#but i think it does take away some of the problems. it takes things down from like an 8 to a 4 or 5 maybe?

[botchedsundoll]

L. KENNEDY, C. REDFIELD, C. OLIVEIRA X READER (SEPARATE)

ೃ⁀➷ sypnosis; christmas hc’s

ೃ⁀➷ warnings; none! pure fluff

ೃ⁀➷ author’s note; ho ho ho merry christmas idc if its nov its christmas time… do ppl drink on christmas? we do so idek? icl this is all like stuff i made up bcos i don’t celebrate christmas like this but wtv we roll #wesołychświąt

C. OLIVEIRA

do not let this man near the kitchen. everything that can go wrong goes WRONG

ask him to take something out the oven, he drops it. ask him to stir something in the bowl he stirs too vigorously and it goes flying all over the counters

he’s a pain. he’s distracting. constantly getting infront of you with the mistletoe, thinking he’s slick by trying to sneak in kisses. constantly sneaking bites of food whenever he thinks you’re not looking (you are, and you smack his hands away with a spoon)

one thing he’s actually good at and enjoys is cookie decorating. he’ll make little gingerbread men of you two and make them so damn detailed. makes one for jill too, though with less care and her face ends up a bit… strange

he’s THAT person which is always ringing everyone, friends and family, wishing them a merry christmas and sends them stupid gifs slavic babcias love so much (if u dont know what i mean then☹️)

LOVES the whole aspect of the christmas tree yet hates putting it together, it pisses him off to no end and half way through ends up calling you over to help him… definitely picks you up so that you can put the star on top

if he gets an ugly christmas sweater you best believe he’s wearing it for the full day, no shame

L. KENNEDY

depends which leon we’re talking about

younger leon puts in more effort, older leon genuinely can’t be fucked to do much

walks around with a trash bag when everyone’s opening presents so there’s no mess on the floor

your guys’ house is literally the christmas function. every year. mostly due to you inviting everyone round and deciding to host it, much to leon’s annoyance but he doesn’t mind THAT much since he loves you!!

definitely the best gift giver. for some damn reason he just knows what everyone wants, genuinely no explanation for it. he just does

he’s such a sweetheart, constantly asking you if you need help with anything in the kitchen or whether you need him to pop to the store for anything

he 100% sang carols when he was younger. just imagine 7 year old leon, hair gelled back, button up shirt, stood infront of the tv singing carols (lets pretend he didn’t have all that trauma okay)… get him to sing again, he might cave once he’s drunk enough with chris

on the topic of chris, something ALWAYS happens when the pair have had a few and aren’t sober any longer. something always gets broken for some reason

one year, they randomly got up and started dancing. leon went flying into the christmas tree and took it down with him.

i hc him as having a rather large sweet tooth, so he’s always down for some cookie decorating! it’s rather sloppy and they end up looking questionable most of the time, but he ends up eating half of them before he’s even fully finished decorating so that’s not much of a problem anyways

C. REDFIELD

santa. need i say more?

nag him constantly to wear a santa outfit or atleast a santa hat. he will cave eventually

DEFINITELY gets a wallet for christmas every damn year without fail, yet doesn’t even use the damn wallets

him in the kitchen helping you out is definitely… something. he doesn’t know how to measure - what the fuck is a cup?

you asked him to help you out and stuff the turkey. he walked out the kitchen.

gets claire shitty gifts on purpose but then gives her her ACTUAL gift. they’re siblings after all, he can’t help it, old habits die hard

hates decorating the outside of the house. it’s his nightmare. all the stupid lights, just no

goes CRAZY on your gift. it’s like a little reward for all the effort you go through every year, and it’s always something you wanted badly and doesn’t fail to put a smile on your face

he’s not necessarily a fan of sweet things, but hot chocolate? that’s a completely different story entirely, you end up having to send him to buy milk since he drank the whole damn carton and there’s none left by the time you get around to actually preparing for dinner

like leon, sits there with a trash bag. he gives such dad vibes i can’t stop imagining it

him and leon ultimate christmas duo after a few drinks. all of a sudden chris is in the biggest christmas spirit ever and can’t get last christmas out his head

best thing is? he’s not even too big on christmas. he actually celebrates it just because of you, what a sweetheart

[leth-writes]

OMG EXACTLY!!

Honestly, I can see them just being really confused. You love them so much, and yet you hate them at the same time??

They always love listening to you talk, you could be reading an instruction manual and they’d be sitting in the cave just cheering.

Ugh i just love the idea of them all getting cozy, all sitting around in the living room (not the one you have bugged), putting the feed on the tv, and getting ready to enjoy a night of watching you. There’s snacks, someone made some popcorn, Bruce is nursing some wine, it’s like an entire thing.

And there you are, just puttering around your apartment, mumbling under your breath as you make yourself dinner. You eventually put on some gossipy talk show, which spends almost all of its runtime discussing the Waynes.

They’re watching you watch daytime tv. I just think that’s funny.

And you’re like booing everytime the hosts say anything negative about the Waynes, smiling brightly everytime they talk about Dick’s recent free gymnastics lessons for people who couldn’t afford the normal cost, Bruce’s recent charity fundraiser, etc. 

Finally, the show starts talking about the bats, and you just lose your cool. You’re like grumbling and pouting and it’s so cute to them, but they’re also conflicted because you’re being so mean-

You’re like cursing the day batman was born, yelling about how much you hate Nightwing, how he can’t compare to Dick and he’s just a stupid copycat, how much Red Hood irritates you, pretending to be good for the neighborhood, not like Jason who reads to kids at the library-

You’re just ripping their alter egos to shreds.

I can see them trying really hard to ingratiate themselves with you. 

You’re in Jason’s safehouse’s neighborhood cuz you know he takes walks around there, and oh wow what a coincidence! Red hood’s here to save you from a (totally not pre-planned) mugging!

You’re on a roof across from Damian’s school, making sure he isn’t getting bullied, and oh, look! It’s Red Robin with some delicious coffee for you to drink, he won’t even ask you what you’re doing!

Even Batman offers to walk you home one night on your way back from following Dick on his run. Well, he kinda grunts and waves his hand, but you get the gist. Each time you’re cursing them out, spitting all over the place, just so fucking mad. How dare they try to imitate your beloved Waynes? You see right through them, they could never come close to the bravery and kindness of Gotham’s favorite family!

Eventually, you get more bold. And you’re like following them more, watching them more, trying to arrange little coincidental meetings like “Oh! I’m So Sorry I Spilled My Coffee All Over Your Nice Shirt!” And they’re like :)  “it’s okay (please marry me)”.

However, you start hearing some problems they’ve been having. Damian’s getting bullied at school, for example. He’s in the bugged living room talking to Dick and he’s all like 

“Grayson. It is not a problem. I can handle it.” In that overly formal manner, crossing his arms and pouting.

And you’re ENRAGED. WHO IS HURTING THE BABY?!

So you try to beat up his bullies. You’re only a street away when the Red Hood finds you and catches you by the forearm. He takes your baseball bat from you when you try to swing it at him. And you just. You hate him so much, you curse him out and leave.

Oh, a teacher is calling Tim lazy? You try to poison her coffee, but Batman catches you buying the poison and makes you give it to him. You try to kick him in the kneecaps and fall over. This does not endear him to you, but he’s just internally cooing. 

Wow, one of Dick’s colleagues is being racist? You’re ready to end their career preemptively, but Red Robin hacks your laptop and tells you to calm down.

Jason keeps getting asked invasive questions and you’ve already got the crowbar out, but oh look, Nightwing confiscates it.

Just stuff like that.

They’re watching you positively FUME over getting thwarted, and you’re practically becoming a supervillain, just incandescent with rage, and they’re just like “So cute! Look at her trying to hack her way into Gotham Academy, aweeee”

It keeps escalating until eventually they can’t take it anymore, you’re starting to have like a mental breakdown.

But when you get kidnapped, they wake you up and bring you down to the cave and they’re like “Surprise! It was us all along! Now you don’t have to hate us!”

And you just. Scream. Cuz now you have to kill every villain in Gotham, and you honestly don’t have the time, you need to get started on bugging the manor and going through their clothes, and hugging their pillows. 

It’s cute how you think they’ll let you leave :)

yandere reader x yandere batfam

SUMMARY: yandere batfam x yandere reader

WARNINGS: 18+ as always on my blog, though the work is safe for work. Typical yandere shenanigans.

MASTERLIST 

Requests are open!

Just thinking of a yandere darling. You’re a little intense, maybe just on the creepy side of protective.

But you’re not very good at it 🙁

You’re stalking them, they’re stalking you as you stalk them, it’s a whole thing.

They honestly might be relieved. They know where you are at all times, they’ve long ago put a tracker on you, but having you always hovering around eases their worries.

Tim definitely hacks the bugs you’ve put on them, making sure you aren’t accidentally catching on to the fact they’re night-time vigilantes.

Overall, though, I can see them LOVING the trackers you try to place on them. You’re so clumsy about it anyone would notice, but they pretend not to, just so your self-esteem doesn’t get hurt.

It’s like a kitten trying to fight a tiger; the tiger’s playing, the kitten is unaware of how bad their odds are.

There’s no way you’d be able to break into the manor by yourself.

They see it as enrichment, they just… leave a single window open, on the ground floor, into a rarely used family room.

Once they catch you planting the bugs all over the room, not even bothering to make your way throughout the rest of the manor, they’ll spend more time in the room, playing up their personas.

Bruce is especially amused; he’s really playing up the ditzy Brucie persona around you, entirely so that he can get close to you without you suspecting he’s onto you.

You’re really protective over him; there’s been times you’ve been gearing up to fight some creep at a gala who won’t leave poor ol’ Brucie alone. 

He doesn’t need your help, he’s working on a case, but he appreciates it nonetheless.

It makes him feel all warm and fuzzy, knowing you’re there. Even if there’s no way you’d actually be able to deal with the types of enemies he has.

You’re like pulling him off to the side, holding his hands in yours and staring at him so determinedly, eyes blazing. “Bruce, don’t be scared to tell me if someone’s bugging you, okay? I’ll handle it.” You tell him. Internally, Bruce is cooing. When he tells the others about it later, in the privacy of the cave, they’ll do the same.

You just think he’s too soft for this world. He needs protection! He thought Mexico was a continent!

He’ll definitely pretend to be super drunk just as an excuse to lean on you, his side pressed to yours and an arm slung around your neck. He loves the way he can feel the heat of your blush.

Dick is much the same way. You’ve signed up for his gymnastics class and you’re so determined to succeed at something he loves that he just can’t help but prioritize you. Some of the other students even complain about how obvious the favoritism is. Don’t be surprised if you miraculously win free 1-on-1 lessons with him. He just loves being able to physically touch and guide you, watching how flustered you get.

Sometimes you slip in a bit of information he knows isn’t really available to the general public, just little things about his time in the circus. It makes him happy to know how much time you’ve spent researching him, even if it is pretty baseline stuff, nothing too deep. He’s just appreciating your hard work!

Jason, you have a hard time with. He doesn’t appear in public often, so you spend most of your time just watching him read in the family room. He knows you’re reading the stuff he picks out, so he deliberately chooses books he thinks you’d like. 

When it comes to Tim, he’s definitely matching your freak. You get a tracker on him, he has 3 on you. He’s discreetly watching you watch him. 

Puts on a show, makes himself seem like any naive rich kid. You’ll never see the true predator until it’s too late.

Definitely fiddles with the trackers in his spare time, he loves being reminded of how much you love him; it plays right into those deep seated insecurities left over from his biological parents.

Damian is definitely the least subtle about it. He’s not gonna pretend to be something he isn’t, and he definitely wants you to step up your game. He’ll smash the trackers until you manage to get it into a satisfactory spot.

He will absolutely refuse to spend much time in the family room; he sees it as too easy. He wants you to work to learn more about him. His past is definitely one of the harder ones to dig up.

Cass can read the desperation on you, and just befriends you. She doesn’t really put up much of an act, and just satisfies your protective instincts by listening to your ‘suggestions’ about how awful her ‘friends’ are. They’re acquaintances at best, so you aren’t really accomplishing much of anything, but she feels it’s the thought that counts.

Just imagine when you’re finally kidnapped, and they’re like Surprise! We knew the whole time!

OH MY GOD THE HUMILIATION

They’re completely different than how you thought they were, and you slowly realize you’ve made a big fucking mistake, but oh well, it’s their turn now!

[centrally-unplanned]

The Swing Won't Save You

The "mainstream" account of the election results is one I generally endorse. Elections are thermostatic in the sense that they bounce around an equilibrium - these days the incumbent has a disadvantage, being blamed for the problems but not credited for the successes. Democrats lost because of things like the 2021-2023 inflation spike, or the immigration surge, and the next administration will be blamed for whatever problems the cycle of history throws upon us on top of the consequences of their own actions. That is just How It Be, and it isn't something internal reform can change.

This account is probably true, but this does not lead to some of the conclusions one is hoping it will. I see many taking this as a sort of dismal c'est la vie, assuming that you can just ride it out and win next time, then do good when you do. That therefore there really isn't any need to change all that much in the Dem party structure.

The miss here is that there are fundamental inequalities in the two parties. We just went through, quite handily, the most progressive democratic administration in decades. One that was maximally committed to the idea of "FDR reborn". And it did some good stuff! But I don't really think it lived up to the name, not even close. The democratic "win" - which occurred at the peak of the Covid Crisis in an era of nigh-unprecedented discontent against an incumbent president who was deeply unpopular - delivered a razor thin margin in the House and a literal tiebreaker Senate, itself only after a series of special elections.

The Biden administration spent its political capital on macroeconomic stabilization, one authentic Dem priority in the IRA bill, and then otherwise spent much of its time on a series of rearguard actions and failed attempts to appease coalition partners like unions (who broke away from Dems in record numbers in 2024). Bad policy ideas like student debt relief were themselves undone by the courts. They had four years to prosecute Trump for a blatantly obvious mountain of crimes, and could not get a single one of them across the finish line. And meanwhile, due to awful polling numbers, they felt forced to pursue a number of policies they didn't even really agree with to stave off future defeat. Which they, of course, did somewhat badly, for many reasons but "not really believing in them" is certainly a factor.

Meanwhile surveying the Republican Party's incoming administration, I of course cannot say what they will do with their probable quadfecta, so this is speculative. But through the dice of death they handily control the courts. More importantly, they play the dice to control the courts - we already have discourse on getting the two oldest Republican jurors in the SC to retire. Republican plans include debates around say abolishing the NLRB as unconstitutional, or mass scale deportations, and more you have certainly heard of. They will not do all of them, of course not. But "winning a court case to dismantle a regulatory capacity" is far, far easier than passing a congressional bill to reinstate it. You are not "un-deporting" anybody. The entire Republican agenda is structurally easier to pursue - tearing down is just easier than building up.

And meanwhile, the levers of power are themselves biased. The Supreme Court, of course, but more importantly the Senate, which has an awful map for the Dems. Even when you give Dems their best case scenarios where they win every competitive upcoming election, you are talking 52-48 seats up through ~2032. Meanwhile, the Republican ceiling is 60-40, and is not likely to dip out of the majority.

No one can predict the future of course - I just don't think this scenario and reality is getting the proper attention. A "swing" model where Dems win in 2028 at the same margins they won in say 2020, and then it swings back and so on, is a defeat for Democrats. Republicans will likely achieve X% of their agenda over the next two years, solidify court control, and then Dems will achieve X/2% or worse and otherwise play defense on their turn. It almost certainly isn't the apocalypse, it most likely is not the end of democracy - if you don't wanna care about politics, you don't have to, go live your life. But if you are trying to win at politics, if that is your goal - which for a political party it should be - this just ain't it.

The debate I see is over whether or not this election should be a "wake-up call" for Dems. Which is the wrong question, to me - the Biden administration should be a wake up call for Dems. Even if Harris squeaked out a win, it is a defeat to the party that they found themselves running a decaying man with sub-40 approval ratings for President, or found themselves taking a former senator in the top 1% of the leftwing voting record and running her as a centrist. It should be shameful that they took literally years to act on a "border crisis" that once they did act they found themselves perfectly capable of addressing, not because they authentically believed in increasing immigration and wanted to spend capital on that agenda (which they did not do), but because they were scared of the blowback that happened anyway. It is beyond the pale that Trump is not in jail because they think "politicizing the judicial branch" is somehow not their literal jobs as political actors. It is embarrassing that solidly blue Democratic cities are hemorrhaging population to purple and red states because the Democratic party is failing to govern them.

And I know, I am in the grand, august, tiresome tradition of using an election to repeat the same shit I always say. I have been on this beat since at least 2019. But it being tiresome doesn't mean it's wrong. It might not be right! Maybe Republicans will truly collapse into squabbling infighting and get nothing much done beyond tax cuts, their truest love. I don't know. But I think the odds matrix here is pretty ruthless - the opportunities to be a better party barely have downsides. They implement bad policy half the time even when they win! There is a fundamental disconnect between "what do we want to achieve as a party" and "how are we going to achieve that", a strategy void that infighting, paralysis, and special interest spoils-grabbing fills.

I am less confident on the solution for all this - at minimum we don't even have all the post-election data, that will take time. But the problem such solutions should be solving is that the Dems have been losing for 8 years. "Thermostatic swing in 2028" is not going to change that.

[neverpathia]

fuck this shit

have my voice of the broken

and please ignore how elementary my art looks

it's not the full design unfortunately, but a little guy is a little guy, I hope. + the original pencil-and-paper lineart.

now I was gonna go by a specific order, like starting from voice of the hero and all, but broken just resonated with me too much and I thought we could make a pretty neat design out of him so there we have it.

okay I have quite a bit to say about him

come on, the fact that he's the most like me out of all the stp voices surely says something. tower route isn't exactly how my very first playthrough went, true, but once she beat the ever loving crud out of me and the rest of the route unfolded

I had to do a double take he's so real wtf

everything Broken says is something that has definitely passed through my mind at some point or another, especially when it came to a few relationships of mine. the way he just defaults to surrendering. taking the easy way out, the ONLY way out, which is in fact only digging yourself deeper into the problem. somewhere in your subconscious, maybe you know this. but what other choice do you have? she's above you in every way possible. don't you want to please her? isn't this how it's all supposed to go? and, besides, you don't want to taste the alternative.

defiance can't be an option anymore. it's a path fraught with danger and fear and the Broken is blindly submissive because it's the only thing he can be. he can't let himself think like a person or feel like a person or even be a person anymore if it's all just going to get taken away from him.

maybe he's bitter. maybe he hates the world. maybe he wants to let himself feel something that's not simply her, and her, and her.

but it's too risky, too dangerous. and it's so much 'easier' to just...not. just do what she asks, because there's a course of action put before you, and you won't be hurt if you do what she says. and you don't want to be hurt. and everything she's already doing to hurt you is so much better than everything she CAN do if you defy her.

and she loves you. in this twisted, unbalanced, unfair way of hers, she loves you. call it love because you don't want to know what else it can be.

you hate this love. it suffocates you. it drowns you. it seeks out the cracks in your soul. it enters them. it expands them. but it's the only thing left in there anymore.

it may look like a choice when you reciprocate it in the same unjust way. it's turned against you and you're just blocking off your escape, that's what they see. but what does the Broken see? safety. protection. an escape from whatever she can and has thrown upon you if you don't.

you can have "whatever you want" at the cost of a "you."

I feel so bad for him, but I can't help but feel that I...am him. Just 'choosing' to submit and keel over and accept your comfortable little prison is kind of real. It's 'choosing' safety and sloth at the cost of my autonomy, but since when had it even been a choice? external circumstances nudge you towards a corner. your own willpower, or rather lack thereof, backs you further into that corner. the Broken is too familiar.

and yet the way he always makes it a point to hear others out. he empathizes. he soothes. because he doesn't want them to be Broken like he is, or rather, he's the only other one who's just as Broken and he knows how much it sucks. to be at war with yourself all the time yet you yourself are stuck and stagnant and unmoving in everything you know you hate as much as you try to pretend you love. everything you do, every second you live, as wrong as it always feels. he wishes for a choice where he has never had one himself and he can, in a way, live that choice through others.

maybe I'm just projecting idk

fyi there's a reason I gave him that particular hairstyle. it's tied together and weighed down with two teardrop-shaped ornaments. like how he's so restricted and it's heavy, it's so heavy, being sad all the time is a bitch and you can only be tired. yet the braids are still ornate. still straight and silky smooth, still beautiful. but what then? and what if a few strands threaten to escape? it means nothing, it's still what it is. helplessly fixed in place, but who would think about it.

[ponyregrets]

I wanted to write about Buck and Eddie going in the ocean and I'd written most of it before I thought to check what the weather in LA is actually like right now (look, I'm in New England, I just think of it as Warm down there, okay?) and I decided to go with it anyway. as @frightfullytreeish said, get chilly, idiots

(806 coda, 1900 words, also on AO3)

"Hey, what brings you joy?"

Eddie is expecting some waffling in Buck's response. Maybe some suspicion. It's a weird thing to ask, obviously. Joy isn't a word he uses much, isn't a go-to. But even if what makes you happy is a more normal question, it's not right. He needs something deeper.

And of course there's the Tommy of it all. Buck hasn't exactly been mourning or anything, but he's obviously down. It wouldn't be unreasonable for him to say that nothing is bringing him joy at the moment. It's not a particularly joyful time.

But Buck doesn't hesitate, doesn't question. He just says, "The ocean," and doesn't even ask why Eddie wants to know.

"Really?"

"Yeah. I never saw it until I left Hershey. We never went to the beach or anything when I was a kid. The first time I saw it, I fell in love. It was the best thing I'd ever seen."

"I didn't know that."

Buck shrugs. "Doesn't come up that much. And I guess I always think I'll get used to it? But it's amazing every time. I never get tired of it."

He should have known, right? They've gone to the ocean together. Or--well, they've had calls near the water before. That guy who got struck by lightning. The shark.

The tsunami.

But they've never just gone. Buck has never tagged along with him and Chris on any of their trips, and he and Buck have no reason to just take a beach day together.

Joy doesn't need a reason, right? He can just do it.

"Cool," says Eddie. "Let's go."

"Now?"

"What else are we doing?"

It hasn't been a problem, exactly, their lack of things to do. It's just kind of new, the way they're hanging out in the last week. Usually they have Chris, or girlfriends, or boyfriends. They have some reason to stop being together, and now they just…don't. And Buck just keeps on coming over, hanging out on Eddie's couch, in his space, like he can't bear to be in his loft now that Tommy isn't there.

Or something.

"You got some trunks I can borrow?" Buck asks.

"Are we swimming?"

"You want to go to the beach and not swim?"

Most of the time, that's what he does. When Chris was younger he'd get in the water, but the last few years it's been Eddie supervising while Chris does his own thing far enough away that it doesn't look like he's being supervised.

But Chris is in Texas. And, yeah, it's November, but Buck doesn't seem to care.

"I'll see what I've got," he says and finds he has two pairs of trunks in good enough shape that he's not embarrassed about anyone wearing them. Small miracles.

He throws the bigger pair to Buck and then goes to change in his bedroom. Buck will be doing the same thing in the bathroom, not for the first time, but he's never been changing into Eddie's trunks before. Did Ana ever wear anything of his? Marisol didn't. Buck might be the first person since Shannon.

As long as they fit, it's fine. Not a big deal at all.

They take Buck's car, the podcast he's listening to about the issues with the keto diet resuming as soon as he turns it on. Hen has gotten tired of explaining why his diets might be a problem herself and is outsourcing, which Eddie can't blame her for, but he doesn't find the resources nearly as interesting as Buck does. He already knows he doesn't want to do keto.

"You don't need to cheer me up, you know," Buck says, about halfway to the beach, without bothering to pause the keto thing. "I'm doing okay."

"I know."

It's mostly true. Buck has seemed fine with the breakup. Not happy, but not heartbroken either. He's been a little quiet about it, more so than Eddie was expecting. All he'll say is that Tommy initiated it, but he understands why.

"I'm trying to be happier," he tells Buck. "For me."

"Is that a thing you can try? Like, aren't you just happy or not?"

"If that was true, the ocean wouldn't bring you joy, right?" He lets out a breath, his stomach tied in inconvenient knots. "Someone pointed out that when I had the choice between something that would make me happy and something that wouldn't, I picked the one that wouldn't."

Buck mulls this over for a long moment. "I always figured that's because you're more mature than I am." It's only half a joke.

"Yeah, that's one way of looking at it." His breath shudders more this time. "Anyway. I'm not doing that anymore. I'm looking for things that bring me joy. So I figure if the ocean does that for you, maybe it'll do it for me, too."

"I hope so."

They set up like Eddie would with Chris, towels and belongings planted in the sand, the only difference that they left their phones in the car since no one is staying behind. He keeps his back turned as they shed the layers of clothing they have on, but when Buck hands him a tube of sunscreen, he has no choice but to stare at the expanse of bare back. The motions are familiar, nothing he hasn't done a thousand times for Chris, but…

Well, he's never done it for Buck.

Buck makes him turn around so he can return the favor, a much less familiar process. These days, he usually leaves his shirt on.

But he knows Buck's hands. They're familiar, all heat and callus. Careful, incongruously so. Buck looks like he's built clumsy, someone who can't do delicate work, and maybe he knows that too. Like happiness to Eddie, precision doesn't come naturally to Buck. He has to put the effort in, and he does. Eddie's skin lights up with every stroke of Buck's hands, so he's sure that Buck gets every inch.

And then he keeps going a little longer. Just to make sure.

"Okay," says Buck at last. "We're good to go."

Eddie is expecting Buck to run into the ocean like an overgrown puppy, all bright enthusiasm despite the chill, but he's cautious. He dips a toe in, then his foot, then the other. He walks in slowly enough that Eddie overtakes him, even though he's not running. He's just eager.

"The first time I went into the ocean, I was in Virginia Beach," Buck explains without making Eddie ask. "It was May, and I thought it would be warm enough, it was a hot May. But I ran in and it was so cold. I ran right back out."

"Goes to show," says Eddie.

"What, exactly? I know how the water's going to be today. It's cold."

The water is probably around the same temperature as it was in Virginia Beach in May. Eddie shivers, but doesn't stop, not until he's up past his knees. He smiles at Buck, who's still just letting the waves lap his toes. "Yeah, it's nice anyway. It's hot out."

"Not hot enough."

"It's fine."

He's in up to his ankles now. "You're not getting the joy, though."

"I am."

"Eddie."

"I'm getting used to it."

"You're not supposed to get used to it. You're supposed to be be making choices that make you happy right away, right?"

"I am happy," he says again, and it doesn't feel like a lie. "It's nice, there's no one else here. And it's not cold enough for us to get hypothermia."

"Are you sure this isn't just for me?" Eddie cocks his head, and Buck clarifies, "For my benefit."

"Should it be?"

Buck kicks at a wave. "He said I wasn't ready. Tommy. That's why he broke up with me. I asked him to move in with me, and he broke it off instead."

"So he's an idiot," Eddie says. "Always knew there was a chance, but I was hoping I was wrong."

"Is he, though? Was he wrong? I didn't really want him to move in. I just wanted…" He huffs. "I want to be done with this, you know? I'm ready to be with someone. And I think it could have been him."

It's not like getting shot, or even like getting punched. It's like a bullet or a fist going past him, close enough to graze the skin. Close enough that he's thinking about how much it could have hurt.

"But that's shitty, right? Like, how long could I have kepg going just because I didn't have a reason to break up with him? He was…fun. I liked him. I liked feeling like I'd figured it out. Like that was the last piece. I like guys too."

"Maybe it was," Eddie says. The water is lapping against his legs, the surf gentle. He's used to the temperature where he's submerged, but it's only halfway up his thighs. Every time the droplets splash higher, there's this shock of sharp little pinpricks.

He's so fucking happy.

"Maybe that was the last piece, but that doesn't mean Tommy is it. Maybe you're ready, but you're not ready for him."

"I'm just tired," says Buck. "I'm tired of waiting for someone to want me enough, you know? I'm ready to settle."

"You shouldn't," says Eddie. "You shouldn't be with someone just to be with anyone."

"You can build it," he argues, like Chris angling for a later bedtime or more video games before homework. "Love. Like you and Shannon did."

Nausea roils his stomach. "We didn't. It wasn't like that."

"I know it wasn't perfect, but you two were working on it. You were going to--"

"She wanted a divorce. Before she died. That was one of the last things she told me. We weren't going to have another kid, we weren't going to get married again, we weren't going to be together." He's not crying, but in that way where he is very aware that he's not crying. Where Not Crying is currently defining his existence. "I think we could have been friends," he says. "And maybe we could have figured it out. Been together again, made it good. That's what I told myself. And that's…easy."

"Easy?" Buck asks, in a small voice. Like Eddie is telling him a fairy tale he wishes could be true.

Which Eddie is, actually.

"If she was the love of my life and I lost her, then that was it. No one else would ever measure up. Nothing else could ever be as good. It was never going to work."

"But she wasn't?"

"Maybe she was. Or maybe--" He's Not Crying. "Maybe I don't just get one love, or even just one life. Maybe it doesn't have to be about finding her again. It can be about finding someone new. Someone who…"

He chokes then, the words dying in his throat. Buck is dazzling in the sunlight, his eyes as blue as the sea, his expression open, waiting. His whole existence focused on Eddie.

Eddie would marry him today. Eddie would marry him tomorrow, Eddie would marry him yesterday. Eddie would tie himself to Buck in any way Buck could think of, in every way, with wills, with contracts, with mortgages, with handcuffs, with string.

"Someone who brings me joy," he finishes.

"Joy," says Buck. He looks over the horizon, smiles, shakes his head.

Eddie's chest is too small and too big. He's never had so much in him.

"I've never had that," he muses. "Someone who makes me feel like the ocean."

"Like the ocean," Eddie says. "Yeah."

[crimsonwolf715]

Parting Words of Regret

(Alternately, Jason left Damian with the LoA to start getting revenge on Bruce and the others who wronged him in Gotham. He reunited with his little brother upon returning to his family, but things aren’t the same.)

Damian’s studying in his room. 

“Hey, buddy,” Jason says from behind him. 

“Hello,” Damian replies, turning to face Jason. “Why do you look guilty? Did you spike Ommi’s coffee again?” 

Jason smiles. “No, nothing like that. I just have something I wanna talk to you about.” 

“What is it?” 

“I have to go.” 

“Go where?” 

“Going to do some training before I go back to Gotham.” 

“So you’re not coming back?” 

“I am coming back, just once I’ve dealt with Bruce.” 

Damian’s face gets hard. “So you’re not coming back. You and I both know that if Grandfather couldn’t beat him, then you can’t.” 

“I know him better than Ra’s does.” 

“Don’t go.” 

“You know I have to. I’m sorry that I have to leave you.” 

“No, you’re not. Go.” 

“Damian…” 

“Go deal with your strife and we can talk once it’s done.” 

Jason pulls Damian into a hug, which Damian barely accepts. “I’ll see you soon.” 

“Don’t make that promise.” 

Two years Later

It’s been a long three months. Three months since Jason joined back into the Wayne family. Damian made no sign that he recognized Jason, so Jason’s been pretending that he doesn’t recognize his little brother. Jason’s reading in the living room of the manor because he’s waiting on Bruce to show up so he can try to talk him out of making him get a GED. Damian storms into the house and goes straight for Jason. He almost gets to Jason when he stops. He gets this angry kitten look, then turns and storms upstairs. Jason feels a pang of sadness and shifts uncomfortably. 

Bruce walks in. “Where did Damian go?” 

Jason points to the stairs. 

“He got suspended for fighting.” 

“That’s what he was taught to do when he has a problem, but I find it unlikely that he started a fight.” 

“Why? I mean, I know he didn’t start the fight, but what makes you think that?” 

“Common sense,” Jason answers, dodging the real answer as best he can. 

Bruce heads up the stairs and Jason decides that it isn’t worth having this fight today. Jason heads into the kitchen and starts making a sandwich. Tim comes down. 

“Shouldn’t you be at work?” Jason asks. 

“Shouldn’t you be at school?” Tim replies. 

“Fair. Do you want a sandwich?” 

“No, I ate lunch at a normal time, not two o’clock in the afternoon.” 

“Lucky you, I guess.” 

“I do have a meeting to go to, so I’ll be back.” 

“Bye, Tim.” 

Tim heads out and Jason ends up spending the rest of the day in his room, skipping dinner. All the little things are really getting to him concerning Damian. He’s used to his little brother running over to very aggressively tell him that they have to spar or he’ll commit a murder. Or that he’s just been struggling with his grandfather’s impossible standards for him. Damian would tell him everything. He ends up falling asleep without coming to a consensus on what he’s gonna do considering he hasn’t slept much the last week. 

The explosion buries Jason in debris. He can’t breathe, he struggles to get out from under the rubble. He feels himself losing consciousness and he cries out for his dad one time before losing consciousness. 

Jason wakes up in a cold sweat, breathing heavily. He sees a small pair of eyes at his door. 

“Dami?” 

“Are you alright?” Damian asks. 

“Yeah, I’m okay,” Jason answers between breaths. 

“Alright, goodnight.” 

Jason’s door shut and footsteps retreating. Tears spring up in Jason’s eyes and he aggressively tries to rub them away.

I deserve that. I left a little kid.  

Jason lays back down and tries to fall asleep again. Instead, he spends the rest of the night wide awake. He’s exhausted, but he can’t seem to fall asleep. 

“Jason, breakfast!” Dick shouts. 

Jason groans, then gets up and heads downstairs. 

“You look…” Dick starts, but Jason cuts him off. 

“Comment on it, and I’m going to take out your knees.” 

Jason sits down at the breakfast table and everyone’s there. Jason glances at his watch and remembers that it’s a Saturday. Breakfast is rowdy, but Jason avoids talking to anyone. Dick keeps trying to make conversation with him, but he shuts it down with one to three word answers. He gets up and heads down to the Batcave to blow off steam and hopefully tire himself out enough to sleep. He doesn’t tire himself out enough and he spends the day mostly like a zombie. 

That night on patrol, a major villain attacks, bringing all hands on deck for damage control. Jason’s dealing with civilians when he sees Damian running. Damian trips and falls, and he looks terrified. 

“Damian!” Jason runs towards his younger brother and scoops him up quickly. 

Damian blinks slowly. “Jay?” 

“Yeah, I’m here. You’re safe.” 

Damian grabs his jacket and puts his head on Jason’s chest. “Don’t leave me again, please.” 

“Is Robin okay?” Tim asks. “He got hit with a gas and he made a run for it immediately.” 

“I’ve got Robin, he’s alright,” Jason says. “I’m gonna take him home.” 

“Do that,” Bruce replies. “I don’t want him in harm's way if he’s been gassed. Run blood tests when you get back. If he needs it, get him to Leslie.” 

“I will.” 

Jason takes Damian back to the Batcave and easily distracts Damian so he can get his blood. 

“That’s it,” Jason says. “That was easy.” 

“What was easy?” Dick asks. “How is he?” 

“Still fine, and getting blood.” 

It gets quiet on comms. Jason ignores it and starts running tests, keeping Damian held against his chest. 

“How did you do that easily?” Dick asks. “I need you to teach me that.” 

“Maybe later,” Jason replies. “His blood’s got some drugs, but none that will do any lasting damage.” 

“That’s good,” Tim says. 

“Keep an eye on him, Hood,” Bruce says. “At least till I get back.” 

“Will do, boss. Signing off.” 

Jason pulls his comm out. “Do you wanna change?” 

Damian nods, so Jason puts him down. The two change, then Jason picks Damian back up. He carries him upstairs and they settle down on the couch. Damian falls asleep not long after getting settled. Jason runs his hand through Damian’s hair, careful not to make contact with the healing injury near the front of his scalp. He makes sure to keep up on where Damian’s injuries are. 

“I’m sorry I left you, buddy,” Jason whispers. 

Damian makes a soft noise and turns a bit, but doesn’t wake up. Jason’s chest feels tight and he forces back tears. He pulls Damian a little closer and puts his cheek against Damian’s head. 

“I love you.” 

Jason ends up falling asleep too. He wakes up hearing the door slam shut. The sun is out, so he slept for a while. 

“I’m here!” Dick calls out. 

Jason looks and Damian’s still asleep. 

“Shut up, Dickie,” Jason hisses. 

Dick pokes his head into the room and his face lights up like a Christmas tree. 

“Don’t you even…” 

“Awww. Look at you two.” 

Jason glares at him until he raises his hands. 

“I’m gonna go find Dad. Love you, Jay.” 

“Get out.” 

Dick goes upstairs, so Jason returns his attention to Damian. He gently picks his younger brother up and takes him up to his room. Once he’s covered up and still soundly sleeping, Jason heads to his room. He spends an hour in the shower, then heads down to the Batcave. He starts wrapping up his hands so he can punch the punching bag. Damian comes down and goes right over to Jason. 

“Hey,” Jason says. 

“May I speak with you privately?” Damian asks Jason. 

Jason stops mid-taping up his hands. “You mean without cameras? Because we’d have to take a walk.” 

“That is fine with me.” 

“M’kay, let me finish this up and we can go,” Jason replies, continuing to tap up his hands. 

Damian walks over and holds out his hand. Jason hands him the tape without hesitation. Damian starts taping up his hands quicker than Jason was doing it, but just as carefully. Jason smiles a little as his brother finishes taping up his hands. 

“You’re slow. Let’s go.” 

Jason gets up and follows Damian upstairs to the living room. Damian grabs a jacket and offers Jason his. 

Jason takes it. “Thank you.” 

Once they’re out of the house, Damian sighs. “I don’t want to do this anymore.” 

“Don’t want to do what anymore?” Jason asks. 

“Pretending that we didn’t know each other before. You seem to want to, but I don’t want to keep this up.” 

“Hey, I just did it because you didn’t act like you recognized me when I got back.” 

Damian cuts his eyes at Jason. “I did it when you first came back. Like to Gotham.” 

“Oh. Well, I feel stupid. I never want you to do something you don’t want to do, buddy. Except eat your vegetables.” 

“It’s just cauliflower and it tastes horrible,” Damian replies. “You can’t make me eat it.” 

Jason smiles and puts a hand on Damian’s shoulder. “I was just thinking about how I couldn’t keep this up.” 

“Because of yesterday?” 

“Straw that broke the camel's back.” 

“So we’re going to stop this weird act?” Damian asks. 

Jason nods. 

“Good, I’m far past sick of it. Mother’s been wanting to talk to you since you came.” 

“Oh yeah, not dealing with that right now. I’m still too tired for that. Tell her I’ll call her when I’m up for it.” 

“Sure, that’ll blow over well.” 

“What is she gonna do?” 

Damian shrugs, even though his face says he does know the answer. “We should get back before someone comes looking.” 

“Yeah, come on. You gotta hold my hand while we cross the street.” 

“I will kill you.” 

“I love you too, buddy.” 

“Love you.” 

They head back to the manor, Jason holding Damian’s hand.

[sokkastyles]

Got into an argument with an Azula stan who said that Azula foregoing revenge against the Fire Warriors in "Azula in the Spirit Temple" for "betraying" her was Azula learning a lesson after Ty Lee's "betrayal."

And while I do think Azula did learn something from Ty Lee's defection, and that that did influence her decision not to seek revenge against the FW, I don't think she necessarily learned anything about morality or treating people better.

The main lesson Azula takes from Ty Lee's defection is that she can't control people through fear the way she had previously thought she could. Her relationship to the Fire Warriors is similar in that she does control them through fear, but she also uses other manipulation tactics to keep them in line. Specifically, she convinces them that they are better off working for her than they were before, and what better way to do that than to target women who were institutionalized, who she can easily convince that she is saving? That way, she has people whose obligation towards her she can leverage to ensure that she stay under her control.

But then she runs into the same problem she did with Ty Lee, not predicting that the FWs would be more loyal to each other than they are to her, especially when she puts one of them in danger and asks them to disregard one of their own for loyalty to her alone.

There's that tragic scene at the end where Azula is looking down on her former Fire Warriors, and realizes that they, just like Ty Lee and Mai, have with each other something that Azula utterly lacks, and that's companionship and genuine caring for one another. And on some level, I think Azula decides to forget her revenge because she envies that. But if Azula has learned a lesson about truly caring about others, it's only on a subconscious level, because her conclusion is that she can just find new followers. Presumably, ones that she can control better, instead of trying to fight against those she can't control.

So what has Azula really learned? Ty Lee and Mai's betrayal came as a shock because it was the first time someone had ever really stood up to Azula. And as Mai says, Azula failed to understand people in the way she thought she did. But now, Azula knows she can't control someone through fear when friendship and love exist as stronger forces. If anything, she lets the FWs go because she's learned more about when she can control someone, and what kinds of circumstances make someone easy to manipulate.

We don't know very much about how Mai and Ty Lee became friends with Azula, bit their backstories imply that both of them had an emotional void that Azula was able to fill. Ty Lee because of not feeling like an individual in her family, and Mai because of feeling repressed. But that changes when Ty Lee and Mai find something else to fill that need, Ty Lee's being the circus, and Mai's being Zuko. Azula had to take those things away to keep her friends loyal, but that loyalty would not last, because she no longer had that emotional hold on her friends.

So when Azula seeks out new followers in the Fire Warriors, she picks women who are especially vulnerable, whose families have cast them aside, who are desperate. She convinces them that they need her. When they finally realize that they don't, that's when Azula has realized she has lost her main advantage.

This is why a lot of manipulative people end up becoming worse in therapy. Understanding people better can teach a person to empathize, but it can also teach a manipulative person how to manipulate better. Where Azula goes from here is up in the air, but the choice, as it has always been, is hers, whether she chooses redemption or just finds someone else to fill that need for control.

[imadhatt3r]

I've been trying to nail down what exactly Aoba's problem with Koujaku's fangirls is. It's not like he feels emasculated by not having a gaggle of girls following him around- Aoba actively doesn't want to draw attention to himself; Rather, I believe that it's something slightly different: he's jealous.

Aoba always seems annoyed by the way they crowd Koujaku whenever he's working, how they throw themselves at him, how they invite him on dates... Because he want to be like that too, but he can't. He wants to be someone that Koujaku pays this romantic attention to, he wants to tell him about how cool he thinks he is, how much he means to him... But he can't. Aoba's very private, unassuming, and has much too much restraint to do something like this. He feels annoyance towards these girls, maybe even anger sometimes, because they get to do all the things he wants to do, and the worst part is that it works- they're the ones who get Koujaku's attention, affection, and time.

And sure, Aoba knows sides of Koujaku that nobody else does, so he takes refuge in that; He might not get the kind of attention he wants, but he gets a special kind of it that only the two of them share. I think that's the part of the reason as to why he was so shaken up by the Platinum Jail situation- because he realized that the bond they share might be a lie, and that he doesn't know Koujaku after all- so the fleeting tenderness they shared untill now might've been a lie after all too.

This sense of inadequacy doesn't even go away after they start dating. In the re:connect scene, Aoba mulls over how he still has a suspicion that Koujaku is inviting clients to his house. He also thinks about how the fangirls would eat him alive if they found out that Koujaku's dating him, like he is somehow a worse pick than any of the women who are infatuated with Koujaku. Among his reasons he lists his gender, which opens up a whole can of worms on how queer people are treated in-universe. We don’t see any overt queerphobia, but there clearly is some sort of a difference in how queer vs cishet relationships are treated if Aoba sees his gender as a reason he might be a "worse" pick. It's hard to say how much of it is based in actual in-universe queerphobia, and how much it's just something Aoba's blowing out of proportions due to his anxiety. I think that it's more of a "he could've had a normal, more standard/traditional life with a woman" kind of thing.

I think that he mostly just needed time, as in the drama CD that takes place after re:connect he approaches the fangirls more like mild inconveniences, and not reasons to put himself down. Perhaps he finally saw that Koujaku was serious about him and he started to trust him more as a romantic partner?

I guess I just like this slight background arc Aoba has in this route. It's presented at first as if he's annoyed about Koujaku being a flirt, but really, it's just more that he wants Koujaku for himself, and he doesn't like the idea of sharing him with anyone else, even if he isn't fully aware of it.

[qoldenskies]

Think the biggest thing about the family meeting for me is that it's literally just mean. They sit there berating Donnie until he cries. There's a supposed reason for the meeting, but Raph literally says that they're moving on to "serious talk" when they start discussing his "behavior." That entire segment of them tearing him down is literally just for their enjoyment. It's not vindictive in the way their physical abuse of him is, not as calculated as the closet situation. It's literally them just being flat out fucking mean because they're having fun doing it.

The fact that they especially poke at his autism is devastating. It's painful by itself (one of the biggest things people tend to praise about Rise when it comes to ND rep is that the brothers have literally never treated him as a burden because of who he is), but you've mentioned before that Donnie is really the one who suffers from the ND "my identity belongs to the people" experience. He uses his technology to make up for what he sees as deficits. But he's been told that not only does his "useless junk" not make up for his existence, but they absolutely hate those traits as much as he'd feared. I've always kind of thought that this was an underlying fear he never mentioned in Witch Town, mostly because it feels like a very ND struggle: it wasn't just the thought of being replaced by mystic that scared him, but the thought that all his tech, all his effort, had become not enough to make up for his living. Except in CC he can think back to what April said and think "You were wrong. You were wrong and I'm sorry for everything."

the fact that their words prey on a pre-existing insecurity is what makes it so HARD to undo.... like YES they can convince donnie that they DO love him, and that he didn't deserve to be lied to and hit and gaslit and abused, but the problem is that donnie heard all of these attacks on his character, and his behavior, and his sense of self was so fragile that even with the knowledge of the curse in mind, he continues to BELIEVE what they said is true. there are some moments where he intentionally holds himself back later down the line in CL, but after the final attack especially its so noticeable. he's so much less verbose. he speaks like he's embarrassed to be speaking. they've noted that so much of his cute little verbal quirks are gone and that he doesn't sound like himself.

it's because he's completely embarrassed with himself and what he used to be. he doesn't miss how things were, his grief is long gone; he feels ashamed for living in that illusion that he was in any way accepted, thinking he'd always just been embarrassing himself and his family without knowing it. his confidence was so fragile that it really only took something like the family meeting to DESTROY it; but to be fair, they wouldn't have gotten away with it day one because he is on the default defensive, but the anger had already been squashed completely and he was on to bargaining at that point.

and they knewwww godddd they knew. they all knew!

they watched themselves around him!! they always made sure not to go too far when they made fun of him!!! they understood how quick he was to disappear back into himself when he felt rejected and they worked around it because they loved him!!! they KNEW!!!!!

and the curse makes them take advantage of the fact that they knew!! what's so horrifying about the family meeting is that they KNEW how donnie was going to respond, they KNEW it would break him, and they KNEW they were going to get away with it, and they did it anyway because they thought it was funny.

and i dont even think they planned it out, especially apparent by the way raph ended up shutting it down. leo jumped on the opportunity and they just joined in the moment they got the chance to like sharks smelling blood in the water. it meant nothing to them, it wasn't an intentional, planned choice to get revenge or question his sense of reality. honestly, it was probably just them voicing all the shit they said behind his back (some to april.... yikes), and that's one of the things leo was scared about donnie SEEING because it was probably way more vicious. they had zero filter when they talked ABOUT him, because even through the curse there would still be the natural instinct to protect his feelings.

[nyan-bynary]

I'm gonna have to wait out a few weeks to be able to complain about jjk's ending bc rn half the ppl are bashing everyone who expected more as ppl who just wanted gojo back

[waywardsalt]

with my phantom hourglass replay, there are two things i noticed;

a possible theme you could glean from the game is action vs inaction, and i think it's especially prevalent before you even leave mercay the first time, with oshus frequently urging link to not go after the ghost ship, then to just wait until the broken bridge is fixed, and seems reluctant at every turn while link and ciela are more than eager to go and do something about this problem, and the people of mercay in general talking about things and their problems but never seeming to act on their fears or desires, as well as the mention that due to the ghost ship, very very few people are still sailing around, while linebeck is one of the only people we see in the game actively going after the ghost ship and still sailing around. i might make a longer post just talking more about the action vs inaction in phantom hourglass but i just noticed it a bit and thought it was a bit of an interesting sort of theme you could find in the game.

linebeck moves so fucking much. i think he moves more than any npc in the rest of the game. not just in his intro cutscene where he is very animated, just in how much he moves when just standing in his little idle post, it's damn near distracting when the camera is focused on him, he moves a lot. i don't think i've really acknowledged how much he moves, and it really gives the impression that he's antsy or eager to get going, both of which fit him pretty well with how he acts.

[moonlit-orchid]

Normal people: vent about their feelings in a diary or blog post

Me: makes a whole ass zine at nearly midnight

[defilerwyrm]

There’s this guy in town who owns this little house, and a while back he rescued a street dog that was going to get put down. Turned out she was pregnant.

Problem is, he has mental health & drug issues and couldn’t afford to get them all spayed & neutered, so now there are 6 grown bitches with 15 puppies total, and they’ve dug under his fence in multiple places but he can’t afford to fix it so they go roaming all around town. (When I say can’t afford it, I mean his house is currently running on a generator because he can’t afford his electric bill.) He’s also a day laborer so he cannot take multiple full days off work to take them to the vet an hour away. He’s in a really rough spot.

He’s not a bad person. He’s just overwhelmed.

And this little conservative town with 6 churches for 300 people, have they tried to help their neighbor? Have they adopted the puppies he’s been trying to give away? Have they offered resources?

NOPE! All they wanna do is talk shit about him and complain about the dogs but never lift a finger of their own. And they come to his house to yell at him and cuss him out about the dogs, which does not exactly engender in him a cooperative attitude, as you might imagine.

So after a while of this going on, my mom gets fed up with all the NIMBY bullshit and starts talking to the guy, because she’s done animal rescue for 20-odd years and has Connections. He’s resistant at first, but when he realizes she’s not being an asshole to him on account of his addiction or the dogs, he decides to let her help.

She gets to work organizing and networking. Finds a non-profit that will cover vaccinations, spay/neuter, and flea treatments for all the dogs. Talks the next-door neighbor into paying for materials to fix the fence, since this guy can do the work of it himself. Gets him in touch with another non-profit that will adopt out the adult dogs.

Less than 2 weeks after she decided to do something, all puppies have been to the vet, 10 puppies and 4 adult dogs have been adopted out, and the second non-profit is coming by next week to pick up the remaining 7 dogs to ship them out for adoption.

I’ve learned a lot of things from my mom—some good, some bad—but I think the most important positive message she lives as an example of is this: sometimes, when something needs done and no one else is willing, you gotta stand up and say “I’ll do it.”

[adore-gregor]

my perception of grades totally changed since i started uni

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[deadsetobsessions]

Sea Cryptic! Danny AU- Pt. 7

[Pt.1] [Pt.2] [Pt.3] [Pt.4] [Pt.5] [Pt.6] [Pt.8] [Pt.9] [Pt.10]

“I’m having a child.”

Danny stared at Batman.

“…Uh, congrats?”

Batman whips out a stack of paper and a pen. “It’s you. Sign here and initial the highlighted spots.”

Danny instinctively, from years of dealing with Vlad, whacked the stack right out of Batman’s hands and into the bay. He doesn’t even feel bad about littering this time because, “Begone, fruitloop!”

Wait, no, that’s not what he meant.

“I mean- I have parents!”

“Not for long.” Batman muttered and then did a double take. “You have parents? How?”

Danny gasped, placing a hand on his chest to clutch his metaphorical pearls. He ignored Batman’s mutters. Everyone knows the vigilante has an adoption problem. At least, everyone who lived in Gotham did, as everyone who didn’t was somehow convinced that he “worked alone” or some bullshit like that. “Are you naturally this insensitive or were you dropped on your head as a baby? Obviously I had to come from somewhere.”

“They’re still… alive?”

“And kicking,” Danny said, inching away from yet another rich weird guy trying to adopt him. “Mostly the kicking part, though.” He said, remembering the sparring sessions. His mom could kick his as six ways to Sunday with nothing but jiu-jitsu and still have time to work in the lab.

“I see.”

“I’m charging you extra for the emotional upheaval. I have trauma regarding rich people trying to adopt me.”

Batman sullenly handed over a thousand.

“Sweet. There’s a group of shades down here asking if you could find their murderer. Apparently the serial killer is still at large.” Danny pointed.

“Of course. Tell me everything.”

The adoption papers disappeared as Batman went into detective mode.

Danny shoved the cash into his glowing chest and breathed a sigh of relief. He needed to make rent this month so it was a windfall running into Batman.

——

“Hey, Tim?”

Tim woke up from his Power Nap. “Huh?”

“Phantom’s complaining that Batman kept trying to adopt him.”

Tim blinked. “Uh.. what does that have to do with me?”

Danny stared at him, a patiently amused smile on his face. “Just in case the rumor about the Wayne’s sugar-daddy-into the Bats was a thing. Other than that, we might have to confront Batman to get him off of Phantom’s back. ”

“You… want to confront Batman.”

“Hey, man, Phantom’s a friend and it’s ride or die.” Danny snickered. It was literally die, with his Phantom side of things. He held two fists up, and wound them, like Popeye right after eating spinach or something. “And if Batman bothers Phantom, we ride at dawn.”

“Batman doesn’t come out unless it’s dark, though? Or for the Justice League.” Tim grinned. He mentally classified Danny under his “to go to” list. That’s where Bart, Bernard, Cassie, Kon, and Garfield were. If he starts shit, he could count on them to have his back and cause even more shit. Danny, wanting to fistfight Bruce over the man making Phantom uncomfortable? He absolutely is making that list.

“Then we ride at, like, dusk. Or uh, like 10PM. I gotta get my beauty sleep.”

“You’ll definitely need it,” Tim inconspicuously texted the group chat, which quickly blew up.

“Shut up,” Danny playfully shoved Tim. “Wait, can Batman even legally adopt? Isn’t being a vigilante illegal? And how can he adopt someone dead?”

Tim dramatically flailed and splayed over Danny’s carpeted living room. “Dunno about his identity,” he lied to Danny, like a liar. “But Gotham has a bunch of laws for the undead/restored to life people so there’s probably enough gray space there.”

Danny spluttered. “You guys have undead friendly laws?”

“Yeah, geht do you think Grundy just chills out? Plus, we have like a minor resurrection event every few years. It usually doesn’t stick but sometimes it does. Bruce pushed for those laws when Jason came back to life, except he doesn’t actually want people to know he’s like, alive.”

“Jason died?” Danny blinked. Well, that would explain the vibes. “Huh. So what’s up with his rank vibes then?”

“Rank vibes?” Tim pressed record on his phone.

Danny nodded. “Yeah, you know how Phantom’s got like a really chill green vibe?” Inwardly, Danny snickered at his pun. Chill. Yeah, he meant that very literally. “Jason’s got kind of a rank green vibe. He’s kind of stinky? Definitely never introduce him to Phantom.” Danny’s senses got worse in his ghost form.

“Jason regularly showers, though?!”

“Not smell! Like, a spiritual smell?”

“You can smell souls?!” Tim sat up. “Bro, you’re a meta?!”

“Uh.” Danny hesitated. “Yeah. I can smell souls. It’s a thing. Everyone from my town can do it.”

“What?!” Tim paused. “Wait, can Phantom smell souls?”

“Yeah. We’re, uh, from the same town.”

“Danny, what the fuck?”

“Hey, don’t look at me like that, you’re the one with a soul-sick brother! Not to mention, you’re kinda stinky too!”

“Hey!”

“Soul-stinky nerd man!”

——

“I stink?!” Jason spluttered out, extremely offended.

“The Lazarus pits. He’s most likely smelling traces of Lazarus pit on you, you imbecile.”

“We need to speak to Phantom. This instant.”

“I dunno, B. Danny sounded like he was gonna break your face if you bothered Phantom anymore.” Dick snickered.

“Yeah,” Tim chimed in, from his seat in front of the Bat-computer. “He was pretty serious.”

“Are we just gonna glaze over the fact that they’re from the same town?!” Stephanie exclaimed, practicing her moves on a training dummy.

“How does that even work? What does that mean? I thought Phantom was an immortal?” Duke asked.

“We also can’t rule out time-travel.” Barbara slammed her baton into a training dummy, twisting her wheelchair in an agile maneuver that left the dummy on the floor.

“No bothering Phantom.” Cass proclaimed.

“That’s quite right. You all have a warm dinner sitting above your cave and should it remain uneaten, I assure you that sherbet Sunday and crêpe Tuesday shall be canceled.” Alfred stepped in. The Bats, threatened, scrambled to ditch their gear and go upstairs.