#but it needs to be regulated

[arikihalloween]

Here, just take some generated songs I found with Out Of Bounds/WTTMV in mind.

https://drive.google.com/file/d/1mun1x1g7Gq2ibxwudg5TaZYw4SN-kcRX/view?usp=drivesdk

https://drive.google.com/file/d/1Uvb5Q6N64vAFTJx_gvz2DJNS5MsqvAcZ/view?usp=drivesdk

Oh ! I did one of those before for my own username and main project

I find it funny, it funky nonsense music

Not very wttmv or oob vibe but still fun !

[murderouswidowsmatter]

The problem with “senseless violence” narrative around the UnitedHealthcare CEO is that it ignores the inherent violence of the insurance industry. Denying someone lifesaving care is violence. Subjecting someone to drawn out periods of pain before treatment is violent. The industry is made up of millions of acts of violence everyday, with the CEO at the helm guiding it all. This is not unprovoked and it’s not an overreaction; it is just harder to ignore

[cozylittleartblog]

cant tell you how bad it feels to constantly tell other artists to come to tumblr, because its the last good website that isn't fucked up by spoonfeeding algorithms and AI bullshit and isn't based around meaningless likes

just to watch that all fall apart in the last year or so and especially the last two weeks

there's nowhere good to go anymore for artists.

edit - a lot of people are saying the tags are important so actually, you'll look at my tags.

#please dont delete your accounts because of the AI crap. your art deserves more than being lost like that #if you have a good PC please glaze or nightshade it. if you dont or it doesnt work with your style (like mine) please start watermarking #use a plain-ish font. make it your username. if people can't google what your watermark says and find ur account its not a good watermark #it needs to be central in the image - NOT on the canvas edges - and put it in multiple places if you are compelled #please dont stop posting your art because of this shit. we just have to hope regulations will come slamming down on these shitheads#in the next year or two and you want to have accounts to come back to. the world Needs real art #if we all leave that just makes more room for these scam artists to fill in with their soulless recycled garbage #improvise adapt overcome. it sucks but it is what it is for the moment. safeguard yourself as best you can without making #years of art from thousands of artists lost media. the digital world and art is too temporary to hastily click a Delete button out of spite

[haematoclan]

I present you my "Donnie, the Emotionless, Absolutely Never Crying Badboy" collection:

and, of course:

Yep, definitively no emotions here!

[odinsblog]

The crew of a massive container ship that crashed into the Francis Scott Key bridge in Baltimore early Tuesday warned of power issues before the collision, which caused the bridge to collapse into the frigid Patapsco River, officials said.

Maryland Gov. Wes Moore said the warning from the ship’s crew likely saved lives.

“We’re thankful that between the mayday and the collapse, that we had officials who were able to begin to stop the flow of traffic so more cars were not on the bridge,” Moore said. He called those officials heroes.

Moore noted that the bridge was up to code at the time of the collapse. He said the collapse was a “shocking and heartbreaking” event for the people of Maryland who have used the bridge for 47 years.

(continue reading)

[aquitainequeen]

The WGA has two main stipulations. First, the guild wants to make sure that “literary material” — the MBA term for screenplays, teleplays, outlines, treatments, and other things that people write — can’t be generated by an AI. In other words, ChatGPT and its cousins can’t be credited with writing a screenplay. If a movie made by a studio that has an agreement with the WGA has a writing credit — and that’s over 350 of America’s major studios and production companies — then the writer needs to be a person.

“Based on what we’re aiming for in this contract, there couldn’t be a movie that was released by a company that we work with that had no writer,” says August.

Second, the WGA says it’s imperative that “source material” can’t be something generated by an AI, either. This is especially important because studios frequently hire writers to adapt source material (like a novel, an article, or other IP) into new work to be produced as TV or films. However, the payment terms, particularly residual payouts, are different for an adaptation than for “literary material.” It’s very easy to imagine a situation in which a studio uses AI to generate ideas or drafts, claims those ideas are “source material,” and hires a writer to polish it up for a lower rate. “We believe that is not source material, any more than a Wikipedia article is source material,” says August. “That’s the crux of what we’re negotiating.”

In negotiations prior to the strike, the AMPTP refused the WGA’s demands around AI, instead countering with “annual meetings to discuss advancements in technology.”

The looming threat of AI to Hollywood, and why it should matter to you by Alissa Wilkinson

[krysmcscience]

It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)

Yeesh, this took forever. <:)

There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D

(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)

anyway, i hate backgrounds so much lmao

Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:

I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL

Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:

The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.

They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:

In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:

Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:

Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)

Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:

And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D

what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)

And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:

It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.

Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD

Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.

Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…

Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D

They’re also 100% a sub, obviously

Anyone at all: Your relationship is problematic and potentially toxic

The Lamb: fuck yeah it is, it’s so hot~ OuO

Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:

Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:

Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)

Last but not least, have these shittens:

~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.

The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ

Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES

First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.

I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.

All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).

(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)

Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔

Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.

He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)

I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.

So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers’ devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.

Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…

Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)

They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.

(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)

But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.

He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.

Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.

The Lamb fell HARD for him in that moment. :3c

And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯

oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it

Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)

THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)

[emolionsrawr]

gerrard: buckley, what in the devils name are you doing?

buck, with a clipboard in hand: well, gerrard, i was going over everything in the firehouse and i noticed some things

gerrard: what is it buckley?

buck: well, you sir are in violation of the sexual orientation, gender identity or gender expression discrimination act, over the past week i've noticed you refer to henretta wilson with slurs, very offensive slurs, as well as myself, due to this myself and mrs wilson have made note of each time you've done this, and reported it to our head HR representative, this here *hands gerrard a piece of paper* is a letter from the chief, requesting your presence for a meeting about your retirement

gerrard: you fucking fa-

bobby: i'd be careful if i was you gerrard, and get out of MY firehouse

gerrard: *screws up the paper and leaves*

chimney: see i told you all we needed to do was set clipboard buck on his ass

hen: look i know i'm a lesbian, but buck has never looked so good before

buck: i am the defender of lesbians!!

[thaltro]

We never post rants really but like

We are working on human designs versions of utmv characters and we always hit a roadblock when it comes to dream. Not because he’s hard to design but finding any pre existing references for designs is frustrating. The design itself is bland, he just looks like a generic anime boy - but our main issue is how people pose him as some weak frail smol bean. Grrrr I know it’s canon but goddamit it gets on our nerves. We don’t like how people characterize dream and how dream was written and how he’s drawn aandd asggrgrgffg- he has potential as a character but the infantilization is crazy.

But yeah- wip in designing him

[jedi-enthusiasm-blog]

Friendly reminder that emotional mindfulness and regulation are not emotional repression, but a fundamental part of being a member of any kind of society.

[angelsyrip]

[fistfuloflightning]

Bitter Truth

[my-autism-adhd-blog]

Autistic and Needing Tine to De-Compress…

Neurodivergent_lou

[yuwuta]

Wow I have been nonstop thinking about tennis king yuuta and his little baby boy I’m going to kill you (affectionate) - @yuutito

teeheeeeeeeee….. here’s some more, aleks :’) enjoy :))))))

“Everybody thinks he looks like me, but I don’t see it that way. Maybe it’s because every time I look at him, I see my wife and I’m reminded of her […] I’m a little biased so I see her in everything.” 

You find yourself with tears welling in your eyes the more you read into Yuuta’s latest magazine interview. Between his sweet quotes and the pictures of him with your son, it’s taking everything in you not to burst into full-blown tears. 

Your boys look so handsome. You and Yuuta shared your concerns with publicizing your child at such a young age, but you two came to the conclusion that you’d rather have the control in the narrative than to let private family pictures be leaked uncontrollably. As another point of reassurance, Yuuta’s career provided him with just enough lime-light to be a household name without the crazy fame and criticism that came along being a true celebrity. Besides—Yuuta talked enough about you and your son in press conferences and interviews that it was bound to happen sooner rather than later. 

The article wasn’t entirely about you, or your family—or at least, you’re sure it wasn’t intended to be; you knew your husband had a knack for rambling about his loved ones, even where work was concerned. As you continue to read, you find a segment where the author compared Yuuta’s current statements with something similar he’d said about you twelve years ago—at the very start of his professional career: “If I owe this [winning Gold] to anybody, it’s my girlfriend. She’s always believed in me, even when I didn’t believe in myself. I wouldn’t have qualified or even thought to qualify if it weren’t for her.” 

It feels like you and Yuuta were just two kids in love back then. You didn’t think it could be more than that—you didn’t think you could love Yuuta more than you did all those years ago, but somewhere along the way just being in love wasn’t enough to describe it; Yuuta became your partner, someone you loved fundamentally, but also because you couldn’t stand to see yourself without him. And just when you thought you couldn’t love anyone nearly as much as you love him, you turn the page to a picture of your husband and son peeping through the holes of a racket and your heart feels full. 

When you scan the image more closely, you realize that it isn’t just any racket—it’s an old one, one you’d given to Yuuta as a gift probably back in high-school. You had no idea he’d kept it, but you suppose you shouldn’t be all that surprised; Yuuta is nothing if not sentimental. 

“Ah, there she is~” Yuuta’s voice cuts through your thoughts. When you turn, you see him, with your baby boy on his hip, sliding the back porch door closed. 

Both boys approach you with a smile on your face, and you set the magazine aside to sit up in the lounge chair to greet them. Yuuta presses a kiss to your forehead, then your lips before you do the same to your son. Immediately after, he reaches his arms out for you, and Yuuta chuckles, “You wanna be with your mama? Can’t blame you, I missed her, too.” 

He hands the baby off to you, and takes a seat on the other end of the chair, reaching over to coo at his son as you smother his face in kisses. 

“How was the farmer’s market?” you question, letting the baby settle into your lap. 

“Good, he picked out some very bright peppers, and we got some more strawberries, know you’ve been craving them,” Yuuta smiles, reaching over to pat your son’s head, when the closed magazine catches his eye, and he reaches for it, quickly flipping through, “Ah—I guess that interview’s out. He’s grown so much, even though it was only a few months ago.” 

You find the blush on his cheeks beyond endearing. Yuuta always finds room to be bashful no matter how many times he’s waxed poetic about his love for you, or his family—his cheeks always stain pink like the first day you met him. 

“It’s sweet. You’re sweet,” you smile, sparing a hand to run through Yuuta’s hair, charmed by the way he leans into your touch, “I didn’t know you still had that racket.” 

“Of course, I keep everything you give me,” he says, earnestly. He closes the magazine and scoots a little closer, taking advantage of the proximity and of your touch to lay his head on your shoulder, “Did you… read all of it?” 

“Almost, but no, why?” you question, with a light-hearted grin, “Did you say something that would lead the world to believe you’re somehow even more in love with me? Because you might already be past the threshold, dear.” 

Yuuta hums. He reaches to take you son out of your lap and carefully shifts himself to that he’s laying down, his head on your lap, and the baby in his arms, happily giggling and cooing as Yuuta holds him up. He lowers and raises him back and forth a few times, nuzzling their noses together when their faces are close, before sitting him up on his chest.

Then he tilts his head up to look at you, wide, love-filled eyes blinking slowly before he says, “Maybe… depends on if me saying I want more kids is past the threshold or not.” 

[aunhinged]

Sherlock and House: Oddest shows of affection.

Sherlock: I’ve deduced John’s daily habits down to the exact minute. I know exactly when he’ll be in a good mood, when he’ll want tea, and when he’ll need to be left alone. That’s true love, House. Precision.

House: Please. I accidentally spilled coffee on Wilson’s favorite shirt so I could buy him a new one and subtly remind him I’m thoughtful. He didn’t even notice how manipulative it was. That’s an art form.

Sherlock: Your methods are as sloppy as your diagnostics.

House: Your ‘precision’ sounds suspiciously like stalking, but okay.

John (to Wilson): Is this what happens when geniuses get bored?

Wilson: No, this is what happens when geniuses have feelings and zero emotional regulation.

[thesunoficarus1]

I really fuck with the fact that louis goes to his little zen room when he's overwhelmed. 100+ year old vampire being like "I need to go chill the fuck out before I start killing" and then going and standing in rocks