#but it is also an ADDITIONAL top layer

[fearforthestorm]

the thing nobody tells you about having a signature jacket that you spent so much time on and want to wear everywhere is that eventually you want to do different things stylistically with your outfits and you have to figure out how the fuck to make a spiked black denim jacket work with a pair of overalls. and oh boy lemme tell you. it is not easy to make that combo look good.

[dkettchen]

More lesbian sanami was requested, so please have one of the many headcanons that live in my brain rent-free

[pseuddamntired]

Re: the request for hotdish advice in Prev’s tags— I left some thoughts in the tags, with the caveat that I am no experienced cook but I am familiar with casseroles (not hotdish in the case of my family, just casserole) at family gatherings. So I have some predictions.

I also bring another recipe of his that was featured in an article! lol. This one seems to have more solid stuff in it.

JD Vance: *is from the midwest, claims to be for the working class normal folks, went to Yale and is a venture capitalist*

Tim Walz:

[ilibelle]

Imagine that your uniform is made up of several layers of different types of fabric and bulletproof shields. In addition to the extra fabric, you wear a mask and helmet that cover your entire face. Your costume makes it impossible to identify whether you are a woman or a man, and to top it off, you never speak. This leads people who aren't part of your squad to believe that you're just a short man who never speaks.

You work for the squad led by Colonel König. Recently, there were some situations that resulted in Kortac temporarily joining Task Force 141, two squads united to capture a terrorist.

You are not and have never been a sociable person. You don't talk to people you don't know and you always let someone else do the talking for you. As much as you are an adult woman, mature enough to make decisions on your own, you are shy. Very shy.

It's not unusual for other people to ask your teammates about you, always wondering why you don't speak up. They ask about the many layers of fabric that make up your outfit, whether you don't suffocate from the excess cloth and pockets.

And these people always refer to you in the masculine.

Always.

Soap is a bit of a curiosity when it comes to mysterious people who don't interact much with others in the room and who just stand in a quiet corner, far away from any living thing in the room. No wonder he made Ghost his best friend.

So believe me when I say that he's intrigued by you. The mysterious, masked guy in the dark corner of the room, who so far hasn't interacted with anyone since he arrived. You've caught his attention, but he won't talk to you because something inside him tells him not to come up to you out of the blue.

Something inside him tells him to take it easy this time, because that something inside him thinks that the outside of that guy should be molded slowly to reveal the inside. Does that make sense?

The first person Soap will ask about you is König, because them strangely hit it off, much to the unhappiness of Ghost, who didn't like König. Perhaps it's because he's taller and has stolen the role of being the tallest in the room from Ghost.

And also because he saw König talking to you about something, but you didn't use your voice and just nodded. Which led him to think that maybe you were mute.

Soap approached König with a smile, bringing up some other subject before starting to ask questions about you. He doesn't want to sound weird.

"Hm... You know, I keep asking myself..." Soap begins, waiting for a signal to continue.

"What is it?" König asks, crossing his arms and smiling beneath his mask.

"That guy in the corner... Why doesn't he join the others?"

"Oh." König straightens his posture and looks at you, standing in the corner of the room and staring at an interesting spot on the floor. "She's a bit shy, don't worry."

The gears turned slowly in Soap's head after this information.

"IT'S A WOMAN?!!??!!!!?"

It wasn't Soap's intention to draw the attention of everyone in the room, Including you, to him and König. But it just happened.

Hello:)) it's my first time posting something written by me and my English is terrible, but I tried my best with a translator 😞

[blacktabbygames]

Scarlet Hollow UI Redesign Work In Progress

HELLO! As some of you may know we've been hard at work on a large overhaul patch for the first four episodes of Scarlet Hollow to bring the game closer to our ever-higher standards. While there are a lot of content changes and additions coming with the update, here's spoiler-free look at how the UI side of it is coming along. New UI on top, old UI on bottom. First, and most importantly is the updated textbox. We've been adding a lot of detail to small UI elements, and this is no exception — there are more leaves, and those leaves have some color in them now, which we feel makes the in-game art feel a lot richer. On the usability side, you'll notice that this new box is both taller, meaning that we can fit more options before you need to scroll, and that the scrollbar is located further to the right, meaning options can be longer before flowing onto the next line. (Again, meaning there will be less scrolling.) We've also moved the quick menu into the textbox so it no longer overlaps with any background art.

Next up, we've got the main menu. Not a ton to say here. Logo is smaller and has some color so it feels less stark. The font choice is tighter, and we added a border where the text options start to improve the feel of things. In general we're trying to make options that make the interface feel warmer, more organic, and less sterile.

Next we've got the in-game menu. Again, framing things with organic shapes to provide better flow and separation. We've also added a wooden "frame" around each save game thumbnail give them a more natural feeling.

Similar notes for the new confirmation screen. We're probably going to increase the opacity a little bit. At the moment is a little too transparent.

The journal has new assets, and instead of a generic cross-hatched background, we add a semi-transparent black layer so you can still see the game world behind it.

And speaking of generic cross-hatching, we've also removed it from character creation, instead replacing it with backgrounds from inside the game. Overall this should feel a lot more welcoming.

These backgrounds change with each new slide, too. Here's how trait selection works.

Anyways that's it for now! Happy new year :)

[kcrossvine-art]

Hi fellow adventurers!! A few weeks ago i caught wind of "Delicious in Dungeon". I'm not really an anime person, but I am a TTRPG, CRPG, and cooking person- . And holy shit. It is so good i  convinced my partner to binge read the whole thing. I'm caught up on dungeon meshi, the anime, and just yesterday i also finished dungeon meshi, the manga.

Its rare to come across a serialized story that is so thematically cohesive and knows its characters so well. All of the bonus content like the artbooks and monster tidbits are just the icing on top.

So, inspired by Ryōko Kui's writing and illustration I'm going to attempt to create a recipe for every single Delicious in Dungeon recipe!-

Today that means Huge Scorpion and Walking Mushroom hotpot is on the menu!

(As always you can find the cooking instructions and full ingredient list under the break-)

MY NAMES CROSS NOW LETS COOK LIKE ANIMALS

SO, “what goes in to a Huge Scorpion and Walking Mushroom hotpot?” YOU MIGHT ASKThis is one of the pricier dishes until we get to the kelpies and dragons of the menu-

Rock lobster tail

Porcini mushrooms

Shiitake mushrooms

Snow fungus

Small potatos

Fensi (glass noodles)

Water

OPTIONAL: your choice of dipping sauces

There was a crossover/promotional event in Shibuya which featured various realworld dishes from the series. They had one for Huge Scorpion and Walking Mushroom, but they used prawns.  while those cook better in a hotpot, they also didn't look enough like the scorpion for me, they also used udon noodles for the slime and a seaweed/kale(?) mixture for the algae. If you're looking for substitutes due to price or availability i would start with those ingredients.

AND, “what does a Huge Scorpion and Walking Mushroom hotpot taste like?” YOU MIGHT ASKI hope Senshi would forgive me for technically cooking the lobster outside the pot, once he tastes it.

Okay im always partial to veggies but wowowowowowowoowowowow the snow fungus and the mushrooms tasted soooooooooooo good in the lobster stock

A nice delicate layering of different flavors

Try to get a bite with the lobster meat and shiitake together, dip in butter then chili- trust me

Its up to you what texture you prefer if you want to put the noodles in at the end or put them in halfway through the meal. Either way dont go for eating those first as theyre very filling

I think this would pair well with a citrus drink, something light and clarifying

This would also pair well with being extremely high and hungry (if you feel safe cooking while inebriated lol) very calorically dense

For the trial run I did one lobster tail in the pot with everything else, and one lobster tail off to the side to be picked apart. The former is more in spirit with a hotpot, but it got rubbery as the meal went on and lost its nice taste. The latter may be a bit more work but all you have to do still is boil it and set it aside. I found it held up much better. It was also easier to get inside the shell.

. If you have hardshell maine lobster available, i think it would be superior to rock lobster (keep in mind crustaceans will get rubbery if cooked too long in the pot) . Green onions and/or lotus root would make excellent additions

-----------------------------------------------------------------------------------------------------------

From getting the ingredients out to sitting down and eating, id say it took maybe 30 minutes max? It'd vary on how fast you can prep vegetables and get the various implements heated.

Hotpots are not something i do very often as i'm usually just feeding myself. I think thats why a hotpot makes perfect sense to start the series off. If you want to set the tone of "take care of yourself, eat food with others, and use what you have" (generally speaking) there is nothing more simplistic, flexible, and defeats-the-purpose-if-you-eat-it-alone than a hotpot. Gather around and let your friends bring ingredients to the pot if you want to fill your heart up extra full <3

I'm doing something different here because unlike previous recipes where i used a bunch of different sources and made my own recipe out of hodge-podging it, or just used another persons recipe entirely if they did it really well, i made this more whole-cloth based off of what i had available, what I could discover through research, and my existing knowledge. Instead of the recipe being 50/50 original, this one is more 20/80. So. I'll pass the final verdict off to you guys :D 

What would you rate this recipe out of 10? (with 1 being food that makes one physically sick and 10 being food that gives one a lust for life again.) Did you love it, did you hate it? What're your thoughts on what I could do different, and what would you have done instead?

🐁 ORIGINAL RESIPPY TEXT BELOW 🐁

Ingredients:

2 Rock lobster tails

3 Porcini mushrooms

2 Shiitake mushrooms

Snow fungus (a good handful, should rehydrate in the hotpot)

2 Small waxy potatos

Fensi (glass noodles)

Water/lobster stock

Method:

Lightly rinse all of your vegetables beforehand and let them dry.

Vertically slice the porcini mushrooms. Cut off and dice the stems of the shiitake mushrooms. You can slice the tops if youd like.

Peel and cube the potatoes, roughly an inch each.

For the lobster tails; Boil a pot of salted water. Keep the shell on. Weigh the largest tail and add 1 minute of cooking time for every ounce of weight.

When done, strain the lobster from the water. Pour the water into your hotpot as the base. Serve the lobster on the side so people can pick the meat out to dip into the hotpot.

Bring the hotpot to a simmer. Add the potato cubes, snow fungus, mushrooms, and noodles.

OPTIONAL: this wasnt in the show, but its fun having sauces on the side :) i had oyster sauce, dry seasoned chili dip, melted butter, and soy sauce available

[manglam-marfach]

so yea I think laios tries to give chilchuck one of his teeth :}

I'm a huge fan of stories where characters come from such different cultures that it makes it genuinely difficult for them to like. TELL whether they have mutual romantic interest, let alone COMMUNICATE it.

ESPECIALLY especially especially when there are aliens or fantasty species with different physiologies that mean even attempting to perform the gestures of romance from your beloved's culture might not be possible!

-Miscommunication!

-Mutual pining!

- No common playbook to follow! ERGO...having to invent ur own!

Yes its about queerness. Yes its about social scripts and the people who struggle to exist within them. Yes its about the beauty of cultural diversity and exploring new worlds because of LOVE and creating a new language to communicate … together <3

[fuckyeahgoodomens]

Good Omens graphic novel update: June 2024

Welcome to the June update. A lot of behind the scenes work at the moment but we're grabbing the travel sweets, popping in the Bentley and hitting the road. More on that below.

Admin

Ongoing reminder that the project FAQ can be found here. 

I pledged using my Apple ID, or no longer use the address my pledge is attached to, or I cannot work out what email address my pledge is connected to. What should I do? Please contact us via your Kickstarter account where the pledge is connected; we will be able to see on our system which address it is. If it's one you have access to, great! The FAQ has information on how to resend your invite link to access the PledgeManager. If it's one you are not able to access, then you can let us know which email is preferred and we can update this on the system, which will automatically send a new invite.

Events

We've had a lot of queries about when the Good Omens team will be attending events more formally, after some Aziraphale and Crowley spotting at conventions we'd been to previously. Well, we're excited to confirm the first: Good Omens HQ will be at ACME Comic Con in Glasgow, Scotland this September.

We'll be bringing the actual-real-life-home-to-Crowley-and-his-plants Bentley from Season 2 of Good Omens, the first time the car has been made available publicly for fans to come see and get photos with, ahead of its journey back to the set and the start of Season 3 filming.

We also see Quelin Sepulveda, aka Muriel, has been announced for the event for some additional ineffable joy.

You can get your tickets for ACME Comic Con here. We hope to see some of you there.

While we won't be rocking up with the Bentley to this next one, we want to let you know about Ineffable Con which, though sold out in person, is also taking place virtually in July. The fan-run event hosts great panels, auctions and more, with money raised going to Alzheimer’s Research UK, in memory of Sir Terry Pratchett.

Where next? We have - not an exaggeration - a list of about 200 events somewhere from when we asked fans this on Instagram and while we can't promise quite that amount of convention attendance, we're certainly looking to do some more things in future with Good Omens at large. Watch this space.  

Good Omens items...

This month has largely seen prototypes and samples for the wider Good Omens merch store arriving, and while we can't share those yet, we are certainly excited to see more fan product suggestions coming to life. That does, however, leave our public item updates a little slim on the ground.

To make up for that, here's some new panels from Colleen:

Also known as, "What could possibly go wrong?" And:

Also known as, "Well why don't you ▇▇▇ ▇▇▇▇▇▇ ▇▇▇ ▇▇!@#▇" or words to that effect, we'd imagine.  

Update from Colleen

Following such a positive response to Colleen's piece last month, bringing you behind the scenes into making the Good Omens graphic novel, we are delighted to say that she has agreed to write something for our updates going forward! For June, she's going more in depth into the process of flatting and the technicalities of colouring on screen vs print. Over to you, Colleen.

---

I mentioned the other month that I use a flatter to help me with technical work on GOOD OMENS, and here is a great example.

This is my original, hand drawn line art.

And this is the flatting file which was created using the MultiFill computer program.

It will put your eyes out.

The raw image above demonstrates how the color art lines up solidly under the line art. If it doesn't do that, you get a weird phenomenon in print called ghosting, a tiny little line of white around each segment of color. I had this issue on one major project and ended up redoing every single color file after I got a look at the first printing. Nearly two weeks of work.

The same image with the line art on top.

The layer order looks like this.

Background copy is the clean, line art layer.

I scan the art at 600 dpi, then make the blacks pure black, the whites pure white. Then I convert back to greyscale, then RGB, then duplicate the layer. Then I delete the white on the upper layer so the line art layer is transparent but the blacks on that layer are not.

If you have blacks on a layer that has been multiplied, you can see slight color through those blacks. You want pure black.

The lower layer is where I use the MultiFill program to create the digital flats. First you use MultiFill to drop in the random colors, then the companion plug-in Flatter Pro to make those colors seal under the black lines.

This probably sounds like a silly thing to worry about, but if the flat colors don’t line up perfectly under the black line art, you get the dreaded ghosting I mentioned. You can see it below in this image. It’s a tiny little white line that will appear around the black lines and color areas.

This drives me nuts and is an absolute nightmare to fix.

It’s a very common problem, especially for people who work for web and don’t anticipate the problems going from web to print.

What looks great on your computer can cause big problems in print.

From here, my flatter Jul Mae Kristoffer, who is way over in the Philippines, does flatting that is more in keeping with the areas of color I want to isolate. As you see on Layer 1.

But again, this is still pretty ugly, and not what I would use for final color. Flatting is a technical issue, not a creative one, though in some cases a flatter will make choices you may use. Most of the time they don't.

Here is my final color page.

Sometimes my MultiFill flats are so wonky I have a hard time getting my brain to snap out of what I see before me. If I get stuck, it's a good idea to just pick at it and come back to it later.

If it really, really bothers me, I’ll take the MultiFill flatter layer and desaturate the color so it doesn’t poke my eyes out.

Here’s an example. The digital flat file.

The desaturated flat file that doesn’t make me want to poke my eyes out.

And the final color.

Sometimes I just put in a solid white layer so I don’t see the flats at all. Flatting is there to allow you to easily pick spots to color in, and doesn’t usually appear in the final work.

Sometimes I want to create my colors using transparent color over a white ground, which is more delicate in the final.

Here’s an example from Neil Gaiman’s American Gods. I also selected all black line art here and converted it to sepia to give it a vintage look. Except for the fairies. They’re green.

A colorist must also consider color settings.

Different clients can have different requirements. I find these color settings, which I got from the Hi-Fi Studio, to be pretty solid. I use them as my default for all my projects unless otherwise requested. If your publisher has other settings, they’ll usually send you a csf file which you can upload to Photoshop. The program will save your files and you can just switch between them as you need them.

This tells the printer things about the paper and the spread of the ink you will use. That’s what dot gain means - it makes printed color look darker than intended, so you set up your files to account for it.

When you hover your pointer over each box, it will tell you what each setting is supposed to accomplish.

Another really important thing to consider when coloring comics is color range.

I’m coloring this book in RGB range, but for print you use CMYK.

I’m about to confuse the heck out of some people with this post, I’m afraid. But here we go.

Here is this shot in RGB color setting.

And here is the same page calibrated for print in CMYK.

The biggest shift is in the reds. Print cannot match those reds.

You may not see much difference here, but it’s the sort of thing that drives artists crazy.

A computer should be perfect for conveying exactly what you want, right? It's all just 0's and 1's, binary information, and that information should be the same from one computer to the next?

Nope. Not even close.

First off, computer monitors must be calibrated. You can use a computer program or a tool that measures the color on your computer screen and then adjusts the color to an industry standard.

Have you ever been in an electronics shop where a bunch of TV shows were on display, all of them playing the same show, and have you noticed how different the color was from one TV to the next?

It's like that.

I freely admit I don't pay a whole lot of attention to calibration, but if I were a professional photographer I would. I'd have a little spectrometer attached to my screen and software would adjust my monitor to the best possible standard range. As it is, I just use the default setting on my computer and hope for the best.

If your monitor is properly calibrated and your art is shown on another monitor that is properly calibrated, the art will look almost identical from one monitor to the next.

YAY!

But from one monitor to the next, that's about where the resemblance ends.

Colors are calibrated to something called RGB, or Red, Green, Blue.

All colors come from a mix of red green and blue. At their greatest intensity, all the colors in the spectrum together become pure white light.

This is why RGB is called ADDITIVE color, because you ADD colors from the spectrum to get ALL colors, and all colors create the entirety of the rainbow, and pure white light.

Your computer monitor, your phone, your television, all images are created via light using RGB, a gamut that covers all possible colors that can be created.

That's a lot.

And that's why some of the colors you see on your TV or phone are so deep and intense.

For the widest possible range of color and intensity, you use RGB.

Unfortunately, there is what you can create with light, and then there is what you can create with pigment or ink. And that is why printing what you see on your computer almost never looks exactly like what you see in a book.

For printing, you must use a color setting known as CMYK. This stands for Cyan, Magenta, Yellow and Key/Black.

In printing, the pure blue is actually Cyan and the pure red is actually Magenta.

CMYK color range is not created by addition, but by SUBTRACTION. In order to get the color you want, you reduce the percentage of one of the four colors for ink mixing. Mixing all colors, instead of giving you white, gives you black.

The gamut of CMYK is limited to what can be created with ink.

You've probably heard the term four color press? This is what that means. Four colors, with each color of ink run over the paper on rollers which, combined in varying layers of opacity, create all the printing colors you see.

But remember, what you see on your computer monitor and what CMYK gamut can handle are two different things.

Now, I’ve been really careful with the color settings on Good Omens, so there haven’t been any big surprises, but let me show you a snippet of a project I did for the French fashion house Balmain.

The RGB version:

And then this shot after it was converted to a CMYK file for print.

That's a pretty big difference.

Now, you see this shift mostly with vibrant colors, such as that pink there. But other colors hardly changed at all, right?

That's because this issue is about range of color. CMYK and RGB occupy a shared range which you can see demonstrated by this graphic I got from Wikipedia.

The graphic shows the RGB ranges supported by various digital formats. SWOP CMYK is the most common range my publishers use. Note that the bounding box line shared by the RGB and SWOP CMYK formats shares about half the range space. So whatever RGB colors you use that are outside that range will be digitally converted to the smaller SWOP CMYK range.

And you may not like what you end up with.

As you can see, some of the most ethereal and intense colors get lost outside of the SWOP CMYK boundary.

A look at the Dark Horse Comics color settings in Photoshop. Theoretically, this information should prevent your art from looking like mud on publication.

Now, after I just told you the dangers of coloring in RGB then converting to CMYK for print, I tell you I am coloring Good Omens in RGB anyway. There’s a couple of reasons for this.

Remember, RGB give you a greater range of color, so it can be to your advantage to preserve your original files using a format that gives you the greatest range.

Again, here is the unaltered file.

You can see what the CMYK result will be simply by clicking the Proof Colors button here. This will show you how the art will convert.

And the Gamut Warning will show you which colors are out of gamut range for print.

The intensity of that magenta and that purple in the top right are not going to print true.

This is how it will look in final.

So even if you do what you think is perfect color on screen, there is no way it can perfectly convert to print. Almost everything will involve a little bit of compromise.

Even though you have to consider the color shift issues, preserving your files in RGB gives you greater wiggle room, especially if you get lucky someday and get to work with a printer who can print in 6 colors. Or maybe some technology you don’t know about will pop up and make printing super glorious. Who knows.

Regardless, you should keep an eye on that gamut and color for CMYK print, while preserving your master files in RGB.

Until next time.

[huginsmemory]

On ad astra per aspera ✨

Can we talk about the repeated use of ad astra per aspera? Cause uhhhh it shows up twice, once on the website and once in the Book of Bill, and OH BOY this has connotations, both for Bill and Ford's relation in the literal and figurative meaning on the word, and for Bill's own history:

(extra addition added 16/09/2024! 🌝 )

First, in the website (if I recall correctly) if the phrase ad astra per aspera is inputted into the computer, you get the two pages on Bill's 'funeral':

And within, in the pages, at the very end before signing there names is the phrase itself (highlighted in red) .

Secondly, a joke version of it is seen in the Book Of Bill, specifically on the night where Bill and Ford fucked 'one thing led to another':

In this one, it's clearly a joke off of aspirin used for his hangover, used again to close the entry.

Now the phrase ad astra per aspera itself means 'through suffering to the stars', which also has... wider connotations then just these two piece alone, which I'll unpack later. But first, the interesting choice of connection of these two pieces;

Both times the phrases occur, they occur closing the entry; a bit too much of a coincidence to me (and in this fandom there is no such thing as a coincidence). Considering that the 'one thing led to another' night is a night that was important to their relationship as it hints at the intimacy they had with each other, it showing up again in Ford's 'funeral' entry about Bill feels very much like an allusion to that night. Especially considering in the funeral entry Ford is very open about how much he cared about Bill, with how he at one point "considered him the centre of his life". The entry from Ford reads as someone who is moving on, and part of this is acknowledgement of the grief and sadness for the more positive part of the abusive relationship that he lost. As a result, having him acknowledge the intimacy of their relationship, it makes sense for him to tongue in cheek allude back to his first writing down of the phrase, where they were quite clearly implied to fuck be intimate.

While it alludes to their Bill and Ford's intimacy, the literal and metaphorical meaning of the phrase also rings true here; through suffering to the stars. If we talk literally, then through Ford's relationship with Bill, something that ultimately was full of suffering, he built the portal, and ended up wandering the myriad worlds out there in space; one may say out there among the stars. He literally was out there wandering the stars as a result of suffering.

Now metaphorically, the phrase means through suffering/adversity one gains beautiful/worthwhile things. Considering this entry is Ford moving on from Bill, this is very apt; again, their relationship caused Ford immense suffering, and as he is now letting that relationship and suffering go, he's instead prioritizing creating healthy relationships with Stanley, the other twins and Fiddleford (the something beautiful and worthwhile part!). In fact, the entry on Bill's funeral is half on him strengthening his relationship with Mabel, the shooting star, another layer of wordplay; case in point about the healthy relationships. He's weathered through his abusive relationship, to discover and create a loving family.

It doesn't quite end there however; although that's fairly it for specifically Ford and Bill's relationship, we also haven't talked about what the stars mean to Bill himself. Which, well; it's very clearly implied that Bill accidentally killed everyone in his dimension in an attempt to show his parents (and other people in his dimension) the stars. And on top of that, to quote; "I looked up and saw the stars. And I was ready to become one of them". Which he then in a way, becomes, considering the page in journal 3 on constellations, in which Ford remarks that one of his favourite constellations is the constellation 'William' (obviously Bill). It's a bittersweet immortalization of himself after everything that occurs around trying to see the stars for Bill.

So I find it very interesting that for Ford, a phrase about suffering and stars is something he ends up correlating to his relationship with Bill, considering that to Bill, to get to the stars is something he deeply suffered for as a result. It's also important to note that Bill's suffering was something that occurred out of love, and ultimately an attempt to be understood and create a deeper relationship with his parents where they could trust him. And then for Ford, all this while later, to look up to the stars (to see them) and to see the Bill constellation and go 'oh that's one of my favourites' is fulfillment. Because Ford during that time trusted and cared deeply for Bill, fulfilling that relationship of trust, love and understanding(at least surface level, considering the way they banter together), that Bill had yearned for when he was younger and killed his plane.

So all in all(tldr): ad aspera per astra, (through suffering the stars), is quite the fun phrase to unpack in regards to Bill and Ford's relationship, considering the deliberate reference to the phrase on the entry about the night 'where one thing led to another' and Bill's funeral entry. The phrase is a combination of references; tongue in cheek allusion to the intimacy, but also references to the literal (space fugitive) and figurative (abusive relationship, to loving family again pipeline) hardships Ford endured as a result of the relationship. There is also irony in the way that Ford seems to correlate this phrase about suffering and stars with Bill and his relationship, considering that out of an effort to be understood and share the stars with his parents, Bill accidentally killed his whole dimension; later he also made a constellation of himself. As well, as Ford says that one of his favourite constellations is a constellation that's clearly Bill in Journal 3, it alludes to that Bill's wish to show his parents the stars and be recognized is fulfilled by Ford (pre-portal incident that is).

EDIT: extra details added on the constellation piece as of Aug 14 2024 (less than 24 hours after og posting, because I'm deranged). Big thanks to @bowl-o-nudel for the nudge :)

Edit (16/09/2024): I've had a few people say that the saying has appeared in Journal 3 multiple times, and having reread journal 3, to my delight it is indeed correct! And oh the CONTEXT they give. The two instances are those seem below; the first appearance in the title page of Journal 3, and second time is a page from when the twins graduate.

As well as all the parallels of how the phrase is applied for both Bill and Ford, as @zoizyboigy suggested, it seems to be a phrase that Ford takes as his own motto. It seems to be a highly personal motto to him; after all, they all are written around important turning moments in Ford's life; graduating, the journals which where to be his ticket to fame, fucking a triangle finding acceptance and intimacy with Bill , and lastly, moving on in his life from Bill and his destructive obsession with recognition. 

And it makes sense WHY this motto is one that is highly personal to Ford; the first time it is seen chronologically is when he's graduating, chosen when he believes he's going to be accepted into the university. It's a motto he chose because he was excited, because he thought he was already through his suffering and arriving to the stars of his fancy university, where validation and acceptance would abound; only that doesn't happen, and the suffering part within the motto is the only thing that's accurate, especially as that's when he rejects Stan. It's a motto chosen in celebration, that becomes a reminder of the failure to become someone who is accepted and important (and his prioritization of validation over relationships); it's now something he holds that reminds him of the validation he believes he deserves and he obsessively chases. 

And that's why you see it in the journal pages, because these journals are going to change his life, he's going to become finally a person of importance and be accepted with the information he's compiled in the journals. And in the same way, you see it after Bill (and interdimensional being of ancient knowledge) and him are intimate; he's become someone of importance to Bill, he's been accepted by Bill, even attractive to Bill (romance Ford seems to have terrible luck in).

And that's why you see it at the end of Ford's farewell to Bill; it's another turning point, it's Ford letting his obsession with world validation go which characterized it's meaning from the beginning, Ford letting go of his relationship with Bill, which it also came to mean, and instead celebrates his acceptance within his family and the strengthening of those bonds, and of prioritizing healthy, loving relationships.

Ps, if you enjoyed this meta post, I've also made another one, on exceptionalism!

[ambrosiagourmet]

Hey, Kabru and Mithrun spend some interesting time together, don't they?

With Mithrun having just officially premiered in the anime, and a lot of discussions swirling around about him, I've been thinking a lot about that section of the story quite a bit. These chapters - Roasted Walking Mushroom and 6 Days - are some of my favorites. For a lot of reasons, really. Not only are they are a huge turning point for the story as a whole, but they have some excellent character work, and represent an important shift in Kabru and Mithrun's individual arcs and relationship to each other.

The chapters are also kind of a fully contained story arc just on their own, which is an impressive bit of writing, and makes them super fun to analyze. So that's exactly what I'm going to do!

This will be structured as a close reading of chapters 61 & 62, with some asides for additional important context. I'm going to talk a little bit about a reading that I disagree with, but for the most part I just want to focus on how Kabru and Mithrun's relationship progresses during these two chapters. In particular, the ways they both grow from the time they spend together.

Also I just want to quickly note that this isn't written as Ship Content. It's meant to be an analysis of their relationship as presented in the text - layer whatever additional meanings and filters on top of that as you'd like, but please respect that my intent is not to talk about or champion a ship, or frame any of this content as romantic.

So, with that all being said:

How do Kabru and Mithrun help each other?

First of all, I think there are two important pieces of context that inform the Kabru & Mithrun Dungeon Adventure chapters. Both are related to Kabru's state of mind, and both are set up before or during the chapters in question.

The first is the context of what happened just before Kabru and Mithrun fell into the dungeon. Specifically, the events that led Kabru to make them fall.

Kabru, essentially, gives up his life at the end of chapter 55. When he stops Mithrun, and when they both plummet with the collapse of the first floor, he is okay with dying. Mithrun warns him that they will both die if Kabru doesn't let him go, and Kabru accepts this as a worthwhile exchange.

Why?

Well, because he doesn't want the elves to take over the dungeon. Throughout the last 3 chapters, the Canaries have been effective, but they have also been cruel in their efficiency, and they have made it clear that they don't care about collateral damage. They lured people into the dungeon specifically to provoke a violent reaction from it, without regard for who might get hurt by the violence.

What's more, they are keeping important information from Kabru, and he knows it.

He's not just looking for a solution, he's looking for the truth - a truth that he believes that he will only find through conquering the dungeon. With good reason, to be fair! The elves make it very clear that they aren't there to treat the other races on the Island as equals.

So Kabru uses the only tool he has available to him - his own life. It won't get him the truth, but it at least gives a chance for another person from a short-life species (namely, Laios) to earn it in his place.

This dovetails nicely with the more thematic context that's introduced in at the start of chapter 61: the room where he could eat all the cake he wanted.

This place, a place that Kabru never wants to go back to, is a place where he is safe, and a place where he is ignorant. A place where he is sheltered from danger, but also from the truth. The same place the Island would become, if the Canaries had their way. He doesn't just want to be safe, and he doesn't even just want the world to be safe, though he does want to be able to protect people from what happened in Utaya.

But he doesn't just want to entrust that safety to the paternalism of the elves (especially since he is all too aware of the ways they can fail, or the people they are willing to sacrifice in the name of that "safety"). He wants to be given the agency to seek safety and peace for himself.

He wants to understand. And he wants the chance to act.

This is the context we have, going into the arc of 61 & 62. But before I talk about how the chapters build on this context, I want to take a step back and look at what else the chapters establish early on, before delving into their exploration of Kabru's agency.

First of all, I kind of want to challenge the framing of Kabru and Mithrun's relationship as solely that of a caretaker and his charge.

Obviously, Kabru is forced into a caretaker position - at the threat of his friend's safety, no less. (Okay, it's actually Toshiro and Namari that are being held, but still. There are hostages involved in this) But I do think it's important that Mithrun isn't the one who puts Kabru in this position - Cithis is.

Before this conversation, Kabru and Mithrun are already exploring the dungeon together. Mithrun doesn't threaten Kabru, or force his hand. He kind of just assumes that Kabru will join him. It's rude, and not particularly respectful, but given the dangers of navigating a dungeon alone, I don't think that's really an unreasonable assumption. And it certainly isn't the same as Cithis' approach.

If they were left alone with no intervention, they probably would have ended up in a similar position to the one that Cithis leveraged them into. Kabru is smart, and he could have figured out the things that Mithrun needed help with. And, to be clear, those are things that Mithrun needs help with not because he is selfish or thinks they are owed to him, but because he is disabled. It's not unreasonable for him to need that help, and it's not unreasonable for Kabru to provide it, under the circumstances.

Besides, they both need each other down there. Kabru wouldn't have survived without Mithrun - he doesn't know enough about monsters, and isn't familiar with the deeper dungeon's layout. And Mithrun wouldn't survive without Kabru - he isn't able to notice his basic needs and would burn himself out without food or rest, making him an easy target for the monsters he could otherwise take care of on his own.

Aside from both needing each other, another interesting layer to their relationship, which is established right away, is that Kabru doesn't have to - and literally cannot - put on a mask of social niceties around Mithrun. He can't suck up. It doesn't work.

So Kabru, who spends so much of his time concerned with how others perceive him, and who compromises his own comfort in order to become the most appealing version of himself at any given time, has that tool taken away. He has to help Mithrun, but notably, he can only help Mithrun to a certain point. He cannot compromise his open and honest feelings to help maintain someone else's view of the world - or at very least, it doesn't benefit him at all to do so.

Instead, they sit together, in the same position, share the same shitty mushroom dinner, because they both have to:

And that's notable, too. They both have to. Cithis' demand is most specific about the need to eat. Three meals a day! But this is something they both need, not just Mithrun.

Still, their relationship at this point still isn't exactly supportive, or even respectful. Kabru may have realized that he didn't need to keep up an act around Mithrun, but ya know, he still turns around an immediately try to, with that shitty mushroom dinner.

(The 'badly drawn shapeshift Kabru' gag here isn't just funny, imo, it's also a reminder of the thing he JUST LEARNED. Mithrun is immune to the Kabru smile anime sparkles filter.)

Mithrun also doesn't tell Kabru any helpful information at this point, and doesn't really put much effort into helping him at all. He slaps him awake out of a Nightmare, and treats him with the same disregard he did at the start of the chapter, focused entirely on moving ahead.

But then Mithrun collapses, and the current structure of their relationship collapses with him.

I think it's interesting here that the shift in their dynamic also includes Mithrun explicitly noticing Kabru's desires. Obviously it's not actually like some kind of I truly see you and recognize your humanity moment shared between them, but I do still like the way that it pulls Kabru's internal wants to the surface. Kabru not voicing his desires doesn't mean they don't exist, and Mithrun recognizes that the same way the dungeon does.

And then Mithrun does, in fact, grant one of Kabru's deepest desires. He tells Kabru the truth.

Just like how they are working together in the first place, this truth is as much a necessary concession to survival as anything. But that doesn't mean it's not impactful for Kabru. This is the thing that every other elf in his life has kept from him. A secret foundational to his core belief that long-life and short-life species can never come to mutual understanding.

And Mithrun isn't just giving him the bare minimum information here. What he shares isn't just a truth, it's his truth. It's a level of complete and total vulnerability that few people share with each other. And again - some of this may just be coincidence and necessity. I imagine Mithrun is so open, at least in part, because he doesn't have the same barriers that other people do when it comes to sharing these things.

But, then again... we see Mithrun at his most vulnerable and empathetic when he is talking to dungeon lords & potential dungeon lords, and trying to convey to them the truth of the trap they are walking into.

This face:

Is very similar to this face:

These are some of the few instances that we see Mithrun emote in this way, and his story does come just after he notices the dungeon responding to Kabru's desires.

But, no matter if Mithrun's openness is in response to Kabru being tangled in the dungeon's hunger, or just part of his nature (or, maybe, a little of both), his story changes things for Kabru. It gives him the chance to make actual choices, now that he understands the truth. It gives him a chance at agency in the story.

And he immediately turns around and uses some of that agency in an interesting way:

When asked about why he can't sleep, Mithrun says he needs to be magically compelled. Being magicked to sleep is simple, and it is efficient, but he doesn't even just say it's the best option. He seems to believe it is the only option.

So much in Mithrun's recovery has been framed through how it will let him fight the demon. Recover so that you can return to the dungeon. Sleep so that you can return to the dungeon. Eat so that you can return to the dungeon.

But rest, much like eating, isn't just about achieving the bare minimum required for efficiency. And as Senshi would probably say, the easiest path isn't always the best.

I don't think that the Canaries are intentionally running Mithrun ragged or anything, but as I mentioned earlier, they are very focused on efficiency, with little thought spared to what is lost or hurt in the process.

And there is something different about Mithrun's time with Kabru in the dungeon. Lycion even notes it, when they finally connect back up.

I don't think it's a huge leap to say that how Mithrun falls asleep here is emblematic of that difference. When Kabru helps Mithrun to sleep by massaging his feet, rather then using magic, he is explicitly taking a step beyond the minimum. He is providing comfort to a body that has been given only necessities for a long, long time.

These two events - Mithrun sharing the truth of the dungeon with Kabru, and Kabru choosing to help Mithrun to sleep through a foot massage - shift their relationship. There's a clear difference in how we see them treat each other, and especially in how Mithrun treats Kabru.

Before, Kabru provides food that he has gathered himself (okay, it was a mushroom he put his foot through on floor one, but the point still stands that Mithrun offered no help at all with getting food).

Afterwards, they gather food together.

Before, Mithrun teleports Kabru towards a monster, using him as a weapon when he can't find anything else.

Afterwards, he helps Kabru escape monsters, and fights them directly.

Before, he slaps Kabru awake after 5 hours of uncomfortable, Nightmare-filled sleep. A rest which, notably, Kabru didn't even intend to take for himself.

Afterwards, we see Mithrun keeping watch while Kabru sleeps in a bedroll.

I don't necessarily think that all of these things are choices that Mithrun consciously makes. Like, after 6 days, Kabru would have to get some actual sleep eventually, and Mithrun would pretty obviously have to keep watching during that time.

Nonetheless, there's still a difference in how these scenes are framed, and the fact that it is these things that are used to portray their journey together. Kabru is not the sole person providing food and sleep and safety - they provide these things for each other. Kabru eats alongside Mithrun, hunts alongside Mithrun, and he sleeps in the same way we see Mithrun sleep, laying down and resting deeply enough to be groggy when woken up.

What's more, during their time together, there are even a couple of instances of Kabru being more willing to care for himself and accept care. The sleeping is one example - note how he is surprised at having slept "that long" when told he was asleep for less than even the minimum recommended amount of nightly sleep - but I think the pattern of his eating is even clearer. In making sure that Mithrun eats regularly, he is forced to eat regularly too.

And I especially like the progression with the Barometz meal. After Mithrun has fallen asleep, Kabru thinks about wanting to "give [Mithrun] something nice to eat," but also notes that Mithrun's lack of desire "means there isn't even anything he wants to eat." So what does Kabru do?

He makes Mithrun something that he wants to eat.

I've already talked a bit about the ways that Dungeon Meshi depicts people finding support through "borrowing" the desires of the people who care for them, and I think this scene is a great example of that idea. Especially in the way that it pulls an expression of desire from Kabru, who is so prone to ignore his own hunger and needs. The meal may not end up anywhere close to the flavor intended, but it's still a far cry from the roasted walking mushroom.

All of these pieces come together at the end of chapter 62, resulting in a pivotal choice that could only happen because of the ways Kabru and Mithrun have, at least a little bit, grown closer to each other.

As they are preparing to leave, Kabru hears a bell ringing in the dungeon, just as he hears Toshiro's matching bell on the other side of the portal. Realizing Laios is nearby, Kabru hesitates. He knows the truth about the demon, and how he has a chance to act on it.

Cithis, the person who extorted Kabru into taking care of Mithrun in the first place, pushes for Mithrun to follow along with the plan.

(okay a quick aside here I just want to say I do love Cithis and I'm not trying to bash on her here. I just think it's interesting that she is the one to establish the terms of Mithrun & Kabru's cooperation, as well as the one who tells Mithrun to leave the dungeon at the end of the chapter)

But Mithrun doesn't go along with her command. Instead, he does something unexpected:

He asks what Kabru wants to do.

In contrast to Milsiril's smothering comfort,

and in contrast to his Mithrun's own assumption that Kabru will follow him, when they first wake up in the dungeon,

Mithrun follows Kabru's lead.

This, right here, is the change between them. Not only that, but it's a shift in the entire balance of agency in the dungeon. For what might be the first time in a very long time, Kabru - a tall-man - knows the truth, and is acting on it. He makes a huge decision purely on his own judgement. He is not trying to appease or coerce anyone, and he doesn't win Mithrun over by hiding his true intentions.

Rather, it's the honesty between them that builds to this moment. Mithrun's honesty earns Kabru's trust, and Kabru's honesty earns Mithrun's respect. They bond not because they are forced to spend time together, but because they choose to spend that time giving each other more than the bare minimum - even when they are both people used to accepting the bare minimum.

It echoes Laios' argument with Toshiro, in a way. They eat three square meals a day (Cithis mandated admittedly), they get plenty of sleep, and in doing these things, they take each other seriously. They treat each other as more than just a means to an end.

I don't necessarily think it's a flawless, unbreakable bond that's built during this time - hell, they both kind of revert back to their old behavior, once reunited with the rest of the Canaries. People don't completely change their habits overnight, after all.

But it is a shift. It's a shift that gives Kabru the chance to steer the story towards the ending he has fought for all his life, and it's a shift that helps Mithrun find a way to move forward after he loses his own reason for living. They reach their goals, and then they step past them - facing life beyond the moments they thought defined their reasons for living. Facing life beyond the bare minimum.

And that is how they help each other.

[bunny-jpeg]

Hi bunny, could I get a vanilla cheesecake with some tea please. Also make it a Norris fic

the bakery menu

thank you for the lovely order! there are still loads of tasty treats still on the menu, so please feel free to submit your own!

vanilla cheesecake ("where are your manners?") + tea (semi-public/public sex) served by lando norris (formula one)!

cw: smut/pwp, semi-public sex, slight dom/sub, clothed sex, quiet sex, quick sex, praise kink,

it all started at a bar in bristol. you were in lando's old stomping ground. you were a little drunk talking amongst some of lando's old childhood friends.

you were pressed up against your boyfriend and felt the comforting weight on your shoulders from his arm across them. he was a comforting presence next to you. but you had to depart from his side as your glass was empty.

"i'm gonna get another one." you said as you tapped the rim of the beer glass before you got up. you were thankful that you weren't wearing heels or you'd probably cause an incident. you could feel lando's heavy gaze on you as you strode up to the bar and put both arms on top of the wood, "another brewdog, ipa."

you felt a hand on your lower back, you were about to give whoever was touching you a swift punch when you looked over and saw it was your boyfriend.

"where are your manners?" he asked with his lips close to your ear, "i thought i told you to be a good girl." he chuckled a little, "and here you are being so rude to that bartender. that's not the girl i know." he kept his hand on your lower back, a domineering touch to center you. when the bartender came back with the beer, lando's voice was in your ear once more, "say thank you, love."

you looked at the bartender as you picked up the pint glass and said, "thank you so much!" and flashed him a bright smile as if your cheeks and neck weren't burning from your boyfriend's rules.

you were devoted to one another, but there was an additional layer to your relationship. where on the surface you looked like a total it-couple, in the quiet whispers lando was a total dom. and you were his loyal submissive.

you got back to the table and put your drink down before you scurried off to the washroom. a few moments passed before lando said he was going to get a drink. through the densely packed bar, he moved his way through to the back where the washrooms were.

he could feel the heat in his body pool in his gut, his cock strained against his jeans as he knocked on the door of the single stall bathroom.

he looked over his shoulder briefly, no one noticed anything. but then the door opened and you grabbed lando by the front of the shirt to pull him inside. he instantly had his hands on your behind as he pulled you closer to him.

you reached around him to lock the door and you ended up on the sink counter with your skirt pushed up. you felt the heat burn your cheeks and down the back of your neck.

it felt risky and exciting.

"you're such a good girl, even though you've had enough beers." he laughed as he stood in front of you, his hand down his pants as he tried to pull his cock out of his jeans.

"i am a good girl!" you kicked you legs out playfully and devolved into giggles.

he reached over and covered your mouth with his hand, "i know the bar is loud, but there's no need to be even louder. we need to be quiet, love or we're going to make headlines."

the thought of what the press would come up with made your cheeks burn as he hiked up your dress even more. his hands that roamed your thighs made you feel light all over.

"pretty doll." he said, "you look so good at my side. but you have to remember your manners, love." he said with love dipped in his voice. he was a more of a gentle dom.he got your panties down to one ankle and looked at your sweet cunt, "you like this don't you? knowing that anyone could come in and just see me fucking the shit out of you."

you wanted to wrap your arms around your boyfriend, but instead you had to cover your mouth so you weren't so painfully loud. you couldn't help it, you got used to the privacy of lando's home where no one could hear your erotic moans.

but in the semi-public it was a lot harder to keep yourself quiet, especially now that lando was playing with your bare clit. the wetness dampened his thumb and pointer finger. you looked so good, he knew that you could be such a good girl for him.

"now, what do we say when we want something? where are your manners, love?" he asked with a sly smirk.

you swallowed and pulled your hands away from your mouth. it took you a few moments to compose yourself to reply, "please, sir. please, fuck me." you knew this was the worst place to fuck. it was damp and dirty, but the curl in your gut of lust drove you to need to be touched.

"you look good like this, all flustered for me. you look so pretty, the prettiest thing in this entire bar." he could smell the beer on your breath but then again you could probably smell the same on him.

this was probably the worst place to have sex, but there was something about bitter beer that made you two want to jump each other's bones. it wasn't as bad as champagne which had lando's cock buried into you by the time you finished your first glass.

you tried not to think about how dirty the counter was and spread your legs a little further, the dress pushed up enough to show off your pretty pussy to him.

you covered your mouth once more to block out most of the noise. your eyes almost rolled back into your head when lando wasted little time to pushing his cock inside of you.

"sir." you said through your fingers.

he kissed your forehead as he took you by the hips and started to rock into you. normally lando liked to romance you into bed, but right now it had to be brutal and quick.

regardless your wet cunt felt nice around his painfully erect cock. it all felt dirty and hot, the dress stuck to your skin as you started to sweat. you panted through your hands as you tried to keep quiet. lando on the other hand was struggling as well to keep quiet. but there was something about his beautiful girl's pussy that drove him mad.

maybe next time they want to do something semi-public they'll do it on the boat where he could fuck you in peace on the deck and no one could saw a word. shitty little bars in bristol were not the perfect place for a girl like you to be fucked in.

maybe a driver's room or a hotel with nice sheets. he'd maybe even finger you at the event at the end of the season. but right now you looked like a little whore sat on top of the counter with lando thrusting his cock into you.

you wanted to clutch onto him, instead your sweaty back touched the mirror behind you. you leaned back a little and gave him extra room to shove his entire cock into you. you moaned a little bit despite your best efforts. the pleasure felt like it was melting your brain with the aid of all that beer.

"see, i know you can be a good girl. because you're mine and i only have the best. fuck, you're so pretty right now, all fucked out. i know you're going to be sitting back with my friends with my cum stuck to your thigh." he wanted to kiss you so badly, he wanted to feel as close to you as he could.

he wanted all of you, every last inch to every last cell. you were his girl, his beloved. he maintained eye contact as he thrusted into you. he felt the heat in his body, sweat went down his neck.

you whimpered through your hands and panted heavily, you looked hot in every sense of the word. orgasm was close and you tried to meet lando's thrust. you couldn't hold it in much longer and grabbed your lover by the shoulders and pulled him in for a hot kiss so you could hold him while being quiet.

you groaned into the kiss as he continued to rut against you. your core felt soaked and it was evident by how wet lando's cock was. you relaxed against the wall and still reached out to hold his shoulders.

"that's my girl." he said, "what do we say when you get to cum?"

"thank you, sir."

he kissed your sweaty forehead and gave a few more jerky thrusts before he finished inside of you. he slowed down his movements and had to brace his hands on either side of you on the counter so he could steady himself from the strong orgasm.

"oh fuck." he mumbled to himself between heavy pants. he was thankful that the rest of the bar was as loud as it was. he kissed you passionately on the lips before he helped you back into your panties and straightened out the skirt of your dress.

you pulled him in for one last kiss before you got off the counter with shaky legs. but lando kept you close, the leftover pleasure and the presence of alcohol made you a little dizzy.

he kept you close to him, the smell of his body spray left you yearning for more. he noticed this and said, "someone has been such a good girl for me. why don't we pay everyone's bill and get home? i don't think we're quite done."

you couldn't help yourself, you nodded eagerly. you were always willing to be on your best behaviour for your lando <3

[nebula1734]

The media keeps saying stuff about the gun used in the UHC CEO killing being a 3D printed ghost gun , and as someone who knows guns and 3D printing, I want to give my opinion.

The use of a ghost gun is possible. While I don’t know much about them or procuring them, I do know stuff like 80% kits are relatively easy to procure and assemble. A ghost gun is just a gun that doesn’t have a serial number. This leads me to part two.

I’ve seen a lot of articles talking about a lot of ghost guns using 3D printed parts, if not being 3D printed entirely. This is, in the majority of cases, not true. There have been some designs capable of firing bullets that were 3D printed, but it’s rare and very hard to design. 3D printing is essentially just laying down layers of a melted plastic on top of each other and using that heat to connect the separate layers. This leads to several issues with trying to design a firearm made entirely of 3D printed plastic, primarily heat and pressure.

When a bullet fires, part of what applies force to the projectile is extremely hot gasses. The standard 3D print material, PLA, has a melting point of 175 degrees Celsius, which is (probably) much lower than those gasses. That gas also creates pressure which wants to take the path of least resistance, namely through the now softened thermoplastics.

This doesn’t even get into the issue you would have with reliably getting the weapon to cycle and feed ammunition, and from everything I’ve heard/seen, the Adjustor used a semi automatic handgun.

My point is this: don’t listen to the “it was a 3D printed ghost gun” bullshit. It’s fear mongering. In addition, it allows them ignore the issue of gun control in this country. If people are able to just make guns, then that is a completely separate issue.

Edit: It has since come to my attention that it potentially used 3D printed parts, though I haven’t found which ones exactly, presumably ones that would have the least amounts of stress. My point still stands, by calling it a “3D printed ghost gun,” they make it seem like it was entirely 3D printed, which is not the case. The alleged weapon shown in pictures uses components that look like a Glock slide and barrel, as well as magazine.

[ky0213]

Whoever designed the costumes/outfits for The Outsiders Musical IM IN YOUR WALLS. It took me lightly cosplaying to notice. But why are Darrel and Dallas' outfits so similar?!

White shirt with a their signature layer on top. (Dally's signature leather jacket. Darrel's faded flannel.) They even have boots that are pretty similar, too! The difference is that Dally embraces being a greaser so he wears jeans. While Darrel distances himself so he wears khakis. Darrel looks like a faded Soc.

Even later in the show, when both are more vulnerable, they shed the outer layer when sharing how they feel to others.

The two most misunderstood people in the show. Ponyboy looks up to both of them. Maybe that's why they're similar outfit wise.

Edit/Additional thoughts: Also, the nicknames Dally and Darry. Both feel significant guilt for what happens with Johnny and Pony. (Pony wouldn't have almost died had the slap not happened. Bob wouldn't have died either. Dally gave Johnny the knife, after all)

[jinogasux-fr]

PSA: This petsite is too good and it needs more attention (4dopt)

Subtitle: no seriously the customization and how artist-friendly it is is KILLING ME

I'm sorry I have immense brainrot I NEED to talk about this okay SO let me tell you guys about this petsite I discovered a few weeks ago called 4dopt.com.

For the love of god please try this game out (check out the read more for... more info!)

TLDR; You can draw your own species and it'll be added to the game. Players can obtain that species and recolor them to make customs of them if you so choose. You can draw your own items too which can be used for species obtainment and raising stats.

In 4dopt, you can obtain adopts (or pets) through various means, such as using items, getting them from the shelter (which have been discarded by other players), or through the adventure/exploration system as a random encounter.

The fun part? The adopts and items are player-created. Like, I'm talking entire species and items that can increase an adopt's stats or generate a new adopt entirely from them. They're drawn, created, and controlled by the players. Another thing is that these adopts can be completely customizable. You can recolor them, give it different patterns (if available), change the lineart or shading, but only so long as the creator allows it. That's another thing - there is SO much control the creator has over their creations. It's all up to the creator to design different patterns and layers to the adopt, as well as give permissions as to what a player can and can't customize.

There's over 1,000 adopts to collect (and possibly customize) by the way, and more are coming! (It's been a BLAST watching the Discord and seeing all the future adopt WIPs people have been doing ;w;)

I can't describe in proper words how extensive the customization is. Getting the full scope of what I mean is a little difficult unless you've seen it for yourself, so here's a screenshot of me going through some recoloring!

Aaand because I can't help myself, here's a mini showcase of the adopts I've recolored!

the species of each adopt, in order are: caprine, oldwood witch, and paint bird

In addition, creators can control the adopt's gender ratio, what items it comes from (if any), which exploration areas it comes from (if any) (as well as their rarities), and more. You want an adopt to be a seasonal-only thing? Go for it and put it in one of the rotating exploration areas or shops! You want to make a specific pattern of an adopt only available by using a certain item? Do it! I'd hunt one down for that!

A creator can make evolutions of their adopt, which can have different requirements, as well as a stats system which can be renamed to be more thematic to an adopt. (For example, I have an adopt whose Health stat is renamed to Size, due to it requiring to get a big size for it to evolve. These stats can also be used as requirements to put certain patterns or anatomical changes or etc to an adopt when customizing it.)

You may be thinking - oh, but being able to create an adopt/item is probably difficult, right? Nope! All you need to do is have your account be level 10, which, with some exploration, takes no time at all. I did it in under an hour! And then submit a small portfolio of your previous work to gain access to an artist panel, linked here (if you're logged in).

4dopt welcomes all artists, whether you're a beginner or you've been drawing for years, so there's no worries on if you're "good enough" or not. (YOU ALWAYS ARE!!!) If you have an idea, just make it, and chances are, us players will eat it up.

Anyways lightning round of more features:

A tagging system where, if you block a tag (like gore or body horror), all adopt species that fall under that tag will not be shown to you.

A weekly contest where you can show off your adopts as well as vote for others' adopts, and at the end of the week, the top votes get some nice rewards!

A breeding system where the offspring will have a combination of the markings/layers of the parents

Collaboration friendly (wanna create an adopt with a friend? fully supported!)

Read funny and weird blurbs that players have submitted (oh yeah you can submit little blurbs too) to exploration.

The game JUST shifted from registration windows to open registration, so I hope more people give this game a try. It's super underrated and deserves more attention!

Here's the site link again, and if you want to use a referral ID, mine is #3761, though you don't have to. I really don't care I just want more people to JOIN!!!!

Anyways I'm gunna end this post with a couple of guides:

Unofficial FAQ

Species Making Tutorial

Oh, and if you join, let me know your user id and I'll send you some goodies to help jumpstart things!!

anyways thanks for reading my yapping and uhhh if you do join i hope you enjoy!!

[simp-ly-writes]

Gentle-Fellow's

─────── · · A Smosh Fanfic

Pairing: Spencer Agnew x gn!Reader

─ · · SUMMARY: You, Spencer and your fellow cast mates Angela and Shayne all star in yet another Don't Win Mario Party, Gentlemen addition!

─ · · TAGS: gender-neutral pronouns, part social media au, use of dated terms as comedy, swearing, smoking, fluff, attempt at humour, cute.

─ · · MASTERLIST | TAGLIST REQUEST | WORDCOUNT: 1,463

─ · · A/N: thank you so much for the ask, anon! sorry it took so long, had to brainstorm some jokes and scenarios but it was a load of fun! 😄

─────── · ·

"Oi! 'ello Chaps, I'm here with my fellow gentle-lads and t'day we'll be playing some good old fashion mario party, just how I like my liquor-" you began to intro to the camera before Spencer was slapping you gently on the shoulder, his body acting out more impact than you actually received but you still fell off the couch for comedic benefit as he put his shoes up on your supposed 'corpse' in good taste.

"Well enough with what that fellow was going on about, I must say we shall play. This game is better suited for a trio rather than a quartet- the same philosophy can also be said for working in the navy. Was much better to night-watch with a trio-"

"Ah yes, I do believe three-and-some is an adequate amount. I have yet to try four but it sounds you would not recommend?" Shayne leans forwards on the couch to fully face Spencer who adjusts his tophat while looking down at you, silently asking if you were okay while laying down off camera. You shot him a smile upwards, rolling over and returning back to the couch.

"Yes, I would not recommend such activities. Too many men with not enough places to go and scope out. Much better to have three, did you not serve to learn this?" Spencer asks with a tilt to his head, his top hat already falling off again as you hold back a chuckle to his playful glare in your direction.

"I in fact did serve! I was a leader, and I good one at that too. Took my whole group to one of the colonies, we had to strip ourselves of layers from how humid the climate was," Shayne clarified, pretending to light his cigar as Spencer lit his own, passing his lighter towards you.

"Thank you, gentleman," you responded, lighting your two cigarettes, wearing them like vampire fangs that had Angela near tears at the end of the couch. "I do remember being down to my undergarments at multiple points with my men, I'll have you know we were all in position within the ama-zone. Quite the discoveries we made there, so uncivilized."

"AYE!" Angela corrected, pointing a finger, her moustache slipping down her face, "I'll have you know my third mistress is from those parts, and she is the best. You mustn't make such hastily claims gentlemen, it is unbecoming of you!"

You nod your head, "yes, yes, very unbecoming. What are we? Boys like our sons? I can't remember the last time I had ashes in my lungs with that child's work," you continue as Angela agrees with a huff, the game seemingly long forgotten as you all carry through conversation, trying your darnedest not to break character.

"Ah yes, I think I have a son or two, I can't quite remember. I think to name them all William, a strong English name," Shanye comments once you all get... gently reminded to play the game you intro-ed over half an hour ago, you hoped that the editors would be able to find something distinguishable in these files.

─────── · ·

"I do believe it is your turn, gentleman," Spencer comments, casting you a wink. "My, I have seen to misplaced that powered-device. Does anyone see it?" Everyone starts to feel around the dips in the couch, Spencer was the first to stand, walking closer to the cameras from where you rolled to during the introduction bit and comes back with your controller, dipping it towards you with a bow.

"Thank you, my, you must be quite the bachelor, charming a fellow like me, oh my," you add with heated cheeks as Spencer returns to your side, his leg nocking against your own as you shout out in disbelief to obtaining a star you DID NOT want. "This is outrageous, I demand a re-play of my turn! I did not intend-"

"We must play by the rules," Shayne cuts you off, tilting his hat down as you stick out your tongue. Angela is focused on not winning the next mini game as you and Shayne continue your staring contest in the following two rounds before you claim victory. "Haha! I have trained with only the best, you can read a lot about another man through his eyes. Have you been hunting before? I love that wild look." Spencer jumps to respond.

"Yes, I must say, you really can tell a lot..." and in that moment you both look at one another. Shayne and Angela are both screaming over something on the screen but you both sound it out, lost in this little moment before realizing your both won... or well lost.

"It appear we have lost," Spencer says, emitting a sigh. "No, I would say we have won," you tease loving the way his cheeks heat up to his ears before you both return to the game more driven then ever to not win.

────���── · ·

Jokes have you all toppling the couch at some point from your rambunctious laughter, Angela is struggling to breathe through her sentence much similar to you over just how funny Spencer manages to be wearing sweatpants and a cheap half tux.

Spencer immediately went to protect your head with his arm as you all fell backwards with a large crash, the crew all gasped out in shock before your laughter only grew more boisterous. "I think I hear a little man again," Shayne comments, forcing himself upright to look over the couch as stars begun to be distributed.

Like snipers at position you all kneeled, your eyes only visible from the turned over couch. Top hats giving away your cover and you had placed second, falling back to the ground in fake shock and relief. Spencer teased mouth to mouth that had you pressing a hand to his mouth and narrowed your eyes at his large ones filled with glee and adoration.

─────── · ·

Angela had lost in the end in first place. you second place. Shayne in third and Spencer being the ultimate winner in fourth.

"FUCK!" and the video ended abruptly to quickly cute to her wearing a dog cone while trying to light a cigarette, only for them to keep collecting down by her neck.

"Thank you all for viewing our game time today, I have had the most splendid time today with you chaps, as I hope you all have ventured the same?" Shayne asks the now upright couch and cast.

"Yes, I was quite filled with delight," you replied, nodding your head and tipping your hat to everyone on the sofa.

"I do agree with my fellow gentleman, here" Spencer replies, clapping you on the wrist this time, very much close to holding your hand, your fingers interlacing while watching Angelas 'winning' speech.

"I hate you all-"

"Why that id not very gentlemanly of you, do you wish to handle these matters outside in more space for our thoughts?" Shayne rebuttles.

"Yes, I rather have a few thoughts to show you," Angela challenged, brow raised as she begins to roll up her sleeves, Shayne doing the same. Alex closes the video by panning upwards and the screen fades to black.

─────── · ·

🔔 Smosh Games just posted! watch now?

─────── · ·

Gentleman's Rules: Don't Win Mario Party (Again!)

Smosh Games ✓ [Subscribed] 👍 67k | 👎 7.78M subscribers 300k views 1 week ago only the politest of games... click to read more

1,110 Comments

username01 (name) and Spencer out here being the cutest even while cosplaying as colonizers, iconic behaviour you two!

username88 09:45 "Ah yes, I do believe three-and-some is an adequate amount" - Shayne Topp 2024

↳ username70 OMG why did I not catch this earlier LMAO 🤣 ↳ username91 or what about 20:01 " What are we? Boys like our sons? I can't remember the last time I had ashes in my lungs with that child's work..." - (name) was UNREAL for sayin' this XD ↳ username70 OMG YES! 🙌😂

username22 I don't know about you but I'm feeling like I'm ready for a whole series of just this cast and just this game. I have had this video and repeat since it's come out! Please. Make. More. 🙏

username14 Literally so in love with how gentle Spencer was being with (name), dropping the persona to held them find their controller and even making sure they didn't fall hard?? 😭

↳ username91 and did anyone notice those little winks? UGH 😩

username40 this is not good material to be eating to, almost choked from laughing so hard, would not recommend.

userame66 That little exchange about seeing into one another's eyes was so poetic, like that bit did not need to go that hard 💗

─────── · ·

─ · · SPENCER AGNEW TAGLIST: @lisiliely @missflufffanfics @little-stitious-studios @thejourneyneverendsx @sibsteria @lizzylynch1 @babble2 @delaneyburghardt @thevintagefangirl @uniquely-haunting @maricarorp

[asmodeus-psd]

▀ / 𝐓𝐄𝐌𝐏𝐋𝐀𝐓𝐄 𝟏𝟏 ……………............... [ 𝐓𝐑𝐈𝐏𝐋𝐄 𝐒𝐇𝐎𝐓 ] 𝘣𝘺 𝐀𝐒𝐌𝐎𝐃𝐄𝐔𝐒 — 𝐅𝐑𝐄𝐄 !

ya boi is back with another psd and this time its based off of my starbucks order - triple shot of espresso, please. this psd features a main image bordered by a texture, with a short quote above and below. there are also optional top and bottom border lines! within my coloring psd (Espresso) is an optional contrast editor. the instructions in the top layer will tell you how to edit it! the font used is times new roman, so you should have it on your computer already! if not, you can download it from google fonts :)

FEATURES:

1 smart psd

my espresso coloring psd

5 sample photos (the ones in the post plus an additional)

DOWNLOAD: DEVIANTART (FREE) or GOOGLE DOCS (NO ZIP) x VIEW MORE TEMPLATES

shameless plug of my own muse's graphic using this template ↓