#but i've thought about this

[elvhendis]

A ROCK CLIMBING AU HELP HELP I'M GOING INSANE

No because I've been thinking about drawing rock climbing Illario but I thought nobody would want to see it aaahhhh

IFSC AU where Lucanis has been dominating the climbing circuit for years, winning all of the combined cups, while Illario has been in his shadow all this time, getting into finals but rarely ever getting placed in front of Lucanis, because he's a lead specialist first and foremost, and his more lanky stature often gives him trouble trying to fit into smaller box problems but he's been trying to improve his bouldering game but Lucanis is just so insanely good, commentators have a habit of saying that it's almost as if he's got wings *wink wink*

if you have a niche sport/job/hobby it’s your sacred duty to make the most specific incomprehensible AUs with the characters you like. no more coffeeshop aus no more college aus you have to put those guys in a microbial lab. your fave is a high school english teacher. that show is about bowling now sorry. THIS IS MANDATORY!!!

[foolfortune]

[some-pers0n]

Hey you ever think about The Characters so much to the point where

[astral-herald]

jayce enduring a symbolic rendition of viktor's trauma is so painful and so, so clever.

being stricken down and immobilized through sheer accident or, in viktor's case, a cruelly random quirk that caused his disability.

then physically dragging himself from the lowest level of zaun to piltover, much like how viktor spent his youth reaching toward the promise piltover offered, but only if he could "pull himself up by the boot straps" and get there on his own. socioeconomic forces working against him be damned.

i appreciate arcane reminding us of viktor's origins - the reason he is so called to help people and, eventually, save himself - and putting jayce through the ringer - the contrast between he and viktor's lived experiences is front and center throughout season 1. the writers send jayce, and the audience, on a grueling journey to contemplate those experiences and how they've manifested in these intertwined characters.

[doydoune]

i hate them so much why are they like this

[tazmiilly]

[egophiliac]

don't think I'm not still obsessing over 7-12

[bi-writes]

the new baby you take care of is the cutest baby you've ever met. (a lil dubcon, baby trapping, 18+)

he has a big head with a tuff of little blond waves, and he has the brightest brown eyes in the entire world. he smiles at every face you make at him, and he takes a bottle like a champ and will nap for hours as long as you're quiet.

his father has a strict schedule set for him. when you met that big man for the very first time, you were speechless. your teeth had clacked together with how fast you tried to close your gawking mouth, but it was impossible not to with how much he towered over you, nearly touching the top of the doorway.

he is methodical, down to every minute. tacked onto the fridge, he had shown you his son's current schedule, which he emphasized with a dead glare must be followed to a T.

two feedings in the morning followed by a nap. another feeding. a longer nap. another feeding. another nap. all separated in increments of 45 minutes, with instructions on how to use the bottle warmer and how to measure the formula.

his son does not cry. his father had told you, if he cries, y'r doin' somethin' wrong. and he was right. the baby only cried when he was hungry, and he would fall into a dead sleep as soon as you gave him a bottle.

it's odd, to take care of someone else's baby. especially this man's. there's no woman in the house, as far as you can tell. the whole house is decorated very minimally, cozy and in shades of warm greens and cool blues and browns. there are no heeled boots by the door or pretty fur coats, and whenever you pass by his bedroom, only one side of his bed ever looks lived-in. there are no pictures on the walls, no makeup in the bathroom drawers, and no pads or tampons under the sink.

just a big, unfeeling man and his big, adorable baby.

but you think that your actions to get this big, unfeeling man to like you are starting to have the wrong kind of implications.

it starts with dinner. you start to make it, using the ingredients from his fridge to make stews and buttery mashed potatoes and roasted veggies. the image of you stirring a pot with his baby on your hip has not left him, and whenever you don't have some kind of meal cooking when he gets home, you answer to someone curt, annoyed, and cold, even to the touch.

then it's the decorating. you thought his couch was a little bare, so now there's a few throw blankets laying across the back of it. there's a vase of pretty tulips on the coffee table. you're growing herbs on the windowsill, little pots of thyme and rosemary and basil. you leave house shoes by the door now, and even when you're not there, he sees those fuzzy pink slippers in the foyer, and he can't help the way he chubs up just seeing them when you're not around.

you start to bring some extra changes of clothes. after the baby spit up on you more than once in a day, you bring a duffel bag with you once a week with extra changes of clothes. he snarls when he sees your clothes in one of his drawers; pretty black panties and matching bras, all laid out under your lounge wear right next to his fucking socks.

the toothbrush next to his in the bathroom. the multi-colored chapsticks in the drawers. tampons and pads organized in the cabinet, your moisturizer next to his shaving cream. he smacks his fist against the wall when he sees the finished package of your birth control in the trash because wot the fuck are y'doing taking those things when y'know i want another--

he can see you in the baby monitor. swaying in the dark of his son's room, the baby's head on your chest as you rock him softly. you're singing a little, a gentle hum to soothe him enough that his eyes start closing. he groans a little when he sees your eyes shut as you kiss his son on the forehead, cooing at him as you pat his little back and tell him to have sweet dreams.

you're making brownies when he comes home that night. his son is seated in his high chair, clapping his hands, and you're smiling at him and cooing in that baby voice you do as you take the warm brownies out of the oven. when you see him emerge from the darkness of his living room, you smile at him, taking off the oven mitts.

"hi, simon," you say softly, and his pupils dilate when you slip a hand over his son's head to soothe him. "i made some dessert, hope that's okay. thought you might wanna try my new recipe."

simon comes into the kitchen as you take his baby out of his high chair. you hoist him up against your hip, and when simon comes closer, you giggle as tilts his head to the side and stares down at you both. you tilt your head back a little, blinking up at him, and the flutter of your lashes is enough to have him rock hard in his cargos as his hands curl into frustrated fists at his sides.

"i'm gonna put him down for bed, it's a little late," you tell him. you hoist his son up a little higher on your hip, picking up his little chubby arm and waving up at simon. "say goodnight, daddy."

simon grins under his mask at the soft lilt of your voice. you try not to squeak when one of his big hands slides around your waist to hold you at your back, and he bends down to kiss his son's forehead through his mask.

"goodnight, my boy."

you try not to linger on the idea that he may have grabbed your ass as you walked away. no, his arms are just so long, they grazed you while you passed by him.

the baby always goes down nice and easy. one bottle later, with a full stomach, he's rubbing his little eyes and fussing in your arms as he tries to fall asleep. he's a mover, simon's little one--always grasping around with his arms and flopping onto his side in the bed. oftentimes, after a nap, he's facing the opposite direction and on the other end of the crib when you come to get him.

so you shouldn't be surprised when as he's falling asleep, his little grubby hands reach for you and pull.

your eyes widen when you hear the pop of buttons. you look down, gasping, when you see his son has grabbed onto the front of your blouse and pulled the first few buttons out. they clatter onto the floor in a mess, and you're not able to see where they go with it so dark in his room.

"oh, god!"

you try to be gentle as you set the baby down in his crib. he immediately sticks his thumb in his mouth with his head lolling to the side, and you try to pick up anything you step on as you hurry out of the room, trying to hold your shirt together.

it's useless. you're standing there in the hallway, hastily shutting the baby's room closed, tits out at eight in the evening.

"tha' why he so good ta ya, mama?"

your eyes bug out of your head when you see simon there. he's standing at the end of the hallway, arms crossed over his chest, and his eyes are focused on your poor open blouse. the bra you're wearing leaves nothing to the imagination--just mesh with underwire, and when simon comes closer, there's virtually nothing separating you when he reaches up with that gloved hand and cups one breast, thumb smoothing over your nipple before he tugs on it gently.

"wha--simon--"

"thinks y'r his mum, pretty tits out like tha'," simon hisses. "'f ya wanted it so bad, why didn't ya just say?"

"simon--"

he tsks, using both hands this time to grip your blouse by the edges and tug it down your arms. it falls around your elbows, and he takes the straps of your bra with it, until it's pooled around your waist and your tits fall free.

"fuckin' hell," he breathes, and your lips part gently as he hikes up his mask and spits on your nipples before sucking them into his mouth. "mmmph..."

you arch your back as he rips the rest of the buttons off with one smooth tug. your blouse falls, and your bra follows it, until you're in nothing but your skirt, backing up into the darkness of his bedroom as he kicks the door shut. you scramble to get him back on top of you when your knees hit the edge of the bed, and you're laying down--grabbing around his shoulders as you try to guide his mouth back to your breasts where he can suckle on them with that filthy mouth of his.

"knew it--" he rasps. "fuck, i knew it--"

your eyes squeeze shut when he ruts his hips against yours. your panties are ruined, slick wet and digging uncomfortably into your folds, but the scratch of simon's jeans have your back bowing at a hard angle, your fingers sliding between your bodies as you reach for his zipper. you gasp when you feel him under your hand, straining against denim, the girth of him tying your stomach in hard knots as you think about what it'll take to get you open enough for him to slip in.

"keepin' me fat," simon murmurs. "holdin' my baby like tha', wot did ya think was goin' ta happen, eh?"

"h-huh?"

"'m gonna make you fat, too, swee'eart," he says, smoothing his hand over your tummy. "saw those little pills in y'r bag. it won't take today, but we'll try again tomorrow, yeah?"

you're drooling as he fucks you. your hips are hiked up, your skirt flipped up as his thighs smack against your ass. you're not privy to the way the fat of you shakes every time he's buried to the hilt, but simon appreciates it, tongue out as he watches you push back against him to try and get yourself filled quicker. he traces your spine with his fingers, leaning over you as he watches your fingers dig into his dark sheets and grip for dear life as he gives it to you fast and deep. it's a mess of wet between you, and you know the bed underneath you will be soaked by the time he's done with you, but you can't think about that when the very thing you've been wanting since the day you met him is so close, so within reach.

you haven't taken a single one of those pills since the first week you met that fat, beautiful baby. maybe simon didn't take too close a look at the dated little pills in your bag and in the bin, the little calendar you used to mark rotting away in a forgotten pocket, gathering dust.

when simon comes, your mouth is filled with saliva, and you gurgle between barely-lucid giggles as your hips sink into the mattress. he's saying something, but you don't hear it. instead you reach down with your fingers and stuff them inside, trying to gather as much of his cum and keep it. when simon tries to cum in your mouth later, you nearly bite his dick off.

how dare he try and waste it?

[courtmartialme]

(transmasc riza) a comic about stubbles. and also about falling in love again with someone you thought you already knew everything about

[umblrspectrum]

3 years of this godforsaken show

[what-am-i-doing-in-this-fandom]

I am such a big Werewolf Stan advocate I had to jump on this particular train 🙏 (but I didn't really wanna commit to full line art, you guys understand)

Oh, and you guys aren't gonna believe this, but here's part two 🙌

[clarisse-doodles]

inspired by this post, in which Damian does not know what Vine is

[crustaceousfaggot]

Was anyone gonna tell me that there's a Creature in The Terror. I thought it was just about 20 men named John sucking and fucking and eating each other in the Arctic.

[owlbelly]

so. i understand where the sentiment "listening to an audiobook is the same thing as reading the book" is coming from - i mean, yes, the bottom line is you are taking in the same words in what is possibly a more accessible (or maybe just more enjoyable) format for you! and i'm 100% in agreement that "book snobs" who say "no you didn't really read it" if you listened to the audiobook are full of shit. ofc you should engage with stories in whatever way works for you, there is no moral or intellectual superiority to reading words off a page vs. listening to them

but it also is different? an audiobook is a performance. choices a narrator makes about line readings can drastically influence the meaning of the lines. even just different voices, accents, etc. - there are creative choices being made by the person delivering the words to you, and that affects your experience of the story in a different way than if you were making those choices in your own head. it might even change the way you visualize what's going on!

this isn't a bad thing it's just An Actual Thing & i think it's worth talking about. it rubs me the wrong way when people act like accommodations (and for many people audiobooks are an accommodation) always result in a completely identical experience, or even that they should, & if you suggest that people accessing media in different ways are having different experiences it's somehow ableist

anyway on rare occasions i really enjoy audiobooks but mostly they are much less accessible to me than words on a page (i need to be able to reread, flip back and forth, go at my own pace) & i also just really strongly prefer to encounter a text on my own before hearing someone else's performance of it, if possible! again i don't think it's "better" to read a physical book i just think it is a Distinct form of experiencing a story & acting like the two things are entirely the same is sort of doing a disservice to both

[blueboyluca]

“When I first heard it, from a dog trainer who knew her behavioral science, it was a stunning moment. I remember where I was standing, what block of Brooklyn’s streets. It was like holding a piece of polished obsidian in the hand, feeling its weight and irreducibility. And its fathomless blackness. Punishment is reinforcing to the punisher. Of course. It fit the science, and it also fit the hidden memories stored in a deeply buried, rusty lockbox inside me. The people who walked down the street arbitrarily compressing their dogs’ tracheas, to which the poor beasts could only submit in uncomprehending misery; the parents who slapped their crying toddlers for the crime of being tired or hungry: These were not aberrantly malevolent villains. They were not doing what they did because they thought it was right, or even because it worked very well. They were simply caught in the same feedback loop in which all behavior is made. Their spasms of delivering small torments relieved their frustration and gave the impression of momentum toward a solution. Most potently, it immediately stopped the behavior. No matter that the effect probably won’t last: the reinforcer—the silence or the cessation of the annoyance—was exquisitely timed. Now. Boy does that feel good.”

— Melissa Holbrook Pierson, The Secret History of Kindness (2015)

[salarymanwaka]