#but its ok it was so immersive

[figpng]

minecraft screenshot painting :))

[lorebird]

In which Ford struggles so badly to relate to other people that he wonders if he’s really human at all. The more isolated he becomes, the harder it is to reconcile with his own humanity.

[mxnster-soul]

Heya guys/gals/and fellow nonbiney pals!

[sneakydoor]

Ok silly Malevolent thinking time -- something that's been floating around my head as someone who's studied a lot of 20th century music history and theory is that there's nooo way Arthur would have become a professional composer in the 1920s. If Faroe's Song is comparable to the rest of Arthur's compositions, his tonal language was just too darn simple for the trends of music at the time. On one hand, swing bands, ragtime, and blues were all the rage in the 20's/30's (George Gershwin, Duke Ellington, Tommy Dorsey, etc.). That's what sold at the time, and it influenced a lot of classical music at the time too -- you could even hear jazz and ragtime inspiration in European music written at the time (e.g. Debussy's Gollywog's Cakewalk from his Children's Corner Suite!). Arthur's music is definitely Not That, though.

On the other hand, you had the rise of the modernist and expressionist movements post WWI, which brought about some crazy composers who did wacky things with harmony and tonality just because they could (think Charles Ives, Amy Beach, Arnold Schoenberg, Maurice Ravel, etc.) and Arthur's music is also definitely Not That either.

Arthur's style reminds me more of contemporary classical music (think Arvo Part/Hans Zimmer esque) that we saw cropping up in the 1970s and later. It's very reminiscent of late 20th century/early 21st century modern film composition still very much in existence nowadays -- they're meant to be simple as to not take attention away from the main piece of media you're watching. Which, from a production perspective, makes a lot of sense for Malevolent, because the music is often used as scoring for whatever's happening in the show! So maybe this is all intentional and this whole post is for nothing! But I just thought it was something worth sharing because it has been on my MIND anytime Arthur or another character brings up his compositions

[torosdottir]

the idea of having some secret sexuality just waiting to Unlock is so funny really like "what if im attracted to men and i just dont know it?" well um. are you attracted to men? its kind of like this for anything you think might secretly be hidden inside you like what if im secretly a paedophile what if i secretly want to kill people what if i secretly hate everyone i think i love? well idk man i mean. do u wanna abuse kids? do you want to kill people? do you hate everyone you love? "ok but what if SOMEDAY that does happen!" well if you suddenly become any of those things then alright cross that bridge when u come to it but if its objectively not true right now then like. i wouldn't worry abt it really because kind of just sounds like something you made up in your head to get scared

[fraternum-momentum]

I CANT I CANTTTTTTT I WILL LITERALLY EXPLODE RJIKNHGKRSBKFUCKNHJHFBNJEA JFHBAEJHBFJHBHBHBHBHBBAZHJDBAJHDBAJKHBDJKNA????A//////!?!!!!!!!!??!!???!?!?!??!! I CANNOT I LITERALLY NOT THE CAN I CANTTTTTT RAUGHHHHHHHHHHHHHHHHHHHHH

[petras-drizzt-corner]

oops I've been gone a sec

spoilers?? maybe?? idk you'll see

sorry yall, that was an accident. nothing bad is going on, I just got a new game- Bauldur's Gate 3!! I play DND with my family, but we've been so busy and I had some extra cash, so I finally bought it to get my Faerun fix when we can't play and Drizzt's tales aren't fully doing it for me. I just got Karlach, and we're about to travel through the underdark to get to Moonrise towers!! For my first run, I'm playing a drow (who could've EVER guessed) rogue named Petra (who could have also guessed), and I'm romancing Shadowheart! She's just so sweet and I really love her!!

Anyways, that's what I've been up to, but don't worry, I'll try to get back to my regular Drizzt posts. See you guys! -Petra!!

[pikkish]

idk if this is a good prompt but put doomguy in myhouse.wad I think he would find it enriching

Right, so I've been mulling on this one for a little bit now, n I'm not opposed to writing something for you, I'm just not... entirely sure what to write? Because the thing is, myhouse.wad doesn't actually really have anything to do with Doom as a story. Sure, Doom is important in that it's the vessel through which the story is told and one of the connections between the narrator and his dead companion. But as far as Doom itself goes, and the story about a man who was too angry/stupid to die, fighting demons and saving earth, none of that is at all relevant to myhouse.wad and its story. For all intents and purposes, Doomguy isn't actually a character in myhouse.wad. So I'm not really sure how exactly to fit him in there.

[blueskittlesart]

persona 5 is so well written <3 <3 /negative

[waywardsalt]

ok i need to get this off my chest abt totk's dungeon soundtracks this isnt necessarily a criticism but just a... idk man its confusing hang on

ok. totk's dungeon themes. theyre good im not going to lie they arent my favorite of the series but totk did deliver some good dungeon themes. what i'm confused about is the choice to use the champion's and divine beast's leitmotifs in the dungeons, like using daruks theme and bits of rudania's theme for the fire temple. that's the first that comes to mind cuz thats the one i like best but i think it was especially noticeable to me for the wind temple, the water temple's theme has some similar instrumentation and some very similar sounding phrases and when i see comments or people talking abt the dungeon themes it is very common to see people talk about the champion and divine beast leitmotifs being used.

and like. fine it sounds nice there is an emotional connection there if you have played botw but like. why are their fucking leitmotifs in totk's dungeon themes???

if you give a character or something a leitmotif, then that little string of notes represents that character or location or concept. usage of that leitmotif is therefore intrinsically tied to that character or whatever. this worked out with zelda's theme throughout the series, esp in totk when it's given the instrumentation of the dragon's themes, so that musical phrase at that moment basically says 'zelda, but a dragon' and like. yknow. leitmotif that literally represents something.

i believe the wind temple's theme incorporates some of rito villages theme, and in turn rito village having the same melody as dragon roost island makes sense, that's effectively a motif meant to represent the rito, like the reoccurring zora's domain and goron city motifs throughout the series, or hyrule castle. when characters have themes in past zelda games that play at different times, it means something about the character being referenced. midna's lament using midna's theme to show that this scene is about midna, she is in danger. fi's different themes playing when she is the center of attention or her leitmotif referenced in botw/totk when she literally makes subtle cameos. linebeck's theme only every plays in scenes where he has some sort of big moment or in the final boss theme because it's only fair that the final boss theme include the motif that represents him because he is the final boss. groose's theme shows up various times in his little scenes (and i believe there might be hints of it in later imprisoned themes?? i'd have to check but it would make sense since he's helping)

so... if you reuse a leitmotif that is tied to something, then reasonably that means that the context in which it's being reused is somehow related to or concerning what that leitmotif represents.

but... daruk's theme and some bits reminiscent of rudania's theme play in the fire temple's theme. reasonably, i would hear this and be like, ah, so this has something to do with daruk, or the divine beast? the usage of his character leitmotif suggests that he is related to this somehow. thats... usually the point of using a character leitmotif like was done in the fire temple's theme!

and yet the champions and divine beasts are not so much as referenced in totk's stories, and you can't even try to the point of their themes being used due to the new sages being relatives, because tulin is not related to revali- he doesn't even get the great eagle bow until after the dungeon, and still no reference to revali is made when he gets it.

so then... why are we referencing botw's champions if they do not matter? why not use the sage's leitmotifs in the dungeon themes instead? the dungeons are much more related to the new sages, and it would allow players to become more familiar to that leitmotif, and would further tie the experience to that dungeon with its related sage, instead of tying it to dead characters that mean jack shit to the story of totk.

it's just really weird that they use motifs from the champions and divine beasts, since that won't click for people who didn't play botw, and it just calls back to stuff not important to totk anyways. the divine beasts have literally no relation to the dungeons, the champions are barely even relevant to the world in totk. i get that the leitmotifs were used as like... maybe some sort of extra pre-existing racial connection motifs, but... use the sage's themes? don't use leitmotifs that have absolutely nothing to do with this game or it's story? sure it sounds nice but the meaning behind those leitmotifs make no actual sense in this new context, unless you're trying to suggest that they actually have a different meaning than being the motifs of the characters and locations that were originally what they were used for.

[shenyaanigans]

the journey of a writer is you begin writing just for the sake of writing and often hand wave details that aren't that important to you to get to the fun bits. then you decide you want to improve and you go through a rigorous process of thinking about lots of mechanics and abiding by sense and rationality, because the most damning insult to a piece of fiction is testing the reader's suspension of disbelief too much. this level of self criticism then colors the interpretation of other texts as well, where they are held to a particular standard where every detail must be perfectly logical, well researched, and contain no contradictions (cinema sins, if you will). nirvana is when you realize that doesn't matter and you go back to hand waving details that aren't that important to you.

[figofswords]

The Batman fandom has ruined the words replacement, coffee, cereal, green, pit and so many others lol. Every time I hear those words I just have a fight or flight response 😭

DONT even get me started. you should hear the sigh I make every time I see REPLACEMENT. like yes hate how are so many people so wrong

[cloudbends]

I got so absorbed in the game that I forgot to post about it. oops

[syn4k]

IF ANYONE ASKS ABOUT THIS WHEN THE CHAPTER DROPS. THIS WAS PART OF THE PLAN ALL ALONG. THIS WAS INTENTIONAL. THIS WAS ABSOLUTELY MEANT TO HAPPEN FROM DAY ONE. MHM. YEP.

[famousblueraincoatmp3]

fallout 3 is great because if you pass a speech check you can just tell the antagonists to kill themselves and they'll do it without hesitating

[vilsoo]

fnaftok discussing about the fnaf movie and their expectations is making me cringe so bad rn