#but i think i scrapped it because it didn't feel like it fit his character

[erinwantstowrite]

Hi! I dont usually ever send asks but I saw your post about including more DC characters in your AU's and was wondering if you were ever planning on including Kate Kane and/or Renee Montoya as they are two of my favourite characters in all of DC and almost never appear in batfamily fics even though they both work with oracle, nightwing, huntress, and other members a surprising amount in the comics. I like the idea of Kate especially being reluctantly enamoured with Peter, and that she would remind him of Col. Rhodes as I feel they have similar no-nonsense attitudes, dogged determination, and militant mannerisms while being pretty gentle on the inside. You might have answered this before but are Peter and Col. Rhodes close? I would assume they at least know each other pretty well from his friendship with Tony. Also thank you so much for LOF and all your writing - it genuinely brings me so much joy. <3

i 100000% want to write Kate Kane in the future, though i still need to read up on her, Renee, and Helena to make sure i'm writing them correctly. i started LoF worried about juggling too many characters in the plot and also didn't actually know a lot about the batfam outside of what i'd already been reading, considering LoF was supposed to just be me and alighterwood messing around with a silly au, i didn't think to put more than the cast we have. other aus will definitely have them in the future because i feel bad i missed out on them. i briefly considered putting at least Kate in LoF, but i feel like she would have at least been MENTIONED before now, and it would feel like a cheap throw in. she deserves more attention in another au

and i hadn't thought about it, but Kate and Rhodey ARE pretty similar. Since Rhodey is Tony's best friend, he and Peter get along very well! i hadn't mentioned him too much in LoF itself because, well, LoF was supposed to be 15 chapters originally. it was supposed to be wrapped up a while ago but then i got a little too into writing it. and i made a mistake forgetting how present he'd have been in Peter's life. admittedly, this comes back to me having a hard time juggling so many characters. he'll be showing back up in a couple chapters (when we finally get our Avengers POV) and i hope to remedy that mistake

[rootedinrevisions]

Kinktober 2024: Day 20

THIS IS PART OF THE FRIENDS (WITH BENEFITS) DON'T SERIES! T

PROMPT: “I love it when you say my name like that, baby.”

KINK: Morning Sex

WARNINGS: 18+ MINORS DNI. SMUT (P in V. Lots of kissing and touching.)

WORD COUNT: 3.5k

TAG LIST: See Comments

AUTHOR'S NOTE: I'm going to be honest I was really struggling with my original idea for Kinktober Day 20. It was a different Kink with a different character but it wasn't coming together like I wanted. I had started and scrapped it five or six times. But I also had this that I wrote a few weeks ago. I wasn't going to post it because I didn't think it fit with the story I originally was writing it for (a Jake series that I've since abandoned cause I wasn't loving how it was coming together) but I feel like it could fit the Kinktober theme so here it is! Hope you like it! xx

The morning sunlight filters through the blinds, casting a soft glow over the room. You slowly stir awake, feeling the warmth of Jake’s body pressed against yours, his arm draped comfortably over your waist. His chest rises and falls with the rhythm of his deep, even breaths, and for a moment, you let yourself relax into him, enjoying the unexpected comfort of waking up in his arms. This isn’t how things usually go.

Your relationship with Jake has been easy, with no strings attached. At least, it was supposed to be. But now, with the way he’s holding you so protectively, it feels different. You remember last night—how you’d planned for another casual hook-up, but instead, after, you’d ended up tangled together under the covers, watching a romcom of all things. And then, instead of leaving like he always does, Jake stayed.

Your heart pounds softly in your chest, the weight of the situation settling in. Is this still just a fling? Or is something else happening between you two? The lines are starting to blur.

You shift slightly, careful not to wake him just yet, and glance over your shoulder. His usually cocky, confident expression is softened in sleep, his features relaxed, and suddenly, you’re hit with a wave of vulnerability you weren’t expecting.

You know you should probably move, maybe get up, but something about this moment feels too good to let go. You bite your lip, torn between the easygoing fun of what you had before and the undeniable change that seems to be happening.

Just as you're lost in thought, Jake stirs, his arm tightening slightly around your waist before his voice rumbles low in your ear. “Mornin’, darlin’.”

His voice, deep and gravelly from sleep, sends a shiver down your spine, and you fight the urge to smile. You manage to reply softly, “Morning.”

Jake shifts behind you, pulling you closer for a second before he stretches and rolls onto his back, his hand trailing down your arm as he moves. The bed feels colder without him wrapped around you, and you can't help but miss the warmth. He runs a hand through his messy hair and glances over at you, his usual cocky grin making an appearance. “Sleep well?”

You nod, still feeling a bit off-balance by the situation, and try to keep things casual. “Yeah, I did…you?”

“Better than usual,” he says, surprising you with the sincerity in his tone.

You sit up slowly, pulling the covers around you, suddenly feeling a bit exposed—not physically, but emotionally. This isn’t what you signed up for. Friends with benefits doesn’t include waking up in each other’s arms, watching movies together, and it certainly doesn’t include the softness in Jake’s eyes when he looks at you right now.

You’re about to say something, maybe ask him about breakfast or make some quip to lighten the mood, but before you can get the words out, you feel Jake’s lips press against your bare shoulder. It’s not just a kiss—it’s gentle, lingering, almost like he’s savoring the moment. And it catches you completely off guard. Jake’s mouth has been everywhere on you before, but this? This feels different. It’s tender. Intimate. Too intimate.

Your breath hitches slightly as you glance back at him, and you’re met with a gaze that’s softer than his usual playful smirk. His green eyes seem to be studying you, watching your reaction carefully. For a second, your heart pounds a little harder, and all you can think is what are we doing?

“Jake…” you start, your voice barely above a whisper, unsure of what you want to say. You feel like you should address this shift, but before you can even form a coherent thought, he’s already leaning in again, his lips brushing against your collarbone this time, trailing upward to your neck.

The air between you thickens, and any words you might’ve had dissolve in the heat of the moment. Jake’s hand slides along your waist, pulling you back down onto the bed, your body instinctively responding to him. You should stop and talk about this, about what this all means, but when he moves closer, you can’t seem to find it in you to pull away.

Jake’s lips linger for a moment, his breath brushing against your skin. It sends a shiver down your spine, not from cold, but from something much deeper. Something you hadn’t expected to feel this morning, or maybe ever in this situation. Sure, Jake has touched you plenty of times before, in ways that have sent your pulse racing and your skin burning. But this—this feels different.

Your heart begins to beat faster as his hand, which had been resting on your waist, tightens ever so slightly, pulling you closer. You can feel the heat radiating from his skin, the way his muscles flex just beneath the surface as he shifts beside you. He presses another kiss, this time closer to the nape of your neck, slow and deliberate, as if savoring the contact. It sends your thoughts into a spiral, the question lingering in your mind—What is happening?

Before you can fully process it, Jake’s hand begins to move, sliding from your waist up along your ribs, his touch light and teasing. His fingers graze the band of your bra, tracing the edge in a way that makes your breath hitch. You shift slightly under the covers, your body responding to him even as your mind races to catch up. Every touch feels deliberate like he’s taking his time, savoring every second. It’s not the hurried, frenzied touches you’re used to—it’s slow, almost reverent, and it makes your heart pound in your chest.

His hand moves back down, slipping under the hem of your shirt, and in one smooth motion, he pulls it up over your head, tossing it aside. You don’t even think to stop him—you don’t want to. The cool air hits your skin, but it’s quickly replaced by the warmth of Jake’s hands as he cups your sides, his thumbs brushing against the fabric of your bra. His lips find your neck again, this time pressing a series of kisses, each one sending sparks through your body.

You open your mouth to say something—to ask him what this is, what it means—but before you can, his hand slides around your back, expertly unhooking your bra with practiced ease. He pulls it off, tossing it somewhere in the room, and you suddenly feel exposed in a way that’s both thrilling and nerve-wracking.

Jake doesn’t give you time to think about it. His hands are on you again, skimming over your bare skin as his mouth moves lower, pressing a kiss just below your collarbone. His touch is slow and patient as if he’s in no rush to get anywhere, and it drives you wild. You can’t help the way your back arches slightly, your body reacting to him before your mind can catch up.

As his lips trail down your chest, you feel his fingers hook around the waistband of your underwear, tugging them down with the same deliberate slowness. The way he’s taking his time—like he wants to memorize every inch of you—sends a flush of warmth through your body.

You reach up, your fingers threading through his hair, pulling him back to you. His lips crash against yours, the kiss deep and consuming, filled with a hunger that makes your head spin. There’s an urgency now, but it’s not the same frantic rush as before. It’s something deeper—something that makes your heart race as much as your body responds.

Jake’s hands roam your body with a familiar ease, but this time, there’s a softness to his touch, a kind of reverence that makes your skin tingle. His mouth moves back to your neck, trailing down to your chest, and you can feel the heat between the two of you intensifying. Every kiss, every touch, feels deliberate, like he’s savoring the moment in a way that leaves you breathless.

Before you know it, you’re completely lost in him. His mouth is everywhere—on your skin, your lips, your neck—and all you can do is let yourself fall deeper into the moment, feeling the weight of him, the warmth of him, as he moves against you. You’re no longer just two friends sharing a casual hookup. This is something more. And it terrifies you as much as it thrills you.

Jake pushes your legs a little further apart as he reaches down and wraps his hand around himself. He spreads the precum that formed at his tip around the head with his thumb before pumping himself a couple of times.

He then presses the tip through your folds as he gently pushes into you. His eyes find yours as his hips slowly move until they are pressed flatly against yours. Jake leaned in and pressed a kiss to your lips before he started slowly moving in and out of you.

Your breath started to hitch as he moved in and out of you, each thrust feeling like it was a little deeper than the last. Slowly his pace started to quicken.

“J-Jake,” you moaned as you started to move your hips up to meet his.

You feel his lips curve into a smirk against your neck before he whispers, “God, I love it when you say my name like that, baby.”

Baby. That was new. He’d never used pet names before.

But you didn’t have time to overthink it because his hand slid down your stomach until one of his fingers started rubbing circles on your clit. You felt your back arch up off the sheets as the knot in your stomach tightened even further.

“F-fuck,” you cried out, feeling your orgasm right there.

“Not yet. Wait for me, baby. I’m…I’m almost there,” Jake breathily said as he picked up his face even further. Your hands grabbed at the sheets as you tried to hold it off, but it was getting nearly impossibly.

“Okay, come with me baby.” He breathed after a few more thrusts. Your toes curled and you cried out as you felt your orgasm wash over you. It was the most intense one he had ever given you. It left you feeling slightly dizzy as you laid there trying to get the air back into your lungs.

Once the intensity subsides, your breaths gradually even out, but the room still feels heavy with the lingering heat of what just happened. Jake shifts beside you, his body slightly resting on yours as if he’s reluctant to let go. His skin is warm, slick with a light sheen of sweat, and his chest rises and falls against your back. Slowly, his arm drapes lazily over your waist again, pulling you even closer until there’s barely an inch of space between you.

He presses a soft kiss to your temple, a gesture that feels impossibly tender compared to what had just transpired. It sends a strange flutter through your chest, and you can’t help but close your eyes, sinking into the feeling. His lips linger there for a moment, as though he’s savoring the closeness, his breathing still a little uneven as it fans across your skin.

You lay there in silence, the warmth of his body cocooning you, and for a fleeting second, it almost feels like more than just a fling. Jake holds you like you’re something precious, his grip on you gentle but firm, like he’s afraid you might slip away if he loosens it. His fingertips lazily trace small circles on your hip, an absent-minded gesture that sends ripples of electricity through your skin.

But even as your heart skips in response, your mind is racing. The intimacy of it all—of him kissing your shoulder earlier, of the way he’s holding you now—feels too close. Too much. Like it’s crossing a line you weren’t prepared to cross. You stare up at the ceiling, the fan spinning lazily above you, trying to quiet the thoughts spinning in your head.

What are we doing? It’s the question that’s been eating at you for weeks now, but after moments like this, it feels impossible to ignore. You’ve been telling yourself for months that it’s just physical—that this friends-with-benefits thing is working. But lying here, wrapped in Jake’s arms, the weight of his body still pressed against yours, you can’t help but wonder if it’s something more. And if it is—what does that mean for the two of you?

Beside you, Jake’s breathing has slowed, becoming more even, and you can feel his muscles relax against you. He looks so at ease, so content, like this is the most natural thing in the world. It’s disarming, seeing him like this, without the cocky smirk or swagger. Just Jake, quietly holding you in the early morning light.

He doesn’t say anything—maybe he’s thinking the same things, maybe he’s not thinking at all—but the silence between you feels charged, like there’s a conversation you should be having but neither of you is ready to start. You know you’ll have to face the reality of what’s happening between you eventually, of what it’s becoming. But not right now. Not yet.

For now, you’re content to stay here, tangled up with him in this moment. His arm still draped over you like he’s anchoring you to him, his breath warm against your neck, and the lingering heat from the sheets creating a bubble you don’t want to burst just yet. It’s safe here, in the quiet aftermath, even if it’s complicated. Especially because it’s complicated.

Eventually, Jake shifts beside you, the movement pulling you out of your thoughts. His arm loosens around your waist, and you can feel him adjust himself behind you. There’s a slight pause before he moves, as if he’s hesitant to break the moment, but then he finally leans back. You hear him run a hand through his tousled hair, the sound of it brushing against the pillow beside you.

With a small sigh, you push yourself up slightly on your elbows, feeling the cool air hit your skin as the blanket falls away. You turn your head just in time to see Jake glancing at himself in the small mirror on the wall, running his fingers through his hair again, making sure it still looks good. It’s such a Jake thing to do—caring about how his hair looks even after everything that just happened—and you can’t help the small smile that tugs at your lips.

He catches your eye in the reflection, the corner of his mouth quirking up into a lazy grin. “Pull yourself together,” he teases lightly, the heat from earlier still lingering in his tone. “You look a little... well, you know.” His eyes flicker over you in a way that makes you feel warm all over again.

You roll your eyes, but there’s no bite behind it. Instead, you push the covers off and slide out of bed, your legs still a little shaky as you stand. You make your way over to the bathroom, splashing cold water on your face and doing your best to hide any signs of what had just happened in the bedroom. The cool water is refreshing, helping you regain some sense of normalcy after the heated intensity of the morning.

When you finally feel composed enough, you step out of the bathroom and make your way through your apartment, finding Jake by the door. He’s already pulling on his shirt, his movements casual and unhurried, as if the last hour hadn’t completely turned your world upside down. He glances at you as you approach, a knowing smile tugging at his lips, but he doesn’t say anything.

The two of you walk out together, the easy silence between you feeling both comfortable and charged, the weight of what just happened lingering in the air between you. The sun is just beginning to rise, casting a soft golden light over the parking lot, and for a moment, everything feels almost normal—like this could be any other day.

You head toward your car, the cool morning breeze brushing against your skin, but before you can reach the handle, you feel Jake’s arm snake around your waist. He pulls you close, his body warm against yours as he leans down to press a quick kiss to your temple. The gesture is light and easy, like it’s something he’s done a hundred times before. And maybe he has—but it still feels different now.

Your heart stutters in your chest as the warmth of his lips lingers on your skin. You wait for something more—for him to say something, to acknowledge the shift between you—but instead, Jake gives you a small smile, his signature smirk just barely there, and turns to walk toward his truck.

You blink, watching as he pulls open the door and climbs inside, the engine roaring to life. His truck pulls out of the lot, disappearing around the corner like it’s just another day. Like nothing extraordinary just happened. Like he hasn’t turned your world upside down in the span of a single morning.

And you’re left standing there by your car, fingers still hovering near the door handle, your mind spinning with a thousand thoughts. What just happened? He kissed you goodbye—and went on about his day like it was nothing. Like it was routine.

But it didn’t feel routine, not to you.

Your stomach twists, a confusing swirl of emotions rising inside you. You’re no stranger to Jake’s touch, to the way he holds you close in private, the way he knows exactly how to make you feel good. That was the arrangement—the simple, no-strings-attached setup that the two of you had fallen into. It had worked perfectly at first. Fun, light, uncomplicated. But this morning, something shifted. And it scares you.

You press your lips together, your fingers tightening around your car keys as you replay the morning’s events in your head. The softness in Jake’s kiss. The way he held you like it was more than just a fleeting moment. The way he kissed your shoulder earlier, something so intimate it almost felt like a confession in itself. But none of it made sense. You weren’t supposed to feel like this. He wasn’t supposed to feel like this.

Right?

You lean against your car for a moment, trying to sort through the haze of emotions clouding your mind. There’s an ache deep in your chest—something that wasn’t there before. It’s that feeling you’ve been trying to ignore for weeks now, the feeling that this wasn’t just about hooking up anymore. Not for you. And maybe not for him either.

But then why did he just leave? Why did he act like this was nothing more than your usual routine?

You bite your lip, trying to shake off the growing uncertainty. Maybe you’re reading too much into it. Maybe this is just what happens when you start spending too much time together outside of the original arrangement. Lines blur, things get messy, and suddenly it’s not just about sex anymore.

But the worst part is, you don’t even know what you want. You don’t know if you’re ready to confront whatever this is becoming. If you’re ready to have that conversation with Jake, to open up the possibility of things going wrong. Because things were good—before they got complicated. Before last night. Before this morning.

You sigh, the cool breeze brushing your hair as you glance toward the empty spot where Jake’s truck had been parked moments ago. Your mind is a jumble of emotions—confusion, longing, fear, and something else you’re not quite ready to name.

What if Jake feels it too? What if he’s just as confused as you are?

But then again... what if he doesn’t?

You unlock your car door and slide into the driver’s seat, the weight of uncertainty heavy on your chest. You don’t know where this is going, or what happens next, but one thing is clear: things have changed between you and Jake. And you can’t go back to the way things were, no matter how much you might want to.

As you sit there, staring out at the quiet street ahead, you wonder if Jake is thinking about you now, if he’s replaying the morning in his mind like you are. Or if, for him, this is still just part of the arrangement—a fun, easy fling that hasn’t crossed any lines.

Your fingers tap against the steering wheel, the echo of Jake’s kiss still lingering on your skin.

You thought you had it all figured out. But now, standing on the edge of something new and uncertain, you realize that maybe—just maybe—you’ve fallen in deeper than you ever intended to.

And the scariest part? You’re not sure if Jake’s ready to follow you there.

[rei-ismyname]

EXCEPTIONAL X-MEN #3 FTA

After a pretty disappointing week of X-Men comics it's a delight to read and analyse Eve Ewing's Exceptional X-Men. The repeated issues I have with the other titles are just not present here and after three consistent bangers Ewing and co have my trust.

Emma is right

We pick up exactly where issue #2 left off, and this opening scene of all the main characters makes me realise how tightly the execution is. We know where each of them is at and (at least broadly what they want) - we're getting to know the kids organically. Where the other two books feel like action figures isolated from each other for no good reason, Kate Pryde's need to get away from the X-Men was established before the title even began. She just wants a normal life, to date girls and process her trauma. Emma Frost showing up to answer the call she refused throws her off immediately and they briefly scrap. The kids aren't just saying nothing because they didn't get a script today (hi Jubilee) - they're frozen by Emma. It's a small thing, but it's purposeful and flows elegantly.

Priti, Kate's housemate/friend from school, breaks up the fight for the most relatable reason - she doesn't want to lose the security deposit. Perhaps a sign that Kate doesn't fit into the 'norma'l world as much as she wants...or Emma just really knows how to push her buttons. I think Emma is hurting too, though she hides it under her usual scene-stealing exterior. I can't wait for more of their dynamic. Yeah, they'll almost certainly figure out a working relationship but their pain isn't being dismissed either. I feel like the pair are a successful version of what Gail Simone is doing with Rogue.

They stop fighting and have a little tea party, then Axo asks the question I'd been dreading the answer to - 'do you trust Emma or not?' Kate grew up being terrified of Emma with good reason and never let her forget why she did not trust her. Emma spent decades earning that trust and proving herself a hero, leader and teacher - but the First Krakoan Age had them grow closer than ever before. They worked well together and became friends, they were a force for good on Krakoa (mostly.) It's a shame that this is a metric, but two thumbs up for not rolling any of that back. These feel like the members of the resistance who were there for each other in Fall of X. Kate herself is regressing a little, but it's believable as a trauma response.

Kate doesn't want to train young mutants and Emma does. Prito even has a space they can use and the kids are keen! Everyone is happy then, right? Well, I think that's going to be the core tension for a while. Everyone except Kate wants this, but I think Kate needs this.

This 'getting to know you' circle does a lot of work in centering the young mutants, reminding us they're here to stay while showing us who they are and the beginning of their social dynamic. I haven't been a teen for a long time but their voices sound authentic, even to the point of highlighting that Bronze/Trista is a bit younger than the other two.

Agreed, do not read the comments.

They want to be doing this! One of the most challenging parts of being a teen is navigating peer groups. Solidarity in experiencing the same kind of otherness plus scary body changes is healthy, and it's lovely to chalk up a W despite the fact that 'people hate us.'

This issue also asks the question Rogue did in Uncanny #1, but as organic dialectic. It introduces the tension between self defense and being a superhero when you have powers - the difference between Emma and Kate externalised. Kate is excited despite herself until Emma shows up with costumes, and I think she's right to push back or at least be wary. But is this about her or the kids? It's not the most admirable contradiction but it's very human. They're both right that the old ways were flawed and they need to try something new.

Is she talking about Colossus? MF is not that gentle. Their costumes look amazing.

Unsurprisingly, Emma and Kate are a great team. There's tension underneath there, but they wouldn't be doing this if their friendship didn't run deep. New kids in relaunches past have often had their powers explained by Cerebro or a nosy telepath. Learning about it from their mouths as they're starting to use them in a controlled environment achieves the wiki entry, shows them learning to use them, and importantly gives us more of their personality.

Emma conjures up some Brood-like baddies and everyone freaks out but some growth is evident. It's Axo that figures out they're not real. Kate is not impressed. I doubt they'll throw down, but her sending the kids away feels like an extreme reaction. Good, she's got shit to say and hurts that need to be spoken. The kids don't leave, but we're left with all this tension in the air to be resolved next issue.

I LOVE that the three kids cuddle/huddle in the background.

Who better to break the ice (sorry) than Bobby Drake? Having him just fly in the window and cooling down the tension (sorry again) could feel random and silly but it works. These two have a lot of history and it makes sense that he'd seek her out. Kate has been turning her back on anyone X-related - will she freeze Bobby out too? The kids are awed by him and it's half the Marauders back together, so I don't think he'll get the cold shoulder.

I feel very confident in calling Exceptional X-Men the best X-Men book in From The Ashes. It's got an honesty and sincerity to it while remixing the hits of first arcs and adding plenty of new. The art style is colourful and emotive which adds so much to a book taking people's feelings seriously. If you pick up nothing else, this is the one.

[knight-a3]

Hazbin Hotel Sketchbook Tour Part 10

Masterpost

I need to preface this one by saying that Vox(while not my favorite character) is my favorite redesign. I've made him look so wonderfully stupid, and it makes me laugh every time I look at it.

But first, Angel Dust.

Design notes will be under the cut.

Design notes under the cut

Angel Dust: So Angel makes me uncomfortable. The innuendos and raunchy jokes are not my cup of tea. It's part of why I struggled with his redesign so much. But I think I've finally managed to balance it while also alluding to his mobster roots.

I remember reading somewhere(not sure how canonicallt viable this is but I'm running with it) that Angel doesn't dress super provocatively outside of work. He's more inclined to dress comfy. So I gave him some lounge attire.

But I'm sure he would still want to dress up when out and about in town. So I gave him an outfit vaguely reminiscent of a mobster with the pinstripes and pseudo suit jacket, but also diverts away from it by leaning more into the fashion. He may keep up with modern fashions decently, but he's still a product of his time and upbringing. He's still got some mobster in him. I also preferred the look of his shorter gloves from the pilot, at least on his main set of arms. The second set has long ones like in the series, which would help the animators differentiate them. Tbh, I'd scrap the second set of gloves entirely if only it didn't feel in character.

Overall, I like this outfit for him. I think it balances his femininity and masculinity.

Idk if anyone noticed, but I don't like drawing characters with only 4 fingers. Something about it bothers me. So I've been doing everyone with 5. But I make an exception for extra limbs. Angels' second set of arms has 4 fingers, and the third has 3. Also, the extra sets are black and more bug-like than the main set. I do this to others, like Valentino, as well.

I've also noticed a lot of redesigns give him prominent spider fangs, and I just never liked how any of them looked on him. Instead, I gave him normal teeth fangs

Vox: To begin, Vox needed more bulk so his body could concievably support the old TV models. Twink size wasn't cutting it. The change also had the side effect of making him shorter, which just works better proportionately.

I liked the idea that Vox could never get rid of his original bulky 50s TV, but also wanted him to be able to upgrade. So I decided his true body is the 50s TV, and he adds an upgraded monitor as a head as technology improves. He's hates that he's stuck as an old fashioned TV, so he hides that under his suit. Since the monitor is just an addition, it can be swapped out easily. It can be damaged and he's technically unharmed. But he has to reveal his true body in order to see without the monitor. Unless he wants to use surrounding cameras and move via third person view.

Next, I don't like that everyone seems to have sharp teeth. I want more variety. (Similar to the whole bowtie deal) So I gave Vox "regular" teeth, which help him look more trustworthy. It fits the corrupt businessman vibe. Because his head is a screen, his face can change appearance based on both what he wants and what mood he's in. When he's angry, his face may glitch out, become too big for the monitor, and/or his teeth can become sharp. He might have to reboot after a Blue Screen of Death if he gets too worked up. When he's bored or tired a Voxtech logo will bounce around like the DVD logo, or display a screensaver. When hes feeling sheepish his face will get smaller on the screen(not that he'd ever feel ashame about anything, of course), etc. So many possibilities. I really want an excuse to give him a troll face at some point. It may be an old meme, but it feels appropriate.

Anyway, I love how stupid not having a head makes him look. He looks like SpongeBob and it's hilarious.

[demonic0angel]

DP + Omegaverse (no NSFW)

This is just my thoughts on what the omegaverse dynamics would look like in the DP universe. If you have no idea what omegaverse is, I can answer questions if you’d like! (Please feel free to ask anything, I love yapping)

Danny: beta

- I debated with myself a lot on this and I decided to reach the conclusion of beta for many reasons. Let me first explain why I crossed out omega and alpha tho

- I thought of omega first because he just checked all of the boxes for a stereotypical omega in a fanfic: underdog, weak, somewhat trans-coded, twink. However, I disliked it bc I don’t think Danny himself fits as an omega with him being a ghost. It seemed a little too on-the-nose and I personally didn’t like it that much. I wanted Danny’s ghost form to be the reverse of Danny’s human side, so if he was an omega as a human, he would be an alpha as a ghost. However, I feel like Danny being an alpha when he is Phantom wouldn’t be that suitable with the headcanons I have, so I scrapped that.

- Moving onto alphas, he lowkey fit the idea of the “runt” alpha who becomes stronger later on. It would kinda work if his ghost self was the opposite of his alpha human self too, because he is death and “omega” is the last letter of the Greek alphabet, which could also mean the “end” or death. But thinking of the episode where he splits into two versions of himself, his ghost self doesn’t really give off omega vibes. It didn’t work in my head either.

- However, then I had the thought of ‘would a ghost even have pheromones?’ So therefore, he is a beta when he is human, and he is nothing when he is Phantom. I liked the idea of him being a beta bc betas are often overlooked and I think Danny being a beta would make sense when you think of the other characters in the series. With this, it also makes it easier for me to assign roles for the other two in the Everlasting Trio so they can be an alpha-beta-omega pack.

- His status as a beta means that he is often the mediator between Sam and Tucker. Being a beta makes Danny very neutral, meaning he is impartial when dealing with conflicts.

- Danny smells like mud, rain, dirt, and lightning (ozone). He has a very neutral scent that can be both uncomfortable (dirt and mud) and very relaxing (rain) as well as frightening (ozone). When he gets his ice powers, he probably gets a dash of mint in his scent too.

Sam: alpha and Tucker: omega

- I don’t really ship them together btw, unless it’s a throuple with Danny too

- I thought about the reverse (with Sam being the omega and Tucker being the alpha) and decided not to choose that due to Tucker. Sam would be fine and cool either way; if she was an omega, she would be strong and independent. If she was an alpha, she was cool and badass. If Tucker was an alpha tho, he’d just be more of a creep when you think about him and girls. Therefore, I made him an omega to soften him up.

- Making them both the same designation didn't seem right and I feel like the vibes would be iffy. It would also kind of exclude Danny in a way.

- When thinking about Tucker’s jealousy, it probably started because Danny found a way for him to get attention even tho he has a “boring” status like a beta. Perhaps he thought that he and Danny were in the same boat as being losers, but since Danny found Phantom, he grew jealous of the fact that Danny was able to change social statuses as a hero.

- When thinking of alpha as the beginning of the Greek alphabet and omega as the end, it also fits with both of Sam and Tucker’s themes, since Sam works with plants (life) and Tucker has Egyptian motifs (death, since the Egyptians honored death).

- Sam smells like flowers, plants, and herbs. A really spicy and thick scent, but also extremely calming. Tucker smells like sand, metal, and spices, specifically coriander, turmeric, and cardamom. He doesn’t have a soft scent like most omegas, so that’s partially why no girls will approach him. (Bro’s also got no rizz). At times, they also smell like mud or dirt.

Jazz: alpha

- This fits in perfectly with my hc that Jason is an omega lmao

- Usually, omegas are seen as very maternal. While I make Jazz really guardian-like and parental when dealing with her family, I don’t exactly see her as maternal, mostly because I see her as “sibling who steps in when the parents cannot”, rather than an actual parental figure that Danny looks up to. That is bc the maternal role involves a little more love and care (stereotypically, at least) and while I do believe that the Fentons were neglectful, I believe that Danny was still raised with some affection by his parents, so Jazz never had to step in that role. From what I’ve seen and interpreted, Danny’s main danger growing up was the ghosts and the death traps he was surrounded in. Jazz mainly stepped in to protect him when Maddie and Jack left him alone, so I believe that she would be an alpha, which embodies the role of the protector.

- Jazz is also often seen as the “perfect” daughter or student. Being an alpha would only emphasize that, so it also works out. It also works with her overprotectiveness.

- She smells like oceans/sea salt, sand, and vanilla. I’ve been headcanoning her scent to be this combo for way too long. Her scent is pretty strong, but also very calming. If Shadow was with her, she would also smell of mud and dirt.

Jack: alpha and Maddie: omega

- Debated whether or not to make Maddie an alpha as well, but Vlad held me back. I just felt like he wouldn’t be as obsessed with Maddie if she was an alpha, especially bc he’s so controlling and she would probably fight back (and she technically does, but I think you know what I mean?)

- Maddie being an omega would also make sense when you think of the fact that both Vlad and Jack are (one-sidedly) fighting over her.

- Jack and Maddie are the stereotypical couple, but also really non-stereotypical alphas and omegas.

- Jack smells like chocolate, garlic, metal, and motor oil. He has a really pungent scent and that affects how others see him as well. Maddie smells like flowers, peaches, and machinery, with a hint of honey when dealing with her kids.

Vlad: beta

- It makes him being jealous of Jack make sense a little more since he’s insecure of his own status and the fact that Maddie and Jack were “made for each other.”

- He is extremely insecure about being a beta bc he believes that it hindered him from doing a lot of things, one of them being the ability to mate with Maddie. However, he also has an inferiority complex that started with Jack and strengthened with Danny bc he seemed really secure in his own designation, unlike Vlad.

- He smells like blood and a mixture of tea. Ever since he became a halfa though, he smells like mud, dirt, and diet cola (💀).

Dan: nothing and Dani: beta

- Since Dan is 100% ghost, he technically has no scent. However, if he had a human form, he would be a beta.

- Dani smells like chemicals, rain, mud, and dirt. Her scent is mostly artificial, but she still has enough of a scent that she seems real. Dan would smell like blood, ash, smoke, and mud, an extremely overpowering and worrisome scent. When he’s with his sisters tho, the ash and smoke would wash away and he smells somewhat of a campfire and pine.

Valerie: omega

Paulina and Dash: alpha, Kwan and Star: beta

Wes: alpha

Extras:

- Mud and dirt is a tell-tale sign of liminality (because it represents the dirt around a grave). Of course, the smell of dirt and mud is different for everyone. Danny has a really strong scent of mud, but his is loamy and healthy, while Vlad’s scent is more clay-like and not very strong, since he isn’t a very healthy ghost (so no healthy soil) imo.

- All ghosts technically are nothing, since they lose their designation/secondary gender when they die. However, if strong enough, they can give off a “memory” of their old status and scare humans or other ghosts. Most ghosts powerful enough to do this are usually alphas or omegas.

- Ghosts are probably more terrifying than usual due to the fact that most people are really dependent on their sense of smell to find each other. So since ghosts have no scent, they’re creepier than usual.

- Danny used to only have a small pack that consisted of Sam and Tucker, but after becoming Phantom, his pack grew. They all smell a bit like loamy soil. Despite how he has alphas in his pack, he is considered the leader and they all listen to him.

- Everything else is the same as usual, like heats, ruts, bonding, mating, etc. However, most ghosts are extremely respectful about bonding and mates because it is considered important in life and they respect that. That means that when Danny is spending time with Sam or Tucker during their heat or rut, most ghosts will take that as time off too.

- Jazz and Sam lowkey butted heads due to their alpha statuses, but after they became friends, they bonded over shared issues like being female alphas and protecting Danny.

- Was looking through Tumblr for more DP x omegaverse posts to see if anyone else had the same thoughts I did and I found this post by halfagone that was definitely very interesting! I recommend reading it, since it’s not very long and it introduces fraids in a way

[theplottdump]

EEP! My story queen wants to yap? Then yap we shall baby girl!

1, 7, 8, 10, 13 (or ya know, maybe a selection of these since ya girl went a lil wild and chose a whole bunch ��)

1. Do you hide any secrets in your stories that only a few people will find?  

Scully you're not gonna believe this

7. Do you have any characters you believe might be misunderstood by your readers?

CLAP - CLAP CLAP CLAP Say it with me now -

OUR PHANTOM IS A NEW CHARACTER WE HAVEN'T FULLY MET YET 👏👏👏

8. Are there any plots or characters that have changed dramatically since you initially began writing them?  

(Proto-Poppy's Cult Fit circa late 2023, Root test shots from May)

For this arc everything has been pretty steady. I knew what information I wanted to get across, what points I needed to hit as set up for the Finale of Gen 6 and Gen 7. The biggest change has probably been the Bar scene.

Originally I had it planned as a little dance hall scene. The girls diffuse tension by getting the town to do a little choreographed line dance to Beyoncé's Texas Hold Em. But I didn't want to pose out a line dance, it felt like too much work. So I said hey- what if i made myself do three times that work instead? And it turned into a flashback clip show that took me three weeks to complete, but I think in the end it was way better cause I got to hop back and forth and show little scenes from the past. Revisiting the High School Prom post explosion was probably my favorite.

One Other Change: I originally planned the Christmas Ranch to roughly mirror the layout of Magic Town, with the Stables as the Big Top and the Gazebo as the Carousel. The original plan was to have Poppy chasing the Phantom as the ridiculous environment of the Christmas Ranch slowly morphed and twisted into the Carnival. This got scrapped because I lowkey forgot I wanted to do that, and yeeting her into a canyon felt more realistic than following a ghost for 10 miles back to the Ranch. Eventually she was supposed to catch up to our Masked Man, turn him around, and snap herself back to reality seeing she had turned around Alejandro in the real world.

( horse portkey! horsekey! )

This was scrapped because 1. It's a little confusing since the Phantom is NOT Ale. (see Question number 7 again) and 2. It morphed into more of a "I need to find something to get out of here before I'm corrupted" situation, so there was no reason for her to chase the Phantom any more.

Shoutout to @doctorsimcraft for suggesting Ale dropping his glasses and turning it into a little inter-dimensional meet cute instead.

And if you wanna be a freak about it like I am, technically he touched her hand before she could touch the glasses. :')))

10. If you could choose to be one of your characters for a day, which one would it be? 

SUNNY. I wanna explore underwater caverns with my shitty lil mermaid bestie.

13. What characters do you feel most connected to? Why do you feel connected to that character?

I'd say Poppy. Not like on a personal - IM JUST LIKE YOU / YOU'RE JUST LIKE ME - level, but on a - "I really like this character and oh baby girl you are just getting started I'm so sorry" way.

Also she's fucking on to me man.

[project-sekai-facts]

Do you have info on commissions in general? such as 2dmvs, songs, etc. Anything released by the devs about stuff like what it takes to commission artists for content that’ll be used ingame, how long in advance the creator that’s being commissioned has to be contacted, have there been any rejected/remade commissioned songs, etc etc.

I’m particularly wondering if there’s disclosed info about the song Order Made and any other commissioned songs that had the Sekai version vocaloid tuned by the producer, because how would the game’s management arrange for that?

Here's some stuff I know

Most of this is taken from the Corocoro producer interviews, and you can find them all here. I mainly just skimmed them for trivia, but they're worth a read and there's probably some stuff I missed.

According to devs, the process of commissioning and producing songs can take around 8 months, though according to individual producers, the production of the song (not including recording vocals and mixing) can take anywhere between days and about a year. Producers are given a story summary, along with some words and phrases that staff would like to be reflected, and then given free reign on the rest (though management does oversee things)

In addition, event plot outlines have to be finished by the time the producer is commissioned for the event song, although this definitely didn't seem to be the case earlier on in the game, as you'll see further down this post.

According to Project Message vol.15, earlier commissions would have their SEKAI version Virtual Singer picked based on the producer. This is why Nijiiro Stories has two Virtual Singers, as staff decided that MEIKO and KAITO fit the image of OSTER Project best.

Both TONDEMO-WONDERZ and Showtime Ruler had their first drafts scrapped. Tondemo was because Sasakure didn't like his early drafts, but Showtime Ruler's first draft was rejected by staff because they didn't think the style was right.

Surii actually made two versions of Kagirinaku Haiiro e. He asked staff to pick which one they preferred and that's the one in the game.

DIVELA wrote two songs before Tenshi no Clover

Depending on the artists, the song can take a matter of days to compose, or months. For example, DECO*27 composed needLe in 3 days, but it took Giga 6 months to finalise Ready Steady.

Here's an interesting one. Karasuyasabou looked at fans talking about WxS stories to help him with writing the lyrics to Showtime Ruler, alongside reading the stories himself. He describes the song's lyrics as being "written with the fans".

There's a bit of a grey area in how things were handled early on. For example, DECO*27 mentions in his Corocoro interview that he was given character illustrations and he talked about story, suggesting that he was given something to work with there. However, PinnochioP mentions only being given the prompt of "abandoned theme park" and some character designs, and NayutalieN mentions only being given character designs because things weren't set in stone at the time (I think NayutalieN was approached very early).

So yeah, MORE! JUMP! MORE! was written with no knowledge of story. NayutalieN was informed of things as they progressed, but it was still vague details that he was given. Also mentioning fragments of feelings in the lyrics was a complete coincidence.

OSTER Project mentioned in her interview that On A Holy Night, This Singing Voice had not been completed when she was commissioned, so she also worked from very vague details.

40mP was another producer who was approached long before release

SEGA specifically asked 40mP for a song with a "serious story" but "not too dark" (same link as above)

Meanwhile, HachiojiP was advised to add classical elements to RAD DOGS fit the event story

Ayase was contacted long before the release of the game as well, despite his song not releasing in-game until quite a while after release.

Ayase also was given the privilege of choosing what unit he got to make a song for. He chose VBS because he thought they fit hit vibe most and because he thought they were cool.

Police Piccadilly was requested to make a song that wasn't "too agressive or over-the-top"

Aqu3ra was given a bit more free will though, and was just told to make their comm sound how they wanted it to

They also made two demos, and after consultation with staff, chose one of the demos to finalise

TOKOTOKO was told to make "a song that would be exciting in live performances". As you can probably tell at this point the prompts received can vary greatly between producers.

there's not a huge amount of information outside of the corocoro interviews, and they've only done up to Yuukisan (Mirai) so far, so there's limits on how much i can tell you. Also not every song got an interview, so now Nulut, no Mafumafu, no Neru unfortunately. I suggest to keep an eye out for new interviews if you're interested; they seem to be going at a pace of one or two per month.

[shhh-secret-time]

Kenny McCormick

27 y.o (He/They)

Soul Synergy: Flowers grow on your skin wherever you soulmates been injured.

Headcanons:

¤ The only reason he's able to go to college is because of Kevin.

》 Kevin goes into the military as soon as he can, since then he's put money to the side for Kenny and Karen

¤ Kenny still works multiple jobs at a time to give back. Feels like he can't just accept the money

¤ He didn't actually go into college until he was old enough to adopt Karen, he couldn't leave her behind

¤ Going for Robotics/Mechanical Engineering

》 I always saw Kenny as the kind of guy who is a savant at things he cares about, so even though he's not a great test taker he's phenomenal in the field

》 He's the kinda guy that stays up until three in the morning going down the Wiki rabbit hole. Next time someone hangs out with him he's going on about snail facts.

¤ If he ever does find the time to himself he spends it on his car.

¤ Bought an old police car from the scrap yard and has been working on it since

¤ Once he gets it up and going he uses it for street racing, earns a little extra cash that way

¤ Absolutely does everything in his power to keep Karen away from that scene

》 She eventually finds out and starts going to watch his races, cheering her brother on

》 His number one fan (I'm crying)

¤ Keeps his parents at an arms length. To the point they don't even know where Kenny and Karen moved to

¤ When Kevin comes home they visit him often. The siblings get together for holidays, birthdays, and breaks.

¤ They moved into the same apartment complexes as Stan and Kyle. They're upstairs neighbors

¤ Will jump down from his balcony to theirs when he comes over, instead of using the front door like a normal person

¤ It isn't until he starts street racing that he joins Stan's board game nights. Now that he's got the extra time

¤ Loves DnD night, but he's the kind of player that's absolutely silly. Has lost two characters already

》 Is the best role player at the table! Has made the table burst into tears over the death of his characters

》 Makes these dorky guys and then makes you fall in love with them.

》》 Definitely flirts with his friends, claims it's in character.

¤ He'll drive Karen anywhere she wants to go until she gets her license. He doesn't want to be her parent but he can't help but worry

¤ His phone is cracked to hell, but he doesn't really care. As long as he can see the screen well enough and make calls it's fine

¤ He collects bottle caps, he doesn't know when it started but he likes picking them up and turning them into pins.

¤ Started using mint/candy tins to keep his stuff in. They fit in his pockets easier

》 In the tin: pair of headphones, chapstick, lighter, a note from Karen, stickers, and a really cool rock he found

¤ Probably has another tin that has sewing supplies, he still has a habit of sewing things back together rather than getting rid of them

¤ His Heelyz are his favorite pair of shoes. He wears them every time he's about to race, says they bring him good luck

》 They were a Christmas gift from Stan, it's the only reason he owns them

¤ Usually has rags covered in oil or grease tucked in his pants, the chain on his pants has little charms. Things Karen has made him and keys.

¤ He had three piercings on the shell of his ear, but when Kevin left for the military he took it out and gave it to him.

》 Said he'll put it back in when his brother comes home.

¤ He's trying to stop smoking but it's a losing battle.

¤ He's still running around as Mysterion with his inability to die.

¤ The power changes as he gets older. He now wakes up wherever he deems home to be. It's not something he can choose, it's what his heart thinks home is

¤ So he wakes up on the couch of his little living room, Karen sleeping in her room.

¤ His body reverses back to when he first got his Soul Synergy

¤ Kenny doesn't get his Soul Synergy until he's in his late twenties.

¤ Doesn't really know why it took so long for it to show up but he's not complaining

¤ I don't think he freaks out when he first sees plants push through his skin

¤ It's alarming for sure, but he just kind of looks at it

¤ It isn't until he notices the scars on his body left from the plant don't go away that he takes it seriously

¤ He tries to keep some of the plants, but he doesn't exactly have the knowledge on how to take care of some of these plants

¤ He gets a little sad when they die

¤ When he finds his soulmate he's more attentive to his body

》 Not just where the flowers grow from, but he's better at taking care of himself

¤ He can't stop being Mysterion. He knows people still need him, and he needs this, but he's not as reckless with his body.

He's sitting in class, zoning out again. Whatever the professor was going on about was a distant thought. The tired behind his eyes weighed him down. He had his head leaned back against the wall, his hood pulled up to add a little extra comfort. Trying to stay awake, he's bouncing his leg. The motion doing very little to keep him awake.

But the sleepy blonde doesn't stay that way for long. The familiar feeling of plants pushing their way from under his skin up into the surface wakes him. He sits up almost in an instant when an orchid breaks the flesh, poking out of his mask. From the side of face, another one blooms and stretches out towards the sun.

No blood. But the side of his face stings, the feeling of a handprint buzzes where the petals touch.

Kenny stands up abruptly, cutting the professor off with little to no care. His hands nearly miss grabbing his bag from the way he beelines it to the door. As fast as his legs carry him, he runs out of the room leaving behind petals, leaves, and the protests of his professor.

(Here's the blank ♡ )

[askcometcare]

question, was there ever a scrapped cometcare kid?

OOC: FUN FACT TIME! From 2019-2021 Soob was kind of in existence-limbo where she had a theoretical design but I just couldn't think of a personality that would make her fit in with the other kids. Originally her interests when I designed her were more like Marcos, but I couldn't get a personality down. When I made Marco in 2020 I kinda just took Soob's original planned interests and threw them onto my vague personality concept for Marco (which was to be the "tired" eldest one, based around his allotpun). Soob didn't have that to her, and I basically didn't really use her at all from late 2019 through early 2021. In the second half of 2021 I attempted to revive her with the name Miles, but once again I ran into the issue of having no idea what I wanted her personality to be or how to even make her fit in. I was gonna make her have interests in writing but personality wise I was just clueless. Therefore I barely used her or developed her at all once again.

That's why in her old art section there's so little, despite her actually being one of the oldest legacy Cometcare cast designed in 2019 like Sly and Cream and Frosty. It wasn't until I started the blog in 2023 that I decided to try a new take on her, and I loved the magician idea a lot. A lot of the other nearsiblings didn't actually exist until I decided to make the ask blog. I had a really really vague concept for Chloe back in 2022 but never actually actualized it until I decided I was gonna actually do something with these characters after an ask blog got suggested to me by someone on here.

I think I've said before that despite having lore and personality and relationships and everything for these guys, I didn't actually have a real story or anything planned because I wasn't really making a comic with them. I just drew stuff of them and would rp with them and stuff. I treated them very differently than I did the main comic. Even now, I still treat them very differently because I feel a lot more creative freedom when it's a nonserious ask blog for-fun AU I'm working with as opposed to my serious dedicated webcomic.

[starcurtain]

respectfully the reason people mischaracterize aventurine in the specific way you mentioned in the tags of "canonically not caring about wealth or power" at least is a lot more simple than you'd think; because the devs said otherwise. in the livestream where acheron and aventurine were revealed (so right before we actually got that tb quest where we learned everything) the ceo and the writer outright state that he seems to have an obsession with amassing wealth.

now obviously we can now look back on this with hindsight, they said a lot of things in there that make more sense with context (example; mentioning that his original kit being focused around dodging left him the only party member alive was scrapped even though they joked about it being fitting might have made him look like a jackass, but now recontextualized as being about his luck only saving him) but i would argue that when the writer of the story and the ceo of the company look into the camera while revealing behind the scenes details and say he has an obsession with wealth (even if there are now multiple interpretations of that, from thinking he intentionally plays into that facade to thinking that's how he coped after losing his reason for going on) and that is the first impression a lot of people had of his real character if they didn't follow leaks, it's kind of no wonder that it's so common of an interpretation.

Yeah, I think I take this with a strong does of skepticism though, because:

A) Everyone knows the devs lie in previews in order to keep secrets about characters, and, as you note, what they say about characters tends to be wildly out of context. We all remember those comments about Gallagher not being plot relevant at all lol. Should we still believe that just because it was said by the devs once?

B) At this point, why would you be engaging in the fandom for a character if you skipped or put off doing any of his content in the actual game? Playing through 2.0 alone, let alone 2.1, would reveal to anyone paying attention that Aventurine is a very duplicitous character who puts on a specific persona as a mask to hide the fact that he thinks of himself very differently on the inside.

I feel like we can use the "the devs said this" as an excuse for a little while, but once the character's content has been out for months and provides a completely different picture of the character, if you're not willing to update your "first impression" of the character to an more accurate portrayal of them based on what's actually in the game... then like... why be in that character's fandom at all?

That's just my opinion anyway. This might not be the nicest thing for me to say, but I do feel like if people refuse to move on from an impression they formed of the character before the character was even released... then what they've created is an OC, not a portrayal of the actual canon character anymore.

[fantasygerard2000]

Hypocrisy in WISH Criticism

Wish is one of those types of pieces of media where people talk more about its reputation than the actual film itself. Mainly due to its reputation for being a "letdown" of a movie meant to celebrate Disney's centennial anniversary. However, what they meant by "letdown" is a complicated matter as most of the vocal complaints about this movie are over a version of a character that was scrapped.

Now, the legit genuine criticism I get towards this film is that it's half baked. I myself even wrote down the things I thought that would refine this movie.

I get why most people ended up not liking it. I get why the songs don't fit. I get why certain characters missed the mark. I also get why they made questionable choices.

However, what I don't get is why they think Asha's is the bad guy and Magnifico's is the real hero. Why this film needed a villain couple. Or why fangirls think a glowing Jack Frost recolor could've saved this movie.

But I already know why, and they're I do not something agree with.

Starting with...

The Villainization of Asha

Asha's character is quite frowned upon by most critics. She labeled as another quirky girl and that her motivations are flawed. This is just a surface level reading by morons who couldn't look pass her "quirks" which are actually few and far between.

The only moments where she's quirky is during her interview with Magnifico, her meeting with Star and her attempting to use an improve wand Star gave her. And she isn't all that quirky, nor were the heroines before her. They just act excited, make goofy faces, get all awkward.

I get that people were tired of these kind of main character, but she's more than just being quirky. She's determined, passionate, idealistic, selfless. She cares deeply about her community and the people she's close to and love. It's why she cares about wanting the wishes returned (emphasis on RETURN, not granted) because she sees how unfair it is for someone to live a life without feeling complete. She sees how people can achieve their dreams and greatness desire if they try to pursue them. It's literally in her song, "To have something more than this". Ironic given that "fans" want something more than a mid movie but literally missed this major factor about her character and the film's message.

Her motivation to return the wishes is greatly misunderstood as her being selfish. Selfish, for what exactly? She has no ulterior motives nor goals that are self centered. Sure, she ended up becoming a magic user and granter of wishes in Magnifico's place, but she initially refused the position. I get why the film's message says they don't need magic for wishes to come true, but Asha being made into a fairy godmother is so she can do what Magnifico should've done in the first place; safely granting the wishes by helping them pursue them. Asha's sole motivation is to help others. It's why she applied to be Magnifico's assistant apprentice.

But why are these motivations to help others are being read as "selfish"? I'd probably say racism but that's just too easy. Instead, it's more likely deliberate ignorance. Asha came across has "annoying" to some people, didn't payed attention to her motives cuz they're too fumed over her being "quirky" and misread them as her being an idiot whose gonna destroy Rosas.

One has to to be this stupid to actually accept that this wasn't accidental. The writers are not that dumb to actually wrote this in. Anything that comes across as slightly accidental is branded as deliberate by media illiterate asshats.

Magnifico Almighty

Magnifico may be a (hot) mess of a villain but "complicated" he is not. Well, he sorta is but this complication is the result of vagueness. And people tend to use vagueness as an opportunity to either make stuff or obscuring major factors, like his right to rule Rosas.

Magnifico is split by critics either as "a tragic hero who once swore to protect his people" and "MANIACAL POWER HUNGRY TRYANT", which are separate things. I can see why they think this is the case and how that makes him an ineffective villain but, they ignore the part where Magnifico has always been shady.

From the introduction song, Asha addresses that people forget what their wishes were once they give them to Magnifico. That's initially seem as a good thing until she figures out that taking away people's memories of their greatest desire means they have no motivation to pursue it. This is the equivalent of taking away someone's necessities to access a more fulfilling life happier without them knowing.

Magnifico created a system that mostly benefits himself by having people rely on him to have their dreams fulfilled without knowing when he will are what they are.

"But, what about him swearing to protect the wishes?" I hear you say. He uses that as an excuse to keep them. He even breaks that promise by breaking Sakina's wish as punishment to Asha and finding that crushes and finding out absorbing the wishes gives him more power. He even falsely promised his subjects that once he has Star, he'll grant their wishes, basically contradicting his alleged belief that the wishes should not be granted.

Even his backstory is no justification for his actions. A recent trend of "tragic villains" have been criticized for being more prevalent in media. Even characters who aren't even villains are branded as such. An even understandable complaint is that they are being redeemed in spite of their crimes. And that's essentially what Magnifico's simps are doing. Pardoning his atrocities because he's a tragic sad handsome white baby who "only wanted to protect his people", ignoring the part where he inslaved them once he has enough before to no longer rely on them.

I initially see Magnifico as a bad guy who thinks he's a goof guy, a unique take for Disney villain. But after rewatching and negating claims that he's a good guy, I see him as a once good intentioned man who's paranoid about losing control and wants to remain in control by be seeking more power.

The people who think he sucks as a villain just don't know what a villain is anymore. They even bill characters who are accurately described as antagonists as villains and even characters who only briefly act antagonistic at the climax as villains. Hell, they think Alma, Ming and Anxiety are villains while Magnifico is not.

Tropes Are Not Your Friends

Wish gets flack for not having its own identity because it relies too much on referencing the previous well known Disney films. I find this criticism rather dumb, largely because Wish was deliberately made to be an homage to those films.

And despite what people say, Disney's older and more well known films, especially the Princess ones were the subject of poorly misinterpreted online criticism. The same kind of criticism Wish is getting today. Princesses being misinterpreted as damsels waiting for a prince, villains being the true heroes because they're gay icons (which I find iffy given that what they are saying is that gay people are evil) and the princes having no personality.

Now, despite what people think that Disney does not pay attention to these "critics" they do listen to their complaints, hence why their recent films deviate from the formula. Frozen subverted the "true love's kiss" as an "act of true love", the act being Anna saving Elsa from Hans. The reason why the trolls and us the audience think the act is a kiss because that's what we expect from Disney. And despite what people say about Hans not being a good villain, he is known for subverting the prince charming trope.

Magnifico is kind of like Hans. Kings in Disney movies are always expected to be the big good like Triton and Sultan, however, he subverts this by being the villain.

Asha, despite not being princess by blood or marriage, is often treated as one by both fans and detractors. Complaints about how she should not wear the color purple is mute, mainly she's not even part of the brand but also she's made as a not to heroines long before the Princess brand was made.

Even tho I have written numerous post about my disinterest and annoyance about fan rewrites and how they tend to be the same but with minor differences, there's this "vibe" about how they made Wish more blander than it already is.

Now, it's no secret like Wish as is even I get it's "fine", but adding in stuff like a love interest would not only make things too cluttered, but would be very unnecessary to its premise and themes.

You see, Wish's message is about encouraging people to try and pursue their own dreams instead of relying on a system and waiting. Adding in a love interest for Asha would be a very unnecessary addition because she has to try to free and return the wishes while falling in love. It's a fine concept on paper, but on execution? This film has a short runtime and if even given an extra few minutes this romance would feel rush.

People tend to use Tangled as an example as it is the last fairy tale princess film with romance as a major plot point, with Rapunzel and Eugene finding out they can start a new dream together. The thing here is that Tangled is conditioned to have a romance because it's original fairy tale has the two main characters fall in love and marry at the end. A lot of Disney's princess films are like this. Even Frozen despite its original fairy tale not having a traditional love interest, except in cases where Gerda and Kai aren't siblings (Elsa is a composite of Kai and the Snow Queen btw so you're welcome for that information), Anna and Kristoff fall in love because it's expected for them to be. And that's why Kristoff's subplot in the sequel is ass.

Wish is not based on an existing fairy tale but is inspired after films that were adaptations of them. The creators could have chose to make a different film and have it be a fairytale romance, but they choose not to. Because they intend to make a film with a different premise.

Animation Fandom's Hypocrisy

Even though this journal is about Wish, a major factor why it's rated as the "worst" Disney film is largely because of this unhealthy competitive mindset audiences have.

There's this claim that's spread around about how they want an original hand drawn animated film. A claim that's dubious over the fact that they complain film companies making sequels and reboots that rely on nostalgia baiting more than they do watching those films.

This also brings up how animators are being disregarded on the matter. When a show is cancelled, they complain about they won't get to see more of it while the animators are over there struggling to find other projects to work on. Crunch is a real issue in both mainstream and indie industries.

Even if you give that an original animated hand drawn film like the described, they say "we want better". They are moving the goal post. They don't actually want an original film, what they want is a film similar to the ones they already seen.

The claim that they want original hand drawn films is a lie the moment they got angry The Boy and the Heron won the Oscar over Across the Spider-verse. The Boy and the Heron is an original animated film made by a well known an respected animator while Across the Spider-verse is a sequel.

This isn't the first time this behavior was on full display. They have this pathetic feud between Puss and Boots: The Last Wish and Turning Red. The Last Wish being a sequel no one asked for but love it so much they compare other films after it as inferior. There are also these dumb tiktok/shorts comparing Disney and Dreamworks, with clips literally showing gay characters on Disney's side while villains are shown on Dreamworks' side. I find this rather immature because these kinds of fans thinking maturity is about cool villains and fight scenes. But no, maturity does not equate to death and sex jokes. Disney's maturity are all thematically while Dreamworks' maturity is all visually.

Disney's previous recent films mature have mature elements. Encanto is literally about a woman's trauma of losing her husband and the effect it has to her family. Soul was about existentialism and living life to the fullest. Turning Red is about breaking the cycle of unhealthy parenting. These are all mature themes but because Disney is the punching bag for things unrelated to these films, they are considered inferior to true art.

I refuse the reality that there's "peak fiction". Because what peak fiction is a piece of media you really really like and want others to be like it.

[iridescentpull]

Gatos e Rosas will be on hold for a week or so since I have a VERY busy week ahead of me and won't have time to write the new chapters.

As an apology, I did a thing on twitter that for every like the tweet received, I would post one fact about a character of the GeR universe (mainly fitpac ofc).

So here's part one of those facts, hope you enjoy :) lmk if you want more!

Ramón was adopted by Fit and Spreen when he was barely 3 years old

Pac lost his leg in an accident (will be explained in the story) when he was 19

Fit went to the army straight when he was fresh outta highschool, thinking he knew everything (he didn't)

Pac's amputation is an above knee one, also known as a transfemoral one

Phil and Missa are in a queerplatonic marriage

Tina works in the fashion industry and has dreams of owning her own boutique and line in the future

Quesadilla City is a small city in a fictional island located in the Northern Hemisphere

Ramón is autistic, and he goes nonverbal whenever he's extremely stressed or overstimulated. He and Fit communicate through sign language when that happens

Pac has diagnosed depression and anxiety and takes meds for it

Cellbit and Roier met when they were called to the school because Richas and Bobby had a fight

Fit figured out he was gay when he was in his teens, but didn't accept it until he was in his late twenties/early thirties

Roier does drag, aka Melissa

Quackity HATES Chayanne, and the feeling is mutual with Chayanne. Their hate-relationship started since Chayanne was a toddler

Missa works in a really famous orchestra, which means he often has to travel around for concerts, leaving his family behind for long periods of time

The first few weeks after Pac was alone in his new apartment for the first time, he fell into a rough depressive episode. He slowly got better after adopting Xereta

Ramón's special interest is the Krebs Cycle. Fit has no idea when, what, or how his son even learned what the krebs cycle is, but he's happy to listen Ramóns infodumps

After Pac and Mike immigrated from Brazil, Mike searched high and low for somewhere they could stay that would be cheap until they could get back on their feet. He met Bagi, who was searching for more roommates at the time. They moved in, and the Favela Five apartment was born

Death Family live in the more country side of the city, around the same area as Mike and Mine

Fit lost his arm up until the shoulder, also known as shoulder disarticulation

Pac and Mike met in the orphanage at Brazil when they were both seven and five, respectively

Fit and Phil met just when Fit was discharged and lived together as roommates until Phil met Missa

Quesadilla City is a VERY diverse city, with immigrants from all over the world having their little communities spread around. The Favela is one of the most popular communities, though!

Cellbit works at Ordo Theorita’s Publishing House, and he dreams of publishing his own thriller book in the future

Pac is transmasc, and had his top surgery in his midtwenties after the Favela Five managed to scrap enough money to pay for it

Ramón's biggest fear is his dad being lonely. His second biggest fear are heights

[snowblack-charcoalwhite]

Hello, I just found your blog and after going through a lot of your posts/asks I completely agree with most of your opinions on HOTD ss2. I also wanted to ask your thoughts on the characterization of Aemond and Aegon this season. With Aemond there were a lot of disappointments for me in how the writer treated his character. I know the two nude scenes caused a lot of mixed opinions, but in my opinion, they were completely unnecessary and didn't contribute much to character building. Like Alicent's 3 sex scenes, I feel like the showrunner is just taking advantage of Olivia/Ewan's popularity. Aemond has very few lines, does not interact with anyone in his family, and we hardly know what he thinks about the events taking place. He is removed from the narrative and we hear about how others think of him rather than knowing what he really thinks. Him becoming a villain left a bad taste in my mouth because of the way the writer stuffed it and forced us to swallow it instead of finding a way to build it up properly. It makes me, an Aemond and Ewan fan, feel sad for effort that Ewan has put in just to receive little screen time and bad writing for the character he cherishes so much. With Aegon, even though I'm not a fan, I found him very interesting right from season 1. And in this part, I think the writer has put in effort to compensate for what is considered to be worsening the character's image. Overall, Aegon in ss2 was received very well and he won the sympathy of the majority of viewers in the fandom. Looking forward to hearing your thoughts, ss2 disappointed me a lot and I have very little hope for the second half of the season, but I still look for reviews in the fandom because it's still a highlight for me after every episode.

Good day/night!

The way Aemond has been treated this season is awful indeed. Of all the Green characters he suffered the most (maybe along with Alicent) from the writers attempts (regrettably, successful ones) to divide TG and deprive them of common purpose and pretty much any affection for each other. The scraps of the latter we got (for example, those between Aegon and Helaena) might have gone unnoticed altogether for the majority of the viewers if not for the actors' interviews (and I doubt that many of GA folks have watched those anyway).

It seems that the writers decided to make Aemond into a "lone wolf", so to say: a person who, due to some kind of mix between arrogance and grievances suffered in the past, feels like he doesn't need anyone in this life because 1) everyone he searched love and compassion from failed him, 2) he is utterly confident in his ability to handle every problem that may arise on his own. I personally don't like the concept of Aemond being isolated from his family - but the main issue here IMO is not even the idea itself but the execution. While I'm not a fan of the brothel part either, I believe that those scenes could have fitted into his arc better - if not for the sloppy and neglectful manner in which this arc has been built. Skipping the important bits of Aemond's story (like reaction of his family members to Luke's death), making him indifferent to the murder of Jaehaerys and depriving him of the scenes that could have connected the different points of his emotional and psychological journey (mainly of the scenes with other Greens) - all of it makes it difficult to perceive the different sides his character is supposed to have.

Ultimately, as I see it, both Aemond and Alicent are treated by the show as tools for presenting the audience with the story of Westerosi feminism: the former - to uphold the image of "cruel men", the latter - to paint the image of a victim (who is also kind of responsible for her own suffering at the hands of men because she chose the wrong side).

As for Aegon, he's been the luckiest out of the Green characters storywise - but it doesn't mean that I'm satisfied with the show version of him. Dumbing him down, using him as a way to show how callous and cruel other Greens (specifically Aemond and Alicent) are - that's not the treatment I wanted for one of my favourite characters. I would even go as far as saying that if the Aegon we have seen in the show so far was the only Aegon I knew (without me having any knowledge of either source material or Tom's interviews or participating in fandom) he wouldn't be one of my favourite characters as I simply would have very little interest in him. Once again, in comparison with other Greens he's doing really well, but I can't help but feel that Aegon - and Tom - are also being used to create a character the audience can pity and to have a good shot at the Emmy campaign. And as soon as HBO guys get what they want (or if they don't get it), Aegon might be thrown under the bus just as easily as it already happened to Aemond after he attracted lots of attention to season 1.

To sum it up, the main issue of HotD is that HBO doesn't care for the characters and for the story: it cares for the hype, viewing numbers, reviews and awards. And with this kind of attitude it's difficult to expect any significant improvements in the quality of the show.

[rouge-fox-expanded]

I love Hazbin Hotel, the story, lore and the songs! And like many of us I was drawn to Lucifer like a moth to a flame, which incidentally is what many of us are projecting onto Valentino. Now Hazbin much like Good Omens is taking much of the theology surrounding the old testament to be the point of origin of heaven and hell along with all the old lore from hell. We see this in Helluva Boss a lot with three out of seven of the sins revealed, Beelzebub being the sin of Gluttony, Azmodeus being the sin of Lust and Mammon being the sin of greed with I believe mentions of Satan (wrath), Belphagor (sloth) and Leviathan (Envy) and Lucifer being the apex (Pride).

Now behind every great man there tends to be a great woman, and this seems to be especially true with Lucifer as we have the enigmatic Lilith, the woman that came before Eve. She was made from the same dust as Adam, made to be his equal and yet things didn't go so well, she would leave the garden and be punished (I don't have all the theology but I think she was cursed to give birth to demons or couldn't have children herself) and so eve was made from Adam's rib to be more subservient. Now in terms of Hazbin lore Adam and Lilith were created equal but Adam tried to assert dominance and Lilith wasn't accepting, yeeted out of there and that was the start of her meet cute with Lucifer whom from what we have been told was a bit of a trouble maker, but in the sense of being a creative and imaginative soul who's ideas didn't fit the mould of divinity. This is the first instance of what I love about the show: NUANCE. The angels believe everything is black and white despite the plot and characters proving time and time again that this is not the case, Lucifer from what we have seen of him is blantantly not evil. Lilith on the other hand, well that's where the theories start pouring in.

(warning long theory post)

I will admit I have been using the canon scraps from both the show and the interviews to project an image of Lilith as the Morticia to Lucifer's Gomez and I share Vivzie's head canon that she would be voiced by Lady Gaga. Seeing Lilith and Lucifer as a power couple, disgustingly in love whilst sticking it to heaven and rallying up hell using Charlie's hotel as a form of malicious compliance/lawful defiance would give me so much serotonin. However this is just a theory and imagining based on limited information and holds as much water as the other theories which paint Lilith in a much darker shade. Lilith's screen time in Hazbin hotel is less than two minutes and most of that is flashbacks (one of which is dubious) and she has no spoken lines and no insight into her motives or feelings and given that season 2 is coming at us at 2025 at the earliest the more ravenous of us are already making ideas of what kind of character she is going to be.

Now quite a compelling theory is she could be very similar in attitude and personality to Adam, yes you heard me right. Adam is essentially the poster child for toxic masculinity coated in so much narcissism, the fact that for 90% of the show has him wearing a mask is pretty symbolic of this as it means he never has to worry about anyone seeing him as weak because his mask can literally keep him covered (even if it slips, looking at the court scene in episode six). Now Lilith being similar in personality to Adam would certainly explain why they didn't get along, both thought they were the apex and wanted to be in charge. Whilst Adam is the epitome of toxic masculinity Lilith could very well be the avatar of toxic femininity and yet she is limited by her own humanity and the whims of divinity...until she meets Lucifer, someone whom also has big ideas, a lot of imagination and most crucially doesn't feel like he belongs amongst the other angels. Lilith probably thought God had answered her prayers.

Now I personally don't think Lilith is the defacto villain, that would rather fly in the face of the nuanced take Hazbin shows us. Hell isn't forever and Heaven isn't perfect, it's not black and white and we need to look into the gray but let's assume Lilith and Adam were similar in their extreme personalities, does this mean that Lilith is going to be just as bad as Adam? I would argue not necessarily and the reason for that is consequences. Out of the two, Adam doesn't suffer any consequences until the finale of Hazbin hotel season 1 (or at least none that he seems to be particularly showing asides from some hints at the mention of eve and we haven't even asked about Cain and Abel) but for Lilith...she's been suffering consequences for millennia. Now we go back to the lore of hazbin hotel, according to the info dump Charlie gives us in the beginning Evil is it's own seperate and conscious entity, it's even got a name according to interviews and creator bts talk: Roo. And so heaven keeps evil in it's place by maintaining strict control over creation and life on earth (apparently). In the old stories Adam and Eve get kicked out of Eden because a snake offers Eve an apple telling her that it will grant her knowledge of morality. Incidently in the original bible story the snake is just a snake, no mention of it being lucifer but in the hazbin lore Lilith and Lucifer plan to give the apple to Eve so as to gift humanity free will. NOW, here comes the nuance take: was this the wrong move? Because free will is so intrinsic into human nature that without it are we really human? How could someone be good or bad if they didn't choose those actions and by that logic how could a human be judged through a moral lense if they don't have the capacity to act on morality? Yet by giving Eve the apple and allowing humanity a choice between good and evil, well...this gives evil an opening to root into earth. Black mixes with the white and things become gray, heaven is pissed!

And as a consequence for this reckless act, Lilith and Lucifer are sent to hell, where it's all black. This kills Lucifer's creativity and he becomes depressed, Lilith however makes a comeback and establishes herself as the queen of hell and is able to rally up the demons and because of this amass of a power base, heaven is like 'welp, gotta do something about this' and apparently it was Adam who was like 'how about a cull?'. Adam is rewarded for his aggressive, violent and frankly appalling behavior and yet Lucifer and Lilith face the consequences of their own recklessness. If we are to assume Lilith and Adam started out with equally selfish personalities one got worse from being a winner (as we can see what he's like in season one) whilst we don't know what millennia of being a loser did to Lilith. There is of course one character that's very existence shows the light in Lucifer and potentially Lilith and that is Charlie, because if two fallen souls consigned to the worst place in creation can raise a daughter like Charlie Mornigstar then they can't be all bad right? I mean I would hope that Lilith did indeed love her husband and her daugher, because that's what a lot of those portraits/photos in Lucifer's man cave seem to tell us. Perhaps hell and raising a family taught Lilith some humility and she was able to grow in the way Adam clearly did not, having to face the consequences of a clearly broken system would have certainly shaped her ideas and attitudes but how do we explain her seven year absence? Well that's what Season Two will do (I hope) but as a lot of us aren't prepared to wait until 2025 we've all developed some pretty hot takes based on the limited but compelling information we've been given.

-Lilith has been missing from hell for seven years, the same time Alistor has been missing leading many to believe she is the one that owns his soul (a deal he is desperate to get out of now that he's aware of his own mortality and growing empathy)

-Lilith is in heaven due to a deal with Adam, and now that he's dead (for now) she is expected to go back to hell and bring Lucifer and Charlie into line so as not to threaten the foundations of heaven.

And that's all the canon info we have

That's literally all the solid information we have in regards to Lilith and many have used this to assume she is a shitty mom for just hanging on a beach doing god knows what for seven years whilst Charlie has been trying to carry on her legacy through the hotel and Lucifer's depression reduced him to a forced apathetic shut in.

But of course this is Hazbin and Helluva, and the lore is rich with that sweet grey nuance so calling Lilith a villain seems a little presumptious. I am not saying that is incorrect, but given that the main antagonists of season two are apparently going to be the Vees we can hope that Lilith isn't going to be Adam 2.0 for season two. Now I am going to briefly entertain some other theories before making my pitch for how I see Lilith; in episode 5 we see a flashback of lilith taking Charlie away from Lucifer during the song more than anything, and many eagle eyed viewers pointed out that the silhouette didn't have the same hairline as Lilith in the photos (and later in heaven) which lead them to spectulate Eve might have had a hand to play in this. This is a theory I actually think holds some water primarily because Adam is a fucking idiot, and any deal he would have made with Lilith would have had Sera or one of the other higher seraphim pulling it's strings. Adam isn't a schemer, but the other archangels well they know how powerful Lucifer is so keeping him contained and harmless would certainly be on their agenda and having Eve playing Lilith to keep him and Charlie from building each other up would certainly be a tactial move. And let's face it if they were able to kick him out of heaven and cast him into hell then wrecking his marriage wouldn't be that big of a deal for them. But then where does Lilith fit into this picture? We know that Lucifer negotiated that only the sinners could be killed during the exterminations, now would heaven grant him this simply to keep him placid or would he need to offer something in exchange? Maybe Heaven accepted this deal at first but Lilith continued to resist so they were like 'okay, how about this? You get to come back to heaven and stop all this resist and rebel shit?' and the stick to that carrot was 'it's either this or we go after hellborns too', and not prepared to face those consequences Lilith obeyed

Heaven has already crushed Lucifer's spirit, it took them longer to deal with Lilith but getting her in heaven and away from her family certainly solved the problem of resistance and with the exterminations keeping sinners in check everything became routine...until Charlie was like 'erm, redemption?' well that and the fact one of the overlords accidentally killed an exorcist (something Adam and Lute took personally). Now Lilith being in heaven actually affords her a few advantages that being in hell does not, because if it becomes public knowledge she is there then Heaven is gonna have several huge problems so her silence is not just golden but MANDATORY. If Lucifer knows she is in heaven this could explain how he was able to get Charlie that meeting, that kind of knowledge can certainly open doors and Lilith being close behind enemy lines would be privy to a fair bit of knowledge assuming she had any long term plans or schemes. And any of those schemes would certainly be helped by the current state of events at the end of season 1, Adam is dead (and potentially a sinner man in hell), the exorcisms have been made public to heaven, redemption works as proven by Sir Pentious getting a divine promotion and Lucifer is proactively supporting the Hazbin Hotel. The corrupt system that punished her and her family again and again has just suffered some massive pushback, the divine order is unsteady and there is confusion and more importantly: opportunity. And Lilith isn't like Adam, she's had to deal with consequences since the apple was given to Eve, she has had to grow, adapt and take all the shit that was thrown at her and deal with heaven's shit for a long time. It could certainly have made her a better person, or a worse one but I bet you it has made her pissed. And now Lute is sending her home to clean up the mess they made? That doesn't just sound like a spectacular mistake, but a damn good story.

So like the rest of us, I cannot wait to see Lilith in season 2. Maybe she will be a villain, maybe she won't be but I am betting she is going to be spectacular, I have faith in Vivziepop and I believe in Hazbin Hotel. And if she is voiced by Lady Gaga and does a duet with Jeremy Jordon I am going to sqee so hard the neighbours dogs will think it's an attack.

[bonefall]

the whole thing with the author defending (?) tom the wife beater is so repulsive, and then you read it again and i don’t think bumble is mentioned ONCE. she scrounges for sympathy with turtle tail, but the other one? the fat, useless, other one? forget her! (this is negative towards the authors, i adore the better bones stuff, esp how bumble is treated. vote bumble :) )

I really cannot get over it... to angrily write out a whole screed on how the strongest punishment is regret and not consequence, compare the sentiment of a reader that "Tom didn't deserve heaven" to his physical abuse of Turtle Tail, and then not even mention his other crimes of kidnapping and torture.

Even in death, Bumble isn't important enough to mention. As the books continue, they even continue to only mention her death as an unfortunate accident, or evidence of why kittypets can't join Clans. Even though she was MURDERED.

I think the statement is a good exercise in the difference between a post advocating rehabilitative justice, and abuse apologia just dressed up as it.

There IS a point to be made about how the idea of a Hell/Prison just makes bad people worse. We often have a desire to punish, because we FEEL better getting catharsis seeing A Bad Guy suffer like they hurt others. But that alone doesn't really fix or address a problem.

For example, it's really common to feel that kind of revulsion at a drug addict who robs a convenience store for money. Does it actually reduce addiction rates, or undo the trauma of the assaulted cashier, or help prevent it from ever happening again to throw the robber in a broken prison where they come out, 7 years later, with no rehabilitation?

The answer is no. It didn't help anyone. 7 years pass and he's still addicted to substances, possibly even worse, because prison just made his life shittier. As a leftist we can recognize that compassion is usually the answer.

(Unless, of course... someone needs to be removed from a position of power or actively prevented from attacking others. Violence is the answer sometimes.)

But the thing is, the author didn't SAY that. What they did was compare the impulse for catharsis, to TOM'S DESIRE TO BEAT HIS WIFE.

NO, those are NOT the same thing. Your desire for comeuppance towards a wifebeater character getting a redemption reward for "saving his child" after a long life of cruelty without consequences, is NOT THE SAME as Tom the Wifebeater inflicting pain and suffering on people out of spite.

She had to phrase it in the worst possible way for this argument to even LOOK like it made sense. "She broke HIS rule of Don't Be Mean To Tom" vs "He broke YOUR rule of Don't Be Mean To Turtle Tail." And "Now he's being taught how to be lovely"

Physical abuse, emotional abuse, and kidnapping are not "being mean" and it's both sick and insightful that she'd call it that

Domestic abuse is not a "failure to be lovely," it's the act of harming your family or partner to control them.

Tom the Wifebeater is a character who was not written with a scrap of nuance. He is not a real person. All they did with him was consistently show how much pleasure hurting people gives him, then say him dying for his biokid absolved everything

So in this series where you establish there are Born Evil Truly Malicious people (ONE EYE IS IN THE SAME BOOK), but then turn around to cry that Tom the Wifebeater can be made lovely off-screen...

You end up saying that domestic abuse isn't in your arbitrary "evil" category.

And that's so fucking fitting for the arc of Clear Sky's "redemption," where the same book ends off on Thunder saying that his abusive, woman-killing dad wasn't so bad all along because he's not like One Eye.

The answer's just that simple. They don't think male abuse is all that terrible because it's the same as an impulse; explicitly not malice. So it doesn't make you "evil," and only "evil" people deserve the Dark Forest.

(Dont question the Dark Forest as a concept or how starclan defines evil though :x dont worry about it :x)

[chuuzmii]

People saying gay/queer Eddie wont happen is blowing me because... what else could Eddies storyline be building to like?? It is most definitely happening brother😭 like mama lets research:

-They said we could have gotten bi buck in season 4 and queer Eddie in season 5 but it was scrapped.. we got bi buck season 7... gee i wonder what they're re cooking up for season 8 🤔🧐

-They made marisol a nun just to give eddie even more catholic guilt and catholic guilt? It's historically gay sorry i dont make the rules eddie boykisser. (Im joking but this arch seriously had eddie analyzing the toxic masculinity he was raised with/grew up around which is something that a lot of queer poc men or queer military men do before coming out. Im also like 90% sure this guilt is the reason he had a breakdown and started dating his ex-wife's evil twin but who knows 🤷🏾‍♀️)

-Eddie and Tommy were supposed to be together S7 but they scrapped it because they didn't think it fit. I see people using this as a reason to think RG or production don't want queer Eddie but I am genuinely confused by that because in MY mind it's another reason why S8 gay Eddie is going to happen. I dont think they scrapped it because they didn't want it but because it didn't fit Eddie as a character like there is no way Eddie 'i cant be honest with myself unless i have a mental breakdown first' Diaz is going to be out and proud in an 8 episode season. And also I think they knew the writing and episodes were going to be a bit wonky this season and that there was NOOO way they could write a coming out that fit Eddie with the strikes going on.

Ntm all the shit the production/crew does to make me think its going to happen. Oliver only posting Buddie content, members of the crew liking and replying to Buddie tweets, and that one insider going on the Eddie rant on twitter (this one barely counts for me because i have no clue who this person is but ik some care about what they have to say.)

gay eddie is going to happen i can feel it in my left ball u guys just STAY STRONG.