I also like cupcakeslushie's au but other than donnie living with draxum I don't see the similarities. your draxum is WAY too nice
When I first started writing the fic, @cupcakeslushie's au (I felt like I was talking behind your back if I didn't tag you lol) was also in its very early stages. Donnie hadn't been introduced in the proper comic itself and it was mostly just asks and little blurbs she had posted. So I literally had less Draxum to work with. (also she has made some changes to her Draxum portrayal, his insanity via empyrean was not revealed yet, which...doesn't really explain anything on my end, no)
The biggest inspiration was probably the restraint scars on Three's arms and legs, that's probably what gave me the brain worms for The Table in the first place. Also I was not...planning to make Draxum this good of a father. Like, I knew I wanted him to see Galois as his son and have some complicated feelings about that, but he was originally much worse. Much colder, very high expectations, still good at praising his kid but would also not hesitate to do a 180 if Gale ever fell short. I also planned for him to be much more manipulative and physically abusive, and I briefly considered adding a SA element. (I am very glad I didn't go with that idea) But I was never totally satisfied with that, it just made things too...straightforward, I guess? Just good vs. evil, very little nuance to the story. AUs where Draxum is just evil generally work because he's a driving force behind the story, so it doesn't really matter if he's basic. But I knew I wanted Draxum to have more complexity to his actions, so he had to be much more likable for the audience to consider his validity. Cue Marxist, environmentalist goat-dad who read like a hundred parenting books for this.
Plus I just really enjoyed writing their more soft moments. Draxum is such a hard character, but through Book 1 of doth we see that armor slowly chip away, and now Gale is one of the few people he allows to see in his 'true' form. The removal of Draxum's helmet in chapter 20 of doth is both a metaphor and literal-he's discarded the hard shell that keeps him separated from everyone else, but also he literally did not take that thing off until Gale came into his life.
Also, my original plan was for the 'cracks' in Gale's memories was a little different, and that's where the Three influence would have come in. I don't want to elaborate on that too much because I think I am still going to do something with that idea starting in a few chapters, but it's going to be a much smaller thing. What I originally had planned would have taken over his arcs completely and made them something else entirely, and that's no longer what I want.
So in short...yeah, this is like when fanon takes a character and twists them until they're unrecognizable.
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randomly rememebered a very silly maya content creator AU i came up with like 2 years ago. its just dumb fun haha
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Can we talk about the kind of woman Applejack attracts.
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How did Bonnie get so fucking tall in FNAF 2…
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ᯓ★
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tonight's stream drawing
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Bruce coming home one day to find Robin Jason clinging onto a chandelier with Dick below him cheering him on.
Bruce: Jason what are you doing?
Jason: Dick said that you missed his antics after he moved out and so he’s teaching me how to be a better son
Dick: After this we’re going to drive the Batmobile into the bay :D
Jason: We’re going to what? I mean yeah! Right into the water.
Jason trying to whisper to Dick: Dick I can’t swim though
This just further fuels the chaotic dynamic of Dick and Jason during a time where Dick was still going through his teenage angst and was absolutely not a benevolent role model LMAO
I mentioned it in this post, but it's just so funny to me to imagine a Jason who grew up with an absolutely WILD Dick Grayson as an older brother, while the younger batkids grew up with a more mellowed out and mature (arguable but when measured against the other kids, he wins by a landslide) Dick Grayson.
Robin!Jason era:
Dick: You wanna go out and get high?
Jason: I can't, I have homework.
Dick, sputtering: HOMEWORK?
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Dick, about to do an elaborate (and totally not dangerous) acrobatic move in the manor: Watch this, littlewing
Jason: You shouldn't do that, it'll make Bruce upset.
Dick, on the brink of angry tears: Why are you like this.
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Jason, dejected: Listen, I know you don't approve of me because you think I'm not good enough as Robin, but-
Dick: Not good enough as Robin? I don't care about that, I just think you're a little bitch
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Dick taking Jason out on a hangout for the first time: OK, looks like I got my work cut out for me. Take out a notepad and write everything down. I will NOT have my successor embarrass me like this. So what you wanna do to piss off Bruce-
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[Years later, Jason returning to Gotham with the fury of a thousand suns and the chaos to match it]: I'm gonna make your life a living HELL, Bruce
Dick, older and relatively more chilled out: Okayyyyy, maybe let's just– calm down a lil, haha, no need for the theatrics
Jason, betrayed, observing a Dick Grayson who is teaching his new younger siblings to behave and be mature: Dick, what the FUCK
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Present!Dick, mentoring Tim: Make sure not to be too impulsive, don't wanna raise Bruce's blood pressure
Red Hood!Jason spying on them from afar: Who even ARE you??
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Jason: So you teach me ALL of that, only to turn into the ONE thing you despised so greatly all those years ago
Dick, sweating: Well-
Jason: I'm ASHAMED. How can you be worthy of being called my PREDECESSOR?
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dungeon ponies
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Scenes/Things in Supernatural that genuinely don't make sense to me if Dean was straight:
The confession booth scene.
Sam just rolling with the fact that Dean's siren is a guy while still thinking sirens infect people through sex.
Dean being flustered by several men: Gunner Lawless, Aaron, Doctor Sexy, etc.
All the parallels between Destiel and other couples. (A big one being "last night on Earth" bc how do you do that accidentally.)
Having all the gay jokes be on Dean instead of Sam.
Paralleling Sam meeting his childhood celebrity crush with Dean meeting Gunner Lawless.
The boner Dean got when Cas cleaned up.
Dean gulping after Cas does an impression from a Western movie.
Charlie, a lesbian, calling Castiel "dreamy."
The way Mary looks at Dean and Cas when they hug.
Dean wondering why everyone assumes he's gay, while Sam not caring.
The logic that Charlie can't flirt with guys because she's only attracted to women, but then having Dean flirt with the guy for her.
Dean seeming disappointed when learning that Aaron's flirting was fake.
The amount of time Dean and Cas spend staring at each other.
Dean canonically having an orgy with Crowley.
A woman saying that she knows when someone's pining for someone else to Dean, just for us to learn that Dean was never in love with Amara.
The set design and script choices that lead to a cross in the background while Dean said "I do." to Cas after he came back to life.
That time when Dean wanted to say something and Cas was like, "It's okay, I heard your prayer." But Dean still looked like he wanted to say something important.
Amara: [about Dean] "I can see inside your heart. Feel the love you feel. Except, it’s cloaked in shame.” (Thanks @adeptune01 I honestly forgot about this one.)
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percy has been called smart by hazel, reyna, and annabeth (twice).
to say he’s actually dumb is to disagree with those three women. and if you are disagreeing with 3 of the most knowledgeable, capable, and badass characters in the series… what are you even doing?
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wild strawberries
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The real reason Michael has a British accent in FNAF…
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We were so close to smoking not being cool anymore. We were so close. Then they flavored it mango and now it's taboo to criticize it anymore. People don't ask if they're allowed to vape indoors, they aren't considerate of people who may have health problems that are triggered by the chemicals or if it just bothers them, people don't care that they're supporting an industry built on corruption and greed, they can't see it draining their pockets and much less their health. We were so close to smoking not being cool anymore.
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