#but it's still fun and i love the new characters

[starry-bi-sky]

haha tags have a 140 character count and a max 30 tag limit, not that i would know anything about reaching max of that....

whole ass fucking backstory is PHENOMENAL-

TY!!!! If you want I gave that whole backstory its own post which, there's nothing NEW to the post other than I gave the rogue cultivator that adopted Xin Yuan a name -- Lin Kai -- and i gave XY a childhood best friend, Liu Zhihao, who I shamelessly based off Liu Qingge. Are they ancestors?? Perhaps. They certainly share a resemblance, not that SY will know since this world's Liu Qingge has passed already.

Altho it'd be so very fun in the tragic sense if SY saw Liu Mingyan and has to do SUCH a sharp doubletake because regardless of the veil concealing half her face, the half he CAN see reminds him so sharply of his dear Xiao Zhi that its like he was slapped in the face. And yk he's purposely avoided thinking about the family he left behind for the last,,, thousand years or so,,,, so he's very rapidly overwhelmed with a bittersweet sense of grief.

LBH talks to LMY for some reason or another and is so surprised when, for the first time ever, Xin Mo isn't roiling in seething jealousy. He's not sulking, or pouting, or emanating discomfort. He's uncharacteristically calm, and if LBH searches, he can catch passing glimpses of grief?? Xin Mo refuses to comment when LBH asks him about it.

(TL:DR; Xin Yuan and Liu Zhihao promised to ascend together prior to Xin Yuan getting sworded, and traveled together constantly when they were adults. LZH was XY's best friend.)

Anyways-- the Shang Qinghua and Xin Mo friendship is probably one of my favorite ideas for this au specifically because neither of them are willing to provide context?? About why they're all of a sudden friends now?? Whenever LBH is in the northern empire, Xin Mo is either sheathed at his hip, or off bothering SQH for reasons unforetold.

Shen Yuan is sprawled across one of the chairs in SQH's provided Spy Office either bitching about some dumb wifeplot they came across, bothering SQH about what Cang Qiong Mountain sect is like -- bc cmon he's SO curious about it, and he wants to know about the peak lords before they're all slaughtered in binghe's quest for revenge, OR they're complaining about their systems or about missing modern amenities. Albeit Xin Mo's memory is probably much fuzzier than SQH's in that regard since he's centuries old.

"Oh yeah I forgot about that" is a bit of a common phrase. Shang Qinghua is probably the first person -- outside of Binghe, although its up in the air whether or not Xin Mo would be that willingly emotionally honest about his past -- to know that Xin Mo was once Xin Yuan. Of which SQH inelegantly goes "WHAT?!"

Add a new conversation topic: SQH bugging SY about what his world was like a thousand years ago and verifying which epic about Xin Yuan is real and which is blown out of proportion nonsense. It's like pulling teeth though, Xin Mo would like to Ignore His Past ty. He is an epic demonic sword now, epic demonic swords don't have families or friends or lost loved ones.

It's actually not that well known that Xin Mo has cultivated a human form I think. Nothing more than a rumor, actually. Xin Mo doesn't take human form unless he's certain that the area they're in is secure. He knows that Binghe can handle himself very well on his own, but still -- it makes him twitchy.

Binghe has to coax Xin Mo out of the sword at every lord's house they take sanctuary in, and at every camp they set up in. It's a coin toss whether or not he's successful, and depends on a ton of different variables. Wifeplots, Binghe's physical state, the terrain, etc. Once Binghe takes over the underground palace, Xin Mo starts to make more physical appearances.

Once they reach the mortal realm is a new ballpark though. Xin Mo has a huge demonic presence that's easier to suppress as a sword -- but as a human? That's a different story. It's probably where Xin Mo finally reveals that he can take in spiritual qi, he just never mentioned it before because it wasn't relevant. Also, his spiritual meridians were in far worse shape than the demonic ones. The equivalent of atrophied muscles from a thousand years of disuse.

I'll need some time to figure out how that works, but eventually Xin Mo is able to cultivate enough spiritual energy to, for lack of better words, switch forms. He can't go by Xin Mo in either human or sword form since that'll certainly raise a few eyebrows, so he tells Binghe to refer to him as Sha Yuan.

Also, Binghe takes one step into the human realm when Xin Mo quite literally throws himself out of the sword and collapses onto the ground. LBH is alarmed for all of thirty seconds, before Xin Mo says "I haven't seen the sun in a thousand years" in this breathy, astonished voice, like he doesn't mean to say it out loud. His fingers are kneading the grass, and he's pressing back into the ground like he's trying to sink into the dirt.

Luo Binghe lets him stay like that for as long as he'd like.

Svsss au where Shen Yuan transmigrated as Xin Mo. Yes, that Xin Mo. Obviously Shen Yuan is pissed at this development and tried to kick up a storm but can't because sword so he is stuck waiting for Luo Binghe to show up.

After dealing with the occasional demon and mindless boredom of being just a sword, Binghe shows up. Shen Yuan is just ready to throw himself at him so they can finally get out of the abyss and the rest of the plot to happen. Binghe is surprised to learn the super powerful sword that can rip through time and space is a chill dude that wants Shen Qingqiu's castration a little too much.

Eventually through the power of the system, Soul Eater logic, or straight up complaining to God himself (sqh), Shen Yuan gets the ability to transform into a humanoid form and Luo Binghe officially needs him carnally. Shen Yuan is so happy to have hands again that he totally missed how Binghe was looking at him.

Rest the au goes on with Shen Yuan pushing Binghe to get the plot going, trying to get him to get his empire, revenge, and wives as Binghe is trying to figure out swordception.

[rwrbficrecs]

Our September & October recs ❤️

make lemonade by @smc-27 (book-verse)

@dot524: This author consistently posts stellar works but I often finish wanting more of that world. This one is nice and long — yay! I loved this meet-cute where Alex’s daughter Claudia has a lemonade stand and Henry is one of their favorite customers. This was a bit of an exploration of divorced dad (single dad) Alex. His mixed feelings about coparenting and starting a new relationship were nicely developed. Such a great warm fuzzy fic, with a nice bit of angst and character development mixed in to make things interesting. And I loved the kid character, Claudia!

falling in love (in the cruelest way) by @coffeecatsme (book-verse)

@suseagull04: This road trip AU is so fun, partly because of how soft our favorite boys are, but also just because of Alex's bright personality throughout the whole thing, and the faith and hope that's a critical part of the book!

we should get married by @smc-27 (book-verse)

@suseagull04: I had heard people talking about this green card marriage AU for months, and the hype was definitely warranted (as with all of this author's writing)! Little details from the book used in a new way, instant attraction, both of them being exactly what the other needs, exploration of other relationship dynamics within the book... this fic has so much depth in its 4 chapters, and it's fantastic!

Cleansing Downpour by @sprigsofviolets (book-verse)

@na-dineee: It often seems like things between June and Nora were always easy, like they were just meant to be. But what if it wasn't that simple? Feeling stuck in life, June is caught between writing a book she’s starting to hate, and navigating her growing feelings for her best friend. A beautifully written story of change, friendship and love, and figuring out who you really are.

runaway now and forever more by tonystarked (book-verse)

@na-dineee: Aged Alex and Henry, a US Senator and an English Prince, have been pining for each other for what feels like forever. Could tonight, at a glamorous charity event, finally be the night they open up to one another? This beautifully heart-wrenching and incredibly poetic fic has been stuck in my head ever since I read it!

The Candy Tax by @hgejfmw-hgejhsf (book-verse)

@suseagull04: This fic is absolutely adorable! It's the perfect nostalgia trip for anyone who went trick or treating, and it incorporates some of the pop culture references from the book in the best ways that just add to what make this fic so cute!

Heart enough by @hgejfmw-hgejhsf (book-verse)

@suseagull04: What if Henry's the one who has to travel for the apology tour and instead of celebrating New Year's, they have a Halloween party? This fic adds so many layers and soft moments to the original, but still includes the heart and references we all love!

Halloween at Kensington by @hgejfmw-hgejhsf (book-verse)

@suseagull04: This is the Arthur POV of Halloween when his kids are little I didn't know I needed until I read it- this is so adorable, and Henry and Phillip's characterization in it is perfect!

I was cold as a stone (but I found what I'm lookin' for) by @miharaikko (book-verse)

@na-dineee: Author Henry has retreated to a small, secluded cabin in the mountains, hoping it will spark some writing inspiration. That's where he meets Alex, the owner of the cabin... The mountain and campfire vibes are absolutely wonderful. It's such a fluffy and heartfelt one-shot – just as recommendable as the other fics in the Flufftober: A Red Umbrella Collection.

Red, White and Royal Switcheroo by @xthelastknownsurvivorx (book-verse)

@suseagull04: This body swap AU left me wondering how everything would have been different in the rest of the story- it's that good! It has the heart and content of the original, plus moments that are brand new- and watching the boys pretend to be each other is fantastic!

Oblivion by @milowren29 (book-verse)

@dot524: This story has been on my reading list for a while and wow, did it live up to expectations! Alex and Henry are kidnapped during their visit to the hospital, and they trauma-bond during their experience. But what will happen afterward? How will this change things between them? The action, angst, and longing in here is spot-on and the storytelling is so well-done.

Sounds of Someday by dazedandconfused (book/movie-verse)

@na-dineee: USA 1972, three weeks on a road trip on the 'road to nowhere' heading toward Texas: writer Henry and farm boy Alex. This fic is so layered and full of hurt and emotions. The ending completely knocked the wind out of me. An absolute masterpiece, please everyone, read it – it's phenomenally good in terms of language, storytelling, and capturing the spirit of the time !!

blizzards and broken boundaries by @gayhoediaz (book-verse)

@na-dineee: Age gap – I love this trope with Henry and Alex. Here, it’s a 20+ year difference: Alex is a student, Henry his professor. Alex makes the move, Henry is very amenable. The alternating POV is so cleverly done, the tags say PWP, but I definitely felt all the feelings. Absolutely delicious!

These violent delights by @lizzie-bennetdarcy (book-verse)

@suseagull04: Henry as a vampire hunter in this fic is such an intriguing concept and the backstory of it and the fic's conflict is so well done!

With magic soakin' my spine, can you read my mind? by @hgejfmw-hgejhsf (book-verse)

@suseagull04: Pining and magic and revelations abound in this fic that's written so well, it gave me chills. This fic is definitely a must-read if you want a canon divergent fic that has just a hint of magic!

to belong to a family (even beyond this world) by @read-and-write- (book-verse)

@suseagull04: The Mexican part of Alex's heritage absolutely shines through in this- and this is definitely a fic you want to read if you want Día de los Muertos fic and all the Arthur feels! I also love all the neurodiversity in this fic!

A Beautiful Reality by @tinyarmedtrex (book-verse)

@na-dineee: Priest!Henry is back. The second part of The Only Heaven I'll Be Sent To Is When I'm Alone With You is out!! And – surprise: He’s not a priest anymore. But it’s not that easy to shake off those deeply rooted beliefs and Catholic guilt. Luckily, Alex is so patient and totally in love.

The Brightest Star by @aforgottennymph (book-verse)

@dot524: Single dad Alex meets children’s book author Henry, and they connect immediately. The obstacle in this story is Alex’s sense of duty to his daughter, Bia. She’s quick and creative, and she’s brimming with opinions. I’m a bit picky about OC’s and kids in fics, but this one was so well done. It’s full of fun dialogue and well-realized feelings and angst. Definitely check it out!

A Love That Haunts the Land by @14carrotghoul (book-verse)

@suseagull04: Once again, this author has blended Mexican culture and RWRB in a way that's so authentic- plus there's magic! This is one you won't want to miss!

check out our past Monthly Faves here ❤️

[linkspooky]

GOOD SIBLING, BAD SIBLING: THE FIRE SIBLINGS VS. STARFIRE AND BLACKFIRE

What could two siblings born in a royal family where one is scapegoated and the other treated like a golden child possibly have in common? More than you think.

This post is making the rounds again and I thought it would be fun to make a longer post going into depth why I think Starfire and Blackfire avert the common trope of good sibling bad sibling, by comparing it to something that fails to avoid that trope. If you like doomed siblings or bad victims then click the readmore.

Good Sibling, Bad Sibling

To start off with I'm going to explain what I mean when I use the words Good Sibling, Bad Sibling. It's a trope that's an extention of what I call Good Victim, Bad Victim. It's when a story compares two victims of abuse, and one victim is a more acceptable victim while the other is a bad victim because they're not perfect suffering Cinderellas.

Victims of course still have agency in their responses, they're still culpable if their actions go on to hurt someone, they don't have a right to hurt others, but I think it's also true most people are quick to judge victims for not being strong enough to endure abuse when they haven't been in the same situation.

It's easy from an outsider's perspective to be "I wouldn't do that". It comes from a pretty shallow view that villainizes abusers and renders them as inhuman monsters when the truth is all abusers are still humans and anyone can fall into patterns of abuse whether they mean to or not.

One reason I hate this trope besides like, the fact characters that aren't perfect victims are often considered "too far gone" and murdered by the narrative, it's also just really shallow. In the end it usually comes down to the victim getting love and support healing and the victim who didn't have support getting worse. Which is like, a no duh of a situation. A person without friends or a support system or love in their life tends to not get better? Who woulda guessed.

Good Sibling, Bad Sibling shows up when two siblings are raised under the same house, sometimes even in the same abusive circumstances and one is a hero and the other is a villain. Another version of this tropes is the fact that if there are twins one of them is usually going to be a good twin and the other is an evil twin.

I can understand where this trope comes from because like siblings are a naturally close relationship, so it makes it a deeply personal conflict when a character's sibling turns against them. I don't even think it's a necessarily bad trope, if both characters are humanized equally which almost never happens.

Examples of this trope: Gammorra and Nebula, Mai and Maki, Shoto and Toya, Dick Grayson and Jason Todd, Itachi and Sasuke.

And of course, Starfire and Blackfire, and Zuko and Azula.

My goal is to show by breaking the source material, New Teen Titans and the Avatar Cartoon down the former averts the trope and the latter plays it straight.

The Golden Child and the Scapegoat

A common trope used in dysfuctional families is dividing children between a golden child, and a scapegoat. The parent often projects all of their positive qualities on a golden child, along with high expectations. While the Scapegoat has all their negative qualities projected on them, and is often blamed unfairly for the dysfunction in the house. They are scapegoated so to speak, and constantly the victim of things like shifting goalposts.

It's like a more extreme version of playing favorites with an extra dollop of abuse on top. Also to be clear, this is an abusive dynamic where both sides are abused. They're not being seen as parents by their parents, and they are essentially being pitted against each other. There are plenty of parents who will be just as harsh on their perceived favorite. Being the golden child doesn't really safeguard you from abuse, even if it seems to be the more favorable position to be in.

Also in general when discussing abuse, arguing over who has it worse is kind of a pointless argument.

Also sometimes the playing favorites is intentional. By splitting up siblings and putting them against each other, the parent gets more control over each of them like a divide and conquer strategy. After all an abusers primary objective is to maintain control over someone by patterns of abusive behavior meant to wear down their sense of resistance.

With that being established, comparing the two royal families is interesting because the "hero" sibling is the golden child in one version, and the "villain" sibling is the scapegoat in another. If anything this proves that both forms of abuse can be the reason for a villain's tragic backstory.

STARFIRE AND AZULA THE PERFECT PRINCESS

Starfire might appear at first to be the total opposite of Azula. One of them is a hero who's like entire character is built around her overflowing emotions and the love she feels for people. While Azula is cold, calculating, and often treats her own friends like pawns instead of people. Starfire also doesn't repeat the cycle of abuse, while Azula does.

If you look past that there's a lot of comparisons to draw between the two of them. They are both raised in warrior, war-like cultures. The Tamaraneans may be all about that peace and love but like, an early conflict with Starfire's is that because she was raised on a planet as a warrior she doesn't understand why other heroes have a no-kill rule.

Azula is also a product of her culture. To begin with she's raised as a child soldier, of a nationalist and imperialist nation who are actively colonizing half the war. Azula also contributes significantly to the war effort, and never shows any doubt to the values of her culture.

As a brief summary of their early characters, Azula is princess of the fire nation which went to war with the world. She's the daughter of the Fire Nation's absolute ruler. She's however, the second born and not ever expected to inherit the throne. She is introduced in season one when Zuko vents to an unconscious Aang about how everything has always been easy for his sister. In Season two she becomes the main antagonist, first tasked with retrieving her brother, and then decides to try to capture the avatar on her own. I'd also be remiss to mention that Azula is the most personal antagonist the heroes face, because Ozai is more of a final boss. Starfire is an alien that was sold by her sister into slavery essentially (Blackfire is not a good person). She escaped to earth and became a member of the Teen Titans where she found a new family and worked as a hero. She's basically an immigrant to earth and there's a lot of culture shock. Starfire eventually returns home to her planet when it's in danger, and faces her sister as an antagonist.

This is another way in which they differ, Azula is the primary antagonist and negative foil to Zuko, and Blackfire is the primary antagonist and negative foil to Starfire.

While both basically have the tentative position of the favorite, while their sibling is demonized, it's made clear to them that they're not actually "safe" with their parents. Both sets of parents are awful and the origin of all abuse within the household. These characters also receive a slap in the face after being in denial for a long time that these parents will even mistreat their "favorite" child and treat them like an object.

Though, I would argue that Starfire is more in denial about her parent's abuse and will still see them as loving parents, while Azula is aware that her father could turn on her and strives for perfection to keep herself "safe".

Note Starfire is still saying this stuff after her parent's sold her into a political marriage.

Ozai: My decision is final. Azula: You ... you can't treat me like this! You can't treat me like Zuko! Ozai: Azula, silence yourself. Azula: But it was my idea to burn everything to the ground! I deserve to be by your side!

I've seen some people's unsympathetic readings of this line that Azula throws Zuko under the bus, but like... Azula doesn't want to be abused like her brother. What a monster. Let's see how you react when the father you thought was safe turns on you, I think most people would say or do anything not to get hurt.

I don't want to sound too critical of Starfire because she has her reasons (Blackfire abused her severely) but both Starfire and Azula seem to justify their parent's abuse to themselves by saying Blackfire or Zuko did something to cause the abuse. Sliding the blame from the abuser to the abuse victim. They participate in the parent's scapegoating of the the least favorite child.

I'd like to point out though that the ultimate cause of the situation is the parents themselves. The abuse started when they are children, and expecting Starfire and Azula as children to like, go out of their way to protect their abused siblings is expecting a lot out of them.

Like Azula is afraid to lose her position as the favorite because Ozai has demonstrated before that he'll horribly mutilate his children. Who would have guessed. Blackfire severely abused Starfire in their childhood, so she sees Blackfire as her enemy and not her parents who would have guessed.

In general too, expecting Starfire and Azula to be perfect siblings in an abusive household, and always protect their siblings, is once again a lot to expect from literal children who don't have fully developed brains.

However, I would say in both cases, they both try harder to connect with their sibling. This is where I get angry anons in my inbox, yes I'm going to make the argument that Azula was a better sibling than Zuko was to her. No I also don't expect Zuko to be a perfect big brother when actively being abused by Ozai. No I don't think Zuko owes Azula anything because she too prioritized her own well being over him that's what abuse victims do.

I'm just making the argument with in text examples that Azula does more things to help Zuko, and Starfire actively tried to befriend Blackfire before the sibling abuse started. In fact I think that's what makes both relationships incredibly tragic. It's not really two siblings who love each other on opposite sides of a conflict. It's that Blackfire and Zuko can't see past their own abuse, and can't love their siblings.

Once again I'm not blaming Zuko for priotizing himself, but I also think it's unfair to critcize Azula for taking care of herself and not sticking her neck out for Zuko when they were both being abused. Wow why are people extra harsh on Azula and extra forgiving on Zuko. It's almost like women are always expected to be perfect nurturers, and when they're not allowed to be complex human beings with flaws. My old enemy the Madonna Whore complex you strike again!

Anyway onto the examples. The big one is that Azula invited Zuko back after Ba Sing Se, seemed genuine about wanting to help resstore his honor. This is also a sacrifice on her part, because as I said even when he was banished Zuko didn't lose the title of crown prince. His status as the heir was never in question and like, letting Zuko stay a prisoner in Ba Sing Se would have ensured his inheritance would fall to her.

Why don't you let him decide, Uncle? [To Zuko.] I need you, Zuko. I've plotted every move of this day, [Makes a fist.] this glorious day in Fire Nation history, and the only way we win is together. At the end of this day, you will have your honor back. You will have Father's love. You will have everything you want.

Now common criticisms people use to argue that Azula has good intentions.

1) Azula needed Zuko to turn the tides in battle. While Azula was kind of in a corner in the fight where Zuko turned she also had Mai and Ty Lee and the entire Dai Li on her side so I don't think she'd really assume she needed Zuko to defeat the avatar. Also she starts getting backed into a corner long after she made the offer to Zuko so she had no way of knowing that ahead of time. Also, also, she might have just been backed into a corner for the sake of drama, making it more impactful when Zuko shows up and turns the tide.

2) Azula somehow knew she might not kill the avatar and needed Zuko to take the fall. This one doesn't make sense because Azula doesn't have any idea that Aang didn't die, until Zuko hints at it. After that point, Zuko kept it a secret from her and refused to tell her even though the truth being revealed would impact both of them. Like for Azula to know ahead of time she'd fail to kill the avatar when she made her offer to Zuko, and then bring him back to take the fall would require some 4d chess on her end.

Two more examples are Azula goes out of her way to warn Zuko that he might get in trouble for visint Iroh so often. On the Beach she's the one who comforts him and retrieves him from their old vacation house. When they're in front of the fire and Zuko is troubled she asks him what's wrong and even asks if she's the one at fault. Whereas Zuko mocks her for not having problems when Azula confesses her mother thought she was a monster he doesn't say anything in response.

In Tales of the New Teen Titans we get a closer look at Starfire and Blackfire's childhood, and we're shown Starfire tried hard at first to get along with her sister. Starfire also, in spite of being a victim of Blackfire's abuse went out of her way to save her life twice.

Something Blackfire responded with by immediately trying to kill her. Blackfire, you are a piece of work. In both cases, I'd argue Starfire and Azula try at least to have a positive relationship with their siblings. Attempts that are almost completely one-sided. I don't want to demonize Zuko too much though, because as I said when you're actively being abused it's number one easy to see the other sibling as being better off, and only natural you would prioritize yourself.

Also, Blackfire was an adult and continued the abuse later on in life when she had more agency, whereas Zuko for most of the tv show was a minor and you shouldn't hold minors to adult standards. If I judge characters for having an imperfect reaction to abuse, or not being perfect siblings I can no longer call myself a bad victim enjoyer.

Both Starefire and Azula as I said, participate in the scapegoating. In both cases it's out of a desire to maintain their spot as the golden child, because they want to assume they're safe.

Starfire actively defends her aprents all the time, while insisting that Blackfire was evil to begin with. Which is understandable again because Blackfire's abuse is just so much worse than anything Azula does to Zuko. It's expecting a little too much for Starfire to see the humanity in her abuser when she's a lifelong victim.

Like little blackfire things: Killing her sister's pet.

Phsyical abuse, actively trying to kill her even before they were on opposite sides of a war.

Selling her into Slavery (where Starfire was sexually abused).

It's extra tragic because both are essentially blaming the other for their parent's abuse. Blackfire takes out her pain on Starfire as revenge for her parent's favoritism, even though it's not her fault. Starfire demonizes Blackfire because she refuses to confront the fact that her parent's are abusive.

This is behavior Azula engages in as well. If you read into her actions, you can tell she blames Zuko for his abuse, you can't treat me like Zuko, while also believing that if she can just make Zuko act more like a prince he won't provoke his father anymore. Once again, sliding the blame on the abused rather than the abuser makes Azula feel more safe, because she also believes if she's perfect Ozai will leave her alone.

Zuko and Blackfire: The Banished Prince and the DIsowned Princess

This is another pair of seeming opposites. Blackfire is essentially Starfire's most personal arch enemy, occupying the same spot as Azula. Zuko is a villain for awhile, but honestly he's bad at it, and until the end of Season 1 he's so ineffectual he's more comic relief. Blackfire like Azula is insanely competent and causes a lot of genuine harm to the protagonists, and is far far worse than Zuko or even Azula obviously. I mean I've already listed some of the things she did above, but she also let her planet be conquered by aliens, orchestrated not one but two cues, and tried to have her parents blown up on live television.

However, both characters are effectively disowned and banished from their country for their inability to fit in. Both are banished and excessively punished.

Blackfire is the first born princess of Tamaran and she should have been heir to her family, but she was stripped of her inheritance because she was born disabled. Every Tamaranean can fly except her because of a sickness that nearly killed her when she was younger.

That's right everyone, the disabled representation you've been waiting for the sibling abuser and war-mongerer.

I think Blackfire's abuse covers a common way parent's treat their disabled children, where they don't want to make accomodations and make it clear they' don't want to take care of a disabled child and spend all their attention on their abled children instead. This trope is often called "Better dead than disabled."

Also I'd be remiss to point out that Tamaraneas have access to hover technology so Blackfire's disability doesn't inhibit her in any way. Like damn, parents will do anything but try to accomondate their disabled child.

Zuko is punished needlessly for a small offense of speaking out of turn in a meeting for not wanting to sacrifice young soldiers, and then refusing to fight back against his father in an angi kai. At which point he's banished and sent on a fool's errand of hunting the avatar.

Blackfire's reason for being banished is uhhh, because she tried to kill her sister in combat training, but also she was stripped of her inheritance just before being born disabled. She awas punished for things she couldn't control before she did anything wrong.

Both siblings also try to make up for their trauma and perceived deficiencies by constantly projecting violence. Blackfire is like, obsesed with war, Zuko's definition of honor is more focused around glory gained by combat more particularly killing the avatar in the first season. Both of them actively participated in colonization, Blackfire helped colonize her home planet, Zuko burned Kyoshi village and helped Azula with Ba Sing Se. Blackfire brought back an army to colonize her home planet, then attempts a military coup of a rather peaceful reign her parents secured not once but twice.

Both are blamed for their parent's abuse, it's Blackfire's fault because she was a violent and unlikable child she made it impossible to love her. It's Zuko's fault, he just didn't try hard enough to please his father and fit in as a prince.

While I may sound overly critical of Avatar's writing I do like how they gave Zukio a lot of chances to make mistakes and screw up, and instead of condemning him or dismissing him as too far gone they kept reinforcing that he always had a chance to better himself.

Both characters are really jealous and tend to blame the other sibling who's treated as the favorite for their abuse.

Zuko: "You're like my sister. Everything always came easy to her. She is a firebending prodigy and everyone adores her. My father says she was born lucky. He says I was lucky to be born... I don't need luck though - I don't want it. I've always had to struggle and fight and that's made me strong. It's made me who I am".

Though to give credit to Blackfire, while as a child she blamed Starfire for everything and used her as a punching bag, as an adult she seems to understand that the cause of their conflict was their parents and in fact tries to explain this to Starfire multiple times. So she's matured enough to see that Starfire is ultimately a victim too.

As I said too, Zuko is a child, he's also like still actively being victimized by Ozai while at the same time under the notion that if he does the right thing he can earn Ozai's love for 3/4ths of the show it's easy to understand why he'd blame Azula for his position as the scapegoat instead of Ozai.

Zuko never attempts to convince Azula to change sides with him, or considers that an option. When Azula is like, falling through the air about to die he doesn't tell his friends piloting the bison to try to save her. His stated goal when fighting Azula in the fignal agni kai is to put her in her place. That's literally a line he says.

Zuko, the empath when noticing she's having a total mental breakdown says "She's kind of off" and decides to take advantage of that to win the fight. When Azula finally breaks down and is screaming and crying, he just kind of sits there looking bored.

I'm not arguing that Zuko owes her anything that's a personal opinion, just that it's inconsistent with Zuko's writing. Zuko is presented to us as a character revolving around redemption, that learns that love and forgiveness are key to growth and healing and then just... doesn't apply those same lessons he learned to his sister.

That same kind of hypocrisy is present in Starfire, but it's like intentional. Starfire's inability to empathize with her sister, when her entire character revolves around empathy and love shows just how damaged her relationship with her sister is. Even then Starfire like, saves her life twice and was never able to kill her. With far more reason to not empathize with her sister, while blatantly hating her, Starfire still has that tiny bit of empathy for her. It's also like, Tamaraneans are a violent warrior people, and they're also extremely emotional and full of love, Starfire embodies both sides of that.

It's not just Blackfire either, it takes Starfire a long time to learn that she can't just kill criminals (again understandable, a cultural thing, in fact people like Dick are a little bit too harsh on her for this instead of trying to explain and understand where she's coming from). It is consistent with Starfire's writing, she is openly loving, but she's not the team mom that's Donna.

Zuko like, not even trying to redeem Azula or just like, not really caring is inconsistent with the writing that's trying to tell us that deep down Zuko is a caring person that is going to help heal the fire nation by showing them a better path forward. Zuko's double standards towards his sister, and his unfairly blaming her for his father's abuse is not written as a flaw. Blackfire unfairy blaming Starfire for her parent's abuse is a flaw. Blackfire's abuse of Starfire is her own fault, which is something she continues to do well into adulthood.

Which is why it's kind of all the more baffling, that Blackfire is way worse, is humanized a lot more by her narrative than Azula is. Now we reach the final part.

The Final Agni Kai

Now to trash on everyone's favorite scene that I absolutely despise as the end to Zuko and Azula's arc, while praising what is my favorite arc in the whole New Teen Titans manga. In the series finale of Avatar, Zuko after reuniting with Iroh is tasked with challenging Azula for the throne in the Agni Kai. They fight, and Zuko comes out on top.

In what is essentially the final fight between Starfire and Blackfire, Starfire is alerted by her brother that things are going down on her planet. She leaves earth with the Teen Titans and returns to her planet for a second time. Where she learns that she is being sold by her parents into an arranged marriage, as a part of a peace agreement with the invading force of her planet. Something that Starfire does not take well too, because she's currently in love with her longtime boyfriend Dick Grayson.

I'm going to skip over the Soap opera that is Starfire and Dick, because it's soon revealed that Blackfire too has returned in order to orchestrate a coup to overthrow her parents once more.

In the end Blackfire reveals her plan that she's set up an ion bomb to hold the whole planet hostage unless her parents abdicate and declare her ruler. At which point, Blackfire succeeds.

Both plots involve the scapegoat finally reclaiming their heritage and beating their sibling for the first time, one is the hero, the other is the villain... or are they?

There's a reason I love one arc and hate the other. It's that Blackfire is eventually allowed to be her own seperate character from Starfire, whereas Azula is ultimately just a plot object to strengthen Zuko's arc. This is shown in just, the amount of focus Zuko and his inner world are compared to Azula, how he has one of the most lovingly tailored redemption arcs shown throughout the entire show whereas Azula's mental breakdown is rushed through the entire end.

However, to further illustrate this let me show how well the New Teen Titans humanizes Koriand'r. To begin with, we see their childhood from both perspectives, to show both are biased narrators. Starfire represents her sister as being born evil, while Blackfire believes Starfire being the favorite took all her parent's love away from her.

Blackfire also gets, sympathetic motivations that demonstrate she's also capable of love and craves it deep down but suppresses it because she believes she needs to be a weapon of war. Something that is directly stated by the comics and only like implied by offhand by the avatar show.

In fact Blackfire gets to star in her own comic which tells a story where she is temporarily blinded after her first defeat to Starfire. After feeling helpess she feels like she's lost the will to fight, the will to kill, the will to rule which is how she defines herself.

Blackfire survives with one of her soldiers who doesn't abandon her, and helps teach with her rehabilitation teaching her how to fight while blind. Their relationship grows so close that Dorion feels like the first person that ever took care of Blackfire, and she breaks down and admits how much she wants to be loved. She almost seems willing to give up her conquest.

However, Blackfire misses out on the chance to be loved because her fanatically devoted soldier tricks her into killing him in order to show her that she still has the edge to kill.

This also clues us into more complex motivations for Blackfire. She is actively a patriot who believes that her father's rule is weak (she turns out to be right) and believes that conquering her planet is in effect her way of saving it. She has to put on this persona because the cause is more important than anything in her life, even love.

(This also contrasts Starfire who has no interest in being a ruler and runs away to live on earth with her love).

Also I'd be remiss to mention at the end of this particular arc Starfire doesn't forgive her sister or reconcile with her. I've never believed she owed her that. The arc just shows that Blackfire a human being (or a tamaranean I guess) who is capable of both good and evil. That her motivations are more complex than being a power hungry usurper and she actually can have good intentions. She's more of an example of the 'Well-intentioned Extremist" trope.

It's the complete opposite of Azula who's reduced to the mad queen stereotype in the end. Which is another knock against Avatar, Blackfire might not be the best disabled representation in the world but as I said parent's only treating their disabled child as a burden and that disabled child watching their parents take care of and love their abled children is a real thing that happens all the time. The comic also goes to show how competent Blackfire is in sipte of her disability.

Whereas, I can't imagine what it feels like to see yourself in Azula's mental breakdown, only to watch her last moment on the show have her offered no support, and not even a single sign that she might recover one day. Blackfire's motivations are tied to her abuse, but she's not demonized for being disabled in fact she's fantastically competent. Azula's like, readuced to an inhuman, ugly monster, and her mental illness takes all of her agency away and once again we're shown no hope for recovery.

Azula is reduced to a screaming incoherent mess. She has basically no agency in the end. Not only does Blackfire have agency, but like she has acutal points to make? The story values her point of view and gives credence to it? Myand'r is a weak ruler. She's not wrong when she says that their parents are the source of abuse for both of them. In fact, the narrative directly states the ones who started the abuse are their parents while it only implies it again with Azula and Zuko. Maybe the reason so many people deny that Azula is an abuse victim is because we only see the abuse from Zuko's perspective not Azula's. Whereas we get both conflicting accounts of Blackfire and Starfire's childhood and the narrative trusts us to judge things with nuance rather than needing it fed to us.

The planet has been invaded twice now. She's also, like, more popular with her father's weak rule?

Also like the story shows us why Blackfire will make a better ruler than Starfire. The narrative doesn't really illustrate how Zuko will be a better ruler, it just follows the "good king" trope.

I mean it's a fun little parallel that both Zuko and Blackfire are both an exiled prince and princess respectively, who return home to take back their throne. On one hand though, it feels like Zuko does it out of like, wanting to reclaim his birthright, or his feeling that the throne is his destiny. That's part of Blackfire's motivation too, but as I said, Zuko never states onscreen how he plans to improve the fire nation, Blackfire's got like actual policies.

Which is where the difference ultimately lies, Blackfire and Starfire are ultimately characterized as two sides of the same coin who need to come together to save the planet. Killing blackfire or putting her down won't fix shit or end the cycle of abuse on Tamaran. Blackfire and Starfire are much like Tamaran defined by love and war, and there's love and war in Starfire, and love and war in Blackfire and they both need to find a balance between the two.

This is in contrast to Zuko and Azula who's final conflict is just putting Azula down like a mad dog, quite literally. Blackfire is allowed to be human, with good and bad traits, and like actual points to make whereas Zuko's narrative only cares about Zuko's thoughts, and in general instead of coming together the narrative seems to think the only way that Zuko can triumph is if Azula is dragged down into the mud.

Blackfire is a character, and Azula is ultimately just a plot obstacle.

So that's my long ramble on a sibling relationship I absolutely love, and a sibling relationship I can't love no matter how much I like Zuko and Azula individually.

[thosewickedlovelies]

A guide to writing fics set in museums / with a museum worker character

Hey hi hello it’s your local museum worker here, offering you some insight and tips to writing museum-related fics! This is primarily organized as a list of different jobs you could have in a museum and what their duties entail. This post might also be useful to you if you’re considering working in museums and want to know What Goes On In There. Let’s go!

For simplicity/fic-writing purposes, I would divide museums into 2 very rough groups: large national or city museums that Have Money (think the Smithsonian or British Museums, or the Chicago Field Museum or the Royal Armouries Museum in Leeds); and smaller local museums. These could be local industry and culture/history-of-our town museums, historic houses, or  really niche subject museums run by One Person With A Passion.

Big national museums have a fuckton of staff and money (museums can never have enough money. But these places are very well-off compared to somewhere small that might always be hustling and writing grant applications). If you work here you’re likely to have a specific role in a particular department, and you probably won’t do much outside this role (ex., if you work in collections management, you probably won’t also design exhibits)

The smaller the museum, the more varied your workload will be/the more likely you are to be doing a little bit of everything. You’re probably organizing collections storage, manning the front desk, and desperately running fundraising efforts, all at once. 

To this end, smaller museums are more likely to be closed one or two days a week- you’ll be there, probably cleaning displays or managing storage, but visitors won’t be.

A lot of (most?) universities also have museums, so a college town setting is also doable. But the same big vs small museum disparity is still possible! At Penn State University, for example, the Palmer Art Museum is its own (recently redone iirc) building in the center of campus with a lovely plaza out front, while the Matson Museum of Anthropology is uhhhhh a couple classrooms in the Anthropology Department (which they’re currently rebuilding tbf, so we’ll see what they’ve done with it in 2025).

Types of Jobs

Curator

The one museum job that everyone can name. Nominally the person in charge. Probably laments that their job is way more admin than fun hands-on stuff now.

Actually this is the role I have the least knowledge of, but I think that’s partially because this job might vary the most from place to place? Structural organization can vary a lot between institutions, but I think the higher up you get in any field, the more your job tends to consist of meetings/overseeing, designating, and ~liaising~

A list of things a curator might do:

Planning or approving events and fundraisers, schmoozing with donors and members at said events, approving or designing a schedule of exhibits, publish outreach/advertising or research materials, oversee hiring, approve new object acquisitions (or de-acquisitions), generally make sure that the museum is working within the scope of its mission and if necessary, change or refine their mission

The curator might not necessarily control a museum’s funds; in this case they’ll liaise with the people who do, likely a Board of Executives or Board of Trustees. Once they get the money from these people, though, they could potentially redistribute it as they see fit.

 If you work in a fuckoff museum like the BM, you could also be the curator of a specific department, arranged by overarching subject, geographic area, time period, or even object type (eg Curator of Archaeobotany, Curator of Korean Collections, curator of coins from the medieval period). These categories can be more or less specific depending on what kind of holdings your museum has. I think these types of curators would still be able to do interesting things, as they aren’t the ones who Oversee The Whole Place.

You can also be an assistant or associate curator, like being an assistant manager.

Education/Engagement

These are the people who design fun extra activities (esp for kids) in the galleries or relevant events/workshops/lectures the public can attend. They might be called Engagement/Education Officer or Events Manager or anything similar

Again, the bigger the museum you work at, the more specific your role is likely to be. You might focus on web content/outreach and social media, manage the ‘friends/members of the museum’ program, or engage with shareholders, etc

Or you might do things like develop content and events to engage adult audiences. Workshops or lectures connected to new exhibits, after-hours visits. These people are also probably the ones with an eye on accessibility- you’ve probably seen advertisements for museums’ early or late hours for older visitors, or ‘quiet hours’ for people who might be overstimulated by normal museum hubbub, or tactile workshops designed for visually impaired folks.

I think most places would try to have someone specific for kids activities at the very least. They’ll be designing little activities or dress-up stations for the galleries, kiddie mascots or scavenger hunt trail kind of things, as well as, potentially, activities for any digital elements in the museum. They probably also coordinate school visits and act as a tour guide for classes, and will lead the kids in specific workshops or lessons in classrooms attached to the museum.

As a note on technology- some people would probably say that integrating digital elements into exhibits is the ~next big thing~, that museums have to get with the times in this regard, but opinions vary. Big science and technology museums are the most likely to have the most digital and techy elements in their exhibits, so if this is your setting, your character could also be a generic “tech person”. I would go so far as to say the smaller/more local the museum, the less technology you’re likely to have, but smaller museums are able to get grants, some of them potentially for specifically this type of thing, so it’s totally possibly that they have a few tablets with integrated activities, or some other Digital/Screen Thing.

Engagement Officers are probably the most likely people to be drafted for out-of-hours events, so that’s a potentially fun thing for your character to do. Some museums, particularly bigger ones, have event spaces attached that anybody can rent out, for weddings, galas, markets, etc, so they might also take care of these bookings as well.

Exhibit Design

This role has a lot of nebulous terms: exhibit coordinator, design constructor, exhibit programmer- but these are the people who design the exhibits. They’ll come up with a theme or narrative, a design scheme, choose the objects, write the text. They’ll probably come up with some marketing material as well, that matches the design scheme, or they’ll liaise with the marketing people who will.

These people might not be as familiar with the collections as the collections management folk (below), depending on how strictly divided your roles are, so they’ll likely consult with the collections people on choosing objects for a particular exhibit or theme (they say that good exhibit design builds an exhibit from the objects up, but I digress).

These people will also direct and participate in the install and deinstall (the actual terms) of exhibits- putting the objects on the right plinths/stands and arranging everything just so in the cases. Genuinely there’s a lot of psychology behind exhibit design- colors, lighting, the way you might design an exhibit to be navigated vs the path people will actually take through the gallery, people’s sight lines and where their eyes go first, how the display of any given object affects people’s perception of the importance of that object. Fascinating stuff, many books on the subject. 

There are also a lot of accessibility concerns to be considered here- how bright is the gallery, how large is your display text, at what height is the central eyeline of your cases?

Museums often loan objects to and from each other’s collections, so if you’re building an exhibit and you’d really like to include X type of object but your museum doesn’t have any, you can borrow some from another museum (this isn’t necessarily a guarantee- museums are allowed to say no to these requests, but I think manners would dictate that they should have a good reason)

Museums sometimes tour whole exhibitions as well- the objects, the text placards, maybe even the stands for super special or fragile items- and exhibit coordinator people are the ones who would handle those arrangements.

Potentially good opportunities for angst stories here- wow things come to life at your museum, you fall in love with a statue but oh no it’s only at your museum for three months

Collections Care

People who work in Collections Management have the most direct contact with the museum objects themselves. You probably work here if you prefer objects to people. When a museum gets new material, these are the people involved. They might not always initiate acquisitions, and the final approval is probably down to the relevant curator, but 98% of the time they’d be consulted (I hope).

A mind-boggling statistic is that most museums only have like 10% of their collections on display at any given time. Yeah. Forreal lol. But collections folk will know where the other 90% is and what’s in it (particularly the longer they’ve been there). 

There’s usually a head Collections Manager. Other workers might be a Collection Assistant/Associate, Collections Officer (we like calling people Officers for some reason), Registrar, or some variant of these depending on the specific flavor of your duties. 

Main job duties can be divided amongst documentation and database work, organization and storage of objects, and lite conservation. Just how much/how technical the conservation work depends on your own training, but also on the size/funding of your museum. The more money, the more likely your museum is to have its own lab with people specifically trained as conservators. More on them later. 

Here’s what happens when a museum gets new stuff!:

Ideally, it goes to a ‘quarantine zone’ first. This is a separate space or room where the objects can relax for a few weeks to a few months (ultimate best practice is actually a year, but, you know. that’s a long time) to ensure that they’re not harboring anything icky (bugs, mold, etc) that will infect the rest of the collections. It’s ideally super-sealed and climate-controlled, but the primary feature should be that it’s away from the main collections store.

Collections folk do the paperwork. They’ll give each individual object a unique number (following their preexisting system that will allow it to be identified distinct from all the other objects in the collection). They’ll create a ‘collections record’ for the object- documentation containing any and all information about the object. This includes the accession paperwork (everything that says ‘we legally own this now’); provenance info (all previous owners and everywhere else the object has been in its life); measurements and description (in painful detail); and conservation history and concerns (ie ‘there’s a crack in the side so pick up with care’, ‘this was repaired in the 70s so that glue is gonna fall apart any day now’).

(I'll say as a fic writer that this would be an great time to wax poetic over a beautiful statue or painting; you can’t write “This golden crown deserved to be worn by a great king, or maybe by that broody Roman general in the painting in Gallery B” in the collections paperwork, but you can think it.)

For fiction’s sake, your collections records could be either paper or digital, but in an ideal world a museum would have both setups, for security’s sake. So you’d fill out some long forms and/or input all the information to the digital collections management system (‘the CMS’, or referred to by your specific software’s name, as there are many out there). The CMS is not a static archive, but rather a living register that’s updated every time an object is interacted with. The object records also include where an object is at any given time (‘normally in Case E in the Fancypants Gallery, currently in Conservation Lab A for repairs’).

Once the objects are done in quarantine, they’ll go to storage. If they’re being displayed immediately, they’ll probably go to some interim storage space/shelf with other objects for the same exhibit and in that case only get a temporary setting. Every object will get labeled with their object number (directly on them, with a special pen that’s safe for this. Or if it’s really tiny, like a coin or jewelry, then their own tiny box will get the label). Small or fragile items, or items grouped together, will go in their own boxes (made of acid- and lignin-free cardboard or polyethylene plastic, like Rubbermaid totes; lined with polyethylene foam and then acid-free tissue paper). Stable ceramic vessels might sit directly on lined shelving, particularly if they’re very large or heavy, like many stone objects.

Listen, every type of object has a particular way(s) of storing that’s best for them, you’re gonna have to look that up yourself or consult someone if you need that level of detail

Ideally, before being stored away, objects are also photographed. This could be part of the Collection Officer’s duty, and/or your museum could have a photographer on staff. (say it with me:) This is more likely if your museum is really huge and/or has a backlog of unphotographed collections and has hired someone specifically, even if temporarily, to improve its collections documentation.

I would say a collections person, or anyone with a museum studies degree, should have some minimum amount of conservation knowledge that includes basic storage standards for different object materials, how to spot potential preservation problems (like if your bronze axe head is actively oxidizing or if that green spot looks the same as it always has since starting and pausing decaying), and maybe how to give objects a basic clean or deal with certain types of problems. But the nitty-gritty science is more the realm of Conservators, someone with a degree that ends in -Sci or who’s done some other certification course.

The general collections store should always be dark, slightly too cool for prolonged human comfort, and labeled to high heaven. Objects will most likely be grouped by material- ceramics/pottery, metals, precious metals and stones (jewelry or beads), stone, glass, wood, bone/ivory/other organic material like feathers or teeth or anything that can be decorative, textiles, paintings. A museum often has some paper material/documents, usually part of or related to a group of objects they acquired, but generally paper and photographic material is the realm of archives and archivists. Yet again, the bigger/more well-funded the museum, the more likely it to have a separate archive department, so your character could also work as an archivist in a museum.

Another thing the collections care folk probably do is ship objects. Remember how I said that  museums loan objects and exhibitions to each other? The stuff’s gotta travel somehow! If things are being shipped internationally, they’ll go in big wooden crates, with specifically dimensioned partitions inside. Then it will be lined with our favorite foam and tissue paper, cut so the objects sit snugly inside. I haven’t personally worked anywhere with a possibility of local shipments, so I can’t say where the threshold might be as to when a museum would just pay an employee to drive the objects over vs ship them with a shipping company. But the preparations would be similar, minus the big wooden crate but with extra-careful packing (and paperwork and insurance etc)

Conservation

Conservators are the people who work in labs with fancy equipment. Not every museum will have a formal conservator or a lab of any kind; sometimes the collections care person fills this role, or if something urgently needs care beyond the abilities of the museum’s equipment, they might send it away to a lab elsewhere, the same way you can send your old VHS home videos to a professional archive to be digitized.

If an object is actively deteriorating in a way that could harm itself or other objects (as opposed to like, at risk of fading bc the lighting is wrong, which is a straightforward fix related to the environment), that’s when a conservator would intervene.

Some methods/machinery by which you can analyze objects:

Ultraviolet (UV) and infrared (IR) light - Different materials absorb and react to light differently, which you can use to identify them. Useful for seeing things like the different layers of paintings

Stereo-microscopy (microscopes, of varying strengths)

At magnifications of x5-x100 you can see things like tool marks from an object’s manufacture, traces from wear, deposits, and coatings

At x50-x500, with a thin sliver of a sample, you can see (and hopefully identify) fibers, layers, particles, metallographic structures 

You can get information from objects without taking samples, but samples are usually worth the information. 

energy dispersive x-ray fluorescence spectrometry (EDXRF) - EDXRF allows you to identify the elemental composition of the surface layer of an object. So it might tell you what a tool is made of, and also the composition of the objects it was used on, if they left traces

scanning electron microscopy (SEM) - an SEM uses a focused beam of electrons to produce a magnified, high-resolution image of the surface of an object

X-radiography, both film and digital - X-rayy are beneficial for objects that might be covered by dirt or corrosion and can show you details of an object’s construction or hidden structural weaknesses

I’m not a conservator, so if you want more hard science-based info, ask one of them lol

Listen to me. If you take nothing else away from this post, let it be this:

 Once an object is in a museum, it is never seeing natural daylight again. Sunlight is the ultimate enemy of every object’s lifespan. If you need to see an object in the sun or moon light for ~magical spell reasons~, you will straight up be stealing that object to smuggle it outside.

Okay. That being said, you do hear (and could probably google) stories about museum employees stealing things from their museums on purpose to prove a point about security or insurance to their higher-ups, so like. Depending on your type of museum, it might not be impossible to steal from lmao. (Don’t tell anyone I said that.)

Possibly the most useful advice for you to keep in mind when writing your conservator or collections care characters would be that touching objects hurts them. It might not hurt them now, it might not even hurt them in ten years, but every time you handle an object, there’s a risk that you’ll damage it. Not on purpose, obviously, but to err is human. The simplest, most effective advice my conservation professor ever gave us was “don’t handle an object if you don’t have to.” That means don’t move an object without a plan and a place to put it, first examination should always be visual, not tactile, etc. Unfortunately, that means that your character cannot walk around lovingly handling and caressing their favorite objects (unless this is a Night at the Museum situation where the objects are caressing them back, ykwim)

Museum Technician

These people probably have a lot of different names, but basically, technicians are the background muscle of the museum. They do the technical construction of bigger pieces of exhibition material, up to and including the exhibition cases themselves. 

So they wouldn’t deal with the small mount that the object rests on, but they might build the big plinth that the mount sits on. They’ll help move things around the building, particularly big heavy things, hang big framed works, assist with exhibit installs, and generally do most things which might involve power tools/equipment or heavy lifting

I worked in a big museum that hired a third party company to supply their technicians; I interviewed at another place that hired their own. If you’re a small museum, you might just have a freelance person that comes in once or twice a week to help move things.

Other

Other miscellaneous roles one could have in a museum: researcher (for exhibits and/or collections), gift shop or cafe worker, security guard, room attendant, translator, archaeologist, consultant

Honestly, TL;DR? Just have your character be a consultant of some kind. “Oh no, I don’t work here, I’m Y’s friend. They called me in to provide some expertise on X subject that they’re doing an exhibit on.” This could work for literally any subject- history/archaeology/anthropology, art, transportation, science and technology, anything you might find pictures of in an archive, idk. This could get you into an office or meeting room of some kind in the ‘employee only’ space of the museum, or potentially all the way into the collections store if you’re giving them information they were missing about some objects. Otherwise you’d probably (hopefully) need a key or some other kind of security clearance to get into the collections store.

Whew, that was a ride, huh? I hope this guide was useful to someone! I’m always open to answering questions if you think I forgot something or if anyone wants more details <3

[generalluxun]

Reblogging my own post again because I have more fun hooks to add.

So going with this Ballet Chloé actually gives a better way to address classism and privilege than we got, too. It even has the twisty-aha moments the show is fond of. Let me break down the layers, which could be episodes or slot into a b-plot of some episodes.l, in roughly sequential order.

1)André buys/intimidates Chloé's victories in competitions. Chloé actually *doesn't* know this. She's still an arrogant and bullying butt about things though. Marinette&co. Work to expose the cheating! Chloé is humiliated! She is forced to confront the trith

Get your haha moment.

2)Thing is she's *pissed* at her daddy over this. She insists she's good and could win/excell anyway! Of course no one will believe that. Teist- no she is good, and she does win her next competition, no cheating. Marinette is forced to face the fact that this horrible person can still actually be skilled at something. Learning moment!

3)Chloé is being mean to another dancer, grab Aurore for this? It would be a fun reuse for her character to have her come from dance too.(Common track for entertainers) Marinette and Co. come to Aurore's defense. They point out Chloé's demands and expectations are insane! Chloé has so many advantages! Not everyone has the money for the best equipment, private lessons, parents(or servants) who can chauffer them around to lessons, a nutritionist, and more. Sure Chloé works but she has so many advantages from the beginning that shouldn't be ignored. It's not about dragging her down, the good kids point out, it's about recognizing how your privileges have helped you and that others might not have them.

4)Via Audrey's introduction Marinette gets a bit of a glimpse into Chloé's life and- oh- sees how the ridiculous demands and Chloé's over the top behavior are just her *way of life*.

Kids rolled their eyes when Chloé brought out the gram scale to measure her portions. They smirked when she had an absolute meltdown over a new outfit not being ready for an exhibition. Her anger and demands arel legendary. But to her that 's just *life*. One parent who wants a shiny gold trophy daughter to reflect his own prestige as the 'Symbol of Paris' and the other who demands perfection just to get a moment's attention.

Marinette gets to see her nemesis break down over being .1KG overweight because it absolutely means her mother won't even meet with her on this visit. Marinette gets to appreciate her own privilege, parents who support and lover her unconditionally. A loving family environment that allowed her to grow at her own pace and in her own ways. She was watered regularly in fertile ground while Chloé was pruned and cut into a pleasing shape.

We see privilege comes in all forms.

5)???

None of this solves the issues between them. Understanding can help and there's plenty of directions to go with, but it isn't an instant fix. What we have done though is provide our child audience with several progressively more complex situations to teach and expand upon the themes. We've hopefully taught them to look deeper.

Isn't that what kids shows are for?

You know, Chloé honestly shouldn't be the way she is in the show, even with André and Audrey. Why?

Ballet.

Specifically the kind of extremely expensive top tier ballet she would be thrust into. As of Frightingale she had 8yrs of ballet. That's starting at 5-6, latest.

No high class ballet teacher will take anything from a 5-6yr old. No mayor will intimidate them. They will boot anyone they feel is slacking. Making it this long Chloé could be a bully, she could be vicious, she could be mean, but she *should* be driven, and disciplined. She should value physical precision and poise. Picking on Marinette for being clumsy flows perfectly from that, but only if we see her comparing herself favorably.

In the absence of a strong parental figure, that teacher should be an integral part of her life.

We got none of that though, because 'lol spoiled rich girl' and the story writing isn't as deliberate as they claim. The '8yrs of dance' was a throw away line made up for one episode without thought.

Going beyond her character, this helps explain a lot of the other ??? Moments and lose ends too.

[bengiyo]

Ben’s Big BL Blurb 2: Fall is Finally Here

I am simply too busy with worth, family, other hobbies, and life to write about every show in real time anymore. I’m sorry to all the Stray Thoughts readers who’ve reached out about whether I would pick that back up, and I simply just do not have the time to do them anymore. Instead, I’ll try to do one of these as often as I can to catch up on things.

First, let’s go over some shows I finished recently that I don’t think I wrote much about.

First Note of Love

I was so happy to see Michael back on screen, and I was glad to see that he’s still able to get great chemistry with his co-star. Unfortunately, I don’t think this show was very coherent, so I didn’t get a lot out of it emotionally. It was a pretty inoffensive watch overall, and thus an easy show to put on without having to work through too much. I liked the work between everyone, and Mei Lei was such a fun character. Probably won’t return to this one, though. 

Let Free the Curse of Taekwondo

This is probably the show of the year for me. There’s so much I loved about this show. I loved that the characters had sex, but were neither rewarded nor punished for it; their sex didn’t solve any problems. I also really love how this show explored how childhood trauma expresses in two different kinds of boys, and I love that we got to see a bully reckon with his actions and get closure. I love that this show ended with them being kinda poor, but happy together. I love how messed up they both were about everything. I loved that Juyeong wasn’t stupid, and could read what was going on.

I clearly need to write a separate post to unpack everything I felt in this show.

Let’s move on to what I’m watching currently, in no particular order…starting with the lesbians, and then the worst BLs.

Apple My Love

Genuinely having fun with this GL. I like how quickly most of the drama plays out. It’s giving me quite a bit of secondhand embarrassment, but I like the characterizations in this show. This new production house brought us Knock Knock, Boys! and Monster Next Door this year. We need to keep an eyes on them. 

Haunted Hearts

I’m so fascinated by Oxin Films teaming up with Regal Entertainment. The leads are very attractive, but the cinematography is really boring. I’m trying to stay invested, but it’s kind of a sleepy watch. Also amused that they started airing a ghost romance right after Halloween ended. I’ve kind of moved on emotionally from the season.

My Damn Business

This show could be good, but it’s not. I struggled with episode 5 because our lead looked more relaxed and happier with his senior than the guy he’s getting into a romance with. There’s something missing here in this one, but I can’t exactly put my finger on it. I think it’s primarily a side effect of the short run time, but I think the boss’s interest isn’t landing properly for the employee to respond to. 

Eccentric Romance

This show could be good, but it’s not. Still, I am obsessed with a murder mystery being the primary source of confusion between our leads. I was willing to forgive this show a lot of its rough edges, but it failed to handle the turn from friendship to sexual/romance really well. I feel like our guys just started dating and having sex, and I’m a bit frustrated that they didn’t talk about it really at all, particularly since this show features two different languages spoken on screen. Genuinely looking forward to seeing how this one finishes. 

See Your Love

I’m not sure this show is exactly working that well, but everyone is very pretty and I’m having a decent time watching it. I like the way Shao Peng stands up for himself, and I like that nothing that’s happened has been totally unbelievable or unreasonable (at least with the mains). I’ll be curious how the hard of hearing and deaf viewers respond to this one once it’s complete. 

Love is Like a Poison

This show is actually so funny. I love that Shiba is in his own lawyer genre separate from everyone else, and I really like how the two of these guys have become a team. I’m curious how they manage to resolve the scamming next week, but this has been the most unexpected dynamic of the year. 

Love in the Air: Koi no Yukon

MAME won this year, y’all. We all have complicated feelings about her, but she’s secured a loving adaptation from a Japanese team that’s put solid effort into bringing her characters to life. Every character feels correct compared to their Thai counterpart we saw on screen, and that’s a strong sign that the writing behind MAME’s work is strong, even if we all have issues with the way she tackles certain themes. I’m really impressed with this adaptation, and really like this version of Rain.I also feel like this show is doing a better job blending the forthcoming couple focus shift.

Our Youth

We just got this show, but damn does it feel sharp! I’m always going to be a sucker for a cinephile character, and I’m so compelled by the way Minase is drawn to Hirukawa. The scene in episode 2 where Minase has to leave Hirukawa’s house might be one of the most impressive sequences we’ve had in a while, requiring a great deal of choreography and effort from the actors and the camera crew to pull off, and I’m excited to see how these characters split and then come back together. 

Smells Like Green Spirit

Let me just say that I need another Abe Alan appearance when he isn’t playing a character doing horrible things to his students. I’ve enjoyed meditating on the 90s with this show and what that era felt like. I’ve liked how the show has tried to focus on how different parents (especially the moms) have responded to their kids coming to terms with themselves. I’ve also really enjoyed the friendship that’s grown between Mishima and Kirino. I’m struggling with Yumeno a lot, because I’m really not a friend of bully romances. Still, I feel like this is one of those shows I’ll remember for a long time because of its focus on the 90s. 

Blue Canvas of Youthful Days

I think @lurkingshan covered reactions to episode 5 and episode 6 better than I could, and I loved @twig-tea giving context for the film history moment in episode 6. I remember screaming into the chat for friends to show up for this when I got to that moment. This show has two great pairs of dynamics going on that mirror well. It’s got such a strong handle on its characters’ motivations and how they would respond to the actions from each other. It’s probably the tightest thing I’m watching now, backed by extremely dialed-in performances. I will be thinking about Qi Lu organizing his potential first kiss with Qin Xiao, and how unapologetic he’s been about the entire affair. He’s being selfish here, but I kinda like it. I’m so thankful that we are somehow still getting this show, because goddamn do the Chinese actors deliver on chemistry sometimes.

Interview With the Vampire Season 2

I finished this with a friend last week, and holy fuck is this show still so, so good. We watch a lot of gay romance because of BL, and I am having so much fun watching the show about gay divorce. I loved the time we spent in Paris, Daniel’s shifting role in the narrative, and the new insights we got into Lestat this season. I will miss Claudia so much, and I have to give a standing ovation to Delainey Hayles stepping into the role of Claudia and doing the damn thing this season. I just love seeing my little fucked up gay people torment each other on screen.

I'm still thinking about Louis and Lestat reuniting in a hurricane after Claudia derided this as yet another chapter in their stormy romance.

Dropped Shows

Unfortunately, everyone can’t win. Some of these shows are just too long for me to keep up with them, and oftentimes I get bored. I’ve currently dropped:

Lovesick 2024 - I may go back. We’ll see

Jack & Joker - It’s just too long, and they just killed Jennie and a kid. I’m good.

Fourever You - I’m bored with Earth always playing this character type.

Pluto - Namtam and Film are beautiful, but this looks too messy right now.

Every You, Every Me - Wasn’t intrigued after episode 1, but the commentary may draw me back.

Kidnap - Ohm is not enough to keep me invested in this show. 

Uncle Unknown - How did they make a 6 minute show feel slow?

I’m genuinely not trying to be harsh to Thai shows out here, but I just do not have the time to keep up with all of them when they’re this long and dragging.

Thanks for stopping by, and let me know if there’s something I missed that I should check out.

[midnightmah07]

"A celebration? Really? Why, aren't you so kind. Thank you, I'll make sure to enjoy myself today."

Voice lines under the cut! • template (warning: I edited a few parts to make it look like my character's RSA dorm)

📚: well, birthday or not there's still a ton of work to do! ... although I guess it wouldn't hurt to relax a tiny bit. Just for today.

📚: my most prized possession? Well, those'd be my books! See, lately I've been reading this wonderful one about a bean stock and an ogre and— ah! S-sorry, I'm rambling too much...

📚: Leona actually gave me something besides a simple "happy birthday" message this year, can you believe it? It's a crochet book cover, he said he got it online... It is really beautiful.

📚: Did you know? Me and my mom used to share a birthday. She used to say I was her birthday gift haha! Oh, how I miss her.

📚: birthdays back home were a mix of emotions to say the least... My sisters and I were never too close so that was always awkward... But my dad always made everything better.

📚: is that— no way, you got a big pudding instead of a cake? Ahahah, why thank you! That's actually really funny, but very creative!

📚: Adeline gave me a really beautiful bouquet of flowers, I'm sure my room will smell even nicer in no time!

📚: I usually like to keep my hair in a bun when I go to sleep. Once I tried using some curlers but it looked weird... My hair is more wavy than curly so... It looked a tad bit strange.

📚: my nightgown? Ah, do you like it? I love sleeping in it, it's rather comfortable! Most women in my country tend to sleep in similar nightgowns.

📚: *yawn* ...hm? Sorry, what was that? I'm still a bit out of it, I slept too late last night... Ah, i-it totally has nothing to do with the new book I've got!!

📚: skincare? Hm... I would like to try it sometime but for now I just use a moisturizer. I care about my appearance, yes, but I've never really paid much mind to my skin in this way.

📚: Poppy gave me a crochet lion plushie... With a scar on his eye. *Sigh* is this to make fun of me or something?

📚: "If you poke Isabelle's dimples you'll have luck for 10 years...?" What sort of rumour is that? Hahah! Oh, goodness... Well, if you want to try, you're welcome to.

📚: what's this old looking note...? Oh, it's from Malleus! It's a happy birthday wish, how thoughtful. I had no idea he knew my birthday though... Is this Adeline's doing?

📚: what a delightful day this has been, and all thanks to everyone here. Thank you very much.

Duo magic:

Isabelle: Thanks for the party, Adeline.

Adeline: Happy birthday, housewarden!

[worstdisastermaster]

The books and the shows aren't the same thing and?? That's okay?? It doesn't have to be??

Some of the artists haven't even seen the show yet, and maybe won't 🤷‍♀️ I know I've seen like. The 1st episode and that's it lol. And I really enjoyed it and I think it's really fun

But people tend to separate book fandoms from in screen fandoms, to an extent, at least, bc there ARE differences, and THATS OKAY

They are very connected but they are not the same and I don't understand why people find that so hard to accept?? Like. Genuinely I'm so confused lol

Like if someone was being disrespectful, or trying to whitewash Leah or something horrid then like. Defend her!!! (Do try to be polite tho bc people can and often do change, and they know what they have been taught until they learn more- like for example, a few years ago I had no idea ab anything lgtbq and I peob would have gotten myself canceled bc I had. No idea. Ab any of it. And despite having best intentions in heart i totally would have offended someone, and that would have crushed me, because *i didnt know*. I never would have hurt anyone on purpose, i just didnt realize what COULD hurt others on that specific topic, much less why. But now I identify with it and am learning new things ab jt every day and etc. And that's a super touchy topic for a lot of people and for good reason too! Just try to be kind first, then if they are jerks u can be a jerk back lol. Just give peopke a chnace to get better- and then PLEASE dont hold the past against them ubless they very clearly havent changed mk please please please let people grow and change and get better dont crush them before they can) anti Leah trash is. That. Trash

But why would you attack book Annabeth, just for existing? She was my childhood, and I identified a lot with her as I grew up. And guess what! I also identified with Hazel, and I do so even more now! No matter what race she will be casted as, I'm still going to imagine BOOK Hazel the way I always did. Doesn't mean I won't adore her actress, or appreciate art of the girl playing her role! But would you call me racist for drawing her as African American if her actress, was, say, Asian American? Or drawing Leo as Latino instead of Somoan? Because to me, u less I am being a jerk about it, all I'm doing is drawing the book instead of the show. Idk I'm too sleep deprived to put my thoughts into coherent words lol

I love the posts, where it's like, book Annabeth and show Annabeth holding hands. Those posts are my favorite, both because they are freaking adorable, but also. Because it's equal

They are different aspects of the same person

And

Thats

Okay

You know???

I quite literally grew up reading pjo. I read it at least once every year since I learned HOW to read, *partially on pjo*, until late middle school. I was raised on book Annabeth.

Show Annabeth is new and exciting and adorable and I'm so happy for it and I am very excited for all the people being introduced to it!!!!!!!! However, when I'm writing book pjo, I'm not swaping it out for show scenes, bc they are, in fact, different. Which, again, NOT A BAD THING. And you know what? When people from the show fandom write their scenes, they aren't going to be thinking ab the book scenes, and THATS OKAY TOO!!! And I could care less how my readers saw my characters when the read the story. I write them the way I imagine them, but it's their job as the reader to say 'no, actually :P' and swap out the appearance for one they liked better.

I did that plenty often as a kid, and i donf regeret it.

Which, ironically enough, was why my book Percy was blond until ab 6th grads XD I mixed up Luke and Percy's hair description ONCE and just. Never questioned it, though all the rereads, or looking at the covers of the books 💀 you can imagine my shock when I joined the fandom and found out Percy had black hair, instead of sandy hair like, you know, S A N D, like poseidon!!! And now show Percy is blond XD

That just proves people can imagine things how they want and jts okay- especially bc maybe, in an au, they're rifht!!! (Au being show Percy to me)

Anyways I lost my train of thought and it's almost 12 here lolll I hope I didn't say anything ill be embarrassed by come tomorrow~

Good night world :3

Hi guys, wanted to discuss something going on for a while now. What the hell is wrong with pjotwt? Like...whats wrong with this people? Do you see what they say? What they are even trying to do?

First of all, let me start by speaking about the cast. They are all wonderful children, Leah especially! She is doing an amazing job as Annabeth. But book Annabeth still exists yk? She is and she is literally white. It is not racist. But denying about a character being white in the books, even spreading hate like this...is racist. There are people out there related with Annabeth for years. People love her, every version, maybe book more maybe even the movie. How can you disrespect her like this? And most importantly, how can they attack an artist like this, with an art being so beautiful. What they are trying to do is not protecting Leah, it is spreading hate. It is awful. Making this fandom toxic, so so much.

Them trying to erase book Annabeth because she is white, trying to cover her by painting on her, shaming artists, calling people that loves her racist...What do we do about this in pjo fandom? This fandom used to be so beautiful, but now. This people are not part of the fandom in my eyes, because real fans, would respect every version of the characters, love them with their anything, even flaws. They would protect this characters because they love them, so much. And not to mention this characters are the ones Rick wrote 20 years ago, they were with us for so long.

What do tumblr think about this I wonder? Since pjo fandom is pretty active here :3

[twig-tea]

GL odds and ends 10 November 2024

Still feeling out how regularly it makes sense to do this; first one was 2 weeks ago on 6 October, second was--oops--3 weeks ago on 20 October. If you're interested in GL older than that, check out my GL rec list through Feb 2024 and my update in July 2024. New series marked with an asterisk*.

Currently airing (with thoughts up to 10 Nov):

*The Fragrance You inherit 1/8 (Japanese, Friday/Saturday-ish, no official distribution but fansub on @isaksbestpillow's blog [thank you Siiri!] I wrote about episode 1 already, but just to keep it all in one place: this one looks great. Not really a GL, more a family drama with a lesbian at the center of the story. I'm doubtful we're going to actually get anything other than closure for the romance in this one.

Pluto ep 4/12 (Thai, Saturdays 9:30 AM EDT, YouTube) This plot continues to be absolutely wild (at this point both of them have suspected the other of being involved in attempted murder?!) but Namtan and Film stay gorgeous and serving so I am still tuned in.

Apple My Love ep 5/7 (Thai, Saturdays 11:45 AM EDT, GagaOOLala and YouTube) This show is very sweet and continues to hold up the recent Kongthup pattern of being great about things like sidestepping the most annoying drama tropes, showing great friendship dynamics including asking your friends about sex, and in this one, excellent sibling dynamics too.

The Loyal Pin ep 15/16 (Thai, Sundays 12:15 PM EDT, YouTube) Anin remains so brave. This latest episode felt a little like we rushed to the finish line, but I've really enjoyed the way this show has handled things overall to date. The show continues to enjoy faking us out in previews so I'm not going to speculate on the ending until we get it.

Red Whisper ep 7/8 (Korea, [schedule is kinda unpredictable; vaguely every 5 days??], YouTube) Oof we've graduated to actively upsetting me with the way this show has depicted nonmonogamy and bisexuality. For the record: Not all bisexuals are nonmonogamous, and entering a monogamous relationship under false pretenses and then acting like your partner is being unreasonable by not wanting an open relationship is shitty behaviour.

*The Nipple Talk 5/10 (Taiwanese, weird schedule: the first 5 dropped on Nov 8 and the last 5 will air Nov 22, GagaOOLala) I honestly owe this show a separate post, it is great! This is an ensemble show with the main character being a heterosexual woman but her two besties are a gay man and a lesbian woman, and the show follows all of them through relationship issues. There is a lot of sex, great conversations about sex, and different relationship styles from one night stand casual flings, to nonmonogamous casual regular sex partners, to long term monogamous relationships. It is very funny, fun, and charming as all hell. It's made a couple small stumbles in the first 5 episodes but I'm still enjoying it a lot. If you liked Diary of Tootsies, this is highly recommended!

Recently Completed:

Reverse 4 U 8eps (Thai, 3 Sept-22 Oct 2024, Netflix / YouTube) I did not like this finale--in the end I was sad where we ended up with this show and I hope we get to see these actors in something else. Also looking forward to more genre GL, which is in the works!

Unlock Your Love 8eps (Thai, 11 Sept-30 Oct 2024, GagaOOLala / YouTube) This show was a little slow, but it stayed cute and relatively low stakes, and the actors had excellent chemistry when they were allowed to do their thing, which was relatively often--I appreciated the amount of good kissing in this show lol. The plot meandered, and we forgot we were in a worklpace GL by the end, but I enjoyed this in spite of that.

Chaser Game W s2 8eps (Japanese, 19 Sept-7 Nov 2024, GagaOOLala) @lurkingshan is already doing a great summary of this week to week in her JQL weekly round-up, but I'll add my thoughts to the finale here. Honestly this show did not do it for me for several reasons, but the main thing this final arc did that bothered me was introduce lesbian motherhood as a serious conflict, and then seemed to suggest that homophobia only exists because queer people are not brave enough. It rubbed me the wrong way. Plus the boss who sexually harassed characters in the first season was back to sexually harass characters in the second season with no consequence. I think this show was trying to do to much and as a result it didn't feel coherent.

Recent One-offs, Side Couples, etc.:

A very short and cute Chinese GL Oh General! My General! aired on bilibili and was subtitled by @douqi7s on YouTube This short manages to speedrun training, shared bath, cheek kiss, forced separation, timeskip, and happy ending in 2 minutes

The sapphic backstory in The Hidden Moon concluded with a happy-in-the-afterlife ending

We also got more of the Aim as a Lesbian plotline in the new Love Sick 2024 remake again (this was not a plotline in the 2014 version and it's one of the changes I really like and that I think works really well; her conversation with her mother was a good scene)

The Thai lakorn The Empress of Ayodhaya had a kiss that earned very high ratings on Thai television (This show does not have international distribution so I can't cover it in any detail unfortunately)

Sastra film app YouTube channel has several short Cambodian GL series that come out weekly Honestly they are not to my taste but I don't like gatekeeping GL especially from smaller markets. I check in on these time to time and if there are any that I think are great I'll give them a shout-out

Ditto above with JPC media YouTube channel for Thai GL shorts if there are any that stand out to me I'll say so; that being said I haven't had time recently so if I've missed anything good let me know!

Starting soon:

My Ex's Wedding [in theatres in Thailand 14 November]

Mom Ped Sawan, Thai, 17 November [international distribution uncertain; it should be on VIPA app with subs, but that is region-locked]

Petrichor, Thai, 23 November, iQIYI

Mate, Thai, 26 November, WeTV

[syndrossi]

Wanted to say, Reverberate is my favorite AU! It's got the fun set up for Resonant but with happy Daemon plus happy childhood (specially for Rhaegar)! What's not to love? I like the others too, but Reversal is the one I'm least excited about (I still think it's cool!). It just feels less novel than the others you know? It feels like we already did daemon with twin daughters (B &R) in cannon so the premise seems covered.

But I love reading about all of them! All your stories have an undercurrent of niceness to them that make them wonderful reads!

*hi-fives you in solidarity* Reverberate and Regnal are probably my favorites, since I enjoy the very open playground of pre-Dance years. Restoration AU is close behind them, since it's a fun concept, but it's also an incredibly dense/established canon and timeline with well-loved characters, so there's a lot more work to do as far as making sure things feel in character and take into account all the moving pieces/schemes.

I'm with you where Reversal is the least interesting to me, which is funny, because suuuuper early on in Resonant's conception, I toyed with the idea of an actual candle/warlock-induced gender swap. So in some ways, it was the very first "AU" concept I came up with! I feel similarly about the twins vs Baela and Rhaena. It's an actual canon dynamic, and though there's plenty to spice it up (they are prophecy children! they were stolen from Daemon! they are grappling with being thrust into very different roles/expectations for their new gender! they're the right age for entertaining romantic crushes!), it's never the one I turn to when I'm in the mood to write one of the AUs.

[cherlockgomes]

Uncle Rick: Beloved Children's Author Turned Capitalist Sellout

TW: Controversial opinion.

Discussing the show and the new Percy Jackson novel.

Welcome to my rant about the way the PJO universe is going. First of all- the show. Yes, a lot of people (not excluding me) were upset about the casting. I loved the picture I had in my head of Annabeth and Percy, Luke and Grover, etc. However, the arguments made on behalf of the casting- how they look isn't crucial to their story like how Hazel's might be, and how Rick Riordan assured us they were perfect for their roles because they fully embody them, made sense. I realized I was still wrapped up in the 5th-grade mindset that was clinging to the concept of a character that had nothing to do with their essence. Thus, I was convinced to approach the show with an open mind.

After watching all the interviews leading up to the show, I was convinced. These three fully embodied their characters. I could see Percy in Walker's sarcastic wit, Annabeth in Leah's demeanour, and Grover in Aryan's chemistry. My inner child was excited for a book to screen redemption of one of my favourite series.

It had the premise for a great show—a good cast, the author working closely, and what seemed to be a good set design. How miserably it failed. It was so...soulless. There's no other way to put it. It lacked depth and the magic that made the books so special. They rushed through the scenes, not giving the actors enough time to shine. I'd describe it as spreading their light too thin, making everything flat and one-dimensional.

Take the scene where Percy gets claimed, for example. In the books, it was this paramount moment where the entire camp, including people like Clarrise, were forced to bow down to him- showcasing how powerful he was. Even a person like Annabeth, who was supposed to hate any of Poseidon's descendants because of their parental fued had to bow, showing how the Olympian hierarchy forced you to show your respect. It was the moment Luke saw Percy's potential.

Now, in the show, this moment seemed to be brushed past. Yes, it was there, but as I mentioned, it lacked depth. Walker looked tiny when he was meant to tower over them.

This brings me to my other point. Recently, Riordan released a book called Percy Jackson and The Chalice of Gods. It was meant to show Percy, Annabeth and Grover as college students and their lives after the battle. But, like the show, it lacked that magic. Moreover, it felt like the characters were merely half-baked. Yes, their original characteristics were there, but it felt like they hadn't grown. They were meant to be in college, but it felt like they were just entering high school. Certain places felt redundant and average.

I couldn't help but feel disappointed by the show. What was meant to be a redemption felt like a broken promise. Conversely, the book felt like a cash grab playing on our nostalgia, disguised by a fun quest with the original three. It's only a step up from what Disney accomplishes with their live-action remakes. Not to mention, it feels very JK Rowling-coded.

Not cool.

[austenpoppy]

Guys, I love both Dickory and Dickbabs. Everybody hates Annual 2 because, 1) it spits on Dick's character, 2) it spits at us in the face, 3) it makes a mockery of all ships, 4) the timing doesn't make any freaking sense. If you read New Titans, there is just no way Dick would or could have cheated in that moment in time, not after what happened with Mirage, when he was blaming himself for being raped and not recognizing Mirage was posing as Kory, when he was holding on to his relationship with Kory so tightly as his last source of happiness after losing Joey, Raven, Danny, Arabella, Vic in many ways, and there was also something going on with Clark (was he believed dead ?).

But let's not stump on poor Dick during that time in New Titans. Please. Let's not make up things that weren't there. And let me convince you there was no domestic abuse involved.

The images I put below are, at least the way I interpreted them, a dream sequence imagined by Kory in her sleep, which we know because right after, before the scene itself ends, there's an image of Kory waking up in her bed in the middle of the night due to Dick's incessant ringing. Plus, the very tone of that sequence seems off, exaggerated - like a dream would be.

New Titans #99

And if you're wondering about Dick's tattered costume when he comes in Kory's flat, let's just say the art is inconsistent - Dick had, as you can see, no visible hole in his costume after Kory blasted him if that sequence were real, so I don't see why we should consider this a real scene on that basis alone.

As for the random strangers, they're...not random strangers ? The guy Dick punches in the face is a paparazzi who was photographing him along with other paparazzi right after Kory broke up with him, and were harassing him and taunting him/making fun of him - they heard Dick shouting after Kory.

New Titans #97

Yeah, if you look at it I guess it's still assault under US law, but frankly you'd have to be a saint not to punch one of those slimy buggers in the face after everything that went down. Also, Dick doesn't seem to like paparazzi much - years later, he was less than pleasant to the people harassing Alfred in the Vesper Fairchild murder.

Part of the Bruce Wayne: murderer ? story arc

Do I hate that Kory broke up with Dick that way and blamed him for what went on with Mirage ? Heck yeah. Do I hate that Dick proposed to Kory as a last resort not to lose her ? Also yes. But I wouldn't say those issues were worse than Annual 2. It goes downhill after (you can guess I'm still fuming about many things that went on after that wedding, including but not limited to Kory's character progression being erased, and Dick shouldering the entire blame of their relationship's end and thinking he was too "self-absorbed" in the whole Mirage episode).

Thinking about shipping problematic pairs from last night…

Something that really annoys me is how everyone goes off on Nightwing Annual 2, but mention Dick and Kory’s wedding as a shitstorm of epic proportions, and you get crickets.

I own Nightwing Annual 2. In print. I paid above the cover price for it. (And I read comics digitally. I don’t own single issues in print much at all - couldn’t even fill a short box with my collection. Trades, yes, issues no.) Yes, it is heinously out of character for Dick to have cheated on Kory with Babs, no question. And the scene when Babs comes to the door to see Dick and is lied to by Kory, and leaves in tears and then Kory lies to Dick about it? Also very out of character for both of those women. Both of those moments are really serious missteps of writing, that is for sure.

Aside from those two parts, which I pretty much skip over when I read it anyway, I really like the book. Joe Bennett and Jack Jadson’s art is beautiful. It always is, but Bennett’s Babs is extra stunning and an A+ to them for remembering how tall Kory is. (Their run on Birds of Prey is also my favorite art on that book.) In terms of story, I love the rest of the memories Dick and Babs recount - getting locked in the safe together, Babs POV of when Dick tried to tell her how he felt about her, and the ending is heartbreaking and beautiful.

But, I mean, really. To like this book publicly is to rain down a storm of fandom haterade on yourself. Which, to be honest, fine. That kind of thing doesn’t really bother me in and of itself. It’s just the hypocrisy of it all. New Teen Titans 97-101 is at least as bad - worse, IMO - in terms of characterization for Dick and Kory and no one ever says boo about it. Dick hits total random strangers because fighting with Kory makes him angry. He gets physical with her, and she blasts him with starbolts. Straight up domestic violence. And still, crickets! I have a 13-page NOVEL about how many problems I have with the way DickKory has been written, at least half of which revolves around that engagement/wedding… (a lot of which is really angry and I hesitate to publish but had to write out for myself.)

But why? Is it because - other than TT!RobStar - there aren’t many real DickKory shippers left to either excuse or renounce it? Is it that DickBabs is an “actively sailing ship” and all of us shippers feel like we have to trip all over ourselves to make an exception of Nightwing Annual 2 so that people won’t hate our ship?

Like, what’s the deal here?

[maxwell-grant]

I'm seeing several popular react to the Penguin show with "God I wanna see Batman kick his ass in the next movie". Which, for a show about a Batman villain, is probably an indication of succeess

Are you kidding me it fucking rules, there's no "probably" here, the show couldn't possibly have achieved what it set out to do harder.

I've talked with people, as Episode 7 was coming out, that they've managed to strike this perfect balance between making Oz the fun engaging protagonist to watch, and making him a villain that we'll want to face justice, opposite Sofia who tread the line between his Batman Villain arch-nemesis as well as the closest the show has to a hero. The camera loves her, the costume designers and hair stylists love her, the showrunner calls her the hero of the show, production folks who go on the podcast talk about how she was their favorite character to work on, while Oz, the protagonist, only grew darker and more despised and more fucked-up as the weeks passed, as we sit through 8 hours chipping away at all of his fun and charm and wacko comedy antics and motivations and all the scruples and principles that he turns out to have less and less of, that become less and less useful to him, until he butchers them all in the very end along with the heart of the show.

As I saw it around week 6, by the time this thing was over, Sofia would demand to be received with tragic applause and heartbreak and whooping cheers and love, but Oswald would have the children of the world booing and hissing and throwing eggs and tomatoes at him, and then asking him to come back so they can do it again. AND I WAS RIGHT, and also I WILDLY underestimated the degree to which that would be warranted, and I certainly didn't expect that, for the first time in my life, I would be unconditionally and enthusiastically on the same side as everyone who posted that Arkham scene, where Batman picks up Penguin and smashes him against a mirror, as something Battison has to do in the next movie. I couldn't believe what a stab to the heart that last episode was.

I'l get into the specifics of why this worked more on the Episode 8 breakdown and, granted, it's a lot to conciliate still, it's genuinely a strange feeling to be onboard with everyone else who wants Penguin to be flattened and crushed and humiliated, to truly hate him as a loathsome monster for the first time ever even as I love him in so many new fucked-up ways. This is, make no mistake, the good version of the Joker's Asylum one-off, Pain and Prejudice, Bullies, all those modern stories that are ultimately about nothing more than reminding you of a super-duper serious evil bastard this funny little man is, stories I generally just find too dumb and reductive and ugly and tasteless and trying so very damn hard to be scary without working for it. This was Lauren LeFranc slam dunking everyone who's picked up this character since Jason Aaron in 2007, including Jason Aaron himself, and wherever they take him in the next movie, or if they can justify another season of this, they've fully set him up more than ever as a guy we will want to be exploded by the Batmobile, that he not only fully deserves it, but must, be defeated for good.

Beyond impressed, don't think I could have ever anticipated how much I wanted this.

[adonneniel]

Ok, after finishing Veilguard and sleeping on it, my final impression remains disappointment and frustration. Spoilerific thoughts beneath the cut. Long post. Maybe a bit ranty/incoherent in parts, but I don't feel like going back to edit.

Positives, in no particular order:

The game is beautiful, even on (mostly) medium settings. Despite wishing for a few more wavy options, the hair is perfection and I honestly can't complain.

On a related note, the character creator is amazing. Customizing body & face tattoos! Height and weight sliders!!! I wish the bust and glute sliders went a further, but whatever. I can live. I like that we can import our characters on a new save, and I hope they patch in an option to do that with the Inquisitor as well.

Mechanically it was fun to play

THE BLOOD OF ARLATHAN QUEST. Absolute perfection. Everything I wanted out of this game. I felt hopeless and overwhelmed. My skin crawled. My gut clenched. The horrors of the Venatori were on full display & served as an excellent parallel to the rise of irl facism. And Solas an Elgar'nan exchanging insults inside my head?? I was giddy. I felt the centuries of compounding animosity mixed with grudging respect. I felt utterly out of my depths and it was wonderful. (And LMAO at the one dude fangirling over Rook)

The siege at Weisshaupt was pretty good too. I like failing. It makes the stakes feel real.

I loved the fresh take on Necromancy. Like, yessssss, make it beautiful and romantic and haunting! It's such a interesting departure from necromancy = gross & evil. They even made it mesh with spirit lore and kept the question of an afterlife alive.

Elgar'nan and Ghilan'nain's relationship. I was not expecting them to genuinely care for one another. It did a good job humanizing them & helped balance out the "muahahaha evil" vibe.

I actually didn't mind the magitech-ness. It makes sense that the ancient elves perfected magic to that point, and Tevinter really felt like a knock off version built on the elven empire's bones. It still looked fantasy overall.

I like most of the lore reveals. They were well foreshadowed and, no, I don't get the impression that they just decided to randomly make all the popular theories true. Even if that's the case for a few, they still make sense. (Though I can understand why people might be let down by all "the elves did it!!")

Fighting alongside Solas at the end was fun. Directing my companions during the final fight was fun. I liked that some of them could die (and did--poor Harding)

Solas in general honestly. I didn't find him out of character, just more openly desperate than he was in Inquisition. I also don't hate his dynamic with Mythal like some people, though I understand why it's divisive.

All that said, the negatives still outweigh the positives.

The writing felt timid. Like they were scared to offend anyone so they just decided to ignore the messy parts of their lore and/or hide it behind codex entries that most players probably don't even read.

All those lore drops and we barely had time to sit with them or deal with cultural consequences. Especially when religion is such a huge part of culture? You can't just disprove it and expect people to move on in a few conversations. The Dalish especially should be a wreck.

Tevinter was a disappointment after all the build up we've gotten over last three games. And no, I don't accept southern propaganda and events happening off screen as an excuse. It just reeks of lazy writing. Dorian and Mae's political party failed. Fenris and Dorian are primary sources. Tevinter is fucked up and we should've seen it explicitly on screen, not just limited to a few nasty individuals and codex entries. Instead of a racist, mage run slave state, we got a generic corrupt city with the unique bits alluded to. If you want to argue that it's just because we were in dock town, so obviously we wouldn't be seeing the decadent mage aristocracy...that's just an excuse. The writers didn't have to make that choice.

Wtf did they do to the Crows??? The assassins built on brutality and child slavery are now just being presented as freedom fighters??? Don't try to tell me Zevran reformed things behind the scenes. That's just another excuse for lazy writing (not to mention that he's dead in some player's worldstates). They didn't even deal with Lucanis' abusive upbringing! And it was right there!

The Lords of Fortune are a joke. Pirates Against Cultural Appropriation. Seriously? Combined with that codex entry trying to convince us that their fighting pit is purely volunteer based and death free?? Nah. I don't buy it. They were ultimately useless to the plot and even to the worldbuilding. I learned absolutely nothing about Rivain that hasn't already been told to us in past games (and they didn't even take the chance to show us those things! We just got an empty beach and a few background npcs.)

Tbh this all just feels like another symptom of the game's timid writing. We're good people who only ally with other good people. There's no "enemy of my enemy is my friend". There's no faction with ulterior motives. There's not even a political quagmire we have to navigate to get the Good Ones on our side. The closest we get is the First Warden. And tbh the Wardens are the only faction I felt was truly well written and well integrated into the overall plot. The Mourn Watch was interesting, but they mostly did their own thing over in the corner.

God, don't even get me started on the elves. No existential dilemmas when their gods are running rampant. Even the major god revelations happened off screen! The Veil Jumpers already knew! Lazy lazy lazy.

AND. AND they somehow projected their white guilt onto the most persecuted minority in Thedas! I wanted to crawl out of my skin every time someone apologized for what their people (the gods) did to the world. And to make it worse, they barely, barely, showed anti-elf racism on screen. A few throwaway lines are laughable in the face of that. As a jew--one of the groups DA elves are inspired by--I'm insulted and disgusted.

And someone pointed out that a Crow codex used the phrase "Never Again" in relation to the Dales? Get that phrase out of your mouth, Bioware.

In a similar vein, their treatment of the Antaam reeked of racism and orientalism, even moreso than usual. Big brutes yelling in a scary language with artificially low voices?? Barely dressed? We don't even get to talk with one until the end of the game? Other people have explained it better than me, so I'll leave it at this.

"Why do you want racism in your game? Are you secretly a racist edgelord in real life? Do you get off on people calling you a knife-ear? Do you just want an excuse to be a piece of shit?"

NO. I want good writing. I want realism. If you're going to include racism in your worldbuilding (which Dragon Age does), you have to own it. You have to deal with it. You can't just sweep it under the carpet because you want to avoid more controversy. The absence in Veilguard makes it look worse. You can't pat yourself on the back for angering the anti-woke brigade while perpetuating your own racist tropes. Do the writers even know they're being racist, or do they think it's all ok because the player isn't allowed to be fantasy racist?

Taash's story is a good example. Why the fuck are we put in charge of deciding their culture for them? Why is it tied to their gender? As a cis person I won't comment on the gender bits (I've heard conflicting opinions), but the culture aspect is handled terribly. Seriously. What the actual fuck, Bioware?

The companion situation has been beat to death, but I mostly agree with the criticism that everything is too HR-friendly. And I honestly can't believe those Taash/Emmrich and Harding/Emmerich intervention scenes actually made it through editing. I felt like a fucking preschool teacher lecturing children on how to play nicely. bad bad bad

I don't, however, think the companions are awful. They just kinda bored me. Or maybe not bored, but...didn't grab me? I like some of them, but I don't love them. There's no one I latched onto that makes me go feral. But I can accept that it's a matter of preference. I'm glad some people are happy, and I don't mean that sarcastically.

Maybe I'd feel differently if the game wasn't marketed as "found family"?

More personal preference: I don't like Rook, and I don't like their relationship with the companions. It feels too sterile & corporate, and Rook feels simultaneously too blank and too defined. And the defined bits of their personality are not for me. Dialogue options weren't diverse enough in feel.

LOL at not allowing the player to asshole options, but then the best we can give Harding is "Haha, no idea what you're talking about but good for you. Bye."

Also the game couldn't seem to decide whether my Rook was Dalish or not? According to the mirror I'm not, but then Rook outright says she's Dalish later in the game... Which is it, Bioware? Which is it?

THEY DELETED SOUTHERN THEDAS OFFSCREEN.

The illuminati secret ending is an awful decision. Way to take agency away from some of the more interesting antagonists. And this was obviously a retcon? There was no buildup to this. At most they were toying with the concept in DA:I, which is when the Executors were introduced.

It's hard to think of this game as a love letter to the fans when these last two points feel like a huge middle finger to everything that came before.

Yeah. Just...yeah.

Disappointment and frustration. All the building blocks for a great game are there, but they just...didn't come to fruition.

I might do another playthrough, but I also I might just take what I like from the lore and go back to previous games + my silly crossover fanfic. And BG3. That obsession was only just taking root when DATV came out, and I didn't get a chance to sit with it.

I'm sad.

[vole-mon-amour]

2x02, part 2.

the way Sevika is STILL loyal to Silco, even though he's dead and she doesn't have to. i saw some spoilers, but I'll say this as if I haven't: the way she doesn't like Jinx, never did, but tried to help Silco understand Jinx being upset and how she'll get around. she's loyal to Silco, therefore she's loyal to Jinx.

gosh, I love Sevika. she truly is trying her best to fill Silco's place. she was his loyal guard dog for a damn good reason.

her expressions!! let's go, Sevika, let's go. the animation is so good. it's so subtle, so smooth, you gotta pay attention to the frames.

there's something so special about both Sevika and Jinx still hanging out at Silco's office, and both Sevika and Jinx talking to Silco. i'm pretty sure Sevika didn't know that Jinx is there, so she spoke out loud, but she knew where to aim WITHOUT HURTING JINX (!!) because Jinx hang up there often enough for Sevika to remember.

listen, I have 4 favourite characters in this series and that always was the case: Silco, Jinx, Sevika, VIktor. i love them with all my heart. Sevika was always such a great character & she deserves way more love.

poetic cinema.

just shows how truly important he was, what a strong grip he had on Zaun.

i like how when Sevika throws a piece of furtinure in her outburst, Jinx doesn't even BLINK, not to mention flinch. the way they are connected to Silco and how well they truly fit (for the lack of a better word) him.

the little scowl. babygirl, i love you so much.

baby girl. baby. this is such a cool little representation of how their process looks before they draw frame by frame/animate the thing to look smooth.

i hope Jinx kicks their asses. the fact that she's coughing but she can STILL breathe in this, just like Silco did when others couldn't. take off your masks, assholes, let's see how you can handle this gas.

honestly, Vi, this is such a dirty move. you never wanted to accept that Powder was always Jinx and Jinx was always Powder. Silco loved Jinx. you? maybe, in your own way, but maybe, mostly, the idea of your little sister? because Silco would NEVER do this. he accepted Jinx for who she always was and is. if he didn't, he wouldn't allow her all those things that got him in trouble and never wouldn't give her all the materials and all the playground that she wanted.

the coughing, crying, screaming fit. i'm so :_; for her.

"Baby Blue. Right through their fingers. You must be part eel."

And you must be a whole piece of shit, beating Jinx with such hatred for all those years you couldn't bring hard to her because of Silco.

i just want to hug her and hold her tight. she's the best girl ever.

LET'S GO, THE TWO CLOSEST PEOPLE TO SILCO EVER. LET'S GOOO.

i LOVE that Sevika tried to use Jinx's gun, but Junx fixed Sevika's arm, so they exchanged the weapons. Sevika managed not to only throw Jinx her gun, but managed to catch the arm. i also love that Jinx can shoot that gun without even looking. this is a symbiotic relationship that i currently ADORE.

i'm in love with this. <3

this is adorable and made me smile so much.

the smirk. the music. the babiest baby of all babies (the baddest bitches ever).

i'm pretty sure Sevika will hate the adjustments that Jinx made to her arm but hey. it's a free fix :D it's almost 2 am and here i am, smiling. i love this show so much. i didn't know i could have so much fun with it without Silco. it's a new vibe completely.

this is BADASS.

there are SO many expressions in this little scene, i couldn't possibly fit it into this post. yeah, i'm completely in love with this so far.

babygirl, please, i am begging you, destroy Vi. Silco aka her family is gone, Vi is being an asshole to her, so she's ready, more or less. let's fucking GO.

love seeing Jinx and Sevika communicating. love the "you've got that look in your eye again, what are you planning?" which simply shows you how well she knows Jinx.

also,

"i haven't asked you for this" "it was something I could fix."

aka it was no trouble for her. she loves the mechanical stuff. she does it with ease. Sevika's strong side is the brains and brutal force, so they work well together.

[calibratemehard]

Alrighty folks I finished the game. I will put non-spoiler thoughts here and then put my spoiler thoughts under the cut. Again, these are MY OPINIONS. I am happy to hear your thoughts but I'm not arguing with you because you won't change my mind.

* holy shit this is a big game

* Mournwatch is the best faction in my opinion. Idk they're just cool and not problematic lol

* there is some retconning of established facts, but I take it this way: it's been a long time since the original trilogy's events. Origins was canonically sometime almost 20 years before Veilguard - think of life 20 years ago, it was very different. A lot can change and gods coming back changes a lot. Factions grow and change and become something different. Also this is NORTHERN Thedas, an area we've never played in. With few exceptions we've always had companions from the south and learned information about the north second hand. I think that's important to keep in mind when people complain about things not staying the same or 'lore accurate.'

* I still recommend picking the same faction as your projected romantic interest

* The cameos are ... Fine. Again, it's been a long time in game. Are you the same person you were 10 years ago? 20 years? I think Morrigan is the most disappointing but my headcanon is that motherhood has really suited her, also a decision she made off screen that is explained to you during the course of the game also made her personality make a little more sense

* I think I liked this game because I went in with an open mind. I have always loved Bioware games for the writing and the companions and this game has those in spades. I loved how fleshed out the characters were though it doesn't approach the levels that say, Baldur's Gate 3 reaches. But overall it was an enjoyable experience, around 65 hours for me to finish just about everything. Though maybe shave off about 5 hours for the character creator, which was great.

Okay so now for the spoilers. DO NOT OPEN IF YOU DON'T WANT SPOILERS!!

* I maxed out all of my companions and factions and nearly 100% every area. There was no quest undone. I think that's why I got a good ending, namely Solas agreeing to bind himself to the Veil, sharing a big kiss with Lavellan, and walking into the Fade together. I did lose one member, Harding, and that fucking sucked. I haven't looked into spoilers so I don't know if switching her and Davrin would have made a difference cause Davrin is a Warden and would have fared better against the blight idk. I'll have to look into it. Overall I was happy though.

* I ... Should have seen the Varric twist but I wasn't looking for it so it just passed over me. I was devastated, but I think that it was well done and well earned. Still sad though. That was the second time I cried during the finale, after Harding.

* This felt like a Bioware game to me. It felt big, it felt complex, and the humor was always there. The QoL improvements and expansion of classes and abilities made this so much fun.

* I felt the romances were lacking a bit in content, though Emmrich had suuuuch a sweet and gentle romance. I loved it so much. They banged in a graveyard in what I assume is a coffin. A+ love him, love Manfred. I just wish I had kiss options a la BG3. I got spoiled. 😅

* I'll play this again. And again. That's how my brain works. I think they need to patch a sort of 'golden nug' option into the game and a new game plus to make things better. If there are DLC, I'll happily play them.