#but if they get more i'll answer them out of character :)

[lemon-shark-gamer]

The Genshin Impact fandom is fascinating to me when it comes to fanfics, because I feel like I struggle to find any fics that really *get* the characterization of certain characters and I'm loathed to write my own because dammit I just want to read the specific itch I crave without resorting to creating it. Give me three more months and I'll cave in.

For example, Diluc is one of my favorites and I find his backstory fascinating in terms of his father Crepus possibly being more morally ambiguous than most fans are willing to admit and how little we know of Diluc's murder spree in Snezhnaya.

For example which Harbinger(s) did he have a run-in with? Will we find out more about the secret intelligence network that took him in, that he apparently had a high position in? Did he ever find the answers he was searching for? The list goes on.

It's hard for me to find the specific characterization of him I crave for in fics because I think his platonic relationship with Kaeya is incredibly nuanced and complex but I feel like his character often gets assassinated for Kaeya angst but like, the man had the worst birthday ever?

Imagine being Diluc, living through a literal worst nightmare. Your dad is dead after you failed to protect him yourself. Not only is your dad dead but he died after wielding a delusion--you dont even know what a delusion is but its clearly bad news. Why the fuck did your father have it and how?

On top of this, the Favonius Knights--the organization you proudly served and the very organization that your father heavily encouraged you to serve--insists on covering up the truth because it makes them look bad. The Favonius Knights, who are supposed to be honorable and uphold integrity, are anything but that.

Then your adoptive brother, who you've known for years and trust with your life, shows up and tells you he's been spying for a foreign nation since you were kids with the intent of harming Mondstadt and everything about your relationship is possibly all one big lie and well--how do you not snap??

Now, I'm also incredibly fond of Kaeya and he was just as traumatized by Crepus's death. He was wracked with guilt for *feeling* relieved that he didn't have to worry about betraying his birth father for his adoptive father since Crepus was dead. He anticipated Diluc's anger and felt like their duel was a punishment for his lies.

To me, it hints that Kaeya probably didn't reveal the truth expecting Diluc's understanding, but rather he knew how he would react and perhaps he wanted Diluc to strike him down in that duel. Or at the very least, he wanted to distance himself from Diluc and cut off ties in order to avoid emotional attachment stopping him from his mission.

I personally head-canon that Diluc withdrew upon seeing Kaeya's vision because well--why would the gods bless Kaeya with a vision if he truly had the intent to harm Mondstadt? So in spite of what Kaeya revealed, he isn't a threat. But there's still a lot of hurt there to navigate through.

I think it's fascinating seeing where they stand in present game because Kaeya obviously has the ideology of working the system from within. He stayed in the knights (even taking over his brother's position) and with Jean rooted out the Inspector and his cronies.

Meanwhile Diluc just isn't that type of person. He doesn't settle, he refuses to work in a system he views corrupt, he rather accomplish what he can outside of it. Curiously, he doesn't challenge the status quo beyond being vocal of his distaste of the Knights.

This is head-canon fantasyland, but I like to envision Kaeya and Diluc do use a lot of the same informants and collaborate on intel relating to the safety of Mondstadt (especially since Diluc can move in ways against the Fatui that the Knights can't due to political reasons) but they struggle to have the same connection as before.

For example, Diluc's story quest--Kaeya was essentially giving Diluc an alibi with the Knights. Even if Jean damn well knows who it is, they still have to have official documentation stating otherwise.

Kaeya is good at reading people, he has to be given how he was raised to be a child spy. But I like to think he struggles to read Diluc like before. Diluc is much more jaded, pessimistic, quieter than before. He prefers to work on his own as much as possible. From Kaeya's pov, the only person he's seen Diluc willing to fully trust enough to work alongside with is the Traveler, and he states as much.

The opposite is true of Diluc. Kaeya was his shadow, a quiet but inquisitive, witty observer. Cavalry Captain Kaeya is much more outgoing and friendly, his charm on full display. Did he ever really truly know Kaeya or did he only show Diluc what he wanted him to see? Is Kaeya happier this way?

Fanon often depicts Kaeya as essentially being barred from the dawn winery from the duel by Diluc himself, but I don't think that's quite the case. Much rather, given the reason he told Diluc that night, I think he views himself as undeserving due to unresolved guilt.

Canon seems to hint at all of this through his hangout and Hidden Strife, the latter of which is unfortunately a time-limited event that occurred before I even played (hoyo please stop having heavy lore drops occur in time limited events).

I think the two want to trust each other again, but both are afraid of destroying the tentative truce they have so they leave all of it unaddressed. Kaeya refuses to be completely truthful ever again and Diluc acknowledges the past but refuses to discuss it. The tragedy in their relationship that neither is at fault for what happened--it's a twisted emotional mess of grief and heartbreak.

The last point I'd like to touch on is the parallels between Kaeya and Diluc both being essentially child soldiers for their fathers' causes.

For Kaeya, being abandoned in Mondstadt to be a child spy is the most overt. For Diluc? Despite Crepus's strong ambition to be a Favonius Knight and to have a vision--neither happened for him. In Diluc's vision story, it states that he views his vision being a result of their "shared" ambition, hinting that his vision was granted after Diluc's strong resolve to achieve his father's dreams for him.

We know Crepus heavily encouraged Diluc down this path at very young age, given Diluc received his vision at age 10 and became the youngest Captain at age 14. In some ways, I'm sure Kaeya was a bit jealous of Diluc for having a loving father present in his life that was overtly proud of him.

I am not saying Crepus wasn't a good father, I think he cared immensely for Kaeya and Diluc both, but I do think he did some morally grey shit.

Diluc abandoning his vision is fascinating and it's almost never explored in fics. He is the only vision holder we know of (aside from the Inazumauns whose visions were taken by force) that had their ambition for their vision shaken in such a way that they voluntarily discarded their vision for a time and only took it back after reigniting a new ambition to have it (and as far we know the only allogene that faced no negative setbacks from using a delusion long-term without their vision present).

I don't know where to end all of this, except if you have ragbros fic recommendations that you believe cover it in a more nuanced way, let me know!

[postcardsfromheapside]

[heavy sigghhhhhhhhh]

Okay, it's 9:30 in the morning, but I don't want to go out in the cold yet so we're addressing THIS instead.

First and foremost, turning Emmrich into the victim (and then whining about the lack of Solas) is what's cringe here. Not only is some of this wrong (Harding only brings up the age issue because Emmrich expresses his own concerns and she then acts as a sounding board for him), but it's getting tiresome to act as if the other companions don't have reasons to voice their opinions (I'm getting particularly tired of people not listening to the exchange with Taash and considering how they might feel). You can apparently consider things from Emmrich's perspective, but you refuse to consider things from everyone else's.

I'll put this under the cut - I hope no one has plans because we're going to be here a while.

A lot of the complaints in the post neatly latch onto individual ones I've run across in the past, so I'm just going to make one big response.

Emmrich is my favorite character in Veilguard, and second only to Varric for the whole series.

But he can be stuffy, snobbish, overly pedantic, he gets into other people's business and loses emotional perspective when the academic focus takes over, is possibly attempting to make a major life change based on barely-addressed trauma, and is prone to bouts of melancholy where he has to be drawn out by his friends and/or lover about whatever is actually bothering him, rather than him communicating his issues. He is not perfect,

That's why it's very interesting in that post to see someone claiming that "no one's bullshit is called out." When the companions "dunk" on Emmrich, it's a two-way street. Sometimes the companion is wrong, sometimes Emmrich is wrong.

Neve and Emmrich resolve their issues peaceably - it's not toothless, it's just that they're both mature adults and neither of them get actively hostile with others if they don't have to. They talk it through over several conversations, and decide the other is fine - good company even! - and move on to sharing Manfred, sharing poetry (you have to read the codex), sharing spell books, joking with each other, they're my favorite to bring out together despite not having interlocking talents.

Davrin and Emmrich start somewhat peacably - Emmrich tries to encourage him that he will find Assan's siblings, and I've gotten dialogue about the books the lighthouse has to offer early on - and then they begin their magic and child-rearing arguments. And Davrin ISN'T IN THE WRONG.

1) while it seems silly to us for Davrin to be a Fade denier, what's more interesting to me is that he points out that in a group of mages arguing about the Fade, there's never a cohesive answer. It's like listening to philosophers or religious experts never coming up with one clear answer about their favorite topics to mentally masturbate over. Davrin likes "science". He's writing a monster manual, ffs. He wants solid answers. One thing I love about Davrin is he's never afraid to call something that's bullshit, bullshit. Weird magical things happening in Arlathan? Bullshit. (and they are) Living in the lighthouse and feeling like it's ooky spooky? Bullshit. (and it kinda is) Questioning the boss about the god stuck in their head feeding them bullshit? 100% should be doing that. You should be listening to Davrin more - he's the voice telling you not to go into the haunted house, y'all, it might save your life.

2) He's also not wrong about Emmrich helicopter parenting Manfred, and almost none of how Davrin handles Assan is any of Emmrich's business, or area of expertise.

We need to stop getting upset at Harding for talking Emmrich through his worries about an age difference (this is something I think Bioware handled badly in that not everyone headcanons their Rook at a younger age, but also, Emmrich clearly has an issue with aging due to his thanatophobia). He shows signs of distress, and she talks him through it and offers advice. For some reason, a large part of the fandom has decided to take his issues out on HER, which is *wild* but not unexpected given the deeply internalized misogyny I've seen displayed. Not only that, but Sylvia herself has come out on Harding's side, because she wrote Emmrich that way.

Getting irritated at Taash is honestly wrong on so many levels at this point. I don't diagnose other people or characters, so I won't get into the ND aspect (it's fine if you relate to it, I'm not stopping you), but I will say this: Taash comes from a completely different culture than Emmrich, which finds using dead bodies so "callously" to be abhorrent, and their particularly sensitive sense of smell makes anything having to do with death even more disgusting to them (have you ever smelled a corpse, or dead animals? My migraines enhance my sense of smell, and make normal things smell awful sometimes) and finally, they are IN THEIR EARLY 20'S AND FULLY ACT LIKE IT. That means not everything they do is going to be as mature as the rest of the party, who are in their early to mid 30's, (and Emmrich was listed as 50-52). You can outright tell Emmrich to cut the shit, and he reels himself back with zero disapproval because he realizes ALL of this in a single second. *He's* the grown-ass man and professor here and shouldn't be escalating their argument. He values Taash, and changes his entire behavior toward them IMMEDIATELY, because *he was in the wrong*. And Taash responds to it, in a positive manner. You do not need to protect Emmrich from Taash.

Even Lucanis refuses to talk to Emmrich about Spite in some dialogue, because he feels more like a academic project than a person.

No companion is explicitly "called out" because sometimes these characters are calling *Emmrich* out. You're just refusing to see that he might be acting badly in his very quiet, stuffy way.

**put a pin in the Davrin/Lucanis bit**

Now.

After seeing a series of screenshots ending with this:

I got a little fixated with finding out which route unlocked this dialogue. It turns out you, as Rook, can romance Emmrich while expressing distaste for death, necromancy, and the undead the entire time - effectively dissing his profession and life's work, to paraphrase the post I linked - and Emmrich doesn't actually disapprove. Any time you can express disaste without missing a flirt option, if you do that, he takes it in stride. And then you can flirt as normal. He is *used* to people feeling this way. I think all Nevarrans are. I rather suspect he doesn't give a shit what the companions think about his job, at his age - he's written books, he's given lectures, he's a senior Watcher. Their opinions don't matter. He's at the top of his game, he has nothing to prove to them. Rook hired him, not them. And Rook? If you romance him, and take this route, his answer to you is: "There's no shame in a little attraction to the forbidden, my darling."

This man is a fucking menace. He doesn't need defending - you need defense against his rizz.

Now, Solas.

Yes, Solas taunts him for being a lich. Solas also taunts Davrin for being Dalish and what he must have heard about Solas from his people. Solas also tries to flatter Emmrich if he remains human. Solas tries to butter up Lace by apologizing to her. It's almost as if Solas is the "god" of deceit and trickery and presents as many different faces as their are people or even aspects of those people. He will present whatever face he thinks he needs to in order to get under their skin, or throw them off their game. Solas doesn't care about Emmrich becoming a lich. He doesn't actually care about any of the companions. He cares about tearing down the Veil. What choices you've made do not matter to him on a personal level except inasfar as he can use you. That's who he is. I hate it for you if you haven't realized and accepted this by now.

There are a lot of people who think Solas and Emmrich "nerd out" in their dialogue, and I just don't see it. I've held back from this descriptor in this lengthy response, but Emmrich constantly displays a very "British" politeness - and he does it when Solas attempts to flatter him in the end game. Emmrich doesn't express a *personal* wish to have a conversation with Solas. He says there are things the Watchers wish to have answered. It's professional for him. Solas kidnapped Rook, someone who, romanced or not, Emmrich spent weeks making a damn good facsimile of the lyrium dagger in order to save. Emmrich isn't going to outright tell Solas to go fuck himself, because he's too well-mannered, and he's got an affinity about spirits. But he's not inviting him over for tea and crumpets.

I don't understand where the idea that Emmrich holds off from flirting back because of the age gap comes from. "I must be sure to live up to expectation" - do you...do you not see that as him flirting back? TBH I think this guy flirts first and then kicks himself because "that's the boss" (and probably gets told about what's happened with Varric) and only REALLY gets serious when he thinks "No, there actually is something here" when Rook has flirted a few more times after that, plus helped him in his personal quest. Age gap be damned. A lot of us did not play Rooks with an age gap, or that much of one - mine was my age, well within Earth "norms" these days.

Okay, back to the Davrin and Lucanis bit.

Saying that Lucanis is "okay because he's an assassin that only kills bad people" is missing the point. Lucanis fully admits that he has only killed people who are guilty by his own yardstick. I'm sure all the companions could agree there are some standards (children) but even in D'Meta's crossing you're faced with a moral choice where not everyone agrees what to do (free the mayor or don't) and it's very clear that not everyone has the same standards about what makes a "killer". So why should you assume that Lucanis is a guilt-free assassin? We know that he frees slaves, we know that he earned a reputation killing Venatori mages. But he demures from Emmrich's excited statements that he "empathizes" with all his victims. There's absolutely no way he was able to vet all his kills, and who decides who "deserves" to be killed? You're meant to contrast this with Davrin's warm empathy for the criminals who join the wardens and become "something better" - the kinds of people who start bad and change into something good, who get a second chance to help and contribute to Thedas society in a meaningful way. But the Wardens have their own dark history, they're often corrupt. Lucanis and Davrin are two *good people* propping up their own suspect organizations, both of which are doing the best they can in imperfect situations. It's like watching a gang member and a cop slowly understand each other.

Please for the love of Andraste. Go read widely and expose yourself to other things and other people. It will help you gain perspective. This is a GOOD game, and not thinking critically about the conversations and choices, or trying to see things from each character's perspective, is what's holding people back from enjoying the richness and replayability it has to offer.

[lifeseries-ttrpg]

3rd Life TTRPG project Interest check!

Heya folks!

Admin Excel here to announce the official opening of Life series TTRPG project's Tumblr page! This will be your place to get all the updates regarding applications, timeline of the project, as well as ask any questions you may have regarding the project.

Today I also opened the interest check, so if you could take a while to fill it out, that's be wonderful!

Link to the interest check

Some more information that you might be interested in:

The project will most likely focus on reinterpreting 3rd Life as a TTRPG. If it goes well, I have plans for turning next seasons into their own manuals - however I think it's best if we take it one season at a time, to not overwhelm ourselves.

There is no solid date for anything just yet. I'm a college student and my schedule is pretty tight lately. The only thing I can say for sure is that if everything goes well, contributor applications will most likely open mid-late February. If you follow this page, this will be the first place where you'll get all the updates!

Until then, the interest check will be open so that you can submit your ideas. You can also drop them in the question box here and I'll try to answer as many of them as I can! There will also be a post in the future where I'll answer some of the suggestions/ideas/question that were submitted via the interest check.

So far, the project is in a brainstorming phase. I have quite a few ideas for characters, scenarios, mechanic and the overall shape of the manual - but this is why I'm turning this into a collaborative project, so that more people can show off their amazing writing and/or drawing skills and contribute. The more the merrier!

That's it for now! I'll probably make a pinned post about any important information as soon as they come up! Don't hesitate to ask any questions about the project!

[yuucandoit]

saw someone before say that it's probably purposeful on Rook's part to speak French or whatever language he's using (or for Sam to have lanterns with kanji on it), so since he's /intending/ it to stand out rather than just communicate with whatever language it translates. I do think the idea that the wizard might have just hated France a bit funny, I admit, HOWEVER

... since the novel introduces the idea of a translation spell being in place when Yuu speaks Japanese and then the game introduces the concept of Raverne having learned Common / that presumably being the universal language for easy communication

Idk. I think the simple answer is the novel and game are not one to one on everything more than likely. And in interest of simplicity they said like.. no homicipher here we don't need to worry about addressing how the character can understand people (until there is discrepancy on how language works in which case the fandom can have fun ? i guess ? since we get into those details)

Given that Yuu can understand everyone speaking Common ?

(I'll assume given the game brought it up rather than a translation spell that is what Vil gets on Epel for not speaking to standard)

when they visit areas outside NRC, I think that it's potentially a translation spell on them (edit: I needed to finish this thought bc it got too rambly and never connected, but I'm not 100% on 'this spell was cast on Yuu when they came to Twisted Wonderland' but at the same time how are Yuu understanding everyone outside NRC ? besides narrative convenience)

-- unless their brain managed to acquire it through some sort of combination of actually hearing it/then being magically/automatically translated into Common when attempting to speak/ muscle memory of their mouth forming the language

(so like.. not something we have a word for I think because it's impossible to deliver a full language to someone's brain that they've never learned before aaand idk if language acquisition is the right term but some sort of perceptual adaptation thing from being surrounded by / actually communicating in a language at a presumably native level is what I'm thinking of.)

However, unless like.. magic would speed up that process (and assuming even if it does Yuu is capable of benefiting from that) I don't see them having that kind of neural language acquisition by the time they're headed to the Dwarfs Mine unless it is also on Sage's Island somewhere ?

Maybe? I still gotta check out Camp Vargas soo... I feel like it would say on the wiki if they mentioned it was on Sage's Island still, though

So potentially a spell was cast on Yuu to be able to understand everyone in Twisted Wonderland and they've never questioned it (and the caster assumed it would not be questioned) because they assumed it was a school-wide thing that everyone was also dealing with ? Which I could kind of see in line with the way some other things are brought up in twst and never examined by the characters they concern

Like. I would think it is a question that would come up at some point, but also I could see Yuu wondering like 'well apparently Common exists bc that is something that we learned about in History or whatever so everyone here is probably speaking that and I guess there's also a translation spell on the school and that's why I can understand people and that spell is there along with Common because ? but also it must be following me because I could still understand Floyd and Jade in the Coral Sea !' but then get distracted by everyone bleeding/crying/throwing up ink and almost dying and it gets put on the back burner I guess

Also idk maybe in general and to tie the novel and game, it's a combination of Common being a language but the translation spell is centuries old and was in place before Common was invented (idk the Raverne timeline that well, but I know that he was mentioned to have learned Common by Lilia so that would be before Lilia was at NRC but NRC also existed at that point because he brought it up in his memory dream that he had received a letter to enroll SO. Maybe it was simpler to get everyone to speak using magic rather than collaborate or agree on a lingua franca at some points)

so they're just.. doubling up at NRC cause why not but if you wanna speak French then go ahead, little fancy lad

yuu is from an entire other reality and the universal translation spell lets them be understood but Rook Speaks French. and his French is still in French

[asktheritobowyer]

(Hello all, blogger here again, returning to, well, a lot it seems after my last post)

I'll start by saying I greatly appreciate all the support I've been receiving, and the supportive messages that have been sent my way, by all manner or kind hearted folk to help me cope with the unfortunate circumstance I've found myself in. It truly helped keep my spirits up.

Again I want to reiterate @askthenewritoelder @asktheritochampion @asksakitherito @askaritobard @askthehylianchampion @tulin-sageofwind @thewonderknight and any other blogs that I may have missed, that happened to be part of the responses, asks, and reblogs regarding the whole thing. It's not your fault. No one could have predicted this would happen. No one could have predicted I'd be relentless targeted because of other blogs responses. No one could have predicted things would turn out like this. No one could have predicted the situation would continue to escalate as other blogs decided to add their responses. No one could have predicted the reactions towards me would end up becoming so negative to this extent because I characterised someone with a more grounded rational approach to things.

I've read your responses. You're not to blame for any of this. It was out of your control.

To those that have been following my blog, you may or may not have noticed that I've actually removed a good number of my reblogs, that had Harth responding to some asks on the other blogs.

Again not your fault, but it become clear to me a lot of responses from other blogs from characters such as Teba, or Saki, or Link etc... whether they were negative, positive or neutral, regarding the whole thing, have all been turned into something that could be used as reasons to, well, as you know, send me ill spirited messages about me or Harth regardless of the intentions. Since returning here I have gotten more, alongside some very heart-warming messages, which I'm currently dealing with, and I guess you could say, this is my way to try a prevent things from continuing to escalate on both sides.

I'm not going to delete all the asks that I've done, or delete all the reblogs I've done. Nor will I tell or ask you guys to delete any posts of yours. You guys haven't done anything wrong, and your posts were simply you guys pitching into a scenario, and in no way trying to escalate something that you had no idea was even there. If you do decide to delete any posts, do it because your happy to remove them, please don't feel pressured to do it because of what ended up happening to me.

I'm not going to disappear, and I will get back to answering asks as Harth, and myself soon, just like I did before. I still very much want to continuing answering and interacting with others as Harth. I just need some time to get my thoughts together, and be in a better state of mind.

Once again thank you for all of the kind words you sent my way. Harth and I greatly appreciate it.

[1driedpersimmon]

Do you have any advice for people who might want to get into making comics like yours? I'm always pleasantly surprised by how fast you pump them out and even have other little projects/doodles on the side. How do you keep the quality consistent?

(sorry if this sounds a lil cold (?) i rlly love your peppercakes they r so skrunkly)

First off - Thank you !! I'm honored you like my lil guys and comics hehe! (and no worries on the tone !! I didn't think it sounded cold at all!)

Alright secondly lets see...

Short answer: You really just gotta start and keep going!! Once you start you get the momentum and it gets much easier (like riding a bike, which people like to use as comparison often).

Long answer:

Alright I thought about how to answer for this for a bit and I think I'll break it down to the main aspects.

So timing ! Basically I'm drawing 24/7 (and I'm currently not working as it's an off time for me, but I shall in a week and you will see that my posting frequency will decrease substantially). Ok maybe not 24/7 but I essentially am drawing from the moment I wake up to when I sleep (minus eating, restroom, working out, some errands) and while I do not say this is the key to being better, I'm just realistically displaying how much time I'm spending on drawing. (... one of my new years resolution is to not in fact do that and go out more because I feel like I'm being cooped up in my room a lot haha). But minus the amount of time I spend itself a lot of it has to do with the importance I take in speed drawing. And when I say that I mean quite literally how fast I can draw. AND I think a large part of where that speed comes from is how I like to generalize designs and just my overall process of drawing. (Which, I will not go over now but if you'd like I could make a separate post on how I go about doing my usual sketch, lines, colors, etc) Like, I love ff and all of it's crazy designs but it's so complicated I simplify everything till it's juussstt recognizable, and that's something I feel like really adds to the speed of things.

Also that's sweet of you to say for the quality haha (I always am thinking stuff like ah man this aint it... not my finest work, and then just post anyways cuz who cares I already made it heh)! That being said my quality wasn't alwaysss consistent! Here's an example of my very first "comic" I made for my characters:

And here's the same 4 panels I redrew just about 2 years later:

So I've been basically drawing comics for this for just about 2 years now (will be 2 years officially in a few months) and I most certainly did not get here in one night. I think, as I've mentioned, it's really important to keep up with the comic making (or drawing in general) so that, yes, you can get better, but the way you get better is that it becomes familiar to you. So you can approach concepts and ideas with a more experience. And I think a large part of what holds alot of people back is the idea that "ah I can't do this idea I'm not good enough." So what !! Still do it, I most certainly did it a couple years ago when I barely scribbled my ideas. And then you can totally go back and redraw it ! no "Rule" saying you can't go back and revisit your ideas, like hell even professional artists go back and republish their works with their improved art styles ! (ex. Tokyo Ghoul... even though I don't care for the story, it's still pretty cool! I think he even added more scenes? Anyways..). I think there was that one post going around where it was something like do it scared and that's really REALLY what you gotta do.

And that leads to my final point. You gotta love doing it. I like to make comics because I LOVE my characters, their story, and actually the act of putting it all together into a story, drawn comic, visuals, etc. And, I found my method of loving them. For me, what held me back was the "structure" of comics. I mean you can p much see that the way I like to do things is def not the "traditional" manga/western comic book style right? I won't go as far to say that I "made up this way" of comic making where it's one panel at a time but it certainly worked for me. (I have no idea how many comic wips I have collecting dust in my folders from my earilier days of making this comic where I just gave up 20% of the way in because I really could not vibe with the formatting, but then I figured out I really like to "thumbnail" comics (a result of when I was studying storyboards alot imo) and I went on from there).

This is where I feel like alot of people get stuck too. Where they really do like their ideas, their character, their stories and such, but as soon as they try and go through the process of creating in a certain way... the wind is just instantly taken out of their sails. And while I do believe sometimes you just gotta push through and do it anyways, sometimes that's not the right method to go about it. So instead of brute forcing a method of creation and eventually forming a bad relationship with the process, find a method that works for you. And maybe it doesn't look all that great or good compared to others, but that comes in time and as long as you like doing it, that's what really matters at the end of the day.

Tl;dr: be a lil freak, and lil weird about what you do (this applies to everything, not only art :3)

Alright so I think that's all the points? idk if you still want to ask me stuff, feel free to anytime :) Always happy to share my thoughts!

[dont-offend-the-bees]

I would love for Ponyo AU to hear more about a) the seaside town where Edwin lives or b) how the Night Nurse and Kashi met (something which is never addressed in the Ponyo film actually, I think) - apologies if this constitutes a spoiler for future chapters!

Thank you, my friend! Apologies for the delay in answering, life sure keeps life-ing all over me 😑

I did think about choosing an actual British seaside town to set the story in -- we do have plenty of them to choose from -- but ultimately I decided that in the name of the sort of, dreamy imprecise magical whimsy of the piece, that having an exact town you can point to on a map wasn't really what was needed or wanted.

Edwin lives in a Pushing Daisies-esque small beach town named something whimsical like Bottleby-Upon-Tweed or West Wombling or some such achingly British nonsense, and it's all brightness and noise and candy striped colours in the summer and a desaturated frame of salt-roughened old celluloid in the winter. Those two mirroring states are sort of reflective of our POV characters. The POV of the overall fic is a little muddled, there may be parts where it leans more heavily into Edwin or Charles (the growing up sequence ended up almost entirely Edwin, which I regret a bit now!) but there will often be asides to both in the same section because in my mind they're sort of learning to see the world not just through their own eyes but through each other's; Edwin, who's tired of this grey old place and these grey, miserable people, and Charles, who sees the world on the shore as this big exciting adventure. It's an odd balance and one I defo didn't nail in chapter one because I was still sort of percolating ideas, but there's a tribute to both of their viewpoints in the way I'm trying to build this fictional town around them out of drab and dour things like cold cliffs and beach litter and panopticon-esque family homes that watch you with their beady window-eyes, and out of larger-than-life adventure set pieces like killer seagulls and travelling circuses (woops chapter 2 spoiler!) and the same house again but as a castle on the hill, a stronghold. Essentially, the town is a Frankensteined scrapbook of your quintessential English beachside town, cobbled together by two children with very different memories of how the summer holiday went!

And as for Night Nurse and Kashi, well, I won't go into what the later chapters hold for them, but I have no idea how much of their backstory will make it into the fic, so. In the interest of anyone who wants to keep that part of the fic a complete surprise I'll pop it under a cut!

N.N. and Kashi aren't the focus of the fic, so I wouldn't say I've thought through every aspect of their relationship/backstory, however as soon as their role in this fic revealed itself to me I did get way more invested in them than I planned! In this fic, N.N tends to be referred to as either the sea witch, or the witch of the waves (slight Howl's Moving Castle nod, there!), but she has another name, and a relatively well-known role in ancient Greek mythology. What her history is exactly has been somewhat lost to time, oral histories and retellings being what they are, but she was once a powerful sorceress with a gift for transforming people who crossed her into animals. She's had various romantic entanglements and a number of children, all lost to her now.

She'd always lived by the sea and done a number of dealings with some famous -- or infamous -- sea-dwellers, so it was a happy coincidence that one day she happened across a strange and friendly man on the docks. He was an odd man, seemingly totally unbothered by the pain and strife in the world; and she, being a woman who'd lived through a great deal of tiresome human loss and pettiness (of literally mythic proportions), found herself drawn to him. He turned out to be a minor god of the sea and a self-described inveterate wonderer, always swimming from ocean to ocean, never having had enough of all the world can show him, but his kindness and his refreshingly direct manner of speaking seduced her, and she gave up on the world of men for good to live on the bottom of the sea -- and grew to adore it so much that she's now quite sure that the world could do perfectly well without the land or the humans in the picture, actually. They love each other very dearly, in their strange way, they're honest with each other; and she's never begrudged him his lifestyle, or his adventures, or his infrequent and unpredictable visits.

...She does take SLIGHT issue when that ridiculous overgrown seahorse of a man blows back into her neck of the woods with a winsome smile and a fresh batch of magical immortal fish-children smuggled under his arm like souvenirs from abroad, but. Fortunately for him she's been a mother before and even finds herself missing it on occasion; although the sort of broods this man produces are FAR larger than any she's had to deal with in her human years. No wonder she's just a tad stressed.

[2129888]

i don't remember how i stumbled across this interview but i've never seen anyone mention it so i'm dropping it here <3 it's a little dated but still like super valuable and a decently in depth look at higuchi-sensei's previous works and how she works and thinks as a mangaka... personally i think it's the most i've ever learned from an interview of hers. super interesting stuff :0)

[lucaanis]

I made a similar post before a long ass time ago for the other three da protags but now it's time for rook, this time in poll format <3

as always feel free to ramble about your ocs in the tags!! 👀

[tuesdayscanons]

Every now and then, I think about The Simpsons RPC and how there's an occasionally a spike of Simpsons muses that inevitably crumbles away and leaves me waiting for the next short lived Simpsons RPC Renaissance

[fidgetspringer]

- Marten & Nohren -

[pizzaloops]

Just wanted to apologise for the current silence gwahahah we DO see your asks and you have many and they are all good and smart and lovely and i want to answer them all so so much GWAHAHAH i've just been a little busy but !! i'll answer them as soon as I can <3

In the meantime? have a bonus Pizzahead drawing

[despairforme]

[hellaverse-critical-confessions]

Do you think Loona would abuse Octavia?

Well, here's the thing... I haven't seen them interact, personally. Never watched Seeing Stars nor read its transcript.

With that out of the way...

If you're talking physically, then no. She's only done that with Blitz. (Why, we'll never be told other than the obvious "funny factor", but nonetheless.) Way more often she's verbally abusive, one example being Moxxie, but I think she'd relate too much to Octavia to treat her that way. Both are sarcastic, aloof, "gothic" semi-teenagers having issues with their dads. (Even if those issues are of vastly different nature.) At most she wouldn't care for her that much, ignoring her unless they're forced to interact, but I don't see Loona being an outright ass to her unless provoked.

[bookwyrminspiration]

Are your dialogue prompts still open? :)

Sure! Here's the post from when I first opened them, explaining what you can do and linking the dialogue prompts I'm using.

One thing has changed, which is that since then I've read Stellarlune, so you may now include Stellarlune related things in any requests you make. Including sokeefe requests--I've surprisingly received zero out of over a dozen! I have critiqued them in canon, but I've got no problem writing them :)

Also, don't worry about if you ask for something I've already gotten, that just lets me know that fic would be even more wanted and to work harder on it. And who knows, perhaps I'll make two different fics!

I do have a fair number left to complete, so if you submit prompts all I ask is patience while I work my way through them <3

[sylhea-raemi]

next shiraishi an event is gonna be bout for beside you part 2 with worse trust issues (thanks ken), worse abandonment issues, worse inferiority feeling