hehe ghost-turbo haunting felix au
turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else
now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident
also I went crazy in tags, feel free to check them out
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bawhstonian miku in her fahkin puffah halfway through cleaning fahkin snow off her fahkin cah mid noreastah so she can go buy scratch tickets and tailgate that shithead from fahkin connecticut who dares to go the fahkin speed limit on fahkin i-95
(translation: bostonian miku in her fucking puffer (jacket) halfway through cleaning fucking snow off her fucking car mid noreaster (regional term for specific type of snowstorm) so she can go buy scratch tickets and tailgate that shithead from fucking connecticut who dares to go the fucking speed limit on fucking i-95 (it's a highway))
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what's fun about shipping Tim with Dick, Jason, or Damian is he has, at some point, hallucinated all of them to comfort himself. even when he doesn't like them or particularly get along with them, he has to imagine/hallucinate them just so he has the power to go on. Tim's concepts of the Robin mantle and what it should be is so fun, because he respects the others through the Robin mantle. Tim worships Dick because he was the first Robin. he wouldn't be Robin if Jason hadn't died in the mantle. and a lot of his frustration with Damian is he feels Damian isn't honoring the mantle correctly. when you ship Tim with the other Robins you can't divorce their identities as Robin from it because Tim will always see them as a Robin first and that's so fun and fucked up. like.
batman (1940) #456
Tim perceiving Dick as *Robin* cheering him on, not Nightwing, which is the version of Dick that Tim actually knows? that's just. wild of him. he will always view Dick as Robin first, his personal hero but also the original of the legacy. his love for Dick is shaped by that.
and then of course, even when he's hallucinating/imagining Jason cheering him on, it's *still* through the lense of being reminded how Jason failed? subconsciously believing that Jason got himself killed because of his actions, and that being a lesson for Tim to learn from? Jason isn't a person to Tim, he's a moral lesson about how to be Robin. any potential idolization he could have of Jason isn't because he loves Jason, it's because of the lessons Jason's death taught him.
and then, even though him hallucinating TIm is from the New-52, which makes characterization all kinds of questionable, i do think it makes sense for TIm to hallucinate/imagine Damian after Damian's death in an attempt to cope with it.
teen titans (2011) #18
to an extend, he sees Damian's death as in part his own fault. and even hating Damian, Tim needs the comfort from this to cope with Damian being gone. he's angry that Damian even was Robin, and has to learn something from Damian's death and how it impacts the Robin mantle, and teenage heroes as a whole. like, Tim can pretend he hates Damian all he wants, even getting taunted by the image of Damian, but there's still an underlying love to their relationship.
i think that's just the fun of shipping Tim with any of them. you will never divorce Tim's views of them from the Robin mantle and how fucking Unwell he is about anyone else who's been Robin before or after him, to the point he has to hallucinate them comforting him when he's at his lowest. it's always going to be a little unhealthy, a little toxic, and driven by Tim's relationship with being Robin as well. i need more Tim being weird about Robin in these ships.
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I've been dreaming of making a webcomic for nearly half of my life, and I've just started actually working on that, but... do you think it's worth it for me to start even with the decline of the scene? White noise is quite possibly my favorite piece of media, period, and it's in a format I love, so I figure you're a good person to ask the thoughts of.
(In reference to this post, I am guessing.)
ABSOLUTELY! 100%! MAKE YOUR WEBCOMIC!! Please don't let the whinging of us old heads deter you from making a project that you're passionate about.
I think it's important to ask yourself what would make it 'worth it' in your mind. What do you want out of making a webcomic? Is it that you want to experience the act of creation? Do you have a story you need to get out? Is your goal to get a book printed? To have a large audience? To improve your artistic and storytelling skills? To make a living on your artwork? To make merch? Some of these are way harder to do today, but some of these are goals that you will reach simply by making your webcomic.
If it helps at all, I had to do a lot of this kind of talk to myself when I was starting in 2011 (less because of the scene and more because I was low in self-confidence.) The only way I could get myself to start posting WN on Smackjeeves was to remind myself that I was doing this for myself only, and maybe no one would read it, and that would be ok, because if nothing else I would be making something I love and I would learn a lot doing it. 13 years later and I'd consider my goals met, even if I stopped WN before I'm truly done with it.
(Which speaking of, I feel very strongly that unfinished or abandoned webcomics are not a waste of time for either the reader OR the creator. Just because a story doesn't get an ending--or gets an ending you don't like--doesn't mean it's without worth!!)
The webcomic scene is not going to fully disappear anytime soon--it's just suffering the same corporatization that has gripped almost every art scene at some point in some way, and I think that problem has been compounded by the consolidation of the internet into a few social media platforms. But those platforms will crumble, and the corporations will bail once they can't squeeze any more money out of webcomics. The scene won't ever been the same as it was in the 2010s, but that's how time works, and that doesn't mean it won't ever get better than it is or that there's not gems to be found now. The only way it gets better is if more people make and read webcomics!
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actually i'm still thinking about the moral orel finale.
he has a cross on his wall. do you know how much i think about that bc it's a lot.
a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).
but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.
and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.
he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.
and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal
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