#but i think this is long enough as it is

[poorly-drawn-mdzs]

The math just adds up!

[mangozic]

my dead goth son and his friendly neighborhood personified concept of insanity

[darksouls2yuri]

hey is it okay if i eat my nature valley oats and honey granola bar here. yeah its the kind that comes as a two pack and immediately disintegrates into millions of annoying crumbs. its okay my ants that follow me everywhere will eat them. youll have ants now though.

[whatkindofnameisella]

can you believe that we have fanfiction. that we have websites dedicated to fanfiction. that there is a place that you can go and read tens, hundreds, thousands and thousands of pieces of writing that strangers have made. people who are not "writers". people who come home at the end of the day and have feelings and say, i am going to put that into words. i am going to share those words. short, long, sweet, sad, horny, funny, wonderful words. we are all just human and we all love to make and remake and share that with others. can you believe that.

[chloesimaginationthings]

Do you think FNAF movie Vanessa has the Vanny mask?

[screwpinecaprice]

She's not like other girls

[umblrspectrum]

so like is it specifically planets the solver craves or can it get by with just eating dirt off the ground

[1001aus]

AU where Danny has spent a very long time in the Infinite Realms for one reason or another (time travel work for Clockwork, Ghost King business, fled Earth for some reason, decided he didn't jive with living under capitalism, realized he wasn't aging, whatever).

On his first trip out to the living world where he actually interacts with living people, he drops into a reality where the Justice League exists and gets curious about the Watchtower. It's definitely Earth technology, but it's way different than anything he's seen them build before. How cool! He has to check it out.

He gets intercepted. Danny's first introduction to the Justice League is Green Lantern, Superman, and Martian Manhunter. They're friendly enough when they realize he's just curious.

In the course of talking, his abilities come up. Danny talks about his ice and the time powers Clockwork started teaching him after AGIT.

Then one of them says something along the lines of "and you can fly."

Danny gives them a weird look.

"...and I can walk?"

Which is about the moment that they realize that, not only has Danny assumed that flight is normal for them (since all of the people he's met since showing up are capable of it), but he could have any number of abilities that he considers not worth mentioning.

[gerrykeay]

im not putting this post into words. beams into your mind The Parallels

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[poorly-drawn-mdzs]

Just your average male living space.

[First] Prev <–-> Next

[hhhhunty]

How funny that she never considered that.

[thelostmoongazer]

so i recently watched all the sonic movies

[egophiliac]

bring your son to work day

[ionomycin]

heartblood

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[kmesons]

the tgwdlm soundtrack: a visual summary