#but in case that's something you want

[knifearo]

being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one

[ryllen]

🌾 . 🍚

[crescentfool]

reunion 🌸

[cordycepspog]

There’s something horrifyingly beautiful about Tess’s final moments. In the midst of the most dire chaos, as she waits for her death to come rushing past so she can blow it sky high and give cordyceps a big fuck you one last time, one of the infected stops. It looks at her, really looks. Her own mortality is personified in this infected. It’s death that’s looking at her, and it sees her. She looks her own death in the eye, and the suspense is so high as it approaches. But then, it doesn’t bite her throat out like we all expect it to.

It kisses her. What’s more, it kisses her gently. And I think it was a brilliant choice on the writers part, because it reminded me that the infected aren’t supposed to be evil. Sure, they’re scary as hell, but really, they’re just trying to survive. They’re connected to one another, they can feel each other from miles away. They seek out and want to be close to their own kind, just like the human survivors do. And when they do find each other, they kiss hello.

And after so long apart from a loved one, someone you know and trust with every instinct in your body, wouldn’t you want to kiss them too?

[uncanny-tranny]

I think it would really benefit people to internalize that mental illnesses are often chronic and not acute. Some of us will never be able to jump the hurdle of managing illness, much less sustaining a sense of normalcy. Many of us will never "recover," will never manage symptoms, will never even come close to appearing normal - and this is for any condition, even the ones labeled as "simple" disorders or "easy-to-manage" disorders.

It isn't a failure if you cannot manage your symptoms. It isn't a moral failure, and you aren't an awful person. You are human. There's only so much you can do before recognizing that you cannot lift the world. Give yourself the space to be ill because, functionally, you are.

[cozylittleartblog]

also in the face of people deleting their blogs, that's another reason why you guys are supposed to reblog stuff. if somebody deletes a post, your liked version will disappear, but the reblogs remain. i'm insane about preservation and archival, every single piece of art i have ever enjoyed is reblogged on my 450k+ posts main account so if the artists leave I still have their work. i even tag things (though just with the main fandom tag) so I have years and years worth of fanworks saved that the terrible general site search will never show you.

please reblog art. not just to support the artists who make it and share their efforts, but also so you have your own copy of their works saved for yourself, and the future users of this site.

[miwtual]

im so fucking tired of the disrespect gifmakers get on the gifmaker website

[noyzinerd]

Sterek Rival Lawyers AU

It's A (Court) Date

Imagine, high-class, Ivy League, hot-shot, attorney Derek comes back from New York to the family firm to take over as partners with his sister after his parents decide to step down. He may not be on the level of his mother yet, but he's cut his teeth against Wall Street wolves and ruthless white-collar sharks. Derek's more than proved himself, so he just can't fathom these small criminal court cases his family is making him take "before he's truly ready" to be a part of the family business.

Enter in his first case. Right out the gate, the state assigned defense is, not only late to court, but also arrives in a flurry of limbs and papers, tripping all over himself, and profusely apologizing to the room as a whole. "Sorry! Sorry! Car trouble!"

The guy is out of breath, tie crooked and hair a mess. It makes Derek wrinkle his nose at the unprofessionalism and the blatant disrespect to everyone's valuable time.

The presiding judge, the Honorable Ms. Lydia Martin, only sighs a heavy sigh, as if this sight is nothing new, and says "Mr. Stilinski, I suggest you don't let it happen again."

Derek is honestly getting annoyed by how easy this is going to be. He could've been doing literally anything else right about now rather than being here going against a common rent-a-lawyer with some Podunk community-college degree. The opening statement for the defense is laughably inept. Full of nervous stuttering, backtracking, running tangents, and babbling. He's still apologizing, trying to assure the jury that he's just having an off-day today.

It's embarrassing to watch.

Nonetheless, Derek goes through the motions, practiced and poised. Examines all the evidence, presenting times and dates, prior arrest records, the works.

During this time, Mr. Stilinski is frantically (and VERY LOUDLY) flitting through a cartoonishly large stack of papers and whispering to his client. Derek has to fight to grit his teeth through his presentation.

Finally, it's time for Mr. Stilinski to cross-examine Derek's client and, unbeknownst to him, the beginning of Derek's long, long spiral of madness for the rest of his career.

"Judge Martin, I would like to move to have this case thrown out."

"Oh?" asks Judge Martin. For some reason, there's an amused smirk, almost fond, tugging at her lips "On what grounds?"

A giddy, almost manic, grin takes over the defense attorney's face just then. "On the grounds that the prosecution's client is full of bullshit."

The judge rolls her eyes and an exasperated "Stiles," slips from her lips, seemingly against her will. (Derek's not really surprised by the familiarity between the two of them. With how often state-assigned lawyers are called to the courtroom on small cases, it wouldn't be too big of a leap to suggest they might be chummy.)

"Respectfully, of course." Mr. Stilinski--er Stiles?--winks back at her.

"Objection. Your honor, this is ridiculous."

"Overruled. Make your point, Stilinski."

"Mr. Davis says he saw my client at 12:30 P.M., on August 4th, attempting to take his back-right hubcap outside his apartment. Mr. Davis' apartment complex at that time, on that particular day, would have cast a huge shadow over the back lot as evidenced by the gaudy sundial-art-installation outside the courthouse. Meanwhile, my client's picture, when taken in for questioning, has a sunburn on the entire right side of his face. This would corroborate Mr. Lyle's story of walking home alone, down the upper, unshaded side of Elmore Street, during one of the hottest days of the year, for an hour straight. Also, the fact that Mr. Davis has no realistic idea how long it would actually take a person to steal a hubcap should be evidence enough."

"Uh-huh. And this wouldn't happen to be something you've ever had any expertise in, would it, counsel?"

"I plead the 5th."

And just like that, Derek's case is thrown out so quick, he's still reeling about it all the way home.

For the next two years, this becomes Derek's life. This man, this Stiles Stilinski, keeps showing up like a whirlwind and absolutely puts him in his paces.

Stiles, as he insists Derek call him, is a powerhouse. Relentless and unstoppable. That mouth can filibuster for literal hours (which, for those unfamiliar, is when someone legally cannot be forced to give up their time on the floor as long as they can keep talking), that brain quick as a whip, with a hunger for research, a mastery of the English language svelte enough to trip up even the most well-rehearsed lie, and an attention to detail like nothing Derek has ever witnessed before. It's like he knows every law inside and out. Lives it. Breathes it. It's like he had been raised on the law his whole life. Not only that, it's like Stiles enjoys it. Every case is a new game to get excited about.

All of it makes Derek's blood boil.

However, it's not always about losing to Stiles all the time, because, honestly, that might be less humiliating.

In truth, when faced against Stiles, Derek's bound to win about 60% of the time. Out of that 60%, only 5% of those wins actually feel earned. As for the other 55%?

He knows Stiles is letting him win.

Derek can't prove it, but he knows the asshole is holding back on purpose nearly half the time. Knowing that Stiles could have beaten him if he wanted to, but didn't, is somehow more frustrating than just losing.

He hates Stiles.

He hates that the guy is so chipper and playful all the damn time. He hates that Stiles could probably work at any firm he wanted, could make enough money to get a decent car that doesn't shit out all the time, could buy a proper-fitting suit, but instead CHOOSES to stay here "watching out for the little guy", as he so put it.

He hates that facing Stiles in court is the most challenged, the most motivated he's ever felt in his entire life. He hates that Stiles brings out in him the spark of passion and drive Derek had long thought had died. He hates that Stiles always tries to banter with him during recess or whenever they have to exchange evidence.

He hates finding out that Stiles only loses cases on purpose when his endless amounts of research points to the defendant actually being guilty of horrendous crimes, because Stiles is a good fucking person.

He hates Stiles' constant teasing and he hates that Stiles is somehow able to bring Derek down to his childish level to tease back. He hates how much he looks forward to court-dates with Stiles now. He hates being invited out by Stiles over and over to grab a bite together after a long day, as if Stiles hasn't been wiping the floor with him on this case for the last month. He hates it even more that he always accepts and that now they have their own designated booth at the diner across the street. Derek's so unbelievably frustrated, it makes him want to bite Stiles at the neck just to hear that smartass mouth squeal.

"Hey, I ever tell you I was thinking of quitting before you arrived?" Stiles asks one night as they're walking to their cars.

Derek's head immediately snaps to him at that. "What?"

Stiles smiles distantly at the thought. "Oh, yeah. Things had started feeling like being trapped in a cubicle, y'know? There wasn't any challenge in it anymore."

"What made you stay?"

"Well...you did. You were the first, serious competition I'd faced in a while. It wasn't a matter of winning just to win, anymore. Going against you always reminded me of the reason why it was important for me to win. It gave me stakes, because now there was an actual chance I could lose and an innocent person could go to jail. You, I don't know, kinda reignited my passion for fighting the good fight, I guess."

Derek can feel his heart thumping hard in his chest. He wants to say 'You did the same for me!' He wants to tell Stiles that he didn't think his life could ever be this fun or happy or messy or chaotic or exhilarating or challenging or fulfilling before coming to Beacon Hills.

But just as Derek goes to open his mouth to sing Stiles' praises, he instead finds himself roughly shoving him up against the Camaro and biting hungrily at that mouth and tongue that's been the bane of his existence. There's a surprised little squeak that Derek quickly swallows up, but it isn't long before they're both tearing at each others' clothes and fucking each other dirty in the backseat of Derek's car.

What's crazy is, after they get together, nothing in their careers really changes. The only difference is now they get to fuck each others' brains out after an intense battle in court (and the sound Stiles makes when Derek bites him is exactly what he always imagined it would sound like). They still face against each other on opposite sides in court. They still give it everything they got, no conceding even if they are dating now. Not to mention, Derek wouldn't dream of tempting Stiles over to his firm. Not when he knows Stiles is at his best staying where he's at.

The day Derek's family finally decides it's time for him to take over the firm with Laura is the best day of his and Stiles' lives.

Not only does Derek tell them he's declining, he hires Stiles as his attorney to negotiate terms against his entire family of well-seasoned lawyers.

The entire month-long negotiation results in Derek, not saying a single word, but absolutely beaming as he watches his boyfriend run circles around his mother, his father, his uncle, and both of his sisters on contracts. It's so unbelievably hot, they're banging on whatever flat surface they can get their hands on every time they leave the boardroom. There's even one very memorable blowjob in the empty hall outside the boardroom when Stiles somehow manages to get Peter to agree to a (most likely illegal) clause dictating the firm will pay Stiles a finder's fee for any pro-bono case Stiles takes on outside of Beacon Hills that strikes his fancy.

And, no one says it, but they all know Derek definitely, 100%, dragged his own firm through this negotiation just to show off how incredible Stiles is to his family and preen about it.

--

Fast-forward, Derek is going to be in the audience for the first time for one of Stiles' cases.

While waiting in the hall, Derek sees a familiar face from his New York days. The prosecution has hired the eighth best lawyer money can get, Jackson Whittemore. He's sporting a Rolex, sunglasses indoors, and the face of someone who thinks he's above literally every other person in town.

Well, at least until he sees Derek.

For some reason, Jackson seems to think Derek is all the way out in the middle of nowhere to 'watch a master at work' (which...well...is technically true...).

As Derek goes to sit in the audience, Jackson tells him in passing, "This'll be over so fast, probably won't even get a chance to learn the other guy's name."

Derek chuckles and says back, "Ooh, buddy, you have no idea."

Before Jackson can think more on that, a whirlwind of limbs and papers suddenly hurls through the doors.

Derek sits back, gets comfy, and waits eagerly for the show to begin.

My first moodboard. Hope you enjoy. AU based on a discussion with @casually-eat-my-soul (I suggest checking out their version). This was kind of like a divergence from that (the brain juices just started flowing).

[lucy-bladeshield]

Can you imagine how terrified Aelwyn must be? Her baby sister and her dumb friends have just said the name of a dead god and the world went mad, and they went into the briefcase of the one named The Ball and the one with the dead god casted a ward of death on you. And now it's been who knows how long and spell after spell you try and cast won't open the briefcase?

[always-a-king-or-queen]

The ache will go away, eventually. 

That was what the Professor told them, the day they got back. When they tumbled from the wardrobe in a heap of tangled limbs, and found that the world had been torn from under their feet with all the kindness of a serpent. 

They picked themselves off of the floorboards with smiles plastered on child faces, and sat with the Professor in his study drinking cup after cup of tea. 

But the smiles were fake. The tea was like ash on their tongues. And when they went to bed that night, none of them could sleep in beds that were too foreign, in bodies that had not been their own for years. Instead they grouped into one room and sat on the floor and whispered, late into the night. 

When morning came, Mrs. Macready discovered the four of them asleep in Peter and Edmund’s bedroom, tangled in a heap of pillows and blankets with their arms looped across one another. They woke a few moments after her entry and seemed confused, lost even, staring around the room with pale faces, eyes raking over each framed painting on the wall and across every bit of furniture as if it was foreign to them. “Come to breakfast,” Mrs. Macready said as she turned to go, but inside she wondered. 

For the children’s faces had held the same sadness that she saw sometimes in the Professor’s. A yearning, a shock, a numbness, as if their very hearts had been ripped from their chests.

At breakfast Lucy sat huddled between her brothers, wrapped in a shawl that was much too big for her as she warmed her hands around a mug of hot chocolate. Edmund fidgeted in his seat and kept reaching up to his hair as if to feel for something that was no longer there. Susan pushed her food idly around on her plate with her fork and hummed a strange melody under her breath. And Peter folded his hands beneath his chin and stared at the wall with eyes that seemed much too old for his face. 

It chilled Mrs. Macready to see their silence, their strangeness, when only yesterday they had been running all over the house, pounding through the halls, shouting and laughing in the bedrooms. It was as if something, something terrible and mysterious and lengthy, had occurred yesterday, but surely that could not be. 

She remarked upon it to the Professor, but he only smiled sadly at her and shook his head. “They’ll be all right,” he said, but she wasn’t so sure. 

They seemed so lost. 

Lucy disappeared into one of the rooms later that day, a room that Mrs. Macready knew was bare save for an old wardrobe of the professor’s. She couldn’t imagine what the child would want to go in there for, but children were strange and perhaps she was just playing some game. When Lucy came out again a few minutes later, sobbing and stumbling back down the hall with her hair askew, Mrs. Macready tried to console her, but Lucy found no comfort in her arms. “It wasn’t there,” she kept saying, inconsolable, and wouldn’t stop crying until her siblings came and gathered her in their arms and said in soothing voices, “Perhaps we’ll go back someday, Lu.” 

Go back where, Mrs. Macready wondered? She stepped into the room Lucy had been in later on in the evening and looked around, but there was nothing but dust and an empty space where coats used to hang in the wardrobe. The children must have taken them recently and forgotten to return them, not that it really mattered. They were so old and musty and the Professor had probably forgotten them long ago. But what could have made the child cry so? Try as she might, Mrs. Macready could find no answer, and she left the room dissatisfied and covered in dust. 

Lucy and Edmund and Peter and Susan took tea in the Professor’s room again that night, and the next, and the next, and the next. They slept in Peter and Edmund’s room, then Susan and Lucy’s, then Peter and Edmund’s again and so on, swapping every night till Mrs. Macready wondered how they could possibly get any sleep. The floor couldn’t be comfortable, but it was where she found them, morning after morning. 

Each morning they looked sadder than before, and breakfast was silent. Each afternoon Lucy went into the room with the wardrobe, carrying a little lion figurine Edmund had carved her, and came out crying a little while later. And then one day she didn’t, and went wandering in the woods and fields around the Professor’s house instead. She came back with grassy fingers and a scratch on one cheek and a crown of flowers on her head, but she seemed content. Happy, even. Mrs. Macready heard her singing to herself in a language she’d never heard before as Lucy skipped past her in the hall, leaving flower petals on the floor in her wake. Mrs. Macready couldn’t bring herself to tell the child to pick them up, and instead just left them where they were. 

More days and nights went by. One day it was Peter who went into the room with the wardrobe, bringing with him an old cloak of the Professor’s, and he was gone for quite a while. Thirty or forty minutes, Mrs. Macready would guess. When he came out, his shoulders were straighter and his chin lifted higher, but tears were dried upon his cheeks and his eyes were frightening. Noble and fierce, like the eyes of a king. The cloak still hung about his shoulders and made him seem almost like an adult. 

Peter never went into the wardrobe room again, but Susan did, a few weeks later. She took a dried flower crown inside with her and sat in there at least an hour, and when she came out her hair was so elaborately braided that Mrs. Macready wondered where on earth she had learned it. The flower crown was perched atop her head as she went back down the hall, and she walked so gracefully that she seemed to be floating on the air itself. In spite of her red eyes, she smiled, and seemed content to wander the mansion afterwards, reading or sketching or making delicate jewelry out of little pebbles and dried flowers Lucy brought her from the woods. 

More weeks went by. The children still took tea in the Professor’s study on occasion, but not as often as before. Lucy now went on her daily walks outdoors, and sometimes Peter or Susan, or both of them at once, accompanied her. Edmund stayed upstairs for the most part, reading or writing, keeping quiet and looking paler and sadder by the day. 

Finally he, too, went into the wardrobe room. 

He stayed for hours, hours upon hours. He took nothing in save for a wooden sword he had carved from a stick Lucy brought him from outside, and he didn’t come out again. The shadows lengthened across the hall and the sun sank lower in the sky and finally Mrs. Macready made herself speak quietly to Peter as the boy came out of the Professor’s study. “Your brother has been gone for hours,” she told him crisply, but she was privately alarmed, because Peter’s face shifted into panic and he disappeared upstairs without a word. 

Mrs. Macready followed him silently after around thirty minutes and pressed an ear to the door of the wardrobe room. Voices drifted from beyond. Edmund’s and Peter’s, yes, but she could also hear the soft tones of Lucy and Susan. 

“Why did he send us back?” Edmund was saying. It sounded as if he had been crying.  

Mrs. Macready couldn’t catch the answer, but when the siblings trickled out of the room an hour later, Edmund’s wooden sword was missing, and the flower crown Susan had been wearing lately was gone, and Peter no longer had his old cloak, and Lucy wasn’t carrying her lion figurine, and the four of them had clasped hands and sad, but smiling, faces. 

Mrs. Macready slipped into the room once they were gone and opened the wardrobe, and there at the bottom were the sword and the crown and the cloak and the lion. An offering of sorts, almost, or perhaps just items left there for future use, for whenever they next went into the wardrobe room.  

But they never did, and one day they were gone for good, off home, and the mansion was silent again. And it had been a long time since that morning that Mrs. Macready had found them all piled together in one bedroom, but ever since then they hadn’t quite been children, and she wanted to know why.

She climbed the steps again to the floor of the house where the old wardrobe was, and then went into the room and crossed the floor to the opposite wall. 

When she pulled the wardrobe door open, the four items the Pevensie children had left inside of it were missing. 

And just for a moment, it seemed to her that a cool gust of air brushed her face, coming from the darkness beyond where the missing coats used to hang.

[ihavesomejays]

text transcription:

Many springs ago, I perceived a sea of flowers upon a lake. I thought to myself that those fleeting colors held indescribable beauty.

The next time I perceived those colors was many years later, when the medic’s tent had blinded me to all but red. The radiance of that shining star was lost on my eyes.

Now, my eyes no longer perceive the subtleties in the colors around me.

But I am content.

For I can now see the most brilliant colors in my universe.

anyways yeah why did they fucking do that to jiaoqiu bro

the planning for this experimentalish comic is under keep reading

[turtledotjpeg]

killugon date at the park in the summer, drawn for @ov-rwhelmed for the greed island server summer exchange!! :D

[wistfulwatcher]

bau members + near death experiences

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[turtleblogatlast]

Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.

His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).

Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.

[buwheal]

hey spamton! anything interesting happen recently?