#but it feels like the people who showed up to ship kind of hate the core plot of the campaign which. is the core plot of the campaign.

[violetasteracademic]

Rambling thoughts post. Won't delete.

I learned a long time ago to stop commenting on the state of the ship war/ SJM fandom as a whole and asking people to be kinder, and anyone who has followed me for a while (which sounds silly to say since I've only been here since March) has likely witnessed my slow disillusionment of the SJM fandom space. As my therapist said, if you keep trying to clean up debris in someone's house who refuses to fix their roof, you'll drain yourself for nothing. (That was about my ex husband but hey I think it applies here.) I've also realized that in the long run, individual creators don't matter, really. There are too many creators in this space who burn out and disappear and even if it upsets or disappoints people in the moment, there is always someone to replace them. I'm very replaceable. My thoughts really don't matter. But here they are anyway.

The SJM tumblr space is extremely hostile and negative. But it isn't all hostile and negative, and the more I filter out the shipwar content and anti content (seriously, I have filters on anti elriel, anti gwynriel, anti elucien, and shipwar buzzwords like delusional, reading comprehension, touch grass, ECT and thank you to my dear friend @yourstarsmyscars for showing me how much more the filters can do than I realized!) the more free I am to see how many kind and wonderful creators there are on here making cute art and amazing fanfics and nourishing a positive fandom ecosystem.

Again, I don't matter in the long run. I'm not sure how many people even still follow me really since I've stopped engaging in the shipwars beyond art, fics, and kind posts. But I do want to let anyone out there who, like me, has had their tolerance for the ship wars plummet to the core of the earth, break through the crust in the middle of the Pacific ocean, and then drift into space, know that there IS kindness in this fandom beyond the noise. There are people doing great work on all sides, who are welcoming to all, and just trying to create something people will enjoy.

I can't say I'll be here forever, or even much longer. But I feel moved to signal boost the positivity. I also know that, although I do believe I tried very hard to be positive and not insulting the majority of the time, I had days that I let the negativity get to me and I was snarkier than I wish I would have been. I'm truly sorry if I ever made a post that even remotely hurt anyone's feelings or added to the negativity. I'd go back and delete them, but frankly they are my most popular posts and still get reblogged so it feels sort of pointless since reblogs don't get deleted.

Although I am an Elriel in my heart of hearts, I want to continue to be a welcoming space for all. If that means my followers get cut in half or only a few people interact with my posts, that's okay with me. I can't try to patch the roof of the fandom, but I can keep my own space toasty and warm for anyone looking for reprieve, regardless of who you ship. I've stated multiple times here that I'm the only Elriel in my IRL friendships, and I love my friends dearly. I tried to speak to Tumblr as a whole the way I'd speak to them, and I didn't always do that. But the world is too abysmal and scary and a lot of SJM fans come online and struggle to find a space that isn't extremely hostile and negative.

Here's to all the goofy little spooks making art, fics, texts, and transcending the shipwars and just trying to connect over the things we love.

In the words of our Lord and Savior Taylor Swift, I want to be defined by the things I love, not the things I hate.

Also still committed to writing a banger Elain Lucien and Azriel throuple once I get through my laundry list of current fics. Maybe a quadruple with Gwyn. Maybe I'll just write a giant orgy, actually.

[maul-of-shame]

Hey, just want to say thank you for your post following the TROP rumors and all. Especially for your paragraphs saying that Haladriels are not the entire audience of TROP 😭 I'm a haladriel/saurondriel and I am feeling so burnt out because loud voices in our shipping ranks are constantly telling us to "produce content non-stop" to "keep the team's eyes" on the ship and I hate that this is draining me of my enjoyment... I'm afraid to talk, comment on their posts, tell them they're wrong for doing this because they are "loud" voices in the shipping ranks and I feel very alone... You post hits the nail on the fact that we, shippers, are not the "entire" audience and that we can relax so thank you so, so much for being level-headed and for making this post 😭😭🙏🙏🙏

A haladriel/saurondriel shipper.

Hey there, thank you so much for reaching out!!

First, let me say how sorry I am that you’re going through this.

Shipping should be a fun, creative outlet where you can explore stories and connections that make you happy—not something that feels like a chore or a high-stakes game to keep a ship “relevant.” It’s incredibly unfair that anyone would put this kind of pressure on you (or any shipper, really).

A quick note before I dive in: This post isn’t about shading anyone’s ship, whether it’s Haladriel, Saurondriel, Elrondriel, or anything else. I’m coming at this as someone who loves fandom and believes we should be able to enjoy our spaces without unnecessary stress or pressure—regardless of what ship we’re sailing on. This is about broader fandom dynamics, not ship wars or personal preferences. So whether you ship Haladriel, Elrondriel, or even something rare like Gil-galad/Sauron (hey, no judgment here), this applies to everyone.

I’m just an Elrondriel (Elrond/Galadriel) shipper sharing observations about fandom dynamics I’ve seen—it’s not tied to any specific ship.

Hot take but, just because some voices are loud doesn’t mean they’re right.

Being the loudest in the room doesn’t make someone the smartest, the kindest, or the most insightful. It just makes them loud—and exhausting, if I’m being honest.

I’m not a Haladriel/Saurondriel shipper, but that doesn’t matter.

Nobody deserves to feel like their fandom experience is being dictated by others, and it breaks my heart that you feel like you can’t even comment or speak up for fear of backlash. Your voice matters, and your enjoyment of your ship matters. Please don’t let the pressure steal that from you.

Shipping isn’t supposed to be a war for visibility—it’s about celebrating the stories and dynamics you love.

And let me just say, the whole idea of shippers being the sole “eyes” on a show is nonsense.

Sorry not sorry.

Like I said in my post, while ships might be a part of the fandom, nobody is the entirety of the audience—not Haladriels, not Saurondriels, not Elrondriels, not anyone.

The team behind The Rings of Power isn’t sitting in a council chamber of Lindon tallying ship content like it’s some sort of fanfiction popularity contest. Trust me, they’re not lurking in the shadows of Mount Doom, whispering, “Which ship reigns supreme?” They’re focused on the bigger picture—crafting a story that weaves together epic arcs, characters, and lore while keeping the show engaging for a global audience.

At the end of the day, what truly sways their decisions isn’t a battle of ships but the cold, hard numbers (Bezos’s precious, if you will). Ratings, viewer retention, and the broad reception of the show will hold more sway than who’s penning the most fanfiction or tweeting the loudest.

It’s the Fellowship of metrics, not a popularity contest in the Prancing Pony.

You know, I think it’s important to note something about the loudest voices pushing these kinds of demands: more often than not, they’re loud because they’re insecure. Truly secure and confident people don’t feel the need to shout their opinions from the rooftops or guilt-trip others into action. The ones making all this noise about "we have to do this," "be active on every platform," "produce endless content," etc., are likely projecting their own fears and anxieties onto everyone else.

And that’s not your burden to carry.

Frankly, this level of seriousness they’re bringing to the table is exhausting—and unnecessary.

We’re talking about a TV show.

Some of these folks are acting like if their ship isn’t front and center, the Eye of Bezos will turn its gaze upon them and smite their content from existence. Spoiler alert besties: it won’t!!

Seriously, these people need to chill out.

They’re treating this like the War of the Last Alliance when, in reality, it’s more like a friendly debate in the Green Dragon over a pint. It’s okay to be passionate, but when you’re marshaling your forces to “produce content non-stop” and acting like Galadriel preparing for a battle against ultimate evil, you might be taking this whole thing a little too far.

The thing is, nobody—and I mean nobody—is sitting there in a dark tower, tallying how much fan art or fic exists for one ship versus another. Amazon isn’t crafting their narrative based on which tag is trending. This isn’t a race to Mount Doom; it’s a TV show meant to entertain, inspire, and occasionally frustrate us.

By all means, love your ship, create content, and engage with others—but maybe let’s leave the doomsday rhetoric and One Ship to Rule Them All vibes in Mordor where they belong.

It's supposed to be a piece of entertainment meant to bring us joy, inspire creativity, and spark meaningful discussions—not a battlefield where everyone has to prove their worth or risk their ship "sinking." The sheer pressure they’re piling on isn’t just unproductive; it’s counterproductive. It’s alienating people like you who just want to enjoy what they love in peace.

And let’s be real: there are so many bigger issues in the world than fandom dynamics. Who has the energy to turn their hobbies into a high-stakes competition? If the energy they’re pouring into pressuring others was instead spent on, I don’t know, actually creating content they enjoy, the fandom would be a much healthier, happier place.

At the end of the day, you don’t owe anyone your time or effort just because they think it’s essential. The pressure to be "active" on every platform or constantly churning out content isn’t sustainable, and it’s not what makes a fandom thrive. What truly matters is passion and genuine engagement, and if that means stepping back to preserve your joy, then that’s 100% valid.

So, don’t let their insecurity or intensity rob you of the enjoyment you deserve. Focus on what makes you happy, and leave the rest to sort itself out.

So take a deep breath. You don’t owe anyone constant content, and you certainly don’t owe anyone your silence. If those loud voices in your ship’s ranks are draining you, it’s okay to step back. Your enjoyment and mental health come first. And if you ever need a break or someone to rant to, my DMs are always open Anon!

You’re not alone in this, even if it feels like it. You that you deserve to enjoy your ships your way—no pressure, no strings attached, no loud voices dictating the terms. Sending you the biggest, warmest hug (and maybe a cup of lembas tea, because we all need it sometimes). 💛

[diamondkat]

Regarding Alastor being redeemed, I have been seeing some posts regarding how it can happen that trigger an instant ick reaction from me. I have taken time to think about why I keep having such a strongly negative reaction to it. The first thing I took into consideration is that I really do not want my current favourite bad boy to become good. I am first and foremost a villain fan and his becoming good has a high chance of ruining the character for me. This means that there is a chance that I would dislike any theory that ends with Alastor redeemed. A lot of time you see people making arguments for why a ship or character should not be liked when the real reason is they personally don't like it and the reasons are merely support. I try to make sure I am aware of my personal bias.

Regardless of my personal bias, I have decided that there is one particular theory regarding how Alastor can be redeemed that I hate from the bottom of my heart. It is the theory where Alastor after being humiliated, degraded and losing everything including his pride has no choice but to accept Charlie's care and change for the better. Sometimes it involves betraying the hotel first, but generally involves him being unable to deal with the challenges that he faces. I am sure how this works in the minds of those who like this theory makes perfect sense. He can no longer rely on himself, he sees that he isn't capable of anything and now has no choice but to become what Charle wants him to be. I hate it so much. I have kept turning it over in my mind and I think I have figured out all the reasons why separate from my bias.

First, suffering doesn't make people better. It just doesn't. The theory seems to require enough suffering to rewrite Alastor's personality and make him Charlie's puppet. It also reminds me of William Shakespeare's The Taming of the Shrew. The story of how the proud woman was broken down to make her obedient. She might be "better" but it also felt to me like she died and became a puppet. He would be "redeemed" but that wouldn't be Alastor. It would just be something that looks like him. I just feel like fans of Alastor who like this theory don't realise that he would lose everything that pulled them to him in the first place if this happened. Some could not deal with him being less energetic in the main show than the pilot due to him being bored. How would they deal with what would essentially be a hollow creature wearing his face trying to become good because there is nothing left in him?

Second, with a proud character you can't brute force them into letting people in. Part of the idea of the theory is that after he is humiliated and suffers in front of them, he will drop his smile and be forced to let others in. That doesn't make sense to me. We have already seen in S1E8, how Alastor deals with things not going his way. He holds onto what little control he has by refusing to drop his smile and holding onto his pride while going through a breakdown. The best way to get someone like Alastor as far as I am concerned is to deal with him the same way you would deal with a wild animal. Slowly lower their guard. I think Charlie is already doing that whether Alastor knows it or not. Besides, pride is an important part of the character. Pride is part of what drew me to the character in the first place. The kind of pride that makes a person think it is okay to say, "If I wanted to hurt anyone here I would have done so already" in front of the Princess of Hell, is part of what drew me to Alastor. If he lost it, the character would likely immediately lose all appeal to me. So, there is some personal bias there.

It would make sense to me if the theory was more about Alastor learning that he can rely on others and doesn't have to depend solely on himself which leads to him opening up and letting others in. However, the theory leans very heavily into suffering as a way to make him a better person and a complete erasure of everything that makes up the character through suffering to make him into someone who wants and is worthy of redemption. That's fine for fanfiction but I hope it never becomes canon.

[princsstwilightsparkl]

saying "if aroace people can date, then can lesbians date men?" is absolutely aphobic narrative btw!

[utilitycaster]

I don't begrudge anyone their campaign preferences, and I think there's plenty of valid reasons to like Campaign 3 the best and this is not directed at people who are genuinely having a great time with it, but it feels like virtually all the nostalgia and wishful thinking I see surrounding Campaign 3 is screaming "you guys want Campaign 2." You want more slow travel and downtime and interparty conversations and slow-burn romance? You wish their main focus was fighting governmental corruption? You want a party that only semi-settles down at the end and keeps adventuring and remains very close? You're frustrated by how everpresent and overarching the moon plot is? You miss when they were just fucking around in a city? I genuinely believe you want Campaign 2, or at best you love a specific ship or a character from Campaign 3 but aren't happy about basically anything else, and would vastly prefer the tone and events and plot of Campaign 2. And I don't really care if you watch Campaign 2, or if you think I'm being annoying here; I simply genuinely believe you'd be happier watching Campaign 2 than Campaign 3 and are so deep in a sunk cost fallacy well you can't see it.

[yuripira4e]

I want to preface this post by saying that I love the cat king as a character, especially one that has such a major impact on Edwin and his relationship with his queerness and learning to be okay with it; HOWEVER, I also believe that everyone that genuinely believes he should be a love interest for Edwin should read this. (Also if you just like the cat king as a character and want to understand his character better and why his and Edwin’s relationship is not something that would be healthy or “real” for either)

[deus-ex-mona]

when the lip differs from the lip

[orcelito]

& well ok there's the kakashi/tobi ship and I just cannot get behind it bc I hate tobi so much like I'm not that big into kakashi/iruka but I can still appreciate it but kakashi/tobi is just like. Get that pasty bitch away from kakashi!!!!! He doesn't deserve him!!!!! And something something forgiveness and history yada yada whatever. I think kakashi deserves better.

And here's my 5 millions slides long presentation on why Gai is the best person for Kakashi [insert every picture of them loving and supporting one another and lifting each other up and playing around and being goofy and trusting each other immensely etc etc etc]

Yeah.

[rockpaperimpala]

So about Netflix's the Last Airbender....

I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.

Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!

The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.

Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.

Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!

Zuko's relationship with the men on his ship! That's what I'm here for!

The Extra layers we get to Ozai manipulating his children!

Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!

I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!

Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.

And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.

Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.

And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!

And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!

This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!

I like these changes! And the show still found time for silly fun adventures and character building moments.

The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.

[icarusallusion]

One of the main reasons I've been so fond of Otasune since I first knew it was a thing was because I think they're genuinely one of the purest forms of love in Metal Gear.

Throughout the series we see horrible relationships between horrible people trying to get by and then that relationship gets dragged through the awful scenarios they live with, be it war, internal struggles, infidelity etc. Despite this common place struggle with so many other characters, we see Otacon and Snake steadfast loyal and healthy throughout every struggle they go through.

They may not be an official couple, but they will always stay the most communicative relationship even outside of shipping. I see people joke about how Otacon kind of bosses Snake around (especially in MGS4), but I always saw it as refreshing. In the series, there is so many times where x character does something horrendous and y character just sits aside and silently sulks about it.

But this doesn't happen, like at all, with Dave and Hal. There are many times where Snake doesn't think about consequences to his actions as a general rule of soldier, however Hal has never been a soldier. So when these things happen, Otacon tells him off and it's something Snake genuinely needs to hear. It's something human, away from combat. Because Otacon is one of the very few characters that talks to Snake as a person, as a human, not as a soldier or fucked up clone baby.

Snake has gone his whole life scrapping the bottom of the barrel to stop feeling so lonely, he flirts with every woman he sees, he attaches himself very easily onto superiors, etc. Snake is a man who has spent his whole life trying to appeal to people, to get the praise he was never allowed as a child. Otacon gives him the comfort he never got. While any military superior can say Dave is the best of the best. None will look him in the face and tell him he has to live to just live.

Hal also opens a lot of doors to Snake's own discovery about himself. While this next point might sound a little cringy, stick with me. People may joke about the anime interest Snake and Otacon share, but it always came across so genuinely sweet to me. Snake's only interests up until he met Otacon have been, stop feeling lonely and war. I think even part of his musher life and interests within sledding can contribute to part of this. I mean come on, not even a regular musher keeps 50 dogs in their house and dogs are a natural remedy to loneliness. But in all seriousness, David refers to the huskies as his only family and I don't see him connecting with any other mushers he works with, it reads as him wanting to not be alone while also still being so lonely. As well as how mushing is considered a more normal interest than being an otaku, especially in the early 2000s. Mushing is a sport, and being an Otaku was pretty much unheard of or hated. Watching this guy who has been stuffed full of war propaganda scream a dorky "falcon punch" and "ninjutsu" with his best friend is so heartwarming in a way.

As well as Otacon's whole meme turned question of "do you think love can bloom on the battlefield?" Is something that I think Snake needed to be asked. It's probably been something he's been thinking about. It is also one of the most human things Snake asked throughout the game. About finding love in fear. Otacon constantly prods into Snake's heart and brings out the good in him.

Not only does Hal open up a space for Snake to have genuine unashamed interests and show true pure humanity. He also shows off their childhood. Both Hal and David never got proper childhoods. They connect that with each other through cheesy animes, talking about uncertainty in love, finding out what life is all about, navigating feelings, and through that damn cheesy handshake hug. It's all genuinely pure and wholesome love that connects what they didn't get to explore in childhood with one another. When Snake opened that piss covered locker and saved Otacon, he brought his own salvation into his life without knowing it. The very presence of Otacon saved Snake. It's why MGS4 felt so depressing for me especially, the strain between Snake and Otacon left a hole in my little heart and made Snake feel even more hopeless.

I also want to talk about how Snake benefited Otacon.

Otacon begins as cowardly and timid, he's an incredibly insecure character that struggles to connect with others, probably stemming from the issues in his younger life. When he meets Snake, he's faced with someone he could relate to that has an outward appearance that makes him seem so much more confident than he is. Snake is not this, he's as insecure as Otacon. Indirectly, Snake is the whole reason Otacon gets on his feet to take action against terrorism, takes action to become a better person. Snake shows Hal that he doesn't haven't to be strong to do the right thing. Throughout time, Snake helps Otacon come to terms with his own self worth and issues.

In MGS2, it has one of my favorite examples. The infamous bro hug scene.

Before it, this is when Otacon allows himself to open up about his childhood, not even just Infront of Snake, Infront of Raiden too. This showcased such a development in his character because he's proudly talking about it, while even through tears he doesn't hide it anymore.

Did you know that during that scene if you pan the camera to Snake, you can see that he is crying too?

When Hal has a breakdown over his sister's death, Snake is there to comfort him as well as tell him how it is in bluntness with a hand on his back that he needs to save people. It isn't cold or callous, it's letting Otacon know that he has something worth fighting for after a loss like that. Then when they face one another, they embrace each other and Snake tells Hal that he believes in him. Hal spent a lot of time as a scientist, hoping for someone to believe in him, while Snake puts all of his belief into Hal.

I can never forget the iconic "You're the only god I can pray to, Otacon" line. Snake has a deep loyalty, love, and belief in Otacon that Otacon has never been truly given before.

They both, in turn love each other till the end of their lives. Their love was one of the most heart wrenching and beautiful things in Metal Gear Solid and it's no surprise it captivated so many people. Their relationship, whether you ship them or just see them as a bromance. There is no denying the love they feel for one another as friends or lovers is one of the most iconic and sweetest bromances out theres They have impacted so much pop culture and I love them forever, as I'm sure many of you do who read all the way to the bottom.

[leidensygdom]

The ways in which being asexual feels isolating

I've been pondering whether to post this or not, but I figured out I wanted to explain a bit of this experience.

So, I could go on a very long tangent on how being asexual is usually a lonely experience, and how much I've been otherized here and there- Specially in real life. How the same people that claimed to be queer (or allies) had been much weirder about my asexuality than they were about me being bi/pan or whatever.

But I think I wanna talk about how something like that bleeds in every aspect of socializing, even down to something like fandom. I stay away from fandom usually- I like to look at cool fanart and that's about it. I hate discourse, I hate drama, I hate reading people getting worked up because they're treating fanon as canon. But there's one thing I've noticed, over and over, that just sends me off my rails.

And it's how fandom tends to treat asexuality (or aromanticism). So, you get a character in some piece of media that explicitly, unequivocally, states they're either ace, aro, or both. "I do not have interest in a partner", "I don't desire to have sex nor do I enjoy the topic", whatever. And as an ace person, I do appreciate being able to see myself in media- There isn't many chases where something is established that bluntly.

Now, you decide you want to check some fanart for that. Fandoms have this tendency to make absolutely everything about shipping, even when the media they're basing it in does not revolve about that (and it's annoying, because a lot of times people aren't interested in the actual themes- It's all reduced to shipping). Suddenly, you notice people treating the aforementioned character as anything but aro or ace. It's all about shipping. "This person interacted with this other person in a way two friends would, but we gotta make this their entire personality now". Some people may instead go for "well, maybe the character is not having sex, but they're probably an absolute freak about it, studies it extensively, has encyclopedic knowledge about it-"

Now, there's of course sex-favourable aces, and that's completely valid, but it's already straying from what, canonically, the character had mentioned. Asexual or aromantic characters aren't really allowed to exist as themselves. People often see them as a blank slate to fill, to change, to fix. I could talk forever about how people react to real life aces like that. I've had people asking me incredibly invasive questions because they saw my lack of sexual attraction as something broken, something they could fix.

And I hate that! I think I'm allowed to say that I hate that! It's hard and unusual for media to cement an aro/ace character, because they're defined by the lack of interest for something, which is often hard to show. But when it does- No one seems to care. It's all shipping, it's all "well, he's gay in denial", "well, she's probably super repressed". If you took a canonically gay character and made them straight on a fanfic, you'd get angry people. Which is bound to happen when you erase representation that people identify with. But aro/ace characters are NOT even seen as queer, they're not even seen as "representation" by most people. You can erase that bit of it, put some god awful shipping on top, and people will applaud you. And it sucks!

I wish people would see being aro or ace as an identity worth respecting, not an identity that needs overwriting. It feels a bit too close to how people often treat aro/aces irl, and it sucks. It reeks of this sort of exclusionism, where "aro/aces are technically queer but it's queer lite at best, it's less interesting than being gay, and we kinda don't want them near us anyhow". Again, I've had far worse experiences about being ace than I have about not being straight.

Sorry if the post got long, but I hope this experience may at least resonate with other people who have been struggling with this, too. It has always felt just kind of lonely to be ace, and see how little people do even consider it an identity, even when it comes down to something like fandom.

[circuitcircus]

in defense of kabumisu……..

addressing things I see people say about why kabru being shipped w mithrun is ‘bad’ or why their canon relationship ‘doesn’t mean anything’ while also clearing up misconceptions of the characters some fans have

listen it keeps popping up and I just gotta do this or my brain will melt (if you don’t see it around then god I wish that were me) there’s an age gap!- erm there’s also an age gap in farcille (ily), the most popular ship in the series...also chilchuck looks like a kid but a lot of fans recognize him as a dilf because of his relative age, so there should be no age gap discourse among adult characters because it feels so conditional tbh

kabru taking care of mithrun is racist!- marcille likes to take care of others as well. is that sexist, or just an aspect of her character?

kabru isn’t treated like a servant, waiting on mithrun hand and foot…I mean he gives mithrun a foot massage but no one told him to do all that lmfao

he's also not the only one to care for mithrun. pattadol is shown to worry for him and milsril was the one to start taking care mithrun in the first place after he…...y’know. speaking of which-

they probably met when kabru was a kid!- neither of them showed signs of recognizing each other the entire time mithrun was introduced nor when they were together. and im pretty sure KABRU of all people would show some kind of recognition if they'd met before. it's kabru!!! the people person!!! mr. "i-noted-down-50+-characters-in-this-dude's-backstory-for-fun-and-actually-enjoy-social-gatherings"

you would think some kind of memory would come back to him especially after hearing mithrun’s backstory if milsril had even told kabru about him as a kid. but nope. it’s just fan speculation unless there's a side comic suggesting otherwise that i haven't seen

mithrun doesn't care about kabru, his shapeshift double looked like shit!- it's obviously because of mithrun's (then) lack of desires that it looked like that, but they really grow on each other

i think it's safe to assume it'd look more like kabru after they spent so much time together (also laios can barely even remember kabru's name..also saw his face multiple times and didn’t recognize him when they talked for the first time)

mithrun is racist!- he’s actually the least likely character to be racist since he lost his desires and that includes a desire for superiority over others. he even calls his past self out on that part of himself. the other elves in that side comic were being just as racist to shorter lived races but just didn’t use ‘outdated slurs’

(unfortunately literally every main character in dunmeshi is at least a lil prejudiced, but I believe it’s worldbuilding and a sign of the times rather than a reason ryoko kui is giving to hate each character)

taking care of others is a pain in the ass!- saying this as a reason kabru and mithrun shouldn't be together is basically saying disabled people shouldn't be allowed to have romantic relationships because they're a "burden"...if someone is actually willing to put in the work, then let them be.

that's not even all of their relationship, mithrun is the fighter of their duo and kabru would've been killed by the shapeshifter or something if he'd fallen down the hole on his own since he sucks at fighting monsters. mithrun helps collect ingredients for cooking every time, too (barometz fruits and griffin egg). he pulls his weight and then some!! i feel like people forget that part of mithrun a lot somehow.

+senshi literally cooks for everyone all time. it's kind of an important aspect of the narrative.

+also, while it is a popular fan thing I see around that kabru handfeeds mithrun, he literally never does lol this is mithrun using his own hands to eat:

also here we have him washing his own body

just saying because people like to treat mithrun like a baby even though the narrative respects him as a capable adult who also has special needs because of an accident. he’s captain for a reason

kabru hates taking care of mithrun!- not exactly, he was initially surprised and put off but got used to it quickly. i’m sure he’s grateful for all the times mithrun saved him from a monster and teleported them out of danger as well

he even starts doing “unnecessary” things for mithrun’s comfort and safety like when mithrun pushes himself too hard fighting, even after his mission to take care of him was complete when the canaries came back

here is even kabru resting while mithrun keeps watch (mithrun let him sleep for 5 hours before waking him up from the nightmare earlier, too):

there's nothing more to their relationship!- they actually have had a very tight and consistent dynamic since they met and they incite the most change within each other by the end. kabru is the one who inspires mithrun to create new desires so he doesn't waste away, and mithrun is the first person we see kabru being genuine with and it leads him to be more honest with others by the end instead of tiptoeing around everyone all the time (that mask was also the reason some ppl initially disliked kabru…)

kabru’s relationship with mithrun is honestly so important for his character and vice versa, but it’s often disregarded because of one over exaggerated aspect of it (an aspect that isn’t even the first way they interact with each other) or because people want to just straight up ignore it for some reason 🥲🥲

kui dedicates many panels to them that don't particularly serve the narrative as a whole in order to demonstrate this and i think that's pretty significant

you're taking this too seriously!- as if i'm the first person in the world to be crazy about a ship or the characters 😭 i love analyzing text and it's upsetting to see them mischaracterized when kui lays out the characters so clearly and deliberately

also they end up touching each other like all the time and have the kind of canon validation most ppl can only dream of lol i feel so insane look at this:

and this is just when they're first getting to know each other cuz there's a fuckload more

kinda hard to explain how i don't actually need them to get married or whatever but i'd die on this hill for them and i enjoy their dynamic immensely

haha you thought you were reading ship discourse but it was actually a character analysis 🤪🤪🤪

also don’t somehow take this to mean I think anyone has to ship them, I just need everyone to understand these accusations kind of don’t make sense especially when they can also apply to other pairs or characters

bonus kabru just looking at mithrun:

[dunmeshi-darlings]

There are a few misconceptions on shuro and his behaviors. The reason he was furious at laios for reviving falin using dark magic isnt really that he used dark magic (kabru even poins out shuro would have done the same). But Instead his anger is because he used black magic he put Falins life (as well as everyone elses) in danger because he knows just how the western elves react to black magic and black magic users. As for shuro's feelings towards laios for not picking up on social cues, it was shitty of him to do that however you do need to also take into consideration the kind of culture/life shuro has. He comes from a highly dignified Japanese style royal family, We see that him asking for help saving falin was the first "selfish" request he has ever made. The fact it is considered a "selfish" request speaks volumes on the kind of world that shuro comes from. After shuro and laios fight we see that shuro is actually envious of laios and how he views the world, showing that a portion of his anger isnt really from laios not picking up on his social cues but perhaps more so that laios was ALLOWED to be how he is. Even after their fight shuro offers to give laios sanctuary from the western elves, giving him the bell that when rung would have shuro sending people to go retrieve him and his friends and keep them safe from the western elves. if shuro deeply hated laios he wouldnt have offered this, if he didnt care about laios he wouldnt have offered him a safe place to live if the western elves come after him. i also want to bring up people saying he abandoned asebi/izutsumi. Which is also not true, in his own words when asked about her being left behind. "she will come back to us if she wants to." he explicitly states if she wants to, she will come back. To me this is him letting her make her own choice on what she wants to do with her life. Something that shows to me that i believe shuro has always felt perhaps some form of guilt at her situation but not able to do anything because of who he is and his father and his caretaker with him.

Shuro is not a perfect person, he has his flaws. But he IS a person, thats what people are. We have flaws and make mistakes and have issues that we do wrong on. Shuro is a man living his life and one who makes mistakes, everyone makes mistakes. I wanted to post this and talk about it because sadly some people ar being incredibly hateful about him and people that like him. Which is a shame as it is mostly a misunderstanding. Though i wont lie some of it does feel like its starting to become racist or because of people upset he could get in the way of farcille ship.

[delphi-shield]

push and pull // leon s. kennedy & jill valentine

Leon x Reader x Jill Smut wc: 2,860 mdni - 18+ read on ao3

the plumber at my house reading this over my shoulder: 😲 this has been in my drafts for like two months, i finally ripped the bandaid off and touched it up. i cant believe people want the jill/leon ship name to be jilleon when 'breakfast sandwich' is right there. ohh nooo i had to cut the scene where they high-five after you cum...... guess i'll have to write more jill and leon......what a tragedy.....

summary: Jill said she'd be home two hours ago. She's stood you up for dinner again. You're so upset, Leon's got to fuck you about it to make you feel better.

content: fem!reader, all porn no plot, piv (reader receiving), some praise from leon & some degradation from jill, spit, crying, hair-pulling, masturbation, blowjob, dom!jill, use of strap-on, established poly relationship, sorry yeah there's more religious imagery, stealing the jill & leon dynamic from this post, fucking your relationship problems away does not work and you should not attempt. very loosely proofread.

Jill's late.

She promised. You cooked, you cleaned, and she promised she would be here. Bought a special candle and everything, three wick, fresh linen scent. Not your kind of thing, but you know she likes those clean, bright smells.

The first half hour, you’d clung to the idea that her physical therapy appointment was just running late. Forty-five minutes in, three unanswered texts, your hope diminishes. An hour, and Leon’s helping you put the food up and clean the dishes.

Leon’s not exactly happy with Jill. This isn’t the first time she’s done this to you. He hates to see you pout. Even more than that, he hates to see the way you’re trying not to cry in front of him. He does everything he can think of to make you feel better. Watch one of your godawful shows with you, play with your hair for you, give you a nice bath if you wanted - none of his offers made much of a difference. He knows better than to take it personally. He’s not Jill. He can’t fix what she broke.

He can fuck you about it, though. That always seems to take your mind off things, at least for a little while. 

He let you use him however you like, dealer’s choice. You wanted him in the dining room chair, wanted to ride him slow, grind down on that fat cock till you unwound and your pretty tears weren’t because your girlfriend stood you up, and that’s what you’d get. Not his first choice, but he’s not the one who looks so pretty with those big, wet eyes.

The only downside is that you can't hear Jill's key turning in the door when Leon's got his cock stuffed so deep in your pussy you can feel him in your ribs, when you’re too busy rocking yourself to a gradual, slow-built end. You'd missed your ringtone too - and Leon's for that matter. You weren't intentionally being petty, but intentions never did soothe Jill's moods.

"Nice," she drawls, dropping her bag with a thud. "Real nice."

Your head falls back just enough to get a look at her, pouting in the doorway. Maybe it's supposed to be intimidating. Really, she just looks like a dejected cat, all puffed up for attention. The hand splayed on Leon’s chest flops back uselessly, reaching for her.

“Jill -”

Leon’s hips jut up, reminding you he's here, reminding you who's inside you. Whatever you were going to say melts away into a whine so pathetic even you want to roll your eyes.

"Got started without you," Leon says, callous on your behalf. His hand cups the back of your neck, pulling you back to him. It doesn’t take much prompting for you to curl back into his chest, walls fluttering around his cock, gripping him like your life depends on it. "Saved you some dinner. It’s in the fridge."

How can he be so casual? Feels like you’ve got lava running through your blood. His hands settle on your hips again, push-pulling you back and forth to get you to grind again. You oblige, faster than before, mouthing open kisses against his neck. They ought to canonize him for his patience, crown him Patron Saint of Not Plowing You Into The Carpet.

Jill doesn't say a word. She marches off to the bedroom, leaving her boots behind as she goes. Her cardigan gets flung over the couch - poor thing. It didn't do anything wrong.

She’ll come out when she’s ready, you tell yourself. Ignoring the ingrained need to manage Jill’s emotions for her is hard, but not quite as hard as Leon’s dick. Makes it a little easier to forget. You press your moans into Leon’s skin, let him have them for safekeeping.

Her footsteps pound back into the room. You don't know what she's done that's so funny, but Leon shakes with a laugh. You move to look, and his palm pressing against your cheek stops you. Something clatters onto the dining room table, a heavy thunk and buckles. He presses a light kiss to the crown of your head, strokes your hair.

"Go ahead and finish up, baby. Doin' so good. All yours."

It's all the permission you really need. It doesn’t take long - you’re good for him, after all. So good, you don't even need his help. You just need him to hold you up when that slow heat finally expands, spreads like fire through your limbs and leaves you making a mess of his lap, baptizing his cock with your release and moaning hymns for him.

You slump against him, eyes heavy and limbs loose. Your head nestles against his chest, his heart hammering like crazy. Poor guy. So patient. So sweet. You want to offer to take care of that for him - he's still inside you, sitting so still and so good, the stretch all you need. It feels like a bomb went off in your skull, though, scattered all your thoughts around the apartment. You need a moment before you can be considerate, before you can formulate any kind of offer. You reach up, pat his cheek gently to tell him how good he made you feel, lazily kiss at the hollow of his throat.

Jill's got plenty of words, though. She's not the one who just fell apart.

"You so needy you can't wait forty-five minutes?"

"Closer to an hour," Leon counters, and for the first time you hear the strain in his voice. "More like two, actually."

Jill’s irritation boils over. "Shut up. Why don't you go jerk off in the corner?"

After all, he's supposed to be on her side. He's the one who knows what this life is like, the one who knows what their work entails and the stress of it all.

He's also the one who texts when he's running late. He's the one still on active deployment, the one who hadn't been dodging home like the plague. He got over himself a year ago, figured ways to deal with his emotions that didn’t include running as fast as he could, drinking until they drowned, or working himself to the bone.

Jill’s still working on that part. Again - saint-like patience.

“Maybe I will,” he says, casual as he can. He jostles you in his arms. He’d say it’s to keep you awake, but it’s mostly to keep his dick hard. You pulse around him, groan into his t-shirt and drool a little dark patch onto his shirt.

You’re all soft and pliable when her hands slide up your sides, fingers curling in the spaces between your ribs. You lean back to her, longing for the softness of her tits under your head, and you glide back through the air unsupported, like you’ve faded through the ghost of her. Your head lolls back, pretty, pathetic pout on your swollen lips.

“Gonna be good?” She asks, staring down her nose at you, eyes half lidded. You nod your head. Her eyes narrow. “Words.”

“Yes, ma’am.”

Shifting you off of Leon's lap is a group effort, one that Leon doesn't particularly care to be too enthusiastic about. His poor dick is lonely, and fucking his fist is a poor substitute for the sticky warmth of your cunt. Jill cradles you in here arms - the first hint of tenderness you've had from her all night - and settles you on the floor in front of the couch. She kicks your legs into position, sways back to appraise your form, and gives you a long-suffering sigh that's a far cry from approval.

"Whatever," she mutters under her breath. "It'll do. Don't move."

She shuffles off to the side. You hear the rustle of fabric. You turn your head to look, and -

"I said don't fuckin' move."

Your head snaps to the front again, hands fisted against the tops of your thighs. No arguing with that tone. Your back is ramrod straight. There's movement to your right, and Leon finally comes into view, settling against the far side of the couch. He's at least kind enough to give you a show, stroking his cock for you in long, slow strokes, massaging his palm over that shiny red tip and sliding his own fluid down to squeeze at the base. Makes your mouth water just looking at him.

Not that you have to wait long for a treat. Jill finishes her prep work, drags herself back over to the couch and drops down in front of you, strap-on making you go crosseyed.

“Go on,” she sighs, waving her hand lazily. Like she’s doing you a favor.

And she is. It’s a privilege to suck her strap.

You rock onto your knees and take too much of her at once, gag yourself right off the bat in your eagerness. They both groan, Jill in exasperation, Leon because holy fuck, if he hears you make that noise again he's going to blow his load immediately. His hand shucks his t-shirt up. He's not trying to stain this shirt with cum. Not his cum, anyway.

"Your mouth is so perfect for this," Jill says, leaning forward and fisting a hand in your hair, "and you're still so bad at it. Do I have to show you how to do everything?"

You nod uselessly, tears pricking the corners of your eyes. Jill rolls her eyes, smothers the hint of a smile that threatens to twist her lips up. She guides your head back to the head of her silicone cock and sets an easy pace for you. Lets you take it nice and slow, get accustomed to the weight of her cock on your tongue as if you haven't done this a hundred times - as if she knows you went too hard right off the bat just to get her to guide you like this.

"There you go," she drones, the praise feeling like anything but. You bob your head freely, her hand in your hair just a suggestion now. "Finally figured it out. Not as dumb you look."

You push further, tucking your thumb tight in your fist and gagging only a little when the head of her cock prods at the back of your throat. Leon's hips buck into his fist, quick and rhythmless, swearing under his breath. His leg kicks out, nudges Jill's calf and you swear she's going to snap at him.

Your eyes cut from Jill to Leon, a tear rolling down your cheek, and that’s the final push that has him cumming all over his stomach, head tipped back into the arm of the couch, pretty moans so loud, so perfect that it makes you feel your heartbeat in your pussy.

You don’t have time to savor the way that he looks, paint him in your mind and hang it up on the walls around your skull like a pin-up. Jill lifts you off her cock, stuffing her hands under your armpits like you’re a stray kitten. You would be, for her, if she asked. Let her slip a pretty collar around your neck, hope you’re lucky enough that it’s got a bell.

She doesn’t wait for Leon to recover, just manhandles the pair of you so your back is pressed to his chest, his cum smearing against your skin. Leon’s got that loose limbed laziness that comes with a release that built-up.

“Hold her,” Jill growls. “Stop fucking around.”

Leon's hands curled around the back of your thighs, spreading you wide for Jill. A warm chuckle rumbles through his chest and pours into you. His head ducks down, mouth by your ear.

“She's mad ‘cause I had you first.”

You turn your head, stifle your giggles in his shoulder. The silicone head of Jill's cock slides through your sopping folds, nudging at your clit. Her hips rock agonizingly slow. It’s tough to tell whether she’s teasing you or herself at this point, but your sensitive body twitches and jerks with every pass of her spit-slick cock.

“Gonna make a mess?” Her hand grips your jaw tight, pulling your face from Leon's shoulder. It’s less a question and more a demand. You nod as best you can in her grip, remember too late to try and bumble out words. She taps your cheek twice, hard enough to sting, hard enough to make those pretty eyes water again.

Jill doesn’t wait for you to say it. She enters you in a quick, jerky thrust, no hint of warning, your breath stuttering and back tensing. She rabbits her dick into you, your moans falling as staccato as her pace. Her head bows to spit a fat glob of spit onto your clit. Her fingers rub you frantically, a pace so at odds with the slow push and grind of her hips that it makes you burn. You try to squirm back, the way your blood starts to singe a little too quick for your liking, but there's nowhere to go when you're pressed so tight against Leon's broad chest.

His hand slithers up and over the point of your hip, pressing down firmly just below your navel. Betrayal. You thought he was on your side. Your whining sharpens into a moan that has to have rattled the windows. Jill huffs a laugh, low and cruel. She pulls back just far enough to leave you wanting - and when you claw at her shoulders to drag her back home she's already moving, hard and slow, the light dancing in front of your eyes, her hips driving the breath out of your lungs, your chest caving in. It feels like you've imploded, blood on fire, singeing your bones and leaving the ash to remember it by.

She’s not done. You promised her a mess. Your voice is splintered, her hips still driving into you. You don’t feel yourself gushing around her until it’s already happening. You sniffle, your moans choppy and your tears falling quick, humiliation warming the embers in your stomach. Her pace slows and finally stills, finally lets you find yourself in the pile of ashes.

"Already?" Jill mocks, hands rubbing your quivering thighs soft and sweet despite the way she sneers.

You want to scoff, but you haven’t got the breath. Already, she says, like she hadn’t just ripped that orgasm out of you fast enough that you’ve got cartoon tweety-birds spinning around your head.

“My turn,” Leon pipes up.

“Fuck off. You’re not even hard. I'm just getting started.”

“Shoulda thought about that before you made her cum.”

God, they’re like lions fighting over a piece of meat. You push yourself up on shaky arms, give Jill your best gazelle-trying-not-to-get-eaten pout.

“M’tired,” you slur, your brains thoroughly fucked out. You form a T with your hands, calling for a time-out. “Need a break.”

Jill looks like she wants to bite anyway. But you were good, used your good girl hand signal and everything. She sighs, her shoulders slumping, and loosens the straps around her hips.

“C’mere, pumpkin.” Leon gathers you into his arms easily. “Gonna get you all cleaned up. Tuck your ass in.”

You ache when he moves you, in places you weren’t quite sure could ache. It’ll be worse later. Always is. They always have to fuck you at some weird angle. Can’t ever let your muscles get used to it, like you’re some kind of glorified exercise equipment. At least they wipe you down after they use you. Very polite of them.

Leon hands you your water bottle and settles in behind you, slotting up against your back. He’s got the both of you cleaned off even though he seems just as tired as you, bless him. Say a prayer to the patron saint of the bedroom.

Jill found dinner, apparently. You hear the microwave beeping distantly and share an amused look with Leon. Sure enough, she’s got a bowl of food in her hand when she settles at the end of the bed, legs crossed.

The silence lays somewhere in-between battlefields, landmines hidden all around your bedroom. Everything you want to ask is too loaded, too heavy. You’re not even sure you have the energy to stay up for a serious conversation, much less an argument. Jill looks so soft right now, the bags under her eyes seeming lighter in the warm lamplight of your bedroom. You don’t want to see her eyes sharpen. You don’t want to hear her teeth click together when she bites back her words. You search for some other topic, something that will make the tension evident in her shoulders melt away.

"We should do one of those clone-a-willy kits," you murmur, eyes shut, head tipped into the pillow. You open your eyes just enough to gauge her reaction. Warmth blooms in your chest when you see her eyes crinkle and her smile lines deepen.

"Why?" Jill laughs.

"You don't wanna fuck me with Leon’s dick?"

It’s the first time you’ve heard Jill laugh like that in a while. Pride spreads in your tired little grin. Leon's cock gives a tired twitch against your thigh. He groans, pressing his forehead to your shoulder blade.

“You two are gonna fuckin’ kill me.”

[bluebasie]

Sanegiyuu Makes So Much Sense!!

I absolutely adore the ship of Sanemi and Giyuu and it never fails to confuse me when people say they don't understand why people ship them or when people say it makes no sense, especially when compared to other ships. I understand it's one thing to personally not ship Sanegiyuu because obviously it's just not for everyone and other people prefer other ships, but I definitely feel like I can confidently say that the ship makes a ton of sense from a character perspective. 

Firstly, Sanemi and Giyuu have this mutual interest in each other that just isn't displayed when Giyuu or Sanemi interact with the other Hashiras or just others in general. While Sanemi loves to say that he hates Giyuu’s attitude he could just as easily just ignore him and leave him alone since he ‘dislikes him so much’. But clearly Sanemi has some sort of interest with Giyuu as seen when he gets so worked up when Giyuu tries to leave the Hashira meeting after it was over in comparison to the other Hashiras who albeit showed care for Giyuu’s abandonment, they all remained seated except for Sanemi who tried to physically force Giyuu to stay. If Sanemi really did dislike Giyuu’s presence he wouldn't have cared if Giyuu left or stayed but the fact that he wanted him to stay shows he does care about him even if it was negative at first. Then there was their whole sparing scene in which Sanemi apparently stormed to Giyuus house to try to talk to him or at least get some kind of reaction out of him which clearly shows Sanemi’s abnormal obsession with Giyuu whether it be his actions or trying to understand him. Then when Tanjiro 'interrupted’ the two fighting Sanemi seemed to gain a new layer of protectiveness that he clearly didn't have while fighting when he noticed Tanjiro’s presence. While Sanemi seemed unrestrained and free while fighting Giyuu with an onslaught of loose movements and confident attacks as if his spar with Giyuu was a form of stress relief for him, when seeing Tanjiro and realizing his spar with Giyuu was being perceived by another he immediately put his borders back up. Sanemi immediately came to the conclusion that Tanjiro was spying on them as if their spar was a private moment between two close companions. Sanemi already seemed to get defensive when Tanjiro arrived but when Tanjiro revealed Sanemi enjoyance of frivolous things such as ohagi and green tea and Sanemi’s persona as some kind of extreme tough guy who didn't care for things such as sweets was broken obviously Sanemi started to get irritated. What's interesting about this scene though is that it isn't until Giyuu comments on Sanemi’s affection for ohagi does Sanemi crash out and punch the lights out of Tanjiro. It's just so obvious that Sanemi was embarrassed that Giyuu could think he's soft which just provided another example of Sanemi caring what Giyuu thinks of him when he clearly does not care when it comes to others. It's just too funny how much Sanemi cares about Giyuu to the point where the scene right before THE ENTIRE INFINITY CASTLE ARC AND THE DEATH OF SO MANY CHARACTERS he is literally just storming off and steaming at the thought of “what would have happened if Tanjiro didn't interrupt”.

It’s even more hilarious that Giyuu, the character that is literally known for being antisocial and having no friends, just wants to be Sanemi’s friend. Giyuu has Tanjiro and Shinobu and definitely a few others who are trying or have tried desperately to befriend him with absolutely no reaction but apparently Giyuu decides that he wants to befriend the unapproachable guy with anger issues who says he dislikes him. I'm sorry but that is such homosexual activity I don't even know how else to put it. Like Sanemi literally barged into Giyuu’s house, fought him, knocked his little brother out, and stormed off without a word, and all Giyuu can think of afterward is how happy he is to know Sanemi’s favorite food and is already coming up with a sad plan to win him over. This dude is really smiling and all thinking of his perfect future interaction with Sanemi with floating flowers in his little fantasy. I also just love the idea that he uses Tanjiro as his little wingman to help come up with ideas to win Sanemi over that all probably fail miserably just like the ohagi. 

Sanemi and Giyuu have been set up from the beginning and you can see the future of their relationship from the fact that Giyuu’s voice was enough to distract Sanemi enough to get hit by Tanjiro who was a much lower rank than himself in the scene of Nezuko’s trial. The characters have been set up as parallel characters throughout the series in so many ways it's hard to not spot the special relationship between them that isn't there between other characters. Their character design and personalities are already foil with Sanemi’s white hair and impulsive and explosive personality compared to Giyuu’s black hair and calm and collected personality. There is Sanemi’s ability to speak his mind at all times and Giyuu’s inability to speak his mind at times at all. There is Sanemi’s main emotion and expression being one of anger with Giyuu’s being sadness. Another big foil being Giyuu’s compassion and trust towards Tanjiro and Nezuko and their situation while acting as an advocate for them while Sanemi had clear mistrust towards them and their situation acting as their biggest opponent during Nezuko’s trial. Finally, there is the fact that Giyuu’s fighting style is one that revolves around ultimate defense while Sanemi is one that focuses on the ultimate attack. Just by noticing their opposites you can tell the importance of their relationship, but this continues throughout the series in which they are the ONLY two hashiras to survive which was definitely done for a reason. Their relationship is also displayed during their clash to turn their blades red showing their status as equals. The fact that they are the two last Hashiras ties them together even more seeing as after the war they both kind of don't have anyone to lean on besides themselves with the Kamaboko squad all living together and the Uzui’s having each other, Sanemi and Giyuu don’t have some big family to stay with, so they hang out with each other as seen in the panel why their having lunch together.

Out of every non canon ship I truly think thank Sanemi and Giyuu have the most developed and well written relationship down to basic characterization to where these two seem like they were really made together as a pair. Even though they aren’t canonically romantic, their relationship is written better than some actual cannon ships and I think some people should look more into the smaller details when it comes to this ship!

[honeycreammilkshake]

"you are me."

i have a lot of thoughts on this whole scene, both shipping and non-shipping ones. the relationship between yuuji and sukuna is honestly the most fascinating and complex one that i have seen in anime, and one of the reasons for that is just how much these two actually understand each other, which i don't think a lot of people realize. yuuji and sukuna see right through each other, more than anyone else does, and i think that's why their bond is far more personal than it seems to be.

yuuji and sukuna are enemies. they hate each other for their opposing ideals and characteristics. yuuji is caring, empathetic, protective, kind, and willing to put his life on the line for both friends and strangers. sukuna is narcissistic, self-absorbed, indifferent to suffering, murderous, unfeeling, and unconcerned with any life other than his own. they seem to be polar opposites in every way, so why would yuuji say something as contradicting as "you are me" to sukuna?

i think it's widely overlooked just how complex yuuji's character is. he's overall a "sweet" person, but he isn't very stable (he has been described by quite a few characters as being a bit "crazy"), he has a high tolerance for disturbing or gory things (he took learning about curses and fighting them very easily), he doesn't question the danger he's been put into (he actually runs headfirst into it), and he can be really violent and vengeful as well.

this is all explored very well in his confrontation with mahito, where he also says "i am to you" to the curse.

why are these scenes so different? mahito and sukuna both killed people yuuji knew and cared about as well as strangers that yuuji would die to protect. shouldn't yuuji be approaching sukuna with the same hate, disgust, and vengeance that he shows to mahito? shouldn't he be lashing out and making sukuna pay for all that he did?

why is he showing his "crazy side" to mahito but not to sukuna?

to give some context to this scene with mahito, the curse wanted yuuji to accept their similarities. and, in the end, yuuji did.

yuuji is acknowledging that he serves as nothing more than a weapon to keep killing the curses of the world, perhaps with no other deeper purpose than that. just like curses only exist to bring misery and prey on humans, yuuji's sole existence at this point is just to act on the orders of sorcerers: to keep eradicating curses and eventually help kill sukuna by dying with him. he doesn't need more meaning or roles than that.

but sukuna doesn't see yuuji as just another cog. he doesn't respect yuuji, true, and he loathes to give the brat any kind of credit. but he knows yuuji is the only one who really, truly cares about sukuna's devastating impact. the death of innocent strangers doesn't affect others quite as much as it does yuuji (even nanami in the vs mahito arc noted how much yuuji cared about the suffering of others).

and many of the other sorcerers are also not as horrified or repulsed by sukuna's actions as yuuji is. in fact, sorcerers and curses alike look up to sukuna. gojo actually seems to respect the king of curse's lifestyle. it feels like yuuji is really the only one to truly despise sukuna for his actions and ideals.

and sukuna knows this. sukuna knows how much the suffering of others gets to yuuji. which is why he gives yuuji such special treatment: he saves a unique brand of torment just for yuuji that he doesn't really give to anyone else.

sukuna intentionally returned control to yuuji's body just for yuuji to witness the massive damage and death that sukuna's domain expansion caused. it killed thousands of people, innocent strangers included.

it led to yuuji breaking down, even wishing for his own death. but yuuji is strong and, deep down, sukuna knows this. yuuji doesn't give up and instead uses his rage to fuel his fight with mahito, where he snaps and shows us his vengeful side. he doesn't need any other reason than mahito being a curse to want to kill him, over and over. that is yuuji's purpose. which seems like an uninteresting and boring one to someone like sukuna.

but for all that sukuna keeps calling yuuji uninteresting and boring, he shows a lot of investment in yuuji's growth and in their fights.

he's even invested enough to show disappointment when yuuji lost to choso. (if he thought yuuji was so weak, why did he seem so bothered by yuuji's loss here?)

and then sukuna looked surprised and curious when choso got hit with some kind of false memory empathetic attack that included yuuji in it. he's having a lot of strong reactions to someone he claims isn't interesting enough for him.

sukuna also loves to aggravate yuuji, somehow knowing how to provoke a strong reaction from him.

there's a lot of interesting things about this scene, one of them being that yuuji refers to sukuna as a "curse" which is technically untrue. sukuna is a sorcerer who used a set of cursed objects to send his soul into the future, but he isn't a curse himself.

but to yuuji, sukuna is nothing more than a curse because he doesn't show any sort of positive traits. sukuna's mindset reflects that of a curse since he only exists to please himself and loves to cultivate the kind of negative emotions curses are born of (fear, hate, jealousy, selfishness, etc).

there's also a clever reference to sukuna being a cannibal through yuuji saying "let's see if you can chew up me and my suffering." yet what we've seen throughout this story is yuuji essentially cannibalizing sukuna by eating his cursed fingers, which he calls the taste really gross. so i wonder... what would yuuji taste like to sukuna?

every human has a unique taste but all of them are fleeting to sukuna. there's no actual meaning or savoring to it. it's just a way for him to pass the time until death.

both yuuji and sukuna are cannibalizing as a form of destruction. but while yuuji is eating the cursed fingers so that he can hold all of sukuna inside of him for them to be exorcised together, sukuna was eating humans simply because he wanted to. he ate whatever he wanted because he was at the top. he is an apex predator with no real rivals or threats. it was for a completely self-absorbed and depraved indulgence while yuuji is giving up his life on this plan to save others.

yuuji and his suffering is the complete antithesis to how sukuna's eating only serves himself. which is very interesting to see when yuuji challenges sukuna to "chew him up." yuuji is proving to be more predator than prey and is far more of a challenge than sukuna wants to admit.

but maybe something about yuuji's resilience does please sukuna? maybe he actually finds worth in yuuji never giving up?

though he still underestimates and discredits yuuji's strength, he actually looks impressed with yuuji and seems even a bit eager to take him on again.

for someone who claims to find yuuji not worth his time, sukuna is showing yuuji far too much special treatment that he doesn't give to anyone else. he even calls yuuji a specific name (kozou) that he doesn't use with anyone else. others are just various offensive terms, but only yuuji seems to have a name just for himself.

sukuna is a really contradicting and complex character, and his relationship with yuuji really shows that.

i've seen a lot of anti-sukuna sentiment after his death, and i understand why a lot of fans hate him and celebrated when he died. however, i think a lot of fans have this somewhat inaccurate view of him being nothing more than a static villain with zero complexities and no chance of any kind of character development.

some of sukuna's most underrated and interesting traits are that he is actually pretty smart (he has an overall plan and is making all the right moves to get there), he's cultured (a poetry snob who hired a chef just to cook him humans instead of eating them raw, and perhaps he even knows more about flowers than he lets on), he shows respect to those he deems worthy and even seeks to learn from them, and he might not actually be the most "evil" person in jjk (which I consider to be kenjaku, but that warrants another post).

overall, sukuna is and has always been more than what he first seems, but a lot of fans don't want to see this or they overlook it.

after sukuna reveals he was an unwanted curse of a child, there was pushback against fans who interpreted this line as sukuna having a tragic backstory that explained his current self.

i understand why these fans don't want sukuna to be a sympathetic villain and i've read posts on how gege writes his villains to be intentionally unsympathetic.

from here (https://x.com/soukatsu_/status/1520796590612566022)

sukuna is the perfect example of a villain that is unsympathetic. he is horrifyingly strong, lives as he pleases, murders people for fun, is a literal cannibal, acts and appears monstrous, and makes our protagonist yuuji suffer over and over again. he represents exactly all the ideals and traits yuuji despises and the two of them are fighting each other because of this.

however, one thing i want to point out is just because sukuna is completely unsympathetic now doesn't mean he couldn't have had an actually tragic past that made him into this.

i believe that sukuna was seen as a curse from his birth on. much like how jogo wanted curses to be the true humans (sukuna calls this jogo essentially wanting to become human) sukuna became purely curse-like to escape being human. whether or not you empathize with him is irrelevant, because after he became the king of curses, sukuna has committed countless irredeemable horrors that even i, as a sukuna fan, don't ever want him to be forgiven or easily justified for doing.

having a tragic past doesn't justify his crimes, it only provides a catalyst for them. it explains why he, who was born human, became more of a curse than some curses are. you don't need to have sympathy for him after that. just like he has no sympathy for those he considers weak and inferior, he has no more reason to be a tragic character.

a lot of people acted like sukuna potentially having a tragic past that turned him into the monster he is now makes him "uncool" or "uncharacteristic" of himself but, to me, it makes his character all the more detailed without changing the fact that he is still purely "evil" and irredeemable.

but does this all make him incapable of character development?

i personally believe that yuuji has been affecting sukuna throughout the whole series, especially in these last few chapters.

i recently came across a post on reddit on why sukuna could never be more than a static villain character. one of the arguments was that gege never intended for sukuna to have any kind of redemption arc.

(https://www.reddit.com/r/Jujutsufolk/comments/16vphxl/sukuna_is_different_from_other_strongest/?rdt=36326)

(now, i couldn't find the original source where this interview came from, and it's not worded very well so i'm thinking it's been quickly translated. and there's always missed meanings and alterations to the original message when translations have been made, especially with japanese. i'm also not sure if the "him" being referred to is mahito or sukuna, but i'm assuming it can apply to both of them.)

this post was made about a year ago, so i assume this interview with gege is also a bit dated now. i think gege is intentionally vague in their interviews because they don't want to reveal too much, but my own interpretation of this post is that gege never intended for sukuna to get any sort of redemption because he is incapable of being redeemed through any kind of love.

and i agree with that. i don't want sukuna to get redemption. what he has done is unforgivable and i don't want him to get off easy for it. but him showing character development is not the same as him getting redemption. and him being affected by love isn't the same as him fully accepting it either.

in these last few chapters, yuuji has offered mercy to sukuna multiple times, despite how even he himself considered it to be a lost cause.

as i wrote earlier, yuuji is the only character who really understands how terrible and curse-like sukuna is. he hates sukuna on this fact alone. yuuji told mahito that his purpose is to kill curses, and sukuna - in the end - is nothing more than just another curse.

so why did yuuji suddenly change all that up and show empathy and genuine concern for sukuna in these last few chapters? why was he trying so hard to convince sukuna that they can co-exist?

one of my sukuita-cult friends (flight-of-death) pointed out that during his fight with yuuji, sukuna explicitly recalled his conversation with kashimo about not needing another person to fulfill him.

while sukuna saying he didn't anyone else to fulfill him was relevant during his discussion with kashimo, it's very interesting that he was remembering his own exact words about it while facing down yuuji, who was making sukuna doubt some of his previous statements.

my friend has convinced me that sukuna and yuuji have found a "reluctant fulfillment" in each other. and i think this is proving to be very much possible.

yuuji was alone most of his life. without wasuke there for him, he could have turned into a ruthless monster like sukuna. yuuji has so much physical and emotional strength, but it was the catalyst of wasuke's death that motivated yuuji to use that strength for good. he might have chosen to be selfish and only concerned with his own wants and needs like sukuna did, but wasuke provided the role yuuji needed to be the selfless person he is now.

i think that yuuji, in all his loneliness, found a kind of closeness to sukuna, even if it was unwanted. and sukuna has definitely been affected by yuuji, too.

as sukuna is dying, megumi finally regains control. he notices how sukuna seems to be scared of death.

sukuna genuinely does look concerned about dying. his mouths are in the shape of a grin but are turned upside down and look more like actual dread. for someone who claimed that eating people was only a way to pass the time until death, sukuna now looks unwilling to die.

i think that this shows that sukuna gained some sort of respect for life, even if it was only in his will to keep living. he does seem to want to keep existing, and it's interesting that it's what yuuji offered him.

yuuji was created by kenjaku to be sukuna's vessel. the sorcerers wanted to use yuuji as a vessel to hunt down all the cursed fingers so that yuuji and sukuna would die together. no matter how you see it, sukuna and yuuji were bound to end up either living or dying together. that is their fate. but now that he has more power in making his own choices, yuuji seems to genuinely want to share the kinder fate with sukuna: to live together. and if you think about it, them coexisting makes a lot of sense.

sukuna has been described as a natural disaster, so how can yuuji have any kind of empathy for something as devastating and unfeeling as an earthquake or a tsunami? in truth, the human race has been coexisting with natural disasters since the beginning - especially japan, which has weathered many terrible calamities. yuuji is a lot like the embodiment of the resilience and strength needed to survive such disasters, so i think he's more than capable of handling a life with sukuna, especially if sukuna is far more subdued.

and sukuna being allowed to live isn't redemption at all. though it would be a form of character development for him, it would still be one of the most selfish things he could do, as it would mean condemning yuuji to an indefinite amount of time with sukuna.

but yuuji seems to want that. he is willingly offering up the rest of his life to sukuna, for them to live together.

personally, i don't consider this to be a form of redemption in any way. he is proving sukuna's mindset wrong, not forgiving him. just accepting his nature and still offering a way to coexist.

i think that by offering this to sukuna, yuuji would essentially become that person that sukuna claims he doesn't need to feel fulfillment. but it's clear to me sukuna wasn't satisfied with his life in the past, since he couldn't offer an explanation to kashimo about why he chose to cross the ages as cursed objects. he is obviously lying or beginning to doubt his own words.

and i think that's why he chose death.

accepting yuuji's mercy, finding that fulfillment sukuna denies needing, would be very un-curselike of him and he can't have that. he would rather be seen as an inhuman monster than something capable of accepting love.

so in the end, sukuna is doing exactly what gege said he would: rejecting love and rejecting anything that makes him less of a curse.

but yuuji isn't easily pushed away. he kept coming back for wasuke and i think that if he really does care that much about sukuna, that if he's wiling to live with him even if no one else accepts it, he won't let sukuna go without more of a fight either.

they can still find fulfilment in each other. they are capable of coexisting. and if sukuna decides to make that change, it doesn't necessarily mean he's completely broken character. and if they don't get to survive together in this lifetime, there's still a good chance for change if they're reincarnated.