural." Legal rules the state enforces, and legal concepts that permeate all aspects of social thought, constitute capitalism as well as responding to the interests that operate within it. Law is an aspect of the social totality, not just the tail of the dog. The rules in force are a factor in the power or impotence of all social actors (though they certainly do not determine outcomes in the way liberal legalists sometimes suggest they do). Because it is part of the equation of power rather than simply a function of it, people struggle for power through law, constrained by their limited understanding and limited ability to predict the consequences of their maneuvers. To understand law is to understand this struggle as an aspect of class struggle and as an aspect of the human struggle to grasp the conditions of social justice. The outcomes of struggle are not preordained by any aspact of the social totality, and the outcomes within law have no "inherent logic" that would allow one to predict  outcomes "scientifically" or to reject in advance specific attempts by judges and lawyers to work limited transformations of the system. 
Left liberal-rights analysis submerges the student in legal rhetoric but, because of its inherent vacuousness, can provide no more than an emotional stance against the legal order. The instrumental Marxist approach is highly critical of law but also dismissive. It is no help in coming to grips with the particularity of rules and rhetoric, because it treats them, a priori, as mere window dressing. These theories fail left students because they offer no base for the mastery of ambivalence. What is needed is to think about the law in a way that will allow students to enter into it, to criticize without utterly rejecting it, and to manipulate it without self-abandonment to an alien system of thinking and doing.
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gremmin · 4 years
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The other day I had a dream:
(There was a chameleon changing colors when I seen him he tried to hid from me this was me and my sister in the same place like a Arizona type house but she’s been being very distant to me lately, ✨)
Ooo he chameleon shows us The ability to camouflage is something that is used to defend against unwanted predators in the wild. To see a chameleon in your dream means that you are recognizing your ability to change and adapt to the environment around you. ���� (So it is saying I have to camouflage myself when I’m around Sonya and other people to protect myself and that it is becoming more easily for me to obtain being that way) 🦎 as well as A dream about a chameleon shows that you have the ability to change and adapt to strange and uncertain circumstances in your life, especially if the chameleon in your dream is adapting to a healthy green environment. The dream shows that no matter what is thrown at you, you can handle it.
The chameleon symbolism represents a period of changes. ... The chameleon spirit animal symbolizes sensitivity and clairvoyance. It encourages you to have patience, to gain insight, to always be curious, and to be resourceful. I’ve forgotten what color it changed to but I’m pretty sure it was green turning into a blue.?
The next sign I saw was a mini pig 🐖
To dream of a pig is associated with being rather stubborn in life. It can be associated with gluttony and greed in waking life. Additionally, the pig can also stand for a terrible menace. Perhaps somebody has cost you dearly or treated you badly. 🐖 (since this was a mini pig in the dream this shouldn’t be as big of a problem but a small annoyance, it can mean maybe I’m walking with greed, this could be for certain reason because why would I want to give to my sister who is hating me, maybe I’m being blind in a side, Sonya has been treating me horribly as if I’m not even in the house when she came up stairs, this only adds to how much I won’t want to “forgive” her. Fuck her.
🐖 In dreams, pigs can be a sign of stubbornness, selfishness, filth, gluttony, greed, overindulging and similar things. This dream could represent someone in your life with such traits, or it could reveal some of your characteristics, pointing out that you need to change them ( I’m just going to flat out assume that it’s about Sonya because it only make SO MUCH SENCE) come to a fact that Sonya was actually born under the pig totem in Chinese totem! As well as Kenny! They are about the same people lmfaooooo
The next sign I saw was me riding on a horse I cannot remember the color at this time: 🐎
Riding a Horse – If you dream that you are riding a horse it can indicate a control over your natural instincts and a strong drive towards your goals in life. ... Controlling or Restricting a Horse – If you see a horse that is being constrained and controlled it can indicate a feeling of your true self being repressed. 🐴 ( I’ve learned a lot how to handle myself and respect myself in a lot of ways now, I have strong goals and I could feel tied up because my relationship a bit but maybe I’m overthinking it, but I’ve taken a lot of control myself to be able to drive and feel confident while driving, I’m getting close to some goals.)
Horse. ... The horse is a universal symbol of freedom without restraint, because riding a horse made people feel they could free themselves from their own bindings. Also linked with riding horses, they are symbols of travel, movement, and desire. 🐴 (I’m a half of Sagittarius I have a strong will to travel and a lot of desires, a lot of movement is key to my source of energy)
Other characteristics horses represent are prosperity, forward motion, growth, loyalty, and stamina. Moreover, all horses are associated with the feng shui element of fire, as well as strong yang.
I’m feeling as if the horse was a light brown; Brown is the color of stability, comfort, and the home. Brown horses in dreams can symbolize a time of feeling safe and secure in our relationships at home and even indicate a comfort with ourselves.
Riding a horse in this manner means that we have command over impulses, our instincts, our intuition, and are friends with our unconscious 🐎 (Like Iv said I have taken a lot of time to work on myself along with my impulsiveness and my sexual instincts, my intuition has become quite sharp as well it all makes me super happy and I feel calmer in life now, I now expect for things to happen for a reason. I don’t have a lot of friends but I have quite a few acquaintances, a friend is someone I can be completely open with a someone I can talk to without hesitations and Iv known them for quite some time, you earn your stripes in my eyes lol )
The next sign was walking my dog Harley, 🐕 now Harley has passed for a long time now I’d say about 9 years now wow.. I always need to give him a moment I’m very sad on how I lost him.. rip my babyboy Harley,
To take a dog for a walk in the dream is a positive sign which denotes that, you will have much success and your life is highly productive. So keep working hard to maintain your lifestyle. If you see another person walk a dog in the dream it means that you feel you are in charge of something you are accomplishing. 🐕 (I was actually walking Harley while riding the horse lol it wasn’t hard but Harley was going slow at sometimes and I was nervous about his walking rope/chain. 🐕 ( maybe this was indicating that I will have a big amount of power with a type of business that I have that I will have success but it could be rocky at times,)
To see a dog in your dream symbolizes intuition, loyalty, generosity, protection, and fidelity. The dream may suggest that your values and good intentions will bring you success
The next sign was someone eating a mushroom, that so happened to be Austin my bf eating the mushrooms lmao this wasn’t a very good choice for him in the dream because it was a unknow mushroom and if I remember correctly he didn’t feel good after eating it:
Mushrooms are very symbolic and can mean quite a few different things. If in your dream you are eating mushrooms rather carelessly, this may indicate a sudden abundance of wealth. However, this is a wealth that is dealt with somewhat foolishly. ... Dreaming of a mushrooms that are growing in the ground symbolize fertility. 🍄 (this is probably saying he will get a large amount of money but handle it carelessly, and loose it all this is what I’m always worried with him/: I’m really good at money but he can be very poorly with it)
Eating mushrooms in a dream is a symbol of a happy marriage and a full life, dream books predict. 🍄( it was a dream of Austin and I so we should have a happy marriage one day and a full life together ) 💕
Eating raw mushrooms - unexpectedly interesting relationships. 🍄( Austin was eating the mushrooms raw I’m nervous of him trying to have a affair one day.. even though he’s not like that I still have to suspect it) 💔
if you pick up mushrooms, it means that you will receive unpredictable reward for hard work and diligence, manifested in some deals. After eating mushrooms in a dream, you will have only pleasure and enjoyment in life. 🍄( Austin picked them up lol)
Another sign was a pink prying mantis:
To dream of a praying mantis represents your feelings about a person or situation that has a total disregard for your feelings. Feeling that someone is intentionally unsupportive. ... A praying mantis may also reflect your own attempts to pressure people with fear or unbearableness to get them to go away. ✨( Sonya has disregard for my feelings asf lmao she is a very UNsupporive person in my life) ( I can say that I pressure people a lot into leaving me alone because I know it’s for the best and I guess that’s just how I like to live, easy and simple)
A Spiritual Symbol of Peace and Patience. The Praying Mantis naturally attracts attention. Its beautiful color and graceful form command us to look and ponder. Encountering these remarkable insects may indicate that Spirit is speaking to you in an important way. ✨( that could be saying to have more peace and patience and to watch in silence)
Overwhelmingly in most cultures the mantis is a symbol of stillness. As such, she is an ambassador from the animal kingdom giving testimony to the benefits of meditation, and calming our minds. An appearance from the mantis is a message to be still, go within, meditate, get quite and reach a place of calm. ✨( this week I am home alone Austin goes to work and colter is at my moms for the week I’m going to be cleaning but also working on myself with excersizing and more meditation with my spirit guides) I need to take time to be calm and collected and to understand so much more and love this silence I get to have this week)
The color pink for the pink prying mantis is that Pink, a delicate color that means sweet, nice, playful, cute, romantic, charming, feminine, and tenderness, is associated with flowers, babies, and sweetness. The color pink is the color of universal love of oneself and of others. 💞( this pink is meaning to be sweet and having all that good energy put to use, good things come out of it)
(Before all this a sign I had in a earlier dream before this long dream took place I was with Logan and Crista she was still pregnant and I seen a color black take over, I have a lot of rocky dreams with those two and they seem to always be rough and confusing. ) I’ll look up a lot what it means at some point but here is what the color black indicates:
Color Meaning: Meaning of The Color Black. ... Black is associated with power, fear, mystery, strength, authority, elegance, formality, death, evil, and aggression, authority, rebellion, and sophistication. Black is required for all other colors to have depth and variation of hue. The black color is the absence of color.
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