#but i want the VIOLENCE

[felassanis]

Broke: John and Deputy living on a ranch. Having kids. John being stripped of everything that makes him interesting for the sake of being a booktok white guy.

Woke: John x Deputy could never function in normal society. They are two people so engrossed in their own need for violence that any semblance of a relationship between them can only exist within the snow globe that is Hope County during the Reaping.

They despise and want each other so much that they're caught between killing and worshipping. The NEED to punish the other throbs so harshly between them, and yet no one understands one quite like the other. No one gets them like they do. They're parallels. They're mirrors of one another.

There is an undeniable chemistry, a persistent connection that shines through the threats, the beatings, the kidnappings, etc. The acknowledgement exists only in lingering looks. The breathlessness John can't help when he's inches away from Dep. The way he smiles at them when he doesn't think about performing as the 'Baptist'.

The idea of "I know your sin intimately" from John, seeing this woman/man seethe with the same wrath he's projecting onto them and wanting to redeem them. Because then he too can be redeemed. And maybe because only through redemption can his desire for them be justified. Be appropriate in big brother's eyes.

They're salvation and damnation. They're the road to redemption and yet they constantly tempt him to sin. And John is a weak man who gives in one moment and pretends to stand on the high ground the next.

The deputy always remains on that high ground. Acting as the saviour. The hero. Even when covered in the blood of people who are also Joseph's victims. John calls them out, they don't need to kill that many people. That much blood didn't need to be spilled. But they've got the excuse, the justification made up in their head, so why not? But they're no better than the man they claim is a monster.

And the idea they act on those desire in secret? Away from the eyes of Joseph and the Resistance? Like some gross twisted, religiously traumatised version of Romeo and Juliet!? THAT'S THE SHIT

[shopwitchvamp]

[maeamian]

Part of the reason that Republicans are so desperately acting like they will never lose again is because they are deeply terrified that this is their last real chance to win. The big orange dipshit came in and gutted the party of everyone who wasn't a loyalist, which left it full of nasty little gremlins who have gaping voids where charisma and human decency is supposed to go.

They still hold a lot of power, but if we stop them this year the next presidential election may not be the Most Important One Of Your Life™, that's not a guarantee or anything, but if they don't win here and now their future looks grim, this dipshit is the only guy they have left and he's extremely diminished and has his brains leaking out of his ears at this point. We can beat him into the ground.

So that's what we're gonna fucking do. We're gonna break these fucking fash. They will crash upon us and we're gonna break their fucking necks. When they come for us they will lose because they're fucking losers and we have each other's backs which is something they fundamentally are incapable of comprehending.

[mipexch]

I WAS MADE FOR YOU // YOU WERE MADE FOR ME

[prayantis]

Mercy is weakness

Prequel to this

[gorbling]

went to salem and couldnt stop thinking abt this the whole time

[rochichan]

Odysseus

[bixels]

Scary Sunset.

I'm concepting things way outta order in this story, but I'm sure you can piece things together. Context is for a storybeat where, after defeating and capturing Adagio (thus having all three sirens in her possession), Sunset enacts her revenge plot to release the sirens on Canterlot as Thea discovers she's been manipulated. In a confrontation, the two scuffle and fight over the siren orbs while Sunset struggles with her conflicting wants and emotions.

[poorly-drawn-mdzs]

Dead beat down

[First] Prev <–-> Next

[sarcastic-clapping]

LET YOUR DAD DIE: IT'S FINE IT'S FINE IT'S WHAT HE DID TO HIS DAD.

Lestat + Claudia: Patricide & The Cycles of Violence - INTERVIEW WITH THE VAMPIRE (2022) - Catherine Lacy, "Cut" (2019) / Anne Rice, "The Vampire Lestat" (1985) / Anne Rice, "Interview with the Vampire" (1976)

[panthermouthh]

Beware; for I am fearless, and therefore powerful.

[shelfperson]

okay but WHYYY is no one talking about louis and daniel WHYYYYYYYYYY is no one talking about the greatest grandpa4grandpa relationship known to man and i don’t even mean romantically i mean in the most basic human platonic level their relationship is FASCINATING.

like louis SAUGHT HIM OUT after FIFTY YEARS he FOUND HIS BOY, this horrible infant who DID NOT UNDERSTAND A THING HE TOLD HIM, who saw his raw, decades-old pain and wanted in on it, AND HE GOES BACK FOR HIM BECAUSE HE KNOWS HE’S CHANGED. he can understand now. he can help him find the truth.

and like, they’re both absolutely terrified by each other because they’re both uniquely skilled at getting under each other’s skin and finding that truth (and also because… louis could just up and eat daniel anytime but shhhh…) and it’s because they UNDERSTAND EACH OTHER. louis’s interviewing daniel as much as daniel’s interviewing him, just. pulling teeth from each other’s head, trying to pull out all the rot with such violence and cruelty (from both of them!! daniel is a cockwallop!!) but they want to help each other they CARE ABOUT EACH OTHER.

LIKE THIS????

THIS FUCKING SHIT?????

GAGGED ME. RUINED ME. I HAD TO STOP AND TAKE A WALK AROUND THE ROOM.

(the gifs are from @loumands account btw. great work my guy)

[bunnieswithknives]

AU based off Nature except I kept thinking about it too hard. Dales not a good dad, but its such an easy problem for him to throw money at, and what do you do when a part is damaged? Well, you replace it.

Basically an AU where Dev gets to experience medical trauma and realizes much sooner how much his dad doesn't love him

[kidovna]

reality

[mourning-at-night]

jace i don’t feel good was so funny but also made me so sad. like that’s a teenager with a strawberry squishmallow keychain and a tamagotchi and she doesn’t feel good and she's tugging on a teacher’s sleeve about it. a teacher who should have been responsible for protecting her in the first place and didn’t. who is manipulating and using her and her friends to help fulfill the desires of a wrathful power-hungry egomaniac. porter and jace it’s on sight >:(

[lesbiancientforesttroll]

Think about Harrow's AU Bubbles

Thinking about Harrow's AU bubbles, not as fanfic references, but as expressions of her subconscious fears and desires, is so fascinating.

The Harrow Nova one is pretty obvious. Harrow's parents were obsessed with her being a necromancer, were willing to kill for it. It's only natural she'd wonder, "What if I hadn't been?"

And the answer Harrow gives herself is: Your parents and everyone would reject you (except, wildly, for Crux). Also they'd be alive cuz you'd never opened the tomb, and you'd be an unpopular orphan they'd abuse (Just Like Gideon). And you'd still be just as devoted to serving the Ninth with a blade. There's a lot there. But the other really telling bit is her relationship with Gideon. Harrow Nova professes to hate the reverend daughter even as she seeks to (re) create the necro-cav bond with her. But that hatred doesn't seem to be mutual. And the bit about the daughter intervening when Harrow was whipped…

That's Harrow's subconscious saying if their roles had been reversed, "Gideon would have treated me better than I treated her. Gideon would have protected me."

The Ball AU also seems like a reasonable extension of Gideon's childhood query: "What if my other parent is the most important guy in the universe?" Answer: Emperor Dad would throw a big party.

But also… it's a bride-finding ball! That's so very telling. It could have been anything, but Harrow invents another scenario where she's fighting, competing to get to Gideon, to be awarded the role of her sworn partner (first cav, now bride), while outwardly claiming not to want it.

Now The BARI Star AU often gets described as a "coffee shop" one, but it's actually set in a cohort cafeteria. And normally I wouldn't split hairs over that, but I think the cohort setting is actually really significant. The Cohort was Gideon's dream, and also Harrow's rival for Gideon's attention. It's what she kept trying to leave Harrow for.

So now Harrow dreams that she's left Drearburh to join the cohort and will meet Gideon there. Not fight or compete for a role where they're bound to each other, but just meet her there. That feels like yielding. Like compromise. It makes me think Harrow's subconscious has matured past trying to keep Gideon with her always and is instead looking for ways that SHE can be with Gideon. Meet Gideon where she is.

(Also this may be a stretch, but I always find it low-key funny that Harrow imagines Gideon in the cafeteria… I like to think her brain is skimming lists of hypothetical military jobs like... what sees the least action... ah, coffee-adept, she'll be perfectly safe there...)