#but it is truly just kind of inaccessible

[prettyboykatsuki]

there’s a video essay online of a guy dissecting fifty shades of grey and he basically concludes that christian grey bears a closer resemblance to the author than anna and that that might be where a lot of people self insert and that’s how i think about bl comics bc i would like to top and/or dom men as a woman but that is very hard to find so nsfw bl can satisfy that curiosity for me

wow that is a very interesting conclusion? i would love to watch that but honestly i dont doubt it being true

while it is oddly niche and taboo online, i feel like there is probably a higher amount of women who do that kind of projecting w bl than they fully understand. it gets more complicated for straight women especially imo bc yk gender roles in str8 relationships dont rlly allow the same kind of fluidity

part of the reason im so comfortable with my sexuality in terms of being dominant is bc i am bisexual for sure. it gave me freedom to explore that in my sex life without the limitations of gender and helped me find ways to seek that out when i did date or interact with men. like being bisexual helped me figure out that i am in charge before anything else lool

i think its a lot harder for straight women to unpack that part of their sexuality as it is seen as unwomanly in many ways. and i think bl has probably been an outlet for that historically - especially given the actual history of terms fujoshi and fudanshi etc.

its a lot easier to find femdom comics now - but truthfully even a lot of the best manhwas do not fully fit the bdsm niche. there's a crazy amount noncon and dubcon in those roles and while im not against reading that, it is a different thing to actual bdsm which is what i want to read most. i can count on one-hand the amount of bdsm femdom comics with consent and plot that exist in the world and have certainly read all of them

but i cant be picky in the way i can be with bl. it is genuinely a little depressing for me to think about lmao

[peaceeandcoolestvibes]

Amen,, they think I’ll somehow say yes and I don’t even talk to them

[sunderwight]

PIDW but it's a game.

You play as Luo Binghe, the lowliest disciple of Cang Qiong Mountain Sect's Qing Jing Peak. The first part of the game proceeds more or less like a semi-normal fantasy dating sim -- Luo Binghe is bullied and downtrodden, but can seek help and opportunities to build relationships with various female characters, like Ning Yingying and Liu Mingyan. The game's interface implies a truly staggering number of potential romance candidates to unlock, however, so it makes sense that the first part in your disciple years doesn't get you very far in any of the routes.

But then for the second part, things start to shift. You get an option that seems to amount to asking whether you want to make things better for Luo Binghe or not. When you click the obvious choice, that you do, your previously cold and ruthless shizun seems to go through an inexplicable change of heart. You get a weird kind of fanservice-y scene featuring him during the Skinner Demon Mission. Then he features extremely heavily in the Demon Invasion Mission, only to turn up as your companion in the Dream Demon Mission.

After that, it seems like you've gotten onto his route, somehow? Why does the scummy male teacher even have a route in a game like this, though? You try to check for player guides but you can't seem to find any. You try reloading older saves and making other selections, but no matter what you choose, you end up finishing the Dream Demon Mission by moving into Shen Qingqiu's house, and the routes for Liu Mingyan and Ning Yingying and the briefly-encountered Sha Hualing are all greyed out.

But maybe that just means they're inaccessible for advancement for now, or something. And a lot of games have plot points that are on rails, and you can see where Luo Binghe actually getting a place to live would be one of those things. The format of the game changes as well, going from a relatively loose sequence of scenes and interactions to a daily management style, where you have tasks to complete (make shizun breakfast, go to morning lessons, cultivate, do chores, etc) and only a set number of hours in which to complete them. You have affection points, but any time you try to spend them on anyone other than Shen Qingqiu you get an error message. There are dialogue options for flirting with other characters, but they're always greyed out and impossible to select.

Still, you can unlock scenes. A lot of them are just long slow shots of Shen Qingqiu doing things, like reading, or lecturing, or eating. You get missions, and sometimes you meet female characters who seem to unlock new possible romance paths, even though they're still constantly greyed out. Maybe this part of the game's just especially on rails? Waiting for the actual harem-building segment? You kind of like a lot of aspects of it anyway, though. Luo Binghe is an especially compelling character, not at all like the usual sort of non-entity placeholder main guys in games like this. He definitely has personality.

But then you get to the third part. The Abyss. Shen Qingqiu pushes Luo Binghe in, and suddenly you're wondering if you've somehow reached a bad end. You were saving up some of those affection points for later, maybe you should have spent them all on him? Was there something you did wrong to make this happen? You're not even sure why he's thrown poor Binghe away, he was cold and cryptic about it, and now you're wondering if all the time you spent distracted by other things was time you should have spent farming a better relationship with him. You can't help but wonder where you went astray, because Luo Binghe will not stop wondering about it, and wondering about it in ways that make you feel oddly like he is accusing you, the player, of making the wrong choices... but in a way that could still plausibly be aimed at himself, as a character. You feel bad. You kind of want to restart, but you also can't bring yourself to abandon Luo Binghe. You have to see this through, to help him make it to the other side.

Regardless, the Endless Abyss seems like it must be an inevitable plot development. A lot of the game shifts to account for it. There's even an option to essentially select this "thought" from Luo Binghe's internal diatribe, that this is inevitable, and it seems to turn off the litany of recriminations for a while, although sometimes it also results in Luo Binghe... glaring at the screen?

At you?

Anyway the daily management system goes out of the window, and instead there's an energy bar now. Encounters with monsters or the occasional demon woman will lower the energy bar, how much depends on what you choose and how the encounters proceed. Sometimes there are romantic/sexy responses for interacting with the demon women you meet, and they aren't greyed out, but if you try and select them the cursor will jump to another option. You think there might be something wrong with your mouse? Sometimes you get Luo Binghe glaring at the screen scenes afterwards. When Binghe's energy bar hits zero, you're offered two choices -- "sleep" or "think of shizun". Sometimes even if you pick "sleep" the cursor will still jump to "think of shizun", and you'll be treated to another one of those slow lingering scenes of Shen Qingqiu. Except they are becoming increasingly strange, obviously warped by the exhaustion and trauma of the situation, so that aspects are eerie or even disturbing. For example, sometimes Shen Qingqiu seems to be missing limbs, or eyes. Sometimes there's blood on his hands. Sometimes the food he's eating is rotted, or the bamboo house background looks like the Qing Jing Peak wood shed. That kind of thing. You don't mind the idea of harm coming to the man. He deserves it, really, for pushing Luo Binghe into the Abyss. But the few times you try and select options along those lines, the UI glitches again.

Also the "think of shizun" option only restores a quarter of the energy bar, whereas resting restores all of it. But if you try to go for too long without doing it, it will lock you into choosing it successively for a long time.

In addition to the energy bar, there's a calendar. It's not all that sophisticated or even consistent, and it's clearly meant to reflect the fact that Luo Binghe has troubles accurately judging the passage of time in the Abyss. However, the longer you spend in the Abyss, the more violent and unhinged things start to become, and the more the UI starts glitching to reveal disturbing messages, and the more often Luo Binghe "glaring" scenes happen. So you decide to do your best to get Binghe out of here as quickly as possible. This part of the game must be broken, but hopefully if you can make to the next segment, it will work properly again.

Eventually you get to the Xin Mo Mission, which is the last part of the Abyss section, and Luo Binghe escapes.

But the weirdness continues. Worsens, even. You still get missions to like, take over the demon realms and infiltrate Huan Hua Palace, all cool stuff, and you still meet girls who seem to unlock possibly romance paths. But most of the time everything is greyed out. There will be 5 dialogue options but maybe only 1 or 2 of them will be selectable. Parts of the menu are inaccessible. You don't have an energy bar anymore, you have a Xin Mo corruption bar, and it just keeps steadily rising. Sometimes you're presented the option of propositioning a character to "mitigate corruption", but if you try and click it the game glitches or the cursor freaks out and it fails. Sometimes the game crashes outright, and when you reload your last save, it starts with Luo Binghe glaring at you through the screen. You still get the "rest" and "think of shizun" options at times, but neither one helps the corruption bar.

Then. Jinlan City. You reunite with Shen Qingqiu. There seem to be a lot of options for acting vengefully towards him, but they're all greyed out, except for a few which let you chase him down or manhandle him a bit. The whole segment is frustrating, full of weird fanservice-y moments but also mired in how little Shen Qingqiu will say, how often he insists on evading or running away, and how Luo Binghe doesn't seem to have the right prompts to actually get him to explain himself. At times it seems like the "think of shizun" mechanic is bleeding over into the real interactions with the character, so that you can't tell what's really going on vs what are the manifestation of Luo Binghe's trauma or even hallucinations. The Xin Mo bar has maxed out. You have to catch Shen Qinqiu. Catch Shen Qingqiu. Catch Shen Qingqiu--

Then suddenly the bar is at 0, and you're watching Shen Qingqiu's lifeless body fall towards the ground, his energy expended in the effort to push back the corruption. Like, all of his energy.

You catch Shen Qingqiu. Or at least, you stop his corpse from hitting the dirt.

Now the game art is crisp and clean again. All the weird UI artifacts and blocked-off menus are either gone altogether or else working properly. The sound, which had been very gradually deteriorating with low-pitched ringing and muffled portions, is normal. You can hear characters gasping and distantly shouting, and birds chirping somewhere, the ragged cadence of Luo Binghe's breaths, while the camera focuses on Shen Qingqiu's body.

Huh, you think. That's a sort of dramatic resolution to that plot arc, and it raised more questions about Shen Qingqiu than it answered, really. But at least it's over with now? Does this mean Luo Binghe can finally start to recover, or advance other plots?

Then everything blacks out. You get booted to the main menu, or something that looks like it, except the only option you can select now is the New Game+ one.

When you click it, it seems like you've started the whole game over again. Except that there is a Xin Mo corruption bar, greyed out, already waiting for in a corner of the screen. And instead of starting out with a view of Qing Jing Peak, you start out with the young Luo Binghe looking directly towards you. Like he's staring through the screen. It's the basic starting point character, except he already has his demon mark on his forehead, and his expression is way more cold and calculating than anything the junior protagonist would have worn.

"Don't get in my way," he warns.

Then the game proceeds like a visual novel with extremely limited choices. The old selections and the menu for various romance routes don't even appear, the menus have all changed again, this time oriented entirely around hiding Luo Binghe's demonic cultivation (while building it) and managing daily choices and Shen Qingqiu's relationship status. A romance game with only one romance route, and it's the treacherous crusty old teacher? Wtf? But otherwise it seems almost normal, except for the special faint-lettered red options that sometimes appear in weird places on the screen, suggesting things like preventing the Skinner demon from catching you unawares, or saving Shen Qingqiu from Without a Cure poisoning, or keeping out of the Endless Abyss.

Those options seem like they should create different outcomes, and you click them whenever they show up, but they consistently fail. As if there's some other force in the game pushing things back onto the rails no matter what you do...

Anyway, eventually you get through the main plot again, and Shen Qingqiu dies once more. This time the game keeps going from that point, however, with quests to try and find ways to resurrect him. You're starting to wonder why you're still playing -- after all, you signed up for a harem game, not this tragic gay love story? You're not even gay! It's just that Luo Binghe is such a compelling character. You decide it's time to take a break, though, so you get up, do some stretches, go to the bathroom, etc.

It feels like someone's watching you.

You've definitely been playing that game for too long. Sometimes you think you catch sight of Luo Binghe's face out of the corner of your eye, in the bathroom mirror or on the black surface of your phone's screen, just before you turn it on. But when you look twice or turn your phone off again, nothing's there. You call your little sister, to apologize for dropping off the face of the earth for a bit, and you joke about getting too invested in this weird game that might be broken? She hasn't heard of it, but she sounds a little worried as she suggests maybe coming over and taking you out to lunch, or something.

You decline -- she's got a lot on her plate, and she mentioned already having plans earlier -- but then you promise to get some fresh air anyway. But when you go to head out, somehow you find yourself turning away at the last minute. You try again, and yet it's like you just keep getting distracted before you can open the door. After a few tries you give up, swallowing down your growing unease. You take off your shoes and coat. When it comes to it, you really do want to find out what happens to Luo Binghe next.

The game is running.

You don't remember turning it back on...?

The screen is focused on the familiar image of Shen Qingqiu's preserved corpse. You can see Luo Binghe's hand in the frame as well, transferring qi in yet another familiar sequence, the one that seems to run at the end of every in-game day. There's some text.

Is it you? the red letters ask, scrawling and flickering, as if someone is attempting to write directly onto the screen. Are you the one behind all this? Thwarting me at every turn?

Yes/No options appear in the game's usual font and position. You try to click "no", even though you're unsure and feel like you must have missed a scene somehow. But the interface warps and when you hit "no" it changes to Stay Silent.

I can't figure out. Are you here to help me, or get in my way?

Help/Harm. You click "help" but again it changes to "stay silent" afterwards.

What do you want from me?

This time there's no option to select at first. Then, as if being shoved onto the screen by some alternative function, a text box opens up. Like the kind that some games have for implementing cheats or selecting character names. This particular game has never shown such a function before, Luo Binghe's name was locked in and you don't even know if it has cheats. The cursor blinks, and somehow it feels as if you have only one chance, and if you don't take it now, it will be gone forever.

You type in "help" and barely manage to hit enter before the interface blinks out. No list of prompts or possible options appear.

Shizun? the red text scrawls, shakily.

Then the whole game crashes.

You wait, but it doesn't start up again. You try to run it again, but you can't find it on your system, somehow. Really weird. Even if it had crashed, it shouldn't have gotten deleted? But you still can't find it. You start to feel genuinely alarmed. Not only can you not find the game on your system, but when you try and search for it absolutely nothing comes up. You try and go to the online shop page for it, but you can't remember where you actually got it from in the first place, now that you're thinking about it.

What bullshit is this?

What, was the game actually some kind of virus? It couldn't have been. Also who would make a virus like that? You get up and pace, trying to make sense of it.

It's gotta be some kind of mistake. Maybe you've just missed too much sleep, you're not thinking right. You'll take a break and when you come back you'll realize that you were just looking in all the wrong places, somehow.

You head over to the fridge to grab something to eat.

You can't remember the last time you went shopping, but the food in there is probably still fine. Right?

[carriesthewind]

Ok. I am maybe kind of losing my mind just a little bit.

A few days ago, I mentioned in a post that the IA only cares about information being digitized, not about actual digital access. And I mentioned that access includes patrons being able to actually find what they are looking for, and suggested IA did not prioritize that critical aspect of access. But I didn't really go into any more detail.

So someone over on bluesky linked to this write-up of a talk Brewster Kahle gave about using so-called AI. And one of his reported statements made my mouth drop open in shock.

...and then I read further in the article and realized it was incorrectly reporting basic facts around Hachette, so I had to go and listen to the whole speech myself.* (And I want to say, briefly - he raises some legitimate potential uses for LLMs! He's kind of a dick about some of it ("it's up to us to go and keep [Balinese] culture alive"), but some of the things he's talking about actually seem useful.)

*Incidentally, while Kahle doesn't lie about the ALA brief in the speech, he absolutely misleads about the nature and facts of the case and deliberately omit the part of the story where the IA decided to suspend the one-to-one owned-to-loan ratio thing, despite repeatedly emphasizing that one-to-one was what the IA was doing with their lending program.

And oh my god. He really said what the article reports. (This portion starts around 20:10.)

He says that the IA has scanned over 18,000 periodicals. And that they used to have professional librarians manually create descriptions of the periodicals in order to catalog them. (Sidenote: there are existing directories, but he describes their licensing terms as "ridiculous." This is not a field I know much about, but I spoke to one person who agreed, though for different reasons. His reason is that you can only license, not purchase, the directory descriptions. The person I spoke to was instead focused on the prices demanded for the licenses. Regardless, the idea of creating an open, free directory seems both like an incredible amount of work and an amazing resource...if it was accurate.)

But according to Kahle, it took 45 minutes to an hour to create a description and catalog each periodical.

And so now, instead, they're using AI to make the descriptions and so it only takes 7-10 minutes!

"And yes it hallucinates, and it has some problems, and whatever — but it’s a lot faster than having to write it yourself!"

Oh. My god.

Just.

YOU ARE KNOWINGLY INTRODUCING AI HALLUCINATIONS INTO YOUR CATALOG?!

(And yes, he says that they are "confirmed by a librarian" but it can't really be, not if it's only taking 7-10 minutes! Maybe the librarian can do a quick check for super obvious errors, but actually checking a AI's summary work requires actually going back to the source and reviewing it yourself!)

I just....

I need to emphasize for those of you for who aren't familiar - if a book or article is miscataloged, it is effectively lost. Because it doesn't mater if a library or an archive owes it - if someone can't find it when they are looking for it, it is not only inaccessible, the only way to find it again is through chance. Imagine if you went into a library, but instead of organized shelves (where if even if you can't find what you're looking for, the librarians know where to look), every single book was just piled in a heap.

If a book is miscateloged, it still exists, but it is lost, not truly accessible. And they know that this is happening, "but whatever." Because Brewster Kahle doesn't actually care about real, practical, digital access. (Much less non-digital access.)

(And then to top it off, he goes on to criticize the Library of Congress for not being "access oriented.")

I just. 18,000 periodicals. And they've knowing, recklessly lost who knows how many of them. I feel like crying.

18,000 periodicals.

[trans-axolotl]

content note: this post talks about eugenics, incarceration and institutionalization, and violent ableism

tangent from that post because i didn't want to start writing an essay on someone else's post and this is about a conversation i had irl this month, not intended as a reply to that post. but i actually feel very complicated about the idea of whether or not we should be pushing for more "accessibility" in jails and prisons and psych wards and institutions. i put that word in quotes because i don't think there is ever a way that being incarcerated is actually accessible to our bodies and minds; it is a disabling experience on so many levels. i'm not going to list out all the reasons why on this post; i've made so many posts talking explicitly about the harms of institutionalization before and i don't want to do that again right now. Talila Lewis has given several interviews about ableism, incarceration, and disability that are really worth reading and go more in depth into what that violence looks like. Liat Ben Moshe has also given another interview about disability and incarceration that goes over many of the same topics. given that these places are intense sites of violence towards disabled people, it feels difficult for me to claim that they could ever truly be accessible in any meaningful sense of the word.

what's also true right now is that institutions and prisons are incredibly inaccessible for physically disabled people in particular. i've been arrested with a wheelchair, i've been institutionalized with a feeding tube on top of that as well, i've been held on medical floors for psych treatment before, and i know very well exactly how bad it is. i've watched myself and so many other physically disabled people almost die in these places because of sheer neglect. i have physically disabled neighbors who were killed in these places. it is so dangerous for physically disabled people who are locked up in these places, yet at the same time, often psych wards are so inaccessible that physically disabled people just can't even be admitted because wards refuse to take people with mobility aids, medical devices, specific types of medication or care needs, if you have some kinds of terminal illness, and on and on and on.

what's also true is that when these places are so inaccessible that many physically disabled people are excluded and unable to even access them in the first place, it doesn't mean that we then somehow access other types of care instead. it just means that we're also discarded and left to die. this also is a really similar dynamic for a ton of other marginalized groups that get excluded from psych care--many of my comrades who are people of color have also experienced this same type of denial of care. initially i think that can seem like a confusing contradiction--how is it that psych wards are locking up some people up against their will but refusing to take in other people? but when you start thinking about the underlying logic at the core of these systems, it makes sense.

psych wards operate under this idea that madness must be cured by any means possible, up to and including eradication. institutions are a way of disappearing madness from the world--hiding us away so that we don't disturb a sane society, and not letting us free again until we either die in there or are able to appear like we've sufficiently eradicated madness from our mind. preventing physically disabled people from accessing inpatient treatment is operating under the same assumptions--except that this particularly violent convergence of ableism is happy to just let us die, both because it eradicates madness from the world and because they view our lives as unworthy of living in the first place. eugenics is still alive and well in the united states and it's still fucking killing us; both inside institutions and outside of them.

i would never tell someone that they're privileged for getting institutionalized--i think that would be a cruel thing to say to someone who has just survived a lot of violent ableism. and at the same time, our current systems of mental health care are set up in a way where not being able to access inpatient care can be a deadly logistical nightmare. there are some partial hospitalization programs that have such a long waiting list that you can only really get in if you just got an urgent referral because you're getting discharged from inpatient care--how the fuck are physically disabled people supposed to access those programs? if you need meal support for your eating disorder 6 times a day and the only places that offer that are residential treatment in a house with stairs, what the fuck are you supposed to do? if noncarceral outpatient forms of treatment like therapy, support groups, PHP programs, peer support funding, etc etc etc are often prioritizing people who have recently been discharged from inpatient care, how are you supposed to access any type of mental health care at all? (to be clear i know that not all forms of outpatient care operate in this way, but a lot of state run/low cost programs that accept Medicaid/Medicare operate in that way, and i've seen it cause enough barriers that i know this is a very real problem.)

so when i think about what it would take to actually ensure that physically disabled people can access mental healthcare, there's a lot that comes up for me. on one hand, so much of my work is about tearing down institutions and ensuring that no one is forced into these places to face that type of violence. on the other hand, so many physically disabled people need care right now, and we have to figure out some way of making that happen given the current systems we have in place. i will never be okay with just discarding physically disabled people as collateral damage, and any world that we're building needs to be one that embraces disability from the beginning.

i keep thinking about the concept of non-reformist reforms that gets talked about a lot in the prison abolition movement. the idea behind non-reformist reforms is that usually, reforms work to reinforce the status quo. they're usually talked about in liberal language of "improvement" and "human rights", but when it comes down to it, they're still giving more power to harmful institutions and reinforcing state power. an example of a reformist reform is building a new jail that is bigger and has "nicer" services. or when the cops in my city tried to get funding for more wheelchair accessible cop vans. these are reformist reforms because when it comes down to it, it's still giving more money and legitimacy to the prison system and increasing the capacity to keep people locked up--even when people talk about it using language about welfare for prisoners, that's not actually what's happening. having more wheelchair accessible cop vans would be dangerous for the disabled people in my city--it's helped us out a LOT that it's so difficult for the cops to arrest multiple wheelchair users at once.

non-reformist reforms are the opposite of that--they're reforms that work to dismantle systems, redistribute power, and set the stage for more even more dramatic transformations. They're sort of an answer to the question of "what do we do right now if we can't go out and burn down all the prisons overnight?" Examples of a nonreformist reform are defunding prisons, getting rid of paid administrative leave for cops, shutting down old prisons and not building new ones, etc. they're steps we can take right now that don't fully abolish prisons, but still work to dismantle them, rather than making it easier for the system to keep going.

so, when we apply this to the psych system, what are some nonreformist reforms that could help make sure that all disabled people are having their needs met right now? Some ideas I'm having include fixing the problem of PHP/outpatient care requiring referrals from inpatient, increasing the amount of Medicaid/Medicare funding for outpatient mental health care, building physically accessible peer respites that allow caregivers to stay with you if needed, increasing SSI/SSDI to an actually liveable rate, creating more disability specific mental health resources, support groups, care webs, and a million other things we'd probably need to actually get our needs met. non-reformist reforms for people in psych wards right now might look like ensuring everyone has 24/7 access to phones and internet, ensuring that disabled people have access to mobility aids in these spaces, making sure that there's accessible nutrition for people with dietary restrictions and/or feeding tubes, and more.

when i see people saying that we need to ensure that psych wards or prisons are made accessible it makes me feel nervous. i worry that the changes required to do that wouldn't actually provide care to disabled people, i worry it would just make it easier for increasing numbers of disabled people to get locked up and harmed all while people claimed it was a success story of "inclusion." i worry that it would just continue to cement carceral treatment as the only option for existing as a disabled person, and that it would make it harder for us to live in our communities, with the services and adaptations we need. when i think about abolition, i'm always thinking about what can we do right now, what do disabled people who are incarcerated and institutionalized need right now, what can we do right now to ensure that everyone is surviving and getting their needs met. i'm not willing to ignore or discard my incarcerated disabled comrades in the moment because of my dreams for an abolitionist future, i'm always going to support our organizing in these places as we try to survive them.

overall i guess what i'm saying is that i think making inpatient psych care accessible would require dismantling and fundamentally destroying the whole system. I can't imagine a way of doing that within the current system that wouldn't just continue to harm disabled people. and that as a psych abolitionist i think that means we have a responsibility to each other right now to fight for that, to understand that physically disabled people not being able to access mental health care is an incredibly urgent need. I refuse to treat my MadDisabled comrades as disposable: our lives are valuable and worth fighting for.

i'm also going to link to the HEARD organization on this post. They're one of the few abolitionist organizations that does direct advocacy and support for deaf and disabled people in prisons. if you or one of your disabled community members ever gets incarcerated in jail/prison, they have a lot of resources. donate to support their work if you can.

[girlishguitarist]

I always feel so weird when I see companies making mega expensive “punk” and “goth” clothes. I used to know this other person who kept on wanting to get into the goth scene, and another one of my friends literally was so willing to help her and get her started out with like music recs and clothing tips and she’d constantly tell us. “Oh, but dressing goth isn’t accessible for me. I don’t have the money.”

Which y’know makes sense, not everybody has the money to drop on getting goth clothes. Especially when your priorities are literally keeping a roof over your head and paying bills. We’re all from working class families here. But then we just kind of realised she was referring to the shit you’d find on like… Killstar or Dollskill and everything made a lot more sense. It’s been making me think. Ever since alternative subcultures such as goth, such as punk, even grunge tbf have made their way into mainstream fashion trends on the internet it’s made people believe that the only way you’re able to get clothes to “dress the part” is to fork out shite tonnes of money to these ridiculously overpriced online clothing stores. (You don’t even have to dress goth for example to be goth because it’s a music based subculture but that’s a whole other thing.)

The way trends are today with this whole, “aesthetic” thing along with the consumerist HELL that is fast fashion sparks a wave people just buying swathes of overpriced clothing to hop onto a clothing trend that is actually ripped from a subculture they don’t really understand? Like part of the whole core of these subcultures is that we are anti-consumerist and anti-capitalist. You are a fucking joke.

Don’t get me wrong, I’m not talking negatively about people who truly want to get into these subcultures. There is nothing wrong with that at all, of course there isn’t. I’m talking about people who will see a fashion trend and just hop onto it and really have no idea what they’re doing. (This is part of the reason why I believe it’s unlikely we’ll ever have a new subculture as big as previous ones ever again because of just how everything is a trend now.)

Fashion that has been born from these subcultures has always been DIY. Making your own battle jackets, thrifting pieces of clothing and tweaking them to be how you want. Like… I don’t know about you babes but I don’t think goths in the 80’s were getting their clothes from fucking Hot Topic.

The fact that companies are now and have been making ridiculously priced pieces of clothing to capitalise off of: 1.) People who want to hop on trends because they don’t want to make the clothes they just want the style now, and 2.) People who want to genuinely get into subcultures such as punk and goth but may be misguided as to where to get clothing just makes me so fucking mad because it makes getting into the fashion within these subcultures seem inaccessible and consumerist-ridden when they’re absolutely not meant to be.

[frankensteinmutual]

Sorry to bother you, but dude. You're so fucking cool. Would you consider sharing your top three favorite books (and why, if you feel like it)? Your aesthetic and taste in media is so fucking *it*

Thank you :)

you're not bothering me at all! in fact you just made me smile like an idiot, so thank you 🫀

I think picking a top three is almost impossible for me, but I can do a top 5:

1. we have always lived in the castle by shirley jackson

this is my favourite book of all time. nothing else has ever made me feel like reading this book did. the prose is so beautiful in its raw simplicity, a childish fantasy stated so matter-of-factly you have no choice but to let go of any sense of reason that might prevent you form feeling the words as having sprung from your own mind the instant you are reading them, and the narrator's intimate inner monologue draws you in so magnetically into her enchantingly morbid world of twisted logic and sympathetic magic – it's the sweetest nightmare you never want to wake up from.

2. house of leaves by mark z. danielewski

what is there still to say about house of leaves? it's as good as everyone says it is. I fought for my relationship with this book – we did not get along at all for quite a while – and it was worth it. I think it might have actually made it even better in the end. i feel like this book knows me somehow, like we have a reciprocal relationship with each other in which we are both active parties. I don't think any other work of art has ever given me that. it's the proverbial abyss staring back into you, luring you into its depths and never letting you go again.

3. autobiography of red by anne carson

autobiography of red is a verse novel, so you could think of it as one big poem, and it's beautifully written. the blurring and blending of myth and reality and continuous shifting of fiction and recollection, impression and perception sweeps you up into a tale both ancient and timeless, tragic and hopeful, about a boy who is a monster, or maybe a giant, with three bodies or maybe six hands, a shepherd or a dragon, a son with a red red heart. also, it's gay.

4. piranesi by susanna clarke

piranesi is a bit as if the house from house of leaves cared for you and was also built by plato. it kind of sneaks up on you gently, dangerously but never with malicious intent. it wants to lead you to a place inside yourself that you've never been to or maybe have just forgotten, and uncover what lies in wait there. most of it is love.

5. frankenstein by mary shelley

and for the last one, a classic. I kind of put off reading this for a long time, because I wanted to like it so badly and was very scared I wouldn't, or at least not to a degree that would satisfy, as is unfortunately often the case for me with these kinds of "important" things. but I was so pleasantly surprised. it wasn't hard to get into or inaccessible at all, it didn't bore or alienate me, on the contrary. it touched me so deeply and unexpectedly I didn't stop thinking about it for quite a while. it truly deserves its status in my eyes.

also because I couldn't resist, a visual representation of nine of my favourite books:

I hope you will find something worth your while in at least one of them!

[devildom-moss]

Could you write poly dialuci asking a gn mc out? Maybe how each of them realizes the crush they have on mc and how they’d like to ask mc to join their relationships? I’m fine with just hcs or a full piece, whatever works best for you :>

I wrote you some headcanons, anon. Hopefully they are to your liking. They're a pretty common ship, but I think this is my first time writing anything for them. (Am I going to need a ship and threesome section in my masterlist soon?)

Poly!DiaLuci want MC to join them

(Lucifer x Diavolo x gn!MC)

(Slightly suggestive)

Word Count: +700

Diavolo, as the prince, is more guarded and inaccessible than Lucifer, so it takes him longer to be completely smitten. This works out better because Lucifer would be more prone to jealousy than Diavolo – or, at least, Lucifer's jealousy is more petty and bitter than Diavolo’s.

Lucifer develops feelings through a series of kind acts. Seeing MC take care of his brothers is the first step; someone who treats his brothers well is a prerequisite. As much as he likes to act all tough, and despite how he scolds them for spoiling his brothers and encouraging their poor behavior, he’s actually endeared by it. When they extend that kindness to him afterwards, his heart begins to melt.

Lucifer falls first, but he doesn’t act on it in earnest. (He might flirt and tease a little bit, but he doesn’t truly make an attempt to seduce them.) Diavolo notices, but instead of being jealous, he’s just intrigued. He wants to get to know MC more. Anyone who can capture Lucifer’s attention has Diavolo’s interest.

Lucifer tries to play the long game with Diavolo, believing that it’s only a matter of time before his partner sees MC’s charm as well.

It doesn’t take long for MC to get to Diavolo once he becomes more receptive. Whenever they do something thoughtful, Diavolo melts instantly. It would be something simple, like bringing a limited-edition flavor pudding to Diavolo while he’s working. As chance would have it, there was only one left. Diavolo would offer a bite to MC, and despite Lucifer being in the same room, he would insist on feeding them.

MC’s smile was so sweet that Diavolo would offer another bite, but MC would refuse because they got it for Diavolo. He should eat the rest. With that, MC would be on their way, leaving Diavolo to his pudding and work.

Lucifer saw the way Diavolo looked at MC and decides to confront him. Lucifer already understands how he feels about MC. Now is his chance to bring Diavolo onto his playing field. There was a quiet understanding that they were both crushing based on how they spoke about and looked at MC recently; Lucifer was just waiting for more tangible proof to bring up the topic. (And honestly, I think Diavolo would already be aware of Lucifer’s plan, so he chose to feed MC in front of Lucifer on purpose. He also just wanted to feed them, though.)

“You’re quite fond of them, aren’t you?” “I suppose I am. You can’t blame me, though, can you, Lucifer?” “We’re of the same mind. What should we do about this?”

They would hatch a plan to get MC alone and try to seduce them together. I imagine Lucifer would suggest that they invite them to tea or for a glass of Demonus – ideally at the castle for the sake of privacy. Lucifer just wants somewhere intimate where they could confess. (And let’s face it he’s horny on main. He wants to confess somewhere where they won’t be interrupted after the confession, either.)

Diavolo, on the other hand, would want to show off a bit more – take MC out and spoil them; he wants to prove that it’s a date before they can even confess. He’d want to take them somewhere fancy or beautiful: renting out an entire restaurant, paying for a private room at a club (which honestly gives me so many smut thoughts sorry), or even bringing them on a day trip if he can get the time.

They’re pretty upfront about it and quickly ask about MC’s feelings. “MC, we’ve brought you here today to discuss something in particular.” “How do you feel about us?”

Once they confirm MC’s feelings, they’ll confess properly. (Although, I don’t think they would invite MC on a date if they weren’t certain that MC would return their feelings beforehand.) “I see. Have you entertained any particularly naughty thoughts about us that you’d like to share, MC?” “Lucifer! Don’t tease them so soon. We should at least be honest first. MC, you’ve caught our attention. Neither of us is opposed to sharing if it means getting closer to you.” “Which is to say, if you’re interested, Diavolo and I are not so exclusive that you couldn’t join us: romantically. . . or sexually, if you’re inclined.”

Honestly, I think Diavolo would immediately put the moves on MC, asking them to come over and sit on his lap while they “get to know each other better.” Lucifer will pretend to be more composed, but he’s no better; he’s eager to get his hands on MC too.

A/N: There's only one more day left in to answer the December post poll. I also posted details about what I'll be doing for the 1 year anniversary of this blog. Check that out if you haven't already.

[super-paper]

I know you were pretty checked out already by this point, but what were your thoughts on Deku’s conclusion in the last chapter?

Some good ideas, but even the good aspects of his conclusion sadly feel bogged down by poor execution/characterization + literally everything that led up to the final chapter.

I do think Izuku becoming a teacher was probably the most fitting ending for his character as a whole, but tbh, I would have taken it a step further and had him become an elementary school/middle school teacher rather than a teacher at UA.

That is to say: Izuku working at UA-- a highly exclusive school that only accepts "the best of the best" and children who are already on track to becoming heroes-- sadly makes him inaccessible to the type of students who need him most, I feel? His chance meeting with Dai only reinforces that tbh. If that child hadn't tripped or if Izuku hadn't happened to be right there, Dai would would still be feeling miserable and discouraged because no one in his class bothered to stand up for him-- Not even his own teacher. Like I understand the purpose of the scene (to parallel Toshi's first meeting with Izuku and show that Izuku is now inspiring others to be heroes in the same way) but that doesn't stop it from feeling more manipulative than truly heartfelt imho, bc Dai's existence only highlights the issues still deeply ingrained in hero society rather than inspiring any sort of hope for its future lmfao.

Anyway! Back to teacher Izuku-- I do love the idea of Izuku becoming someone who would have helped his child self! (and who could've possibly stepped in to help children like Tenko, Himiko, and Touya) (Honestly, kindergarten teacher Izuku is also a possibility that makes me go 👀👀👀). But again, him teaching at UA specifically kind of undermines the idea of him becoming hero for children like himself (or tenko/himiko/touya/etc). I think that the scene with Dai could have worked a lot better (or at least felt more emotionally genuine) with Izuku as his actual teacher, maybe?

I also think Izuku as a kindergarten/elementary school/middle school teacher (or any sort of educator outside of a hero course, really truly #beatingthatdeadhorse) would have eased the sting from how deeply and terribly the finale fumbled his dynamic with Tenko, too— Izuku actually reflecting on how AFO completely abused his position as Tenko's "teacher," and then resolving to become the sort of teacher that Tenko needed.... Izuku using what he learned from Tenko’s past to better identify abused children and using his new position/power in society to advocate for them/get them out of those situations early.... framing it this way would have really sold the “I’ll never forget him” promise, bc as it stands now, that promise ultimately just comes across as more hollow lip service from Izuku. ☠️

As for Iron Deku... if I'm being honest, it just doesn’t hit the same way for me as Iron Might did? Like I've gone into detail on why Iron Might works for me before both here and on twitter:

Iron Might worked for me because it was ultimately used as a vehicle to tell/complete Toshi's story and helped tie together the underlying themes that connected him to Tenko and AFO's arcs. Like it might not have been perfectly implemented bc Hori decided to make it an 11th hour surprise for the sake of building hype/suspense in the readers, but this combination of factors still made Iron Might work for me. Iron Might itself was not the answer to "can someone w/o a quirk be a hero like you?," Toshi's willingness to act when no one else was able to was the answer. He retains his heroic shading even after the armor is stripped away and after he's left entirely at AFO's mercy.

At the same time/Conversely.... I feel like "Iron Deku" just muddies the overall message of the series in the end:

Again, Toshinori's answer to "Can someone without a quirk be a hero like you" wasn't Iron Might-- It was "Yes, because you always work hard and never give up on your dreams/because you're someone who could never let his dream die."

......... only for Izuku to more or less let said dream die after losing his quirk. Like????? (like, another big problem with heroaca's tone is that it keeps trying to prop Izuku up as "someone who never gives up" when he does, in fact, end up giving up in some fairly big ways with some fairly big consequences-- Like, even though the series tries to skirt around saying it outright, Izuku did ultimately give up on saving Tenko and chose to treat him as collateral to AFO. Like... it's okay to have your protagonist get discouraged/give up, but in cases like this, I expect the narrative to actually acknowledge it as such instead of trying to convince the reader otherwise. Attempting to gloss over Izuku's failure with sugary-sweet platitudes after the series spent 400+ chapters deriding platitudes and defining actual true saving as "saving their their hearts and their lives" is the type of shit that results in a complete breakdown of trust between the author/reader.)

At any rate, yeah. Izuku's conclusion had a few good ideas that were sadly weighed down by poor/rushed execution and mixed/unclear messaging-- and sadly, the epilogue/final chapter did nothing to fix the huge problems with his character writing throughout the entirety of Act 3. It's a shame bc Act 1 & 2 (and even early Act 3) Izuku really was one of my favorite characters, but at some point his writing took a complete nose dive that Hori sadly wasn't able to pull out of. :/

[mama-qwerty]

Understanding SCU Knuckles

Okay, one of the big things I keep seeing a lot of people bring up is the fact that movie!Knux talks about being a warrior all the time, and how different he is from other characterizations of Knuckles, specifically the games and comics. He doesn't seem to care about guarding the Master Emerald, and always seems ready to jump into things fist-first.

So I thought I'd do a deep dive into his psyche to see what truly makes him tick.

Buckle up, this'll get long.

Before I start, I wanna just put it out there that I headcanon the SCU is a separate universe from any other Sonic media. I actually take ALL Sonic media as separate universes--Boom is separate from Prime, which is separate from the SCU, which is separate from the games, which is more connected to but still separate from the comics. They're all different, which means the interpretation of the characters will be different too, to varying degrees.

The Knuckles of the SCU isn't like any other version. He wasn't born and raised all alone on Angel Island. He wasn't always the last of his kind. He wasn't essentially raised with the knowledge of what the Master Emerald truly is, and understood his role as its protector and guardian. He wasn't completely removed from what happened to all the other echidna, all those many years ago. He doesn't have the benefit of hindsight, to recognize that the warrior ways of the echidna were what ultimately led to their own demise.

Movie!Knux knew his tribe. He was raised by them. They were still in the middle of a war with the owls, so yes, they would still be warriors. That was what he strived for, too, because he's been raised on the stories of his people, with likely a heavy slant toward the "we did nothing wrong!" angle of what happened all those years ago. (And honestly, we don't have a completely unbiased story on what truly happened back then, so who knows what the actual truth is. But, anyway.)

He lost his tribe to that very same war. All of them. As a very small child. One who was then thrust into a dangerous galaxy, whether willingly or unwillingly, to figure out how to survive and try to complete the quest of his people. That was the only thing driving him, the only thing keeping him going. That quest.

So yes, being a warrior was, and is, a very important aspect of how he sees himself. That was his people's legacy--how they worked to retrieve the ME and regain the honor that had been stolen from them all those generations ago. Seeing this mindset through the eyes of a small child, he would accept that as being the way he should carry himself as well.

Movie!Knuckles has been living in survival mode for most of his life. He felt a tremendous amount of pressure to find the Master Emerald and complete the quest of his lost tribe. He was all that was left, it all fell to him, and failure meant his entire race died for nothing.

Fighting is what kept him alive. He didn't have the luxury of staying out of conflict, like game!Knux. He didn't have the advantage of being on a nearly inaccessible floating island, surrounded by harmless chao and flickies and other critters as he grew up. Movie!Knux was hunted and forced to fight in arenas for the entertainment of others. He fought, or he died. It was that simple.

And, it could be, over time the idea of what an echidna warrior was became warped in his head. He only had his memories of a young boy of about 6-ish to guide him as to what an echidna warrior stood for. Being out in the galaxy and having to fight for survival may have gotten the ideal of "being a warrior and fighting for a cause" confused with "everything requires a fight to solve".

He calls himself a warrior because he wants to keep his people's legacy alive. He wants to make his ancestors--his father--proud of him, by carrying on their tradition and honor.

He lived his life how he thinks they would have wanted, based on his memories as a child who lost everyone he loved.

He fought. He survived. He searched to complete that one quest that had plagued his people for generations. And when he finally, finally got his hands on the Master Emerald, he had this look:

This is not the look of a brave warrior, proud to have finally finished his quest.

This is not the look of a proud warrior, celebrating his victory after so many years.

This is the look of a boy, who'd lost everything he held dear, because of the pursuit of this little rock.

This is the look of a boy who thinks "Is that all? Is this truly what cost his entire tribe, his entire clan, his entire race, their lives? Was this rock truly worth the sacrifice made in its name for all those years?"

Maybe part of him hates the Master Emerald. Hates that the single focus his people had with it is what left him all alone. It was well hidden on Earth, tucked beneath the waves of a secret temple. The very second it was found, someone he trusted used it to cause great destruction and harm.

He had caused great destruction and harm in his own pursuit of it. However noble he believed his own goals were, he had behaved in ways he may be ashamed of now, all because of the belief that the Master Emerald belonged back in echidna hands, by any means necessary.

And now look.

The sacred temple, destroyed. Green Hills, partially destroyed. Sonic and his guardians, very nearly killed.

All because of this rock.

All because of him.

No one would have ever found the ME if he hadn't come looking for it. He nearly brought the same fate as his people unto the heads of who knows how many others.

All for this little rock.

Remember that the legend indicated that the Master Emerald was created from the chaos emeralds. The ME shattered, releasing the chaos emeralds that allowed Sonic to go Super. When Sonic released the chaos emeralds at the end of the fight, he scattered them throughout the world, and severed their connection to the ME in the process.

It's very possible no one really considers the Master Emerald to have any power itself. It was simply the container that held the smaller emeralds with all the power, and once they were released, the ME itself was simply a pile of crystal shards. Knuckles reformed the ME, but at this point, there's no reason to believe it holds any power at all.

When Knuckles fixes the ME, he doesn't say that the emerald itself is a threat to the safety of the universe. He doesn't say they needed to band together to prevent others from using the emerald's power to cause harm. He says they needed to use their power to keep the universe safe. This is a very vague statement, and does not indicate to me that he's looking at this as a "This emerald is a danger, we must keep it out of evil hands at all costs."

At no point in the series did Knuckles make any mention of the Master Emerald as a source of great power. (At least I don't think he did.) He simply said he had sworn his life to protect it. It's possible he looks at it as simply a totem of his people, a reminder of their fall. A sacred relic that is tied so firmly to his people's history, he feels responsible for keeping it safe and well-guarded. His people all died going after this thing, so he will honor their deaths by keeping it near.

So it's not surprising movie!Knuckles isn't all about guarding the ME and never letting it out of his sight. It's a dead rock, one that holds no power at all. An heirloom that carries his tribe's history, and that's all.

The series picks up very shortly after the second movie, so Knuckles is still leaning really hard into his warrior status. It's all he knows, it's what will keep his people alive in his own heart. Just because he's not constantly on the run anymore doesn't mean he can simply stop doing what's essentially ingrained in him at this point.

He's spent his whole life on the move. Training, fighting, questing. He's a work dog who can't adjust to life as an indoor companion pooch. He needs something to do.

He's a warrior, and a warrior doesn't just relax. So he's not gonna just sit around and make his entire life revolve around the Master Emerald.

Yet.

Keep in mind that we haven't seen the entire story of the SCU yet. Just because he's still leaning into the warrior thing now doesn't mean he always will. It doesn't mean he won't have some epiphany or vision or just a change of heart after some time in the Wachowski's care, and realize that being a warrior maaaybe isn't the best path for him at this point. That maybe that part of his life is done, and although he'll still need to fight when necessary, he is free to pursue other interests now. That he doesn't have to live his life according to what his people would want or deem appropriate.

I don't believe he's actually grieved for his loss yet. Not fully. I think a part of him always felt like an open wound because the ME was still out there, still tainting the memory of his people. And now that he has it, and is on a planet that allows him to feel safe, he'll be able to work through those emotions. Work through that grief and maybe discover who he is, apart from his people and their legacy.

The fundamental aspects of what makes Knuckles who he is is still within movie!Knux. In the series he told Wade that he had been betrayed over and over and over again, which indicates that even though he was in a rough and dangerous galaxy, he tried to trust others. He tried to make friends. But each time he did, they betrayed him. But that didn't stop him from trying again.

We saw glimpses of a different Knuckles in the series. One who opened up to others. One who cared about others. One who acted like the boy he was, instead of the hardened warrior he thought of himself as.

Movie!Knuckles needs time to figure out who he is now that his quest is over. Change doesn't happen overnight, and given his backstory, it makes sense for him to still hold onto that warrior title with both fists. He's an echidna, the last echidna, and he doesn't want to turn his back on what he remembers his people to have been.

I'm eager to see how he'll behave in the 3rd movie.

[runawaycarouselhorse]

Our pure-hearted, all-loving hero... he can be a little brat (especially back in OS/early in his journey, when he was much more of a hot-blooded boy hero), but his heart's worth its weight in solid gold and he grows into such a kind, patient character with strong ideals, which is why Hero of Ideals suits him best (even the movie manga opted to adapt that version of the movie, rather than the one where Ash is Hero of Truth, and expanded on it!)

[I hope you have "long post" and "image heavy" muted if you need to, because this post's a doozy and given tumblr, if my blog's ever deleted, posts with read mores will be rendered inaccessible forever, so I don't like to make them!]

A lot of people complained about how young Ash looked in BW! (and complained even more about Sun & Moon's very divisive art style... and we wound up seeing great growth for his love of a whole region, and achieved a goal integral to achieving his dreams), but from the first episode of BW!, my first impression was of how mature and calm Ash is with Iris and Trip in regards to their initially abrasive and varingly aloof personalities.

Iris was friendlier and more excitable, more childlike, but Ash took her barbs in stride and patiently waited for her to open up about her dreams (she keeps it secret in the first episode, using that cute, childish word "naisho" instead of saying it's a secret "himitsu"--the same childish word she uses when asked about what Kairyuu/Dragonite told her in their reunion episode) and background (we don't know she ran away from the academy or what her hometown was like until season 2!)

The way Ash handled Tory (who was a traumatized, younger child--and Ash wanted to fight him at first, before understanding him!), Lucario (also traumatized, insulted Ash and Pikachu's bond--Ash fought him and fell off a hill, wrestling with him, before he saw Lucario's memory of being "abandoned" and broke down in tears, apologizing for what he said when he didn't know anything...), Chimchar (a traumatized Pokemon, Ash was patient, kind, and loving to him, even when he lashed out while out of control due to Blaze, which he previously could only use to save his life...), etc., is very different from how he handled Iris (who was bullied subtly by being completely ostracized, no one would sit or eat or play with her at the academy, she was so depressed, she stopped eating--this is canon and not lingered on, but she plainly says it and that her dorm mother making her food that would remind her of home, just berries skewered on a stick, "saved her") and even Trip.

(By the way, Ash apologizing to Lucario, in tears of regret over what he said to Lucario when he didn't understand him is when I first started to truly love and respect Ash's character and growth! Before that, I really was only a big fan of the TRio.)

By contrast to those rockier beginnings with other kids, Ash was patient and encouraging with Trip, even while Trip purposefully kept him and everyone else (even his Pokemon who loved him, as Alder said...) at bay and rejected all his attempts at friendship, before he got the answers he needed from Alder and slowly stopped shutting others out. He had every right to lash out at Trip for making fun of him, but kept trying to befriend him and showed interest in his journey and growth.

(Trip was also his youngest main rival at that point, even if he is a very book-smart child prodigy type who was an excellent battler from the start, he still fell apart in front of unexpected, unorthodox techniques like Bell/Bianca and Satoshi/Ash's out-of-the-box strategies.)

Naturally, there's also his very patient and encouraging bond with Lillie, who also had her trauma-induced fear of Pokemon (much like Tory!) and dissociative amnesia, the early loss of her father in infancy, and the distance between her and her mother (too wrapped-up in work and her obsession with Ultra Beasts to notice her own child's trauma and falling behind her peers...) to overcome, but the focus of this post is BW! I already write a lot about Lillie, she's another favourite of mine. <3

It's worth noting, too, that Pikachu was Ash's first "problem Pokemon"... even if it's usually the Fire types who are traumatized, Pikachu has abandonment issues like Chimchar and Tepig did. Pikachu famously hates being inside a pokeball and Ash always repesects this boundary and becomes very, very upset in XY when he believed Pikachu was forced into a pokeball... the pokeball factory episode was, otherwise, a very light-hearted episode, but Pikachu's boundaries and possible trauma is taken seriously.

This scene mirrors a similar breakdown Alain has when he finds out all he's done, under the impression he was protecting his loved ones, was aiding Lysandre's genocidal plans... both smash their fists into hard surfaces, blaming themselves for failing to protect loved ones.

In a very early Kanto episode, Sparks Fly for Magnemite, we learn Pikachu has abandonment issues so bad, he doesn't want to be separated from Ash for even an overnight stay in the Pokemon Center. It seems Pikachu (fortunately) quickly become much more secure in his bond with Ash and no longer fears being separated for medical treatment, but this is very, very sad and telling!

Although we never delve very deeply into that for most of the series... (an early magazine scan has Ookido-hakase/Professor Oak theorize Pikachu's previous trainer abandoned it), we were finally given some answers late in series!

In the AU movie, Pikachu says* his reason for not going into the pokeball: "It's because I always want to be with you." ;O;

... unless this is a dream or hallucination, given Ash is on the verge of unconsciousness when it happens--but if we really want to believe it happened, maybe his latent Aura post-cognition abailities kicked in and he understood Pikachu's feelings, like when Victini slept in his lap, crying, and Ash saw Victini's dream of his past.

As for the main series canon, in the first episode of Pocket Monsters 2019 (Pokemon Journeys), we learn Ash's Pikachu was a lone, possibly orphaned, Pichu, who was briefly raised by a Kangaskhan, carried in her pouch with her child, until he grew too heavy and quietly left at night (without saying goodbye) to live by his own strength, evolving into Pikachu as he did so.

If Lusamine not taking Lillie's (because they're irrational or not logical) feelings seriously gave her a complex where she always needed to claim her stances are "logical" even when they're based in emotion... I wonder what it tells us that "child prodigy" Trip defaulting to blaming his loss to Alder on him doing something wrong or being inherently lacking ("What did I do wrong? What do I lack?"), because he doesn't ever consider a simple difference in experience is all it is... that Alder's many years of wisdom and Pokemon training give him an advantage over rookie trainer Trip, who's shown to be averse to being called a "child" (Iris ropes him into battling Ash twice by calling him a kid), because he always has to prove he's an adult. He thinks there's something inherently "lacking" in him or "wrong" about his method if he doesn't achieve.

All of that is canon, but if you further analyze his character, Trip has a superiority complex, which is very often a defense mechanism to mask feelings of inferiority. He canonically places a lot of worth in the image he projects and constantly puts down others. Add that to being a child prodigy and his preoccupation with proving he's an adult (but doesn't bat an eyelid at someone calling him "unjust" for his violent methods in the Venipede episode, like he's already accepted being a terrible person, because he thinks striving for peace like idealistic Ash is "naive"--Trip has a very cynical view of adults, yet thinks of himself as such...)

Trip only cares to be seen as strong and mature, not good (he's not even surprised to be called bad, he's already accepted it, he doesn't care), and if he fails, he blames his lack of knowledge or his inherent nature as lacking.

Because his self-worth is in being a genius and being better than the rest, so he seeks outside validation, namely Alder's, who Trip behaves so jealously about, Alder canonically compares him to a fickle-hearted woman (well, he messes up the phrase 'Onna-gokoro to haru no sora.' "A woman's heart is as fickle as the sky of spring" because he was hitting on Junsa-san/Officer Jenny earlier, so he says "fickle as Junsa-san"... Freudian slip. ^^;;;;)

Trip, when asked what he was battling for, what he wanted to prove... he said it was to prove his strength to Alder.

That's all he wanted! To prove his strength and be acknowledged by his hero. Alder even asks him if he likes him. Adeku frankly asks it in the Japanese version, but the dub dances around with "do you have any admiration for a man such as myself"--which Trip doesn't answer verbally, although he really doesn't have to, because the scene makes it clear and is a lens that clarifies all his past behaviour.

That's all Trip wants: love and acknowledgement. Which he believed he could only get by becoming stronger, smarter, and more mature as fast as possible, likely taking Alder's to be some stronger and grow up quickly too literally, as head animator Iwane said, Shootie was just "a little too grown-up."

It takes a long, long time for Trip to unlearn prioritizing battles over anything else and to embrace childhood (which hey, is one of the main themes of BW!), because it's a precious time which we can never return to... so, Alder's current idealogy is to enjoy life, make friends, love Pokemon, and not dwell on the past. Ash's approach to being a Pokemon Champion and Master is the same.

Alder's introductory episode made it very clear he and Ash are very, very similar characters... and we see this again in Journeys, in the kind of advice Champion Ash gives younger kids. Ash and Alder have a similar wisdom they'd like to impart, I know, it's funny calling Ash wise, but he has high emotional intelligence and is incredibly wise in that respect for his age... it took Alder many, many long years to arrive at the same conclusion Ash reached.

Ash's Japanese name, Satoshi, means "Wisdom." (Another cute detail: Ash's little brother, Lei, whose Hawaiian name means a "Garland of Flowers-- in Japanese, would be pronounced as Rei, which also means "Wisdom." Lei likely has a name chosen to have meaning in both Hawaiian and Japanese. ^^)

Bonus shout-out to Ash, Iris, and Cilan all protecting Keldeo until he finds the courage to face his fears, correct his mistakes, and save his friends...

Ash is a very good friend, AG, DP, and BW! are all part of his development into the kinder character he became today. Some people might miss how rude he was to his friends in OS, but he can still playfully dish it out, he's just calmer and more sure of himself, so less likely to sweat the small stuff and recognizes when someone, whether Pokemon or trainer, just needs time and patience.

[bringthekaos]

Ok so maybe kind of an unpopular opinion here: I've seen many fics, and it's a common hc, that the Piltovian elites dislike Viktor because he is a ~ zaunite ~ but I'm like... no, piltovian elites would LOVE Viktor precisely because he is the perfect fairy tail for meritocracy advocates, a pacifier for the ruling class consciousness. "See? This young man was SO POOR and he FOUGHT his way to the top! He must be so inspiring for the undercity youth!" (Nevermind that the system they imposed is the reason he had to fight in the first place, that he had to cheat to get there, otherwise it would have been impossible). He represents the idealized version of the "hard working, honest, intelligent man who is different from his peers and therefore triumphs over them", it's the proof that the system works (ignoring of course that he is the exception that proves the rule). In a way like Golden Boy Talis, he is also an accessory to flaunter during investor's galas and maybe another way for him and Jayce to find a connection

Oh I think you’re absolutely right, he is a poster boy that the bureaucrats can hold up and say, “see? There is no war in ba sing se no barrier keeping Zaunites from achieving greatness in Piltover, he did it!”

It’s the same old talking point the far right in America uses. “There are no barriers, you’re all just lazy!” But they like the idea of him more than they like him. Because he’s just a thing they can laud to show off how benevolent they are, “we’re not xenophobic, see??”

Never mind that he has to bend over backward to meet standards that are set higher for him than any average Piltovian. Never mind that he has to traverse a city that is focused on form over function, a city that is inaccessible in almost every way. So as long as he maintains their status quo as the perfect “success story” they can swing in their favor, then they “like” him.

But the second he makes a misstep, the second he breaks that status quo, they will turn on him. We’ve seen how they don’t even show mercy to one of their own (Jayce) when he fucks up, I can only imagine the mindset when it’s a Zaunite, the backpedaling and lies—“I knew we shouldn’t have let him in, didn’t I say it? I was suspicious from the beginning, but I kept my mouth shut because I am a philanthropist!!”

The only one who truly saw him for who he is… was Jayce. From the very beginning, Viktor wasn’t some charity case, a trophy of the good work of the Piltover Council. He was Jayce’s partner, his equal in every way. Jayce saw only Viktor’s genius, his brazen determination to do good, even in the face of real consequences.

Which is why the Divorce is gunna hurt Viktor so bad. The entire city of Piltover turning on him… not shocking in the slightest, and honestly he knew it was just a matter of time. None of them actually liked him, they just used him. But not Jayce. Jayce was the one person he thought he’d never lose, the one person he trusted to actually protect and stand by him. And I don’t know how the falling out will go down in Arcane, but one thing is for certain, Jayce will not understand.

[ahedderick]

Thorny

When my father started requiring serious amounts of eldercare my kids were in the highschool phase of sports and activities, and the schedule for my husband and me got pretty tight. We ended up letting some things slide around our own farm, and we are now in catch-up mode. For example, the area to the right of those two close trees was basically one gigantic, solid thorn bush, anywhere from 4 to 8 feet tall. There were paths winding through it, but. Yeah. It was a lot. Because it was left unmowed by the tractor and brushhog for a few years. If Nutmeg Goat had fifty close friends, we would not have this problem. We'd have different problems, though.

I've spent over a year trying to manually clear this (and MUCH more up the hill to the right) a little at a time. Once cleared, we will be able to maintain most of it with the tractor. Today, though, my husband and I were planning on doing some herbicide spray in the worst spots and around the fenceline. I took the backpack sprayer (wearing a backpack of liquid is a very odd sensation) and went over some steep, inaccessible areas. He planned to get the bigger sprayer that attaches to the tractor and spray around the edges of a truly immense tangle of thorns and vines.

Well. He hadn't used the big sprayer for quite a while. We had to drag it (so heavy) out of the back of a shed. Remove the brushhog from the tractor hitch, and attach the sprayer*, and then . .

He spent the better part of an hour carefully tracing electric lines from the tractor to the sprayer, trying to figure out where the problem was. There ended up being a tiny little fuse inside a tiny little compartment that was blown. He actually HAD, among the hoard of tools and things he inherited from his father, another tiny little fuse. By the time he actually had the thing all hooked up and working it was NOON. And the "morning" task was still undone. It will get done, true, but this kind of frustration and hullaballoo is just typical of trying to get any darned thing done.

'* NONE of that was easy or painless, btw. I'm just glossing over the difficulties, pinched fingers, and salty oaths.

(the same scene as above, while I was working on it. With Baxter's help.)

[leviafin]

Hey! Over here!

Hello, and welcome. You're free to call me Fin, or Sebastian if that suits you more. Or make something up, I don't care, do whatever. I'm a fictive within the Interstellar System--a DID system of over 400 members, with a vast majority of us being alterhuman or something along those lines. I use he/him pronouns exclusively, though I might test the waters, so to speak, with something else later.

This'll be my personal blog, which will probably have a bunch of alterhumanity and a lot of queer stuff on it. Adult content (which will just be words and such if anything) will be tagged with "tw: adult content". Jokes that might be slightly adult content will just be tagged with "adult jokes".

| Ask link | Our Website | Trigger Warning Tags | | Collective System Blog | Ocean dividers by Plum98 |

Identity:

I'm a multifictive, aka I have multiple sources. I'm a noncanon avatar of The Vast + The Hunt (The Magnus Archives), and a Sebastian Solace (Roblox: Pressure) fictive. I may call Sebastian a kintype occasionally due to the nature of how I learned I was him--to me that identity is both fictionkin and fictive.

Disabled, neurodivergent, and mad--deal with it.

Queer as fuck, deal with that too.

Terrorpunk--aka, if I scare you or ick you with my identity? Good. Not my problem.

Anyway, onto the boundaries and whatnot.

Overall, I am inclusive of everyone (including endogenics, factkin, mspecs, etc), as long as you act in good faith and nonharmfully. I don't care about microlabel discourse or anything of the sort.

I will be blocking queerphobes, racists, ableists and anyone else of those sorts. Hell, I might block you just because I don't want you interacting, so don't take it too personally. The button is there for a reason.

That being said, while I'm listing my stances here, I don't have a DNI, and probably won't read yours before I like or reblog from you. Large bodies of text can be incredibly inaccessible, especially buried 10 pages deep in a carrd, and I'd rather someone just hit the block button on me. As was its intended function, really--one click and I'm gone, no stress about it!

I might sound snappy depending on the day--I deal with chronic pain, have the kind of autism where I don't know what socialising is, and use sarcasm heavily. Those do not mix well. Genuinely, ask me to clarify if you don't understand something I've said, or if you think I'm snappy for no reason. Unless you're someone like an anti-endo or transphobe, I probably don't know how my tone sounds.

Tags I use:

Aside from the trigger warning tags I included up above, this list is mostly for personal organisation.

Organisational Tags:

#op - Original posts by yours truly.

#rb - Reblogs.

#srb - Self-reblogs from any of our blogs.

#ask - Asks that have been answered.

#ask game - Self explanatory.

Alterhuman Tags:

#alterhuman - Self explanatory.

#otherkin, #plural, #fictionkin, etc - More self explanatory tags.

#sourceposting - Posts about my sources--usually fandom related, but not always.

#leviafin real - Art of me specifically. Not source fanart, me as a fictive.

#oceanic - Ocean or water related posts, probably aesthetic.

#sebastian solace - Posts about Sebastian Solace, probably fandom related.

#the hunt - Tag for The Hunt, probably fandom or aesthetic related.

#the vast - Tag for The Vast, probably fandom or aesthetic related.

Other Tags:

#aesthetic - Pretty things.

#art - You know. Created stuff.

#creatureposting - Posts about our wonderful little critter companions that live inside our house.

#disability - Disability posting.

#queer - Queer stuff.

#terrorpunk - Terrorpunk stuff.

[sgiandubh]

Sasnak City - a different view

I will never encourage you enough to read the whole comments' thread of a post you liked. Otherwise, it's blink and you'll miss it, as I almost missed the only feedback of the Sasnak City event we have on this side of the spectrum: @rosfrank's. She graciously agreed to let me repost them and I truly thank her for the kindness.

Her comments were made under two different posts, so I collated them and vetted their content as much as I could, given the unprecedented context of the SAG-AFTRA strike and the scarcity of details. I did not watch the recap on Instagram, because I am not a fan of the format.

I had no idea Sasnak City was a consistent partner of the Camp Encourage for autistic children project. At least since 2020, as a very superficial Google search shows:

...in 2020, with RR...

... in 2022....

What is Camp Encourage?

This:

Do you have any idea of what it is to be the mother of an autistic child? I don't have this honor. I have never been through the stress and the pain of looking for the right solution, for the good therapist. I never had to swallow my impotent tears and fight with the angel, fruitlessly asking myself why did it happen to me.

I can assure you that career, money and the white picket fence house which mortgage you just paid off do not matter. Not when you wait dejected, with your well-garnished checkbook and no hope in sight, until the good doctor will finally see you. Not when your child is a desperately inaccessible fortress. Not when you tell yourself you just can't take it anymore and yet miraculously find out that yes, you eventually can, over and over and over again.

Before judging, you might want to take a moment.

Side note: the man who supposedly is not good with kids interacted with the organizer's autistic son. On stage (try and take an autistic person out of their comfort zone, anyone?). Oh. What an inconvenient truth, again.

Different figures circulate. I think this is pretty close to reality and also to the 'small and personal fan convention format'. Not sure it made anybody rich overnight, after you deduce all the costs - part of proceeds went to the above charity, anyways. Zealots would like more transparency, perhaps. With which moral authority?

Second bone of contention and a particularly unsavory one, at that, the disrespect of the SAG-AFTRA's strike rules:

What was I telling you, the other day?

As for the limbo, I cannot believe no one bothered to look around a bit for confirmation. On Facebook, for example:

They did their due diligence homework. This announcement was posted on July 14, 2023, with a solidarity with the strike hashtag to boot. Propaganda? Hypocrisy? Oh, give me a break. It is legally impeccable.

There you go. No mention of the show anywhere - check. Screened questions - check. Only the SS paraphernalia (pics, etc) supplied - check. Books still ok for autographs (at S's discretion to go ahead or not, which means SAG-AFTRA is ok with, by the way) - check. Make lemonade when life gives you lemons and 'be creative' - check.

Where is the problem? Why certain sleuthing skills suddenly vanish when it's about formulating a balanced, reasonable POV?

Let me guess. It's all about the "go away, ugly socks, your story sucks" syndrome. Oh.

You'd wish, duckies. You'd wish.

I am not these people's lawyer. Playing Atticus Finch completely ceased to interest me sometime around 1998 AD. I even doubt we can stand each other IRL, for reasons. But I am not discussing people, here. I am discussing and debunking a homespun web of self-righteous lies.

Thank you, @rosfrank. Your gesture was generous and very, very brave.

[according2thelore]

oh GOD that ask answer was everything i dreamed and more. es!dean literally cannot imagine the kind of torture sam went through with lucifer. (which, incidentally, is one reason why ls!sam could never really replace ls!dean with him. he wakes up hyperventilating in the middle of the night and that slender boy is not enough. he needs his mountain man of a brother who Knows what’s out there.) and that kills him because he needs to know Everything About Sam. but sam is so so right to keep it from him - i don’t think es!dean could live with the knowledge, say, that sam is raped one day. i think it would actually end him.

ugggh i lvoe this au so much. you are a genius.

GRAHH you're so right!!!

sam wakes up one night straight from a nightmare and stumbles into the hallway, needing to find dean's room. he runs into ES!Dean, who's all it's okay, sam. it can't hurt you, it's just a vision--because he doesn't know! ES!Sam's nightmares can be soothed with gentle hands on his neck and shoulders, brushing bangs out of his eyes, dean promising that they'll fix it, and sam's safe.

but LS!Sam is going to throw up because this isn't a fixable thing. he feels suffocated by ES!Dean's firm hands on wrists, held down, and he pushes him away, hard.

LS!Dean shoves ES!Dean further away like you can't restrain him like that and ES!Dean pales bc he things he's caught on: someone held sam captive, maybe because of his powers. how could LS!Dean have arrived so clearly late, late enough that sam still carries the scars into his dreams?

and LS!Dean keeps muttering about first stones and c'mon sammy breathe with me and look at me and this is real. and LS!Sam kind of crumples and shoves himself under LS!Dean's arm, trying to make himself small and holdable, and ES!Dean just stands there and burns.

because there is clearly something here that's not right. something that LS!Sam&Dean have survived together, learned how to deal with, spent years adjusting to each other, and that's something ES!Dean is starting to realize they'll never tell him.

sam has always been a little inaccessible--he used to refuse to tell dean details about his girlfriend-of-the-weeks, he kept stanford a secret until he got his acceptance letter, he wouldn't tell dean what he was writing in all of those notebooks--but never the truly big, life-or-death stuff. and now sam--LS!Sam, anyway--is inaccessible. and it kills dean. dean wants to shrivel up and die because sammy is his. his responsibility, his to watch out for, his to mend, his to kill for.

he has never felt more purposeless or rudderless than he does right now--watching someone else comfort sam.

what he doesn't know, of course, would kill him. the fact that sam asks to be locked into a cage in hell, and dean will let him. the century of torture and rape and psychological hell that sam went through is a chasm that dean will never be able to fix. he can build a bridge, but that's all he can do.

it would kill ES!Dean. and LS!Sam knows it. so he reaches out a shaky hand in the gap between LS!Dean's arm and body, where he's wrapped sam in a bear hug.

ES!Dean rushes forward and grabs it, life finally having meaning again as sammy looks up at him with bloodshot eyes, with fingers that shake, and a voice that cracks when he says, "i'm okay, dean. thank you. i'm fine."

AGH!!!! anon, you get it <3 <3 hurt/comfort is my FUCKING bread and butter!!!!!!!! esp when it goes both ways!! because with these bozos, it literally would be!!

-lizzy