#but it's only for moral cleanliness.

[kcdodger]

Leftists posting about why you shouldn't vote for whoever the DNC Z puts on the ballot but not talking about Trump's activities at all has got to be the most centrist shit.

[wild-at-mind]

i'm starting to really resent people who clearly do not struggle with morality based compulsions who swan in, say something that would fucking destroy someone who did have that kind of compulsion if they attempted to live their life based on an extrapolation of what was just said, then swan out again happy as larry.

[sudorm-rfslash]

Yeah I'm into BDSM:

Boycotting

Divesting

Sanctioning

Making my voice heard

[pppt25g]

... it's not like i don't have this plot point written down, but i'm excited so there's no possible coherent explanation i could give on the context

but they're not as doomed as it looks

[surgepricing]

I think about Azula shooters often and their common refrain of "if Azula hadn't had a mental breakdown, she would've won" and I'm here to tell you that no, she wouldn't have.

There is no universe in which Azula was winning that fight with Zuko (or Katara, for that matter).

Azula spent so much of Book 2 being built up as this deadly terrifying force against whom the heroes are badly outmatched that it can be difficult to catch exactly how quickly Zuko is advancing.

Back up a bit to Book One. For the fearsome exiled crown prince of the Fire Nation, Zuko's not that impressive a firebender. He's not bad by any stretch, and he's able to lay the untrained Sokka and Katara flat pretty easily. Then he gets in the ring with Aang, who is an airbending master, and the difference between a regular bender and a master becomes apparent when Aang literally puts his ass to bed:

People have attributed this to the fact that no one's fought an airbender in 100 years, but I think it's also worth noting that Aang (a 12 year old from a pacifist nation) has probably never fought anyone before. Like, ever. And yet the second Aang thinks "okay, I'll attack back", the fight's over.

Zuko's got the same genetic predisposition for firebending talent that Azula does, yet it never seems to manifest because of his mental blocks. At the beginning of the series, he's already so beat down that all he really has is conviction, pride, and anger, so even with training from Iroh (the firebending master, thank you very much), he struggles. Yet throughout Book 2, when he has no time to train because he's on the run, he actually seems to advance faster. The fact that his bending is literally tied to his character arc (as his morals become tangled and he has to fight off aforementioned mental blocks) is pretty brilliant. Like, by the time of the Crossroads of Destiny, Zuko getting his ass handed to him by Aang is a pretty consistent feature of the show--he just can't match wits with him.

Hell, at the beginning of the series, he and Iroh (again: the actual firebending master) launch a combined power surface-to-air attack...which Aang casually swats away into a nearby ice wall. Come the Crossroads of Destiny, however, and Zuko by himself launches this bigass fireball that blows through Aang's defenses.

Zuko advances so quickly that it's scary. That prodigious talent is in him even if it doesn't come through as cleanly as with Azula. Who, by the way, was busy about to get flattened by Katara some few dozen feet away, until Zuko took over and then effectively stalemated her himself.

All of this in retrospect makes it abundantly clear why Zuko's firebending seemed to skyrocket so much when he learned true firebending from the Sun Warriors: it was really the only thing left. He's hard a hard road learning how to fight waterbenders, earthbenders, and airbenders, and even if unconsciously, he's applying the philosophy Iroh taught him about augmenting his bending style with aspects of other styles (see also, the waterbending-like fire whips he uses in the above gif). Once he actually understands fire and how it works, he's got it mastered. Hence why any gap between him and Azula effectively disappears as soon as their next fight--before her friends have betrayed her and her stability goes out the window. There's no real sense of urgency to their fight at the Boiling Rock prison. True, Sokka's presence with the sword helps, but Zuko doesn't look remotely worried and he counters Azula's every attack perfectly.

All her life, Azula only ever learned fire. She was taught by the best people the fire nation can employ, so she knows all the cool tricks, but she's still poisoned by the corrupted firebending practiced in the modern ATLA timeline. Unlike Zuko, who managed to get the basics if nothing else from Iroh (fire comes from the breath, and can be used to survive as much as to kill), Azula has always used fire as a weapon and a means to hurt others. She has no true knowledge of the craft, meaning she's got the same weaknesses as Zhao, she's just better disciplined to the point she can make up for it.

Zuko's victory was a given considering Azula's complete loss of control by the time of Sozin's comet, but even had she been in a perfect mental state, she'd have lost, because in many ways Zuko is simply the better firebender.

And that's the truth of it.

[atheneum-of-you]

• Cleanliness for the Gods •

Today, I wanted to talk about cleanliness when it comes to serving/approaching our gods.

While naturally things have changed from the practices used in ancient Greece, remembering that the gods we approach are still to be revered and respected will often lead us to a very simple but overlooked concept; are my hands dirty?

Aa always, I am a singular source! Please remember to always do your own individual research and I will attempt to cite sources as I can for convenience!

The Act of Cleanliness

When it comes to recerence of the gods, the ancient Greeks heavily valued the act of cleanliness when it came to providing offerings.

Designated hunters and gatherers were set to collect the animals and bloodless offerings (plants, herbs, etc). Not only were the collectors purified and cleansed, but their utilized tools and the collected offerings as well. This gives us some insight into how important cleanliness was seen in the eyes of the gods. [Greek Religion; Walter Burkert / Homo Necans: The Anthropology of Ancient Greek Sacrificial Ritual and Myth; Walter Burkert]

It is with this viewing that we begin to understand the importance of cleanliness when approaching the gods, and can act accordingly.

𝐌𝐢𝐚-

A commonly known impurity in hellenic polytheism is miasma, although there are some common heavy misconceptions of what it is and how it is collected.

Mia- is a known word group that encompasses the words of impurity it encompasses, miasma being the most common. It can be difficult at times to discern because the mia- word group is diverse. Robert Parker in Miasma Pollution and Purification in Early Greek Religion described the following:

"the mia- word group is applied to a diverse range of things, and if one isolates within it a category that seems to have real unity, the same criteria that have been applied in order to constitute it demand that phenomena described by different words should also be included, An English example will illustrate this simple point: 'innocent' thoughts associate better with a 'pure' mind than does 'pure' alcohol, Not merely words are involved, of course, but forms of behaviour - avoidance, expulsion, ablution, and the like."

With this, we understand that the mia- words - in their most basic sense - encompass words of defilement and impurity. This can be a dirtiness collected through physical defilement (miasma) or ideals and integrity (miaino). It should be known that while the two can be separated simply, they themselves are more complex, whereas miasma can be considered filthier than miaino as it refers to more physical acts and miaino refers to the act of BECOMING miasmic. However, miaino can also refer to impurities that are not physical, such as lying and injustices. These terms depend on context, and their exact definitions are not something I personally can be definitive on. However, for the sake of this post, I'll forgo miaino and refer to miasma as 2 sects; mortal and moral.

Mortal miasma refers the pollution of human and mortal existence. It is collected on a daily basis and is not inherently filthy nor evil nor disgusting. But rather, it is a separating factor between us and the divinity of the deathless gods. It is collected simply by us existing as mortals (using the bathroom, sex, giving birth, dying, etc). While not inherently evil it is impurity in itself that requires cleansing.

That said, while this is the most commonly known form of acquiring miasma, there is actually very little mention of miasma in this context in ancient texts (to my research).

Moral miasma, however, is far more referenced (such as by Homer), and is far more structured in how it is acquired.

Moral miasma is collected through injustices and crimes, as they are seen as acts of violations against Zeus. Murder, rape, incest, etc. These are afronting acts of filth. While all forms of miasma makes us ritually impure, it it moral miasma that requires ritual purification to be cleansed and deemed fit to kneel again before the gods.

Cleansing the Miasmic

The phrase "cleanliness is close to godliness" heavily applies to cleaning ourselves for the gods. It is an act that brings us closer to Them, as the action of being clean brings us closer to their divinity. Unlike us, the gods do not become miasmic or impure, and our need to cleanse ourselves for them is another factor that separates us from Them.

Khernips is another aspect of cleanliness that tends to be debated. The consideration and common acceptance is that it is purified water (adjacent to holy water) for cleansing oneself. Commonly this is done through "purification by fire." Burning herbs, using matches, etc.

With khernips, we wash our hands and feet or our bodies to cleanse ourselves and stand properly before the gods.

Cleansing can also be asking simple as washing our hands or taking showers and baths. That said, these sorts of cleansinga only apply to mortal miasma, not moral.

Because moral miasma is a violation against Zeus and dirties our very being, it cannot simply be washed away. Moral miasma requires ritual purification, which is far more complex and takes far longer than simply cleaning yourself.

This can include fasting, isolation, and other concepts that do not typically overlap with a state of normalcy. It is only through ritualistic purification that someone can become clean again before the gods after being stained with moral miasma.

Overall, I believe simple cleansing should become a part of any hellenic polytheist's normal life. And in a sense, it is. The act of washing your hands, taking showers, even your typical skincare routine. These are acts of cleansing, and setting the intention of cleansing for the gods, especially when done before offerings and devotional acts, is quite beautiful ♡

[number1villainstan]

YOU. YOU UNDERSTAND.

I have not been so physically unwell about a ship as chronohaul in a long, long time.

[writella]

Screwed Up and Brilliant

Synopsis: Negan is ready for you. Daryl isn’t; and maybe he’ll never be. Negan makes that clear to you tonight.

Details: Negan Smith x fem!reader, Daryl Dixon x fem!reader (mentioned), Negan is a bad guy but there is nuance— at least I hope I accomplished doing so, angst, guilt, forbidden love, probably super stereotypical, reader at the Sanctuary, moral dilemma reader (but you got to understand, they’re both so fine!!), I feel like I need more cws but I can’t think of them and of course, smut, 18+: consensual, unprotected, vague dacryphilia, soft? dom!Negan, lite daddy kink, fingerings, riding, and basically just Negan blowing your brains out… but not in the walker way— the good way, the way we like. Amen.

A/N: Could you believe I started writing this in October or something? This is my first time writing Negan and I’m scared I may not have gotten it right so definitely feel free to give notes! This is set during season 7/8, I’m picturing Negan at the end of 8 and later seasons but there’s something about him older that gives me heart eyes everywhere, but whatever you prefer makes me happy. Anyway, from my heart, and maybe somewhere a little lower, to yours; with love from writella. ♡

You’re screwed up and brilliant, look like a million-dollar man; so why is my heart broke?

—— LDR, Million Dollar Man

The space was clean; minimal. The kind that let out no secrets of the owner that inhabited its insides. And of course there were the little things that let out some slight details: the ashtray on the nightstand— a smoking habit; a ring, a metal chain, another of black rope— an unsuspected, albeit small, interest in jewelry; the bottom nightstand closed by a lock—mysterious and cautious, though that was to be expected. It was only reasonable he’d have something he wanted hide. But other than that, Negan’s bedroom was quite unreadable; almost purposefully mundane.

There was a fireplace, a window at the corner, and a bed at the center. It had a dark, brass, rusted headboard that leaned against the wall. Two pillows at either side. The sheets were white, and the large blanket was of fur, a tan or medium brown, it was thick and heavy. Probably unnecessary for the approaching spring heat, but it adored the bed end well; matching the other bronze, or brown, wooden and darker aspects of the room. Even the light from the small fire, though you could see clearly, made everything mildly dim— the Sanctuary wasn’t known for its brightness after all.

And truly, nothing in this bedroom, or in this fortress of a place could be described as anything close to bright. Unless you counted the sun outside in the courtyard, or the largest fireplace that blazed in the main hall, or Negan’s piercing, priceless smile— so pristinely white, so wide it almost looked painful to perform. There was an eeriness to it as well. That was at the forefront, and everyone saw it. With the way he maintained their cleanliness, it was something that could look so pure, so put-together on any other; but on him, its power could scare you into worthlessness. It’s the one he used when he told someone what to do even if they hated it; it’s the one he used when killing someone’s best friend.

It’s also the one he used on the first day he ever spoke to you. The first time that truly mattered, really.

It was during Negan’s first supply gathering at Alexandria.

You still remember it well.

Your faces filled with desolation, but chins held high; you were strong— good at hiding the pain, the fear— only straight, pokered eyes and mouths allowed as everyone silently agreed with you. You had told Negan that Maggie was dead.

The Widow, he had coined her. The wife of your good friend that he killed— so generous a man was Glenn, even when he wasn’t trying to be. And she’s your friend too, brave Maggie. That’s the one he wanted, but as far as he knew, she was gone.

Thank God, you thought, Thank God, yes, indeed, until—

Negan’s eyes glazed over your frame for just a moment too long.

You weren’t speaking anymore. You kept it short enough. He should have turned his attention back to Rick but he didn’t.

Where there was sly roguery in Negan’s eyes, anxiety weld in the looks of all others: Rick’s throat tensed and tightened uneasily, sweat trailing down his curls and onto his forehead; Rosita’s jaw clenched with bitterness, brows furrowing under her green khaki cap with anger; and then there was Gabriel: his eyes turned from solemnity and pretend peacefulness to wide bewilderment. The plan you two exchanged had worked: you would tell Negan of Maggie’s passing, as per your idea, and Gabriel would swiftly solidified your lie by saying he was the one who officiated the short funeral. But then, another problem arose; one where he could be nothing else but helpless in aiding you. What was he, or anyone to do? It was easy to help Maggie, she was more than twenty miles away. But you, you were here. Right in front of him.

“Wait a minute…” Negan’s pointer shakes lightly by his temple, his mind turning curiously. “You.” He said, shooting his finger in the direction of your chest.

His smile, mischievous as ever, only grew wider as a moment passed and he made his realization: “You’re the one with that- tight- grip!” He balled his raised hand into a fist as he said it. A slight snicker came after, proud of his entendre. “My men were tryna put Daryl in the trunk and you latched onto his foot like it was your dying- act- which—” you attempt to lessen the startle in your eyes at his upward hitch in tone, “—it most certainly could have been.”

Negan comes closer now, his face nearing your own, “But you know better now, right?”

Obviously, you did not.

Or you would have stayed home, not given him the chance to remember you as he said he would after your nails could no longer claw into Daryl’s ankle. He was thrashing too much and Negan’s men pushed you away; they were too strong together against the two of you. They kicked dirt in your face for it, held a gun to your head until Negan told them to stop. His point was made with your two friends he had killed, no need for another— especially not one who amused him like you had just done.

‘DAYUM. She is surprisingly strong!’ He had yelled, ignoring the weeping faces of you and the group kneeling in a line on the ground; sweat, blood, and tears dripping everywhere. ‘And I do like ‘em loyal…’ He had given you a once over while telling his men, ‘Hands off, gentlemen,’ and before returning his attention back to Rick, he added, ‘I’ll keep my eye on you.’

And he did.

You made an impression.

Now you’ll pay.

Rick should have told you why he wanted you to stay with Judith. He remembered what Negan said too. He remembered what Negan said to everyone. He couldn’t forget. But maybe it didn’t matter. It was only the start of Negan’s day here. Maybe he would have found you anyway.

Rick would feel it was all his fault nonetheless, but all you could think about is how truly, it was your own, and no one’s at all.

The sun allows glints of wickedness to sparkle in the whites of Negan’s teeth as he continues imparts his demand, “From now on, don’t stop me when I’m giving an order, okay?” It’s like you can hear him underlining his words just with his darkened voice. Turning his waist, he extends his hand to everyone as he finishes, “And that goes for all of you.”

You force your face to remain leveled as he meets your eyes again, that cheshire look returning directly toward you. He curls his head to the side, whispering near your profile, “So… you’re his girl, huh?”

Your mouth becomes slightly agape. You don’t even realize it before you can try to close it. He asked the question of aversion, or at least that’s what you assumed it was to Daryl.

You knew it was just his way, that speaking about things like this might have not been his strong suit. Besides, there were more things to worry about almost all the time, but it still hurt to know that when asked, the only complete and honest answer there could be was no.

Your eyes trail down slowly, desperate to avoid his, and Daryl’s face— a few feet away from you— turning to the side, looking at nothing. He could not hear what was being asked, but maybe Rick did, Rosita and Gabriel too. It was unclear, but their eyes prodded with more tension, more worry, Daryl could register that, and even more so, he could not stand Negan’s face that close to yours; he was probably trying to make an advance on you, scare you, or both. He pretends not to care, but ultimately it’s useless. Negan detects your expression and turns to look at Daryl’s; he notices both failing attempts at impassivity.

“Oh,” he muses, voice returning to its normal volume, “or not, my bad…. I guess that does make more sense though.” He speaks louder now, casually, like he’s a close friend consoling you about your boy troubles, “I personally haven’t been able to hold a conversation with the guy either, and I’m just tryna be friends.”

Daryl was right. Negan was weaseling his way in. He snarls because of it.

Only Dwight hears this and sends him a warning glare.

You feel the sweat beading from your hairline to the nape of your neck. The danger felt from Negan’s presence was as thick as the sun’s heat that shone directly on the cemetery grove. It’s hard to look up and especially to look at him directly for that long as if he truly was the fire in the sky, so you look down again.

Negan pats your shoulder sympathetically, his hand then going to hold up your chin, his thumb tracing your jaw softly.

It makes Daryl’s arms twitch and his stance jerks forward, but he’s pushed back, Dwight beating him on the chest. It’s only once but you can hear it, everyone heard it.

It only makes Negan’s grin become more sly because— there it is— a reaction; an answer. It makes what he’s about to do that much more sweet: “Fuck, darlin’. I’m sorry. Idiot,” he tisks. Then more quietly he adds, “I’m not one though.”

This time it’s for sure: Rick caught that, and Rosita too. They give each other an alarming look as Negan continues to trail over your dispirited form, like a wilted flower. His hand lowers back down to your shoulder, then trails to your arm, to the elbow, and then off of you entirely.

Despite the feeling of Lucille under his grasp telling him he shouldn’t, Rick urges himself to speak before Negan says what they all know is coming. “Negan,” he starts, swallowing the slight shake in his voice, “would you like to see the pantry—”

“Did I ask you to speak, Rick?” Negan states, his frame still positioned in front of you. “I’m thinkin’ here… I’m thinkin’… particularly, that you should come with me.”

Daryl makes a sound that you couldn’t hear, for Dwight was already barking a “Shut up,” at him. Only the swat he gives to Daryl’s shoulder is what is once again heard by all.

You almost choke on your gasp, but you hold it in. Only letting out the faintest sound as you ask, “What?”

“You heard me,” he plainly says. “I mean, what do you even do here anyway?”

You almost felt embarrassed to answer.

“No, I’m askin’. Seriously. Does Rick actually utilize you?”

As you begin, your voice is still quiet, “I… I work in the garden, with the produce… I help tutor the kids… I go on runs, gather supplies. I cook. Help with weapons maintenance, I—” you stop, realizing your grocery list of jobs probably sounds pathetic to him, you’re like a chore boy, “— I do a lot. But everyone does.”

“Hm,” Negan responds, playing with his nails nonchalantly. Your thoughts come to fruition with his next words, “So you’re just everyone’s helper?”

He noticed the sad offense emanating from your eyes, so he raised his hands, “And those are important things to do, I mean it. It must mean you know quite a bit from everyone, that’s smart, and there’s no trouble in it. But… I saw you. I think you can do more.”

“How?” You can still only gasp out your words. “I’m not Maggie. And she’s not here.”

“No.” He brings up one finger, “But you’re clever,” you look at him confused as he brings up his middle finger to join the first, “and quick on your feet, that I now know.” A third and fourth finger comes up, “You’re strong, you’re loyal— things I’ve stated before.” Then the fifth he says with a smug smile, “And you’re a looker, I must admit.” He moves his hand to one side of his mouth, pretending to secretly tell you, “But that’s just a plus,” he winks. “And more importantly, it seems to me that just like most people in Prick’s community, you are undervalued and not paid attention to whereas I see potential.” He says it all so simply, he truly believes he’s offering you so much better that he finally ends by saying: “Hm. Yeah. I think you’ll be much better off with me.”

And so, with no true goodbyes said, in a van you went after Negan’s visit was done. A different one from Daryl’s, of course. Taken away from the first home you had in ages.

Before the trunk door closed, Negan gave you parting words: “You see?” He had said, “I told you I’d remember you, didn’t I?”

The words rang in your ears for the entire ride as they still do now, even more or less than two months later as you sit in his room.

Your heartbeat started to rise little by little as time went on and he hadn’t arrived. With the window allowing you to escape into thought, you were left to think about the last couple of days, and specifically, the last time you were in here:

You were sitting with him on his bed. You had asked if you could talk about anything other than the world you two lived in now, and surprisingly, he obliged. It was nice. Sometime later, he had finally opened that locked drawer.

You heard him suck his teeth, what he was getting seemed lost, which allowed you to take a closer peek inside.

There was a picture of a woman. The first wife? The only real one? You couldn’t tell and you wouldn’t ask, it would have been too much. You didn’t even get a good look at the woman anyway— part of her face was covered and he was fast. But he saw your eyes, so you decided to take note of the books you caught a glimpse of, pretending it was the only thing you saw. You try to think of something to say… It did make sense he was a reader, at least even mildly if that was all it was. The way he describes his ideals, his persuasiveness, his diction— it impressed you, even if you disagreed with a lot of it. It was almost ironic that the only cover you saw was of a dictionary, the more valuable ones probably hidden under. “Is that where you get all your big boy words from?” You asked.

“Some of them,” he joked back, composing himself.

It was strange to almost catch him off guard. It was so unlike him to allow it, but what happened next felt even more surprising.

Whatever he got from the drawer was enclosed in his hand. He put the free one on top of the other as he started, “Now… I don’t want you thinking I’m growing soft on you. I just thought you deserve it because—” and then his voice fades. Even Negan, the ever curse-filled wordsmith, was finding it hard to describe in any other way that he was pleased with something as absurd as you not trying to escape anymore. He knew you would probably think that was the only reason for a gift, but then he opted for something that even you couldn’t help but know was equally true, “You don’t seem to proactively hate me anymore. You’re here. I appreciate it, so I wanted to,” he says sincerely. “That’s all.”

Negan opened his hand, resting the piece in your palm— it was a locket; lovely and rusted floral engravings all over it.

You felt sad that you thought it was beautiful, and even worse for knowing the reasons why he was giving it to you. No wonder his voice had faltered.

You remember the soft shock and awe on your face, how you said thank you and how your face felt so hot when you said it, how he asked you to turn, and how you looked at him from behind you after he put the piece on. He was so close and it felt like he was coming closer. You don’t remember if that part was real, but you can see it so clearly that it must have been. Unfortunately, the only thing you remember for certain is that knock at the door that sent Negan away to handle whatever was going on downstairs.

Had you almost let him kiss you? Would you have liked it? Are you the most deplorable person for even thinking that while Daryl was somewhere else locked up at the time?

“I see they delivered my message.”

You return from your daze, your startle leaving as soon as it comes.

It was just him. There Negan finally was.

“Sorry. I didn’t mean to just come in. The door was unlocked.”

“I knew the meeting was gonna go longer than expected; thought you might as well make yourself comfortable.” He gestures to you, “which I see you did, and no—“ you were getting up from his bed, “it’s fine.” Negan sets Lucille near the door. He walks over to you, sitting down on the edge of his bed as well. There is a bit of distance between you two.

“You know, I came back the other day,” he informs, “I was actually going to talk to you last night, but then I heard you tried to leave. Again.” His eyebrows furrow, “We still on that?” He asks. “Thought we had a breakthrough the other night.”

“But after Carl—“

“—Carl,” he interjects, “came here all by his badass self, and for that, I did not lay even my pinky fuckin’ finger on him.” His hand goes to his chest, “I even took him home like a gentleman. And after I got here and found out they put you in a cell without supper, I had you back in your bed before midnight yesterday, so I’d say I’m doing pretty well.”

“Seriously?” Your incredulity is hidden under the softness of your voice as you say it, but it’s cracking.

“As a heart attack. It’s your ex-people who don’t listen. At least I was nice this time.”

You sigh heavily, docility officially fading. You shake your head with a slight chuckle, “That’s hard to believe. Especially if you were gone for most of the day. I know what that means. You had whatever the fuck your version of fun is.”

He grits his teeth, holding his words back. You’ve gotten a little too comfortable with the back talk, and you especially shouldn’t be saying anything after the night you had yesterday, but he allows it.

This time.

Of course, he didn’t like you leaving, but he rather that it was Daryl who escaped than you. And based on the bruises: one on the side of your head, one high on your shoulder— he imagines you might have gotten pushed against a wall— and the light ones that littered in a couple of spots on both your arms— he could tell his men must have been rough with you as they brought you back. He didn’t like that; therefore, he lets you quip. Someone would be getting their own bruises for it some time later anyway. He would take your smartass mouth out on them to cover for it.

“Maybe,” he finally says. “Nothing was undeserved though.”

You breathe in, the back and forth was no use. “What happened yesterday?” You asked, losing the sarcasm. Your eyes peered into his for honesty, hoping to skip the sly replies and get to the truth. “Just tell me what happened at home.”

Home. You knew better than to use that word. In fact, you have just stopped using that word. He let out an exasperated laugh, but skipped the lecture. “You want the truth? Or just the SparkNotes?”

You roll your eyes lightly. You probably don’t even notice you did it. Despite the situation being discussed, it makes Negan’s head turn endearingly— your tone of voice, the things you say, the way you react to him… you still don’t realize how fresh you’ve gotten with him, how comfortable. But he sees it.

“Alright. Well, Spencer’s gone.” He reveals offhandedly, replying to your silence.

Your eyes do not widen, you know what gone means. You simply nod and try to not think about how the now-cleaned bat most likely looked before.

“And don’t tell me that you care,” he says, pretending to interject to your continuing silence. “You gotta know he was a small dick nepo-prick, right?”

You bite the inside of your lip, shaking your head slightly. You won’t give in to a cheap joke even if it was pretty accurate, so he beckons you by name, “C’mon, that was funny.”

Still, you give him nothing.

He sighs; taking off his leather; and sits near you on the bed, his hands cupping the ledge. “Thought we were finally over this quiet thing.”

“A lot has happened this week.”

“Like…” he prodes. He would only talk about it if you brought it up.

Your eyes shut tightly before opening again. You didn’t want to say it, but you had to. “You know what. Daryl.”

He states the fact plainly, “Daryl left you.”

“Are you kidding me?” Your voice is fierce now. You can’t believe it. You won’t. “He’s not that kind of person and this isn’t an easy place to get out of— I obviously know that— he wouldn’t.”

“Oh, I know,” he jeers, “but he did and he didn’t bring you with him. Even though you were found trying to find his cell. That’s some real idiotic bullshit right there, isn’t it? From both of you.”

You glared at him hotly, you wouldn’t give it up, but unfortunately you had no rebuttal. Both of you would just continue on with the same argument, the conversation going nowhere. And not because either side knew they were completely right; in truth, neither of you actually knew what happened the other day. But in this regard, you felt there was no other choice: you believed in Daryl fully.

Because he wouldn’t.

He couldn’t.

Right?

You continue shaking your head, trying to find something to say in retaliation as you feel your sureness withering. Separating you two was the smartest tactic. You now have nothing to hold onto. “He wouldn’t,” you repeat pathetically, “I don’t believe you.” Unfortunately it’s not quite enough, so he continues with a rant you know all too well.

“You don’t believe me?” He cups the ends of the bed more tightly, positioning himself closer to you. “When I’m the one who gave you the safest roof? Secure food, clean water, access to all these pretty dresses, which, I know you’ve become accustomed to—” and here it comes— “I saved you!”

Saviors and their “saving,” you sneered at it. What bullshit. “You didn’t save me.”

“But I gave you someone to talk to… Huh?” He taunts, waiting for your response but nothing comes. He uses it to his advantage, “You’re quiet cause you know it’s true.”

But you know something too. He says it before you can.

“Or fuck, maybe I just gave myself someone to talk to.”

You pretend you can’t hear the earnesty in it. “Stop,” you scoff. “Don’t treat me like I’m special. I was the second choice.”

“I think with my dick sometimes. You’re the only choice.”

You start to shake your head, your face is flushed; scared, hot, and a little bit of something else that you refuse to let out. Then the tears come— the room feels so big and you two are so close and there are so many feelings you’re trying to push down. “It doesn’t matter,” you say wearily, “You took me. And you took him. You hurt him, I saw his face.” Your voice begins to tremble, almost in unison with the tears that peak out on your eyelids. “And that outfit you put him in. He didn’t even look me in the eye.”

“Stop,” he warns.

“You didn’t even let me see him.”

“He doesn’t notice you.”

“You don’t know us.”

“I know you.”

“You don’t know him.”

“I know you’re not happy… What about the other night?”

You ignore him, shaking your head: “You hurt my friends.”

“What about the other night?” He persists, his voice slowly growing louder. “What about every time I let you sit in on my meetings? What about how you have your own room? What about how I actually talk to you?”

“You let him get hurt—” the tears start to fall, there is a quiver in your voice but you still match his near shout, “And you almost killed Carl—”

“Shut up.”

“And you killed Abraham—”

He warns you by name.

“And Glenn! Maggie’s husband—”

“SHUT. UP.”

“The baby won’t have a father, Negan!”

His voice is low and grim as he demands you to “Stop. Now.” Negan grabs the sides of your neck as he says his next line, it comes out brisk and harsh and heavy like his touch as his hand wraps around your neck. “I knew you lied to me.”

Your voice is hushed, feeling his lightly pressed thumbs on the front of your throat as you speak shakily, “I’ve never lied to you.”

“Maybe not since you’ve been here, but did you hear yourself right now?” He pauses, allowing you a second to let it sink in. “You just fucking proved it.”

Your eyes widen at the realization. The baby, you had said. Fuck.

“See? Told you, you were smart.”

And he did. Brave Maggie. Clever you. That was his reason number one.

“You have to get why.”

His voice remains eerily calm. “I do.”

Another tear falls and his thumb presses its pad under your eye, spreading a tear on your face as the next one comes down.

“Negan…” you say. It’s a mix of a warning and a plea but you can’t tell for what, both fear and fire mix together because of his proximity. His touch and stare was dangerous, you wouldn’t be surprised if he was pleased he caught your slip up, thrilled to see you cry, but there was also something about it— his touch, his eyes— that was equally intoxicating. There was something more tender there as well, something you didn’t want to turn away from, he wasn’t as rough as you thought. Nonetheless, your answer to these conflicting feelings are ones of neglect, you stay your course. “You’re a bad person,” you tell him.

“Please,” he whispers back, “just stop.”

His eyes glaze over your features with an intent look you’ve only seen once before, it was that other night in fact. It’s almost gentle, but maybe it’s just pity, so you don’t let it stop you. “But you are.”

“Stop,” he pleads, then it’s hushed, “just stop…” he says, “just stop.” Then he starts coming closer. “Tell me to stop.”

And you know you should get up.

You should, you should, you should, you know it but— you don’t.

You breathe into it.

His lips latch onto yours; your heads tilt; you lock perfectly.

Everything after happens fast, the instantaneous mess of it all: he waited and waited, and of course he would. He was waiting for you to see it, to feel it. He thought the other night was the breakthrough, but no, it was tonight, it was how you didn’t back away just now.

His hand goes lower on your leg, nearing your knees so he can get under your dress, trailing up your thigh, reaching the inner side that’s pressed up to the other one.

His hand on your neck brings you in closer, traveling up to under your chin and jaw, holding you so tight, but so sweetly. All you felt was surprise. He slips his tongue in, it's deep and intense. He brings a velvet warmth that you’d never expect from him. It was paradoxical; a fiery heaven of a feeling.

He starts rubbing your clit over your panties, kissing his way up to your ear as he does so to ask, “When’s the last time someone’s fucked you?”

Your lips are parted, but you cannot speak, so he continues.

“Daryl never did, did he?” He asks in a muffle, continuing to kiss and kiss. “Who was before him?”

Again, no verbal response, but your breath does hitch at his touches. He continues to draw circles, your wetness now slowly dampening the material, making it easier for his finger to place itself between your folds, so he dips his hand under the band. That and his whispering makes you feel a kind of spark that shoots all the way down to where his fingers are touching. The first press of his thumb without any material in between forces a sudden heat to rise that instantly causes a flush of liquid to slip down your hole, it feels messier than it actually is until his fingers go lower spreading it everywhere. You were much wetter than you thought, and you can’t help how good it feels, how easily you’re responding to it.

Negan calls your name, holding in every cocky reply he wanted to give about how wet you are— he needed an answer to his question first. So he looks you in the face, making sure he has your full attention, “You’re fuckin’ with me, right?” His words are meant more genuinely than his tone implies. “Not at all during any of this?”

You shake your head small and slowly. No.

He laughs pitifully, he doesn’t mean it rudely, but he just can’t help it. A touch-starved baby at the mercy of his fingertips? “Well, god-damn.”

He felt like a rich man.

He begins to kiss your lips again, now pumping his fingers into you. Your walls tighten. It’s only two, but they’re his. It’s new and exciting. His kiss makes you lean into the bed, the force of his head and tongue going deeper into your mouth guiding you to lay flat as his fingers still play.

“I hope you know how fucking soaked you are,” he finally says. “You need it so bad that it feels this damn good with me only touching you like this?” You can’t help the way your body jerks up and he can’t help but be smug about it. “Can’t say I’m surprised.”

Your eyes grow vicious at his grin, you almost want to hit him, but you can’t. All you can do is suppress your moan into a quiet whine. He’s so magnetic— his touch feels forbidden but so right; his voice so alluring; and his midas touch pulls you deeper and deeper into a trance, you might as well be turning into gold. Other than the involuntary reactions your body makes as his fingers continue going into your hole, now slowly going in and out as his eye gloss over your body in your favorite dress that you wore the most, you’re left paralyzed; subjected to following his lead. Wherever he wanted to go next, you’d let him.

He takes his fingers from inside of you and you look up quickly. You made sure not to whine at the loss of contact but your eyes couldn’t hide your dismay. All he did was smile and quickly lick away the wetness.

“Just takin’ this off,” he tells you as his hands cross over to the ends of his white t-shirt, slipping it off and onto the ground, one of those small rope chains hitting his chin as he does so.

It was only his shirt but you’re struck by him: to see more of his ever present sun-kissed skin felt almost godly. He was pretty lean, not too lanky like his stature, but not too broad either. Light curves of muscles adorned his chest and shoulders and arms. His chest and abdomen were slightly hairy, a tattoo placed on the upper right side and you finally saw the other tattoos placed on his upper arms more clearly. They looked nice on him. He was so handsome. You felt more wetness peeking out from down below. He looked so big above you.

“Like what you see, beautiful?” That typical snark still laced his voice, but there was a genuinity to it as well. He wanted you to like what you saw; to like him.

His words make your face hot, eyes casting off to the side. It was easier to talk to him when you were mad at him, when it was about home, even just small talk about the Sanctuary; this felt… different. Just like the other night.

You had almost already forgotten that his charm worked this way too; in a kinder way— when his eyes are wide, when his smile is soft, when he calls you sweet names without the irreverent, quip-filled pretenses.

It made you have all the words on the tip your tongue: how handsome and sexy you could say he is, how much you liked his tattoos, even all the greys that littered his hair and beard l, or how, if you had to admit it, you liked that dumb shit-eating grin of his, but all you can do is lightly smile, a quiet laugh escaping your lips at your bashfulness. You finally nod. “Yes,” you say, rolling your eyes, “maybe.”

He starts undoing his belt with a laugh of his own, “Oh I know you’re a fuckin liar if you think I’m a maybe.”

As his pants drop to the floor he takes each hand and places them over your shoulders on the bed to ask, “May I take off the lady’s dress?”

Your eyes widened, your open mouth only letting out a sweet, surprised, and whispered, “Huh?”

“What? Didn’t expect me to be a gentleman?”

You try to compose yourself, calm the fire you feel all throughout your body, and pretend you haven’t already given in completely right when he kissed you. “I just didn’t expect it would be all this slow.”

He laughs inwardly, glad to see the personality he came to know come back after all that happened these past two days. “Just give me a moment,” he jokes back. “You think I’m gonna waste seeing the reaction of you watching my cock spring out just so I can shove it in fast? ” He comes closer, his voice lowers now, “Believe it or not, I don’t think you’re just some doll or a fuck-piece.” The groundedness of his voice is something you’ve never heard before. “I’m pretty sure I’ve already stated that I see you. And truly, I think you’re damn gorgeous.”

Your eyes are stars. How can you even react? He thinks you’re gorgeous and you’re taken aback. “Thank you,” is all you can quietly say.

“You’re welcome.” He responds with eyes that have never looked so honest, so soft. You get lost in them and he has to pull you back, returning to his question, “May I?”

You nod, quick and excitedly, “You can take it off, Negan.”

He grabs your hands and stands you up. You look up at his face and his fingers move to the ends of your dress, pulling it over your head.

The tips of his fingers trace your chest and stomach lightly, delicately touching your skin as if it’s porcelain. He grabs your waist and travels up to take off your bra, then pushes down your wet underwear.

Negan’s cock stirs at the sight, you’re so pretty and so ready for him. “And I didn’t even need to see it to know I was right.” Just like he said, you’re gorgeous.

Negan pushes down his boxers. Cock springing up. Big and veiny with a red tip. He was itching to get inside of you.

And there you were, eyes and mouth open wide, scared and excited all at once. You were intimidated but surprisingly not scared if it would fit or not. You would let him do anything to get himself inside of you, even if it hurt.

“There it is,” he says, pleased with your reaction. He comes closer to your ear now, pushing you down by the hips against the bed once more. “And trust me, if you like that, you won’t fucking believe how I’ll feel inside of you. Just wait.”

“I…” He wanted to make you feel good, you’re almost speechless. “I’m ready.”

“Good.” He says, and then he places himself above you, admiring your glistening folds as he spreads your legs. He already lines himself up, he could look at you forever but he is in no desire to wait any longer. He pushes in. It’s a bit fast, a tight fit, it must have hurt you, but he’s too excited, he can’t help it. He lets out a hum and then a groan at the feeling of your walls enclosing him, and he hears you gasp at his size. He starts to pump into you immediately.

His face hovers over yours. His eyes study your features and he realizes he’s never been this close. Of course he hasn’t, he’s never fucked you, made love to you. He’s just now noticing the way your eyelashes curl, what birthmarks adorn your upper body or not, and how many earrings you may have, but most importantly, he’s noticing the way you react to him: the way your eyebrows might scrunch, or what elicits more pants and squirmings, the way your lips tug tightly against each other or open into ovals and circles depending on what he does, how he thrusts, where he touches, how he moves.

It all makes him slowly speed up. He can’t take it anymore. He kisses your neck and jaw— some kisses sweet, then others that are rough and he begins to pump and pump. Faster and faster.

“Oh,” you choke out before moaning, “ah.”

He continues, loving every facial expression you make until he finally speaks. “Alright. I gave you a break— now tell me how it feels?”

All you can do is whine incoherently.

“Excuse me?” He says more sternly. You know what he wants.

“Negan,” you whine again.

He stops. “Yes?” He asks all too knowingly. “Gonna use your words and tell me how it feels?”

You sigh, taking the hand placed on your hip and moving up toward the ends of your stomach, all the way up to your left breast. You let his hand rest there, feeling the heat and your quickened heartbeat radiating from the area. “You… you feel so good.” Your eyes are watery, “Amazing.”

You got him there, and he almost can’t help but start hammering it in, but then he remembers… he doesn’t have to help it. He could do whatever he wanted, so he does. He squeezes your breast, grinning wildly as he gives you one hard thrust. “Damn right,” he tells you, hearing your yelp before pounding fast.

You had always been quiet but he never quite saw you at a loss for words as you are now. Your mouth is completely open, your eyes threatening to roll back further, making sounds he’s sure you’ve never heard from yourself before. Have you even had it this fast? This big? This great? He knows it couldn’t be. And he’s the one who gets to show you. His eyes gloss over you with pride at the thought.

He grabs your chin to get you to look at him, “Who’s fucking you this good?”

You moan. You weren’t used to this. Your eyes roll back completely as he pounds into you with eye contact.

It makes him groan loudly, his jerks into you, letting out his own moan from the sight. “Oh fuck, baby. Don’t play with me.”

You give in, force yourself to speak, you can’t let this end. “You, Negan!”

“Oh yeah?”

“Yes!” It’s so hard to speak, it comes out so pathetically.

“Who's making you feel like no one else?”

“You, Negan, it’s you!” Your moan turns into a pant, “It’s you, only you.”

He comes closer, his nose touches yours. His movements slow, but they don’t stop. He’s rocking into you now. “Only me?”

You don’t even think, “Who else? It's only you.”

His teeth sparkle, “Only me.”

“Only you, daddy.”

He laughs cockily, “So Daddy’s making you feel this good?”

“Yes, daddy. So good.”

You feel the groan he makes travel right to your clit, making it throb.

He kisses you, the corners of your lips to your cheek and neck and collarbones and back up again.

He restarts his pumping into you but his head remains close to yours. You decide to wrap one of your arms around his neck, pulling his hair, and the other hand travels down his back, holding him close.

Negan breathes you in, his head near the crux of your neck, hearing every little sweet sound you make that he’s never heard before. It all drives him wild, but then his eyes open. A question comes out that surprises you both: “Am I ruining your life right now?” He quietly asks.

“That doesn’t matter,” you say, breathing heavily from his touches, your eyes are still closed.

“I think it does.”

“You make me feel like no one ever has…” The bliss you feel from his current soft strokes and touches making it hard to speak, your voice is so light. “At least I got to experience it.” You open your eyes now, fingers tracing the cross drawn into his arm, “At least I got to see the real you.”

Your eyes say more than your words do. There’s a yearning and a sadness, an answer to what feels right in this moment, but an insight that there are doubts that could creep up later the more that you think about it.

“Just keep going,” you tell him, “I want to see you.”

You want to see him, you do see him. His head connects with yours again, and you moan into each other's mouths as he keeps pumping. Your legs come up to his hips and you’re not afraid to be loud anymore, to tell him how good it feels, how much you like him.

He takes your hands and places them over your head, crossing his fingers with your. It’s so pure, so lovely even when he’s going so hard down below. You hear your breaths heavy and your bodies slapping and the bed shaking.

You think about his skin, and his scratchy beard against yours, and the way you hate how he can make you smile by making the most ridiculous and raunchy jokes, and the way you love his voice, the way you can’t help but to like the way he cares for you.

“Negan,” you say weakly.

“Yes,” he responds intently.

“I’m gonna come,” you tell him. “I think I can.”

“Come for me,” he encourages, moving one of his hands down to rub your clit. “C’mon.”

“I’m gonna come,” you repeat, edging yourself on. Bucking up at his thrusts and his fingers.

“You can do it. Be a good girl. Do it for me.”

You swear the fireplace blazes louder and bigger, lighting up the whole room as you yell out, moaning once more as you orgasm.

Negan finally breaths out after, holding in for so long, and comes after you. His hands place themselves flat on the bed and he pushes in fast, riding out the high.

He scoops you up immediately, holding you in his arms. He doesn’t want to let go.

You two stay there for a moment until you look up. His hand caresses your face, “What is it?”

“I…” you were embarrassed to admit that you weren’t ready for it to all be over yet. “Can I ride you?”

A wiley smile appears on his face. He has to admit, he’s a little shocked you’re ready to go again, but he’d never turn it down. “Well, of course you can, babygirl.”

He flips you over, completely ready, but instantly, you become hesitant, almost overwhelmed. He was the world, not you, yet you were now above him. All the allowance to touch him anywhere you want at your disposal.

He puts his hands under his head, arms flexing. An ever wide smile present as he waits for you to begin. “You asked for it. Don’t get shy on me now.”

Your eyes grow excited again, deciding not to hold back, and you start to rock against him. You place you hands on his chest, feeling him up, touching his biceps, hands going over his tattoos— you could stare at them, at him, for hours. You honestly think you’d lick his whole body if he’d let you. And of course he probably would. To feel big and proud and irresistible while you look like a little desperate freak? You wouldn’t even have to ask him twice. Thinking about it and about how full his cock is making you feel, stretching and reaching all the right places, makes you moan and whine. You bucked your hips wildly, humming and giving him “mmms” because of how yummy it feels. You could do this forever.

“Ah- uh- Negan,” you moan and your stomach caves as you whine again and you hurl forward, continuing to rock but your pace is faltering. It’s becoming too hard and Negan can tell so he takes you by the hips, helping you move. First continuing to let your grind and then pushing you up and down his shaft so you can bounce on him. You push yourself up again, hand on his chest, pushing against it and you bounce along with his help. This was fun. You try to go faster and faster. It felt like being a kid on a playground.

“Open your eyes,” he demands. “Look at who you’re fucking, sweetheart.”

So you do, and moan at the sight of him, “Ohmygod,” you say. “You’re so handsome, Negan.”

He's so proud of you. Enjoying your actions, enjoying your noises. He groans as he sees your breast bounce and it makes you squeeze against him.

“Good girl,” he coos, “finally listening when you’re spoken to, about to make yourself come on daddy’s cock again.”

He starts to rub your clit again and you continue to bounce. It almost hurts because of how overstimulated you’ve become but you don’t tell him to stop. Your hands come to reach the headboard, helping you bounce harder. He tells you again how much of a good girl you are, how he loves that you’re not stopping, then he tells you how dirty and desperate you are for wanting him again after he already made you come. But he’s obsessed. This is all he’s ever wanted since the day he brought you here. His hands trail up from your hips to your waist and breast and back down again. There is nothing more he wants than to fuck you or for you fuck him.

You look down. You both notice your necklace still wrapped around your neck, almost nearing between your breasts, bouncing along with all of you. It reminds you of why you're here, why he gave it to you. It makes you have the realization he had… Was he ruining your life? Were you ruining your own? But how could you be when it all feels this good? It was completely screwed up, but everything felt so magnificently brilliant. His touch is everything, his voice is everything, his body is everything. It makes your hips stutter, it makes you moan, and at last, it makes you come again. You ride your high, going and going and going until you fall into his chest. His hands come to hold you tight thereafter.

Unthinkable bliss is all that is felt for a long moment… then… your head turns to the window. You remember what is out there and what isn’t in here.

A tear falls down your cheek and he realizes what’s happening when it falls onto his shoulder.

It hurts him now. To see you cry. It’s not fun anymore. You feel it, yes. You see what he saw, it’s true. But you aren’t really his wife. You’re nothing that is his at all. You both know that as well.

It takes you a long time to speak, you have to force yourself, but you do. “You have to let me go now.” You say it sternly but there is a sadness to it; a small part of you wants to not mean it even though you completely do, even though you do wish to stay here, to be enveloped by his embrace— you simply cannot forget.

“Mm,” he shakes his head, remaining leveled, “you know too much.”

“I barely know anything,” you say. “And not that anything I do know matters. Knowing the way around the Sanctuary isn’t going to help anyone when I know there is no way we could actually get in…. And what’s more important anyway is that I’m not changing my mind and you’re not either.”

“I’m not.”

“And I can’t. I wouldn’t. And they’re not going to. Never…. And if some of them die…” A whimper almost leaves you but you manage to swallow it, “I have to be by their side, Negan. I can’t only hear about it. I… I can’t see it next to you.”

His lips are pressed firm, his jaw is fixed and tight, almost like he’s grinding down on his teeth. The breath he takes through his nose could be a heavy sigh if he opened his mouth, but he doesn’t. He keeps it all in.

You words and their weight hang in the air for a moment before he finally speaks: “One of my guys that watches the armory doors has a shift that ends at 6:00 am… but at 5:50 I’m going to come up to him and tell him he gets off 10 minutes early that day, that I’ll wait for the next person to come.” He lets his words hang in the air for a moment, your confusion spirals before he keeps going. “It’ll be fucking weird, but he’ll look dumb as shit if he questions me, so he won’t. Then when he’s out of sight, I’ll leave. The next person is coming right at 6. That’s all you get. 10 minutes. A little less really.”

Your eyes round slowly as the stun continues to sink in. He’s… letting you leave.

“You take one gun and one knife. Just one. Don’t make it noticeable. I’m going to check. Then you go out of the back door that’s inside.” He didn’t have to tell you the way. “It should be easy, I know you’ve tried it before.”

You look down, taking in all he says, but then he turns you face to meet his, “If anyone sees you, I’m gonna have to make a show of it when they bring you back. Not what I want. But if I get there before you get out, maybe 5:58, just cause I’m an asshole, just to see you one last time… And if I do, I’m gonna turn you around and you’re stayin’. Fair?”

You nod. It’s small and light. You don’t question any of it, you can’t. “8 minutes.” You respond.

“8 minutes.” His voice is neutral, but underneath there was a tinge of solemnity to it. “8 minutes,” he says under his breath.

“What about now?”

“Now?” He asks. He didn’t think about it. He assumed you would want to go after this, after you got what you wanted. “Well,” he turns to his nightstand, “right now it’s half past 10.” He stares at you for a moment, you can’t tell what he’s thinking. This whole moment has felt so quiet, both eerie and gentle. You still weren’t used to the latter from him, even after what just happened. “You can go if you want. Sleep in your bed for one more night, or…” he stops, “You can stay with me, if you’d like.” His sigh is short and whispered but you both hear it, you feel its weight. “It’s your choice.”

You stare at each other for a moment. Your eyes trail all of his face and the arm that is still holding your own, adorned with all the tattoos and skin you had just fallen for. You wanted to study them and hold onto him forever. And his eyes: they said so much— there were so many little inflections, ones that you had finally read, and so many others you’ve yet to decipher. You desired to know him, but you had to go, so all you decided to do was to hold him. For now, you chose to stay, and hoped that your embrace would transfer the fact that the only reason it would be hard to leave is because of him and only him. You would remember this forever. “8 hours till 8.”

“8 hours till 8, kid.”

You close your eyes tight and nuzzle into his chest, A peace you had never known in the Sanctuary finally subsumed you. You feel free to finally tell him, “Thank you. I really do miss home.”

Home. There it is again. There was no malice in the way you said it, but there was still a pang from your melancholy words that made his heart throb. You missed home. And as peaceful as you looked, and as safely as you held onto him, your words reaffirmed that home was not here and it was not with him— no matter how you looked, and no matter the fact that you were allowing him to hold you for the night, to call you his. In the end, you were not.

He had to finally accept it.

“8 hours till 8,” are your last words until you finally drift to sleep. This would be your last and most tranquil night here. To you, it felt right, almost harmonious, albeit sad. This is how it was and how it was meant to be. You needed it.

But to him, it’s shattering. He doesn’t repeat the phrase back this time because, for once, he has nothing to say. The fire glow of the night has now withered into darkness.

You won.

He lost.

But both your hearts broke.

[calder]

Released in 2010, Obsidian Entertainment's Fallout: New Vegas actively concerns itself with the realities of gay existence, and is widely recognized as a noteworthy work of queer science fiction. New Vegas extensively examines social attitudes towards homosexuality among the game's major factions, and primarily conveys this lore through gay and bisexual characters describing their own experiences. It also allowed the player to mechanically set the Courier's sexual orientation. By taking both available perks, the player character can be bisexual. By choosing neither, the player can opt out of seeing flirtatious dialogue options.

Uniquely, Fallout: New Vegas explores homosexuality in the context of wasteland societies, and touches upon related issues. The core theme of New Vegas is that the desire to recreate the past is driven by irrational nostalgia, and any endeavor to manifest past glory is dangerous and doomed. The social issue of homophobia is used as a demonstrative example. The resurrection of corporate and military power structures presents new avenues for Old World problems such as institutional homophobia to reemerge. One of the many issues that divide the New California Republic and Caesar's Legion is the latter's open persecution of gay people. The NCR is described as tolerant and even accepting of same-sex relationships, though acceptance tends to fall off the further one moves away from the developed, urbanized core of New California. In recent years, the Republic's rapid economic transformation has led to an unforeseen erosion of the humanitarian ideals which it was founded to serve. In practice, to recreate America was to take on its shortcomings and its sins. As subsistence scavenging has dried up, the people of the NCR increasingly turn to wage labor, entrepreneurial venture, or military enlistment to keep their families fed. Meanwhile, their government enacts morally corrosive imperialism (narrative verbiage), their dominion expanding indefinitely as their infrastructure crumbles from within. This has led to a profit-based imperial monoculture which must conquer, consume, and coerce to perpetuate. As personal politics and service labor grow in importance, people find themselves more inclined to present as "normal" in the interest of financial stability and political expedience. A loading screen visualizes this culture of artificial social normalcy: the portrait of President Aradesh on the NCR 5$ bill neglects to depict his unibrow, earring, and facial scarification, overall portraying the once-chieftain so cleanly-cut as to be unrecognizable at first glance. He also appears to be wearing a collared shirt or suit as opposed to the robe he wore in Fallout.

In the Legion, Caesar has mandated that every legionnaire take a wife and produce children, citing high infant mortality rates and the constant need for soldiers, and going as far as instituting child quotas. He treats human beings as a resource to be exploited for war. Ostensibly in this aim homosexuality has been declared a capital offense punishable by death. Historically, routine demonstrations of violence towards women and gay people are a deliberate feature of fascist societies, the only logical cultural conclusion of a government devoted entirely to war and control. In Forlorn Hope letter 9, an NCR soldier wrote wrote the following to his boyfriend:

Dearest Andrew, Writing this seems pretty morbid, but tomorrow we march into the no man's land between our camp and Nelson, which is crawling with Legion. The Major insisted I write this damn "if you get this, I'm dead" letter so here it is. What a crock. I have the luck of the devil and your love on my side, so I'll be home soon. Keep the porch light on for me. We'll party in New Vegas when I get back. I love you. —Devin

Devin believed he would prevail over the Legion because his love would keep him safe. He was found dying or dead on the battlefield, the letter was found on his body. In a post-release patch, the injured soldiers were removed from the battlefield for performance reasons, and never re-implemented. Driven largely in reaction to the Legion's hyper-masculine posturing and misogyny, rumors persist across the Mojave that gay male relationships are not only common within the Legion, but condoned. These rumors are repeated commonly in NCR society. A closeted NCR Major mentions that the Legion is "a little more... forgiving" about close male "friendships," speaking in a hushed tone to avoid suspicion. At the same outpost, the player can encounter Cass, a bisexual civilian woman. She may flirt with a male Courier, who may imply they are gay, prompting her to imply gay men are more common in the Legion. Even as gay men fight and die in the name of love under his command, NCR General Oliver may remark to Courier Six at the Second Battle of Hoover Dam: "If you think after all that's happened, I'm going to grab my ankles and take it like the Legion..."

This writing pertains to institutionalized homophobia which manifests in practice though power structures and social interactions without being written into law. Simply put, in his derogatory remark, the general expresses to his army that military surrender is gay, much like their gay enemy. From the brevity and bluntness of this remark, it's clear that this sentiment is already well understood among his ranks. Logically, to project strength in the eyes of such a leader, one might also project homophobia by scrutinizing and harassing one's peers and subordinates. In this atmosphere, the expression of homophobia is not only normalized, but materially incentivized. For the ambitious, it becomes a tool, and a way of casting shame upon rivals. For the closeted, homophobia becomes a survival tactic, hoping to throw scrutiny off oneself. This is why Major Knight is immediately frightened when a male Courier flirts with him. He is so profoundly alienated that he romanticizes life as a gay man under the Legion. The Legion punish homosexuality with death, and yet Knight characterizes them as more "forgiving" than the NCR. Through these apparently disparate events, the audience can trace how a distorted perception of gay people emerges among insecure men in a military environment, and subsequently becomes ingrained in the corresponding civilian culture. At the 188 Trading Post, a lesbian from the Brotherhood of Steel named Veronica also wryly remarks that she believes legionaries have gay sex about as often as straight sex. She also notes that this only applies to men, as women have no rights whatsoever in Legion society. In this aside, she conveys a pre-existing frustration with lesbophobic social norms. Veronica also mentions that the people of her bunker would rather she remain on the surface. The Mojave Brotherhood of Steel has no official policy prohibiting homosexuality, but an implicit attitude among its dominant members that their limited numbers require everyone to have children to avoid extinction. Numerically, this may seem logical on the surface, given their reluctance to recruit outsiders. However, given their tiny population, this is an ineffective countermeasure, as they do not have nearly enough members to maintain genetic diversity for more than a few generations. This approach is not universally supported by all family units within the Brotherhood, but every individual is ultimately at the mercy of the elder. Veronica was in a lesbian relationship, but they were quietly separated by Elder Elijah, due to the dominant culture of enforcing heterosexual pairing among their population.

Caesar's law has not ended homosexuality within his domain. Despite the obvious risks, some legionaries have continued to pursue relationships behind closed doors, especially given their access to slaves. So long as members complete their societal obligations and fulfill the child quotas, they are able to pursue romance with other men in secret. Homosexual relationships in the faction are noted as being relatively equal compared to the average Legion husband and wife, in a "Don't Ask, Don't Tell" sort of open secret policy. Gay legionaries must always make sure to keep their activities hidden. A centurion was once almost caught fraternizing with the teenage boy he had chosen to tend his tent. Despite previous "romantic" intentions, he quickly resolved to dispose of the slave to dispel suspicion. Had they been caught together, the centurion would have been charged with homosexuality and sentenced to death. This story is only known because the enslaved young man, Jimmy, managed to escape execution. Further illustrating the cruelty intrinsic to Legion governance, it's stated that homosexuality was the crime, and not the rape of a young slave; in fact, it seems Jimmy was forced to contribute to the child quota despite being a gay teenager, and the experience left him traumatized. He has resolved to never have sex with another woman, as the very notion triggers memories which fill him with disgust, and (in his own words) makes him feel like a slave all over again. The Strip is indifferent to gay people, viewing them as another opportunity to make caps. Both the Gomorrah and the Atomic Wrangler are interested in maximizing profits, and their prostitution services cater to clients regardless of their orientation. The openly gay Jimmy works at nearby Casa Madrid, but there is some tension among his peers due to his co-worker Maude's blatant homophobia. She supposes he's "okay, for one of those," and if propositioned by a female Courier, Maude will direct them to Sweetie for such "perverted" services. Pretty Sarah must regularly intervene to keep the peace among her staff.

The Followers of the Apocalypse, well-read punks who seek to embody healing through anarchistic values, are not concerned with gender. Most are openly and casually sexually active. Upon meeting Courier Six, Arcade Gannon offhandedly makes his gayness known, unprompted. The audience must face the fact that Arcade's apprehension of the Legion is far from abstract; under Legion law, he would be put to death. One possible ending gives further insight into Caesar's hypocrisy: should the player sell Arcade into slavery and leave Caesar alive, he will keep Arcade as a personal physician and philosophical advisor. They intellectually spar at length, and Caesar grows singularly fond of him. Accordingly, Arcade imitates the historic suicide of Cato the Younger by disemboweling himself. The Legion's remaining medics attempted to save his life, but none were Arcade's equal. Caesar understood his doctor's final gesture of contempt, and mourned him for months.

New Vegas ventures further into themes of healing from the trauma of sexual violence, from the perspective of a lesbian character. Corporal Betsy, an NCR sharpshooter, is a rape survivor, and suffers with PTSD from the incident. Her unprocessed trauma has manifested as a maladaptive tendency to aggressively and explicitly proposition the women she encounters, in an effort to reassert a sense of control. This defensive hypersexual impulse has negatively impacted her ability to connect with other women. A male superior officer notes that her behavior is inappropriate for anyone of her stature, but abstains from disciplining her out of sincere concern for her mental health. The Courier can help her begin to recognize these problems, and convince her to seek treatment from Doctor Usanagi at the New Vegas medical clinic, which proves helpful to her as she processes and heals from her trauma.

In Old World Blues, the Think Tank are five floating brains in jars who express themselves by waving robotic arms bearing screens depicting facial features. Before the War, they were federal scientists who committed crimes against humanity in the name of weapons development. Each is stuck in some sort of neuro-bionic feedback loop which prevents them from moving forward with their projects, mentally binding them to their central laboratory. Walking through their homes at Higgs Village, it's clear each was deeply neurotic before they were transformed into floating brains. Now without bodies, they attempt to maintain the illusion that they are exempt from sexuality as purely mental beings, but each displays obvious interest in the human form. They have codified this shaming with the term "formography." Most of the men are obsessively defensive over their complete disinterest in penises, which they talk about constantly. However, the shameless Dr. Dala shows overwhelming interest in observing and recording any and all human functions. Already androgynous in her pre-War life, Dala has taken to self-identifying as a "gender neutral entity" (though she is not known to use they/them pronouns). Regardless of the Courier's gender, they may coquettishly scratch themselves, clear their throat, and stretch in front of Dala until her biomed gel decoagulates. Dr. 8 also responds positively to graphic masturbation advice from Couriers of either gender. The X-8 research facility is ostensibly a massive immersive shrine to Doctor Borous's hatred of Richie "Ball-Lover" Marcus, a long-dead child who bullied Borous centuries ago. He also clings to his resentment of one Betsy Bright, who refused to attend a dance with him, supposedly so she could "go smoke with RICHIE MARCUS." Clearly arrested in development, Borous has literally built a temple to the fantasy of torturing his adolescent romantic rival and feeding him to dogs. His frozen, static characterization of the jock Richie Marcus as a "pinko-commie" who "likes balls" reflects the shallowness, pettiness, and overall misanthropy underlying his patriotic identity. It remains apparent throughout Old World Blues that the Think Tank are all chronically sexually repressed, which is inseparable from the values of the violent and judgmental pre-War culture which created them. With time and isolation, this ingrained repression has manifested as various intense and deranged psychosexual behaviors, including rage-fueled homophobia, voyeurism, and the obsessive performance of puritanical pretense.

____

“Although I’ve been out for a very long time, I made a conscious effort to be out with relation to this project, as I wanted to be visible as a lesbian in the game industry. New Vegas itself is, I think, one of (if not the) best games out there in how we treat homosexuality – and all of that is very intentional.”

“If my work on FNV, if my being out has helped even one gay person, then I have succeeded.” — Tess “Obsidian’s Gay Cowgirl” Treadwell

____

written (with help from other editors) for fallout.fandom.com/wiki/LGBT_representation_in_the_Fallout_series criticism welcome

[zedecksiew]

DECOLONISING D&D

In 2019, after seeing yet another round of alarmist discourse in Xwitter about how Dungeons & Dragons is FULL of COLONIALIST tropes and patterns, and needs to be revised, SCRUBBED of its PROBLEMATIC FILTH---I rage-tweeted this brainfart:

"Decolonising D&D"

I've seen this thread round the community, since. Humza K quotes it in Productive Scab-picking: On Oppressive Themes in Gaming. Prismatic Wasteland quotes it in Apolitical RPGs Don't Exist. Most recently, it was referenced in a 1999AD post about Western TTRPGs (an interesting discussion on its own merit; one that already has a counterpoint from Sandro / Fail Forward.)

If folks are still referring to it five years later, maybe I should give the thread a little more credit? Perhaps the fart miasma has crystalised into something concrete.

In the interest of record / saving this thought from the ephemerality of Xwitter, here is the text in full, properly paragraphed, and somewhat more cleanly expressed:

+++

"DECOLONISING D&D"

Firstly: saying "D&D is colonialist" is similar to saying: "the English language is colonialist".

If your method of decolonising RPGs is to abandon D&D---well, some folks abandon English; they don't want to work in the language of the coloniser. More power to them!

For those who want to continue using the "language" of D&D---

Going forth into the "wild hinterland" (as if this weren't somebody's homeland);

to "seek treasure" (as if this didn't belong to anybody);

and "slay monsters" (monsters to whom?)

Yeah. There's some problematic stuff here, and definitely these aspects should make more people uncomfortable.

But! I think it is an error to "decolonise D&D" by scrubbing such content from the game.

That feels like erasure; like an unwillingness to face history / context; like a way to appease one's own settler guilt.

Do you live in the West? Do you live in any Asian urban metropole? White or Person of Colour(tm)---you are already complicit in colonialist / capitalist (yes, of course they are inextricably linked) behaviour. (I can't speak for urban metropoles elsewhere, but I bet they are similar centres of extraction.)

Removing such patterns from the TTRPGs you play might let you feel better, at your game table. But won't change what you are.

I think it is more truthful and more useful NOT to avert one's eyes from D&D's colonialism.

The fact that going forth into the hinterland to seek treasure and slay monsters is a thing, and fucking fun, tells us valuable things about the shape and psychology of colonialism. Why conquistadors in the past did it; why liberal foreign policy, corporations, and post-colonial societies do it today.

Speaking personally:

I write stuff that evokes / deals with the context I'm in---Southeast Asia. An intrinsic part of that is looking at the ways colonial violence has happened to us---as well as the ways / reasons we now, supposedly free, perpetrate it on others.

A long chain of suffering. Heavy stuff.

I also write for people who want to have fun / kill monsters / pretend to be elves, of course. But for those people who want to consider serious stuff like colonialism: I offer no FIGHT THE POWER righteousness, no good feeling, no answers.

Only discomfort. Because the truth is uncomfortable.

Here's a screenshot of the Author's Note for Lorn Song of the Bachelor:

"Any text inspired by Southeast Asia has to reckon with colonialism ... This text presents a difficult situation; there are no easy solutions. "... If I offered a mechanical incentive for you to fight colonial invaders, you wouldn’t be making a moral decision, but a mercenary one. "The choice you face should echo ... the kind of calculus my grandparents faced."

I stand by that.

Also: might we be more precise and more careful about using the term "decolonising", please?

Here I quote Tuck and Yang's landmark and (sadly) still trenchant "Decolonization is not a metaphor":

"Decolonization brings about the repatriation of Indigenous land and life; it is not a metaphor for other things we want to do to improve our societies ..."

+++

Further Reading

So this post isn't just me reheating a hot take, here are some touchstone writings from around the TTRPG community about colonialism as a subject and mode of play in games:

+

"Jim Corbett was called upon to hunt down another fifty maneaters over the course of the next 35 years. Together, those tigers had killed over 2000 people, for much the same reasons as the Champawat Tiger - injury, desperation, starvation, and habitat loss. Would you look at that. The root cause was British colonialism."

D&D Doesn't Understand What Monsters Are from Throne of Salt

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"Another effect of having colonizers in my setting would be giving players the opportunity to drive them away from the islands, their home. This maybe just be for the catharsis. After all, isn’t catharsis a big part of why we play roleplaying games?"

I’m Adding Colonizers To My Setting from Goobernut's Blog

+

"When you have a slime boy and the other characters are a really fat lizard and one's playing Humpty Dumpty, it completely shatters the straight-faced serious authoritarian illusion of race, and replaces it with complete fucking nonsense. I love the idea of proliferating the number and types of "races" into absurdity, to the point where the entire logical structure of it collapses in on itself and race as a category ceases to become coherent or meaningful in any sense."

Interview with Ava Islam - Designer of the RPG Errant from Ava Islam / The Lost Bay

+

"Perhaps most critically, the fundamental basis of power is not land or even money but manpower. That’s what local rulers fight over, and what Chinese commercial networks export, in return for unique island products. It’s what the European colonists really need (even if it’s not what they most desire). There is rich loot to be grabbed in the form of spices, Spanish silver, Indian gold, sea cucumbers (the Chinese love ’em), perfumes, dyes, cloth etc. so there’s ample opportunity for piracy, trade and smuggling, but the key to long-term success – the key to independent survival – is nakedly and unquestionably uniting people."

Counter-colonial Heistcrawl: previous high scores from Richard's Dystopian Pokeverse

+

"They worked their own land—which they dispossessed from American Indians—or became small shop owners or opportunistic gold diggers or bounty hunters or itinerant ranchers. To me, substituting these situations for one ruled by industrial monopoly ignores that the Wild West is a perfect example of how capitalism operates outside of (or prior to) mass industry, instead being composed of self-employers and self-sustainers."

Fantastic Detours - Frontier Scum from Traverse Fantasy / Bones of Contention

+

"... using the Western framing and D&D's baked-in imperialist and capitalist structure to get people earnestly participating in the experience of forming imperial power structures and the early roots of regional capitalism ... The PCs aren't the drifters on the train or the townsfolk watching with apprehension - they're the railroad itself."

An Arrow for the General: Confronting D&D-as-Western in the Kalahari from A Most Majestic Fly Whisk

+++

[gaydrteeth]

weve graduated from jokingly saying “haha im so ocd!” when you like when things are organized to very seriously saying “we are giving eachother moral ocd” when people feel guilty the cycle is unending and hellish

im gonna crash out im sorry

[homunculus-argument]

Come to think of it, I really like doing worldbuilding in common misconceptions caused by survivor/sample bias. I got too gleefully into infodumping about worlds I made up, so I'm going to be merciful and throw a cut-off right here:

(damn, you're still reading? Well, that's on you. Here we go.)

In The Book I Am Not Writing, the fisher folk have very strict concepts of ritual purity, being strict about seemingly arbitrary rules of cleanliness, and they simply don't do extramarital relationships. They are, however, polygamous both ways, so consulting the other spouses about introducing another wife or husband into the marriage is always an option. They also seem to have absurdly large flocks of children. Being both an unusual ethnicity who are commonly considered pretty, and also essentially completely off-limits for casual sex, they are often fetishised, and there's a myth that fisher men are so insanely good in bed that their wives simply cannot resist the temptation of their four sexy husbands even if they're otherwise absolutely done getting pregnant all the time.

The truth is a lot more complicated than that. First of all, in the multiple-spouse marriages, all children are raised between all parents and many clans consider it inappropriate to inquire which kids are biologically whose, so if one or two of the partners has fertility issues, nobody from the outside would know. And the seemingly arbitrary purity rules aren't all that random either - many of them actually ensure a higher standard of hygiene than what other cultures around them have. This, and restrictions about marrying within one's own clan to avoid inbreeding, ensure healthier children. They aren't fucking and getting pregnant more than any other peoples, they have more children because of lower infant mortality.

The Travellers are also "outsiders" living in diaspora, who are - as their name implies - itinerant and never stay in one place for long. Not by choice, though many of them will say they'd rather live this way than to ever settle down, but because almost all towns and cities have discriminatory laws explicitly prohibiting Travellers in particular from staying in the city for too long, or limiting how many of them can be allowed within the city walls at the same time. They don't call themselves Travellers, but refuse to tell outsiders what their own language's name is for their own people, out of fear that the name would be appropriated and turned into a slur. Secrecy is the only privacy that they are allowed to have.

An unusually large number of Travellers also have unusual physical traits, dysmorphic structural features, and congenital disabilities. This is used as xenophobic cannon fodder by citizens of the Empire, treated as proof that the Travellers are so morally crooked that it even deforms their bodies. This, of course, is bullshit. In truth, Travellers do not have any more disabled or deformed babies than anyone else - what they do have is a strong culture of NEVER abandoning one of their own. No matter what. So while people of the Empire associate health and beauty with moral goodness, and consider having "imperfect" babies shameful, Travellers simply don't practice the common peoples' common habit of abandoning or discreetly 'disposing' of children who aren't likely to survive into adulthood, or who will need support their entire lives. "What can be done to one of us, they will do to all of us" is how they live, so nobody gets left behind.

On the opposite end of society there are the Baronesses, the Empire's all-female army of trained magic-wielders. A military class, whose inherent magical powers do not even manifest in every child or even every generation, but when it does, it's always on girls. Daughters are trained for combat, they are the ones to carry on the family name. Since a woman does not need to be married in order to be sure that all her children are hers, sons are not particularly valued even as political tokens for arranged marriages. It is considered common knowledge that there's something in "wielder blood" that makes the male carriers of it weak just as it makes the female ones strong, and that is considered the reason why the male members of wielder families tend to be so dysfunctional, emotionally frail, rampant with substance abuse and more likely to die in the womb or in early infancy.

It is politely never questioned how downright convenient it is that it just happens to be the less wanted sex who are far, far more likely to simply perish away for no apparent reason, especially when it comes to the most harsh, highest-ranking, and most competitive wielder families.

Far across the great ocean, on the opposite corner of the map of the world that the Empire knows of, are the Northlands. Almost mythical mystical lands, that are the source of the various types of thick white pelts and some other exotic goods, commonly supposed to be populated by completely wild, savage people. Northmen are all lumped together, as most people of the Empire would find it hard to believe that the Northmen have even one civilised culture, not to speak of consisting of several cultures and creeds with their own languages and customs. The only few Northmen that the Empire has seen have been foreign sailors in port towns, or perhaps someone's unit of rare exotic bodyguards, undoubtedly a weird flex.

Northmen are considered feral, and the "civilised" ones a strange exception to a supposed rule. It is said that they are exclusively carnivores, eating only meat like tigers and drinking only alcohol. That they are nocturnal, with eyes like cats and wolves that gleam in the dark, and that sunlight hurts them. The sun never rises in their lands, so naturally the people are as pale as cave olms, just like the pelts of their animals are all white. And just like cats and wolves, their infants are all born with blind blue eyes, which either stay blue or turn yellow once they grow.

This, too, is a mishmash of myth and half-truth. Northfolk who venture this far south are more likely to eat meat than any fruit or vegetable they are offered, since they are more familiar with what goat or chicken taste like than any fruit of this strange climate. Northland alcohols are generally bitter ales and dry wines, and the sweet liquors and strong wines of Southlands are a treasured luxury for the ones who are familiar with them, and a very fast way to get shitfaced if one isn't. They aren't nocturnal at home, but having no other protection from the relentless sun, they do prefer to move at dusk to avoid getting sunburn. And The Long Night only lasts a few weeks or months, but that's difficult to explain to people whose common language doesn't have words for "snow" or "winter."

There are no Nothfolk with yellow eyes, but blue eyes are very common, and to Southland people to whom both eye colours are unnatural and associated exclusively with beasts and carnivores, they rarely notice that they've never seen a yellow-eyed one. And being born with blue eyes like wolf pups and kittens isn't a myth, that really is a thing that happens to white people.

[witherby]

Omg hi!!! I love your mer!reader series and I was wondering if you take request? If so could you do batfamily headcanons in squid game? (You don't have to of course.) I just finished season 2 and im really excited for season 3.

Love you and keep writing❤️

Hi there! I can sure try!!! I only ever saw season 1 and that was like two years ago but I'll do my best!

( This is operating off the assumption that they are not all in the game together, otherwise they'd all make it out very easily. )

BRUCE WAYNE:

He's killing it. Not literally — moral code and all — but he's crushing this competition. Bruce Wayne's picture is in the dictionary when you look up "Strategist." He got into the games voluntarily and he will get back out alive, no question. He's doing what he can to help other players survive, but he didn't go in as Batman so he doesn't have any of the gear to help as effectively as he could've. He's gotta play it creatively and in a way that doesn't get him or anybody else disqualified for cheating. It doesn't take long for him to find any loop holes in game rules that allow for multiple people to get out of it alive.

Bruce entered the games, not for money, but to find out who is behind them and bring them to justice, so that no other financially disparaged people have to consider putting their lives on the line in order to clear their debts and start fresh.

DICK GRAYSON:

I feel like he didn't end up here on purpose. I really think he either signed up for something and thought it was a silly lil competition, or that the organizers of the game kidnapped the wrong guy and Dick just went with it because he had nothing better to do. Either way, he's here, he's intrigued, and he's gonna save everybody he can while keeping your spirits up.

The jokes never stop. He never stops. Motormouth is what the other contestants end up calling him. Dick makes one of the masked guards snicker once before they get whisked away, and that does make him feel quite a bit bad. Dick's not immediately looking to destroy the system from the inside out (he'll come back and do that after the games are over). Instead, I think his goal would be to convince all the surviving players that they should vote to end the games and go back home. He'd try to be their voice of reason, to convince them that there are better ways to pick themselves up and rebuild their lives than risking death just to get some fast cash. And I think it works.

TIM DRAKE:

Tim is the opposite of Dick. He was not invited to play but he did deliberately steal another contestant's spot to get put into the game. Like Bruce, he's already out-logic'd most of the competitions to create the most amount of survivors, but he also came prepared. The deadliest competitions are suddenly sabotaged not to be as deadly, or not to work at all. Hidden weapons being offered to other players to start a riot and dwindle the numbers have all suddenly been replaced with soft foam bats and nerf guns.

He already knows who's behind the whole thing, he just needed an in so he could tear it all down quickly and cleanly. When Tim is done, he'll be missing for 48 hours at the absolute max, and leaving that place with justice done and a huge, smug smirk on his face. What, like it was hard?

DAMIAN WAYNE:

Damian is tough. I think he caught wind of the whole operation and went undercover as one of those masked game monitors/referees so he could also dismantle it from within, but with less computer hacking and sabotage, and more slashing. I think this method works best as early Damian, who has barely been introduced to his dad for like a week, before he just drops off the face of the planet for a couple days and comes back blood-soaked.

"Hello, father. That suspicious money scheme you had your eyes on? I solved the problem. What do you mean, what am I covered in? Would you believe me if I told you it was ketchup? By the way, your No Killing rule is stupid."

JASON TODD:

Post-resurrection, he's not doing anything with any subtlety. At least Damian took the time to work his way in with a disguise. Red Hood is finding out where the whole shindig is taking place, gathering a crew, kicking doors down, and setting it ablaze. He doesn't have time for games, and the longer he waits to act the more innocent people are dying. He shoots the giant money ball down and lets the players collect it freely, tells them how to leave, and peaces out without looking back. In and out, job done, on to the next one.

[moralesmilesanhour]

teamwork (makes the dream work...?)

genre: enemies to lovers I guess? I'm bad at these 😭

summary: one week, your usual work partner is absent, so instead you are seated next to a genius with attitude problems. it happens.

wc: ~500

A/N: if i can manage to be consistent for once, this will probably be a series because I haven't done one in a while. pls feel free to leave your reactions in the tags or comments! happy reading 🫶🏾

next see all parts in my masterlist!

Sunlight filtered through the large classroom window. Usually, you'd be seated right by it, letting the rays warm your face in the air-conditioned room.

Not today. Your usual partner was out sick, so you were moved to the back of the classroom. Blocking out the sunshine was the silhouette of a boy you had only seen in the hallways once or twice.

He had deep brown skin, with two neat cornrows cascading down either side of his neck and brushing his shoulders. You also made out an undercut, faded cleanly beneath the braids. There was a case meant for holding glasses sitting at the front of his desk, but no spectacles sitting on his prominent nose. 

The boy was bent over his worksheet already, arm covering the page.

"Hey," you said with a pleasant upturn in your voice. A full thirty seconds passed. He didn't answer, so you try again.

"Um, excuse me-"

"I heard you." 

The boy kept his eyes on his desk, brows knitted together with focus. He was making broad, sharp strokes with his pencil. His elbow moved for a moment, revealing not a sheet of math problems, but a piece of printer paper filled with intricate geometric designs. Precise lines come together to create the form of a caped figure. It has large, mechanical claws and a mask with sharp, wide eyes.

"That's a cool drawing," you commented. The boy's shoulders jumped to his ears as if he'd been caught before dropping back down. He finally looked up from the page and paused. Wide, brown eyes flickered across your face, trying to determine what to make of you.

"Thanks," was all that the boy said before returning to his sketching. It wasn't long before you interrupted him again.

"You not gonna finish your work?"

"I'm already done, that's why Ms. Jones put me back here and let me rock."

Your eyebrows shot up in surprise. 

"Well, excuse the fuck outta me," you muttered to yourself. 

You messed with the sleeve of your royal blue uniform blazer in silence, weighing your options. Ms. Jones wasn't going to let you turn in another incomplete assignment, and this kid couldn't even be assed to say 'hello'. A deep sigh escapes your lips.

"Can I get your name, at least?"

The boy set his pen down with a slam, and looked up at you as if he'd just been asked what color the sky was.

"Morales," he deadpanned, with a slight roll on the 'r'. 

"Which Morales?"

"Miles."

You hummed in slight recognition, having heard the name somewhere before, murmured next to you in passing.

"You Dominican?"

"Puerto Rican."

"Oh, cool."

"M-hm." 

He picked up his pen again and began to twirl it between his pointer and middle finger, but held your gaze. You looked like you were finally about to get to the actual question.

"Well, Morales," you began with a smile.

Here it comes.

"Since you're done, can you help me with-"

"No."

You scoffed, "What's the point of being partners, then?"

Miles had already returned to his original position, scribbling away. He didn't look at you, this time.

"We not partners, ma."

...And so began the longest school week of your life.

[intimacyequalsdeath]

Can i ask dor 'don't you trust me' with Michael Myers?

Of course! Sorry these requests are taking so long, college has been kicking my ass recently but I'm gonna try and upload more regularly. The prompts the anon chose for this request are: Prompt 1: "Don't you trust me?"

For future requests the prompt list is HERE Notes: Minors DNI, SFW, No specific pronouns or description of reader are used as anon did not specify as always I hope that's ok anon! TW: Talks of canon typical violence but that's about it.

You looked on, rather unimpressed, as Michael washed off his hands and his knife in your kitchen sink. He had been doing it as long as the two of you had been together, quite frankly you never knew the infamous shape of Haddonfield had any moral compass at all when it came to cleanliness but you guess even he got to be annoyed by it after a while.

"There's blood on your mask too Mike"

He craned his neck to look up at you from the sink. He stopped scrubbing his hands momentarily and tilted his head at you ever so slightly as almost a "what?" expression. You sighed and rolled your eyes.

"You can take your mask off here Michael, ya know, to clean it?"

Michael had only ever taken his mask off long after you had went to bed despite the fact that the two of you had been together, which you always kind of assumed was an official relationship since Michael wasn't really much of a talker to confirm or deny it.

Michael gave something that resembled a half shrug sort of thing before returning to scrubbing his hands.

"Ya know, It's not like I'm going to tell anyone who you are under there"

Michael didn't look up this time, ignoring you and he finally finished washing his hands of the blood and turned to grab the hand towel you laid out for him.

"Plus I mean, we've been together for a while and I've kinda sorta never seen your face"

Michael set the towel down after he was down with it and without so much of a glance left the kitchen. He put his foot on the first stair heading upstairs before you called out after him.

"Don't you trust me?!"

Michael paused, you waited with baited breath as you stared holes into the back of the mask, the bane of the argument. He stepped back off the stairs and slowly turned around to face you.

A moment of stale air passed between the two of you before he began slowly stepping toward you as opposed to where he was going. You stood your ground as he approached, knowing that Michael wouldn't hurt you.

Michael stopped in front of you, peering down at you from inside the mask. You peered right back at him, his eyes emotionless as usual as the two of you held direct eye contact with one another.

Michael's hand came up and for a split, fleeting second you thought he might strike you before his fingers wrapped around the bottom edge of the mask. He gripped it and slowly pulled it over his head until it was entirely off of his head. You kept your eyes connected to his as he stripped himself of his poisonous identity for the first time right in front of your face.

You spared a glance to allow your eyes to scan over his face. Allowing yourself a moment to take in each feature as you took in the man that you know but at the same time had no idea who you were dealing with. Emotionless orbs watched you as you took in his features, Michael stood so still that if you couldn't feel his warm breath fan across your face you would think maybe he was frozen in time.

After taking in his features you gave a gentle smile. Again, as usual, Michael stared on emotionless, but you smiled anyway. Michael, shockingly, allowed you to take the mask gently from his hand as you took it and placed it on the kitchen counter next to you. You then took your hand into his and lead him gently up the stairs where he was originally headed before you had reached your breaking point.

Michael allowed himself to be at your will and follow you up the stairs. His mask lay there, still sitting on the counter where you had put it. Michael would probably grab it in the morning and slip it back on and it would most likely be awhile before you saw his face again.

But tonight, you were going to drink him. Enjoy him and the fleeting moment of vulnerability. To Haddonfield he was the shape, but to you well, he's just Michael.

[multiheadcanons]

MERCS AS ROOMMATES. I HAD A PSYCHO DREAM

scout: a fairly normal roommate to the team. his room will always be nasty, but his nastiness will never reach common areas. he can hear his mother in his ear anytime he even thinks about leaving a plate in the sink when the dishwasher is right there. he’s a guy you have to let know if you’re running out of something. he’ll go get it, it’s a quick trip for him; he’s just not gonna intuit that you’ve ran out and think “i need to get more before we run out”. good about chores, but hates cleaning the bathroom. would rather do anything else but the bathroom. also, he doesn’t care if you’re a dude or a lady or whatever EVERYONE does outside chores together and EVERYONE splits the work. especially in the hot months, he is very serious about making sure everyone’s on task so they can all be done faster. he is a social person, and will force more introverted members of the team out of their rooms, or force himself into them.

soldier: soldier is a clean roommate, and he spends like ten minutes in the bathroom. that’s about as far as the positives go. he’ll bring strangers, random and rabid animals into the base. a nightmare in the kitchen, it’s not even safe to go in there if he’s in there, but at least he’ll clean up the mess. his saving grace is truly his cleanliness, even though you can tell when he’s in a room, you wouldn’t know after the fact. it’s almost cleaner than when you left it. soldier likes to bulk buy. the base will rarely, if ever, run out of anything that doesn’t expire. wouldn’t say he’s a social roommate, but he is a chatter. doesn’t mind being approached and doesn’t feel awkward approaching others to talk.

pyro: if pyro has their own room, you will hardly notice they’re in the building. you will notice a heat emanating from their room, but you won’t smell anything suspicious. pyro took the room connected to the single one-person bathroom, so it’s not even like they have to particularly share toiletries with the team. they just have to make sure their list of what they need is brought to heavy or sniper before the next grocery run so they can get what they need.

demo: a very loud roommate. frankly if you don’t hear demo he’s either doing something he’s not supposed to or something is very wrong with him. even when he’s asleep he’s an audible man. when demo is silent, it’s almost like the entire base is silent. sometimes, because of how hectic all the men can get, it’s refreshing! but it’s only refreshing for about five minutes before everyone wonders where the party’s at. the team wants demo around more than anyone really thinks they want him around. nobody’s upset at his volume, at his social nature, he’s just a lovely guy to be around, and a staple of team morale.

heavy: heavy is a quiet man, he just doesn’t stay in his room. he prefers to locate himself somewhere in a common area so he’s easy to locate and quicker to move in case something goes wrong. the only thing is he does keep one of his ladies (one of the miniguns) directly in front of him on the floor, and he will get mad at you if you trip over, ding, or otherwise touch his gun. but frankly, it’s so hard to miss heavy or his gun that yeah, if you don’t see it it’s kind of on you. other than that, he’s actually a very calm, easygoing roommate. regular user of common areas. as one of the quieter teammates, him being located somewhere visible gives the more isolated or introverted teammates a quiet place they can all gather, while he also has the patience to field the louder, more extroverted members.

engineer: engie stays in his workshop more often than not. he’s got a connected bathroom so the only reason he’s ever out of his workshop (his favorite place to be) is to go to the kitchen, or the lab. engie is personable, but engie is not friendly. he’s not one to reach out to his teammates, and he doesn’t really like people in his personal space that he doesn’t explicitly allow. scout and soldier have worn away at him slightly in this sense, and he’s gotten to a point where he can withstand people in his workshop for a few minutes, at least. but after about an hour he’ll politely, yet firmly ask you to leave. he just wants his space to be left the way he likes it. he has no complaints otherwise, and nobody has any large complaints with him. he cleans up after himself, and his mess is contained to the workshop.

medic: the doctor stays in the infirmary. medic has the most square footage of space out of the team. he has his infirmary, which is connected to the lab (he shares that with engie), which is connected to the respawn room, and he’s got his own bathroom in the infirmary. took the initiative himself to turn an essentially empty walk-in storage closet into a makeshift bedroom. aka he put a bed in there and took out the shelves and put a candle in there for when he needs light. not to mention, he’s got his own bedroom in the support wing of the base that is actively collecting dust because he’s never in there. just his various things that he doesn’t want in the infirmary. medic is a whirlwind wherever he goes. as he walks through the base, you can tell where he’s been because the energy he exudes is palpable, and the tonal shift is staggering as you hear his boots click down the hall. it’s his vicious drive by vibe killing that most of his teammates have a problem with. when he’s not in active motion, and has taken a seat, most people won’t even register he’s in the room until he speaks.

sniper: snipes has a room in the base, he doesn’t use it unless there’s inclement weather out. he prefers the seclusion of his van. because of that, most of what he needs is in his van. he makes runs to the grocery store for his teammates, he’s happy to help inside the base as well, but he does expect to be left alone for the most part whether he’s in or out of the base. that’s not to say he won’t welcome company, he just doesn’t really expect them to talk to him unless they need something. it makes it hard for the team to really connect with him.

spy: spy is a decent roommate, if only dickish. bitched his way into having the smoking room, bullied his way into the biggest bedroom, essentially has his own bathroom since medic is perma-located in the infirmary, and sniper doesn’t use the base regularly, and he won’t let anyone else in that bathroom. no matter how hard they beg. it makes sense if you see the bathroom, he pimped it out, lowkey. changed the lighting, took out the extra toilets, put a tub in, got high quality towels, nobody knows how he did it. so imagine his shock when he goes to use his restroom, and it’s locked, and as he starts knocking on the door, an australian voice calls out “occupied”. he almost threw up in his mouth, and he had no basis to complain.