#but if someone was mean with her

[another-heroine]

❄ with Ekaterina?

Send a symbol for a scene from my muse’s childhood

❄ for a scene in the snow

Ohh, this one will be good! How long I didn't write about Katya! Thanks for asking ^~^

Icy Beauty

As the light grew brighter, Ekaterina's legs grew weaker. Before they could turn and finally leave the cave, she stopped abruptly.

"I can't."

Yelena and Bjorn stared at her, confused.

"Why?" her oldest sister asked.

She swallowed hard and looked back. Their mother would be furious if she found out that they were going outside. And worse; outside and with no adult close.

"I'm afraid," she admited against her will, feeling silly for that. Moments ago she was excited about their adventure, but seeing it becoming real...

Yelena approached her and took her hand. "It's ok, I told you that it's safe, right?"

Ekaterina nodded.

"We'll take you to see the snow and then we come back. If you don't tell, so neither I." The girl blinked one eye.

Bjorn was waiting for them impatiently, tapping his foot. "Can we go ahead now? I don't want anyone spoiling the fun."

Ekaterina frowned. "Why are you so mean?"

Yelena shushed, "Easy, you two. Come, let's give a walk".

Somehow, Bjorn's provocation kindled up his sister courage. Even her halo began to shimmer slightly brighter. She held Yelena's hand tight and they came out of the cave. At first, the sunlight blinded her pale blue eyes, making the girl covering them with an arm. The air outside was colder and sharp, and there were differents smells, nothing like mud, mold or wet stones.

"Katya?' Yelena called quietly.

The aasimar girl put her arm down, letting her eyes become used to the lighting. When the sun wasn't a problem anymore, she let her chin fell.

"It's... beautiful."

Irrisen was always under that white coat, but for her it was news. Until that very moment, Ekaterina only heard about the surface, and dreamt about that place. Every time when she asked her mother when she could go there, Annya chuckled and patted her head, saying that was too early for her to do that.

Yelena was putting her neck on danger when brought her baby siblings there. Although Bjorn already have gone to the surface sometimes with his father. Katya was the 'special child' and needed 'special cares'.

Ekaterina didn't loose the grip on her sister's hand. Her eyes ran all around, trying to keep all those sensations in her mind. Their feet sinking in the snow, the little clouds coming out from their noses, the crispy air touching her face and making her cheeks became rosy.

Suddenly, Yelena stepped on before her and blocked a snowball.

"Bjorn, you prick!"

The boy stuck his tongue. "Killjoy!"

The tiefling snapped her tail and smirked. "Oh, I will show you what's a kill, little man..."

Ekaterina didn't know what to do. Yelena laughed and said, "Let's go, Katya, shoot snowballs on that big head too!"

"It's not fair!" Bjorn complained.

The oldest sister mocked, "Don't talk about fairness after you just tried to hit our baby sister! Now, fight like a man!"

They started to yell and trowing snowballs on each other. At first, Katya was feeling lost, but soon she got hooked and they ended with their fingers numb.

Yelena hugged both of them, kissing their foreheads. Katya and Bjorn was laughing along, forgeting about the quarrels before they left the cave.

At the entrance, Ekaterina looked back and smiled. How could something so beautiful also be so dangerous and harsh?

[wildbasil]

things haven't been great but i think they will be. eventually 🌻🌼🩷

[inkskinned]

the thing about some men is that they want you to remember, at all times, that you are underneath them. that with one word or look or "joke", you will stay beneath them. that even "exceptions" to the rule are not true exceptions - the commonly cited statistic that one in eight men believe they could win against serena williams.

women's gymnastics is often not seen as real gymnastics. whatever the fuck non-euclidian horrors rhythmic gymnasts are capable of, it's often tamped down as being not a sport. some of the most dominant athletes in the world are women. nobody watches women's soccer. despite years of dancing and being built like a fucking brick, men always assume they're faster and stronger than i am. you wouldn't like what happens when they are incorrect. once while drunk at a guy's house i won a held-plank challenge by a solid minute. the party was over after that - he became exceedingly violent.

what i mean is that you can be perfect, and they still think you're ... lacking, somehow. i hope you understand i'm trying to express a neutral statement when i say: taylor swift was the possibly the most patriarchy-palatable, straight-down-the-line woman we could churn out. she is white, conventionally attractive, usually pretty mild in personality. say what you will about her (and you should, she's a billionaire, she can handle it), but a few things seem to be true about her: 1. she can write a damn catchy song, and 2. the eras tour truly was a massive commercial success and was also genuinely an impressive feat of human athleticism and performance.

i don't know if she deserves the title of "woman of the year," i'm not debating that in this post. what i am saying is that she was named Woman of The Year, and then an untalented man got onstage at the golden globes and made fun of her for attending her boyfriend's football games. what i am saying is that this woman altered local economies - and her dating life is still being made into a "harmless" punchline. the camera panned, greedy, over to her downing a full glass of champagne. congratulations taylor! you are woman of the year! but you are a woman. even her.

fuck, man. write better material.

a guy gets onstage at a college graduation and despite the fact like half the crowd is made up of women, he spends a significant proportion of it warning these people - who spent possibly hundreds of thousands of dollars on their education - that they were lied to. that the "real" meaning of femininity is motherhood. that they shouldn't rest on the laurels of that education-they-paid-for but instead throw it away to kneel at a man's heel. imagine that. sweating in your godawful polyester gown (that you also had to pay for!), fresh out of 4 years of pushing yourself ever-harder: and some guy you've never met - who knows nothing about you - he reminds you this "win" is a pyrrhic one at best. you really shouldn't consider yourself that extraordinary. you're still a woman, even after years of study.

god forbid you are not a pretty woman, but if you are pretty, you must be dumb. god forbid you are not ablebodied or white or cis or straight or good at swallowing. you must be beneath a man, or else they are not a man. the equation for masculinity seems to just be: that which is not a woman or womanly (god forbid). anything "feminine" is thereby anathema. to engage in "feminine" things such as therapy, getting a hug from a friend, or crying - it is giving up ones manhood. therefore women need to be put in their place to ensure that masculinity is protected.

this is something i have struggled to explain to terfs - they are not doing the work of feminism, but rather the patriarchy. by asserting that women and men must be (on some secret level) oppositional and in conflict, they also assume that being a woman is akin to being another species. but bigotry does not stem from observational truths or clarity - that is what makes it bigotry. there was nothing in my childhood that made me fundamentally different from my brother. we are treated differently nonetheless. to assert there is some biological drive that enforces my gender role is to assert that women have a gendered role. men do not see women as equal to them not because of biological reality - but instead because the core tenant of the patriarchy is that women aren't full, realized people.

we are told from a very young age to excuse misbehavior as a single man's choice - not all men. it is not all men, just that one guy. all women are gold-digging bitches who belong in the kitchen - but if a man is mean, bigoted, or violent to you, it's just that particular guy, and that means nothing about men-as-a-whole. it is only one guy who got mad when you gently rejected him. it is only one guy who warns her this trophy is heavy, are you sure you can hold it? it is only one guy who smashes her face into the cake. it is only one guy talking into a mic about hating our bodily autonomy.

i have just found that they often wait until the moment we actually seem to be upstaging them. you sit in a meeting where you're presenting your own findings and he says get me a coffee? or you run to the end of the marathon and are about to finish first and he pushes your kids out in front of you. you win the chess game and they make some comment akin to well, you're ugly away. we can be the billionaire and get the dream life and finally fucking do it and yet! still! they have this strange, visceral urge to say well actually, if you think you're so great -

it's not one just one guy. it's one in eight.

[haunted-xander]

Well, I guess you didn't have much of a choice either

[chloesimaginationthings]

RIP Michael Afton, you would of LOVED Foxy’s log ride

[bigfatbreak]

Birds of a Feather previous / next

[ragsy]

big big big fan of found family relationships with shithead sibling dynamics

sure, yeah, they had no one in the world until they found each other, and they will fight tooth and nail for each other's safety, but they will also eat the last of the other's cereal and put the box back in the cabinet or tell the other's significant other every embarrassing story about them or greet each other by means of full body tackle and chokehold

[lesvianism]

having a lot of thoughts and feelings about this comparison

[psychicbby]

imagine being one of dan’s flatmates in his first yr of uni lmfaoo??? like ok here comes this guy and like the first day he shuts himself in his room to play video games. ok cool whatever maybe he’s nervous. most of the time you never see him bc apparently he has an older friend nearby that he’s always with. when he is in the hall he’s burning pasta bc he’s cooking inept and staring down the washer bc he doesn’t understand how to do his own laundry. oh and he makes videos for youtube where he talks to himself (again this is like 2010). so after barely seeing this man the entire term you find out he’s dropped out of uni. ok whatever you never really think about him again until you’re on youtube and you see his face on the homepage. his video has like millions of views and thousands of likes. oh, there’s the friend he was spending all that time with. somehow he’s become some sort of an internet celebrity??? lmfaooooo. what a serve on dan’s part.

[bluerosefox]

Her Astrophel and Sterling

hmmm

Hmmmmmmmm

You know what.

You know those AU's where the Batfam finds or learns about either hidden or thought to be dead Al Ghul Danny! with a deaged/daughter Dani (Ellie) (I should know, I created a few of those storylines) but what if, now hear me out, what if instead of them finding Danny first its Talia.

Do I want Talia discovering her thought to be dead son to be alive? Yes. Do I want her to find him while investigating Amity Park when the League gets reports of 'Lazarus creatures/water'? Yes.

DO I WANT HER TO KNOCK ON THE FENTON'S DOOR, fully ready to pretend/honey talk her way into the house to uncover what the Fenton's know, ONLY TO MEET A LITTLE ELLIE?!

YES.

Ellie whose eyes and hair look like a copy of her Beloved but she can see bits and pieces of herself as well. Talia knows the child in front of her was not fully her's though but everything makes sense when she hears a voice, a voice she hasn't heard in ages but as a mother just knows, speak out.

"Ellie! I thought I said do not answer the door my Sterling."

"But Daddy, yous was busy fighting the hotdoggys!"

Talia's eyes widen when she finally catches sight of familiar black hair and blue eyes.

and she could only lightly whisper a old nickname she hasn't dared uttered in ages, a name she secretly gave her son due to his love of the stars "Astrophel..."

[cosmicgamer]

The way Luz's thank you drawing got rejected by the person it was for when she thought she finally found someone who wouldn't make fun of her for her eccentric behavior, that she is worthless..and then the drawing does get recognized, that it's beautiful and why would it get thrown away. She was finally understood (I am in shambles help-)

[dootznbootz]

Penelope is also Athena's pet/blorbo/special little mortal/etc. and if you think otherwise you're straight up wrong.

You're also wrong if you think Athena only likes Penelope because of Odysseus and/or Telemachus. As if Athena didn't see a young Penelope pull some shit and immediately think "Oh! Another mind to mold! C'mere you! Let's do some riddles and weaving!". Athena was happy that two of her favorite pets have met and fell in love!

[bleakbluejay]

you motherfuckers have no concept of what "land back" or "decolonize" even mean. you're too busy demonizing entire groups of people, terrified, shitting yourselves, that they'll do even half of the horrors to you that you've done to them for decades or centuries. this shit comes off as hella racist for real. you hate arabs so much. you hate first nations people so much. you hate black people so much. even if you sympathize with them, you can't fucking bear the idea of them gaining freedom, independence, autonomy, safety, because you're so, so scared they'll hurt you back and cause chaos in the streets. these same people who just want to rebuild. who just want to go home. who just want to see their families again. who just want food. who just want medical care. who just want dry, warm shelter. you're so focused on the ideas of colonization, of "us vs. them", of one people displacing the other for a state to exist, that you cannot comprehend coexistence, and your only idea of peace is if an entire group of people were just gone and dead.

grow the fuck up. for the love of GOD, grow the fuck up.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[the-thing-inside-your-closet]

Danny and Ellie are forced to flee Amity Park. And find themselves in Coast City.

I started writing this with the intention of only writing a short prompt, but then I just kept going until I felt like I’d written enough.

Danny gets caught up in yet another fight with Skulker, only this time it wasn’t because Skulker had come for Danny. No. He’d come for Ellie. And she was already weak from fleeing the GIW who had shot at her the moment she arrived in Amity Park.

Whether Skulker is after Ellie for Vlad, or because he wants her pelt can be up to you.

Either way, he manages to beat Skulker and captures him in the thermos. Just as he lets out a long sigh of relief he hears the sound of an ecto-gun being fired and then his side is burning and he’s falling. He’s falling too fast and it hurts and he can’t stop-

Danny guys the ground hard. His head is spinning, his skin feels like it’s burning, and he can hear the stomping of feet as someone runs towards him.

He needs to get up. He needs to get away. Find Ellie and make sure she’s safe. He’s needs to MOVE- but he can’t. Black spots for his vision as he manages to stand up and his eyes meet the end of his mother’s gun.

Before anyone can speak, he’s falling again, handing face first in the dirt. And the familiar feeling of de-transforming washes over him.

The last thing he hears before loosing consciousness is the grief stricken sound of his parent’s voice as three voices shout in unison.

“OH MY GOD DANNY!”

“DANNY ARE YOU OKAY?!”

“NO, GET AWAY FROM HIM!”

When Danny wakes up again, he’s in his room, the curtains are drawn but he can see the sliver of sunlight pouring in through the gap underneath. He notes that his body aches, but not as much as usual after a fight like that. And there’s a warmth enveloping his hand. It’s soothing, and he almost considers going back to sleep when he notices that there’s a ghost in the room. And all too fast he’s sitting up and staring into the exhausted, red, puffy eyes of his mother looking back at him from where she’s sitting holding his hand in hers.

Just behind her he sees Ellie floating just above the ground talking quietly with his dad.

“Danny,” his mother’s voice draws his attention along with Jack and Ellie’s. “How are you feeling, sweetheart? Are you in any pain?”

He didn’t notice when she’d helped him to lay back down again. “Do you need anything? Ellie here was just telling us about how regular pain medication doesn’t work as well for the two of you. But I’m sure we could find something for you that might-”

“Mom,” Danny rasps. Man his throat was dry.

As if reading him mind Ellie appears by his mother’s side holding out a glass of water with a straw in it. Maddie helps Danny to sit up a little more so he can drink.

“Mom,” he tries again, sounding better this time, “I’m okay. I promise. It’s not that bad!” He starts to lie as the panic sets in. He de-transformed in front of them. He knows he did. And the fear shows on his face, it must, because before he can even begin trying to think up an excuse his mother is crying.

“Oh Danny, it’s okay. We know. And we’re not angry at you. We love you. So much.”

And Danny’s heart swells at hearing it. “You don’t hate me for being Phantom?” He asks quietly.

“No! We could never hate you Dann-o!” His dad’s cheery tone doesn’t disguise the sadness and guilt etched into his face. “We’re just…so sorry that we never noticed before. And that we…” he can’t finish his sentence but he doesn’t need to. Danny already knows what he’s apologise for.

“I’m okay. I promise. I heal fast!” Danny tied to reassure them.

It seems to help a little, though his parents still have a grim look in their eyes. As they make connections in just how Danny would know that about himself.

And Ellie, with perfect timing to cut the tension, announces happily, “Danny! Good news! Your parents said I could stay with you!”

Ellie had told his parents while Danny was unconscious about being his clone. She saw how they fretted over Danny, cleaning and dressing his injuries with the love and care she only imagined from a parent that truly loves you. And they had accepted her almost right away. Jack even crying as he proudly declared himself a father of three.

Jack soon excused himself, saying he’ll go see if Jazz needs any help with cooking lunch. Danny and his mother share a look, and with a final kiss to his head says she’ll go make sure nothing gets brought back to life. And she asks Ellie to please make sure Danny stays in bed and rests.

Danny and Ellie are left alone in his room, and it gives Danny the chance to really revel in everything. His parents accept him. They love him, both sides of him. And they accepted Ellie too! And said she can stay! She doesn’t have to be alone anymore.

Now, a lot can happen in the span of a few seconds, let alone minutes. In the time it took for Maddie to reach the kitchen, their front door was kicked down and a group of GIW agents had stormed in demanding they hand over the ectoplasmic scum they were harbouring.

Jack and Maddie drew their weapons and planted themselves directly in front of the GIW agents. The agents state that a ghost shield was put up around the house to prevent any ghosts from escaping, and by law any ghosts within the premises were ti be handed over for destruction immediately. Jazz runs upstairs to Danny’s room to warn them that the GIW were inside the house and that they needed to run. They need to get to the portal NOW.

With all the authority of an older sister Jazz tells Ellie to grab the go bag Danny had insisted on having prepared, and picks Danny up despite his protests that he could walk. Or well, fly. Ellie turns them all invisible and intangible and takes them down to the lab.

They can hear the sound of shouting, and something breaking and a gun being fired all coming from upstairs as Jazz opens the portal for Danny and Ellie.

Another shot rings out. And then another, and more shouting.

“Quickly you two need to go!”

Another shot.

“Aren’t you coming with us?” Danny, now Phantom, asks suddenly as he and Ellie are preparing to enter the Ghost Zone.

Two more shots.

“Someone needs to be here to deactivate the portal in case the guys in white make it down here. I’ll be fine. Mom and dad will be okay, they’re not here for us so you two need to go. Now!” There’s banging on the lab’s door and Jazz shoves both Danny and Ellie into the portal. The last thing Danny hears before the portal closes behind them is another shot being fired.

Danny is scared and angry as he and Ellie are forced to fly through the zone with no currently known way to get back to his family. He needs to make sure they’re okay. He needs to protect them.

But right now Danny is still hurt, and he needs to get himself and Ellie somewhere safe. They begin to slowly make their way through the zone, looking for somewhere to rest and avoiding any ghosts that might want to pick a fight.

Ellie isn’t sure how long she and Danny have been moving for. It feels like it could have been days, or hours, or even minutes. But Danny can’t fly as quickly right now. He’s trying to keep a brave face for Ellie’s sake but she can see the exhaustion beginning to take hold of him.

So Ellie makes the executive decision to touch down somewhere to rest. She tells Danny she’s tired. Danny knows she isn’t and it’s only because she’s worried and wants him to rest. So he goes along with it and they make their way to the next floating island they come across and thank the ancients it’s empty. The two halfas touch down and Danny slumps over as he sits against a nearby rock. Ellie pulls out some energy bars that were tucked away in the go bag and hands one over to Danny.

They do this a few times, stopping to rest, as they gradually make their way to the Far Frozen. Ellie had insisted on going there, Frostbite would know what to do, and he would be able to help Danny with his injuries that had started bleeding again in all the commotion of escaping, and then flying and hiding from ghosts known to attack Danny regularly.

But unfortunately luck is not on their side yet again as a natural portal rips open directly in front of them, and closes behind them after spitting them out in a city they didn’t recognise.

That’s how Danny and Ellie find themselves in Coast City, hiding out in an old warehouse by the docs while Danny heals and they figure out how they’re going to get back home.

That is, until now.

Danny stares up at his little sister and sighs with the resigned tone of an exasperated older sibling.

“Ellie,” he takes a breath, “what did you do?”

“I’m my defence,” Ellie glares up at Green Lantern, who has Ellie scruffed by the back of her hoodie, before looking back at Danny, “I simply do not vibe with the law.”

[thepunchingbag]

right in the motherfucking feels