#but it turned out okay

[pompomussss]

Something light and sweet (they’re on their way to save the GPDA)

[v-exian]

some lovers for all of y’all <3

[flying-seals]

My first sort of reference sheet for my oc! I added a bit of backstory on which I might expand a bit soon!

Next drawing I make will probably be of Anne's heart horse Opalace, but first I'm taking a short little break from drawing :`)

[mirick-vn]

[ wip ] drawing that one scene of noé dragging domi under the blue moon for an art assignment :3

[boopdotcom]

Hey did I mention your boopdotcom.com pfp can be a gif?

[nonsensefromtheabyss]

Chapter 4: You Are My Delightful Intruder

"—And over here we have the entrance hall! I really love the new stained glass—card suits, see? Husk suggested it. The hearts are my favourite, but I think you'd probably like the spades… or maybe you'd hate all of it; it's my dad's work, after all..."

Hazbin Hotel—second of its kind, alter of redemption, centre of self-improvement, and birthplace of second chances—positively glistened under the Pentagram's blood bright, noonday light. It was a glorious, crimson peacock of a building, with stained glass plumage and gilded eyes of cut crystal that stared proudly out over the Pentagram as though it were an Overlord in its own right. It looked too good a building to belong to Hell and yet, as it rose from the grim maroon of the heat-cracked, blood-soaked, eyeball-studded earth, it was impossible to imagine it anywhere else. 

At long last, the labour of rebuilding was complete, and Charlie was giving her very first tour of the premises to an old tapped-together cathedral radio cradled in her arms.

[saveyoua-seat]

I just watched Zoey 102 and LOGAN IS SO LOGAN I LOVE IT I LOVE HIM

[monstermonger]

I'm convinced mama dragons carry their babies around in their mouth for protection, like how crocodiles do...

[eydilily]

Flee with extra flee!

[mroddmod]

everyone be quiet i'm manifesting

[inkskinned]

having good & true friends will literally save and protect you in a million unfathomable ways. like okay we have written so many times about lovers. but the way a platonic friend laughs and cries with you. the way they hold your hand at 14 years old and at 34. the way they keep a little silver tie to you, touching base over and over and over. how you can go years without talking, only to re-meet and discover: oh shit! you're still cool!

there are people who have been in my life for more than half of it, and i have loved every version of them. do you know how fucking beautiful that is. yeah love will save the world. but the way friends love you is gonna save the you.

[demigod-of-the-agni]

Quick little drawing of our favourite queer Spideys 😌

Guys you can use this as a banner or a background or a header or whatever, as long as it’s credited you’re free to do so <333

[akanemnon]

Despite everything, it's still you.

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[wanderingibon]

" I noticed that you've been smiling more, Lucanis. "

" ...Have I? ...Si, I suppose I have been. "

[cacturne]

damn that was easy

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show: