#but i remember for all the rest

[lovelandfrogman]

VIBRATING EYES EMOJI AT THE R&G???

HEHEHH so basically i always wanna doodle rosencrantz+guildenstern but like. how i think abt them, there’s definitely no single set version?

like i’ve watched a whole ton of r&gad productions (plus looking at the r&gs in hamlet productions), and obviously there’s the different appearances+different genders! but ALSO, even though the script clearly gives them set personalities, i’ve found theres a lot of nuance in the ways you can play the two that characterizes them completely differently??

so basically whenever i doodle them i just draw 2 random ppl and give them an aesthetic/setting and fiddle with the r&g dynamic a teensy bit. so i wanna just design a boatload of different iterations at some point!!! just like a whole ton of little r&gs.. hold them in your hand..

i feel like most of the r&g fanart out there is from the movie or from certain productions so i think it’d be cool to see more of ppls own designs for em!

here’s one doodle page i did a while ago when i was slightly sick and delirious i wonder if anyone would be able to tell which is ros and which is guil in each duo

[hinamie]

in spite of everything, I had fun <3

[ducktu]

Duke: WOW, how can you even say that about my people-

Jason: Hold on, being black doesn't have anything to do with it-

Duke: BLACK? MY PEOPLE ARE BAT VIGILANTES, WHAT'S WRONG WITH YOU?, CAN YOU ONLY SEE RACE?

Jason: *screams*

[nenoname]

Cute wholesome fics where Stan teaches Soos or Wendy how to drive were always so funny to me because...

And while he insists that everyone in town has ran over McGucket before, we also know he ran over Toby too and absolutely did not give a shit (understandable in that case)

But then again...

Also bless Mr Honeypants

And another detail I love is that his car is casually filled with parking tickets

How many tickets are in Ford's name...

[sserrafeim]

I think we as a society should be obsessed with the shadowhunters books again

[starflungwaddledee]

a light shines through a cloud of colour fumes and i can feel the warmth of the sun

Gravity, let me go ♫⋆｡♪ destroyer - of monsters and men

⋆｡ ﾟ☁︎｡ ⋆｡ ﾟ☀︎｡ ⋆｡ ﾟ ┊ ┊ ┊ ┊ ┊ ┊ ┊ ˚★⋆｡˚ ┊ ┊ ⋆ ┊ ★⋆ ┊ ◦ kirbytober 2024 #01 ★⋆ dream // revenge // song

[shiraoyagi]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[theminecraftbee]

Grian had taken her aside quietly. He'd awkwardly talked around the idea of her remembering now; apparently, he didn't know if her victory counted. She'd rubbed the back of her head and hadn't quite realized what he was talking about and said something about the games and, ah. Apparently she does remember now. Apparently the victory counts. Apparently this means he needs to say sorry.

Cleo considers not accepting the apology. Grian would get the wrong idea then. If she said: you don't need to apologize for shit, or maybe, there's nothing to apologize for, he'd take that as: you are exactly as bad as you're convinced you are. Honestly, Cleo's not sure whether that means Grian would decide he'd done nothing wrong or everything, but that's besides the point.

She'd never not remembered, is the point.

Frankly, Cleo hadn't realized people were meant to be not remembering. She's honestly a bit embarrassed not to have figured it out. Surely that can't be right. Cleo has held every single slight and every single ally and every single person she has ever connected to right in her ribcage, next to where her carved-out, unbeating, torn-up heart lies, the entire time these games have gone on. Each game, a new fact carved into the bone that makes them up.

Names ribbon around her memories. Bdubs and the Crastle and Scott and soulmates and Pearl and friend-turned-foe and Etho and survivor and Bigb and traitor and Scar and son and everything else. She wouldn't be the same at all if she didn't remember. Everything she is, it's built on top of everyone that was.

Maybe it's a zombie thing. The undead are said to be memories that can't fade as much as anything else, after all.

But she can't really explain this to Grian, of course. If nothing else, that would require explaining the place he's taken next to her heart, too, and frankly, that's way too mushy for the both of them. What ends up coming out her mouth is: "Oh. Does that really change anything?"

Grian stares at her a moment.

"You know, I guess not?" he says.

"Right then," Cleo says. "Cool. Good to know my victory means nothing then."

Grian squawks. "You can't just say it like that! That's depressing!"

Good enough.

She buries 'not-supposed-to-remember' 'not-sure-if-it-counts' 'laughing-as-scott-dies' and 'I-have-always remembered' in the same place in her ribcage, so she won't forget it, and then she does the thing that sets her apart from the common zombie:

She moves on.

[sundrykitsch]

all dressed up!!

[meowmeow1meow]

worm’d

[fatal-blow]

one thing i havent seen anyone talk about yet in dungeon meshi is how sometimes the party just fucking. forgets important info. and usually it bites them in the ass but it feels so natural and human. like yeah my ass would probably forget what namari said about senshi's pot too. and then whatever plans the party makes are always built on half-remembered info, autism sauce, luck, and a solid chunk of actual dungeoneering expertise at its core

it's actually what really makes me wonder sometimes if dunmeshi was based on an actual dnd campaign, because the goofy fuck ups just SCREAM "pack of dipshits playing dnd together and NO ONE is taking down notes"

and then ryoko ties it all together into a unique sequence of events that never perfectly resembles A) whatever the reader thinks they might do or B) whatever the party had planned in the first place and turns it and its just augh. its so good!! i wanna see what these freaks think of next!!! what fucked up shit are you guys gonna do to get out of this one!!

[wolfythewitch]

Hey I wanted to ask, one time you said you disliked the then-current drafts of 'not sorry for loving you' because of the calypso representation in them, so what do you think of the final product?

Hummm I mean tbh, it didn't change much from the drafts so my opinion remains largely the same haha. I think it could be an interesting attempt at manipulation? But my issue is specifically with the line "I love you. But not the way that you want me to." I saw some people say it could be him trying to placate her, but the thing is he leaves Immediately after, which would make trying to placate her not very useful. It's almost like a last word kind of thing? But it's crazy work for your last words to your captor to be I Love You

[hinamie]

the same flame that burns you; birthed you first

p1

[lifemod17]

"I love you too, don't you ever forget that"

🎥: thisphantomlife

Riverstage, Brisbane || 11/18/2024

[turtleblogatlast]

Love the thought of Leo just casually being well traveled to absurd degrees. Like one day they’re facing their new Big Bad of the year and like, Draxum or whoever says that the key to their fight is located somewhere in, like, Latvia or some place, but no one knows where to start.

Then Leo’s like “oh I know a place” and when asked how the heck he could know of one it smash cuts to Leo falling through the ceiling of said place due to a portal mishap.

Also love the idea of Leo, being as accidentally (and then later, purposefully) well traveled as he is, sometimes taking his family on outings to different places all over, maybe to some new Yokai spots he found along the way.

In these places, Leo 100% lets his bros get scammed by tourist traps.

[thatfaerieprincess]

WATCHED C3e99 DOWNFALL PART 1 AND UHHH I HAVENT DRAWN FAN ART IN YEARS BUT THE MUSE REALLY SPOKE TO ME THIS TIME

Step 2 figure out how the Emissary actually looks