#but it does have its moments

[honestlyvan]

The tragedy of the Roots anime is that it's based on a game from 2007, and thus the character designs are simplified down from what the 3D models look like to be manageable in the animation pipeline of the time, resulting in severe nerfs to the hotness of a lot of the cast but as a tradeoff, animators can actually include nonverbal acting and subtle characterisation.

[havenshereagain]

DPxDC Idea

Danny working at Wayne Enterprises as some sort of engineer, uses the in-house app for all his blueprints and stuff

He starts getting notes from a coworker in-app, and assumes its this annoying older guy in his department who constantly undermines him because of his age, despite his education and past achievements (i feel like in this AU the Fentons react well to the reveal and they work together on a number of non-lethal ecto inventions that have Danny's name attached to them)

Except one day his coworker mentions never using the app, and Danny suddenly realizes there's only one other TD he could've been arguing with in the notes of the app

[blueboyluca]

“When I first heard it, from a dog trainer who knew her behavioral science, it was a stunning moment. I remember where I was standing, what block of Brooklyn’s streets. It was like holding a piece of polished obsidian in the hand, feeling its weight and irreducibility. And its fathomless blackness. Punishment is reinforcing to the punisher. Of course. It fit the science, and it also fit the hidden memories stored in a deeply buried, rusty lockbox inside me. The people who walked down the street arbitrarily compressing their dogs’ tracheas, to which the poor beasts could only submit in uncomprehending misery; the parents who slapped their crying toddlers for the crime of being tired or hungry: These were not aberrantly malevolent villains. They were not doing what they did because they thought it was right, or even because it worked very well. They were simply caught in the same feedback loop in which all behavior is made. Their spasms of delivering small torments relieved their frustration and gave the impression of momentum toward a solution. Most potently, it immediately stopped the behavior. No matter that the effect probably won’t last: the reinforcer—the silence or the cessation of the annoyance—was exquisitely timed. Now. Boy does that feel good.”

— Melissa Holbrook Pierson, The Secret History of Kindness (2015)

[bluerosefox]

You know what.

ANOTHER DPxDC idea (as if I write prompts for anything else lol ✍(◔◡◔)

And once again, I think I might have a hyperfixation rn, another deaged Dani (Ellie) and Dan (Dante)! and Dad!Danny.

And you know what, lets make it another DannyxConner idea.

Danny is on a field trip with his class (NOT in Gotham though, LOVE Gotham but lets go with a different city) in like Central City or Metropolis (If Metropolis, Danny is SUPER excited to see the space sections they have at the museum they no doubt have, because well SUPERMAN is an alien and based in their city. If in Central City Conner is visiting Bart.)

During the trip he bumps into Conner and the two just hit it off. Conner enjoys listening to Danny rant about space and the stars and finds watching Danny's eyes light up in joy kinda cute. And if he got his new hero name Supernova from listening to Danny's rants about the stars well... no one needs to know how he got it.

Danny likes how chill Conner is and how the guy stood against Dash and the other jocks when Dash decided he wanted to mess with Danny during the trip, a rare thing nowadays but sometimes Dash does try, and how he respects/likes Danny's friends.

He didn't even say anything negative or hurtful when he found out Danny has two kids back home.

In the end the two exchange numbers, flirt hard, and maybe set up a date in the future. And then more dates. Becoming boyfriends. AND meeting the family. Conner is smitten with just out of toddlerhood Ellie and toddler Dante and adores them. And he loves how the Fentons just love him the moment he stepped into their house and was introduced as Danny's boyfriend, he made sure to bring over a pie Ma should him how to make.

Things get a bit complicated when Conner, Supernova, is at a reunion of YJ members and his phone lights up with a text message from Danny.

He's smiling with a goofy/soft look when he opens the text and see's its a picture of Danny holding a pouting toddler Dante and Ellie on his lap smiling with a notable gap in her teeth at the camera. The message he got was 'Ellie wanted you to know she finally lost her first baby tooth. Dan's been grumpier, I think he misses you.'

He is pulled out of his happy thoughts and musings when he hears Bart gasp hard and drop a bowl of snacks onto the floor. Conner turns to from the future Speedster and see's him about to have a panic attack.

Bart, Impulse, is having a freak out after catching a glimpse of the text picture Conner had gotten and being nosy wanted to know what got his friend to smile so smitten. He knew of Conner's current boyfriend and the kids Conner adores but haven't had time to be introduced to them or even see a pic.

He wasn't expecting to see the very MONSTER of his NIGHTMARES that basically destroyed the world in the FUTURE as a toddler pouting at a camera and surrounded by two smiling identical looking people either. People he never saw in the future or with HIM AND-

Oh.... OH!

Was that why he turned evil? Did something happen to his family?

[vero-niche]

atsushi is genuinely such a good example of a "healing isnt linear" character. no, the fact that a straight up god-creature killed your colleague is not at all your fault. actually, none of the things currently happenning are truly within your control. i get you tho

[suntails]

knighted

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[poorly-drawn-mdzs]

There is a platonic explanation for all this. Right?

[First] Prev <–-> Next

[dykedvonte]

I genuinely don't think Curly would be as caring for Jimmy as some people depict him in aus where Jimmy gets stuck and burned rather than Curly.

I feel like the realization would truly hit in that moment of what Jimmy did and how bad it was as Curly desperately tries to get him out of the cockpit. He's trying to break in to save Jimmy, but is he? All the thoughts in his head; Jimmy's trying to kill them all, Jimmy's trapped in the cockpit, Jimmy raped Anya, Jimmy's going to die trapped in the cockpit, Jimmy trying to kill them all because of what he did to Anya, and sort of a final Jimmy did this. Is he trying to save him or trying to figure out why? Trying to finally make him take accountability? You can't hold trial for a dead man. Does he want Jimmy to die? Not really, but it'd be easier than figuring out where they go after this. After they drag him out and get his set up in medical and Jimmy refuses to look at anyone but him.

He's the only one who is truly willing to care for Jimmy. I don't think he's keeping him alive for the same reasons, just he can't bring himself to put him down. He wants answers, he wants to be mad. This is the first time he can talk to Jimmy and not have anything spun back at him but he can't get a response. He's never really been able to but for the first time Jimmy actually has to listen and he'll never know if he's actually listening to him this time. It reminds him too much of not understanding Anya. Anya has to care for him and he doesn't want her too, she shouldn't have to but they can't just let him die, can they? Should they? It's easier than hearing him in pain but that's a reminder he did this... even if Curly allowed it to happen.

No one seems to have thoughts on it but him and Anya. They know the reason he crashed the ship but they don't get the logic. Anya does actually, but Curly has to admit he does to. Has to admit he's always known Jimmy's logic behind things, things that need to be "fixed" but he's always taken responsibility and fixed it himself. The first time he really let Jimmy take responsibility and he couldn't, he can't fix anything and Curly know he can't either. He looks at Jimmy and sees every mistake but now he's wondering how many of Jimmy's he's been tacking on to his own. How different are they?

What should he had done to stop it? Maybe this should've happened to him...

Curly doesn't like those thoughts and how they only come when he's stuck with Jimmy, like he's always done to himself. He's way too gentle when he gives Jimmy his pills, too mindful of teeth that always gave him hollow smiles. A tongue that always told half truths, while he held his own. He holds his jaw too kindly and thinks about all the times he's clenched his and smiled for his friends sake. For Jimmy's sake. Jimmy still swallows the pills and struggles, whines like it's not his fault.

He hoped it hurt.

And he's a little scared that he's a little too okay thinking that.

[destinysbounty]

As any self-respecting Zane stan, of course I've seen Decoded. And of course I loved the sweet but subtle character moment of him being bashful and awkward when Jay brought up the statue.

For the longest time, I've always interpreted this moment as Zane being his typical humble, bashful self. And while I'm sure that's true to an extent, recent events from Dragons Rising have led me to consider an alternative interpretation.

If I may bring your attention to this quote from DRpt2:

"Zane had impressive shoes to fill. No one could live up to him, maybe not even Zane himself."

I dunno. There's just something about the fact that Zane's own legacy has outgrown him, that he's overshadowed by the memory of his past self, that rather than a testament to the love his friends and community have for him he instead sees the statue as an insurmountable burden he can never hope to live up to...

Which brings me to yet another blink-and-you'll-miss-it moment from the Shadow of Ronin video game (I know it's canon-ness is debatable, but hear me out for a sec)

While everyone is gathered around Nya and speaking to Borg via hologram, Zane is...gone. He's off in the distance, standing at the base of his statue, just...staring at it.

God, and when you add this all up to Zane's Ice Emperor baggage...yeah.

[cubbihue]

Hi! I’m delighted with your “itty bitties” au. It has a lot of details that very laconically come together to form a single complex beautiful mosaic. It makes me want to discover more and more pieces to fill in the empty space.

And you are making a great job answering so many questions a day! Don’t forget to have a rest!

Ok! Now to the questions. One block at a time.

How is it determined how much food a fairy is given? What effect does food have on a fairy besides preventing death from hunger and restoring strength?

Do Wanda and Cosmo receive any benefits since they work on organizing raw materials for food and also constantly have to grant their godchildren’s wishes?

WAAAA!! OMGGG BITTY TIMMY AAART AHEHHEHHE!!!!

Okay since the questions are big, I'm putting them under the Readmore! This is mostly worldbuilding ramblings for Itty Bitties haha!

Anything that's plot relevant WILL be brought up again btwww!! So if you skip this post you will not be missing anything!!

Bitties Series: [Start] > [Previous] > [Next]

>How is it determined how much food a fairy is given?

Fairies are given equal amounts across Fairyworld!! Food is a necessity for them, and since collecting the food is so difficult, they have a UBF system in place (Universal Basic Food). This UBF system is shared across all courts! It's the one thing everybody can agree on!!

There's also stores for food, but fairies rarely run out of their own UBF amount. Those stores are mostly for food enthusiasts, like bakers. Fairies can also eat out at restaurants, where they pride themselves on quality of taste in the foods.

Fairies can choose between prepackaged UBF plans, or raw UBF plans- depending on whether they like to cook their own food, or would rather just have it pre-made for them! Wanda loves cooking, so she's on the raw UBF program! But Timmy's on the prepackaged plan because he's very lazy haha.

>What effect does food have on a fairy besides preventing death from hunger and restoring strength?

Nothing much really! If anything, food is just something to keep a Fairy's lifespan going and keep them healthy. There's some connoisseurs who enjoy tasting or enhancing the flavors though.

Sometimes, there is food that is especially potent with a child's emotions. If consumed, those emotions are shared into the Fairy! For example, a Fairy that is extremely angry can consume a potent chocolate bar, and immediately feel the calmness that a child had once experienced.

These foods are usually out of reach for the Common Fairy though. A very small amount of potent food is shared in the UBF system, but the amount is uneven across the courts. It's a constant political debate for Fairies.

>Do Wanda and Cosmo receive any benefits since they work on organizing raw materials for food and also constantly have to grant their godchildren’s wishes?

Since Fairy Godparents use a lot of magic, they get double the amount of the UBF! They're allowed to pick the food they want, allowed as much potent food of their choosing, AND are the only Fairies allowed to eat core wishes.

Unlike Potent food, core food are highly valued as it's the pure desire a child would have. It's near impossible to retrieve, and is viewed as the ambrosia of food for Fairies. Although Fairy Godparents are only allowed to eat the core wish of their own godchild.

Cosmo and Wanda are in the process of eating Timmy's Core Wish, and many Fairies are very jealous of them because of it.

There's a lot of benefits that comes with being Godparents. That's why the training to get there is hellish, haha. Only the most toughened Fairy approved by Jorgen Vonstrangle can become a godparent!

[stuckinapril]

I hate to be that one person who’s like when ur so busy ur not consumed by other people or being in a relationship blah blah blah …. But truly when u have ur hands full you could fucking care less and it’s so liberating

[skitskatdacat63]

Vettonso complaining about each other not respecting schrondinger's track limits on the radio compilation + Seb's commentary that made me a bit feral

Must include these sexy ass pics okay, it makes me feral how hard they race each other.

Also SO upset that we got this vid and there's also pictures(and presumably a vid out there somewhere) of Fernando, back then, ALSO debriefing this race. And yet we never got them together?????? Evil. Fucked up.

Imagine seeing them complaining about each other but also having to (begrudgingly if you're Fernando) compliment each other IN FRONT of each other. Maybe its a good thing it doesn't exist, bcs then I'd have a heart attack.

[phantomsofmyformerself]

messy polycule for the win

[ruporas]

bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

[claraoswalds]

So what's wrong with Clara, then? There's nothing wrong with her. Why haven't you made her immortal? Well, look how you turned out.