#but i've really figured out a pattern here i think

[uncle-fruity]

I appreciate everything OP said here, and so much of it rings true. And while we're on this topic, I wanna bring up something I've been mulling over that I think is related.

We have got to stop thinking of marginalized people as a monolith -- even when that homogenized version in our heads is mostly positive. What I mean is that not every trans person is a good person. Just like not every cis person is a bad person. There will be trans people who are uninformed, willfully ignorant, rude, mean, abusive, manipulative, misogynistic, hypocritical, and honestly pretty bad allies to anyone who they don't understand or don't like or who challenges their worldview. There will be cis people who are extremely well-read on the issues, understanding, supportive, encouraging, open-minded, willing to listen & learn, kind, respectful, dedicated transfeminists, and honestly some of the best allies you'll ever have.

There is this sort of underlying assumption that trans people will always understand each other better than anyone else, that we are safer with our own, but that's not always the case. It is fair to assume that trans people are more likely to connect with and understand each other, but it is (clearly, as demonstrated) not guaranteed.

That's because we are humans! Humans are messy, complex, often hypocritical, nuanced beings. We all have different experiences, surroundings, relationships, beliefs, and priorities that make us who we are. Gender is just one facet of the many many things that come together to make us wholly human. Being trans doesn't make you a good person; it makes you trans. And while being trans may give you valuable insight on gender dynamics and trans oppression via direct exposure, it does not automatically make you a scholar or expert on all trans experiences or the historical context that feminism & transfeminism is built on. That kind of information must be actively pursued if you want a fuller picture.

This is why I've been going off about critical thinking so much -- because if you aren't being critical about this, it gets very very easy to fall into a reactive and/or bigoted and/or narrow mindset, and that can be genuinely harmful to yourself and others if you're not careful. Especially on Tumblr, where someone could very easily misrepresent their identity to stir up shit and push transphobic rhetoric behind the mask of an assumed ally. Thinking critically is a vital tool to help us avoid being manipulated by a false or disingenuous narrative.

When we say, "Listen to trans people," we mean that you need to pay attention to a wide variety of trans people and what we're talking about -- because we will and do agree AND disagree with each other on a number of issues all the time. But the more of us you listen to and consider, the more likely you are to see patterns of oppression and common trans experiences that will broaden your worldview and help you make a better informed decision about what to believe or what to look further into or how to spot common anti-trans sentiments/dogwhistles. "Listen to trans people" is not followed by the secret phrase, "and thoughtlessly accept everything they say about trans issues." Anyone who demands that you agree with them without room for question or comment or criticism is trying to control the narrative. Even if there is good reason to believe someone knows their shit, it never hurts to dig deeper into the worldview someone is trying to get you to internalize before you do so.

So, with that in mind, I encourage everyone to really take stock of their priorities & values within activism and judge people on their actual behaviors & impact & quality of information they present, NOT just their stated identities. If something a fellow activist said feels uncomfortable or rubs up against your values, it's okay to examine that feeling and ask questions to figure out what's at the root of it. The trans women who act the way OP described are not representative of all trans women, nor are they necessarily our allies. The same goes for misogynistic & transmisogynistic trans men. Or trans people of any sort who subscribe to any flavor of gender/bioessentalist ideology. That isn't to say that we don't fight for their rights or support them when they fall victim to systemic violence or ignore their issues or give up on trying to educate & elevate where we can -- we are still fighting the patriarchy for everyone's benefit. But, critically, we also don't have to accept hateful rhetoric into our communities and theories just because the fuckos spouting it off are trans.

honestly, as a trans woman who's running a fairly 'popular' or whatever queer blog, i've noticed so much shit in the past 2 years and i'm just gonna lay it out for y'all. it's a new year. it's 2025. i do NOT wanna carry any more of this bullshit forward. i'm calling everything for what it is. if this pisses you off, unfollow or block and move on.

as someone else put it in the tags on one of my other posts:

i am sick and tired of not talking about extremely important queer conversation topics for the sake of "keeping the peace".

this is not giving trans women and transfemmes a better quality of life to attack literally every every and all trans men for being trans men. it's making people fucking scared shitless of us. i hope people realize this isn't helping improve the opinion other people have on trans women and transfemmes. it's making people absolutely fucking terrified to even exist around us, because we've gotten to the point where we're attacking literally everyone and anyone who says something we don't like. people are fucking terrified of talking around transfemmes and trans women and it's time we broke the silence on that.

other transfemmes and trans women: do you seriously, really want other trans people to be scared to death of you? do you really want other trans people to be absolutely fucking terrified to speak around you because they're scared of getting fucking yelled at? do you really want other trans people to be utterly terrified to speak up about their own trans issues for fear of being told they hate you? do you really want other people around you to feel utterly terrified to talk about anything queer related at all for fear of being corrected, looked down upon, or verbally harassed?

i am just completely done with this environment we've fostered where basically everyone is on pins and goddamn needles holding themselves back from having real, genuine, impactful, substantial conversations about gender because they're absolutely scared shitless of being called transmisogynistic and publicly cancelled and harassed at all times for saying something as simple as "trans men don't have it easy" or talking about how AFAB people can also be trans. it really does not take much at all to set people off on this website and start accusing people of being transmisogynists left right and center.

i'm not participating in this weird mind game anymore. i do not like how this is being used to control the narrative on transness and trans experiences.

i am done with having to walk on eggshells in every. single. conversation. we have about gender.

i am done with acting like talking about transmasculinity and transmanhood is somehow magically attacking and silencing trans women and transfemmes.

i am done with people having to tack on massive disclaimers saying that they're not attacking trans women and transfemmes just for talking about their experiences on just about every post people write about gender.

i feel like every conversation about gender on here has to be so fucking sterile and calculated and meticulously planned out and stripped of most of its contents in order to not immediately get slammed with a "oh so you hate trans women" or a "oh so you're transmisogynstic." it's fine to point out genuine transmisogyny, i'm not gonna say you have to put up with it when it's real, but can we acknowledge that people are leveraging the fear other people have of being called transmisogynistic to shut people up?

at this point it's being used as a scare tactic and i'm so over it. i loathe how accusing people of being transmisogynistic is a default insult. trans men can't make a post about transmasculinity without someone getting pissed off and calling them transmisogynistic. trans men can't talk about a goddamn thing without being told to shut up, for some reason? why is this happening? like literally why are you doing this? trans men can't talk about ANYTHING at this point. like they needed to be able to coin words for the specific types of oppression they face so they could talk about it, and instead they just get fucking yelled at and told they're being copycats and that the violence they faced wasn't real? what the actual hell is this accomplishing?

why are we acting like we own oppression and no one else can even come close to understanding what its like? come on now, we don't own the goddamn concept of oppression. we also don't own transness. i am sick to death of this idea that transfemininity and trans womanhood are the only "real" ways to be trans. we do not own the concept of transness. it's not just about us. "trans rights" applies to more than just us. it can't be about us all the time. WE are the ones being self centered right now. WE are the ones who are forcing the conversation to be about us in situations where it's completely and totally inappropriate.

we need to say it for what it is: we're fostering an environment where, at this point, only trans women and transfemmes are allowed to talk about anything queer related at this point. like can we call it for what it is? for some reason, trans men and transmascs aren't allowed to talk about trans manhood or transmasculinity at all. ever. they're not allowed to say a fucking peep. they have to shut up and listen to a trans woman explain it to them, because for some reason, the trans woman knows trans manhood better than the trans man. this is out of fucking control, we should not have trans women explaining trans manhood to other people unless they are also a trans man. this is just unacceptable. transfems attack transmascs who speak for transfems, and yet this is seen as good and the norm?

you are not cool if you hate trans men and misgender them on purpose. this isn't feminist. this isn't progressive. you're not getting back at the patriarchy- most trans men do not benefit from patriarchy and never will- you would understand this if you listened to them. instead of talking over and for trans men, and listening to people who talk over and for trans men, if you listened to trans men, the source, you'd understand that no, transmasculine lives are NOT easy and no, trans men do not instantly benefit from patriarchal society if at all, ever. if you listened you'd understand that T doesn't make people aggressive and hostile and evil. if you listened you'd understand that there are a lot of wonderful, loving trans men out there are who are not transmisogynistic just by virtue of existing.

nobody is saying that we want to you prioritize men over trans women when we talk about trans men's rights. we're not saying that we need to talk about men all the time and never talk about women, and that men are the only ones allowed to talk, now. we really have to let multiple people participate in conversations. we can't keep doing this thing where One Gender Has To Be Superior Over another. that's gender essentialism. why must you keep yourself trapped inside the binary like that? why are you so desperate to stay stuck inside of the machine that's trying to destroy you?

challenging someone else's transphobia is not being transphobic. challenging someone else's behavior is not hating them or their gender. criticism is not an attack on trans womanhood and transfemininity. transfemmes are trans women are not immune to criticism and we need to stop acting like we are. we're not. we've created an echo chamber where only trans women and transfemmes are allowed to talk right now and it's not transmisogynistic to point that out, because it's literally happening before our eyes.

if we're demanding that other people treat us better, why are we treating other people like shit in the process to get it?

stop silencing other people talking about other trans experiences. transfemininity and trans womanhood are not the only ways to be trans. stop forcing yourself into conversations you don't belong in. if you don't want trans men do that, don't do it as a trans woman. don't barge into conversations you have literally 0 stock in just to be rude and mean and make the conversation about trans women instead. let other people talk. this has gone on for way too long.

let. other. trans. people. talk. we shouldn't have let it get this bad. but i'm not letting it stay this bad. if you want to accuse people having genuine conversations about transness of being transmisogynistic just because they're not a trans woman, then feel free, i'm not gonna stop you, but i'm not listening to you. i don't care anymore. i'm sick to death of not being able to have REAL conversations on here because some people don't like being reminded that they are not the only people who suffer under cisheteronormative patriarchy. if you can't accept that you are not the only one who suffers under patriarchy and that men need to be liberated from patriarchy as well, then i'm not interested in having a conversation with you to begin with.

seriously, if any of this bothers you, please just block me. i'm not participating in these dumb ass little mind games anymore. i do not give a singular shit about offending people who think this behavior is okay. i spent way too long being afraid to speak up about real world issues because of shitty internet trolls. i don't give a fuck if someone you don't like speaking about their experiences hurts your feelings- you are the problem here.

this is affecting real people in real time and i care about that. i care about people, not stupid ideologies and fighting over who is or isn't "really trans". i care about people, not fighting over labels. open your mind and understand that is is about real ass people, and not just ideologies. trans men and mascs are real ass people. they're not antagonists made specifically to attack and piss off transfemmes and trans women. enough of this.

[confused-stars]

i think the main reason why my original fiction never really goes anywhere is that I struggle so much making main characters that have real agency in their stories

my protagonists tend to be tossed into circumstances beyond their control and just kind of try to deal with them, and it ends up making the world around them much more interesting than the character themselves

[iraprince]

gonna show u guys a little opalescent highlight hack i threw together today

rainbow gradient above your main figure (i usually have all my main figure folders/layers in one big folder, so i can clip gradient maps + adjustments to it!). liquify tool to push the colors around a bit. STAY WITH ME I KNOW IT LOOKS STUPID RN I'M GOING SOMEWHERE WITH THIS

THEN: set it to add/glow (or the equivalent in ur drawing program), lower the opacity a bit, and apply a layer mask. then u can edit the mask with whatever tools you like to create rainbow highlights!!

in this case i'm mostly using the lasso fill tool to chip out little facets, but i've also done some soft airbrushing to bring in larger rainbow swirls in some areas. it's pretty subtle here, but you can see it better when i remove the gradient map that's above everything, since below i'm working in greyscale:

more granular rambling beneath the cut!

u could also just do this with a brush that has color jitter, but what i like about using layer masks for highlight/shading layers is how simple and reversible it makes everything. i can use whatever brushes i want, and erasing/redoing things is super low stakes, which is great when i often approach this stuff with a super trial-and-error approach.

example: have u ever thrown a gradient w multiple colors over an entire piece, set it to multiply etc, and then tried to erase it away to carve out shadows/highlights? it's super frustrating, bc it looks really good, but if u erase something and then change ur mind later, u basically would have to like. recreate the gradient in the area u want to cover up again. that's how i used to do things before figuring out layer masks!! but masking basically creates a version of this with INFINITE undo bc u can erase/re-place the base layer whenever u want.

anyway, back to rambling about this specific method:

i actually have TWO of these layers on this piece (one with the liquified swirls shown above, and another that's just a normal concentric circle gradient with much broader stripes) so i can vary the highlights easily as needed.

since i've basically hidden the rainbow pattern from myself, the colors in each brushstroke i make will kind of be a surprise, which isn't always great -- but easily fixable! for example, if i carve out a highlight and it turns out the rainbow pattern in that area is way too stripey, i can just switch from editing the mask to editing the main layer and blur that spot a bit.

also, this isn't a full explanation of the overall transparency effect in these screencaps! there's other layer stuff happening below the rainbow highlights, but the short version is i have all this character's body parts in different folders, each with their own lineart and background fill, and then the fill opacity is lowered and there's multiply layers clipped to that -- blah blah it's a whole thing. maybe i'll have a whole rundown on this on patreon later. uhhh i think that's it tho! i hope u get something useful out of this extremely specific thing i did lmao

[morlock-holmes]

The Conspiratorial Mindset

So, I've always had a bit of an interest in scams and hokum, and what people call "Cults".

One of the common refrains when you talk about religious Cults is, "If you think about it all religions have beliefs that seem odd to outsiders" and this is true, but as I read more about cults I started to think,

"Wait, a lot of these groups aren't united just by having unusual religious or supernatural views; a lot of them also seem to have matching patterns of behaviors that have nothing to do with belief in psychic space aliens"

I'm talking about things like,

Having a leadership structure which is absolute, where the top leaders cannot be disciplined or even openly criticized by lower members;

Exerting tremendous control over the dress and behavior of adherents;

Telling adherents that outsiders are untrustworthy and that contact with outsiders should be strictly limited and heavily monitored by organizational leadership;

The extensive and common use of shunning and reprogramming in response to violation of any of the above rules.

In some groups, failing to adhere to the dress code and spending a lot of time with outsiders is, at worst, the subject of a few little jabs at family gatherings. In other groups, those same behaviors are treated as Defcon one crises and become the central issue of the adherent's relationship with everybody else in the organization until they can be bullied back into doing the organization's bidding.

It was gratifying to learn that other people have noticed these patterns (Some people prefer the term "High Control Group" to "Cult" because it highlights what the actual problem is)

I am starting to notice similar dynamics in what are commonly called "Conspiracy theories".

The thing about conspiracy theories is... Well, conspiracies exist, and sometimes groups of powerful people get together to do something in secret which would get them in big trouble if they were to do it openly.

But I am starting to notice a particular, I don't know, a particular way of conceptualizing the organization and purpose of conspiracies which is unique to some people and which characterizes the kind of conspiracy theorist who takes Alex Jones seriously.

I kind of think of it as a "Witch-Hunting mentality".

For certain people in more primitive times and places, if they, say, slipped off a ladder and hurt themselves, their first thought would be, "That must have happened because a witch cursed me. We need to find and punish the witch who cursed me."

And this isn't just the attribution of malice that characterizes this idea:

One malicious conspiracy that might make you fall off a ladder is a manufacturer who doesn't care about safety ratings. Imagine that the manufacturer is really deliberately malicious here. A subordinate comes to him and says, "Our ladders can't reliably hold the weight of a person and a lot of them will probably break and cause people to fall and hurt themselves." and he says, "I know that but who cares, by the time people figure it out it'll be too late to get their money back."

That's a malicious conspiracy, but, importantly, if Bob buys a faulty ladder and falls off, the conspiracy wasn't trying to hurt Bob; it merely didn't care whether Bob got hurt.

Now, this distinction doesn't take away the malice and hostility towards Bob, but if you go to the ladder manufacturer and say, "Hey boss, Bob bought one of our faulty ladders, but he's really skinny so the ladder didn't break" the manufacturer will go, "Who the fuck is Bob? And good, that's one less angry person."

Whereas imagine Bob's ladder has been cursed to break by a witch. The witch did it because she hates Bob, and wants him to fall, and if she finds out he didn't fall, she'll go, "Curses, I'll have to find some other way to hurt Bob."

Conspiracy theorists, it seems to me, are far more inclined to conceptualize conspiracies as acts of deliberate malice aimed at them rather than acts of negligent malice.

@loving-n0t-heyting posted this article from the New York Post which contains a good example of what I mean:

“I thought I was on the cutting edge of promoting rights for gay people,” Yang said. “But then I started looking deeper into where this was coming from and who was paying for it, and I started to get very disillusioned...

I assume the people paying for it are LGBT advocacy groups? Did you, uh, not know that the people you were working for were paying you to work for them?

“When you really dig down you can see how much of this comes from documents and plans at the United Nations,” Yang said, referring in part to the UN’s “Gender Equality” initiative. “It’s part of a global agenda to restructure society, re-structure our social norms and the economy,” Yang claimed. “They are undermining the sexually dimorphic nature of reality and breaking down the differences between the sexes to break down our identity. They are constructing identities for us and they want us to adopt them.”

Oh, I see.

This is exactly what I mean. LGBT rights efforts make Yang and others feel disoriented, like society is being restructured and that they are being left behind, like they aren't quite in control of social norms and that stable identity categories can't be relied on anymore.

Now, one kind of conservative might look at that and say, "These are bad second order effects of LGBT people trying to assert their lifestyle in public and that's why we should oppose them."

But another kind says, "These changes make me feel unstable. Therefore, the main purpose of the changes is to make me feel unstable. In order to understand these changes, I need to figure out who wants me to feel unstable and what they would gain from making me feel unstable."

The idea that Yang's feeling of instability is simply a side effect of a series of efforts mainly focused on LGBT rights is incomprehensible. Instead, she believes that there is a series of efforts focused mainly on making her feel unstable, with LGBT rights as a kind of side effect to the main goal of making her feel unstable.

This kind of thing is, to me, a big red flag that indicates that we are starting to float away from reasonable conspiracy thinking into crazy town.

I am particularly curious if folks can recommend any writers or researchers who have noticed this dynamic.

[runningwithscizzorz]

(1)Learn the rules before you break them + Gather proper references

(2) Understand what you want to break and how

(3) Can't do it? Find someone who can

(4) It's going to look really bad for a while

(5) Have fun with it!

(1) -Yes, I am that kind of artist. Yet, not in the conventional way. I encourage people to go in guns blazing when it comes to drawing something new, then coming out analyzing what they know, and what they need to learn more of right away.

-Here, I broke down the anatomical pieces of Nour and Narinder's face with the same labels so you guys can understand this weird invisible pattern that I follow in my work. Doing this with any animal you're attempting to draw greatly improves your line confidence when drawing different face shapes. Also understanding the biological function for why animals look a certain way helps you keep consistency.

(3) Time to throw any artistic guilt you have for heavily referencing people's art OUT THE WINDOW and start ANALYZING PEOPLE'S WORK YOU WANT TO BE LIKE✨ I've always done this, having a reference of someone else's amazing work right next to my own drawing so I can try and understand how they make their magic work! No shame, no embarrassment, nada. Pure, unadulterated will and spite that I would be just as good as the artist who made me so motivated and happy with their work! I couldn't figure out how to make Nour's face both sheep-like, and humanly expressive, so I looked at a LOT of Zootopia and old Disney art for help!

(2) With how I draw narilamb, I'm still working on it (as you can see) but I wanted to break Narinder's face to be fluffier and slimmer, while Nour's face would be shorter and flatter. If you look at it for too long, it's absolutely going to look weird, in the way that if you look at Anna from Frozen for too long she starts looking really weird. The anatomy isn't meant to be correct or consistent, it's meant to convey the emotion and energy I want out of the characters in that moment. If you're able to properly get that across, then you don't need to think about how broken something looks, as long as your eye is happy enough to trick your brain into thinking what you're seeing is canny.

(4) Yeah, I hate this part too. It's going to look like shit at first. I can't even look at my art from a few months ago when I was figuring out their designs... God, so fucking ugly. If it weren't for the shittiness of those drawings, I would have never gotten here! Wading through the "trust the process" stage always really sucks, but it's absolutely worth the relief of when you finally get something to look right.

(5) Art is work, yes. It's stressful, it's long, it's straining, its draining, it's exclaiming, blah blah blah. But, I try to keep my art FUN. If I find my artwork becoming slow as I depressingly drag my pen over my tablet, I'm failing. You MUST keep spirit and life in your work. The spirit of emptiness or the life of sadness can have a very meaningful place in art, but those can only exist with keeping work light, easy, and fun! If you're stressing how a specific thing looks or how you can't get something to look right no matter what, FUCK IT. Draw something to bring the flavor back in your work! I'm kind of rambling, but just, HAVE FUN!✨️ Be messy, scream, laugh, slash canvases, throw paint, smash sculptures, tear apart books, GO CRAZY

[kiss-inthekitchen]

pairing: spencer reid x reader

set sometime in early s2; you get stuck sharing a room with your favorite boy genius who absolutely cannot know that you have feelings for him. and also, there’s only one bed. fluff, f!reader (i think there's only two usages of gender markers)

word count: 4.7k

notes: this is a rework of a very old fic i used to have up on ao3. i'm thinking i'll do more of these, i've got a few spencer fics in the vault and it was fun to rework this and see how my style has changed :)

You shivered against the cold desert air. Twirling a keyring around your finger, you headed for the door marked 3. You were exhausted from the day and so, so ready to collapse into bed as soon as you got inside your room. 

You turned the key in the lock while Spencer waited behind you. It was late, and you and the team had pulled into a motel for the night, having been dragged out to a tiny rural town by the unsub after days of tracking him through surrounding areas. He’d been apprehended, finally, and handed over to local police around midnight. You all had decided it best to spend the night before driving back into town in the morning for take off. 

So here you were, at one of those single story motels that still used actual keys instead of key cards. Given the time of night, you knew vacancies would be scarce, so you’d already expected to have to double up on rooms. Gideon had stayed behind at Quantico, leaving Hotch and Morgan in one room and JJ and Prentiss in another, with you and Spencer sharing the last room. You’d hung back while JJ got everything figured out with the concierge (who was just a bored looking kid posted at the desk), and then she’d passed you your key with its little keyring attachment listing the room number and you all bade each other goodnight.

You’d been on the team nearly a year already, but you were still the rookie compared to everyone else. Even Spence had two years on you. But seeing as you two were the youngest, and the least inclined toward the more physical parts of your job– the chasing, tackling, firing your weapon parts– you were paired off with him more often than not. 

You weren’t complaining. You’d come to know Spencer pretty well, and you didn’t feel much apprehension at the thought of sharing a room with him for one night. 

That is, until you opened the door. 

“Oh,” you said involuntarily.  

"There's only one bed,” Spencer said. 

“Sure looks that way.” 

"At least it's a queen?" 

There was a brief pause before you both started speaking at the same time. 

"Maybe we can go back to the concierge–" Spencer began. 

"I mean, I guess I don't really–" 

"–although, JJ did say we got the last–" 

"–mind as long as you–" 

You cut yourself off this time. It’s not like there was another good option, unless one of you wanted to sleep in the car. "This is fine?" it came out as a question rather than a statement. 

"I think so? I wouldn't want to– to make you uncomfortable or anything."

"This is fine," you repeated, more sure of yourself this time. “And you don’t make me uncomfortable.”  

It was only kind of a lie. You trusted Spencer with your life, of course. But he also made you nervous. He was sweet, kind, always seeming genuinely interested in anything you had to say. And of course, anyone could see that he was attractive. You were developing feelings for him, and in a job where your coworkers and your crush himself were all adept at reading people, it really wasn’t a good position for you to be in. You just hoped Spencer was as oblivious with women as Derek made him out to be. 

"We should get out of the doorway," Spencer suggested, and you realized you'd been standing in the threshold this whole time.

"Right."

The two of you walked in, Spencer closing and locking the door behind you. It was a modest room in a tiny town; your standard ugly-patterned, faded bedspread draped over the queen bed in the center, a window looking out into the parking lot, and a dresser that didn’t even have a TV on top of it. You headed straight for the bed, sitting on the edge and removing your shoes while Spencer stood by with his hands in his pockets.

"You know, if it's a problem I can sleep on the cou– uh, the chair," Spencer offered, looking back mid-sentence and realizing that the only additional furniture this motel offered was one rigid looking armchair by the window. 

"No, you're not doing that."

"What?" he asked, taken aback by the quickness of your response.

"You're not sleeping in that chair. It looks horribly uncomfortable and I’m sure it’s never been cleaned, and I know how you’d feel about that.” 

Spencer grimaced, not having thought about that particular detail. “Yeah, but, I mean… I’d do it for you.” 

God, why did he have to say stuff like that? Like you were something special. And why now, when you were stuck in the same room with him until morning? It probably didn’t even mean the same thing to him as it meant to you. He was one of the most caring people you’d ever met. He’d probably say that to any one of you on the team. 

Or maybe sleeping in a chair meant nothing to him at all. Maybe he actually didn’t want to share the bed with you and that’s why he was trying so hard to avoid it. 

Ugh. You just wanted this day to be over. It was late, the case had been a week long, and now you were probably in for a fun night of overthinking and second guessing when you’d been expecting silence and easy, dreamless sleep. 

Okay, maybe that last part was never really an option, but still. 

“Look,” you sighed, “I know this isn't an ideal situation but there's a perfectly good bed here, so let’s just share it. If you’re okay with that. It's just one night and tomorrow we'll be back home and nobody has to know about it."

You had to fight from squeezing your eyes shut in regret. You wished that had come out differently. You chanced a look at Spencer, realizing that you’d been staring down at the faded carpet pattern while you spoke. 

The look on his face was one you hadn’t seen before, and you almost couldn't place it. He seemed sort of disappointed. Disappointed that he had to share a bed with you? Or that you'd made it sound like you didn't want to share a bed with him? Nope, you could not go down that road tonight. You shook your head once as if it would clear the thoughts from your tired mind. 

“I’m okay with that," he said, casually enough that you could almost convince yourself that you’d just imagined the look on his face before. "So, do you want the shower first, or...?" Spencer asked.

"No, I can wait, you go ahead," you said. You desperately needed the moment to yourself anyway.  

You started rifling through your bag for pajamas, toiletries, and your charger as an excuse to look busy while Spencer made his way into the bathroom with his things. As soon as the door closed behind him, you flopped back on the bed, staring up at the ceiling as if it might hold all the answers. 

Spencer couldn't know about your feelings. For one thing, you were pretty sure there was a rule against dating your colleagues in the BAU. If not, there probably should be. You were such a close knit team, and if anything went wrong… you couldn’t imagine how difficult that would be. But then, the evil and uncooperative part of you also couldn’t help but think that things might go right. 

From the beginning of your time at the BAU, you’d been drawn to Spencer. It just kind of made sense. You’d gotten through school at an accelerated pace– though not as quickly as him, the man was on another fucking level when it came to academics– and you were one of the only people who found his fact dropping actually interesting, often asking him follow up questions. He’d looked adorably shocked the first few times you’d done that. 

He listened intently to your passionate rants about your favorite films and tv shows, even though he hadn’t seen any of them. When the two of you had discovered a shared interest in mythology and folklore, Hotch nearly had to separate you so you would actually get some work done. It was like you were a kid in school again, and you might’ve been embarrassed if you didn’t find it so funny, if you weren’t so giddy at the idea of a friendship that could make you feel like a kid again. 

Spencer understood you in a way that other people didn’t, laughing at your jokes even when they didn’t land for anybody else. When people interrupted or spoke over you, he always paid attention, and in situations where you were trying to add details to the profile he’d bring the conversation back around to you. 

Throughout your life you’d learned– through painstaking trial and error– to fit in pretty well in most any group you found yourself in, but you’d always considered yourself to be a little weird. A little too different. But when you were with Spencer, you felt like you didn’t have to try so hard. You could both be a little different, together. 

Spencer opened the bathroom door then, startling you. You’d been so lost in thought you hadn’t even noticed the water turn off. You looked over to see him wearing a loose white t-shirt and pajama pants, his hair still damp. And now you knew what Spencer looked like fresh out of a shower. And of course it was endearing as hell. 

“If that’s how you’re planning to sleep,” Spencer began, referencing how you were laid out in the dead center of the bed, your arms fully outstretched and hands hanging off the mattress, “then I think we might have a slight problem after all.”  

You walked out of the bathroom a short while later, dressed in your usual sleepwear of shorts and an oversized shirt. You’d put your hair up in a bun to protect it while you showered, and now it hung loose around your shoulders. You simultaneously wished your outfit was cuter and uglier; knowing your giant t-shirt wasn’t flattering your figure while also feeling like you had too much skin exposed. Not that it mattered. You were just going to get some sleep and then wake up in the morning and head home. Everything would be back to normal. 

Spencer’s in bed already. He’d turned off the big light while you were showering, the lamps on either side of the bed casting him in a softer, warmer glow. He looked up from his book to find you standing there, and the soft, familiar look in his big brown eyes had you rooted to the spot. 

“Hey,” he said softly, patting the space next to him in invitation. 

You conceded, finding your legs again and sliding into bed beside him. “Hey.” 

He fidgeted with the pages of his book, ultimately shutting it closed on his index finger to mark the page. “So, uh, are we okay?” 

“Yeah, of course,” you answered genuinely, feeling bad that your internal struggle had manifested in a way that worried him. 

“Okay, cool,” he said. He paused long enough to let you explain if you wanted to, another invitation. You knew he wouldn’t push it if you didn’t offer something up. You wanted to give him an explanation, but you couldn’t bring yourself to. 

“Sorry,” you managed. 

“For what?” 

“I don’t know… acting weird, I guess. It’s just been a long day.” 

“Oh, well, you don’t need to be sorry about that. You’re always weird.” 

Your mouth dropped open as you looked at him. “Look who’s fucking talking,” you scoffed. Some of the tension dropped from your shoulders, glad he hadn’t questioned you further. 

“Language, please,” he held up a hand to stop you. “I’m delicate.” 

“Wha–?” you let out a surprised little laugh. “You’re an idiot!” 

“Yeah okay, tell that to my I–.” 

“Oh, my IQ of 187,” you finished for him, rolling your eyes. Even that was full of endearment. “God, you are so annoying.” 

“Hm. Y’know, this might be a long night for you. I’d hate to keep you up with my annoyingness.” 

“I feel like you could’ve come up with a better word than annoyingness, Mr. 187,” you tilted your head where it rested against the headboard, looking up at him. 

“Oh, she’s being a smartass now!” he split into a surprised grin, and you could swear your heart skipped a beat. 

“You just said ass.” 

“Wow. How quickly you’ve corrupted me.” 

“Right, of course. It’s my fault.” 

“I knew you’d agree.” 

“Shut the fuck up,” you laughed. 

Things felt a little bit more normal after that, joking around with Spencer like you normally did made the rest of the night feel less daunting. 

Shortly after that, the two of you agreed that you should get some sleep, each reaching over to turn out the light on your respective sides of the bed. 

You let yourself sink into your pillow, the exhaustion you had been feeling giving way to a hyper awareness of Reid’s body next to you. You were kept awake, completely overcome by the foot of space between you and Spencer; the consequences of crossing that space, the way it might feel, the curiosity over whether he was laying awake too, thinking the same thoughts as you. Even with that foot of space separating you, you could feel his body heat. You longed to move closer to him, to touch him, to let his warmth seep into you and lull you to sleep. 

But you didn’t, and you wouldn’t, because this was just an unfortunate booking mishap. It didn’t mean anything. Tomorrow it would be over, and you could more easily go back to hiding your feelings from everyone else and yourself. 

Eventually, exhaustion won out. 

You woke what could’ve been a few minutes or a few hours later, the sky still dark. You couldn’t tell what exactly had woken you up, only the sense that you’d moved, almost like you’d fallen. But fallen from what? 

You blinked in the dark, the street lamps in the parking lot providing enough residual light to keep the room from being pitch black. 

Reid was sitting up. He must’ve bolted upright, you thought. Had that been what moved you? Were you lying on him?! 

“Hey, you okay?” 

“Sorry. Just a nightmare,” he said as if it was nothing. “Sorry to wake you.” 

“What was it about?” you ignored his apologies, sitting up as well. 

“I don't really even remember,” he breathed, almost like it was funny. “Just having a physiological reaction to whatever it was, I guess.” 

You had nightmares too, of course. You all did. You hated remembering them, but you also hated the times when you woke up in the dark, dazed and inexplicably scared. Without thinking, you reached for his hand. 

He turned to look at you then. “I really didn't mean to wake you,” he reiterated. 

“I figured,” you smiled slightly. You noticed his breathing was just a bit too fast. You rubbed your thumb over the back of his hand, leaning over to rest your weight against his side, your head on his shoulder. His nervous system would regulate itself quicker this way. 

“You were on my pillow, by the way.” 

“What?” you ask, your head jerking back from him. 

“I totally called it. You rolled right into the center of the bed in your sleep. Total bed hog.” 

“Hey!” you protested, pulling your hand back from his in embarrassment. So you had been lying on top of him. Or at least really close to him. His hand chased after yours, finding you again. 

“That wasn’t me complaining about it.” 

“Oh,” was all you could think to say back. 

It was quiet for a minute. You let your head fall back onto Spencer’s shoulder, but your heart raced in your chest. 

“Can I ask you something?” he questioned, his tone becoming more serious. 

“Oh– of course,” you answered, your brow creasing. 

“What did you mean when you said ‘it’s not ideal’ and ‘nobody has to know about it’?” 

“Wh– I– Spencer, come on.” 

He didn’t give you an out this time. Just waited for an answer. 

“I don’t even really know,” you sighed.  

“I believe you’re being partially truthful about that.” 

“Don’t profile me.” 

“I’m not. I just know you.” 

You sighed. “You know, sometimes I hate that stupid memory of yours.” 

“I don’t need an eidetic memory to remember that. It was a weird thing to say, and it happened like four hours ago.” 

“You’re guesstimating. And it wasn’t that weird.” 

“Maybe not, but the way you said it was. And you’re avoiding my question.” 

You continued to avoid it, biting down on your bottom lip. 

“And you stuttered when I brought it up.” 

“I told you to stop profiling me.” 

This time, he just hummed in response. 

“And so what if I stuttered?” 

“Stuttering is usually more my thing. A nervousness thing.” 

Maybe this was actually your nightmare. Maybe you’d wake up soon and none of this would’ve been real, and you wouldn’t have had to explain to Spencer that the reason you’d had an attitude was because the situation tonight had made it harder to hide your feelings from him. Big feelings that became a lot harder to ignore when he was this close to you, still holding your hand, the mix of scents from his detergent and deodorant clouding your judgment. Of all the embarrassing scenarios that you could’ve imagined playing out tonight, this was very high up on the list. 

“I said ‘it’s not ideal’ because it’s not, just by definition. We were supposed to get a double room and we didn’t. Not ideal. And I said no one has to find out because I can already see Morgan having a field day with it and I know the exact expression that’ll be on his face–” 

“The eyebrows,” he nodded, lips pursed. 

“And then everyone else will get in on it and I just figured…” you sighed. “I don’t know. I didn’t want to deal with that.” 

“That all makes total sense.” 

“Good,” you breathed. Too relieved. 

“Now tell me the rest of it.” 

“God, Spencer–” you huffed out, frustrated. He knew you too well. 

You wanted to run. Maybe you could go sleep in the car after all. And then ignore Spencer for the rest of the day, and then the year, and your life, and– 

“Don’t make me say it,” you breathed. This had to be a dream. 

“But there is something to be said?” he questioned, his tone hushed, almost reverent. 

It was just vague enough. You could pretend it was nothing. 

“Yes.” 

You felt like you’d just blown your life up with one word. 

Spencer took a deep breath, your body cresting and falling with the movement of it. 

“You make me feel better about being myself,” he confessed.  

You shut your eyes. You had a constricting feeling in your throat suddenly, and the awful realization that you might cry. 

He spoke again, because you couldn’t. “I haven’t always felt good about it, you know? And then you joined the team, and, well– you changed a lot of things for me. And you’re beautiful, obviously, and I was scared to mess up what we have, because it’s special, I think–” 

“It is.” 

“–and then you started freaking out when you saw the bed,” he was smiling now, you could hear it, “and I thought, maybe it wouldn’t be so crazy… maybe I could make you feel that way too.” 

“You do. Of course you do. I feel like I can be my full self with you. I don’t know that I’ve ever felt like that before.” 

Spencer laughed, a little delirious giggle, and squeezed your hand in his. You’d managed to avoid crying, thankfully, and you grinned along with him, looking down at your joined hands as you squeezed him back. 

Things seemed to still for a beat, the two of you sitting with this moment and letting it stretch out. You still couldn’t really believe this was happening. You might have to tell Spencer to pinch you. 

“So what does that mean for us now?” you asked. 

“Well, for right now at least, I think it just means that we can go back to sleep without overthinking things into oblivion.” 

“I was not–”

“Okay, this time I am profiling you, and you’re lying,” he cut you off, his smile still evident.  

“Oh, this was such a mistake.”

He continued like you hadn’t spoken, laughing a little as he went. “I could practically hear it. It’s like, you know when a computer is trying to use too much processing power and the fan starts whirring really loud? Like that but just like right next to me, like tangible—“  

“Okay! Thank you so much, I actually totally got it, you can stop now.” 

He laughed, and your cheeks warmed. 

“For the record, I meant we could both stop overthinking.” Then he shifted a little, facing you a bit more. With the hand that wasn’t holding yours, he brushed a strand of hair from your face, a fake pout on his lips. “Sorry I make you nervous.” 

You cackled at that, if it was possible to cackle in hushed tones. “Oh, I bet you are. Besides, I know you like me now, so you’ve lost that card.” 

“Are you certain of that?” 

“Certain that you like me or certain that you can’t make me nervous?” 

“The latter. I do like you, if that was unclear.” 

Your heart sped up, contradicting you as you answered, “Then I’m certain you can’t make me nervous.” 

He titled your face up to his then, using his index finger underneath your chin to make you look at him. “You’re an awful liar.” 

You just shrugged, watching triumphantly as Spencer’s gaze fell to your lips. “It’s been working out pretty well for me so far.” 

“I guess it has,” he murmured, closing the distance between you and finally kissing you. 

After so many months of imagining (and berating yourself for imagining) what Spencer’s lips might feel like on yours, you weren’t disappointed. 

For once you didn’t have to think at all, the chemistry between you and him drowning out everything else. His hand fell to your waist, and yours moved to the curve of his jaw, pulling him closer as his mouth moved against yours. Your teeth grazed his bottom lip and he gasped, and your skin felt like it was lit up from the inside. 

You pulled away to breathe, and to process, and to try and stop your head from swimming. You were rewarded with the awestruck look in Spencer’s eyes as he opened them again. 

“Okay, was it just me, or–” 

“That was crazy,” you breathed.

“Crazy,” he agreed. 

“Spence?” 

“Yeah?” 

“I don’t think we’re getting back to sleep tonight.” Your eyes widened at the implication of saying those words at that time. “Not, like, in the sex way, though,” you hurried to correct yourself. “I need like, 4-5 business days to process things first, and I– well, I just meant, like– you know?” 

Spencer was nodding at you even as his eyebrows pulled together in a frown. “Can I still kiss you during those 4-5 business days?” 

“Oh, yeah,” you said, sounding breathless. 

“Cool,” he agreed. “You seem really nervous, by the way.” 

“Well, you kissed me.” 

“I did.”  

“How were you not nervous?” you breathed. 

“Oh, I was. Your reaction is making me feel a whole lot better about it though.” 

You scoffed half-heartedly. “I do so much for you.” 

“You do,” he replied earnestly, letting go of your hand to wrap his arm around your shoulders as he pressed a kiss to your forehead. “We could lie back down, if you want. Like we were before I so rudely woke you up.” 

“Yeah, I’m super mad about that,” you joked. “Anyway, I was asleep for that, so you’ll have to show me what I was doing.” 

He seemed all too pleased to do so. “Okay, so you were basically like,” he leaned back against the pillows, pulling you down with him, moving his hand to the side of your head to guide you to the place where his shoulder met his chest, “Like that, and then your arm was over here,” he picked up your arm and guided it around his waist. 

“Oh god, that’s so embarrassing,” you said, realizing that he must’ve been awake when you’d done it. 

“Yeah, I know. Really terrible time for me.” 

“I can imagine. I can scoot back over to my side of the bed, just say the word.” 

“Don’t you dare,” he said, squeezing you closer. 

You trailed your fingers up and down his waist, feeling more content than you had in ages. 

“I can’t believe you’d suggest that I would have sex with you right after confessing my feelings. Like, take me to dinner first at least.” 

“Oh my god,” you half-exclaimed, half-laughed. You felt your cheeks heat up again, grateful it was still too dark in the room to be noticeable. “You’re right, I’m so sorry. How’s next Friday?” 

“Hmm, I don’t know. My work schedule is kind of unpredictable. I’ll have to get back to you.” 

“You’re such an ass.” 

A few short hours later, you were back on the jet with the rest of the team. You were lying on the couch while Spencer sat in a seat one row up and across from you, both to avoid suspicion and so you could try to catch up on sleep. He sat facing away from you, but with the angle you were at you could still see one side of his face if you tilted your head up. 

You were just beginning to fade when your phone buzzed next to you. 

Spencer: I have to tell you something, coworker to coworker. 

You looked up to see him blank faced, looking down at the book in his right hand, holding his phone in the left. 

You text back: okay? 

Spencer: My crush asked me out last night. 

You’re exceptionally glad no one was sitting close enough to see you. Spencer had caught you off guard, and you felt an infatuated grin spreading across your face. 

You: what did u say? 

Spencer: Wanted to get your opinion first. 

You: i think u should say yes, obviously. 

Spencer: Idk, I’m kinda nervous. I think she’s trying to jump me on the first date.

You just barely managed to refrain from laughing out loud. You looked up at Spencer again, and he’s looking at his phone as if it contained nothing more than a weather report. You’re astounded. 

You: one could argue that technically you’ve already slept together, so there’s less to be nervous abt

You saw his eyebrows raise just slightly. Success. 

Spencer: You’re trouble, you know that? See you Friday night

You: i promise i won’t try to jump you 

Spencer: Oh

Spencer: I fear I may have shot myself in the foot here

You: i wouldn’t worry about it too much

Spencer: That’s rich coming from you 

You rolled your eyes even though he couldn't see you. 

You: whatever. wear something sexy ;) 

You heard him blow air out of his nose, an almost laugh. 

“Something funny?” you heard Derek ask. 

Shit. 

“This book contains a historical inaccuracy that was proven incorrect eight years before its publishing date,” Spencer replied without missing a beat. 

Unbelievable.

You: you’re unhinged :*

Spencer: Go to sleep already, would you? 

You: coworker to coworker? my crush keeps interrupting my beauty sleep 

Spencer: He’s probably worried about the worldwide implications of you becoming any more beautiful 

You: i guess that’s why the universe gave you insomnia :( too pretty 

Spencer: Stop flirting with me

You: bc you’re too delicate?? 

Spencer: Yes 

You snapped your phone shut, feeling dazed. You watched the clouds go by in the window across from you, and you couldn’t help letting your gaze slide over to Spencer. He’d put his phone down as well, concentrating on his book. Or pretending to concentrate. He was turning the pages much too slowly for his actual pace. 

You: you have got to do a better job of fake reading than that

You heard a page turn. 

You looked up again to see the ghost of a smile threatening the corner of his mouth. 

This was going to be fun. And also, you were so screwed. 

[legoprime]

The Great 2024 Millipede Reveal

Last year I decided to take on a temperature crochet project. This kind of project involves working one row for each day of the year using yarn colors that correspond to either the highest or lowest (or both) temperature of that day. It's most common to see blankets made this way since the end result is pretty large, but you can make other things too.

I chose to make a giant stuffed millipede! The pattern came from Projectarian and is free right here. Throughout the year I've documented my progress, which you can see in my temperature millipede tag.

Since I planned on using both the high and low temperature of each day, I picked out 20 colors for maximum variety. (Yarn: Caron Simply Soft)

And now, after a year of work and a week of putting all the pieces together: the millipede is complete!

This big boy is 90 inches/228 cm long. That's over 7 feet! It's longer than my bed. I don't even want to know how much it weighs (a lot).

Construction photos and final color statistics under the cut!

Every day last year when I did a new row of the body, I also did a row of the belly, so they were both finished at the same time.

I also made the legs throughout the year: 192 total! They were attached in a gradient from black to white to black again, and I really like how that turned out.

I waited all year to make the antennae because I wasn't sure what color to make them. In the end I went with Sage because it was the third most used color throughout the whole year, but it wasn't used at all in the head section. I'm happy with that choice, I think it pulls the whole thing together nicely!

And now some final end of year statistics:

#1 Most Used Color Award goes to our reigning champion: Pagoda! It was the high 42 times and the low 81 times, for a total of 123 days. Special mention to Kelly Green (2nd place with 103 days) and Sage (3rd place with 97 days).

#1 Least Used Color Award goes to Soft Pink! It was the low for 2 days last January and made that lovely pink stripe on the head. Special mention to Plum Perfect and Lavender Blue (tied for 2nd place with 4 days each).

Every color was used except Black and White, and honestly I'm okay with that.

Six days used the same color for both the high and the low, forcing me to pull from the inside and the outside of the same skein.

It was a fun project, but boy am I glad it's done! My next challenge is figuring out where this beastie is going to live in my room.

[ridleymocki]

(seeing so many bad faith interpretations of the argument, y'all are really going to make me do this, okay HERE WE GO)

.................................

What Ed says: "I think last night was a mistake. I'm not ready for... Whatever this is."

What Ed means: "I didn't want last night to happen so soon or under those circumstances. Things are changing rapidly, which makes me feel out of control and scared."

What Stede hears: "I regret sleeping with you. I don't want the sort of relationship that you're after."

.................................

What Stede says: "It was a fine fish. It was... whatever. I was just trying to make you feel good!"

What Stede means: "I only cared about the fish because you cared about it, and I care about you. I liked the fish because it made you happy. Ordinarily, I'm ambivalent about fish."

What Ed hears: "I lied to you. I didn't care about your achievement I was just placating you to get what I wanted."

.................................

What Ed says: "Here's the news: I'm leaving. I got a job on a little fishing boat and I'm leaving. I'm a fisherman now."

What Ed means: "I think I need to be away from you to figure out who I am, because I haven't been able to do that while we're together, and your lifestyle now is the life I'm trying to leave behind."

What Stede hears: "I've made a decision to leave you and have a life without you. I don't value what we have enough to work with you to find a solution, I'd prefer to end it."

.................................

What Stede says: "Oh, Ed. Seriously? You're not a fisherman."

What Stede means: "I think you're using this plan to escape and avoid your problems. It sounds like you're pretending to be someone else. It seems to me like an impulsive decision and I am concerned."

What Ed hears: "I don't support this ambition. I think you're incapable. I don't think you can be different from what you have always been."

.................................

This is the kind of analysis done in therapeutic environments. When I put what they mean, it's not just a rephrasing but a boiling down to the core issue. I could go on to the rest of the dialogue but do you see the continuing ship-in-the-night miscommunication?? It's tripartite:

failing to express one's current emotional reality with the most accurate and clear language, often because that reality is not fully understood to oneself,

misinterpreting the other's language, due to preexisting sensitivities and defensiveness about one's own understanding of the situation,

increasing frustration and sense of personal attack that results from those misinterpretations, which perpetuates and worsens the poor communication.

Importantly, this kind of pattern means you miss the best and most important kernels of communication in an exchange because you're reacting to the more inflammatory parts.

Stede: "This can be whatever we want it to be." (I am willing to make changes to our arrangement so that you're happy). Ed: "I don't even know who I am! Alright? I know I don't want to be a pirate. And you, you're blowing up, you're the toast of the town." (I think we want different things. You're just starting a journey that I've already finished).

With those two bits alone they could've sorted this out. The first is the answer to the second. But they didn't -- couldn't -- latch onto it because all their other baggage was getting in the way.

And I'm being proven correct that this is what is happening, because I have seen next to nothing on here about the above two lines, only reactionary takes of fans also focusing on the inflammatory parts because of their predispositions. You're doing an encore performance of what they're doing.

Point being, there are no bad guys in this scene, just repeated system failure!

[jarofstyles]

Can you do a blurb of H cuddling Y/N after being away or busy for a while?? Thanks!!

Yes I can ❤️ here’s a little something!

Check out our Patreon!!

—-

"Mmm... this is nice." Harry whispered against her lips, pulling her closer under the blanket. His fingers gently traced patterns on her arm as they shared soft, lingering kisses. The movie played softly in the background, but his focus was entirely on her. This was what always happened and they should have known they wouldn’t last 10 minutes without being distracted but perhaps that was the point.

Between kisses, he mumbled against her lips. "Y’know, I've missed moments like this. Just being here with you..." Work had been kicking his ass as the holidays approached just like it did every year, but it didn’t mean he liked it.

“I miss you too.” She sighed, fiddling with his necklace. “But I know it’s a busier season for you. It’s almost over.” He’d been working day in and out. It was their first chance to have an actual slow date night, and it seemed that he’d missed her more than she had thought. Clingy Harry was one of her favorites.

"It really is," Harry said softly, his thumb gently brushing over her cheek. "But I promise, once this season is over, m’all yours. No more late nights or extremely early mornings. Just you and me, doing nothing but existing together." He leaned in, pressing a gentle kiss to her forehead. "You deserve that peace, and m’gonna make sure you have it."

She did particularly miss waking up to him curled around her like her own personal blanket. There was truly nothing like getting to be so intimately close with the man she utterly adored, but it was hard to do that lately. Harry had always been a hard worker, passionate in everything he did- thankfully, that included being a lover, too. “You are doing just fine, H. I know you have to do your work.” Her fingers traced over the bridge of his nose, giving him a light smile. Her husband truly was the most beautiful man she had ever seen. “M’honestly just glad that you got to come home early tonight.”

Sighing softly at her touch, he let his eyes flutter shut momentarily as he reveled in the delicate brush of her fingertips. "I swear, the next few months are just gonna be us." The arm around her waist pulled her closer, planting a kiss on her cheek. It really was hard to keep his mouth off of her. "Me, waking up wrapped around you every morning..." Planting another kiss to her nose, he laughed under her breath as he watched it scrunch a bit. "...falling asleep with your head on my chest every night...just need those moments back. Just you and me. Know m’selfish, but that’s the truth."

Harry had always been selfish about her attention. That was nothing new, but not getting to indulge as often as he liked was the problem. "And I swear, no more ridiculous late-night calls," he promised, his hand splaying over her waist. "I really am sorry, baby.” the soft frown on his face was indicative of that. Disappointing her was his least favorite thing. “No more 'I'll be home in an hour' turns into 'It's 3am and I'm still not home'. No more... got t’spend time with you. Can’t work properly if m’miserable because my girl is at home alone in my bed…" He trailed off, his thumb brushing over her swollen bottom lip. There had been a lot of things that had gotten out of hand and he knew he had been extremely lucky that she was so understanding about it. “Think M’gonna dedicate an entire week to being between your thighs.”

Her eyes widened slightly at his bold statement, a soft blush creeping onto her cheeks. Biting her lower lip as his touch moved to her chin, she to suppress a small smile that tugged at the corners of her mouth. "Harry," she scolded lightly. “You… are something else.” Her husband had no problem showing her just how much she meant to her. She knew he had obviously had some withdrawals from their intimacy but hearing it out so boldly made her slightly flustered. One of his favorite things was figuring out ways to make her squirm, so she shouldn’t have been that shocked- but that’s what he liked about it.

"S’it too much?" He teased, his thumb brushing over her heated cheek. "Let me rephrase, then, my beautiful girl." He leaned in closer, his voice dropping lower. "How about I dedicate an entire week to staying in our bed, only getting up for food and water, showering together and spending the rest of the time worshipping you t’show you just how much I miss you every second I’m gone?" He grinned mischievously. “That sound any better?”

[kedreeva]

Okay so, I don't think I've spoken of the saga here yet but! Gather round. I shall tell you a long story about the bird I just acquired and why she is VERY IMPORTANT.

At the beginning of last fall, I started looking into quail genetics a little more, because I got tired of not being able to sex my Celadon quail by their feathers. Originally I thought I could kill 2 birds (ok maybe more) with 1 stone and order nice jumbo wild type (which MANY places advertised as wild type jumbo) hatching eggs, and this would help me put some size on the Celadons (jumbo) while also making them feather sexable (wild type). Perfect!

But then I come to find out that pretty much all jumbo lines are jumbo BROWNS, as in they all have the sex linked brown (SLB) gene. So, I was a little confused and a LOT annoyed because I wanted to work specifically with the wild type color/pattern. No mutations just straight, plain wild type.

And EVERYWHERE I looked - major production hatcheries, private breeders through websites, Facebook groups, local swaps, craigslist, e v e r y w h e r e -

People ONLY had SLB.

This spring I came across a video showing about the differences between SLB and wild type and I figured if the person who made it can tell, maybe she will have some. So I looked her up (not in a stalker way, her farm name was stamped on the video and took me to the website), and what luck! She was in Michigan! Upper Michigan, so still a hike, but not California, y'know?

So I shot her an email and explained that I was looking for WT and that her site said she bred them and that people could do local pickup. She responded yeah she's totally got a bunch! And I said great, I'm also in Michigan, albeit far away, but I don't mind driving 7+ hours each way, because I really need actual, trusted WT for sure birds for my celadon project, can I come pick them up?

Cue the most frankly bizarre email chain in my short life. As soon as I mentioned that I was going to drive, or perhaps that I had a genetics plan in place, she got super sketchy and started saying how she hadn't really paid as close attention to SLB vs. WT, that it mattered less than she thought it would when she started, that I shouldn't focus on that either, and also that "fawn celadon is practically unheard of" in the hobby and "you should focus on a clean Tibetan because it's hard to find without roux in it) implying that I should concentrate on those things instead. And concluded by telling me if I really want WT, to contact this other person (why happens to be someone I can't stand). It all sounded VERY much like she didn't have wild type males, after all, and had thought I didn't know the difference so it wouldn't actually matter. But, it does. It actually matters a lot to me.

So I messaged back to say, well, I don't want to do any of those things, I specifically want to work with this set of genetics and you said you have them so I shouldn't have to go to anyone else??

And then she went radio silent for a week. I kind of figured I'd called a bluff, and that she was one of dozens of people I'd contacted who'd said they had WT only to find out they had SLB. I get that it's difficult to see the difference, but this particular person was the president of the American Coturnix Breeders Association or whatever (found out it's actually just a club formed by her and her friends a year ago, so not as impressive as it sounds, considering they don't actually DO anything- no putting on shows, no newsletters, no certifications, no public breeder directory, no finished SOP, nada), so I kind of expected she should know what she's talking about, if anyone does.

Eventually, after a week, she responded that she had been judging at a county fair, but she had a few heterozygous males (WT het roux, which is fine) and she could set a hatch for me for more if I wanted to come at the end of the month, but she's in WI now, not MI. I said sure, since where she was in WI was actually closer than where she'd been in the UP, and we arranged date/time.

The day of, my neighbor friend, Jude, comes with me for company/keeping me awake through the 15 hours driving round trip. It's a pleasant enough drive. We arrived at a cutesy little house on the edge of town that looks like anyone's house in a neighborhood, with a spacious lawn. The person meets us and takes me around the side of the house to a 6x6x1.5 or so chicken tractor, where she's got some male coturnix. She pulls the available males for me to look through and... fam, they ALL looked SLB, to me.

Now, she swore to me up and down that they couldn't be anything except WT het for roux, because of the way she is breeding them. But I've put these birds next to my SLB males and if I didn't have my males banded, I would not ever have told the difference between them. I still picked up 4 of them, because I will give it a go- worst case, I can produce plain Roux hens/plain Roux males for use in breeding later, best case they do actually produce WT hens and they just LOOK SLB and I have to figure out what the differences are. I don't want to leave without seeing her hens, which she has told me are all WT (which is why the males HAVE to be het for it), and she takes me back. Now the hens, the hens are easy to see the difference. White bellies first of all, but the chest feathers are also wildly different! The shafts are white, the dot around the shaft is dark, ringed in red, ringed in white. On an SLB, the shafts aren't white, it's just a black dot surrounded in a red feather, and the belly is all red/buff/cream, not white.

This is what an SLB hen looks like:

So I take a nice long look to memorize the color, and thank her for showing me and meeting, and we head back home.

I do fecals when I get home because all of the males are VERY thin, no meat on them at all, and since she said she'd been feeding Purina (garbage for fowl feeds), I figured that was why, but no- HUGE coccidia loads in all of them. So I treated them and got them on a better feed. They immediately began putting on meat, and they're find now.

The rest of this summer, I have spent going to local bird swaps and inspecting all of the quail I could find, hoping to find one (1) actual wild-type phenotype bird. Hundreds and hundreds of birds, I have pawed through them all, being super obnoxious to the owners I'm sure, holding and inspecting males. I found ONE suspected WT male (and this is a HUGE "suspected," he could very well be SLB with low red expression). I compared him when I got home and I'm doubting myself still, so I don't know if I will ever actually pair him with the SLB hens or if I'll just wait til I have a roux set.

Regardless, it's been a dry season for getting what I want. It's been a dry YEAR. Yesterday was another swap and more hundreds of quail and me pawing through all of them.

Until.

My eyes landed upon.... her.

If you've only lived in an area that has american crows and not ravens, you find yourself wondering if crows are ravens. You see a big crow and you think wow! maybe that is a raven! It could be a crow, but it's seems bigger so maybe it's a raven. But, if you take a trip to a place with ravens, and you see one for the first time, you realize that there is no question, when you see a raven. When you see a raven in person, there's no question and not only is there no question, you wonder how you could ever have thought a crow was a raven. It's laughable, while looking at the raven.

That's how finding this bird felt. I'd been picking up every SLB hen and going maybe this is actually WT? It could be SLB but maybe it's WT? But the second I laid eyes on her in the middle of a pack of SLB with some mixed colors, I knew I was looking at WT hen, and I can't imagine how I ever thought maybe an SLB hen was WT.

Here's a better photo of her chest and belly (she's beat UP from her previous home, the back of her head and most of her rump are plucked clean from males). You can see the white shafts and the white belly.

And some other pics of her, showing the grey-brown on her side and back- VERY different than the SLB hens

I can't express how stoked I am about this bird. This is the first time after a LOT of effort and time, that I have felt confident I am holding the bird I want.

She's also the indicator that I have a LOT of work ahead of me.

My end goal is to have birds that look like her, weigh 12-14oz, and lay large, blue eggs. I have birds that lay large, blue eggs, I have birds that weigh 12-14oz live weigh, and now I have at least 1 bird that looks like her, which means I can make more that look like her. The first step is cleaning the color mutations out of the celadon line without losing the celadon eggs. This is going to be a bit of a nightmare, BUT, I have a friend helping me out with getting a few celadons that are either WT or SLB (I'm guessing SLB all things considered) to start the work with. I will work over the winter to get a few more actual WT birds here, and to start crossing out the celadons with the SLB jumbos to clean out the other feather color mutations. Once I'm down to just SLB and celadon for mutations, I can clean the SLB out with the WT and roux lines.

This project will likely take me a good 2 years, maybe 3, to complete and then test breed to ensure I haven't lost the celadon gene and I don't have any hidden recessives lingering about. But just having the fucking materials to do it all on hand now is a huge step forward from where I was when I decided to start the project.

[the-ancient-dragons]

Welcome back to Overcomplicating the Pyrrhian Tribes! This week: the beloved RainWings!!

You know what's up. Joy Ang and Tui are so cool and I am just me.

Details and explanation below!

Otherwise, next week are the chilly IceWings! See you then!!!

More overcomplicated dragons.

I knew the RainWings would be really important, and I think they turned out the best of all the ones I've done. I think they're my favourite because they are basically the perfect mix of extra realism spice without altering Joy's design too much. The SkyWing design is awesome and I love it to bits, but it is one of the two that are the farthest from canon.

As for the RainWing.... I had. So. Much. FUN. I heavily used chameleons and snakes - they're basically the two main species on my research board - but there is a dash of cuttlefish and frilled lizard in there. Where, you ask? Well if you look closely, all over the RainWing are little tiny flecks of darker colour. I found a beautiful reference of a close-up on a cuttlefish eye. Its skin is dotted in thousands of little marks and I thought that would be perfect for the RainWing, who can camouflage just as well as them. I don't know if it's been discussed in canon but I bet they could animate their scales more than just colour shifting - cuttlefish are known for using their rapidly shifting patterns to hypnotize prey. RainWings could do it too, sort of like Ka from Disney's 2D animated Jungle Book.

Speaking of Ka - snakes. I love snakes. The head structure of the RainWing here is very smooth and rounded with muscles based on snakes like the python. I was even going to originally draw them in a venom striking pose and got as far as completing the lineart, but ultimately decided it wouldn't fit the calm portraits of the other tribes.

Will you see it in the future? Hell yeah! Pure, unhinged, magical death spit. Looking at it now I might try to alter it to be a full piece of Glory attacking Scarlet or Crocodile.

In the striking pose you can see the frills much better, but I still took my time on this serene pose (this is where the frilled lizard influence comes in). If you notice that I've drawn every scale (every single scale) then, yes, I am insane. If you didn't know that yet, you know it now. You have to draw guide lines and follow them meticulously while you wonder why you don't make a scale brush, and then cry because you know the randomness and imperfections that come from drawing a thousand circles is how it looks natural. The eye area is actually my favourite part, since drawing dragon eyelids was the original inspiration for doing this. Did I mention that? I wanted to draw eyelids.

EYELIDS.

I digress. Besides the eyelids, I like the frills on the action pose, but this pose is where I like the body scales more. When zooming in on my chameleon colour refs, I noticed the very rhythmical distribution of their scales and figured I would give it a try. They actually do have extra large circular scales along their bodies, which is where I guess the canon RainWing design gets it from. Very clever, Joy!

Anyway, on this version, those small circular scales appear on the face. Not only that, but I added a bit of influence from the snouts of my ref chameleons by extending the nose bridges to wrap around the nose horn. They blend in so seamlessly and that's the reason why I love this design - it's subtle, barely there, mostly Joy but a little extra.

Wow, I talk too much. If you're here, thank you! It's not mandatory to read, but very appreciated. I heard once that visitors at an art gallery look at each piece an average of 2-3 seconds. Or was it 3-6? Idk, but it was shockingly short, and ever since then I've tried to encourage myself to pay more respect to other artists and glean their work for little details I skip after that quick glance. I could talk so much more about these designs but that would be like an hour long video, each, lol. If you have questions about anything, ask away!

[freckliedan]

i'm sorry but if you've only been a phannie since the reniassance you really have no right to be criticizing dan gender posters.

i don't think anyone who got here post revival understands the distinction between "fans crossing the line" vs "fans listening to what dan and phil tell us even before announcing things explicitly and celebrating that". and the way people act like they need to defend dan from people who think he could be trans makes that abundantly clear.

dan especially has been so open about how this community's support is what made it possible for him to accept himself and come out, and that wasn't support that magically appeared the second BIG dropped. it didn't exist only after we got told officially.

the community support of dan and phil's queerness was the way people noticed and celebrated and understood the way they increasingly chose to be vulnerable with us over the years, and the way we shared how they made us feel safe in our identities.

they came out a million little ways before they said the words, but dan did especially: wearing nail polish, going curly, an earring in the gay ear, liking tweets that said he was gay, making increasing gay jokes. the winter before they both came out they tweeted about the bbc calling them a couple and didn't correct it. dan TOLD us in march of 2018 that he had a video planned for june that was relevant to the month but not because of his birthday.

they do the telling us with their actions before announcing it in so many other contexts too: moving, announcing tours, etc.

if you trust in and pay attention to their consistant patterns of behavior it's hard to be surprised by dan and phil.

so why is it that this one fucking thing—dan's gender—is not allowed to be posted about in the same way as everything else? those of us who do take so much care in what we say, too, if we ever do anything other than post jokingly. both for dan's sake (nobody forgets this is a public forum) and because the transphobic backlash is constant.

dan has been saying he sometimes wishes he was a girl since manchester. talking about gender since 2009. the gender conversation has been constant as long as dan's been online and we know it's been a constant since early childhood too.

dan said after BIG dropped in 2019 that he considered coming out in 2014 but then started thinking about gender and needed more time to figure it out. and you know how that ended? he did NOT say "i came out because i figured it out". it ended with dan saying that thinking about gender culminated in realizing it's okay to come out and change your mind. that you can be a formless blob. (quote)

and then sister daniel happened, and dan has been increasingly openly talking about questioning gender ever since. and hey: dan and phil commented on the possibility of a gender video from dan during dan's bday livestream. doesn't that sound familiar.

this isn't different from when dan and phil claimed heterosexuality and then were openly not in the lead up to coming out. this pattern of behavior is the same, and the way people are posting is the same, and i've never fucking once seen a dan gender poster cross the line the way people used to.

it's just a different subject.

would the people who get pissed at dan gender posters have been doing the same thing to people who thought dnp were queer before they came out? did you not realize what an rpf community is like because you got here after the fact, or are you being transphobic hypocrites?

why is the possibility of transness something dan needs to be defended from, anyways? it's a compliment and we know dan takes it that way.

figure your shit out. i'm sick of it, especially coming from other trans people. i've had so fucking many trans mutuals bullied off this website and out of this space for openly talking about the possibility that dan might not be cis over the years, and when the same transphobic talking points come from a trans sibling's mouth? it disgusts me.

you don't have to like it or agree with it or engage with it. but can you PLEASE stop acting like you have a moral high ground and are doing something beneficial to dan that he'd thank you for? just fucking block and blacklist and move on.

and know that if dan someday turns out not to be cis, you're gonna have to live with the knowledge that you made things harder for him.

us dan gender posters? we all know we might be wrong and we've had to think about whether we're happy with our actions if that's the case. and i know damn well we'll all be celebrating dan's gender nonconformity just as much for the rest of time if dan remains cis.

we're under constant scruitiny so we've had to self reflect. but i really don't think any of you have. think about your underlying biases. consider the impact a vehement defense of cisness would have on dan if he isn't. and please, for the love of god, let that impact your actions.

[sysig]

I’m turning you all into marketable plushies, you watch (Patreon)

Bonus eyes because embroidery brain:

[skrunksthatwunk]

AAAAA THIS IS SO GOOD LEMME RAMBLE A BIT OK BECAUSE LIKE. he's ALWAYS trying to make himself fit this box, right? he's always thinking and talking about appearances and what you have to do to get ahead (the suits you wear, the girls you entertain, etc) because he's been studying it. not just to get ahead, but because he knows he's got to do more to get people's approval than kiryu. I think there's an interesting tension there. he keeps trying to give him advice on how to mask and how to fit in because he's put a lot of effort and thought into it because it's how he stays afloat here and he tells kiryu to protect/help him, and then kiryu gets to disregard it and be fine anyway. he doesn't need it like nishiki does

and while nishiki loves kiryu dearly i think there's a sort of jealousy that often comes with that dynamic (speaking from my experience, ohoho). kiryu's allowed to be himself and not even try to be Correct or Normal and people let him because they like who he is as a person more. nishiki masks because he knows the base version of himself, who he is at his core, would be unacceptable... but if kiryu isn't and he is then there has to be something wrong about the way he is. something shameful he has to hide. or at least a liability he's got to always be accounting for, always stepping in front of to obscure.

and he loves kiryu. he really does. but maybe it annoys him when kiryu does things that are blatantly autistic because he wouldn't let himself do that. he has more self control. he's more aware of things than kiryu is. and nobody seems to see that advantage (one of the only ways he's better than kiryu) nor that effort. how bad he's trying to fix himself for them. they don't care. but the lesson he takes away from that isn't that he should stop trying because he's never going to please them, but that he needs to try harder and harder. he's going to pass. he's going to sneak it by them this time. he'll be the son kazama always wanted eventually if he keeps stuffing himself in this damn suitcase.. even though he knows kazama already has the son he wants. it's kiryu.

i think a lotta this is because neither are ever diagnosed (maybe kiryu is later in life, but nishiki? no chance), and because nishiki's not masking consciously. there's a part of him that's annoyed at kiryu's blatantness, and i think it really is rooted in jealousy, because he wants to be free like that. he wishes people would accept him if he were like that but he's on thin ice as it is. but i don't think he's necessarily conscious of it as jealousy, he just thinks kiryu needs to get a clue or get his act together or whatever.

and the thing is, i don't know if nishiki would have been liked better if he unmasked. people think of him as a snivelling kissass, y'know? and i think that comes from the masking. but i think he probably would be more chatty, more open. more inconvenient and more annoying, as far as his peers are concerned. strong and silent type? sure, they have a place for that. but that's not nishiki, and he won't be if he unmasks, either. and not knowing what the problem is (autism) nor what the outcome would be to fix it this other way (unmasking), he doesn't have much of a shot at it either. but if he did he'd probably stick with masking, because shit, it's better than nothing. he's gotta have armor. if people hate the mask they hate the job he's doing at fitting in. if people hate him without the mask, they hate him. he can't risk finding that out even if he already suspects it's true. it would break him.

but they'll always hate him anyway. nishiki, at the end of the day, could never win. that's his place in the narrative and in his own life. he fought a losing battle and he lost and they hated him for it. he just wasn't cut out for this. but the wheel keeps spinning, because if he stops trying, he'll fall apart completely.

[kicks door down]

Autistic Nishiki whose special interest is fashion and not only considers what's trendy but also looks out for fabrics that aren't a sensory nightmare, however sometimes he will force himself to wear something that isn't comfy for appearance's sake, which leaves him more vulnerable to getting overwhelmed and therefore 'emotional' Also means he has his collar popped like Kiryu's for sensory reasons too and slutty reasons, which would once again make me correct in saying if he undid his collar in Kiwami he'd be normal again because if I were constantly experiencing sensory discomfort I too would be fucked up and evil.

Cause like here's the thing, autistic Kiryu and Majima headcanons are more obvious (especially the former), whereas Nishiki probably comes off as the most 'normal'; he can likely maintain eye contact and talk to people 'normally' and not like, go off on some random tangent about a special interest or hyperfixation. And then you remember masking is a thing.

And okay, so I actually think it's unfair a lot of fandom considers him a 'crybaby' right, cause he's cried in situations MOST PEOPLE WOULD RIGHTFULLY CRY OVER! BUT, I can use this to my Autistic Advantage and have this be he actually struggles to regulate his emotions, and considering he's been exposed to the yakuza world since a young age where ANY emotion that isn't 'respectable stoicism' or 'righteous fury and indignation', he's seen as even MORE overly emotional. Hence the need to start masking so early, PLUS having to protect Kiryu who couldn't mask if his life depended on it because he doesn't realise he may HAVE to (speaking from personal experience, Kiryu definitely went his whole life unaware there was anything ""wrong"" with him (for lack of a better word) and had people just like "oh yeah he's just Like That dw bout it" and went on with his life), so Nishiki takes up the mantle of I'm The One Who Knows What We're Doing Lad's desperate to gain acceptance and will change whatever he has to but people still somehow pick up that Something's Off About Him and so they tend to be disdainful or brush him off. It's easy charisma that can win over hostesses and brief encounters with civillians but can't carry across in the yakuza. Kiwami is him trying his DAMNDEST to act neurotypical even at the cost of his own comfort, and the worst part is it's not working

[cityofmeliora]

the Terzo autism post ♾️

this is kind of an analysis post and kind of a headcanon post.

Terzo reads as autistic to me, especially during his first two concerts when he was speaking without a script and trying to figure things out.

Terzo has that "trying new things is scary and i need to feel like i'm getting a good grade at social interactions and everything has to be done correctly or i'm going to explode" flavor of autism.

[AFTER PERFORMING PRIME MOVER] PAPA EMERITUS III: How am I doing so far? I've been studying these moves so you would feel comfortable. Are you comfortable? Linköping, Sweden (June 3, 2015)

Terzo says he studied the choreography for 'Prime Mover' so the audience would feel comfortable. he's trying to do what people expect, and he keeps checking if he's doing alright and asking the audience if they like what he's doing.

[BEFORE PERFORMING ABSOLUTION] PAPA EMERITUS III: So, we're gonna finish this off with something as weird as a new song. What that delighting, or did you not like that? Yes. Good, good. Linköping, Sweden (June 3, 2015)

PAPA EMERITUS III: So, I know it might seem a little confusing –it's even a little confusing to me, sometimes– y'know, playing new songs for people who've never heard these songs. But I tell you what– we have a really good ending song that you will understand why it is an ending song when you hear it. But now it might seem a bit strange, huh? Sweden Rock Festival - Solvesborg, Sweden (June 4, 2015)

Terzo feels weird about performing new music because it's new and the audience doesn't know what to expect and neither does he. he keeps trying to assure the audience that it'll be okay. but i'm pretty sure he was the only person worried about it. he was about to release a new album, so it completely made sense that he would be performing new songs. he just hates not knowing what to expect, and it doesn't occur to him that not everyone thinks like him.

and then this clip... i think it speaks for itself, but let's talk about it anyway. (i included the audio because i really want people to hear him speaking here.)

PAPA EMERITUS III: Okay! We are now officially wrapping– with a song. It's not a rap song, though. [STUTTERS FOR SEVERAL SECONDS] I've heard from my brother that you are somewhat of a singing crowd. So you like singing, eh? That is fantastic because that is exactly what we're gonna do right now, and if you had said no, that would have been… weird. So thank you for not being weird and weirding me out. I'm weird enough as it is. Sweden Rock Festival - Solvesborg, Sweden (June 4, 2015)

like where do i even start with this. him thinking he needs to clarify he's not going to be rapping. the stuttering. the fact that he listens to what Secondo tells him so he knows what to expect. him saying "[...] if you had said no, that would have been... weird. So thank you for not being weird and weirding me out. I'm weird enough as it is."

he feels like a weirdo and he just wants things to be normal so bad. 😭

he also gets really irritated when people are incorrect / do things incorrectly. he has the literal / rigid thinking patterns characteristic of autistic people

PAPA EMERITUS III: Well, it's getting late. AUDIENCE: NOOO! PAPA EMERITUS III: Yes! It's not a matter of opinion. It is getting late. Sweden Rock Festival - Solvesborg, Sweden (June 4, 2015)

he tells the audience it is objectively true that it is getting late.

then there's the whole bit where he wants people to clap along to the music but he hates it if people clap wrong or don't clap with the correct rhythm.

and the bit where he asks the audience to say "Meliora" and emphasizes the correct pronunciation versus the incorrect pronunciation.

Terzo strikes me as someone who is constantly trying to perform a very intentionally constructed social personality, not only as an entertainer but as a person. and while he's naturally charismatic and charming, it's actually quite difficult for him to perform this public personality because he's constantly concerned with getting a good grade in social interactions and things being done correctly.

and there are all the quotes about Terzo being a recluse who only interacts with others as much as is strictly necessary. this is definitely clinical depression, but i think his autism is also a factor.

he got comfortable once he settled into a routine and created a script that he could repeat, though. after that, he was really on autopilot during his concerts. which is also so so autistic of him <3

[beansprean]

Just a little convo that's been in my notes FOREVER because I meant to use it for something else, but it no longer fit after a while. Gave me a chance to practice painting lol

Support me on Patreon or send a tip on Kofi!

(ID in alt and under cut)

ID: 1a. Close up on a side table in Nandor's crypt, laden with a glazed patterned vase, a wooden jewelry box, a line of books, and a single candle on an intricate vintage holder, lit and casting a warm orange glow on its surroundings. From offscreen, Guillermo says, "I've done a lot of thinking, and I've figured it out. I do want to be a vampire...but not for the same reasons I used to." 1b. Wide shot, knees up of Nandor and Guillermo standing facing each other next to Nandor's coffin, lit from the far side by candles. Nandor, wearing a typical tunic under a fur lined cape, stares quietly at Guillermo and idly knocks the knuckles of his left hand against the coffin lid. Guillermo, wearing a violet shirt and tie with red trousers and waistcoat, has his left hand in his pocket and his right placed palm-down on the coffin lid, a few inches from Nandor's. He looks at his right hand as he speaks: "The powers, the sexiness, the cool capes - I mean that's all great but I... I realize I could have all that as a human, too. And I have." 1c. Close up of their hands on the coffin lid as Guillermo's hand slides closer to Nandor's. He continues: "But what I want...what I really want...is to be a vampire..." 1d. Chest up of Guillermo as he looks up at Nandor with a confident smile, back straight, lit warmly by candles. He declares, "So I can stay here with you, forever. As part of this family."

2a. Reaction shot of Nandor, eyes shining as he raises his brows and fights down the happy, wobbly smile that threatens to take over his face. He echoes breathlessly, "With...me?" 2b. Wide shot, waist up of them both. Guillermo looks away with a flustered grin and clarifies, "Uh! Well, you know. With everybody. Nadja, and..." Nandor turns his head away as well, flustered and frowning, and mutters "Right, yes, of course." Guillermo continues, trailing off: "Laszlo..." Nandor grunts "Uh-huh." Their hands are still an inch apart on the coffin lid. Guillermo ventures, "But also..." 2c. Close up of their hands as Guillermo's slides closer again, the tips of his fingers bumping against Nandor's knuckles. Guillermo continues, "Specifically..." 2d. Close up on Guillermo from a slightly higher angle as he looks up at Nandor through his lashes with a shy smile and shining eyes, finally saying, "You." 2e. Reverse shot of Nandor from a slightly lower angle, looking down at Guillermo with open wonder.

3a. Waist up of them both in profile. Guillermo starts to say, "And I know that y-" but is interrupted when Nandor launches forward with his hands on Guillermo's cheeks and pulls him into a kiss. Guillermo's eyes fly wide, perhaps less surprised than he should be, and Nandor's close in something like relief. 3b. Repeat. Nandor's right hand remains on Guillermo's cheek as his left arm snakes around his upper back to hold him close. Guillermo presses into the kiss, opening his mouth to let in Nandor's tongue as his hands creep beneath Nandor's cape. 3c. Repeat. They continue to kiss, heads shifting to the side to allow Guillermo to slip his own tongue into Nandor's mouth. Guillermo has unfastened Nandor's cape and is letting it drop to the floor. Nandor's right hand has plucked off Guillermo's glasses and is holding them aloft as his left tugs at the knot of Guillermo's tie. 3d. Repeat. Nandor shifts his head to deepen the kiss further, right hand tossing Guillermo's glasses carelessly behind him and left curling around the back of Guillermo's neck. Guillermo, tie now loose and top shirt buttons unfastened, presses his left hand to Nandor's chest where his brooch has been removed to allow access to his undershirt. His right hand hovers behind Nandor's head. 3e. Repeat. The kiss finally breaks, but they do not go far, Nandor's left hand still hooked around the back of Guillermo's neck as he turns his head to kiss down his cheek. His right hand pushes Guillermo's vest off his shoulder. Guillermo turns his head into Nandor's, eyes still closed, and gasps out "Mm, you'll...ah..." His right hand is tangled in Nandor's hair and his left deftly snaps open Nandor's belt.

4a. Repeat. Nandor kisses his way down to Guillermo's throat, hands now pulling Guillermo's shirt from his trousers and sneaking his hands underneath. Guillermo arches his neck to allow him room to explore, right hand fisted in Nandor's hair to hold him there as his left slides under Nandor's open tunic front. Smiling with eyes closed in bliss, Guillermo continues, "turn me...after...right?" 4b. Repeat. Nandor pulls back from Guillermo's throat, eyes closed and smiling happily, to let Guillermo press kisses from his cheekbone to the corner of his mouth. Guillermo is pulling Nandor's tunics off his shoulders, the buttons on his undershirt undone and exposing his chest. Nandor's hands are busy at the front of Guillermo's shirt, pulling apart the remaining buttons. Nandor sighs, "Oh, Guillermo..." 4c. Repeat. Nandor fists his hands at the collar of Guillermo's now open shirt to pull him aggressively upwards, looming down on him nose-to-nose with a feral grin. He promises, "During." Guillermo melts and grins helplessly, hearts drifting around his head. /end ID